好的，现在我们处在一种不同的环境中 OK now we're in a different kind of landscape
我们在海滩上，我们有秋千， we're on the beach, and we have a swing,
我们的女演员塔莎将出现在我们的视频中。 and we have our actress Tasha who will be in our video.
所以我要在这里尝试一种不同的风景画， So I'm going to try a different kind of landscape shot here,
一种结合了女演员的动作的电影。 one incorporating the motion of an actress.
添加人类主题是另一种很好的方式 Adding a human subject is another great way
在您的风景拍摄中创建运动。 to create motion in your landscape shots.
就像在风景照中，一个人的存在 And just like in a landscape photo, the presence of a person
给人一种规模感，帮助观众想象自己 gives a sense of scale and helps the audience imagine themselves
在风景中。 in the landscape.
所以我想拍摄她的慢动作挥杆动作， So I want to film her swinging in slow motion,
因为我觉得那看起来会很酷。 because I think that's going to look really cool.
所以我把我的相机设置为每秒120帧， So I'm setting my camera to shoot at 120 frames per second,
那就是每秒120帧，非常快，然后就会 that's 120 frames every second really fast which then gets
伸展并减慢到每秒24帧 stretched out and slow down to 24 frames per second
在最后的视频中。 in the final video.
这意味着所有这些以非常快的速度录制的帧 That means that all these frames that were recorded really fast
会在更长的一段时间内发挥出来。 get played out over a much longer period of time.
所以这让我可以伸展每一个瞬间 So that lets me stretch out every little moment
在更长的时间线上 of her swinging, onto a much longer timeline
让它更具戏剧性，让它感觉更梦幻，更不真实。 makes it more dramatic and makes it feel more dreamy less real.
所以这有点像是放慢了速度，变成了一张照片， So it's sort of like slowing it down to a photograph,
因为如果你能构思出一个完美的慢动作 because if you can compose a perfectly framed slow motion
拍得足够慢，几乎有点像 shot and slow down the motion enough it almost kind of
停止时间。 stops time.
所以让我们玩玩，试着给她拍一张很酷的照片 So let's play around and try to get a cool shot of her
在秋千上。 on swing.
所以我在这里的策略是拍两张照片，一张广角照片，在那里 So my strategy here is to get two shots, one wide shot, where
她是在背景下摇摆的剪影 she's a silhouette swinging against the backdrop
太阳和大海。 of the sun and the sea.
我的目标是把摄像机放好，这样当她到达 I'm aiming to position the camera so that when she reaches
在她挥杆的巅峰时期，她完美地 the peak of her swing she's perfectly
靠在水的边框里，所以你可以很容易地 framed against the water, so you can easily
因为对比度，所以可以看到剪影。 see the silhouette because of the contrast.
这可能是一个耳熟能详的概念。 This is probably a familiar concept
如果你曾经拍摄过黑白照片， if you've ever shot black and white photography where
你只能用对比来区分 you can only use contrast to differentiate
在你的主题和背景之间， between your subject and the background,
你不能依赖色调。 you can't rely on hue.
这就是我在这里做的事情 That's sort of what I'm doing here
背景是她的身体。 with her body against the backdrop.
摇高一点，尽可能高一点。 Swing higher, as high as you can.
我在用相机给我的挥杆计时 I'm timing my swing with the camera
这样她就能同时达到挥杆的巅峰。 so that she reaches the peak of her swing at the same time.
我要拍的第二个镜头是慢动作镜头 The second shot I'm getting is a slow motion shot
在那里她摆动到特写镜头， where she swings into a close up,
所以我们非常清楚地看到她的脸，我们看到了她的情绪 so we see her face very clearly and we see the emotion
她看着夕阳时脸上的表情。 on her face as she looks out at the sunset.
所以我们想让我们的观众看到她 So we want to get us an audience that she's
欣赏日落，也是最好的方式 enjoying the sunset, and the best way
要做到这一点，就是要在镜头中清楚地看到她的脸。 to do that is to see her face clearly in the shot.
又站起来了吗？ Stand up again?
先看着我就行了。 Just look at me first of all.
好的，很好，站起来。 OK that's good stand up.
所以我现在把我的注意力放在一个特定的地方， So I'm setting my focus now to a certain spot,
我要让她成为焦点。 and I'm just going to let her swing into focus.
每次你有新的镜头，你就 Every time you get a new shot you
我想把相机移动至少30度，最好是这样 want to move the camera by at least 30 degrees preferably
更重要的是，这就是所谓的30度法则， more, this is called the 30 degree rule,
理想情况下，您还需要更改焦距 ideally you'd also want to change focal lengths
一点，这样摄像机的轴线就会改变 a bit so that the camera's axis changes
相机与被摄体的距离也会改变。 and the camera's distance from the subject changes.
这使得将这些镜头剪辑在一起变得容易得多 And it makes it much easier to cut those shots together
发布后，它们看起来并不冲突。 and post, they don't appear to clash.
如果我没有移动足够的摄像机， If I didn't move the camera enough,
如果我把它移动，比方说偏离轴线15度 if I moved it only say 15 degrees off axis
从第一枪到第二枪， from the first shot to the second,
那么这两张照片就不会很好地拼接在一起了 then those two shots would not cut together very well
否则它们会太相似了。 or they would be too similar.
所以在这次拍摄中，我实际上是在移动摄像机 So in this shoot I'm actually moving the camera
两次击球间隔90度，所以如果你在我上方往下看 90 degrees between shots, so if you were above me looking down
你看了我拍摄的镜头和镜头B， and you saw me filming shot and shot B,
那么A的拍摄时间就定在12点吧。 then shot A would be at let's say 12 o'clock
B镜头将在9点钟拍摄。 and shot B would be at 9 o'clock.
这创造了一种很好的变化感 That creates a nice sense of change
在两个镜头之间为观众提供了视角。 of perspective for the audience between the two shots.
好的，希望你喜欢这一课， OK hope you've enjoyed this lesson,
我会在下一场见到你。 I will see you in the next one.