N0, it wouldn't be, but it'll pass time, we'll see.
Now let's move them.
S0, listen...
Turn a little... Tell me.
Giorgio and Valetti!
G0 towards your right.
N0, there... Yes... N0, to your left.
Left, more.
More, more. A little bit more.
Right there.
Giorgio, a little more... there.
S0... You, Uberto, a bit more to the right, a bit.
Uberto, you, a tiny bit more to your left.
N0, that's too much, a tiny bit.
What's he doing on the ground?
You, Giorgio, a bit more to your right.
Only a bit.
N0, look, it's all dark there, he can't stand there.
Well, this isn't solving anything.
What's this solving, anyway?
- Let's do these tight and the others with a 50. - Okay.
The thing with the glasses is ready, isn't it?
It'll take a bit of time, finding the right thing isn't that easy.
- We can do it, if you want a bit of time... - N0, but we need to do it on the people.
They take their clothes off.
And as they strip them they throw the clothes down here.
Yes, yes. Let's do it all a bit...
the action. S0 anyway there are four of them,
tying up three of them isn't that simple.
One has to take...
We have to do them one at a time.
- The four... - Yes.
Okay, so two of the boys stand here, let's give them the right position.
They tie up one. Franchina first, like this.
- S0 Franchina here. - That's right.
Then at that point... Okay, that's enough for a start.
Because then I'm on the four who salute and then I come to the two...
the two who arrive and we find them all tied up already.
Yes.
In the meantime let's do this. They come out here...
- The ropes... - Rino and...
The ropes here...
They're both tied up aren't they?
But then we need it four times.
- They can carry them. - They carry them.
Yes, yes, yes.
There's a problem here with a 250...
We'd need to use something else.
Don't tell me this...
Now, now, before or now, it's the same thing.
- N0, I'm thinking. - About doing what?
Doing something else. Well, what are we going to do?
He's tried with what, the 75? But that's not enough.
With the 75 with a 120, it was good, up to 75.
If we cheat anymore, it'll all get mixed up...
Why don't you go and take a look, that way you'll see.
S0, to put it... here.
This way, it's already close if we close everything.
You already can't see the shoulders anymore.
- Yes. - Can you see the shoulders?
Wait a minute. Wait a minute, I say...
I can't find them.
At the end... unless we... we could put a...
But we don't know where we're going to end up,
we need to see what we're doing.
Otherwise we can put a mask on, but we'd put it on in the centre
but we don't know where we're going. Whereas with the 75...
But that way we'd have to move everything to the window every time...
for the shots...
That's how I'd thought of it, that we'd have to move.
It's not that this morning I thought: 'Anyway, we'll always need to...'
S0 what should we do?
G0 ahead with the 75.
Instead of being down there and closing in, let's go ahead.
What a disaster.
A bit more.
There, like that.
Right, stand by!
Roll camera!
Strong! Violent!
Right.
N0, my right, there, more Uberto.
G0, go Uberto, go, come in. More. More!
More, Valetti. A bit more.
There!
Efisio, take a step forward.
Efisio, a step forward, a bit more.
There.
Oh God, how disgusting.
But how will we do it close up?
- This is better. - Much better.
They come unstuck, they don't understand why.
The other time they were attached perfectly.
Yes, and now...
S0, Valetti.
You've understood what you have to do, haven't you?
You arrive there, yes?
You undress. You throw the gown on the...
You light the candle.
And you come forward holding the candle.
They're all naked with the...
This is a really bad little part for me.
You'll see what you do in the next scene.
Well, good.
- You'll see what you'll do, you have no idea. - Good.
Yes.
- But the gown... - N0, you have to take the gown off.
- Here then? - Here.
You take off the gown, you throw it on the chair,
you take the candle, you light it,
and then nice and slow, without any hurry, with this lit candle,
go there, and when you're close you pretend to burn Tonino's penis.
- Tonino? - Yes, close like this.
Yes, you just come closer to the penis like this, and I'll cut it there.
The actors, the actors.
Then we have to prepare the tower so that...
- One for me and one for Grada. - Yes.
Yes. Here is good.
- Is it okay? - Yes, yes. For a medium shot.
For the first shot, I reckon we could also fake...
Put the light out there because otherwise everything will burn.
Then, at the end of the film...
Yes, yes. That's fine.
But he never comes out...
We'll need to cheat it to do those close-ups...
A bit more to the centre.
- Is it okay from here? - Yes.
Stand by!
S0, as before, eh?
I'll do another pan, okay?
On action, you move, the others stay put, okay?
Valetti, light the candle.
Stand by!
Giorgio, a bit more to the left, get a bit closer to Uberto, there.
Yes, Tonino, you look into the camera.
You look into here.
Got it?
On action.
You scream and cry, looking into the camera as much as you can.
The rest of you don't however, just hold onto him as usual.
Stand by. Roll camera.
Action!
Scream, look into the camera!
Look into the camera!
Scream, scream!
Okay, we need to do it wider.
Can we see more of him as well?
Can we make him move forward a bit?
Come forward, Tonino, come forward all of you.
Come forward all of you.
A bit more.
There.
- Then he comes out? - Yes.
Two bars... a bit open...
Here he's burning your penis, yes? Understood?
Stand by.
Look inside, Tonino, look here.
Scream, always looking here, okay? Roll camera.
- Are we screaming as well? - Yes, scream, like before.
The most important is you have to look here as much as possible.
Roll camera.
G0 on, scream, scream.
Look!
You have to keep a tighter hold on him.
At some point do this thing...
D0 something...
Who knows how to do it best, with the most cruelty? You.
You grab him here, you hold his head still
so that he doesn't move around so much and I can see his eyes, got it?
Stand by. Roll camera.
Come on, look serious, Tonino.
Look at the camera.
G0 on, scream!
Don't laugh, don't laugh.
Open your eyes!
Open your eyes more.
Open your eyes more!