ribbon Mikes in this is been explained um
but few different ways from other people I'm they
here sound more as we do
are years here sound and there's something about the way a ribbon
has a certain amount of capturing harmonics that particularly on mid-range
with across-the-board ribbon mic small will work really well on
every application but home depending
I'm kinda record you're making you might choose condenser or
to my kind of local because it tends to be more bright and its
you can push it up in your face will further but particular guitars the
mid-range
that is captured and the warmth in the bottom
from really only for me really Mikes him can do %um
home I mention like Mark crew back in the day
you used to from you could put our a
RCA up on camera calls up on capitol about blowing it and I blew a lottery
Mikes
back in the day for me they love their sound but they couldn't capture
other SPL level bet
is now able to be captured by me Royer
ribbon mic I show up you changed changed to a large lead
a display the really this year will look
measurement levels are okay and I am
mechanic do the same
think drill here which is
disorder here's the
to
good
good immediately on this sound which is actually I feel like you've got a little
bit more bottom in the other
um the 101 the blame for the 11 really focuses the sound for me
where the little bit too much 121
answer to get to be a circuit get home
love it too much but on low in pushing out and start to wanna like put in a
high pass filter
on the low end of that you choose the 101 for this II may depending on what
you're actually doing it soloing do
and really focus do
and then to
do
got a little more down here it makes you want to reach over somewhere on the
console and
and maybe putting I passed huh
flexi soloing that that's just the one on one right now
Perry
we
and and that your just the 121
do 101 Winslow's
with this dampen is absent
there's a little the the 121 has just a little bit at
added Lohan might like and a lot more spread out in a way that
you know
to debit your reality check use the 57
a mob
again that the thing about but 57 is
on its own I found it very metallic like
again were you on every other music wrapped around him
play me records have been made for years with just that one microphone
but for me I have to have something the blender with it
you know I've been doing it for years is this it just doesn't work on the
complimentary
microphones bills that sound out way more than just a 57 and it has been over
the last decade or more for me is always the writer and producer
and anything that I have to say that um be
a lot of people don't understand them im you know it has to be shown to
understand it is you you know you have to understand where the diaphragm is
on the 57 you have to understand with the ribbon is
or you know a call to remember basic the diaphragm is on the
on the ribbon because you need the 57
and the ribbon mic to be absolutely in phase as far as where
you place them just got that so that's a great point maybe we you know let's
let's
that shows him some options will yeah it is it's really important that you place
the two Mikes in phases not just looking at the brother Mike that's not enough
because i the mighty a
well a57 is slightly receded if you take a 57
you look at 57 the capsule 57 has receded
somewhere between a half to three-quarters of an inch away from the
actual
peso the 57 and then when you hold and look at Arroyo
the flange love the 121 is actually
wear the ribbon is am basie the center
love the 101 is where the ribbon is you can see because it's withholding the
living together
and you have to place like okay we'll let you know
here's the here's this mike is that my can you have to be able to look down
and no that they are absolutely call with make sure the right
right with each other you don't get into phases yet and that way you can actually
start blaming them together
and not have comb filtering when you're adding
you know the two microphones so
a lot of people that don't place them correctly they don't work right
they don't do well I'm so I take a lil very specific amount I mean I
use mice special Royer
mag light I and I actually
make sure that I focus that flashlight
right on the dome and I C
and I have a specific place that I placed the river Mike
and then I take the 57 and I make sure it's
absolutely in phase with the river might and I shoot for
where the dole meets the paper but I have to explain it because
know it won't do what we're doing here the might my placement is
is just as important as Mike pro-choice Mike you know
or were even your bland if you don't have a policeman actually original
reasons told the crucial
yeah great points