1 00:01:15,725 --> 00:01:17,004 Where you from? 2 00:01:17,206 --> 00:01:19,324 I'm from Holland, and this is like... 3 00:01:20,045 --> 00:01:22,125 Ten hours for me. It's, like, across the world. 4 00:01:22,325 --> 00:01:23,884 I came here for this audition. 5 00:01:24,125 --> 00:01:27,404 I told all my boys at home I'm coming to funk in front of Michael onstage. 6 00:01:27,606 --> 00:01:30,804 I'm just gonna dance for him. I don't care if I make it or nothing. 7 00:01:31,085 --> 00:01:32,685 Thank you, Michael. I'm excited. 8 00:01:32,885 --> 00:01:36,844 You've inspired everything in my life. My energy. 9 00:01:37,045 --> 00:01:38,284 You're why I dance. 10 00:01:38,485 --> 00:01:41,485 I remember being a little girl and watching "Thriller" with my mom... 11 00:01:41,685 --> 00:01:44,164 ...and thinking that was the coolest thing in the world. 12 00:01:44,366 --> 00:01:47,684 I go to sleep and just wake up, and the first thing I do is not even eat. 13 00:01:47,885 --> 00:01:49,644 I just start playing your music... 14 00:01:49,805 --> 00:01:52,605 ...and start just dancing and moonwalking on a rug. 15 00:01:52,805 --> 00:01:56,084 I was like, "What I would give to be onstage with you. " 16 00:01:56,285 --> 00:02:00,125 And the fact that I get to do that is amazing, so... 17 00:02:00,765 --> 00:02:03,124 I'm from Australia... 18 00:02:06,645 --> 00:02:10,804 And I got word of your audition two days before it was about to happen... 19 00:02:11,005 --> 00:02:13,684 ...and I was on the next flight over. 20 00:02:13,965 --> 00:02:17,844 It begins. This is the beginning. I'm not even onstage yet. 21 00:02:18,045 --> 00:02:20,684 Like, I can't even imagine what's gonna happen backstage... 22 00:02:20,885 --> 00:02:23,964 - ... that first show in London. - I'm looking even farther ahead. 23 00:02:24,165 --> 00:02:27,244 I don't even know what I wanna do after this because this is Michael. 24 00:02:27,405 --> 00:02:29,164 I wanted to dance, you know what I mean? 25 00:02:29,365 --> 00:02:31,924 And that inspiration came from, you know, you. 26 00:02:32,125 --> 00:02:36,204 And you've inspired me and given me a reason to want to inspire others. 27 00:02:39,485 --> 00:02:40,684 Life is hard, right? 28 00:02:40,845 --> 00:02:44,044 I've kind of been searching for something to shake me up a little bit... 29 00:02:44,245 --> 00:02:49,084 ...and give me a kind of a meaning, to believe in something. 30 00:02:49,325 --> 00:02:53,164 And this is it. 31 00:03:09,085 --> 00:03:12,563 So we open the show, as you know, with all the lights down. 32 00:03:12,765 --> 00:03:16,124 We're gonna create a spectacular opening with pyrotechnics. 33 00:03:16,325 --> 00:03:19,163 And we want some sizzles and some cracks and some pops. 34 00:03:19,365 --> 00:03:22,684 We have our video that is called "Glimpses and Flashes. " 35 00:03:23,165 --> 00:03:24,643 And that's where Light Man... 36 00:03:24,804 --> 00:03:27,523 ...comes out on the gantry, floating above the stage... 37 00:03:27,725 --> 00:03:32,603 ...and he'll just be dazzling in video information. 38 00:03:35,484 --> 00:03:37,924 And piece by piece by piece by piece... 39 00:03:38,125 --> 00:03:40,524 ...MJ is revealed, until he jumps out... 40 00:03:40,724 --> 00:03:44,364 ...and on Michael's command, we begin. 41 00:05:40,084 --> 00:05:42,443 You know I'm gonna want that more, right? 42 00:05:42,644 --> 00:05:44,363 It's funkier. 43 00:05:44,564 --> 00:05:46,163 I'm not feeling that part enough. 44 00:05:50,924 --> 00:05:52,683 As in running next to him. 45 00:05:52,844 --> 00:05:54,443 - It's not there. - Okay, it should be. 46 00:05:54,644 --> 00:05:56,523 It should be. I know, it's all for love. 47 00:05:56,723 --> 00:05:59,443 - It's coming there. - We'll get it there. 48 00:06:22,923 --> 00:06:24,923 Jackson's ETA is 15 minutes. 49 00:06:25,123 --> 00:06:28,282 Michael Jackson last performed live right here in London... 50 00:06:28,484 --> 00:06:30,723 ...at the 2006 World Music Awards. 51 00:06:30,924 --> 00:06:34,203 Michael Jackson's here. Go straight onstage. 52 00:06:34,764 --> 00:06:35,883 This is it! 53 00:06:36,844 --> 00:06:37,803 Yeah! 54 00:06:38,163 --> 00:06:44,882 This is it. This is it. 55 00:06:46,604 --> 00:06:48,602 I love you. 56 00:06:49,644 --> 00:06:51,803 We love you! 57 00:06:53,484 --> 00:06:58,683 I'll be performing the songs my fans wanna hear. 58 00:06:59,563 --> 00:07:03,483 This is really it. This is the final curtain call. 59 00:07:04,684 --> 00:07:07,203 Okay? And see you in July. 60 00:09:32,763 --> 00:09:36,642 Good. Great. Good to see all of you. Thank you for being here. 61 00:09:36,883 --> 00:09:40,202 The idea was get the big fish from all over and put them in the same pond. 62 00:09:45,482 --> 00:09:47,401 The dancers in a Michael Jackson show... 63 00:09:47,562 --> 00:09:49,722 ...are an extension of Michael Jackson. 64 00:09:49,923 --> 00:09:52,322 They are an extension of the man. 65 00:09:52,522 --> 00:09:55,842 Everything is bigger and more intense in his world. 66 00:09:56,042 --> 00:09:57,482 First cut, thank you. 67 00:10:04,682 --> 00:10:06,522 Next group. Ladies, brava. 68 00:10:11,402 --> 00:10:13,002 Lean, gorgeous, hot. 69 00:10:13,202 --> 00:10:16,002 Dancers that can rock it. But if you don't have that goo... 70 00:10:16,202 --> 00:10:18,961 ...that ooze coming out of you, not gonna get the job. 71 00:10:32,923 --> 00:10:34,441 She's the one. 72 00:10:35,682 --> 00:10:42,001 And the Michael Jackson principal dancers for This Is It are: 73 00:10:56,763 --> 00:10:59,081 Guys, those go over here. 74 00:10:59,803 --> 00:11:03,041 Hey, guys? Those go over here, actually. 75 00:11:03,322 --> 00:11:05,041 Truss moving. 76 00:11:08,722 --> 00:11:12,121 Quite the eventful day because we got to be toasted. 77 00:11:12,442 --> 00:11:15,842 There's elevator speed and toaster speed. 78 00:11:16,762 --> 00:11:19,121 Part of this, guys, is anticipating the stop. 79 00:11:20,282 --> 00:11:22,601 Keep your shoulders square, keep your center... 80 00:11:22,802 --> 00:11:26,041 ...and just get right down into a nice, good squat position like that... 81 00:11:26,282 --> 00:11:27,721 ...and you're gonna come up and- 82 00:11:27,922 --> 00:11:30,281 - You feel that initial-? - Yeah, I do. 83 00:11:30,482 --> 00:11:32,041 Yeah, that's the adrenaline, baby. 84 00:14:30,042 --> 00:14:32,880 We're at Culver Studios, shooting green screen. 85 00:14:33,081 --> 00:14:35,320 We're gonna do "The Drill" into "Cadence"... 86 00:14:35,521 --> 00:14:37,120 ...into "They Don't Really Care About Us. " 87 00:14:37,321 --> 00:14:40,240 It's gonna be really cool because they're gonna multiply the guys. 88 00:14:40,441 --> 00:14:45,160 So our existing 11 guys are gonna become 1100 guys... 89 00:14:45,361 --> 00:14:47,000 ...and it'll be really, really cool. 90 00:14:47,201 --> 00:14:49,520 So we're kind of excited. And Michael's coming today. 91 00:14:49,721 --> 00:14:52,760 - There's the man. The man is here. - There's Michael. 92 00:14:54,281 --> 00:14:57,080 So that we can give you this: a million people. 93 00:14:57,281 --> 00:14:59,119 Michael, do you like this, first of all? 94 00:14:59,321 --> 00:15:03,040 Yeah, that's a cool move, a cool move, but it spreads out too much to the end. 95 00:15:03,240 --> 00:15:05,640 So we can just stop it whenever you hit the space bar. 96 00:15:05,840 --> 00:15:07,120 You can go to infinity. 97 00:15:07,281 --> 00:15:08,880 Yeah. As though there's no more than... 98 00:15:09,041 --> 00:15:13,680 ...1, 2, 3, 4, 5, 6, 7, 8, 9, 10? Or maybe just your nine dancers? 99 00:15:13,881 --> 00:15:15,039 - Ten. - Ten. Great. 100 00:15:19,201 --> 00:15:20,920 What is that? 101 00:15:23,680 --> 00:15:25,640 One more time. Six, seven, eight... 102 00:17:56,160 --> 00:17:59,519 In what will go down in history... 103 00:17:59,720 --> 00:18:05,679 ...as the greatest demonstration for freedom in the history of our nation. 104 00:18:55,879 --> 00:18:57,879 Hold for applause, hold for applause. 105 00:18:58,080 --> 00:19:00,999 Slow umbrella fade out. 106 00:19:06,799 --> 00:19:09,998 - Yeah. Yeah. - Let's just go for it. 107 00:20:02,759 --> 00:20:04,519 You sound great, MJ. You sound great. 108 00:20:09,320 --> 00:20:11,878 Bam, something right there. 109 00:24:19,878 --> 00:24:21,077 We're seconds away, Mike. 110 00:24:21,277 --> 00:24:22,277 - Rolling. - Rolling. 111 00:24:23,038 --> 00:24:24,597 And Gilda singing. 112 00:24:34,758 --> 00:24:36,356 Bravo! 113 00:24:46,598 --> 00:24:47,876 What's he doing here? 114 00:25:00,558 --> 00:25:02,637 And cut. That was a good one. 115 00:25:02,837 --> 00:25:04,196 Let's cut. 116 00:25:04,398 --> 00:25:05,397 - Okay, Bruce? - Yes, sir? 117 00:25:05,638 --> 00:25:07,677 Rehearsed, and Michael was great. We can do this. 118 00:25:07,878 --> 00:25:08,837 - Ready to shoot? - Yup. 119 00:25:09,037 --> 00:25:12,477 - Okay, guys, let's shoot this. - Here we go, ready. We are... 120 00:25:12,678 --> 00:25:14,116 - ... rolling. - Action. 121 00:25:24,237 --> 00:25:27,396 What do you want me to do? Count three like they do in the movies? 122 00:25:41,677 --> 00:25:43,276 Guys, that's the cue. 123 00:25:43,477 --> 00:25:45,676 I'm sorry, are we misunderstanding something here? 124 00:25:45,878 --> 00:25:48,037 - No, we're not misunderstanding. - We're sizzling. 125 00:25:48,237 --> 00:25:49,516 - He's sizzling. - I'm sizzling. 126 00:25:49,718 --> 00:25:51,597 He's waiting for my point, it's coming. 127 00:25:51,797 --> 00:25:56,756 Michael, I was telling them to start when you turn toward the audience. 128 00:25:56,997 --> 00:26:00,957 Oh, no, I wanna turn first, face the audience with nothing. 129 00:26:01,157 --> 00:26:03,277 - Okay. - And then when he gets my cue... 130 00:26:03,477 --> 00:26:05,077 - ... then we go. - The only thing is... 131 00:26:05,277 --> 00:26:09,476 ...how will you see the video change from the marquee to the city? 132 00:26:09,837 --> 00:26:12,236 I gotta feel that. I'll feel it, the screen behind me. 133 00:26:12,437 --> 00:26:18,036 All right. Now this is all sizzle, sizzle, sizzle. It says "Smooth Criminal. " 134 00:26:18,197 --> 00:26:22,276 The audience is going wild. The camera slowly starts to move... 135 00:26:22,437 --> 00:26:24,677 ...over the marquee. 136 00:30:45,716 --> 00:30:47,235 Pretty good... Pretty good. 137 00:31:02,636 --> 00:31:04,675 You're gonna put that in? 138 00:31:06,835 --> 00:31:09,515 It's really cool for me as a musical director... 139 00:31:09,715 --> 00:31:11,754 ...because I need the artist to be hands-on... 140 00:31:11,915 --> 00:31:15,194 ...and MJ is always hands-on with everything he does. 141 00:31:15,355 --> 00:31:17,914 He knows all of his records. He knows all of his tempos. 142 00:31:18,075 --> 00:31:20,394 He knows all of his keys of songs. 143 00:31:20,636 --> 00:31:23,034 Just a little drag, a little bit more behind the beat. 144 00:31:23,236 --> 00:31:24,835 Yeah. It's not the right sound. 145 00:31:24,996 --> 00:31:26,755 Like you're dragging yourself out of bed. 146 00:31:26,955 --> 00:31:29,235 Imagine this is the right sound. Check this. 147 00:31:35,235 --> 00:31:37,154 Don't change so soon, though. 148 00:31:37,356 --> 00:31:40,714 Don't wanna change over so soon yet. See, you're going: 149 00:31:54,995 --> 00:31:56,634 Don't do that one. Don't do that one. 150 00:31:56,836 --> 00:31:58,714 - Don't do that one yet? - No, no. 151 00:31:58,915 --> 00:32:00,395 It should be simpler. 152 00:32:10,915 --> 00:32:12,475 Yeah. 153 00:32:15,235 --> 00:32:16,995 We'll get the sound, we'll get the sound. 154 00:32:17,195 --> 00:32:19,234 We'll get the sound but that's not till tomorrow. 155 00:32:19,476 --> 00:32:21,634 We gotta do a sound check tomorrow night. 156 00:32:21,835 --> 00:32:22,914 That's what we need to do. 157 00:32:23,075 --> 00:32:25,114 And don't start unless you do a sound check. 158 00:32:25,315 --> 00:32:26,994 I know, that's why we doing it. 159 00:32:27,235 --> 00:32:28,795 We need you to do the sound check... 160 00:32:28,995 --> 00:32:31,234 ...because can't nobody hear what you need to hear. 161 00:32:31,435 --> 00:32:33,354 Some people might not wanna have that bass- 162 00:32:33,555 --> 00:32:35,114 I want it the way I wrote it. I mean- 163 00:32:35,315 --> 00:32:37,234 Like the audience hears it. 164 00:32:37,515 --> 00:32:40,234 So whatever the record's doing, that's how I want it to sound. 165 00:32:40,435 --> 00:32:44,034 That's what it's gonna sound like, but you gotta get closer to what you want. 166 00:32:44,195 --> 00:32:46,314 Then if you wanna hear a little more booty... 167 00:32:46,515 --> 00:32:48,434 ...on something else, know what I mean? 168 00:32:48,635 --> 00:32:50,954 Only you can say that. You know what I'm saying? 169 00:32:51,155 --> 00:32:52,834 A little more booty. 170 00:32:53,035 --> 00:32:54,274 That's funny. 171 00:32:55,195 --> 00:32:56,834 But you knew what I meant though too. 172 00:32:57,035 --> 00:32:59,154 I know exactly what you meant. 173 00:32:59,395 --> 00:33:01,554 One more time from the top. 174 00:33:20,435 --> 00:33:22,634 Try to get the same sound. 175 00:33:27,755 --> 00:33:30,514 Good sound on that. Good sound. 176 00:33:34,755 --> 00:33:36,114 No, no, not yet, Prince. 177 00:33:36,355 --> 00:33:37,513 No. You gotta- 178 00:33:37,794 --> 00:33:39,993 You gotta let it simmer. 179 00:33:40,195 --> 00:33:41,994 It's got a moment where it has to simmer. 180 00:33:42,194 --> 00:33:44,513 - That's right. - You're not letting it simmer. 181 00:33:45,235 --> 00:33:48,513 Just bathe in the moonlight. You have to let it simmer a bit, you know? 182 00:33:49,355 --> 00:33:53,153 All right, Prince? We're gonna add two bars after the: 183 00:33:53,395 --> 00:33:55,233 Or at least a bar. 184 00:33:56,515 --> 00:34:00,514 Yeah. MJ, check it from the top again. See what we got, simmer-wise. 185 00:34:00,714 --> 00:34:03,794 One, two, three, four. 186 00:35:30,114 --> 00:35:31,633 I gotta cue that. I gotta cue that. 187 00:35:31,834 --> 00:35:34,754 - That shouldn't trigger on its own. - That's a special on our girl. 188 00:35:34,954 --> 00:35:36,873 That can't trigger on its own. 189 00:35:37,074 --> 00:35:38,833 I gotta cue that. 190 00:35:40,194 --> 00:35:43,433 So you gotta watch me for that growl, okay? 191 00:37:42,994 --> 00:37:44,512 One more time. 192 00:37:47,754 --> 00:37:49,153 That's why we rehearse. 193 00:37:49,353 --> 00:37:52,273 It's okay, it's okay. Right here on this one. 194 00:37:56,073 --> 00:37:57,992 They wanted us to take those eight out so- 195 00:37:58,194 --> 00:38:00,592 It's okay, it's okay, no. It was a little too soon. 196 00:38:00,833 --> 00:38:02,752 - Yeah, I agree, Michael. - Yeah. 197 00:38:02,913 --> 00:38:05,672 - I think let's add them back. - Just leave it. 198 00:38:05,874 --> 00:38:08,712 You don't feel totally nourished by it, you know? 199 00:38:08,914 --> 00:38:11,513 MJ, we'll also have a fan there, right there in the center. 200 00:38:11,713 --> 00:38:13,312 I'm trying to hear you. Say it again? 201 00:38:13,513 --> 00:38:16,352 There'll be a fan, right there off the stage for you. 202 00:38:16,553 --> 00:38:18,472 Boom, right there. 203 00:38:18,673 --> 00:38:20,992 Okay, watching Michael. 204 00:39:26,153 --> 00:39:29,912 Once again, ladies and gentlemen, the world's most fabulous group: 205 00:39:30,112 --> 00:39:31,672 The Jackson 5. 206 00:40:03,793 --> 00:40:06,112 Everybody clap your hands. Come on! 207 00:40:52,913 --> 00:40:54,712 You guys, I gotta tell you this. 208 00:40:54,912 --> 00:40:56,632 When I'm trying to hear and it feels like... 209 00:40:56,792 --> 00:40:58,552 ...somebody's fist is pushed into my ear... 210 00:40:58,752 --> 00:41:00,631 ...it's really very difficult. 211 00:41:00,832 --> 00:41:02,551 I know you mean well, so, but it's... 212 00:41:02,752 --> 00:41:06,271 I'm trying to adjust to the ear, the inner ears, okay? 213 00:41:06,472 --> 00:41:08,711 With the love, with the love. L-O-V-E. 214 00:41:08,912 --> 00:41:11,271 - Michael. - This is not easy though. 215 00:41:11,472 --> 00:41:13,791 Michael, one more time. I couldn't hear you, sir. 216 00:41:13,952 --> 00:41:17,311 The inner ears are very difficult for me when you're raised... 217 00:41:17,512 --> 00:41:22,151 ...to use just your real own, you know, aural- Auditory ears. 218 00:41:22,512 --> 00:41:26,112 Now it feels like somebody's fist, just their fist, is shoved into your ear. 219 00:41:26,312 --> 00:41:29,231 - Okay. - I'm trying to hear and I can't. 220 00:41:29,432 --> 00:41:31,831 So I'm adjusting to the situation. 221 00:41:32,032 --> 00:41:34,631 Right. Michael, is there anything they can give you now... 222 00:41:34,832 --> 00:41:38,831 ...in your ears to make it better in terms of volume or mix? 223 00:41:41,073 --> 00:41:42,791 If we could just bring it down a little bit. 224 00:41:42,952 --> 00:41:45,271 Bring it down a little bit, please. 225 00:41:46,112 --> 00:41:48,591 Anything else, Michael? You wanna hear more of anything? 226 00:41:48,832 --> 00:41:50,751 You wanna hear more voice, wanna hear more-? 227 00:41:50,952 --> 00:41:52,831 - No. - Okay, Michael, after the next song... 228 00:41:53,032 --> 00:41:55,671 ...if it hasn't adjusted to your liking, please let us know? 229 00:41:55,872 --> 00:41:56,991 - For sure. - Thank you. 230 00:41:57,192 --> 00:41:59,391 Would you like to pick it up from...? 231 00:41:59,552 --> 00:42:02,391 - "Stop! The Love You Save. " - "Stop! The Love You Save. " 232 00:43:01,152 --> 00:43:02,871 God bless you. 233 00:44:46,671 --> 00:44:47,950 Everybody! 234 00:45:26,031 --> 00:45:29,950 I'll say, "Jackie, Jermaine, Marlon... 235 00:45:30,151 --> 00:45:34,110 ...Tito, Randy, I love you. 236 00:45:35,511 --> 00:45:38,950 Joseph and Katherine, God bless you. I love you. " 237 00:45:49,071 --> 00:45:52,590 Just trying to conserve my throat, please, so understand. 238 00:46:29,550 --> 00:46:32,269 - And blackout. - We'll make it cleaner at the back. 239 00:46:32,430 --> 00:46:36,550 So you wanna get rid of the bad specials, those profiles coming in. 240 00:46:36,751 --> 00:46:38,510 There's a lot going on. The dancers... 241 00:46:38,751 --> 00:46:41,230 ...we do maintenance with them two to three times a week. 242 00:46:41,430 --> 00:46:44,869 We do Pilates and stretching and ballet, and they have physical therapy. 243 00:46:45,071 --> 00:46:46,949 You know, just keeping everybody together. 244 00:46:47,190 --> 00:46:49,389 I saw you, you were going like this, what is this? 245 00:46:49,591 --> 00:46:50,870 That's Russian. This is Russian. 246 00:46:51,070 --> 00:46:52,989 So Baryshnikov does it like this... 247 00:46:53,150 --> 00:46:55,309 ...and you guys are doing like this. Same thing. 248 00:46:55,791 --> 00:46:58,069 - Good. - One more time. 249 00:46:58,910 --> 00:47:00,710 But we're straight up and down now, right? 250 00:47:00,910 --> 00:47:03,350 I don't think it's anything except hand moving. 251 00:47:03,550 --> 00:47:06,029 I think that's smoother, you know what I mean? 252 00:47:06,190 --> 00:47:08,029 I mean, I have nothing to move. 253 00:47:09,511 --> 00:47:10,909 Dancers, music. 254 00:48:14,949 --> 00:48:17,029 Oh, my gosh. 255 00:48:20,110 --> 00:48:23,309 All right, "I Just Can't Stop Loving You. " Judith. 256 00:48:23,510 --> 00:48:24,709 Let me know when you're ready. 257 00:48:24,950 --> 00:48:30,709 A mi amor eres tú 258 00:48:30,910 --> 00:48:35,989 Cuando no estas No hay quien me dé lo que das tú 259 00:48:37,750 --> 00:48:40,229 A mi amor eres tú 260 00:48:41,429 --> 00:48:43,989 Do it for Ortega. 261 00:48:44,550 --> 00:48:46,109 - Ortega. - Here we go. 262 00:48:46,350 --> 00:48:48,589 For his people. 263 00:48:49,910 --> 00:48:52,629 One, two, three. 264 00:48:53,550 --> 00:48:55,589 More echo in here? 265 00:53:57,428 --> 00:54:01,867 Now, don't make me sing out when I shouldn't be singing out. 266 00:54:02,068 --> 00:54:06,227 I'm warming- I'm trying to warm up my voice for this moment. 267 00:54:06,428 --> 00:54:09,587 Why do you do this to me? I shouldn't be singing right now. 268 00:54:10,508 --> 00:54:14,427 - No. No, no. - You better sing! 269 00:54:15,548 --> 00:54:18,107 I'm warming up to the moment. 270 00:54:18,268 --> 00:54:22,507 - But you just can't help it, MJ. - No, but, I shouldn't. I really shouldn't. 271 00:54:22,708 --> 00:54:24,467 - Yeah, but you felt it. - No, no. 272 00:54:24,668 --> 00:54:26,667 But you can allow yourself that one time. 273 00:54:26,868 --> 00:54:28,107 I can't do that. 274 00:54:28,308 --> 00:54:30,427 But you're fine to do it. I gotta save my voice. 275 00:54:30,628 --> 00:54:34,187 That ending was just like the smelliest ending of all the versions. 276 00:54:34,707 --> 00:54:36,467 Band, it's just this. 277 00:54:37,468 --> 00:54:39,547 This is what it is. 278 00:54:47,148 --> 00:54:49,627 What day is it? What time is it? 279 00:54:49,828 --> 00:54:52,827 We're down to the wire. We're like halfway through our film shoot... 280 00:54:53,068 --> 00:54:56,587 ...for all of our incredible new film content for This Is It. 281 00:54:57,428 --> 00:55:02,307 Today we are filming new segments for "Thriller," 3-D. 282 00:55:15,987 --> 00:55:17,747 - Do I still have on my 3-D glasses? - Yes. 283 00:55:17,948 --> 00:55:19,227 Oh, good. 284 00:55:19,668 --> 00:55:21,906 I think I look great in these glasses. 285 00:55:22,467 --> 00:55:23,907 Do I look as old as I feel? 286 00:55:24,468 --> 00:55:28,226 Guys, please step away if you're not in the shot. Photographers, everybody. 287 00:55:28,428 --> 00:55:30,067 Clear the set now for the crew. 288 00:55:30,267 --> 00:55:32,267 - Rolling! - Here we go. 289 00:55:33,068 --> 00:55:34,067 Action. 290 00:55:37,107 --> 00:55:38,827 This guy should be getting out soon. 291 00:55:40,348 --> 00:55:42,586 - You guys, be aware of the camera. - Look up to it. 292 00:55:42,747 --> 00:55:45,027 There's gonna be light on him. No light on him now. 293 00:55:45,227 --> 00:55:46,507 Give the information to him. 294 00:55:46,707 --> 00:55:48,747 Gravedigger, right into the camera. Put your- 295 00:55:48,947 --> 00:55:51,867 There it is. Right into it, right in there. That's it, keep going. 296 00:55:52,107 --> 00:55:53,186 - Right there. - That's it. 297 00:55:53,467 --> 00:55:56,147 Right into the camera. Reach your hands out in front of you. 298 00:55:56,347 --> 00:55:59,027 - Yeah, yeah, yeah! - That's it, beautiful! 299 00:55:59,948 --> 00:56:03,346 Keep coming. Yeah, right into the lens. I'm in the center of the camera. 300 00:56:03,548 --> 00:56:04,747 There you go. 301 00:56:05,227 --> 00:56:10,706 Now, go out. Go out. Good. And cut. It's brilliant. Thank you, everybody. 302 00:56:17,108 --> 00:56:19,946 We call these the dead brides and the dead grooms. 303 00:56:20,307 --> 00:56:24,667 And there'll be a parade of them moving through the aisles in "Thriller. " 304 00:56:54,427 --> 00:56:57,266 Darkness falls across the land 305 00:56:57,987 --> 00:57:00,747 The midnight hour is close at hand 306 00:57:01,107 --> 00:57:04,146 Creatures crawl in search of blood 307 00:57:04,427 --> 00:57:07,226 To terrorize y'all's neighborhood 308 00:57:08,067 --> 00:57:10,746 And whosoever shall be found 309 00:57:10,947 --> 00:57:13,626 Without the soul for getting down 310 00:57:14,427 --> 00:57:17,946 Must stand and face the hounds of hell 311 00:57:18,147 --> 00:57:21,146 And rot inside a corpse's shell 312 00:59:52,786 --> 00:59:55,785 The demons squeal in sheer delight 313 00:59:55,986 --> 01:00:00,505 It's you they spy, so plump, so right 314 01:00:00,746 --> 01:00:03,545 For though the groove is hard to beat 315 01:00:03,746 --> 01:00:06,545 Yet still you stand with frozen feet 316 01:00:06,746 --> 01:00:09,625 You try to run, you try to scream 317 01:00:10,826 --> 01:00:13,145 But no more sun you'll ever see 318 01:00:13,386 --> 01:00:15,985 For evil reaches from the crypt 319 01:00:16,226 --> 01:00:19,145 To crush you in its icy grip 320 01:01:49,345 --> 01:01:51,985 Make sure that there's somebody waiting for Michael there... 321 01:01:52,225 --> 01:01:54,824 ...with a flashlight and everything. Great. 322 01:02:06,865 --> 01:02:11,424 Now, you know, could we do that times 10? 323 01:02:11,906 --> 01:02:12,985 Absolutely! 324 01:02:14,425 --> 01:02:16,145 Okay, so next is the fire screen. 325 01:02:16,345 --> 01:02:18,345 We're gonna show you some chase sequences. 326 01:02:34,266 --> 01:02:36,465 Rock 'n' roll! 327 01:02:50,985 --> 01:02:52,105 Today was all about... 328 01:02:52,265 --> 01:02:55,864 ...testing the chandelier and bed props for the show... 329 01:02:56,065 --> 01:02:58,744 ...with our aerialists and pole-dancing experts. 330 01:02:58,985 --> 01:03:01,384 It's all about checking dimension... 331 01:03:01,545 --> 01:03:05,104 - ... widths, pipe, how things work. - Building props with people on it... 332 01:03:05,305 --> 01:03:07,384 ...is a big responsibility and a lot of fun... 333 01:03:07,625 --> 01:03:11,184 ...because we have to design things around the human body. 334 01:03:13,745 --> 01:03:16,424 This is the first time in the history we've worked with Michael... 335 01:03:16,585 --> 01:03:20,464 ...for the past 25 years that we are including lighted elements... 336 01:03:20,665 --> 01:03:22,104 ...in his "Billie Jean" costume. 337 01:03:22,265 --> 01:03:24,744 The cut of the stones, the refraction of the light... 338 01:03:24,945 --> 01:03:28,224 ...as we're applying, you almost need sunglasses, just the reflection. 339 01:03:28,425 --> 01:03:30,104 We're bringing things into his performance... 340 01:03:30,265 --> 01:03:34,024 ...where they haven't been developed. It's just being developed for Michael. 341 01:03:34,225 --> 01:03:36,184 I'm working with scientists in the Netherlands... 342 01:03:36,425 --> 01:03:38,864 ...with people in California, working with Swarovski. 343 01:03:39,065 --> 01:03:42,744 Always trying to push the boundaries because that's what Michael's about. 344 01:03:44,825 --> 01:03:47,704 Now, is this working this evening? 345 01:03:47,944 --> 01:03:50,904 Without running the number, if Michael would like to... 346 01:03:51,145 --> 01:03:54,544 ...just to give him a little ride so that he feels his new cherry picker out. 347 01:03:54,745 --> 01:03:56,184 From the top of "Beat It. " 348 01:03:56,345 --> 01:03:59,183 - You wanna do it with music already? - Yeah. 349 01:03:59,425 --> 01:04:01,424 Can I just give you a ride first? 350 01:04:01,625 --> 01:04:02,904 - Sure. If you want. - Okay. 351 01:04:03,065 --> 01:04:06,264 Yeah. Just for safety. Thank you, sir. Thank you, Michael. 352 01:04:06,505 --> 01:04:08,944 - Sure. Sure. - Daredevil MJ. 353 01:04:09,145 --> 01:04:11,824 - I trust in you. - Thank you. 354 01:04:12,025 --> 01:04:14,224 Just for safety. Thank you. 355 01:04:14,424 --> 01:04:16,424 Stand by, guys. 356 01:04:18,185 --> 01:04:20,344 You've been there before. 357 01:04:21,745 --> 01:04:24,583 MJ, this is just at mid-height. 358 01:04:24,785 --> 01:04:27,384 It goes much higher than this. 359 01:04:27,625 --> 01:04:29,704 This is the low height. 360 01:04:29,904 --> 01:04:32,663 Why would you say that to me? You know better. 361 01:04:32,824 --> 01:04:35,064 See, why did you say that to him? 362 01:04:35,225 --> 01:04:37,104 He's teasing me. That's why. 363 01:04:37,344 --> 01:04:39,543 He know I wants to go higher. 364 01:04:39,865 --> 01:04:41,863 God bless you, Kenny. 365 01:04:42,065 --> 01:04:43,304 Hi. 366 01:04:43,504 --> 01:04:46,744 Yeah, yeah. Are the fans working on this? 367 01:04:46,944 --> 01:04:48,183 It's great. 368 01:04:48,385 --> 01:04:49,904 Michael, please hold on. 369 01:04:50,104 --> 01:04:52,703 - Thank you. - It's very nice. 370 01:04:52,905 --> 01:04:54,863 - Yeah? Is it smooth? - Yeah. 371 01:04:55,105 --> 01:04:59,224 Great. This is monumental, Michael's back on the cherry picker. 372 01:04:59,465 --> 01:05:01,303 - Yeah. - Thank you. 373 01:05:01,464 --> 01:05:05,104 - We love you, Michael. - Love you too. 374 01:09:46,943 --> 01:09:49,822 Okay, that's where you want it? When we come up- 375 01:09:50,063 --> 01:09:51,382 What we're doing is... 376 01:09:51,543 --> 01:09:53,182 We're doing it for the height. 377 01:09:53,943 --> 01:09:55,462 I'm gonna take off the jacket... 378 01:09:55,663 --> 01:09:59,022 ...and kick it, and beat it, and beat it and we're gonna burn it. 379 01:09:59,663 --> 01:10:01,862 The jacket's gonna be too hot. It's gonna be on fire. 380 01:10:02,062 --> 01:10:03,382 I just wanted to know when that last one was. 381 01:10:03,543 --> 01:10:06,262 That's the one, I was pointing to it. 382 01:10:08,662 --> 01:10:10,581 I was pointing that to you. 383 01:10:11,783 --> 01:10:14,502 I got you. You don't have to do it again. 384 01:10:15,303 --> 01:10:16,582 We can. Do it again. 385 01:10:16,783 --> 01:10:18,902 Here it is right here, just do me the last one. 386 01:10:19,222 --> 01:10:21,141 Come on the one before it. 387 01:10:21,303 --> 01:10:23,022 Let's go on to C. One before. 388 01:11:08,062 --> 01:11:10,661 And let it burn, and the lights out! 389 01:11:11,023 --> 01:11:12,421 Lights out. 390 01:11:12,622 --> 01:11:14,702 Lights out! Let it burn! 391 01:11:14,902 --> 01:11:16,981 We're on a 10-minute break. 392 01:11:18,263 --> 01:11:20,342 I'm just so happy. This is a dream come true. 393 01:11:20,582 --> 01:11:23,981 When MJ comes in the room to rehearse with us... 394 01:11:24,142 --> 01:11:28,621 ...his presence is just amazing. It's pretty, pretty cool. Really, really cool. 395 01:11:32,823 --> 01:11:34,342 Thank you. 396 01:11:34,542 --> 01:11:39,701 Michael is the epitome of one of the great entertainers of our time. 397 01:11:39,862 --> 01:11:43,021 Performing with Michael has just been a thrill. 398 01:11:43,542 --> 01:11:46,861 I've been a Michael Jackson fan since he was 8. 399 01:11:47,062 --> 01:11:50,221 It's like a lifelong dream for me to actually work with Michael. 400 01:11:50,422 --> 01:11:52,821 I've worked with a lot of great, great artists... 401 01:11:53,062 --> 01:11:55,301 ...but I consider this, like, really a pinnacle. 402 01:11:55,502 --> 01:11:57,141 Michael's a perfectionist. 403 01:11:57,302 --> 01:12:00,621 You don't find that in pop musicians. You can't fool Michael. 404 01:12:00,862 --> 01:12:02,541 You have to come in knowing the record. 405 01:12:02,782 --> 01:12:04,621 Then, hopefully, finding a middle ground... 406 01:12:04,822 --> 01:12:06,741 ...to embellish it to make it even better. 407 01:12:06,902 --> 01:12:09,582 He's just an icon of performance. 408 01:12:09,742 --> 01:12:13,461 His talent runs so deep in creativity. And he draws from a deeper emotion... 409 01:12:13,622 --> 01:12:15,861 ...than anybody else I've ever seen or worked with. 410 01:12:16,582 --> 01:12:18,502 Right here, right here, right here. 411 01:12:18,702 --> 01:12:21,981 Okay, no second verse. Sorry. Okay, sorry, sorry. 412 01:12:22,702 --> 01:12:25,941 That was a mistake, there is no second verse. Sorry about that, you guys. 413 01:12:26,102 --> 01:12:29,221 First verse, then right to the bridge, okay? 414 01:12:29,422 --> 01:12:31,461 - Let's do it one more time. - Sure. 415 01:12:31,662 --> 01:12:34,061 - Wanna go down then come back up? - One more time. 416 01:12:34,262 --> 01:12:36,981 - This is why we have rehearsal. - There you go. 417 01:13:29,581 --> 01:13:31,701 So we'll run this way. 418 01:15:19,341 --> 01:15:24,020 When they stop, you have to just keep- Just hit your highest note. 419 01:15:25,101 --> 01:15:26,300 It's time for you to shine. 420 01:15:30,021 --> 01:15:32,580 And hit a high, long one. 421 01:15:33,501 --> 01:15:34,740 I mean, way up there. 422 01:15:36,381 --> 01:15:38,100 It's your time to shine. 423 01:15:38,781 --> 01:15:40,740 We'll be right there with you. 424 01:15:51,541 --> 01:15:55,700 It's remarkable. It's some genius stuff going on over here, man. 425 01:15:57,141 --> 01:15:58,660 He is the king. 426 01:15:58,941 --> 01:16:01,340 And he's a good guy too. He's real humble. 427 01:16:01,541 --> 01:16:03,340 You know. And he knows his music. 428 01:16:03,541 --> 01:16:07,020 What more can you ask for? Because I'm searching for that flavor too. 429 01:17:24,181 --> 01:17:27,379 Look at that. I think it's beautiful. 430 01:17:27,861 --> 01:17:29,540 Show him the second one. 431 01:17:29,740 --> 01:17:32,059 - It'll come rolling out at us, right? - Yes. 432 01:17:32,261 --> 01:17:34,659 - All golden. Look at this. - It'll be floating so much. 433 01:17:34,861 --> 01:17:36,139 I love her. I love the light. 434 01:17:36,381 --> 01:17:39,260 - God, and the lighting's great. - Yeah. You got it. 435 01:17:47,660 --> 01:17:50,579 I respect the secrets and magic of nature. 436 01:17:50,820 --> 01:17:54,859 That's why it makes me so angry when I see these things that are happening. 437 01:17:55,100 --> 01:17:57,619 That every second, I hear, the size of a football field... 438 01:17:57,781 --> 01:17:59,420 ...is torn down in the Amazon. 439 01:17:59,620 --> 01:18:01,939 I mean, that kind of stuff really bothers me. 440 01:18:02,100 --> 01:18:04,579 That's why I write these kind of songs, you know. 441 01:18:04,781 --> 01:18:08,539 It gives some sense of awareness and awakening and hope to people. 442 01:18:08,940 --> 01:18:11,019 I love the planet. 443 01:18:11,220 --> 01:18:16,139 I love trees. I have this thing for trees, and the colors and changing of leaves. 444 01:18:16,340 --> 01:18:20,299 I love it. And I respect those kind of things. 445 01:24:30,258 --> 01:24:32,337 The value would be greater... 446 01:24:32,538 --> 01:24:34,417 ...you let it rumble... 447 01:24:34,578 --> 01:24:37,857 ...let it stay open, let it close in silence. 448 01:24:40,938 --> 01:24:44,537 And when that door opens, you start that piano. 449 01:24:49,458 --> 01:24:50,897 God bless you. 450 01:24:51,058 --> 01:24:53,537 I really feel that nature is trying so hard... 451 01:24:53,738 --> 01:24:57,897 ...to compensate for man's mismanagement of the planet. 452 01:24:58,098 --> 01:25:01,417 Because the planet is sick. Like a fever. 453 01:25:01,618 --> 01:25:04,657 If we don't fix it now, it's at the point of no return. 454 01:25:04,818 --> 01:25:08,177 This is our last chance to fix this problem that we have... 455 01:25:08,458 --> 01:25:10,537 ...where it's like a runaway train... 456 01:25:10,738 --> 01:25:12,897 ...and the time has come. This is it. 457 01:25:13,097 --> 01:25:14,977 I love you. 458 01:25:15,178 --> 01:25:18,257 That'll be the ending of this under the words. 459 01:25:21,978 --> 01:25:25,417 People are always saying, "They'll take care of it. The government'll- 460 01:25:25,618 --> 01:25:29,777 Don't worry. They'll-" "They" who? It starts with us. It's us. 461 01:25:30,018 --> 01:25:32,296 Or else it'll never be done. 462 01:25:36,017 --> 01:25:38,657 Guys, can I have the lighting crew? 463 01:25:38,858 --> 01:25:40,977 - Travis? - Yeah! 464 01:25:41,217 --> 01:25:43,696 First of all, Michael will be coming on from offstage... 465 01:25:43,857 --> 01:25:45,937 ...and he's got, like, an attaché case. 466 01:25:46,098 --> 01:25:49,137 And right here, Michael, you call it here. 467 01:25:50,218 --> 01:25:53,696 So now it comes here. So it's a light that is moving on his command. 468 01:25:53,898 --> 01:25:56,176 - Absolutely. - Right? Then when he moves forward... 469 01:25:56,418 --> 01:25:57,936 - ... he's in that light. - Yeah. 470 01:25:58,097 --> 01:25:59,336 He's in that light. 471 01:25:59,538 --> 01:26:02,417 But I wanna be able to step into the pool once I'm fully dressed. 472 01:26:02,578 --> 01:26:05,776 So then- So after he does this- Why don't you do this, Michael? 473 01:26:06,018 --> 01:26:08,297 After you go like this and you send that down... 474 01:26:08,537 --> 01:26:10,736 ...a gesture and a pool of light comes on. 475 01:26:10,938 --> 01:26:13,137 Now a pool of light comes on down here... 476 01:26:13,378 --> 01:26:16,017 - ... wherever his light is... - Yeah. 477 01:26:16,217 --> 01:26:21,576 ...and the pool of light comes on and now he'll walk into it, center stage. 478 01:26:23,897 --> 01:26:26,096 And now he'll start. 479 01:32:28,896 --> 01:32:30,415 I know. 480 01:32:30,655 --> 01:32:33,214 At least we get a feel of it. 481 01:32:34,055 --> 01:32:35,455 God bless you. 482 01:32:45,295 --> 01:32:46,974 Church. 483 01:32:47,816 --> 01:32:50,374 The church of rock 'n' roll. 484 01:32:52,216 --> 01:32:53,175 I'm a fan. 485 01:32:53,415 --> 01:32:54,574 God bless you. 486 01:32:54,735 --> 01:32:55,974 Get some water. 487 01:32:56,175 --> 01:32:58,255 Water, water... 488 01:33:00,456 --> 01:33:03,374 I just wanna say as Michael's creative partner in this venture... 489 01:33:03,535 --> 01:33:06,414 ...this has been one of the most extraordinary experiences... 490 01:33:06,615 --> 01:33:10,574 ...of my creative life. I am so proud and so thrilled and so excited... 491 01:33:10,815 --> 01:33:13,734 ...and I just wanna thank everybody for their extraordinary work. 492 01:33:13,935 --> 01:33:17,055 And I'm gonna just give this to Michael now. 493 01:33:17,935 --> 01:33:19,574 Everybody's doing a great job. 494 01:33:19,775 --> 01:33:23,974 Let's continue and believe and have faith. 495 01:33:24,175 --> 01:33:29,094 Give me your all, your endurance, your patience and your understanding. 496 01:33:29,295 --> 01:33:32,814 But it's an adventure, it's a great adventure. 497 01:33:33,015 --> 01:33:34,814 It's nothing to be nervous about. 498 01:33:35,015 --> 01:33:38,054 They just want wonderful experiences, they want escapism. 499 01:33:38,295 --> 01:33:40,894 We wanna take them places that they've never been before. 500 01:33:41,095 --> 01:33:43,694 We wanna show them talent like they've never seen before. 501 01:33:43,935 --> 01:33:45,294 So give your all. 502 01:33:45,495 --> 01:33:48,734 And I love you all. And we're a family. Just know that. We're a family. 503 01:33:48,935 --> 01:33:50,094 - That's right. - Amen. 504 01:33:50,335 --> 01:33:52,134 We're putting love back into the world... 505 01:33:52,295 --> 01:33:55,614 ...to remind the world that love is important. 506 01:33:55,815 --> 01:33:59,054 Love is important. To love each other. We're all one. That's the message. 507 01:33:59,295 --> 01:34:00,813 And take care of the planet. 508 01:34:00,975 --> 01:34:02,694 We have four years to get it right... 509 01:34:02,855 --> 01:34:05,254 ...or else it's irreversible, the damage we've done. 510 01:34:05,455 --> 01:34:09,614 So we have an important message to give. Okay? It's important. 511 01:34:09,775 --> 01:34:14,054 But I thank you for your cooperation so far. Thank you. Big thank you. 512 01:34:16,095 --> 01:34:18,574 Blessings! Blessings to all. 513 01:34:18,735 --> 01:34:20,894 Michael Jackson! 514 01:34:29,295 --> 01:34:30,814 Have a beautiful Sunday. 515 01:34:31,014 --> 01:34:33,294 - Be safe. Stay healthy. - Energy! 516 01:34:41,655 --> 01:34:43,854 On three! On three, "Michael. " 517 01:34:44,095 --> 01:34:45,454 One, two, three! 518 01:34:45,615 --> 01:34:47,214 Michael! 519 01:34:50,774 --> 01:34:54,534 What I'd like to do right now is just run, for a sound check, "Man in the Mirror. " 520 01:34:54,734 --> 01:34:57,294 - Okay. - And then we'll talk about the ending. 521 01:34:57,535 --> 01:34:59,494 MJ Air. 522 01:35:00,774 --> 01:35:01,934 Your favorite part. 523 01:35:02,175 --> 01:35:03,854 Right? 524 01:35:04,695 --> 01:35:06,693 - They'd love that. - You have to do it like MJ. 525 01:35:06,895 --> 01:35:07,854 No, no, no. 526 01:35:08,095 --> 01:35:09,293 You know you love that part. 527 01:35:09,495 --> 01:35:10,454 I love when you... 528 01:35:11,054 --> 01:35:12,133 No, no. 529 01:35:12,655 --> 01:35:16,214 That's how the stewardesses do it, I love when they do that. 530 01:35:16,814 --> 01:35:17,893 I love it. 531 01:35:18,135 --> 01:35:22,173 In third grade, the first song I sang was "Man in the Mirror. " 532 01:35:22,334 --> 01:35:24,813 So it's kind of cool, like, going from that to this... 533 01:35:24,975 --> 01:35:27,054 ...singing it onstage with Michael, you know. 534 01:35:27,254 --> 01:35:29,934 So it's just an amazing experience to be onstage with him. 535 01:35:30,175 --> 01:35:32,173 He's such an amazing artist. 536 01:45:13,332 --> 01:45:16,091 - There should be a break there. - Yeah, we gotta work that out. 537 01:45:16,291 --> 01:45:19,130 - Have it right there, okay? - Yeah, we gotta work that one out. 538 01:45:19,372 --> 01:45:21,690 Let me bathe in my own time when I come back in. 539 01:45:21,891 --> 01:45:23,211 Yeah, you got it. 540 01:45:23,411 --> 01:45:27,170 I'm gonna button my shirt or my jacket or whatever it is. 541 01:45:27,371 --> 01:45:30,610 I'm gonna look around a little bit, play with them. 542 01:45:32,611 --> 01:45:34,530 Snap my fingers maybe, then bam!