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>> Chris: HEY, EVERYONE, HAPPY
VALENTINE'S DAY.

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VALENTINE'S DAY.
I'M PROUD TO BE YOUR DATE

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I'M PROUD TO BE YOUR DATE
TONIGHT AND BREAK DOWN ONE OF

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TONIGHT AND BREAK DOWN ONE OF
THE BEST "THE WALKING DEAD"

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THE BEST "THE WALKING DEAD"
EPISODES EVER.

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EPISODES EVER.
BUT BEFORE WE DIVE INTO THE

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BUT BEFORE WE DIVE INTO THE
MID-SEASON PREMIER, HERE'S YOUR

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MID-SEASON PREMIER, HERE'S YOUR
SPOILER ALERT.

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SPOILER ALERT.
IF YOU CAUGHT THIS ON YOUR DVR,

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IF YOU CAUGHT THIS ON YOUR DVR,
HERE'S YOUR WARNING.

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HERE'S YOUR WARNING.
FIVE SECONDS, FOUR, THREE, TWO,

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FIVE SECONDS, FOUR, THREE, TWO,
ONE, YOU'VE BEEN WARNED.

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ONE, YOU'VE BEEN WARNED.
NOW IT'S YOUR FAULT.

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NOW IT'S YOUR FAULT.
HERE WE GO.

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HERE WE GO.
RICK LOST HIS NEW GIRLFRIEND.

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RICK LOST HIS NEW GIRLFRIEND.
THE WALKERS LOST THEIR MIND

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THE WALKERS LOST THEIR MIND
OVER THAT LAKE OF FIRE.

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OVER THAT LAKE OF FIRE.
AND CARL LOST AN EYE BECAUSE

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AND CARL LOST AN EYE BECAUSE
PORCH DICK JUNIOR WENT ALL

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PORCH DICK JUNIOR WENT ALL
DIRTY HARRY ON RICK.

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DIRTY HARRY ON RICK.
THERE'S SO MUCH TO TALK ABOUT!

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THERE'S SO MUCH TO TALK ABOUT!
WE HAVE A PACKED SHOW FULL OF

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WE HAVE A PACKED SHOW FULL OF
EXCLUSIVE INTERVIEWS FROM THE

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EXCLUSIVE INTERVIEWS FROM THE
SET, INCLUDING A

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SET, INCLUDING A
BEHIND-THE-SCENES LOOK AT THE

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BEHIND-THE-SCENES LOOK AT THE
MASSIVE LAKE OF FIRE THAT SAVED

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MASSIVE LAKE OF FIRE THAT SAVED
ALEXANDRIA, PLUS AN EXCLUSIVE

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ALEXANDRIA, PLUS AN EXCLUSIVE
SNEAK PEEK OF NEXT WEEK'S

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SNEAK PEEK OF NEXT WEEK'S
EPISODE OF "THE WALKING DEAD."

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EPISODE OF "THE WALKING DEAD."
MY GUESTS ARE:  SEVEN-TIME

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MY GUESTS ARE:  SEVEN-TIME
GRAMMY WINNER, AND SHE'S

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GRAMMY WINNER, AND SHE'S
NOMINATED AND

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NOMINATED AND
PERFORMING AT THE GRAMMYS THIS

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PERFORMING AT THE GRAMMYS THIS
YEAR, CARRIE UNDERWOOD.

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YEAR, CARRIE UNDERWOOD.
EXECUTIVE PRODUCER AND THE

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EXECUTIVE PRODUCER AND THE
DIRECTOR OF TONIGHT'S EPISODE,

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DIRECTOR OF TONIGHT'S EPISODE,
GREG NICOTERO.

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GREG NICOTERO.
IT IS MY PLEASURE TO ANNOUNCE

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IT IS MY PLEASURE TO ANNOUNCE
OUR SURPRISE WALKING DEAD CAST

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OUR SURPRISE WALKING DEAD CAST
MEMBER, THE WOLF HIMSELF,

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MEMBER, THE WOLF HIMSELF,
BENEDICT SAMUEL.

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BENEDICT SAMUEL.
I'M CHRIS HARDWICK AND THIS IS

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I'M CHRIS HARDWICK AND THIS IS
"TALKING DEAD."

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"TALKING DEAD."
[ CHEERS AND APPLAUSE ]

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¶
>> Chris: WELCOME!

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>> Chris: WELCOME!
WELCOME TO "TALKING DEAD."

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WELCOME TO "TALKING DEAD."
I'M FEELING COMPLETE WHEN I'M

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I'M FEELING COMPLETE WHEN I'M
SITTING ON THIS CHAIR ON SUNDAY

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SITTING ON THIS CHAIR ON SUNDAY
NIGHTS.

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NIGHTS.
THE CONVERSATION IS JUST

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THE CONVERSATION IS JUST
BEGINNING,

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BEGINNING,
AND WE WANT TO HEAR FROM YOU.

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AND WE WANT TO HEAR FROM YOU.
WE'LL READ YOUR QUESTIONS AND

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WE'LL READ YOUR QUESTIONS AND
COMMENT AND ANSWER YOUR PHONE

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COMMENT AND ANSWER YOUR PHONE
CALLS.

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CALLS.
IS THERE SOMETHING YOU'RE DYING

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IS THERE SOMETHING YOU'RE DYING
TO KNOW AFTER WATCHING

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TO KNOW AFTER WATCHING
TONIGHT'S EPISODE?

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TONIGHT'S EPISODE?
YOU CAN TWEET US AT

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YOU CAN TWEET US AT
@AMCTALKINGDEAD.

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@AMCTALKINGDEAD.
OR CALL US TOLL FREE AT

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OR CALL US TOLL FREE AT
1-855-332-3548.

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1-855-332-3548.
THAT'S 1-855-DEAD-LIVE.

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THAT'S 1-855-DEAD-LIVE.
AND WE WANT YOU TO HAVE YOUR

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AND WE WANT YOU TO HAVE YOUR
SAY ABOUT WHAT YOU'VE JUST

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SAY ABOUT WHAT YOU'VE JUST
SEEN.

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SEEN.
GO TO TALKINGDEAD.COM/PLAYDEAD

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GO TO TALKINGDEAD.COM/PLAYDEAD
ON YOUR PHONE, TABLET, OR

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00:01:35,794 --> 00:01:37,259
ON YOUR PHONE, TABLET, OR
COMPUTER AND LATER IN THE SHOW,

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COMPUTER AND LATER IN THE SHOW,
YOU CAN VOTE IN THE POLLS IN

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YOU CAN VOTE IN THE POLLS IN
REALTIME.

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REALTIME.
AND WE'RE EVEN GOING TO TEST

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AND WE'RE EVEN GOING TO TEST
YOUR KNOWLEDGE ABOUT TONIGHT'S

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YOUR KNOWLEDGE ABOUT TONIGHT'S
EPISODE IN A "TALKING DEAD"

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EPISODE IN A "TALKING DEAD"
LIVE QUIZ.

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LIVE QUIZ.
PLEASE SAY HELLO TO MY GUESTS,

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PLEASE SAY HELLO TO MY GUESTS,
GREG NICOTERO, BENEDICT SAMUEL

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GREG NICOTERO, BENEDICT SAMUEL
AND CARRIE UNDERWOOD.

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AND CARRIE UNDERWOOD.
[ CHEERS AND APPLAUSE ]

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[ CHEERS AND APPLAUSE ]
FIRST OF ALL, THERE'S A LOT TO

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FIRST OF ALL, THERE'S A LOT TO
TALK ABOUT.

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TALK ABOUT.
I LOVE THAT ABRAHAM JUST WANTS

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I LOVE THAT ABRAHAM JUST WANTS
TO KNOW WHO PEOPLE ARE.

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TO KNOW WHO PEOPLE ARE.
[ LAUGHTER ]

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[ LAUGHTER ]
I LOVE WHO IS NEGAN.

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I LOVE WHO IS NEGAN.
WHO IS NEGANA!

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WHO IS NEGANA!
LIKE MASH 'EM UP.

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LIKE MASH 'EM UP.
YOU DIRECTED THIS EPISODE.

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YOU DIRECTED THIS EPISODE.
SINCERELY, I KNOW I WORK FOR

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SINCERELY, I KNOW I WORK FOR
THIS NETWORK.

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THIS NETWORK.
I KNOW I DO THIS SHOW AND YOU

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I KNOW I DO THIS SHOW AND YOU
FEEL LIKE I'M OBLIGATED TO SAY

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FEEL LIKE I'M OBLIGATED TO SAY
THESE THINGS.

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THESE THINGS.
I'M NOT.

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I'M NOT.
I REALLY THINK THIS IS ONE OF

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I REALLY THINK THIS IS ONE OF
THE BEST EPISODES OF THE ENTIRE

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THE BEST EPISODES OF THE ENTIRE
SERIES.

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SERIES.
IT HAD EVERYTHING.

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IT HAD EVERYTHING.
[ APPLAUSE ]

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[ APPLAUSE ]
WHAT WERE SOME OF THE BIGGEST

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WHAT WERE SOME OF THE BIGGEST
CHALLENGES FOR DIRECTING THIS

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CHALLENGES FOR DIRECTING THIS
ONE?

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ONE?
>> WELL, YOU KNOW, WHEN WE WERE

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>> WELL, YOU KNOW, WHEN WE WERE
PREPPING EPISODE ONE, WE DID A

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PREPPING EPISODE ONE, WE DID A
LOCATION SCOUT AT THE TRACKER

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LOCATION SCOUT AT THE TRACKER
DEALERSHIP AND -- TRACTOR

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DEALERSHIP AND -- TRACTOR
DEALER SHIP AND SCOTT AND I SAW

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DEALER SHIP AND SCOTT AND I SAW
A BURNED OUT OF LAKE WOODS NEXT

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A BURNED OUT OF LAKE WOODS NEXT
TO THE LOCATION.

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TO THE LOCATION.
AND THAT'S SORT OF WHERE THE

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AND THAT'S SORT OF WHERE THE
IDEA CAME ABOUT FOR THE BURNED

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IDEA CAME ABOUT FOR THE BURNED
OUT -- THE BURNED OUT WOODS IN

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OUT -- THE BURNED OUT WOODS IN
EPISODE 6.

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EPISODE 6.
AND SCOTT SAID, OH, SO, WE'RE

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AND SCOTT SAID, OH, SO, WE'RE
GOING TO LIGHT THE LAKE ON

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GOING TO LIGHT THE LAKE ON
FIRE.

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FIRE.
AND WE'RE GOING TO LEAD ALL THE

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AND WE'RE GOING TO LEAD ALL THE
WALKERS INTO THE LAKE.

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WALKERS INTO THE LAKE.
SO IT REALLY ONLY MADE SENSE TO

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SO IT REALLY ONLY MADE SENSE TO
SHOOT IT AT NIGHT.

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SHOOT IT AT NIGHT.
NOW, WHEN YOU ARE SHOOTING IN

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NOW, WHEN YOU ARE SHOOTING IN
THE SUMMERTIME, OF COURSE, YOU

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THE SUMMERTIME, OF COURSE, YOU
ONLY HAVE A -- YOU HAVE A VERY

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ONLY HAVE A -- YOU HAVE A VERY
LIMITED AMOUNT OF NIGHT TIME,

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LIMITED AMOUNT OF NIGHT TIME,
BECAUSE THE DAYS ARE LONGER.

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BECAUSE THE DAYS ARE LONGER.
SO WE HAD TO -- WE HAD TO DO A

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SO WE HAD TO -- WE HAD TO DO A
LOT OF DANCING.

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LOT OF DANCING.
JEFF JANUARY WHO IS OUR

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JEFF JANUARY WHO IS OUR
ASSISTANT DIRECTOR SCHEDULED

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ASSISTANT DIRECTOR SCHEDULED
THE WHOLE EPISODE.

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THE WHOLE EPISODE.
IT WAS VERY, VERY TRICKY

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IT WAS VERY, VERY TRICKY
BECAUSE IT WOULD GET DARK AT

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BECAUSE IT WOULD GET DARK AT
8:30 AT NIGHT AND GET LIGHT AT

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8:30 AT NIGHT AND GET LIGHT AT
6:00 IN THE MORNING.

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6:00 IN THE MORNING.
SO YOU HAD MINIMAL -- YOU

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SO YOU HAD MINIMAL -- YOU
DIDN'T HAVE A WHOLE 12-HOUR

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DIDN'T HAVE A WHOLE 12-HOUR
SHOOT OKAY.

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SHOOT OKAY.
IT WAS HARD.

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IT WAS HARD.
>> Chris: HAVE YOU BEEN

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>> Chris: HAVE YOU BEEN
WATCHING SINCE THE BEGINNING?

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WATCHING SINCE THE BEGINNING?
YOU SAID YOU WATCHED THIS SINCE

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YOU SAID YOU WATCHED THIS SINCE
EPISODE ONE.

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EPISODE ONE.
>> YES.

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>> YES.
>> Chris: WHAT HAS KEPT YOU ON

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>> Chris: WHAT HAS KEPT YOU ON
THE WALKING DEAD TRAIN?

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THE WALKING DEAD TRAIN?
>> MS. GENRE.

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>> MS. GENRE.
I LIKE MOVIES AND SHOWS THINGS

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I LIKE MOVIES AND SHOWS THINGS
IN THIS FEELING.

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IN THIS FEELING.
THE STORYLINE KEPT ME HOOKED

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THE STORYLINE KEPT ME HOOKED
AND INTERESTED IN AND COMING

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AND INTERESTED IN AND COMING
BACK FOR MORE.

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BACK FOR MORE.
WE WOULD BE IN LIKE RANDOM

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WE WOULD BE IN LIKE RANDOM
CITIES ON TOUR AND WE WOULD

154
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CITIES ON TOUR AND WE WOULD
MAKE OUR BUS DRIVERS RIDE

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MAKE OUR BUS DRIVERS RIDE
AROUND SO WE WOULD MAKE SURE

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AROUND SO WE WOULD MAKE SURE
AND HAVE, LIKE, SATELLITE ON

157
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AND HAVE, LIKE, SATELLITE ON
OUR TV.

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OUR TV.
I DIDN'T WANT TO WAIT UNTIL THE

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I DIDN'T WANT TO WAIT UNTIL THE
NEXT DAY.

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NEXT DAY.
I WANTED TO SEE AS IT WAS

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I WANTED TO SEE AS IT WAS
HAPPENING.

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HAPPENING.
BIG FAN.

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BIG FAN.
>> Chris: AND YOU NEXT YOUR MOM

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>> Chris: AND YOU NEXT YOUR MOM
TOO?

165
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TOO?
>> OH, WE TALK ABOUT IT.

166
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>> OH, WE TALK ABOUT IT.
WE WATCH THE SHOW.

167
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WE WATCH THE SHOW.
WE WATCH "TALKING DEAD" AND

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WE WATCH "TALKING DEAD" AND
THEN WE HAVE OUR OWN TALKING

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00:04:04,075 --> 00:04:06,175
THEN WE HAVE OUR OWN TALKING
DEAD THE NEXT DAY.

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DEAD THE NEXT DAY.
WE SOLVE EVERYBODY'S PROBLEMS

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WE SOLVE EVERYBODY'S PROBLEMS
AND ANALYZE.

172
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AND ANALYZE.
>> Chris: WHAT IS YOUR MOM'S

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>> Chris: WHAT IS YOUR MOM'S
NAME?

174
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NAME?
>> CAROL.

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>> CAROL.
>> Chris: OH, GOOD NAME, CAROL!

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>> Chris: OH, GOOD NAME, CAROL!
YOU ARE SITTING NEXT TO THE

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YOU ARE SITTING NEXT TO THE
WOLF AS HE'S KNOWN OR YOUNG

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00:04:18,623 --> 00:04:22,291
WOLF AS HE'S KNOWN OR YOUNG
DAVE GROLL AS WE CALLED HIM ON

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DAVE GROLL AS WE CALLED HIM ON
THE SHOW.

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THE SHOW.
[ LAUGHTER ]

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[ LAUGHTER ]
THIS GUY WAS ONE OF THE

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THIS GUY WAS ONE OF THE
CREEPIEST CHARACTERS WE HAVE

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00:04:25,830 --> 00:04:26,596
CREEPIEST CHARACTERS WE HAVE
SEEN THAT FAR.

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SEEN THAT FAR.
WE DIDN'T KNOW MUCH ABOUT HIM.

185
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WE DIDN'T KNOW MUCH ABOUT HIM.
WHAT HAS THE FAN REACTION BEEN

186
00:04:30,301 --> 00:04:31,300
WHAT HAS THE FAN REACTION BEEN
LIKE FOR YOU?

187
00:04:31,302 --> 00:04:32,234
LIKE FOR YOU?
>> IT'S VERY INTERESTING.

188
00:04:32,236 --> 00:04:36,371
>> IT'S VERY INTERESTING.
I HAD SOME PEOPLE STRANGELY IN

189
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I HAD SOME PEOPLE STRANGELY IN
SYDNEY WHERE I'M FROM, JUST

190
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SYDNEY WHERE I'M FROM, JUST
LOOK AT ME.

191
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LOOK AT ME.
I'M LIKE, THAT IS VERY STRANGE.

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00:04:42,313 --> 00:04:45,214
I'M LIKE, THAT IS VERY STRANGE.
I WAS LIKE, OH, THEY ARE PAYING

193
00:04:45,216 --> 00:04:47,282
I WAS LIKE, OH, THEY ARE PAYING
SOME HOMAGE.

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00:04:47,284 --> 00:04:48,050
SOME HOMAGE.
>> Chris: RIGHT NOW PEOPLE ARE

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>> Chris: RIGHT NOW PEOPLE ARE
LIKE, OH, MY GOD, HE'S

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00:04:50,187 --> 00:04:50,519
LIKE, OH, MY GOD, HE'S
AUSTRALIAN!

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00:04:50,521 --> 00:04:51,721
AUSTRALIAN!
THEY JUST FELL IN LOVE WITH YOU

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00:04:51,723 --> 00:04:52,822
THEY JUST FELL IN LOVE WITH YOU
EVEN MORE.

199
00:04:52,824 --> 00:04:53,122
EVEN MORE.
>> YEAH.

200
00:04:53,124 --> 00:04:54,023
>> YEAH.
I HAD ANOTHER CIRCUMSTANCE

201
00:04:54,025 --> 00:04:56,058
I HAD ANOTHER CIRCUMSTANCE
WHERE THIS GUY AND HIS

202
00:04:56,060 --> 00:04:57,693
WHERE THIS GUY AND HIS
GIRLFRIEND, WANTED TO HAVE A

203
00:04:57,695 --> 00:04:59,128
GIRLFRIEND, WANTED TO HAVE A
PHOTO BUT SHE WANTED TO STAY IN

204
00:04:59,130 --> 00:05:02,031
PHOTO BUT SHE WANTED TO STAY IN
THE CAR WHILE HE TOOK THE PHOTO

205
00:05:02,033 --> 00:05:04,533
THE CAR WHILE HE TOOK THE PHOTO
AND I SAW HER LOOKING.

206
00:05:04,535 --> 00:05:05,234
AND I SAW HER LOOKING.
>> Chris: I MEAN YOU ARE PART

207
00:05:05,236 --> 00:05:09,739
>> Chris: I MEAN YOU ARE PART
OF THIS UNIVERSE FOREVER.

208
00:05:09,741 --> 00:05:13,042
OF THIS UNIVERSE FOREVER.
THEY WILL ALWAYS DO THE "W"

209
00:05:13,044 --> 00:05:13,976
THEY WILL ALWAYS DO THE "W"
DOCUMENT HIS CHARACTER REDEEMED

210
00:05:13,978 --> 00:05:14,944
DOCUMENT HIS CHARACTER REDEEMED
HIMSELF OR DO YOU THINK HE WAS

211
00:05:14,946 --> 00:05:16,112
HIMSELF OR DO YOU THINK HE WAS
NOT CHANGED AT ALL?

212
00:05:16,114 --> 00:05:17,713
NOT CHANGED AT ALL?
>> I MEAN, I THINK THAT'S

213
00:05:17,715 --> 00:05:18,514
>> I MEAN, I THINK THAT'S
THING, WE WILL NEVER KNOW.

214
00:05:18,516 --> 00:05:20,149
THING, WE WILL NEVER KNOW.
WAS HE JUST TRYING TO SAVE

215
00:05:20,151 --> 00:05:20,449
WAS HE JUST TRYING TO SAVE
HIMSELF?

216
00:05:20,451 --> 00:05:25,087
HIMSELF?
WAS HE JUST TRYING, TO LIKE,

217
00:05:25,089 --> 00:05:25,888
WAS HE JUST TRYING, TO LIKE,
PROTECT ANIECE TO SAVE HIMSELF.

218
00:05:25,890 --> 00:05:28,624
PROTECT ANIECE TO SAVE HIMSELF.
OR DID HE HAVE THIS GLIMMER OF

219
00:05:28,626 --> 00:05:30,292
OR DID HE HAVE THIS GLIMMER OF
HOPE, OF, YOU KNOW, HUMANITY

220
00:05:30,294 --> 00:05:31,460
HOPE, OF, YOU KNOW, HUMANITY
LEFT IN HIM?

221
00:05:31,462 --> 00:05:32,561
LEFT IN HIM?
WE'LL NEVER KNOW.

222
00:05:32,563 --> 00:05:33,996
WE'LL NEVER KNOW.
>> Chris: WHAT DO YOU THINK?

223
00:05:33,998 --> 00:05:36,565
>> Chris: WHAT DO YOU THINK?
>> I THINK HE'S A BIT OF

224
00:05:36,567 --> 00:05:39,001
>> I THINK HE'S A BIT OF
CHAMELEON, AND HE CAN CHANGE TO

225
00:05:39,003 --> 00:05:41,303
CHAMELEON, AND HE CAN CHANGE TO
SUIT THE CIRCUMSTANCE.

226
00:05:41,305 --> 00:05:41,704
SUIT THE CIRCUMSTANCE.
>> Chris: YES.

227
00:05:41,706 --> 00:05:43,873
>> Chris: YES.
HIS TEETH CAN CHANGE TO ANY

228
00:05:43,875 --> 00:05:44,106
HIS TEETH CAN CHANGE TO ANY
COLOR!

229
00:05:44,108 --> 00:05:44,506
COLOR!
>> THEY CAN.

230
00:05:44,508 --> 00:05:44,840
>> THEY CAN.
[ LAUGHTER ]

231
00:05:44,842 --> 00:05:45,908
[ LAUGHTER ]
>> Chris: I MEAN, WAS IT AN

232
00:05:45,910 --> 00:05:46,142
>> Chris: I MEAN, WAS IT AN
ACT?

233
00:05:46,144 --> 00:05:47,777
ACT?
WAS THE THING WITH DR. DENISE

234
00:05:47,779 --> 00:05:48,944
WAS THE THING WITH DR. DENISE
AN ACT AT THE END?

235
00:05:48,946 --> 00:05:50,046
AN ACT AT THE END?
>> I THINK WHAT IS INTERESTING

236
00:05:50,048 --> 00:05:51,180
>> I THINK WHAT IS INTERESTING
ABOUT THEIR RELATIONSHIP

237
00:05:51,182 --> 00:05:52,447
ABOUT THEIR RELATIONSHIP
PARTICULARLY IS THAT SHE REALLY

238
00:05:52,449 --> 00:05:55,517
PARTICULARLY IS THAT SHE REALLY
IS THE FIRST PERSON THAT

239
00:05:55,519 --> 00:05:56,251
IS THE FIRST PERSON THAT
CHALLENGES HIM.

240
00:05:56,253 --> 00:05:58,554
CHALLENGES HIM.
AND NO ONE ELSE REALLY HAS

241
00:05:58,556 --> 00:05:58,988
AND NO ONE ELSE REALLY HAS
CHALLENGED HIM.

242
00:05:58,990 --> 00:06:01,123
CHALLENGED HIM.
AND I THINK HE REALLY ENJOYS

243
00:06:01,125 --> 00:06:03,125
AND I THINK HE REALLY ENJOYS
THAT INTERACTION.

244
00:06:03,127 --> 00:06:03,559
THAT INTERACTION.
>> Chris: YEAH.

245
00:06:03,561 --> 00:06:04,760
>> Chris: YEAH.
>> AND HE FINDS SOMETHING

246
00:06:04,762 --> 00:06:05,995
>> AND HE FINDS SOMETHING
REALLY INTERESTING IN THAT.

247
00:06:05,997 --> 00:06:06,829
REALLY INTERESTING IN THAT.
>> Chris: IT WAS ALMOST LIKE --

248
00:06:06,831 --> 00:06:08,463
>> Chris: IT WAS ALMOST LIKE --
IT SEEMED LIKE A CHALLENGE FOR

249
00:06:08,465 --> 00:06:09,631
IT SEEMED LIKE A CHALLENGE FOR
HIM TO CHANGE HER.

250
00:06:09,633 --> 00:06:11,133
HIM TO CHANGE HER.
LIKE I'M GOING TO CHANGE HER.

251
00:06:11,135 --> 00:06:12,201
LIKE I'M GOING TO CHANGE HER.
I WILL DO THE SAME THING THAT

252
00:06:12,203 --> 00:06:13,535
I WILL DO THE SAME THING THAT
SOMEONE DID TO ME.

253
00:06:13,537 --> 00:06:15,370
SOMEONE DID TO ME.
I SAID WHEN THIS EPISODE HAD

254
00:06:15,372 --> 00:06:15,705
I SAID WHEN THIS EPISODE HAD
EVERYTHING.

255
00:06:15,707 --> 00:06:17,406
EVERYTHING.
IT STARTED WITH THIS AMAZING

256
00:06:17,408 --> 00:06:18,340
IT STARTED WITH THIS AMAZING
MOMENT WHERE DARYL BLOWS

257
00:06:18,342 --> 00:06:19,441
MOMENT WHERE DARYL BLOWS
EVERYONE UP AND THEN WE LOST

258
00:06:19,443 --> 00:06:20,843
EVERYONE UP AND THEN WE LOST
PEOPLE AND THAT WAS REALLY

259
00:06:20,845 --> 00:06:21,143
PEOPLE AND THAT WAS REALLY
DRAMATIC.

260
00:06:21,145 --> 00:06:23,212
DRAMATIC.
AND THEN ALSO, SEEING TWO

261
00:06:23,214 --> 00:06:25,414
AND THEN ALSO, SEEING TWO
CHARACTERS FINALLY KNOT UP.

262
00:06:25,416 --> 00:06:28,417
CHARACTERS FINALLY KNOT UP.
I MEAN GABRIEL AND MORGAN

263
00:06:28,419 --> 00:06:30,519
I MEAN GABRIEL AND MORGAN
FINAL!

264
00:06:30,521 --> 00:06:30,820
FINAL!
FINALLY.

265
00:06:30,822 --> 00:06:32,354
FINALLY.
WHAT WAS THE SIGNIFICANCE OF

266
00:06:32,356 --> 00:06:35,457
WHAT WAS THE SIGNIFICANCE OF
MORGAN FOR YOU, WHEN HE FINALLY

267
00:06:35,459 --> 00:06:37,059
MORGAN FOR YOU, WHEN HE FINALLY
PUT THIS GUY DOWN?

268
00:06:37,061 --> 00:06:38,560
PUT THIS GUY DOWN?
>> MY OPINION ABOUT THE "W."

269
00:06:38,562 --> 00:06:42,264
>> MY OPINION ABOUT THE "W."
I THINK HE'S ENAMORED WITH

270
00:06:42,266 --> 00:06:42,531
I THINK HE'S ENAMORED WITH
DENISE.

271
00:06:42,533 --> 00:06:43,833
DENISE.
I THINK THE PLAN OF GETTING HER

272
00:06:43,835 --> 00:06:45,034
I THINK THE PLAN OF GETTING HER
UP AND OVER THE WALL.

273
00:06:45,036 --> 00:06:46,836
UP AND OVER THE WALL.
OH, SHE WILL HAVE A LITTLE "W"

274
00:06:46,838 --> 00:06:48,337
OH, SHE WILL HAVE A LITTLE "W"
ON HER HEAD AND THEY WILL HAVE

275
00:06:48,339 --> 00:06:53,075
ON HER HEAD AND THEY WILL HAVE
LITTLE BABIES WITH LITTLE "W'S"

276
00:06:53,077 --> 00:06:57,913
LITTLE BABIES WITH LITTLE "W'S"
IN A COUPLE OF YEARS.

277
00:06:57,915 --> 00:06:58,614
IN A COUPLE OF YEARS.
>> A LOVE STOREY.

278
00:06:58,616 --> 00:07:00,549
>> A LOVE STOREY.
>> BUT MORGAN'S PHILOSOPHY IS

279
00:07:00,551 --> 00:07:01,383
>> BUT MORGAN'S PHILOSOPHY IS
TO TURN PEOPLE AROUND.

280
00:07:01,385 --> 00:07:02,818
TO TURN PEOPLE AROUND.
I THINK HE ACTUALLY GOT THROUGH

281
00:07:02,820 --> 00:07:04,120
I THINK HE ACTUALLY GOT THROUGH
TO THE W-MAN AND THERE ARE

282
00:07:04,122 --> 00:07:07,422
TO THE W-MAN AND THERE ARE
THREE INSTANCES WHEN HE FINALLY

283
00:07:07,424 --> 00:07:10,726
THREE INSTANCES WHEN HE FINALLY
SWINGS HIS STAFF AND KILLS THE

284
00:07:10,728 --> 00:07:14,296
SWINGS HIS STAFF AND KILLS THE
"W" MAN WALKER, YOU SEE "W"

285
00:07:14,298 --> 00:07:14,596
"W" MAN WALKER, YOU SEE "W"
WALKER.

286
00:07:14,598 --> 00:07:15,564
WALKER.
OH, WE ARE SHADOWING.

287
00:07:15,566 --> 00:07:17,933
OH, WE ARE SHADOWING.
WE MIRRORED THAT SHOT MULTIPLE

288
00:07:17,935 --> 00:07:18,167
WE MIRRORED THAT SHOT MULTIPLE
TIMES.

289
00:07:18,169 --> 00:07:19,701
TIMES.
WE SHOT IT IN EPISODE 2, WHEN

290
00:07:19,703 --> 00:07:22,138
WE SHOT IT IN EPISODE 2, WHEN
HE KNOCKS HIM OUT IN THE HOUSE.

291
00:07:22,140 --> 00:07:24,506
HE KNOCKS HIM OUT IN THE HOUSE.
AND THEN WHEN -- IN EPISODE 4,

292
00:07:24,508 --> 00:07:27,643
AND THEN WHEN -- IN EPISODE 4,
WHEN HE'S KNOCKED OUT.

293
00:07:27,645 --> 00:07:28,944
WHEN HE'S KNOCKED OUT.
WE DID THE EXACT SAME SHOT.

294
00:07:28,946 --> 00:07:31,380
WE DID THE EXACT SAME SHOT.
SO WE HAD A LOW ANGLE LOOKING

295
00:07:31,382 --> 00:07:32,848
SO WE HAD A LOW ANGLE LOOKING
UP AT MORGAN WHEN HE SWINGS.

296
00:07:32,850 --> 00:07:34,150
UP AT MORGAN WHEN HE SWINGS.
SO THERE'S A LOT OF

297
00:07:34,152 --> 00:07:35,684
SO THERE'S A LOT OF
SIGNIFICANCE VISUALLY AS WELL

298
00:07:35,686 --> 00:07:38,020
SIGNIFICANCE VISUALLY AS WELL
AS JUST, I THINK THAT HE

299
00:07:38,022 --> 00:07:39,521
AS JUST, I THINK THAT HE
FINALLY KIND OF --

300
00:07:39,523 --> 00:07:40,823
FINALLY KIND OF --
>> Chris: I'M SO GLAD HE BROKE

301
00:07:40,825 --> 00:07:42,024
>> Chris: I'M SO GLAD HE BROKE
THE CODE TO DO WHAT THEY NEED

302
00:07:42,026 --> 00:07:43,458
THE CODE TO DO WHAT THEY NEED
TO SURVIVE.

303
00:07:43,460 --> 00:07:45,661
TO SURVIVE.
AND CAROL WAS RIGHT YOU WERE

304
00:07:45,663 --> 00:07:46,295
AND CAROL WAS RIGHT YOU WERE
DOING THAT BEFORE.

305
00:07:46,297 --> 00:07:46,528
DOING THAT BEFORE.
SHOW.

306
00:07:46,530 --> 00:07:47,596
SHOW.
YOU SHOULD DO THAT THING WHERE

307
00:07:47,598 --> 00:07:49,464
YOU SHOULD DO THAT THING WHERE
YOU MAKE A HASHTAG.

308
00:07:49,466 --> 00:07:51,834
YOU MAKE A HASHTAG.
I SAID WHEN CARRIE UNDERWOOD.

309
00:07:51,836 --> 00:07:54,203
I SAID WHEN CARRIE UNDERWOOD.
AND LET'S DO WALKING DEAD

310
00:07:54,205 --> 00:07:54,469
AND LET'S DO WALKING DEAD
COUNTRY.

311
00:07:54,471 --> 00:07:59,141
COUNTRY.
SO TAKE A COUNTRY SONG.

312
00:07:59,143 --> 00:08:05,047
SO TAKE A COUNTRY SONG.
I DID THE DARYL WENT DOWN TO

313
00:08:05,049 --> 00:08:05,314
I DID THE DARYL WENT DOWN TO
GEORGIA.

314
00:08:05,316 --> 00:08:06,415
GEORGIA.
>> RUN SOAP ZOMBIE.

315
00:08:06,417 --> 00:08:07,850
>> RUN SOAP ZOMBIE.
>> Chris: AND BEFORE HE EATS

316
00:08:07,852 --> 00:08:08,750
>> Chris: AND BEFORE HE EATS
PEOPLE.

317
00:08:08,752 --> 00:08:09,084
PEOPLE.
>> YES.

318
00:08:09,086 --> 00:08:11,320
>> YES.
>> Chris: THE BIG BAD BOOGIE,

319
00:08:11,322 --> 00:08:14,623
>> Chris: THE BIG BAD BOOGIE,
ALL MY EXES ARE WALKER IN

320
00:08:14,625 --> 00:08:14,857
ALL MY EXES ARE WALKER IN
TEXAS.

321
00:08:14,859 --> 00:08:19,528
TEXAS.
SO #WALKINGDEAD PLAY ALONG.

322
00:08:19,530 --> 00:08:19,995
SO #WALKINGDEAD PLAY ALONG.
COMING UP, WE HAVE A

323
00:08:19,997 --> 00:08:20,562
COMING UP, WE HAVE A
BEHIND-THE-SCENES LOOK AT

324
00:08:20,564 --> 00:08:21,130
BEHIND-THE-SCENES LOOK AT
TONIGHT'S EPIC LAKE FIRE.

325
00:08:21,132 --> 00:08:21,763
TONIGHT'S EPIC LAKE FIRE.
GREG IS GOING TO SHOW US WHAT

326
00:08:21,765 --> 00:08:22,331
GREG IS GOING TO SHOW US WHAT
SPECIAL EFFECTS WENT INTO

327
00:08:22,333 --> 00:08:22,865
SPECIAL EFFECTS WENT INTO
SHOOTING CARL'S EYE OUT.

328
00:08:22,867 --> 00:08:23,699
SHOOTING CARL'S EYE OUT.
AND AN EXCLUSIVE SNEAK PEEK OF

329
00:08:23,701 --> 00:08:29,205
AND AN EXCLUSIVE SNEAK PEEK OF
NEXT WEEK'S ALL NEW EPISODE OF

330
00:08:29,207 --> 00:08:30,539
NEXT WEEK'S ALL NEW EPISODE OF
"THE WALKING DEAD"

331
00:08:30,541 --> 00:08:31,140
"THE WALKING DEAD"
BUT FIRST, BEFORE YOU TAKE A

332
00:08:31,142 --> 00:08:31,807
BUT FIRST, BEFORE YOU TAKE A
NICE ROMANTIC WALK HAND IN HAND

333
00:08:31,809 --> 00:08:32,407
NICE ROMANTIC WALK HAND IN HAND
THROUGH A WALKER HERD, LET'S

334
00:08:32,409 --> 00:08:33,442
THROUGH A WALKER HERD, LET'S
SLOW THINGS DOWN AND SAY A

335
00:08:33,444 --> 00:08:35,177
SLOW THINGS DOWN AND SAY A
FINAL GOOD-BYE TO ALL THOSE WE

336
00:08:35,179 --> 00:08:36,345
FINAL GOOD-BYE TO ALL THOSE WE
LOST TONIGHT, INCLUDING SOMEONE

337
00:08:36,347 --> 00:08:36,979
LOST TONIGHT, INCLUDING SOMEONE
THAT'S SITTING RIGHT HERE NEXT

338
00:08:36,981 --> 00:08:38,948
THAT'S SITTING RIGHT HERE NEXT
TO ME.

339
00:08:38,950 --> 00:08:40,883
TO ME.
NIBBLE ON THIS.

340
00:08:41,517 --> 00:08:57,666
¶

341
00:09:00,703 --> 00:09:16,852
¶

342
00:09:26,729 --> 00:09:28,597
>> I THOUGHT THEY COULD PUT UP
A FIGHT.

343
00:09:28,599 --> 00:09:31,066
A FIGHT.
I GUESS YOU ALL THOUGHT THAT.

344
00:09:31,868 --> 00:09:46,348
¶
>> YOU.

345
00:09:46,350 --> 00:09:50,552
>> YOU.
¶

346
00:09:50,554 --> 00:09:52,454
¶
>> I'M NOT LEAVING YOU.

347
00:09:52,456 --> 00:09:54,756
>> I'M NOT LEAVING YOU.
¶

348
00:09:54,758 --> 00:10:11,006
¶
¶

349
00:10:32,562 --> 00:10:34,463
>> I PLAY SAM ANDERSON.
>> I'M AUSTIN ABRAMS.

350
00:10:34,465 --> 00:10:35,664
>> I'M AUSTIN ABRAMS.
A PLAYED RON.

351
00:10:35,666 --> 00:10:37,399
A PLAYED RON.
>> WE'RE NOT DEAD.

352
00:10:37,401 --> 00:10:39,635
>> WE'RE NOT DEAD.
[ LAUGHTER ]

353
00:10:39,637 --> 00:10:42,537
[ LAUGHTER ]
>> I WOULD DESCRIBE RON AS A

354
00:10:42,539 --> 00:10:45,173
>> I WOULD DESCRIBE RON AS A
GUY THAT WAS PUT IN A REALLY

355
00:10:45,175 --> 00:10:46,909
GUY THAT WAS PUT IN A REALLY
BAD SITUATION AND SORT OF MADE

356
00:10:46,911 --> 00:10:48,543
BAD SITUATION AND SORT OF MADE
INTO WHAT HE BECAME BECAUSE OF

357
00:10:48,545 --> 00:10:49,144
INTO WHAT HE BECAME BECAUSE OF
HIS ENVIRONMENT.

358
00:10:49,146 --> 00:10:50,312
HIS ENVIRONMENT.
I MEAN, I DON'T KNOW.

359
00:10:50,314 --> 00:10:51,747
I MEAN, I DON'T KNOW.
I NEVER CAME FROM A PERSPECTIVE

360
00:10:51,749 --> 00:10:53,849
I NEVER CAME FROM A PERSPECTIVE
OF SEEING HIM AS A VILLAIN AT

361
00:10:53,851 --> 00:10:54,316
OF SEEING HIM AS A VILLAIN AT
ALL.

362
00:10:54,318 --> 00:10:55,884
ALL.
>> MY FAVORITE SCENE TO SHOOT

363
00:10:55,886 --> 00:10:57,552
>> MY FAVORITE SCENE TO SHOOT
OF ALL TIME ON "THE WALKING

364
00:10:57,554 --> 00:10:58,887
OF ALL TIME ON "THE WALKING
DEAD" WAS PROBABLY MY FIRST

365
00:10:58,889 --> 00:11:00,222
DEAD" WAS PROBABLY MY FIRST
SCENE WITH CAROL.

366
00:11:00,224 --> 00:11:01,991
SCENE WITH CAROL.
WAS WORKING WITH MELISSA

367
00:11:01,993 --> 00:11:03,492
WAS WORKING WITH MELISSA
McBRIDE WAS AMAZING.

368
00:11:03,494 --> 00:11:05,961
McBRIDE WAS AMAZING.
SHE IS AN ABSOLUTE JOY TO WORK

369
00:11:05,963 --> 00:11:06,194
SHE IS AN ABSOLUTE JOY TO WORK
WITH.

370
00:11:06,196 --> 00:11:08,631
WITH.
ME AND HER ARE BUDDIES.

371
00:11:08,633 --> 00:11:10,499
ME AND HER ARE BUDDIES.
FUN FACT, WE ACTUALLY BOTH

372
00:11:10,501 --> 00:11:11,734
FUN FACT, WE ACTUALLY BOTH
REALLY LIKE ANTIQUING.

373
00:11:11,736 --> 00:11:13,235
REALLY LIKE ANTIQUING.
>> MOST MEMORABLE THING THAT I

374
00:11:13,237 --> 00:11:14,469
>> MOST MEMORABLE THING THAT I
WOULD TAKE FROM WORKING ON IT

375
00:11:14,471 --> 00:11:15,938
WOULD TAKE FROM WORKING ON IT
WAS THE ENTHUSIASM THAT, LIKE,

376
00:11:15,940 --> 00:11:17,906
WAS THE ENTHUSIASM THAT, LIKE,
EVERYONE STILL HAD, AFTER SIX

377
00:11:17,908 --> 00:11:18,173
EVERYONE STILL HAD, AFTER SIX
SEASONS.

378
00:11:18,175 --> 00:11:20,275
SEASONS.
>> YOU KNOW, THEY SAY THEY ARE

379
00:11:20,277 --> 00:11:21,043
>> YOU KNOW, THEY SAY THEY ARE
THE "THE WALKING DEAD" FAMILY,

380
00:11:21,045 --> 00:11:21,644
THE "THE WALKING DEAD" FAMILY,
BUT IT'S TRUE.

381
00:11:21,646 --> 00:11:24,613
BUT IT'S TRUE.
WE ARE ALL ONE BIG FAMILY.

382
00:11:24,615 --> 00:11:27,116
WE ARE ALL ONE BIG FAMILY.
[ CHEERS AND APPLAUSE ]

383
00:11:27,118 --> 00:11:27,716
[ CHEERS AND APPLAUSE ]
>> Chris: WELCOME BACK TO

384
00:11:27,718 --> 00:11:28,117
>> Chris: WELCOME BACK TO
"TALKING DEAD."

385
00:11:28,119 --> 00:11:31,654
"TALKING DEAD."
I'CHRIS HARDWICK.

386
00:11:31,656 --> 00:11:34,489
I'CHRIS HARDWICK.
THAT WAS

387
00:11:34,491 --> 00:11:35,090
THAT WAS
AUSTIN ABRAMS WHO PLAYED RON

388
00:11:35,092 --> 00:11:35,691
AUSTIN ABRAMS WHO PLAYED RON
AND MAJOR DODSON WHO PLAYED

389
00:11:35,693 --> 00:11:36,825
AND MAJOR DODSON WHO PLAYED
SAM.

390
00:11:36,827 --> 00:11:39,561
SAM.
THAT IS AWESOME!

391
00:11:39,563 --> 00:11:41,496
THAT IS AWESOME!
HE GOES ANTIQUING!

392
00:11:41,498 --> 00:11:45,034
HE GOES ANTIQUING!
I'M SORRY YOU DIED, SAM.

393
00:11:45,036 --> 00:11:47,803
I'M SORRY YOU DIED, SAM.
THANK YOU FOR CELEBRATING YOUR

394
00:11:47,805 --> 00:11:49,071
THANK YOU FOR CELEBRATING YOUR
VALENTINE'S DAY WITH US.

395
00:11:49,073 --> 00:11:51,373
VALENTINE'S DAY WITH US.
MY FIANCE GAVE ME THIS TIE WITH

396
00:11:51,375 --> 00:11:52,941
MY FIANCE GAVE ME THIS TIE WITH
A BRAIN.

397
00:11:52,943 --> 00:11:56,211
A BRAIN.
IT'S DANAI'S BIRTHDAY.

398
00:11:56,213 --> 00:11:58,213
IT'S DANAI'S BIRTHDAY.
WHO ELSE'S BIRTHDAY?

399
00:11:58,215 --> 00:12:00,149
WHO ELSE'S BIRTHDAY?
>> SIMON PECK.

400
00:12:00,151 --> 00:12:03,451
>> SIMON PECK.
>> SIMON PECK'S BIRTHDAY.

401
00:12:03,453 --> 00:12:04,086
>> SIMON PECK'S BIRTHDAY.
WE'RE BACK WITH GREG NICOTERO,

402
00:12:04,088 --> 00:12:04,653
WE'RE BACK WITH GREG NICOTERO,
BENEDICT SAMUEL AND CARRIE

403
00:12:04,655 --> 00:12:05,721
BENEDICT SAMUEL AND CARRIE
UNDERWOOD.

404
00:12:05,723 --> 00:12:07,556
UNDERWOOD.
>> WHAT WAS YOUR REACTION WHEN

405
00:12:07,558 --> 00:12:08,791
>> WHAT WAS YOUR REACTION WHEN
THEY LOST THEIR ENTIRE FAMILY

406
00:12:08,793 --> 00:12:09,324
THEY LOST THEIR ENTIRE FAMILY
AT ONE TIME.

407
00:12:09,326 --> 00:12:10,759
AT ONE TIME.
>> YOU KNEW THAT SAM REALLY

408
00:12:10,761 --> 00:12:11,593
>> YOU KNEW THAT SAM REALLY
DIDN'T HAVE A CHANCE.

409
00:12:11,595 --> 00:12:15,831
DIDN'T HAVE A CHANCE.
AND I WAS WANTING HIM TO LEAVE

410
00:12:15,833 --> 00:12:16,565
AND I WAS WANTING HIM TO LEAVE
WITH GABRIEL.

411
00:12:16,567 --> 00:12:18,266
WITH GABRIEL.
WHY DID THEY LET HIM KEEP

412
00:12:18,268 --> 00:12:19,735
WHY DID THEY LET HIM KEEP
GOING?

413
00:12:19,737 --> 00:12:20,602
GOING?
LIKE, I DON'T KNOW.

414
00:12:20,604 --> 00:12:22,237
LIKE, I DON'T KNOW.
>> I DON'T KNOW.

415
00:12:22,239 --> 00:12:25,240
>> I DON'T KNOW.
>> JESSIE WASN'T GOING TO LEAVE

416
00:12:25,242 --> 00:12:26,541
>> JESSIE WASN'T GOING TO LEAVE
HIM OR LEAVE HER FAMILY.

417
00:12:26,543 --> 00:12:29,211
HIM OR LEAVE HER FAMILY.
AND THEN RON, HIS TEENAGED

418
00:12:29,213 --> 00:12:30,879
AND THEN RON, HIS TEENAGED
ANGST GOT THE BEST OF HIM.

419
00:12:30,881 --> 00:12:31,279
ANGST GOT THE BEST OF HIM.
>> Chris: YES.

420
00:12:31,281 --> 00:12:32,181
>> Chris: YES.
HE KIND OF ASKED FOR IT.

421
00:12:32,183 --> 00:12:33,348
HE KIND OF ASKED FOR IT.
I REALLY THOUGHT AT THE END OF

422
00:12:33,350 --> 00:12:34,750
I REALLY THOUGHT AT THE END OF
LAST SEASON WHEN SAM WAS LIKE,

423
00:12:34,752 --> 00:12:37,352
LAST SEASON WHEN SAM WAS LIKE,
MOM, MOM, I THOUGHT SHE WAS

424
00:12:37,354 --> 00:12:38,687
MOM, MOM, I THOUGHT SHE WAS
GOING TO BE LIKE, I DON'T KNOW

425
00:12:38,689 --> 00:12:38,921
GOING TO BE LIKE, I DON'T KNOW
YOU.

426
00:12:38,923 --> 00:12:40,388
YOU.
AND JUST KICK HIM.

427
00:12:40,390 --> 00:12:42,191
AND JUST KICK HIM.
[ LAUGHTER ]

428
00:12:42,193 --> 00:12:43,859
[ LAUGHTER ]
HOW DID YOU CHOREOGRAPH?

429
00:12:43,861 --> 00:12:45,560
HOW DID YOU CHOREOGRAPH?
AND THE CHOPPING OFF OF THE

430
00:12:45,562 --> 00:12:46,795
AND THE CHOPPING OFF OF THE
ARM, GREG.

431
00:12:46,797 --> 00:12:50,766
ARM, GREG.
>> WELL, THE TRICK IS, IT WAS

432
00:12:50,768 --> 00:12:59,674
>> WELL, THE TRICK IS, IT WAS
JESSIE -- HE WAS HER ACHILLIES

433
00:12:59,676 --> 00:12:59,908
JESSIE -- HE WAS HER ACHILLIES
HEEL.

434
00:12:59,910 --> 00:13:00,743
HEEL.
AS SOON AS HE DOESN'T WANT TO

435
00:13:00,745 --> 00:13:02,811
AS SOON AS HE DOESN'T WANT TO
GO WITH GABRIEL AND SHE ALLOWS

436
00:13:02,813 --> 00:13:04,747
GO WITH GABRIEL AND SHE ALLOWS
THEM TO GO, SHE KIND OF SEALED

437
00:13:04,749 --> 00:13:07,082
THEM TO GO, SHE KIND OF SEALED
ALL OF THEIR FATE.

438
00:13:07,084 --> 00:13:07,382
ALL OF THEIR FATE.
>> YEAH.

439
00:13:07,384 --> 00:13:08,350
>> YEAH.
>> BY NOT BEING ABLE TO DO

440
00:13:08,352 --> 00:13:08,717
>> BY NOT BEING ABLE TO DO
THAT.

441
00:13:08,719 --> 00:13:10,352
THAT.
SO, OF COURSE IN THE GRAPHIC

442
00:13:10,354 --> 00:13:12,320
SO, OF COURSE IN THE GRAPHIC
NOVEL, WE HAVE THESE FANTASTIC

443
00:13:12,322 --> 00:13:14,422
NOVEL, WE HAVE THESE FANTASTIC
PANELS THAT WERE DRAWN AND, YOU

444
00:13:14,424 --> 00:13:16,825
PANELS THAT WERE DRAWN AND, YOU
KNOW, SCOTT AND ROBERT KIRKMAN

445
00:13:16,827 --> 00:13:19,862
KNOW, SCOTT AND ROBERT KIRKMAN
KEEP GIVING ME THESE BIG

446
00:13:19,864 --> 00:13:21,563
KEEP GIVING ME THESE BIG
EPISODES THAT PAY DIRECT

447
00:13:21,565 --> 00:13:24,666
EPISODES THAT PAY DIRECT
TRIBUTE TO THEM -- TO THE

448
00:13:24,668 --> 00:13:25,433
TRIBUTE TO THEM -- TO THE
GRAPHIC NOVEL.

449
00:13:25,435 --> 00:13:26,969
GRAPHIC NOVEL.
WE KNEW THE CARL BIT WAS

450
00:13:26,971 --> 00:13:30,338
WE KNEW THE CARL BIT WAS
COMING, BUT WORKING OUT THE

451
00:13:30,340 --> 00:13:31,006
COMING, BUT WORKING OUT THE
CHOREOGRAPHY OF EVERYTHING

452
00:13:31,008 --> 00:13:32,507
CHOREOGRAPHY OF EVERYTHING
ELSE, YOU HAVE TO BE REALLY

453
00:13:32,509 --> 00:13:33,008
ELSE, YOU HAVE TO BE REALLY
QUIET.

454
00:13:33,010 --> 00:13:34,476
QUIET.
MICHONNE WAS DISPATCHING

455
00:13:34,478 --> 00:13:35,277
MICHONNE WAS DISPATCHING
WALKERS IN THE FRONT OF THE

456
00:13:35,279 --> 00:13:36,411
WALKERS IN THE FRONT OF THE
BACK OF THE LINE.

457
00:13:36,413 --> 00:13:38,580
BACK OF THE LINE.
WHAT WE ENDED UP DOING WAS WE

458
00:13:38,582 --> 00:13:39,848
WHAT WE ENDED UP DOING WAS WE
MADE BLEEDING DENTURES.

459
00:13:39,850 --> 00:13:41,683
MADE BLEEDING DENTURES.
I WANTED TO SEE THE SHOT OF

460
00:13:41,685 --> 00:13:44,119
I WANTED TO SEE THE SHOT OF
SAM'S FACE WITH BLOOD TRICKLING

461
00:13:44,121 --> 00:13:44,386
SAM'S FACE WITH BLOOD TRICKLING
DOWN.

462
00:13:44,388 --> 00:13:45,720
DOWN.
I DIDN'T WANT TO PUT A

463
00:13:45,722 --> 00:13:46,388
I DIDN'T WANT TO PUT A
PROSTHETIC IN IT.

464
00:13:46,390 --> 00:13:47,923
PROSTHETIC IN IT.
I WANTED TO STAY IN THE

465
00:13:47,925 --> 00:13:48,757
I WANTED TO STAY IN THE
EMOTIONAL MOMENT.

466
00:13:48,759 --> 00:13:50,592
EMOTIONAL MOMENT.
AND SO ONE OF OUR MAKEUP GUYS

467
00:13:50,594 --> 00:13:52,961
AND SO ONE OF OUR MAKEUP GUYS
WE MADE DENTURES FOR HIM THAT

468
00:13:52,963 --> 00:13:54,096
WE MADE DENTURES FOR HIM THAT
HAD A BLOOD TUBE THAT RAN OFF

469
00:13:54,098 --> 00:13:56,765
HAD A BLOOD TUBE THAT RAN OFF
THE SIDE OF HIS FACE AND WAS

470
00:13:56,767 --> 00:13:58,267
THE SIDE OF HIS FACE AND WAS
HIDDEN BY THE PROSTHETIC.

471
00:13:58,269 --> 00:14:00,669
HIDDEN BY THE PROSTHETIC.
SO WHEN HE PIT DOWN, THEY WERE

472
00:14:00,671 --> 00:14:02,137
SO WHEN HE PIT DOWN, THEY WERE
SOFT TEETH AND THE BLOODSHOT

473
00:14:02,139 --> 00:14:03,538
SOFT TEETH AND THE BLOODSHOT
OUT OF THE TEETH AND TRICKLED

474
00:14:03,540 --> 00:14:04,840
OUT OF THE TEETH AND TRICKLED
DOWN HIS FACE, WHICH IS

475
00:14:04,842 --> 00:14:08,210
DOWN HIS FACE, WHICH IS
SOMETHING WE NEVER DID BEFORE.

476
00:14:08,212 --> 00:14:09,244
SOMETHING WE NEVER DID BEFORE.
>> Chris: SO YOU GOT A GOOD

477
00:14:09,246 --> 00:14:10,979
>> Chris: SO YOU GOT A GOOD
CHOMP OUT OF SAM.

478
00:14:10,981 --> 00:14:13,548
CHOMP OUT OF SAM.
>> AND THAT BLOOD-CURDLING

479
00:14:13,550 --> 00:14:15,684
>> AND THAT BLOOD-CURDLING
SCREAM WHEN WE SHOT IT, IT SENT

480
00:14:15,686 --> 00:14:15,951
SCREAM WHEN WE SHOT IT, IT SENT
CHILLS.

481
00:14:15,953 --> 00:14:16,819
CHILLS.
>> Chris: FIRST OF ALL, I THINK

482
00:14:16,821 --> 00:14:18,386
>> Chris: FIRST OF ALL, I THINK
WE NEED A HUGE HAND FOR

483
00:14:18,388 --> 00:14:19,822
WE NEED A HUGE HAND FOR
ALEXANDER BRECKENRIDGE AND

484
00:14:19,824 --> 00:14:21,656
ALEXANDER BRECKENRIDGE AND
MAJOR AND FOR AUSTIN FOR BEING

485
00:14:21,658 --> 00:14:22,590
MAJOR AND FOR AUSTIN FOR BEING
FANTASTIC.

486
00:14:22,592 --> 00:14:22,925
FANTASTIC.
[ APPLAUSE ]

487
00:14:22,927 --> 00:14:24,793
[ APPLAUSE ]
BECAUSE I REALLY LOVED -- I

488
00:14:24,795 --> 00:14:26,594
BECAUSE I REALLY LOVED -- I
REALLY LOVED JESSIE'S CHARACTER

489
00:14:26,596 --> 00:14:27,729
REALLY LOVED JESSIE'S CHARACTER
AND I DON'T KNOW IF THERE ARE

490
00:14:27,731 --> 00:14:29,097
AND I DON'T KNOW IF THERE ARE
MANY SHOWS THAT WOULD HAVE

491
00:14:29,099 --> 00:14:30,532
MANY SHOWS THAT WOULD HAVE
KILLED OFF A POTENTIAL LOVE

492
00:14:30,534 --> 00:14:32,100
KILLED OFF A POTENTIAL LOVE
INTEREST FOR THE CHARACTER LIKE

493
00:14:32,102 --> 00:14:32,334
INTEREST FOR THE CHARACTER LIKE
RICK.

494
00:14:32,336 --> 00:14:35,337
RICK.
I WAS VERY SURPRISED TO SEE

495
00:14:35,339 --> 00:14:35,570
I WAS VERY SURPRISED TO SEE
THAT.

496
00:14:35,572 --> 00:14:37,405
THAT.
>> YEAH.

497
00:14:37,407 --> 00:14:38,140
>> YEAH.
>> Chris: I DON'T THINK WE KNEW

498
00:14:38,142 --> 00:14:41,543
>> Chris: I DON'T THINK WE KNEW
IT WAS GOING TO BE VALENTINE'S

499
00:14:41,545 --> 00:14:41,877
IT WAS GOING TO BE VALENTINE'S
DAY.

500
00:14:41,879 --> 00:14:43,879
DAY.
>> SHE WAS REALLY TO JUST START

501
00:14:43,881 --> 00:14:46,048
>> SHE WAS REALLY TO JUST START
TO LOVE WHO HER CHARACTER WAS

502
00:14:46,050 --> 00:14:46,248
TO LOVE WHO HER CHARACTER WAS
TOO.

503
00:14:46,250 --> 00:14:47,082
TOO.
THAT MADE IT TOUGH.

504
00:14:47,084 --> 00:14:48,416
THAT MADE IT TOUGH.
THIS WAS ANOTHER ONE OF THOSE

505
00:14:48,418 --> 00:14:49,551
THIS WAS ANOTHER ONE OF THOSE
MOMENTS WHEN YOU GET THE SCRIPT

506
00:14:49,553 --> 00:14:51,686
MOMENTS WHEN YOU GET THE SCRIPT
AND YOU'RE LIKE OH!

507
00:14:51,688 --> 00:14:52,387
AND YOU'RE LIKE OH!
>> Chris: OH, WE HAVE TO CHOP

508
00:14:52,389 --> 00:14:53,388
>> Chris: OH, WE HAVE TO CHOP
YOUR ARM OFF AND STUFF.

509
00:14:53,390 --> 00:14:54,823
YOUR ARM OFF AND STUFF.
>> AND WHAT WAS KIND OF FUNNY,

510
00:14:54,825 --> 00:14:55,757
>> AND WHAT WAS KIND OF FUNNY,
I DIDN'T REALIZE.

511
00:14:55,759 --> 00:14:58,126
I DIDN'T REALIZE.
THE WAY THE EPISODES ARE

512
00:14:58,128 --> 00:14:58,994
THE WAY THE EPISODES ARE
DIVVIED OUT AT THE BEGINNING OF

513
00:14:58,996 --> 00:15:01,429
DIVVIED OUT AT THE BEGINNING OF
THE SEASON, I WASN'T 100% SURE

514
00:15:01,431 --> 00:15:02,965
THE SEASON, I WASN'T 100% SURE
WHICH EPISODE WAS GOING TO LAND

515
00:15:02,967 --> 00:15:04,532
WHICH EPISODE WAS GOING TO LAND
WHERE AND CHANDLER WAS THE ONE

516
00:15:04,534 --> 00:15:06,835
WHERE AND CHANDLER WAS THE ONE
ON THE PLANE TO SAN DIEGO SAID,

517
00:15:06,837 --> 00:15:10,605
ON THE PLANE TO SAN DIEGO SAID,
OH, SO, HEY WHEN WE SHOOT ME IN

518
00:15:10,607 --> 00:15:12,674
OH, SO, HEY WHEN WE SHOOT ME IN
THE EYE, HOW ARE WE GOING TO DO

519
00:15:12,676 --> 00:15:12,908
THE EYE, HOW ARE WE GOING TO DO
THAT?

520
00:15:12,910 --> 00:15:14,977
THAT?
THAT WAS THE FIRST TIME THAT I

521
00:15:14,979 --> 00:15:18,013
THAT WAS THE FIRST TIME THAT I
REALIZED THAT THAT GAG WAS

522
00:15:18,015 --> 00:15:18,347
REALIZED THAT THAT GAG WAS
HAPPENING.

523
00:15:18,349 --> 00:15:19,081
HAPPENING.
>> Chris: WE WILL SHOW MORE OF

524
00:15:19,083 --> 00:15:20,282
>> Chris: WE WILL SHOW MORE OF
THAT LATER ON IN THE SHOW, AND

525
00:15:20,284 --> 00:15:22,784
THAT LATER ON IN THE SHOW, AND
SEE HOW YOU DID THAT.

526
00:15:22,786 --> 00:15:23,451
SEE HOW YOU DID THAT.
CARRIE, YOU WOULD HAVE TRUSTED

527
00:15:23,453 --> 00:15:26,588
CARRIE, YOU WOULD HAVE TRUSTED
YOUR BABY WITH FATHER GAB

528
00:15:26,590 --> 00:15:26,955
YOUR BABY WITH FATHER GAB
BRINGEL?

529
00:15:26,957 --> 00:15:27,289
BRINGEL?
>> NO.

530
00:15:27,291 --> 00:15:27,522
>> NO.
NO.

531
00:15:27,524 --> 00:15:29,224
NO.
I'M REALLY, REALLY HAPPY THAT

532
00:15:29,226 --> 00:15:31,059
I'M REALLY, REALLY HAPPY THAT
HE, LIKE, -- THE SWITCH FLIPPED

533
00:15:31,061 --> 00:15:35,330
HE, LIKE, -- THE SWITCH FLIPPED
AND HE, LIKE, REALIZED THIS IS

534
00:15:35,332 --> 00:15:38,000
AND HE, LIKE, REALIZED THIS IS
THE WORLD I LIVE IN NOW.

535
00:15:38,002 --> 00:15:39,134
THE WORLD I LIVE IN NOW.
>> PEOPLE CAN CHANGE.

536
00:15:39,136 --> 00:15:39,434
>> PEOPLE CAN CHANGE.
>> YES.

537
00:15:39,436 --> 00:15:42,470
>> YES.
THERE YOU GO.

538
00:15:42,472 --> 00:15:42,871
THERE YOU GO.
>> Chris: AW.

539
00:15:42,873 --> 00:15:44,839
>> Chris: AW.
>> AT THAT POINT IN TIME, THEY

540
00:15:44,841 --> 00:15:46,808
>> AT THAT POINT IN TIME, THEY
HAD NO CHOICE.

541
00:15:46,810 --> 00:15:48,443
HAD NO CHOICE.
CARRY A POTENTIALLY CRYING

542
00:15:48,445 --> 00:15:48,676
CARRY A POTENTIALLY CRYING
BABY.

543
00:15:48,678 --> 00:15:49,778
BABY.
THEY HAD TO.

544
00:15:49,780 --> 00:15:50,779
THEY HAD TO.
>> Chris: I THINK I WOULD HAVE

545
00:15:50,781 --> 00:15:52,847
>> Chris: I THINK I WOULD HAVE
BEEN, NO, I WILL KEEP HER UNDER

546
00:15:52,849 --> 00:15:54,116
BEEN, NO, I WILL KEEP HER UNDER
THE MEAT CLOTH.

547
00:15:54,118 --> 00:15:55,250
THE MEAT CLOTH.
NO, JUST GO AWAY.

548
00:15:55,252 --> 00:15:58,553
NO, JUST GO AWAY.
>> HE DIDN'T QUITE EARNED HIS

549
00:15:58,555 --> 00:15:58,954
>> HE DIDN'T QUITE EARNED HIS
TRUSTWORTHINESS.

550
00:15:58,956 --> 00:16:00,088
TRUSTWORTHINESS.
>> Chris: NOW HE'S EARNED MY

551
00:16:00,090 --> 00:16:01,957
>> Chris: NOW HE'S EARNED MY
TRUST.

552
00:16:01,959 --> 00:16:06,261
TRUST.
WE WANT TO FIND OUT HOW

553
00:16:06,263 --> 00:16:06,929
WE WANT TO FIND OUT HOW
CAREFULLY YOU PAID ATTENTION TO

554
00:16:06,931 --> 00:16:07,495
CAREFULLY YOU PAID ATTENTION TO
TONIGHT'S EPISODE OF "THE

555
00:16:07,497 --> 00:16:08,163
TONIGHT'S EPISODE OF "THE
WALKING DEAD" AND TAKE OUR QUIZ

556
00:16:08,165 --> 00:16:08,397
WALKING DEAD" AND TAKE OUR QUIZ
LIVE.

557
00:16:08,399 --> 00:16:08,997
LIVE.
WHEN WE COME BACK, WE HAVE A

558
00:16:08,999 --> 00:16:09,564
WHEN WE COME BACK, WE HAVE A
BEHIND-THE-SCENES LOOK AT

559
00:16:09,566 --> 00:16:10,132
BEHIND-THE-SCENES LOOK AT
TONIGHT'S EPIC LAKE FIRE.

560
00:16:10,134 --> 00:16:10,765
TONIGHT'S EPIC LAKE FIRE.
GREG IS GOING TO SHOW US WHAT

561
00:16:10,767 --> 00:16:11,333
GREG IS GOING TO SHOW US WHAT
SPECIAL EFFECTS WENT INTO

562
00:16:11,335 --> 00:16:11,967
SPECIAL EFFECTS WENT INTO
SHOOTING CARL'S EYE OUT, PLUS

563
00:16:11,969 --> 00:16:12,634
SHOOTING CARL'S EYE OUT, PLUS
AN EXCLUSIVE SNEAK PEEK OF NEXT

564
00:16:12,636 --> 00:16:13,268
AN EXCLUSIVE SNEAK PEEK OF NEXT
WEEK'S EPISODE OF "THE WALKING

565
00:16:13,270 --> 00:16:13,501
WEEK'S EPISODE OF "THE WALKING
DEAD."

566
00:16:13,503 --> 00:16:14,102
DEAD."
BUT FIRST, IT'S TIME FOR THE

567
00:16:14,104 --> 00:16:14,336
BUT FIRST, IT'S TIME FOR THE
QUIZ.

568
00:16:14,338 --> 00:16:17,739
QUIZ.
MAY THE BEST FAN WIN.

569
00:16:17,741 --> 00:16:22,244
MAY THE BEST FAN WIN.
IN FIVE, FOUR, THREE, TWO,

570
00:16:22,246 --> 00:16:23,245
IN FIVE, FOUR, THREE, TWO,
QUIZ!

571
00:16:24,013 --> 00:16:40,162
¶

572
00:16:55,011 --> 00:17:11,159
¶

573
00:17:35,151 --> 00:17:51,299
¶

574
00:18:11,020 --> 00:18:15,123
>> IN THAT SCENE WHERE CARL
GETS SHOT, IT BLEW MY MIND!

575
00:18:15,125 --> 00:18:19,227
GETS SHOT, IT BLEW MY MIND!
JESSIE, SAM, CAN'T GO ON.

576
00:18:19,229 --> 00:18:20,094
JESSIE, SAM, CAN'T GO ON.
HE GETS TAKEN.

577
00:18:20,096 --> 00:18:21,029
HE GETS TAKEN.
SHE GETS TAKEN.

578
00:18:21,031 --> 00:18:22,497
SHE GETS TAKEN.
AND YOU SEE WHAT YOU THINK IS

579
00:18:22,499 --> 00:18:24,232
AND YOU SEE WHAT YOU THINK IS
YOUR DYING SON.

580
00:18:24,234 --> 00:18:26,668
YOUR DYING SON.
THE MOST INSANE SCRIPTS I HAVE

581
00:18:26,670 --> 00:18:27,135
THE MOST INSANE SCRIPTS I HAVE
EVER READ!

582
00:18:27,137 --> 00:18:29,271
EVER READ!
AND THE BIGGEST EPISODE WE HAVE

583
00:18:29,273 --> 00:18:30,605
AND THE BIGGEST EPISODE WE HAVE
PROBABLY EVER ATTEMPTED.

584
00:18:30,607 --> 00:18:35,477
PROBABLY EVER ATTEMPTED.
[ CHEERS AND APPLAUSE ]

585
00:18:35,479 --> 00:18:36,077
[ CHEERS AND APPLAUSE ]
>> Chris: WELCOME BACK TO

586
00:18:36,079 --> 00:18:36,478
>> Chris: WELCOME BACK TO
"TALKING DEAD."

587
00:18:36,480 --> 00:18:37,179
"TALKING DEAD."
I'M CHRIS HARDWICK.

588
00:18:37,181 --> 00:18:38,112
I'M CHRIS HARDWICK.
THAT WAS ANDREW LINCOLN

589
00:18:38,114 --> 00:18:38,913
THAT WAS ANDREW LINCOLN
DISCUSSING TONIGHT'S MOST

590
00:18:38,915 --> 00:18:39,714
DISCUSSING TONIGHT'S MOST
SHOCKING SCENE.

591
00:18:39,716 --> 00:18:40,515
SHOCKING SCENE.
WE'RE BACK WITH GREG NICOTERO,

592
00:18:40,517 --> 00:18:41,082
WE'RE BACK WITH GREG NICOTERO,
BENEDICT SAMUEL AND CARRIE

593
00:18:41,084 --> 00:18:43,451
BENEDICT SAMUEL AND CARRIE
UNDERWOOD.

594
00:18:43,453 --> 00:18:44,752
UNDERWOOD.
GREG, BROUGHT A VIDEO AND

595
00:18:44,754 --> 00:18:46,754
GREG, BROUGHT A VIDEO AND
PHOTOS OF CARL'S -- NOW, CARL

596
00:18:46,756 --> 00:18:48,856
PHOTOS OF CARL'S -- NOW, CARL
LOSING HIS EYE, THERE'S A LOT

597
00:18:48,858 --> 00:18:50,625
LOSING HIS EYE, THERE'S A LOT
OF THING IN THE COMICS.

598
00:18:50,627 --> 00:18:51,826
OF THING IN THE COMICS.
THEY DON'T ALWAYS FOLLOW, HOW

599
00:18:51,828 --> 00:18:53,027
THEY DON'T ALWAYS FOLLOW, HOW
THEY WILL DO THAT.

600
00:18:53,029 --> 00:18:54,429
THEY WILL DO THAT.
AND I WASN'T SURE YOU WOULD

601
00:18:54,431 --> 00:18:57,232
AND I WASN'T SURE YOU WOULD
EVER DO IT, AND YOU DID.

602
00:18:57,234 --> 00:18:58,533
EVER DO IT, AND YOU DID.
LET'S TAKE A LOOK AT THE VIDEO.

603
00:18:58,535 --> 00:19:00,001
LET'S TAKE A LOOK AT THE VIDEO.
WHAT DO YOU SEE HERE.

604
00:19:00,003 --> 00:19:01,603
WHAT DO YOU SEE HERE.
>> WELL, THIS IS A DUMMY THAT

605
00:19:01,605 --> 00:19:03,405
>> WELL, THIS IS A DUMMY THAT
WE DID.

606
00:19:03,407 --> 00:19:04,272
WE DID.
>> Chris: HOW DARE YOU!

607
00:19:04,274 --> 00:19:07,141
>> Chris: HOW DARE YOU!
>> RICK HAD TO RUN UP AND DOWN

608
00:19:07,143 --> 00:19:08,810
>> RICK HAD TO RUN UP AND DOWN
THE STREET CARRYING CARL.

609
00:19:08,812 --> 00:19:11,413
THE STREET CARRYING CARL.
SO WE DID A LIVE CAST OF

610
00:19:11,415 --> 00:19:12,914
SO WE DID A LIVE CAST OF
CHANDLER'S FACE, AND WE CREATED

611
00:19:12,916 --> 00:19:15,016
CHANDLER'S FACE, AND WE CREATED
A SILICONE HEAD.

612
00:19:15,018 --> 00:19:16,318
A SILICONE HEAD.
>> Chris: THAT WAS THOROUGHLY

613
00:19:16,320 --> 00:19:18,019
>> Chris: THAT WAS THOROUGHLY
UNSETTLING.

614
00:19:18,021 --> 00:19:19,387
UNSETTLING.
>> HE WOULD GO TO THE MAKEUP

615
00:19:19,389 --> 00:19:21,823
>> HE WOULD GO TO THE MAKEUP
ROOM AND HE WAS SITTING THERE.

616
00:19:21,825 --> 00:19:23,658
ROOM AND HE WAS SITTING THERE.
I WAS LIKE, HEY.

617
00:19:23,660 --> 00:19:25,293
I WAS LIKE, HEY.
>> Chris: THERE'S A PHOTO RIGHT

618
00:19:25,295 --> 00:19:25,527
>> Chris: THERE'S A PHOTO RIGHT
THERE.

619
00:19:25,529 --> 00:19:26,928
THERE.
>> AND THE WOUND WAS VERY

620
00:19:26,930 --> 00:19:28,796
>> AND THE WOUND WAS VERY
IMPORTANT BECAUSE WE TALKED A

621
00:19:28,798 --> 00:19:30,265
IMPORTANT BECAUSE WE TALKED A
LOT WITH ROBERT ABOUT CAPTURING

622
00:19:30,267 --> 00:19:33,468
LOT WITH ROBERT ABOUT CAPTURING
WHAT IT LOOKED LIKE IN THE

623
00:19:33,470 --> 00:19:34,536
WHAT IT LOOKED LIKE IN THE
GRAPHIC NOVEL.

624
00:19:34,538 --> 00:19:38,740
GRAPHIC NOVEL.
WE ARE SAYING THE BULLET HIT

625
00:19:38,742 --> 00:19:40,808
WE ARE SAYING THE BULLET HIT
HERE AND SENT BONE FRAGMENTS

626
00:19:40,810 --> 00:19:43,612
HERE AND SENT BONE FRAGMENTS
OUT AND THE BULLET RICOCHETED

627
00:19:43,614 --> 00:19:43,878
OUT AND THE BULLET RICOCHETED
OUTWARD.

628
00:19:43,880 --> 00:19:46,981
OUTWARD.
AND IN THE SHOT IN THE EPISODE,

629
00:19:46,983 --> 00:19:48,550
AND IN THE SHOT IN THE EPISODE,
WHEN CARL TURNS AND LOOKS, WE

630
00:19:48,552 --> 00:19:50,752
WHEN CARL TURNS AND LOOKS, WE
DID A SHOT OF CHANDLER AND THEN

631
00:19:50,754 --> 00:19:52,954
DID A SHOT OF CHANDLER AND THEN
WE SHOT THIS DUMMY AND WE

632
00:19:52,956 --> 00:19:55,257
WE SHOT THIS DUMMY AND WE
DIGITALLY ADDED THE WOUND ON TO

633
00:19:55,259 --> 00:19:56,891
DIGITALLY ADDED THE WOUND ON TO
HIS HEAD SO THAT YOU CAN GET

634
00:19:56,893 --> 00:20:00,629
HIS HEAD SO THAT YOU CAN GET
THE DEPTH OF THE INJURY.

635
00:20:00,631 --> 00:20:01,028
THE DEPTH OF THE INJURY.
>> Chris: WOW!

636
00:20:01,030 --> 00:20:05,800
>> Chris: WOW!
SO DID SOMEONE KISS THE DUMMY?

637
00:20:05,802 --> 00:20:06,100
SO DID SOMEONE KISS THE DUMMY?
>> YES.

638
00:20:06,102 --> 00:20:07,435
>> YES.
AND THEN ONCE THEY GET THE

639
00:20:07,437 --> 00:20:09,036
AND THEN ONCE THEY GET THE
DUMMY INTO THE INFIRMARY.

640
00:20:09,038 --> 00:20:11,473
DUMMY INTO THE INFIRMARY.
AND SO A LOT OF THIS STUFF WAS

641
00:20:11,475 --> 00:20:12,206
AND SO A LOT OF THIS STUFF WAS
SHOT WITHOUT CHANDLER.

642
00:20:12,208 --> 00:20:13,775
SHOT WITHOUT CHANDLER.
IT WAS ANDY RUNNING THROUGH

643
00:20:13,777 --> 00:20:14,842
IT WAS ANDY RUNNING THROUGH
STREETS OF ALEXANDRIA BEING

644
00:20:14,844 --> 00:20:16,444
STREETS OF ALEXANDRIA BEING
CHASED BY WALKERS AND THEN ONCE

645
00:20:16,446 --> 00:20:18,045
CHASED BY WALKERS AND THEN ONCE
THEY GOT HIS BODY ON TO THE

646
00:20:18,047 --> 00:20:20,382
THEY GOT HIS BODY ON TO THE
TABLE, WE DID THIS PROSTHETIC

647
00:20:20,384 --> 00:20:22,817
TABLE, WE DID THIS PROSTHETIC
ON CHANDLER.

648
00:20:22,819 --> 00:20:24,352
ON CHANDLER.
FOR THE ENTRANCE AND THEN

649
00:20:24,354 --> 00:20:25,387
FOR THE ENTRANCE AND THEN
LAYING HIM DOWN ON THE TABLE

650
00:20:25,389 --> 00:20:28,523
LAYING HIM DOWN ON THE TABLE
AND A COUPLE OF CLOSE-UPS AND

651
00:20:28,525 --> 00:20:31,125
AND A COUPLE OF CLOSE-UPS AND
THE REST OF THE SCENE WAS SHOT

652
00:20:31,127 --> 00:20:32,226
THE REST OF THE SCENE WAS SHOT
WITH A DUMMY.

653
00:20:32,228 --> 00:20:36,698
WITH A DUMMY.
SO WHEN DANAI IS STROKING HIS

654
00:20:36,700 --> 00:20:39,100
SO WHEN DANAI IS STROKING HIS
FOREHEAD AND MERIT WAS DOING

655
00:20:39,102 --> 00:20:40,168
FOREHEAD AND MERIT WAS DOING
THE SURGERY.

656
00:20:40,170 --> 00:20:41,770
THE SURGERY.
SHE KISSES IT.

657
00:20:41,772 --> 00:20:43,371
SHE KISSES IT.
>> Chris: CAN YOU BRING UP THAT

658
00:20:43,373 --> 00:20:45,239
>> Chris: CAN YOU BRING UP THAT
PICTURE AGAIN, THE LAST PICTURE

659
00:20:45,241 --> 00:20:45,774
PICTURE AGAIN, THE LAST PICTURE
OF CHANDLER.

660
00:20:45,776 --> 00:20:46,675
OF CHANDLER.
THAT'S CHANDLER.

661
00:20:46,677 --> 00:20:48,042
THAT'S CHANDLER.
>> THAT'S CHANDLER.

662
00:20:48,044 --> 00:20:49,744
>> THAT'S CHANDLER.
>> Chris: BUT HE HAS WEIRD

663
00:20:49,746 --> 00:20:50,712
>> Chris: BUT HE HAS WEIRD
STUBBLE DOWN HERE.

664
00:20:50,714 --> 00:20:53,247
STUBBLE DOWN HERE.
OUR BOY IS GROWING UP!

665
00:20:53,249 --> 00:20:54,716
OUR BOY IS GROWING UP!
DID YOU THINK HE WAS A GONER

666
00:20:54,718 --> 00:20:57,118
DID YOU THINK HE WAS A GONER
WHEN HE GOT SHOT, CARRIE?

667
00:20:57,120 --> 00:20:58,986
WHEN HE GOT SHOT, CARRIE?
>> I DID BUT THEN WHEN RICK

668
00:20:58,988 --> 00:21:00,722
>> I DID BUT THEN WHEN RICK
PICKED HIM UP AND STARTED

669
00:21:00,724 --> 00:21:02,457
PICKED HIM UP AND STARTED
RUNNING WITH HIM, I WAS KIND OF

670
00:21:02,459 --> 00:21:03,425
RUNNING WITH HIM, I WAS KIND OF
LIKE, OKAY.

671
00:21:03,427 --> 00:21:04,158
LIKE, OKAY.
IT'S CARL.

672
00:21:04,160 --> 00:21:05,327
IT'S CARL.
LIKE, THEY ARE NOT -- I MEAN, I

673
00:21:05,329 --> 00:21:08,330
LIKE, THEY ARE NOT -- I MEAN, I
KNOW THAT YOU GUYS ARE NOT

674
00:21:08,332 --> 00:21:12,300
KNOW THAT YOU GUYS ARE NOT
AFRAID TO LIKE GET RID OF MAIN

675
00:21:12,302 --> 00:21:14,469
AFRAID TO LIKE GET RID OF MAIN
CHARACTERS TO MUCH OF OUR LIKE

676
00:21:14,471 --> 00:21:17,472
CHARACTERS TO MUCH OF OUR LIKE
HORROR AND SHOCK AND SADNESS

677
00:21:17,474 --> 00:21:19,106
HORROR AND SHOCK AND SADNESS
AND DISMAY, BUT IT'S CARL.

678
00:21:19,108 --> 00:21:21,309
AND DISMAY, BUT IT'S CARL.
I DON'T THINK ANYBODY WAS READY

679
00:21:21,311 --> 00:21:22,644
I DON'T THINK ANYBODY WAS READY
TO SEE HIM GO.

680
00:21:22,646 --> 00:21:23,378
TO SEE HIM GO.
>> Chris: I LIKE WHAT YOU SAID

681
00:21:23,380 --> 00:21:24,746
>> Chris: I LIKE WHAT YOU SAID
BEFORE WE STARTED THE SHOW.

682
00:21:24,748 --> 00:21:25,947
BEFORE WE STARTED THE SHOW.
YOU'RE LIKE IS THIS A GOVERNOR

683
00:21:25,949 --> 00:21:27,281
YOU'RE LIKE IS THIS A GOVERNOR
THING THAT WILL HAPPEN WITH

684
00:21:27,283 --> 00:21:27,782
THING THAT WILL HAPPEN WITH
HIM?

685
00:21:27,784 --> 00:21:28,850
HIM?
>> IT'S THE EYE.

686
00:21:28,852 --> 00:21:30,452
>> IT'S THE EYE.
BUT IT'S LIKE WHAT WILL THAT DO

687
00:21:30,454 --> 00:21:31,786
BUT IT'S LIKE WHAT WILL THAT DO
TO HIS PERSONALITY?

688
00:21:31,788 --> 00:21:33,621
TO HIS PERSONALITY?
LIKE, IS HE GOING TO BE, LIKE,

689
00:21:33,623 --> 00:21:34,055
LIKE, IS HE GOING TO BE, LIKE,
UPSET?

690
00:21:34,057 --> 00:21:35,757
UPSET?
HE'S LIKE A TEENAGER.

691
00:21:35,759 --> 00:21:36,524
HE'S LIKE A TEENAGER.
>> Chris: HE WILL BE PISSED.

692
00:21:36,526 --> 00:21:38,125
>> Chris: HE WILL BE PISSED.
>> HE'S LIKE A TEENAGER.

693
00:21:38,127 --> 00:21:39,427
>> HE'S LIKE A TEENAGER.
IT'S AN IMPORTANT TIME IN HIS

694
00:21:39,429 --> 00:21:40,695
IT'S AN IMPORTANT TIME IN HIS
LIFE AND --

695
00:21:40,697 --> 00:21:41,596
LIFE AND --
>> Chris: IT'S NOT LIKE HE'S

696
00:21:41,598 --> 00:21:42,897
>> Chris: IT'S NOT LIKE HE'S
GOING TO SCHOOL AND ANYONE WILL

697
00:21:42,899 --> 00:21:43,598
GOING TO SCHOOL AND ANYONE WILL
MAKE FUN OF HIM.

698
00:21:43,600 --> 00:21:48,470
MAKE FUN OF HIM.
THIS IS PART OF HIS JOHN

699
00:21:48,472 --> 00:21:49,170
THIS IS PART OF HIS JOHN
CONNOR-ESQUE ASCENSION TO TAKE

700
00:21:49,172 --> 00:21:51,406
CONNOR-ESQUE ASCENSION TO TAKE
OVER THE APOCALYPSE.

701
00:21:51,408 --> 00:21:52,039
OVER THE APOCALYPSE.
NOW, WE WANT TO FIND OUT WHAT

702
00:21:52,041 --> 00:21:52,474
NOW, WE WANT TO FIND OUT WHAT
YOU THINK AT HOME.

703
00:21:52,476 --> 00:21:52,741
YOU THINK AT HOME.
SO GO TO

704
00:21:52,743 --> 00:21:53,341
SO GO TO
TALKINGDEAD.COM/PLAYDEAD AND

705
00:21:53,343 --> 00:21:54,008
TALKINGDEAD.COM/PLAYDEAD AND
LET US KNOW, WHAT'S THE BIGGEST

706
00:21:54,010 --> 00:21:54,476
LET US KNOW, WHAT'S THE BIGGEST
THREAT THIS SEASON?

707
00:21:54,478 --> 00:21:55,142
THREAT THIS SEASON?
NEGAN'S GROUP, WHEN YOU BLOW UP

708
00:21:55,144 --> 00:21:55,744
NEGAN'S GROUP, WHEN YOU BLOW UP
BIKERS, SOMEONE'S COMING FOR

709
00:21:55,746 --> 00:21:56,944
BIKERS, SOMEONE'S COMING FOR
REVENGE!

710
00:21:56,946 --> 00:21:58,079
REVENGE!
THE MEGA HERD, RICK'S GROUP IS

711
00:21:58,081 --> 00:21:58,680
THE MEGA HERD, RICK'S GROUP IS
EXHAUSTED AND THE WALLS ARE

712
00:21:58,682 --> 00:22:00,415
EXHAUSTED AND THE WALLS ARE
STILL DOWN.

713
00:22:00,417 --> 00:22:01,949
STILL DOWN.
OR A KINDER, GENTLER RICK.

714
00:22:01,951 --> 00:22:02,751
OR A KINDER, GENTLER RICK.
DANGEROUS TIMES NEED A

715
00:22:02,753 --> 00:22:05,487
DANGEROUS TIMES NEED A
RICKTATOR, NOT AN OPTIMIST!

716
00:22:05,489 --> 00:22:06,588
RICKTATOR, NOT AN OPTIMIST!
WHAT DO YOU THINK BENEDICT?

717
00:22:06,590 --> 00:22:08,155
WHAT DO YOU THINK BENEDICT?
WHAT DO YOU THINK IS THE

718
00:22:08,157 --> 00:22:09,156
WHAT DO YOU THINK IS THE
BIGGEST THREAT RIGHT NOW?

719
00:22:09,158 --> 00:22:10,958
BIGGEST THREAT RIGHT NOW?
>> I THINK RICK IS GETTING A

720
00:22:10,960 --> 00:22:11,760
>> I THINK RICK IS GETTING A
BIT SOFT.

721
00:22:11,762 --> 00:22:12,226
BIT SOFT.
>> Chris: DO YOU.

722
00:22:12,228 --> 00:22:13,795
>> Chris: DO YOU.
>> AND IT'S A REAL SHAME.

723
00:22:13,797 --> 00:22:15,062
>> AND IT'S A REAL SHAME.
>> Chris: IT SOUNDS VERY GOLDIE

724
00:22:15,064 --> 00:22:17,231
>> Chris: IT SOUNDS VERY GOLDIE
WITH YOUR FANCY ACCENT.

725
00:22:17,233 --> 00:22:19,401
WITH YOUR FANCY ACCENT.
>> THE WOLVES CAPITALIZED ON IT

726
00:22:19,403 --> 00:22:21,102
>> THE WOLVES CAPITALIZED ON IT
AND YOU NEVER KNOW WHO ELSE

727
00:22:21,104 --> 00:22:21,335
AND YOU NEVER KNOW WHO ELSE
MAY.

728
00:22:21,337 --> 00:22:22,136
MAY.
>> Chris: WELL, THAT'S WHEN I

729
00:22:22,138 --> 00:22:23,070
>> Chris: WELL, THAT'S WHEN I
SAID THE EPISODE HAD

730
00:22:23,072 --> 00:22:23,405
SAID THE EPISODE HAD
EVERYTHING.

731
00:22:23,407 --> 00:22:24,372
EVERYTHING.
JUST THAT MOMENT OF HOPE AT THE

732
00:22:24,374 --> 00:22:27,108
JUST THAT MOMENT OF HOPE AT THE
END TOO, AND RICK BREAKING

733
00:22:27,110 --> 00:22:27,341
END TOO, AND RICK BREAKING
DOWN.

734
00:22:27,343 --> 00:22:28,743
DOWN.
WHAT DO YOU THINK IS THE

735
00:22:28,745 --> 00:22:29,944
WHAT DO YOU THINK IS THE
BIGGEST DANGER?

736
00:22:29,946 --> 00:22:31,379
BIGGEST DANGER?
>> I THINK NEGAN'S GROUP.

737
00:22:31,381 --> 00:22:32,881
>> I THINK NEGAN'S GROUP.
I THINK RICK HAS BECOME A

738
00:22:32,883 --> 00:22:35,049
I THINK RICK HAS BECOME A
LITTLE MORE HUMAN AGAIN.

739
00:22:35,051 --> 00:22:35,483
LITTLE MORE HUMAN AGAIN.
>> Chris: YEAH.

740
00:22:35,485 --> 00:22:36,250
>> Chris: YEAH.
>> I DON'T SEE THAT NECESSARILY

741
00:22:36,252 --> 00:22:37,118
>> I DON'T SEE THAT NECESSARILY
AS A WEAKNESS.

742
00:22:37,120 --> 00:22:38,686
AS A WEAKNESS.
I FEEL LIKE HE WANTS TO REBUILD

743
00:22:38,688 --> 00:22:40,455
I FEEL LIKE HE WANTS TO REBUILD
EVERYTHING AND, LIKE, FIND MORE

744
00:22:40,457 --> 00:22:42,490
EVERYTHING AND, LIKE, FIND MORE
PEOPLE AND, LIKE, NOT BE SO

745
00:22:42,492 --> 00:22:43,291
PEOPLE AND, LIKE, NOT BE SO
CLOSED OFF TO THE REST OF THE

746
00:22:43,293 --> 00:22:44,492
CLOSED OFF TO THE REST OF THE
WORLD AND HE REALIZES THAT

747
00:22:44,494 --> 00:22:46,394
WORLD AND HE REALIZES THAT
PEOPLE ARE ON HIS SIDE.

748
00:22:46,396 --> 00:22:47,061
PEOPLE ARE ON HIS SIDE.
>> Chris: YEAH.

749
00:22:47,063 --> 00:22:48,930
>> Chris: YEAH.
>> AND PEOPLE OF ALEXANDRIA ARE

750
00:22:48,932 --> 00:22:50,698
>> AND PEOPLE OF ALEXANDRIA ARE
THERE AND THEY CAN DO THIS TO

751
00:22:50,700 --> 00:22:51,065
THERE AND THEY CAN DO THIS TO
GO.

752
00:22:51,067 --> 00:22:51,766
GO.
>> Chris: MOST EVERYONE AGREES

753
00:22:51,768 --> 00:22:52,434
>> Chris: MOST EVERYONE AGREES
WITH YOU.

754
00:22:52,436 --> 00:22:53,968
WITH YOU.
87% SAID NEGAN'S GROUP,

755
00:22:53,970 --> 00:22:55,303
87% SAID NEGAN'S GROUP,
ESPECIALLY NOW.

756
00:22:55,305 --> 00:22:55,937
ESPECIALLY NOW.
BEFORE WE GO TO BREAK, I JUST

757
00:22:55,939 --> 00:22:56,571
BEFORE WE GO TO BREAK, I JUST
WANT TO LET YOU GUYS KNOW THAT

758
00:22:56,573 --> 00:22:57,171
WANT TO LET YOU GUYS KNOW THAT
THE "THE WALKING DEAD":  NO

759
00:22:57,173 --> 00:22:57,739
THE "THE WALKING DEAD":  NO
MAN'S LAND, JUST GOT MAJOR

760
00:22:57,741 --> 00:22:58,372
MAN'S LAND, JUST GOT MAJOR
UPDATES INCLUDING ADDING SOME

761
00:22:58,374 --> 00:22:59,006
UPDATES INCLUDING ADDING SOME
OF THE GAME'S TOUGHEST THREATS

762
00:22:59,008 --> 00:22:59,307
OF THE GAME'S TOUGHEST THREATS
YET.

763
00:22:59,309 --> 00:23:00,408
YET.
IT'S THE "THE WALKING DEAD'S"

764
00:23:00,410 --> 00:23:03,010
IT'S THE "THE WALKING DEAD'S"
ONLY OFFICIAL MOBILE GAME.

765
00:23:03,012 --> 00:23:04,412
ONLY OFFICIAL MOBILE GAME.
THE ONLY ONE.

766
00:23:04,414 --> 00:23:04,979
THE ONLY ONE.
SO DOWNLOAD IT FOR FREE ON

767
00:23:04,981 --> 00:23:05,613
SO DOWNLOAD IT FOR FREE ON
EITHER THE APP STORE OR GOOGLE

768
00:23:05,615 --> 00:23:05,847
EITHER THE APP STORE OR GOOGLE
PLAY.

769
00:23:05,849 --> 00:23:06,314
PLAY.
COMING UP, WE HAVE A

770
00:23:06,316 --> 00:23:06,948
COMING UP, WE HAVE A
BEHIND-THE-SCENES LOOK AT WHAT

771
00:23:06,950 --> 00:23:07,649
BEHIND-THE-SCENES LOOK AT WHAT
IT TOOK TO CREATE TONIGHT'S

772
00:23:07,651 --> 00:23:08,249
IT TOOK TO CREATE TONIGHT'S
EPIC LAKE OF FIRE, AND AN

773
00:23:08,251 --> 00:23:08,950
EPIC LAKE OF FIRE, AND AN
EXCLUSIVE SNEAK PEEK OF NEXT

774
00:23:08,952 --> 00:23:09,584
EXCLUSIVE SNEAK PEEK OF NEXT
WEEK'S EPISODE OF "THE WALKING

775
00:23:09,586 --> 00:23:10,017
WEEK'S EPISODE OF "THE WALKING
DEAD."

776
00:23:10,019 --> 00:23:12,019
DEAD."
WE'LL BE RIGHT BACK.

777
00:23:12,021 --> 00:23:13,287
WE'LL BE RIGHT BACK.
[ CHEERS AND APPLAUSE ]

778
00:23:23,966 --> 00:23:24,833
>> Chris: WELCOME BACK TO
"TALKING DEAD."

779
00:23:24,835 --> 00:23:25,299
"TALKING DEAD."
I'M CHRIS HARDWICK.

780
00:23:25,301 --> 00:23:25,933
I'M CHRIS HARDWICK.
ARE YOU READY TO GO INSIDE THE

781
00:23:25,935 --> 00:23:26,234
ARE YOU READY TO GO INSIDE THE
DEAD?

782
00:23:26,236 --> 00:23:27,669
DEAD?
HERE'S SOME INSIDE INFO FROM

783
00:23:27,671 --> 00:23:28,870
HERE'S SOME INSIDE INFO FROM
TONIGHT'S EPISODE THAT YOU

784
00:23:28,872 --> 00:23:31,305
TONIGHT'S EPISODE THAT YOU
CAN'T GET ANYWHERE ELSE.

785
00:23:31,307 --> 00:23:32,407
CAN'T GET ANYWHERE ELSE.
PLEASE ENJOY IN THREE, TWO,

786
00:23:32,409 --> 00:23:33,675
PLEASE ENJOY IN THREE, TWO,
ONE!

787
00:23:34,510 --> 00:23:50,658
¶

788
00:24:13,282 --> 00:24:29,064
¶

789
00:24:29,131 --> 00:24:30,331
>> YOU KNOW, IN THE BEGINNING
OF THE SERIES, THE FIRST COUPLE

790
00:24:30,333 --> 00:24:31,132
OF THE SERIES, THE FIRST COUPLE
OF SEASONS, EVERYBODY WAS IN

791
00:24:31,134 --> 00:24:31,933
OF SEASONS, EVERYBODY WAS IN
ALL THE TIME TOGETHER.

792
00:24:31,935 --> 00:24:34,969
ALL THE TIME TOGETHER.
YOU KNOW, THEY HAD ALL THE

793
00:24:34,971 --> 00:24:36,037
YOU KNOW, THEY HAD ALL THE
SCENES TOGETHER WITH SO MANY

794
00:24:36,039 --> 00:24:38,440
SCENES TOGETHER WITH SO MANY
ACTORS BUT AS TIME GOES ON, WE

795
00:24:38,442 --> 00:24:40,241
ACTORS BUT AS TIME GOES ON, WE
BREAK THEM UP PERIODICALLY.

796
00:24:40,243 --> 00:24:41,943
BREAK THEM UP PERIODICALLY.
SO WE GO THROUGH HUGE STRETCHES

797
00:24:41,945 --> 00:24:44,011
SO WE GO THROUGH HUGE STRETCHES
WHERE THEY DON'T SEE ANYONE,

798
00:24:44,013 --> 00:24:45,646
WHERE THEY DON'T SEE ANYONE,
GLENN AND ABRAHAM, THEY HAVE

799
00:24:45,648 --> 00:24:47,082
GLENN AND ABRAHAM, THEY HAVE
BEEN OUT SINCE 601.

800
00:24:47,084 --> 00:24:48,083
BEEN OUT SINCE 601.
THEY HAVEN'T BEEN BACK WITH ANY

801
00:24:48,085 --> 00:24:49,250
THEY HAVEN'T BEEN BACK WITH ANY
OF THESE CHARACTERS SINCE THEN.

802
00:24:49,252 --> 00:24:51,586
OF THESE CHARACTERS SINCE THEN.
IT'S REALLY FUN TO GO, AH, I

803
00:24:51,588 --> 00:24:52,887
IT'S REALLY FUN TO GO, AH, I
GET TO WORK WITH YOU AGAIN.

804
00:24:52,889 --> 00:24:55,290
GET TO WORK WITH YOU AGAIN.
IT'S EXCITING TO HAVE THEM ALL

805
00:24:55,292 --> 00:24:56,891
IT'S EXCITING TO HAVE THEM ALL
HERE BECAUSE IT BECAME A

806
00:24:56,893 --> 00:24:57,158
HERE BECAUSE IT BECAME A
RARITY.

807
00:24:57,160 --> 00:24:57,925
RARITY.
IT'S A BLAST.

808
00:24:57,927 --> 00:24:59,194
IT'S A BLAST.
IT JUST GIVES YOU SO MUCH

809
00:24:59,196 --> 00:25:01,028
IT JUST GIVES YOU SO MUCH
ENERGY THAT WE DON'T NORMALLY.

810
00:25:01,030 --> 00:25:01,229
ENERGY THAT WE DON'T NORMALLY.
HAVE

811
00:25:01,231 --> 00:25:04,432
HAVE
[ CHEERS AND APPLAUSE ]

812
00:25:04,434 --> 00:25:05,032
[ CHEERS AND APPLAUSE ]
>> Chris: WELCOME BACK TO

813
00:25:05,034 --> 00:25:05,433
>> Chris: WELCOME BACK TO
"TALKING DEAD."

814
00:25:05,435 --> 00:25:06,367
"TALKING DEAD."
I'M CHRIS HARDWICK.

815
00:25:06,369 --> 00:25:07,235
I'M CHRIS HARDWICK.
THAT WAS CO-EXECUTIVE PRODUCER

816
00:25:07,237 --> 00:25:08,436
THAT WAS CO-EXECUTIVE PRODUCER
DENISE HUTH TALKING ABOUT THE

817
00:25:08,438 --> 00:25:09,170
DENISE HUTH TALKING ABOUT THE
WHOLE CAST COMING TOGETHER IN

818
00:25:09,172 --> 00:25:09,870
WHOLE CAST COMING TOGETHER IN
TONIGHT'S EPISODE.

819
00:25:09,872 --> 00:25:10,505
TONIGHT'S EPISODE.
WE'RE BACK WITH GREG, BENEDICT

820
00:25:10,507 --> 00:25:14,309
WE'RE BACK WITH GREG, BENEDICT
AND CARRIE.

821
00:25:14,311 --> 00:25:16,578
AND CARRIE.
SO HOW DO YOU FEEL ABOUT MAGGIE

822
00:25:16,580 --> 00:25:19,614
SO HOW DO YOU FEEL ABOUT MAGGIE
AND GLENN REUNITING?

823
00:25:19,616 --> 00:25:20,115
AND GLENN REUNITING?
>> AH.

824
00:25:20,117 --> 00:25:20,415
>> AH.
>> AW.

825
00:25:20,417 --> 00:25:22,250
>> AW.
>> I MEAN IT WAS ONE THING,

826
00:25:22,252 --> 00:25:23,951
>> I MEAN IT WAS ONE THING,
LIKE, THEY WERE REUNITED BUT

827
00:25:23,953 --> 00:25:27,422
LIKE, THEY WERE REUNITED BUT
THEY DON'T TOUCH EACH OTHER.

828
00:25:27,424 --> 00:25:27,855
THEY DON'T TOUCH EACH OTHER.
>> Chris: RIGHT.

829
00:25:27,857 --> 00:25:28,656
>> Chris: RIGHT.
>> THEY CAN'T RUN AND, YOU

830
00:25:28,658 --> 00:25:29,857
>> THEY CAN'T RUN AND, YOU
KNOW, KISS EACH OTHER AND

831
00:25:29,859 --> 00:25:30,091
KNOW, KISS EACH OTHER AND
STUFF.

832
00:25:30,093 --> 00:25:31,759
STUFF.
BUT THEN IT WAS LIKE, OH, MY

833
00:25:31,761 --> 00:25:33,495
BUT THEN IT WAS LIKE, OH, MY
GOSH, ARE WE ABOUT TO LOSE GLEN

834
00:25:33,497 --> 00:25:33,694
GOSH, ARE WE ABOUT TO LOSE GLEN
NOW?

835
00:25:33,696 --> 00:25:35,563
NOW?
I THOUGHT THAT WAS GOING TO

836
00:25:35,565 --> 00:25:36,097
I THOUGHT THAT WAS GOING TO
HAPPEN.

837
00:25:36,099 --> 00:25:36,564
HAPPEN.
>> Chris: AGAIN!

838
00:25:36,566 --> 00:25:38,966
>> Chris: AGAIN!
>> HE'S LUCKIEST DUDE ON THE

839
00:25:38,968 --> 00:25:40,201
>> HE'S LUCKIEST DUDE ON THE
FACE OF THE PLANET!

840
00:25:40,203 --> 00:25:41,569
FACE OF THE PLANET!
LIKE, SOMEBODY IS ALWAYS THERE

841
00:25:41,571 --> 00:25:43,404
LIKE, SOMEBODY IS ALWAYS THERE
TO, LIKE -- YEAH, RESCUE HIM OR

842
00:25:43,406 --> 00:25:44,472
TO, LIKE -- YEAH, RESCUE HIM OR
THE RIGHT THING HAPPENS AT THE

843
00:25:44,474 --> 00:25:45,206
THE RIGHT THING HAPPENS AT THE
RIGHT TIME.

844
00:25:45,208 --> 00:25:47,942
RIGHT TIME.
AND HE JUST -- HE'S A LITTLE

845
00:25:47,944 --> 00:25:48,576
AND HE JUST -- HE'S A LITTLE
ESCAPE ARTIST.

846
00:25:48,578 --> 00:25:49,611
ESCAPE ARTIST.
HE ALWAYS HAS BEEN.

847
00:25:49,613 --> 00:25:50,278
HE ALWAYS HAS BEEN.
>> Chris: YOU HAVE TO BE IN

848
00:25:50,280 --> 00:25:50,778
>> Chris: YOU HAVE TO BE IN
THIS WORLD.

849
00:25:50,780 --> 00:25:53,381
THIS WORLD.
I'M CURIOUS, BENEDICT, DID YOU

850
00:25:53,383 --> 00:25:56,851
I'M CURIOUS, BENEDICT, DID YOU
HAVE A BACK STORY FOR YOUR GUY?

851
00:25:56,853 --> 00:25:57,552
HAVE A BACK STORY FOR YOUR GUY?
WHAT WAS HIS DEAL.

852
00:25:57,554 --> 00:25:59,086
WHAT WAS HIS DEAL.
>> I WAS A LITTLE BIT CONFUSED

853
00:25:59,088 --> 00:26:00,855
>> I WAS A LITTLE BIT CONFUSED
WHEN I FIRST ARRIVED, BUT I

854
00:26:00,857 --> 00:26:03,291
WHEN I FIRST ARRIVED, BUT I
THOUGHT MORE ABOUT THE

855
00:26:03,293 --> 00:26:04,626
THOUGHT MORE ABOUT THE
PHILOSOPHY OF THIS GUY.

856
00:26:04,628 --> 00:26:06,027
PHILOSOPHY OF THIS GUY.
AND THAT'S WHAT REALLY, I

857
00:26:06,029 --> 00:26:08,129
AND THAT'S WHAT REALLY, I
THINK, WE STARTED TALKING A LOT

858
00:26:08,131 --> 00:26:10,031
THINK, WE STARTED TALKING A LOT
ABOUT, IS HIS ATTITUDE IS KIND

859
00:26:10,033 --> 00:26:11,999
ABOUT, IS HIS ATTITUDE IS KIND
OF, WHAT'S THE DIFFERENCE?

860
00:26:12,001 --> 00:26:12,733
OF, WHAT'S THE DIFFERENCE?
YOU KNOW?

861
00:26:12,735 --> 00:26:14,435
YOU KNOW?
EITHER YOU GO OR I GO.

862
00:26:14,437 --> 00:26:16,538
EITHER YOU GO OR I GO.
WE BOTH CAN'T GO.

863
00:26:16,540 --> 00:26:16,971
WE BOTH CAN'T GO.
>> Chris: RIGHT.

864
00:26:16,973 --> 00:26:18,573
>> Chris: RIGHT.
>> AND THAT'S KIND OF WHERE OUR

865
00:26:18,575 --> 00:26:19,807
>> AND THAT'S KIND OF WHERE OUR
STORY AND OUR KIND OF

866
00:26:19,809 --> 00:26:21,409
STORY AND OUR KIND OF
DISCUSSIONS STARTED HAPPENING.

867
00:26:21,411 --> 00:26:22,943
DISCUSSIONS STARTED HAPPENING.
BUT NOT REALLY SO MUCH OF A

868
00:26:22,945 --> 00:26:23,944
BUT NOT REALLY SO MUCH OF A
BACK STORY.

869
00:26:23,946 --> 00:26:26,314
BACK STORY.
>> Chris: WELL, YOU KNOW, WHAT

870
00:26:26,316 --> 00:26:27,515
>> Chris: WELL, YOU KNOW, WHAT
IS TRICKY IS WHEN YOU HAVE

871
00:26:27,517 --> 00:26:28,616
IS TRICKY IS WHEN YOU HAVE
PEOPLE COME ON TO THE SHOW, A

872
00:26:28,618 --> 00:26:31,686
PEOPLE COME ON TO THE SHOW, A
LOT OF TIMES THINK DON'T GET

873
00:26:31,688 --> 00:26:32,119
LOT OF TIMES THINK DON'T GET
SCRIPTS.

874
00:26:32,121 --> 00:26:32,554
SCRIPTS.
>> Chris: RIGHT.

875
00:26:32,556 --> 00:26:34,055
>> Chris: RIGHT.
>> AND THEY GET PAGES AND A LOT

876
00:26:34,057 --> 00:26:35,990
>> AND THEY GET PAGES AND A LOT
OF THE TIMES THEY GET AUDITIONS

877
00:26:35,992 --> 00:26:37,358
OF THE TIMES THEY GET AUDITIONS
AND WHEN THEY AUDITION, THEY

878
00:26:37,360 --> 00:26:39,227
AND WHEN THEY AUDITION, THEY
ARE NOT EVEN AUDITIONING WITH

879
00:26:39,229 --> 00:26:39,894
ARE NOT EVEN AUDITIONING WITH
REAL PAGES.

880
00:26:39,896 --> 00:26:41,563
REAL PAGES.
THEY ARE FAKE SCENES.

881
00:26:41,565 --> 00:26:41,962
THEY ARE FAKE SCENES.
>> COMPLETELY.

882
00:26:41,964 --> 00:26:42,930
>> COMPLETELY.
>> OUR FIRST DAY ON SET, WE

883
00:26:42,932 --> 00:26:43,898
>> OUR FIRST DAY ON SET, WE
WERE HAVING A CONVERSATION AND

884
00:26:43,900 --> 00:26:45,400
WERE HAVING A CONVERSATION AND
I WAS GIVING HIM A LITTLE BIT

885
00:26:45,402 --> 00:26:46,234
I WAS GIVING HIM A LITTLE BIT
OF INPUT.

886
00:26:46,236 --> 00:26:47,735
OF INPUT.
THAT'S WHAT DIRECTORS DO YOU

887
00:26:47,737 --> 00:26:48,069
THAT'S WHAT DIRECTORS DO YOU
KNOW.

888
00:26:48,071 --> 00:26:49,804
KNOW.
HE'S LIKE, DO YOU THINK I COULD

889
00:26:49,806 --> 00:26:51,673
HE'S LIKE, DO YOU THINK I COULD
GET THE SCRIPT?

890
00:26:51,675 --> 00:26:53,474
GET THE SCRIPT?
I WAS LIKE UH --

891
00:26:53,476 --> 00:26:56,711
I WAS LIKE UH --
>> YOU DON'T HAVE THE SCRIPT?

892
00:26:56,713 --> 00:26:57,812
>> YOU DON'T HAVE THE SCRIPT?
>> YEAH, ANYBODY, BRING ONE

893
00:26:57,814 --> 00:26:59,747
>> YEAH, ANYBODY, BRING ONE
SCRIPT FOR THIS GUY.

894
00:26:59,749 --> 00:27:00,848
SCRIPT FOR THIS GUY.
FORTUNATELY, PART OF THE WAY WE

895
00:27:00,850 --> 00:27:04,552
FORTUNATELY, PART OF THE WAY WE
DEVELOP EACH EPISODE IS THAT

896
00:27:04,554 --> 00:27:06,987
DEVELOP EACH EPISODE IS THAT
SCOTT HAS CONVERSATIONS, SCOTT

897
00:27:06,989 --> 00:27:07,822
SCOTT HAS CONVERSATIONS, SCOTT
GIMPLE HAS CONVERSATIONS WITH

898
00:27:07,824 --> 00:27:10,291
GIMPLE HAS CONVERSATIONS WITH
THE ACTORS AND THEN DURING THE

899
00:27:10,293 --> 00:27:12,627
THE ACTORS AND THEN DURING THE
TONE MEETINGS DOWNLOADS

900
00:27:12,629 --> 00:27:13,027
TONE MEETINGS DOWNLOADS
INFORMATION.

901
00:27:13,029 --> 00:27:13,461
INFORMATION.
>> Chris: OKAY.

902
00:27:13,463 --> 00:27:14,229
>> Chris: OKAY.
>> IT'S A GREAT OPPORTUNITY BUT

903
00:27:14,231 --> 00:27:15,863
>> IT'S A GREAT OPPORTUNITY BUT
A LOT OF TIMES, CHARACTERS DO

904
00:27:15,865 --> 00:27:16,831
A LOT OF TIMES, CHARACTERS DO
HAVE AN OPPORTUNITY TO BUILD

905
00:27:16,833 --> 00:27:18,799
HAVE AN OPPORTUNITY TO BUILD
BACK STORIES AND STUFF LIKE

906
00:27:18,801 --> 00:27:19,066
BACK STORIES AND STUFF LIKE
THAT.

907
00:27:19,068 --> 00:27:19,934
THAT.
>> YEAH, AND THERE WAS AN

908
00:27:19,936 --> 00:27:21,001
>> YEAH, AND THERE WAS AN
OPPORTUNITY TO START THINKING

909
00:27:21,003 --> 00:27:22,036
OPPORTUNITY TO START THINKING
AND CREATE SOMETHING

910
00:27:22,038 --> 00:27:22,370
AND CREATE SOMETHING
INTERESTING.

911
00:27:22,372 --> 00:27:24,272
INTERESTING.
WE DID THAT WITH THE TRAPS.

912
00:27:24,274 --> 00:27:26,741
WE DID THAT WITH THE TRAPS.
>> Chris: WE HAVE A FAN FROMMED

913
00:27:26,743 --> 00:27:27,508
>> Chris: WE HAVE A FAN FROMMED
AUDIENCE -- FROM THE AUDIENCE

914
00:27:27,510 --> 00:27:29,244
AUDIENCE -- FROM THE AUDIENCE
WHO WILL GET UP AND ASK YOUR

915
00:27:29,246 --> 00:27:29,544
WHO WILL GET UP AND ASK YOUR
QUESTION.

916
00:27:29,546 --> 00:27:30,678
QUESTION.
PLEASE GET UP AND ASK YOUR

917
00:27:30,680 --> 00:27:30,978
PLEASE GET UP AND ASK YOUR
QUESTION.

918
00:27:30,980 --> 00:27:33,848
QUESTION.
BE HEARD BY THIS TRIBUNAL.

919
00:27:33,850 --> 00:27:36,016
BE HEARD BY THIS TRIBUNAL.
WHAT IS YOUR NAME?

920
00:27:36,018 --> 00:27:36,384
WHAT IS YOUR NAME?
>> CYNTHIA.

921
00:27:36,386 --> 00:27:37,252
>> CYNTHIA.
>> Chris: WHAT IS YOUR

922
00:27:37,254 --> 00:27:37,552
>> Chris: WHAT IS YOUR
QUESTION?

923
00:27:37,554 --> 00:27:38,319
QUESTION?
>> THIS IS FOR GREG.

924
00:27:38,321 --> 00:27:40,588
>> THIS IS FOR GREG.
GREG, WHAT REALLY WENT INTO

925
00:27:40,590 --> 00:27:42,923
GREG, WHAT REALLY WENT INTO
BLOWING UP NEGAN'S BIKER GANG

926
00:27:42,925 --> 00:27:43,358
BLOWING UP NEGAN'S BIKER GANG
THIS.

927
00:27:43,360 --> 00:27:45,560
THIS.
>> WELL, I HAVE TO SAY, WE

928
00:27:45,562 --> 00:27:47,328
>> WELL, I HAVE TO SAY, WE
ENDED UP GET -- I WANTED

929
00:27:47,330 --> 00:27:48,263
ENDED UP GET -- I WANTED
EVERYTHING TO BE AS PRACTICAL

930
00:27:48,265 --> 00:27:48,929
EVERYTHING TO BE AS PRACTICAL
AS POSSIBLE.

931
00:27:48,931 --> 00:27:50,765
AS POSSIBLE.
AND THIS EPISODE REALLY WAS A

932
00:27:50,767 --> 00:27:53,601
AND THIS EPISODE REALLY WAS A
TRIUMPH FOR THE ENTIRE CAST AND

933
00:27:53,603 --> 00:27:54,135
TRIUMPH FOR THE ENTIRE CAST AND
CREW.

934
00:27:54,137 --> 00:27:58,139
CREW.
THE SPECIAL EFFECTS GUYS, AND I

935
00:27:58,141 --> 00:28:00,007
THE SPECIAL EFFECTS GUYS, AND I
WANT TO SAY THE MAKEUP EFFECTS

936
00:28:00,009 --> 00:28:01,842
WANT TO SAY THE MAKEUP EFFECTS
TEAM, MY TEAM DID AN AMAZING,

937
00:28:01,844 --> 00:28:02,310
TEAM, MY TEAM DID AN AMAZING,
AMAZING JOB.

938
00:28:02,312 --> 00:28:04,779
AMAZING JOB.
THERE ARE ZOMBIES GOING ON AND

939
00:28:04,781 --> 00:28:06,581
THERE ARE ZOMBIES GOING ON AND
GAGS AND ALL OF THIS STUFF

940
00:28:06,583 --> 00:28:07,715
GAGS AND ALL OF THIS STUFF
HAPPENING AT THE SAME TIME.

941
00:28:07,717 --> 00:28:09,317
HAPPENING AT THE SAME TIME.
SO WITH THAT PARTICULAR SHOT, I

942
00:28:09,319 --> 00:28:11,018
SO WITH THAT PARTICULAR SHOT, I
WANTED TO MAKE SURE THAT WE

943
00:28:11,020 --> 00:28:13,254
WANTED TO MAKE SURE THAT WE
BLEW UP ACTUAL DUMMIES.

944
00:28:13,256 --> 00:28:15,923
BLEW UP ACTUAL DUMMIES.
SO WE MADE RED TINTED FOAM

945
00:28:15,925 --> 00:28:18,259
SO WE MADE RED TINTED FOAM
DUMMIES THAT WE WRAPPED PRIMER

946
00:28:18,261 --> 00:28:19,327
DUMMIES THAT WE WRAPPED PRIMER
CORD AND BLOOD BAGS AROUND.

947
00:28:19,329 --> 00:28:23,531
CORD AND BLOOD BAGS AROUND.
SO IN THE SHOT, WE HAD CHRIS

948
00:28:23,533 --> 00:28:24,766
SO IN THE SHOT, WE HAD CHRIS
BERRY DO HIS DIALOGUE AND THEN

949
00:28:24,768 --> 00:28:26,267
BERRY DO HIS DIALOGUE AND THEN
WE CUT AND WE HELD ON THAT.

950
00:28:26,269 --> 00:28:27,868
WE CUT AND WE HELD ON THAT.
WE TOOK ALL THE ACTORS OUT AND

951
00:28:27,870 --> 00:28:29,704
WE TOOK ALL THE ACTORS OUT AND
THEN WE BROUGHT THE DUMMIES IN.

952
00:28:29,706 --> 00:28:33,140
THEN WE BROUGHT THE DUMMIES IN.
AND WE HAD THREE PROPANE

953
00:28:33,142 --> 00:28:34,041
AND WE HAD THREE PROPANE
CANISTERS THAT BLEW AT THE SAME

954
00:28:34,043 --> 00:28:35,743
CANISTERS THAT BLEW AT THE SAME
TIME AND WE PHYSICALLY BLEW THE

955
00:28:35,745 --> 00:28:36,744
TIME AND WE PHYSICALLY BLEW THE
BODIES TO PIECES.

956
00:28:36,746 --> 00:28:38,746
BODIES TO PIECES.
AND HAD MULTIPLE CAMERAS ON IT.

957
00:28:38,748 --> 00:28:40,114
AND HAD MULTIPLE CAMERAS ON IT.
IT WAS GREAT.

958
00:28:40,116 --> 00:28:40,481
IT WAS GREAT.
>> WOW!

959
00:28:40,483 --> 00:28:41,416
>> WOW!
>> Chris: YOU KNOW NO ONE

960
00:28:41,418 --> 00:28:42,850
>> Chris: YOU KNOW NO ONE
LEAVES HERE EMPTY HANDED.

961
00:28:42,852 --> 00:28:44,319
LEAVES HERE EMPTY HANDED.
WHERE ARE YOU GOING?

962
00:28:44,321 --> 00:28:45,553
WHERE ARE YOU GOING?
OR EVEN ONE HANDED.

963
00:28:45,555 --> 00:28:46,621
OR EVEN ONE HANDED.
IT'S NOT REAL.

964
00:28:46,623 --> 00:28:47,322
IT'S NOT REAL.
IT'S NOT REAL.

965
00:28:47,324 --> 00:28:48,923
IT'S NOT REAL.
IT'S TOTALLY FAKE.

966
00:28:48,925 --> 00:28:49,824
IT'S TOTALLY FAKE.
IT'S JUST FOAM.

967
00:28:49,826 --> 00:28:50,925
IT'S JUST FOAM.
BUST I WOULD LOVE FOR YOU TO

968
00:28:50,927 --> 00:28:51,459
BUST I WOULD LOVE FOR YOU TO
HAVE THIS.

969
00:28:51,461 --> 00:28:53,961
HAVE THIS.
THANK YOU SO MUCH, CYNTHIA.

970
00:28:53,963 --> 00:28:55,196
THANK YOU SO MUCH, CYNTHIA.
HAPPY VALENTINE'S DAY.

971
00:28:55,198 --> 00:28:58,366
HAPPY VALENTINE'S DAY.
IT'S A VALENTINE'S DAY HATCHET.

972
00:28:58,368 --> 00:28:59,133
IT'S A VALENTINE'S DAY HATCHET.
THERE YOU GO.

973
00:28:59,135 --> 00:29:00,468
THERE YOU GO.
[ APPLAUSE ]

974
00:29:00,470 --> 00:29:04,472
[ APPLAUSE ]
NOW, BEFORE WE GO TO BREAK, WE

975
00:29:04,474 --> 00:29:06,073
NOW, BEFORE WE GO TO BREAK, WE
HAVE TO HAVE OUR OPRAH MOMENT.

976
00:29:06,075 --> 00:29:09,243
HAVE TO HAVE OUR OPRAH MOMENT.
EVERYONE IS GETTING THIS.

977
00:29:09,245 --> 00:29:09,877
EVERYONE IS GETTING THIS.
IT'S CARL'S PUDDING CAN LUNCH

978
00:29:09,879 --> 00:29:10,345
IT'S CARL'S PUDDING CAN LUNCH
TOTE FROM THE COOP.

979
00:29:10,347 --> 00:29:10,778
TOTE FROM THE COOP.
IT'S AVAILABLE AT

980
00:29:10,780 --> 00:29:11,813
IT'S AVAILABLE AT
SHOPTHEWALKINGDEAD.COM.

981
00:29:11,815 --> 00:29:13,648
SHOPTHEWALKINGDEAD.COM.
AND THE BEST PART IS THAT

982
00:29:13,650 --> 00:29:15,550
AND THE BEST PART IS THAT
THAT YOU ARE ALL GETTING ONE!

983
00:29:15,552 --> 00:29:18,453
THAT YOU ARE ALL GETTING ONE!
[ CHEERS AND APPLAUSE ]

984
00:29:18,455 --> 00:29:21,088
[ CHEERS AND APPLAUSE ]
AND THE OTHER BEST PART, OH, MY

985
00:29:21,090 --> 00:29:22,390
AND THE OTHER BEST PART, OH, MY
GOD, I MISS JESSIE SO MUCH.

986
00:29:22,392 --> 00:29:23,157
GOD, I MISS JESSIE SO MUCH.
OH, MY GOD.

987
00:29:23,159 --> 00:29:24,492
OH, MY GOD.
YOU CAN PUT YOUR HAND IN YOUR

988
00:29:24,494 --> 00:29:26,293
YOU CAN PUT YOUR HAND IN YOUR
OWN ONE.

989
00:29:26,295 --> 00:29:26,761
OWN ONE.
COMING UP, WE HAVE A

990
00:29:26,763 --> 00:29:27,328
COMING UP, WE HAVE A
BEHIND-THE-SCENES LOOK AT

991
00:29:27,330 --> 00:29:27,928
BEHIND-THE-SCENES LOOK AT
TONIGHT'S EPIC LAKE OF FIRE,

992
00:29:27,930 --> 00:29:30,665
TONIGHT'S EPIC LAKE OF FIRE,
PLUS AN EXCLUSIVE SNEAK PEEK OF

993
00:29:30,667 --> 00:29:31,899
PLUS AN EXCLUSIVE SNEAK PEEK OF
NEXT WEEK'S EPISODE OF "THE

994
00:29:31,901 --> 00:29:34,402
NEXT WEEK'S EPISODE OF "THE
WALKING DEAD."

995
00:29:34,404 --> 00:29:34,969
WALKING DEAD."
BUT FIRST, LET'S ENJOY THE

996
00:29:34,971 --> 00:29:35,403
BUT FIRST, LET'S ENJOY THE
SUBWAY FRESH BUZZ.

997
00:29:35,405 --> 00:29:36,036
SUBWAY FRESH BUZZ.
TWEETS WE LIKE FROM REAL LIVE

998
00:29:36,038 --> 00:29:36,404
TWEETS WE LIKE FROM REAL LIVE
FANS LIKE YOU.

999
00:29:36,406 --> 00:29:38,673
FANS LIKE YOU.
ENJOY!

1000
00:30:10,472 --> 00:30:11,572
>> TONIGHT IS AWESOME.
I DON'T KNOW IF YOU SAW WHAT WE

1001
00:30:11,574 --> 00:30:11,773
I DON'T KNOW IF YOU SAW WHAT WE
DID.

1002
00:30:11,775 --> 00:30:13,374
DID.
WE DID THE HUGE LAKE EXPLOSION.

1003
00:30:13,376 --> 00:30:15,977
WE DID THE HUGE LAKE EXPLOSION.
WE COME BACK WITH A TANKER.

1004
00:30:15,979 --> 00:30:17,245
WE COME BACK WITH A TANKER.
THEY FLOODED THE LAKE WITH GAS

1005
00:30:17,247 --> 00:30:20,815
THEY FLOODED THE LAKE WITH GAS
AND USED THE ROCKET LAUNCHER,

1006
00:30:20,817 --> 00:30:22,416
AND USED THE ROCKET LAUNCHER,
HUGE EXPLOSION AND IT WORKS!

1007
00:30:22,418 --> 00:30:24,652
HUGE EXPLOSION AND IT WORKS!
>> WE'RE TALKING ABOUT BLOWING

1008
00:30:24,654 --> 00:30:26,453
>> WE'RE TALKING ABOUT BLOWING
UP A LAKE AND THEN SETTING A

1009
00:30:26,455 --> 00:30:28,122
UP A LAKE AND THEN SETTING A
BUNCH OF WALKERS ON FIRE THAT

1010
00:30:28,124 --> 00:30:29,323
BUNCH OF WALKERS ON FIRE THAT
WALK INTO IT.

1011
00:30:29,325 --> 00:30:30,524
WALK INTO IT.
>> FOR US, IT WAS KEEPING THE

1012
00:30:30,526 --> 00:30:31,893
>> FOR US, IT WAS KEEPING THE
FIRE AS REAL AS POSSIBLE.

1013
00:30:31,895 --> 00:30:33,761
FIRE AS REAL AS POSSIBLE.
DO IT ALL AT THE REAL SCALE.

1014
00:30:33,763 --> 00:30:35,529
DO IT ALL AT THE REAL SCALE.
DO IT WITH THE REAL LIGHT, YOU

1015
00:30:35,531 --> 00:30:36,597
DO IT WITH THE REAL LIGHT, YOU
KNOW, REAL FIRE.

1016
00:30:36,599 --> 00:30:38,266
KNOW, REAL FIRE.
>> SO THIS IS HOW WE BURN

1017
00:30:38,268 --> 00:30:40,301
>> SO THIS IS HOW WE BURN
WALKERS DOWN HERE ON WALKING

1018
00:30:40,303 --> 00:30:40,534
WALKERS DOWN HERE ON WALKING
DEAD.

1019
00:30:40,536 --> 00:30:41,702
DEAD.
WE HAVE BEEN DOING IT FOR

1020
00:30:41,704 --> 00:30:42,336
WE HAVE BEEN DOING IT FOR
SEVERAL SEASONS.

1021
00:30:42,338 --> 00:30:45,639
SEVERAL SEASONS.
WE HAVE MULTIPLE LEVELS OF

1022
00:30:45,641 --> 00:30:47,842
WE HAVE MULTIPLE LEVELS OF
GEL-SOAKED FIRE RETARDANT

1023
00:30:47,844 --> 00:30:48,542
GEL-SOAKED FIRE RETARDANT
UNDERWEAR.

1024
00:30:48,544 --> 00:30:52,513
UNDERWEAR.
AND THIS HOLDS THE COLD, WET

1025
00:30:52,515 --> 00:30:53,714
AND THIS HOLDS THE COLD, WET
GOODNESS IN AND THEN WE WILL

1026
00:30:53,716 --> 00:30:55,349
GOODNESS IN AND THEN WE WILL
PUT THE WARDROBE AND THAT'S HOW

1027
00:30:55,351 --> 00:30:57,551
PUT THE WARDROBE AND THAT'S HOW
WE KEEP THEM SAFE.

1028
00:30:57,553 --> 00:30:58,986
WE KEEP THEM SAFE.
>> IF I WASN'T NERVOUS, IF I

1029
00:30:58,988 --> 00:31:01,455
>> IF I WASN'T NERVOUS, IF I
WASN'T CONCERNED, SOMEONE

1030
00:31:01,457 --> 00:31:02,556
WASN'T CONCERNED, SOMEONE
SHOULD BE CONCERNED BECAUSE

1031
00:31:02,558 --> 00:31:04,792
SHOULD BE CONCERNED BECAUSE
GETTING SET ON FIRE IS NOT A

1032
00:31:04,794 --> 00:31:07,228
GETTING SET ON FIRE IS NOT A
NORMAL THING.

1033
00:31:07,230 --> 00:31:09,030
NORMAL THING.
>> WHAT WE ARE DOING IS REAL.

1034
00:31:09,032 --> 00:31:09,964
>> WHAT WE ARE DOING IS REAL.
IT'S VERY HOT UP THERE.

1035
00:31:09,966 --> 00:31:12,066
IT'S VERY HOT UP THERE.
YOU CAN FEEL THE HEAT.

1036
00:31:12,068 --> 00:31:12,399
YOU CAN FEEL THE HEAT.
[ APPLAUSE ]

1037
00:31:12,401 --> 00:31:14,302
[ APPLAUSE ]
#

1038
00:31:14,304 --> 00:31:14,902
#
>> Chris: WELCOME BACK TO

1039
00:31:14,904 --> 00:31:15,303
>> Chris: WELCOME BACK TO
"TALKING DEAD."

1040
00:31:15,305 --> 00:31:15,769
"TALKING DEAD."
I'M CHRIS HARDWICK.

1041
00:31:15,771 --> 00:31:16,370
I'M CHRIS HARDWICK.
I'M HERE WITH GREG, BENEDICT

1042
00:31:16,372 --> 00:31:16,704
I'M HERE WITH GREG, BENEDICT
AND CARRIE.

1043
00:31:16,706 --> 00:31:17,471
AND CARRIE.
THAT WAS A BEHIND-THE-SCENES

1044
00:31:17,473 --> 00:31:18,605
THAT WAS A BEHIND-THE-SCENES
LOOK AT TONIGHT'S EPISODE, AND

1045
00:31:18,607 --> 00:31:19,506
LOOK AT TONIGHT'S EPISODE, AND
I JUST WANT TO SAY CONGRATS TO

1046
00:31:19,508 --> 00:31:20,174
I JUST WANT TO SAY CONGRATS TO
THE ENTIRE CREW OF "THE WALKING

1047
00:31:20,176 --> 00:31:23,845
THE ENTIRE CREW OF "THE WALKING
DEAD."

1048
00:31:23,847 --> 00:31:25,779
DEAD."
PLEASE, A HUGE HAND BY ALL THE

1049
00:31:25,781 --> 00:31:25,980
PLEASE, A HUGE HAND BY ALL THE
CUE.

1050
00:31:25,982 --> 00:31:27,348
CUE.
THEY DON'T ALWAYS GET CALLED

1051
00:31:27,350 --> 00:31:28,382
THEY DON'T ALWAYS GET CALLED
OUT BY NAME.

1052
00:31:28,384 --> 00:31:30,151
OUT BY NAME.
BUT ALL OF THEM MAKE THE SHOW

1053
00:31:30,153 --> 00:31:32,619
BUT ALL OF THEM MAKE THE SHOW
SO SEAMLESS AND WE APPRECIATE

1054
00:31:32,621 --> 00:31:35,823
SO SEAMLESS AND WE APPRECIATE
THEM FOR IT.

1055
00:31:35,825 --> 00:31:37,624
THEM FOR IT.
HOW MANY PEOPLE ARE INVOLVED.

1056
00:31:37,626 --> 00:31:39,560
HOW MANY PEOPLE ARE INVOLVED.
>> 180 TO 200 PEOPLE.

1057
00:31:39,562 --> 00:31:41,996
>> 180 TO 200 PEOPLE.
WE DID OVER 1200 MAKEUPS.

1058
00:31:41,998 --> 00:31:43,831
WE DID OVER 1200 MAKEUPS.
ONE OF THE THINGS THAT WAS VERY

1059
00:31:43,833 --> 00:31:46,234
ONE OF THE THINGS THAT WAS VERY
CRITICAL FOR ME WAS TO DO THE

1060
00:31:46,236 --> 00:31:47,835
CRITICAL FOR ME WAS TO DO THE
EXPLOSION PRACTICALLY, IN THE

1061
00:31:47,837 --> 00:31:49,670
EXPLOSION PRACTICALLY, IN THE
REAL LAKE.

1062
00:31:49,672 --> 00:31:51,272
REAL LAKE.
SO DARYL PRITCHARD AND HIS GUYS

1063
00:31:51,274 --> 00:31:53,774
SO DARYL PRITCHARD AND HIS GUYS
PUT PROPANE MORTARS IN THERE

1064
00:31:53,776 --> 00:31:55,476
PUT PROPANE MORTARS IN THERE
AND LIT OFF FIRE BARS.

1065
00:31:55,478 --> 00:31:56,944
AND LIT OFF FIRE BARS.
WE TESTED IT A BUNCH OF TIMES

1066
00:31:56,946 --> 00:31:58,279
WE TESTED IT A BUNCH OF TIMES
IN THE EVENING JUST TO SEE HOW

1067
00:31:58,281 --> 00:31:59,813
IN THE EVENING JUST TO SEE HOW
BIG WE COULD GET THE FLAMES.

1068
00:31:59,815 --> 00:32:04,919
BIG WE COULD GET THE FLAMES.
I MEAN, THOSE FLAMES WENT AS

1069
00:32:04,921 --> 00:32:06,487
I MEAN, THOSE FLAMES WENT AS
HIGH AS THE REAL HOUSES.

1070
00:32:06,489 --> 00:32:08,655
HIGH AS THE REAL HOUSES.
IT WAS STUPENDOUS WATCHING IT

1071
00:32:08,657 --> 00:32:09,590
IT WAS STUPENDOUS WATCHING IT
PLAY OUT.

1072
00:32:09,592 --> 00:32:10,691
PLAY OUT.
OF COURSE THROUGH ALL OF THE

1073
00:32:10,693 --> 00:32:12,360
OF COURSE THROUGH ALL OF THE
NIGHT, ALL THE COVERAGE OF THE

1074
00:32:12,362 --> 00:32:14,495
NIGHT, ALL THE COVERAGE OF THE
ZOMBIES IN THE STREETS.

1075
00:32:14,497 --> 00:32:16,530
ZOMBIES IN THE STREETS.
WE KEPT EXPLODING THE LAKE OVER

1076
00:32:16,532 --> 00:32:17,265
WE KEPT EXPLODING THE LAKE OVER
AND OVER AGAIN.

1077
00:32:17,267 --> 00:32:19,466
AND OVER AGAIN.
WE DID IT NINE OR TEN TIMES.

1078
00:32:19,468 --> 00:32:20,834
WE DID IT NINE OR TEN TIMES.
I WAS WAITING FOR PEOPLE LIVING

1079
00:32:20,836 --> 00:32:22,536
I WAS WAITING FOR PEOPLE LIVING
IN THEIR HOUSES DOWN THE STREET

1080
00:32:22,538 --> 00:32:24,238
IN THEIR HOUSES DOWN THE STREET
TO GET KNOCKED OUT OF BED, WHAT

1081
00:32:24,240 --> 00:32:26,173
TO GET KNOCKED OUT OF BED, WHAT
THE HELL IS THAT?

1082
00:32:26,175 --> 00:32:28,842
THE HELL IS THAT?
>> Chris: OH, IT'S "THE WALKING

1083
00:32:28,844 --> 00:32:29,076
>> Chris: OH, IT'S "THE WALKING
DEAD"!

1084
00:32:29,078 --> 00:32:30,278
DEAD"!
JUST BLOWING UP THE LAKE AGAIN.

1085
00:32:30,280 --> 00:32:31,212
JUST BLOWING UP THE LAKE AGAIN.
>> WE HAVE A CALLER.

1086
00:32:31,214 --> 00:32:32,179
>> WE HAVE A CALLER.
WHAT IS YOUR NAME SOME.

1087
00:32:32,181 --> 00:32:34,315
WHAT IS YOUR NAME SOME.
>> MY NAME IS CAITLIN AND I'M

1088
00:32:34,317 --> 00:32:35,716
>> MY NAME IS CAITLIN AND I'M
FROM ARKANSAS.

1089
00:32:35,718 --> 00:32:37,151
FROM ARKANSAS.
>> Chris: HELLO, WHAT IS YOUR

1090
00:32:37,153 --> 00:32:37,451
>> Chris: HELLO, WHAT IS YOUR
QUESTION.

1091
00:32:37,453 --> 00:32:40,521
QUESTION.
>> FIRST I WANT TO SAY HAPPY

1092
00:32:40,523 --> 00:32:41,122
>> FIRST I WANT TO SAY HAPPY
VALENTINE'S DAY, EVERYBODY.

1093
00:32:41,124 --> 00:32:41,789
VALENTINE'S DAY, EVERYBODY.
>> Chris: HAPPY VALENTINE'S

1094
00:32:41,791 --> 00:32:42,056
>> Chris: HAPPY VALENTINE'S
DAY.

1095
00:32:42,058 --> 00:32:46,160
DAY.
>> MY QUESTION IS FOR BEDUCT.

1096
00:32:46,162 --> 00:32:46,693
>> MY QUESTION IS FOR BEDUCT.
 --

1097
00:32:46,695 --> 00:32:47,861
 --
BENEDICT, I WANTED TO KNOW HOW

1098
00:32:47,863 --> 00:32:51,399
BENEDICT, I WANTED TO KNOW HOW
DID THEY GET YOUR TEETH TO LOOK

1099
00:32:51,401 --> 00:32:53,167
DID THEY GET YOUR TEETH TO LOOK
SO NASTY?

1100
00:32:53,169 --> 00:32:56,070
SO NASTY?
>> IT WAS ALCOHOL SWABS TO DRY

1101
00:32:56,072 --> 00:32:58,539
>> IT WAS ALCOHOL SWABS TO DRY
MY TEETH OUT AND THEN A TEAM OF

1102
00:32:58,541 --> 00:32:59,740
MY TEETH OUT AND THEN A TEAM OF
ABOUT THREE PEOPLE JUST

1103
00:32:59,742 --> 00:33:00,574
ABOUT THREE PEOPLE JUST
PAINTING THEM DIFFERENT COLORS

1104
00:33:00,576 --> 00:33:04,678
PAINTING THEM DIFFERENT COLORS
AND I WAS TOLD I CAN'T LIKE MY

1105
00:33:04,680 --> 00:33:04,912
AND I WAS TOLD I CAN'T LIKE MY
TEETH.

1106
00:33:04,914 --> 00:33:06,747
TEETH.
I WOULD JUST STAY LIKE THAT FOR

1107
00:33:06,749 --> 00:33:08,115
I WOULD JUST STAY LIKE THAT FOR
A GOOD COUPLE OF MINUTES WHICH

1108
00:33:08,117 --> 00:33:10,251
A GOOD COUPLE OF MINUTES WHICH
WAS A BIT ANNOYING AFTER A

1109
00:33:10,253 --> 00:33:10,985
WAS A BIT ANNOYING AFTER A
WHILE.

1110
00:33:10,987 --> 00:33:12,653
WHILE.
>> THERE'S DIFFERENT COLORED

1111
00:33:12,655 --> 00:33:14,255
>> THERE'S DIFFERENT COLORED
TOOTH STAINS.

1112
00:33:14,257 --> 00:33:14,822
TOOTH STAINS.
>> AND GRIT AND GRIME.

1113
00:33:14,824 --> 00:33:18,092
>> AND GRIT AND GRIME.
>> AND COFFEE.

1114
00:33:18,094 --> 00:33:19,626
>> AND COFFEE.
>> IT'S LIKE NICOTINE.

1115
00:33:19,628 --> 00:33:21,028
>> IT'S LIKE NICOTINE.
>> Chris: I HAVE TO SAY, YOU

1116
00:33:21,030 --> 00:33:23,431
>> Chris: I HAVE TO SAY, YOU
CLEAN UP REAL NICE, BENEDICT

1117
00:33:23,433 --> 00:33:23,697
CLEAN UP REAL NICE, BENEDICT
SAMUELS.

1118
00:33:23,699 --> 00:33:25,833
SAMUELS.
RIGHT NOW, YOU ARE AMERICA'S

1119
00:33:25,835 --> 00:33:29,103
RIGHT NOW, YOU ARE AMERICA'S
VALENTINE'S DATE TONIGHT,

1120
00:33:29,105 --> 00:33:30,071
VALENTINE'S DATE TONIGHT,
LOOKING ALL HANDSOME.

1121
00:33:30,073 --> 00:33:33,607
LOOKING ALL HANDSOME.
>> WE DON'T HAVE A "W."

1122
00:33:33,609 --> 00:33:36,877
>> WE DON'T HAVE A "W."
>> Chris: WE DON'T.

1123
00:33:36,879 --> 00:33:37,511
>> Chris: WE DON'T.
NOW THAT WE'VE GOTTEN TO KNOW

1124
00:33:37,513 --> 00:33:38,145
NOW THAT WE'VE GOTTEN TO KNOW
CARRIE OVER THE LAST HOUR, WE

1125
00:33:38,147 --> 00:33:38,812
CARRIE OVER THE LAST HOUR, WE
WANT TO FIND OUT WHAT YOU THINK

1126
00:33:38,814 --> 00:33:39,080
WANT TO FIND OUT WHAT YOU THINK
AT HOME.

1127
00:33:39,082 --> 00:33:39,347
AT HOME.
SO GO TO

1128
00:33:39,349 --> 00:33:41,682
SO GO TO
TALKINGDEAD.COM/PLAYDEAD AND

1129
00:33:41,684 --> 00:33:43,750
TALKINGDEAD.COM/PLAYDEAD AND
THIS IS VERY IMPORTANT, COULD

1130
00:33:43,752 --> 00:33:44,751
THIS IS VERY IMPORTANT, COULD
CARRIE UNDERWOOD SURVIVE THE

1131
00:33:44,753 --> 00:33:49,923
CARRIE UNDERWOOD SURVIVE THE
MEGA HERD IN TONIGHT'S EPISODE.

1132
00:33:49,925 --> 00:33:50,524
MEGA HERD IN TONIGHT'S EPISODE.
YES, HAVE YOU HEARD HER SONG

1133
00:33:50,526 --> 00:33:52,093
YES, HAVE YOU HEARD HER SONG
LYRICS?

1134
00:33:52,095 --> 00:33:56,563
LYRICS?
SHE KNOWS WHAT TO DO WITH A

1135
00:33:56,565 --> 00:33:58,466
SHE KNOWS WHAT TO DO WITH A
LOUISVILLE SLUGGER.

1136
00:33:58,468 --> 00:33:59,100
LOUISVILLE SLUGGER.
OR NO, SEVEN GRAMMYS ARE SUPER

1137
00:33:59,102 --> 00:33:59,733
OR NO, SEVEN GRAMMYS ARE SUPER
IMPRESSIVE BUT THEY ARE REALLY

1138
00:33:59,735 --> 00:34:01,168
IMPRESSIVE BUT THEY ARE REALLY
BAD AT KILLING WALKERS.

1139
00:34:01,170 --> 00:34:02,436
BAD AT KILLING WALKERS.
I WILL LET YOU STATE YOUR CASE.

1140
00:34:02,438 --> 00:34:03,404
I WILL LET YOU STATE YOUR CASE.
>> I KNOW WHAT YOU ARE

1141
00:34:03,406 --> 00:34:06,307
>> I KNOW WHAT YOU ARE
THINKING, BUT I WAS BORN TO

1142
00:34:06,309 --> 00:34:08,876
THINKING, BUT I WAS BORN TO
SURVIVE THE ZOMBIE APOCALYPSE.

1143
00:34:08,878 --> 00:34:11,645
SURVIVE THE ZOMBIE APOCALYPSE.
LIKE MY HUSBAND BOUGHT ME THIS

1144
00:34:11,647 --> 00:34:12,980
LIKE MY HUSBAND BOUGHT ME THIS
ZOMBIE SURVIVAL KIT FOR

1145
00:34:12,982 --> 00:34:13,280
ZOMBIE SURVIVAL KIT FOR
CHRISTMAS.

1146
00:34:13,282 --> 00:34:14,115
CHRISTMAS.
I HAVE A MACHETE.

1147
00:34:14,117 --> 00:34:16,484
I HAVE A MACHETE.
I KNOW HOW TO USE IT!

1148
00:34:16,486 --> 00:34:16,817
I KNOW HOW TO USE IT!
[ LAUGHTER ]

1149
00:34:16,819 --> 00:34:18,585
[ LAUGHTER ]
MY SONGS ARE QUITE AGGRESSIVE

1150
00:34:18,587 --> 00:34:19,853
MY SONGS ARE QUITE AGGRESSIVE
AT TIMES.

1151
00:34:19,855 --> 00:34:20,187
AT TIMES.
[ LAUGHTER ]

1152
00:34:20,189 --> 00:34:23,357
[ LAUGHTER ]
I'M NOT AFRAID.

1153
00:34:23,359 --> 00:34:24,591
I'M NOT AFRAID.
>> Chris: THE NOS ARE GOING

1154
00:34:24,593 --> 00:34:25,292
>> Chris: THE NOS ARE GOING
DOWN.

1155
00:34:25,294 --> 00:34:26,327
DOWN.
THAT'S HILARIOUS!

1156
00:34:26,329 --> 00:34:27,761
THAT'S HILARIOUS!
>> I WOULD KNOW WHAT TO DO I

1157
00:34:27,763 --> 00:34:29,096
>> I WOULD KNOW WHAT TO DO I
WAS BORN FOR THIS.

1158
00:34:29,098 --> 00:34:29,830
WAS BORN FOR THIS.
>> Chris: WHO DO YOU RELATE TO

1159
00:34:29,832 --> 00:34:30,664
>> Chris: WHO DO YOU RELATE TO
MOST ON THE SHOW?

1160
00:34:30,666 --> 00:34:32,166
MOST ON THE SHOW?
>> I MEAN, I LOVE MAGGIE,

1161
00:34:32,168 --> 00:34:33,800
>> I MEAN, I LOVE MAGGIE,
BECAUSE I FEEL LIKE WE ARE BOTH

1162
00:34:33,802 --> 00:34:35,736
BECAUSE I FEEL LIKE WE ARE BOTH
LIKE FARM GIRLS, YOU KNOW, I

1163
00:34:35,738 --> 00:34:36,670
LIKE FARM GIRLS, YOU KNOW, I
GREW UP IN THE COUNTRY.

1164
00:34:36,672 --> 00:34:38,139
GREW UP IN THE COUNTRY.
WE KNOW HOW TO HANDLE

1165
00:34:38,141 --> 00:34:39,673
WE KNOW HOW TO HANDLE
OURSELVES, YOU KNOW, OUTDOORS.

1166
00:34:39,675 --> 00:34:41,308
OURSELVES, YOU KNOW, OUTDOORS.
BUST SHE'S ALSO LIKE GOT A

1167
00:34:41,310 --> 00:34:42,443
BUST SHE'S ALSO LIKE GOT A
SOFTER SIDE.

1168
00:34:42,445 --> 00:34:42,876
SOFTER SIDE.
>> Chris: YEAH.

1169
00:34:42,878 --> 00:34:45,346
>> Chris: YEAH.
>> YOU KNOW AND SHE'S SMART.

1170
00:34:45,348 --> 00:34:46,147
>> YOU KNOW AND SHE'S SMART.
>> Chris: WELL, YOU -- YOU

1171
00:34:46,149 --> 00:34:48,516
>> Chris: WELL, YOU -- YOU
KNOW, YOU STARTED OFF AT LIKE

1172
00:34:48,518 --> 00:34:48,715
KNOW, YOU STARTED OFF AT LIKE
87%.

1173
00:34:48,717 --> 00:34:51,018
87%.
YOU MANAGED TO CONVINCE 68%

1174
00:34:51,020 --> 00:34:52,553
YOU MANAGED TO CONVINCE 68%
STILL THINK YOU WOULD NOT

1175
00:34:52,555 --> 00:34:56,790
STILL THINK YOU WOULD NOT
SURVIVE THE ZOMBIE APOCALYPSE.

1176
00:34:56,792 --> 00:34:58,492
SURVIVE THE ZOMBIE APOCALYPSE.
34% ARE ON YOUR SIDE.

1177
00:34:58,494 --> 00:34:59,527
34% ARE ON YOUR SIDE.
YOU SHOULD WRITE A SONG ABOUT

1178
00:34:59,529 --> 00:35:00,227
YOU SHOULD WRITE A SONG ABOUT
THOSE PEOPLE.

1179
00:35:00,229 --> 00:35:00,894
THOSE PEOPLE.
>> I AM!

1180
00:35:00,896 --> 00:35:01,762
>> I AM!
I WILL DO IT!

1181
00:35:01,764 --> 00:35:06,133
I WILL DO IT!
YOU ARE GOING TO BE SO SORRY!

1182
00:35:06,135 --> 00:35:06,833
YOU ARE GOING TO BE SO SORRY!
>> Chris: BENEDICT HAD SOME --

1183
00:35:06,835 --> 00:35:08,835
>> Chris: BENEDICT HAD SOME --
HOW WAS YOUR FIGHT SCENE WITH

1184
00:35:08,837 --> 00:35:10,671
HOW WAS YOUR FIGHT SCENE WITH
LENNIE, BY THE WAY.

1185
00:35:10,673 --> 00:35:12,773
LENNIE, BY THE WAY.
>> WELL, THE FIGHT SCENES WERE

1186
00:35:12,775 --> 00:35:13,507
>> WELL, THE FIGHT SCENES WERE
UNBELIEVABLE, BECAUSE WE WOULD

1187
00:35:13,509 --> 00:35:15,709
UNBELIEVABLE, BECAUSE WE WOULD
COME UP ON TO SET, AND THERE

1188
00:35:15,711 --> 00:35:17,644
COME UP ON TO SET, AND THERE
WOULD BE THE STUNT GUYS.

1189
00:35:17,646 --> 00:35:19,313
WOULD BE THE STUNT GUYS.
SO THIS IS WHAT WE HAVE GOT

1190
00:35:19,315 --> 00:35:19,580
SO THIS IS WHAT WE HAVE GOT
PLANNED.

1191
00:35:19,582 --> 00:35:20,714
PLANNED.
JUST TAKE A LOOK.

1192
00:35:20,716 --> 00:35:22,283
JUST TAKE A LOOK.
AND THEY ARE THROWING OVER

1193
00:35:22,285 --> 00:35:23,684
AND THEY ARE THROWING OVER
CHAIRS AND KICKING OVER TABLES

1194
00:35:23,686 --> 00:35:25,419
CHAIRS AND KICKING OVER TABLES
AND GOING FULL OUT.

1195
00:35:25,421 --> 00:35:27,388
AND GOING FULL OUT.
SO WHAT DO YOU THINK?

1196
00:35:27,390 --> 00:35:29,823
SO WHAT DO YOU THINK?
AYE, I'M -- LENNIE AND I MIGHT

1197
00:35:29,825 --> 00:35:30,424
AYE, I'M -- LENNIE AND I MIGHT
JUST REHEARSE.

1198
00:35:30,426 --> 00:35:31,192
JUST REHEARSE.
NOW -- OKAY.

1199
00:35:31,194 --> 00:35:32,426
NOW -- OKAY.
WE'LL LET YOU TO IT.

1200
00:35:32,428 --> 00:35:34,295
WE'LL LET YOU TO IT.
IT'S LIKE, OH, MY GOODNESS,

1201
00:35:34,297 --> 00:35:34,995
IT'S LIKE, OH, MY GOODNESS,
HERE WE GO.

1202
00:35:34,997 --> 00:35:38,299
HERE WE GO.
BUT IT WAS -- IT WAS QUITE

1203
00:35:38,301 --> 00:35:38,566
BUT IT WAS -- IT WAS QUITE
AMAZING.

1204
00:35:38,568 --> 00:35:40,501
AMAZING.
WE DID AS MUCH AS WE POSSIBLY

1205
00:35:40,503 --> 00:35:43,637
WE DID AS MUCH AS WE POSSIBLY
COULD, TO THE POINT THAT WE

1206
00:35:43,639 --> 00:35:45,839
COULD, TO THE POINT THAT WE
WERE TWO STRENUOUS OR DANGEROUS

1207
00:35:45,841 --> 00:35:47,908
WERE TWO STRENUOUS OR DANGEROUS
FOR US -- TOO STRENUOUS OR

1208
00:35:47,910 --> 00:35:48,942
FOR US -- TOO STRENUOUS OR
DANGEROUS FOR US.

1209
00:35:48,944 --> 00:35:50,377
DANGEROUS FOR US.
I WAS HAPPY THAT LENNIE AND I

1210
00:35:50,379 --> 00:35:53,180
I WAS HAPPY THAT LENNIE AND I
DID QUITE A BIT.

1211
00:35:53,182 --> 00:35:54,781
DID QUITE A BIT.
>> Chris: WELL,

1212
00:35:54,783 --> 00:35:55,449
>> Chris: WELL,
COMING UP, WE HAVE AN EXCLUSIVE

1213
00:35:55,451 --> 00:35:56,016
COMING UP, WE HAVE AN EXCLUSIVE
SNEAK PEEK OF NEXT WEEK'S

1214
00:35:56,018 --> 00:35:56,650
SNEAK PEEK OF NEXT WEEK'S
EPISODE OF "THE WALKING DEAD."

1215
00:35:56,652 --> 00:35:57,251
EPISODE OF "THE WALKING DEAD."
BUT FIRST, I WANT TO LET YOU

1216
00:35:57,253 --> 00:35:57,818
BUT FIRST, I WANT TO LET YOU
KNOW THAT TOMORROW IS THE

1217
00:35:57,820 --> 00:36:02,223
KNOW THAT TOMORROW IS THE
SEASON TWO PREMIER OF "BETTER

1218
00:36:02,225 --> 00:36:04,725
SEASON TWO PREMIER OF "BETTER
CALL SAUL "AND WE WILL DO A"

1219
00:36:04,727 --> 00:36:05,559
CALL SAUL "AND WE WILL DO A"
TALKING SAUL RIGHT AFTER THE

1220
00:36:05,561 --> 00:36:08,596
TALKING SAUL RIGHT AFTER THE
PREMIER ."

1221
00:36:08,598 --> 00:36:09,163
PREMIER ."
CREATOR VINCE GILLIGAN AND

1222
00:36:09,165 --> 00:36:09,830
CREATOR VINCE GILLIGAN AND
PETER GOULD, PLUS SAUL HIMSELF,

1223
00:36:09,832 --> 00:36:10,431
PETER GOULD, PLUS SAUL HIMSELF,
BOB ODENKIRK WILL JOIN ME TO

1224
00:36:10,433 --> 00:36:11,064
BOB ODENKIRK WILL JOIN ME TO
BREAK DOWN EVERYTHING FROM THE

1225
00:36:11,066 --> 00:36:11,665
BREAK DOWN EVERYTHING FROM THE
SHOW AND ANSWER ALL YOUR

1226
00:36:11,667 --> 00:36:12,899
SHOW AND ANSWER ALL YOUR
QUESTIONS.

1227
00:36:12,901 --> 00:36:14,135
QUESTIONS.
"BETTER CALL SAUL" AIRS EVERY

1228
00:36:14,137 --> 00:36:18,205
"BETTER CALL SAUL" AIRS EVERY
MONDAY NIGHT, AND I'D LOVE YOU

1229
00:36:18,207 --> 00:36:19,640
MONDAY NIGHT, AND I'D LOVE YOU
TO CHECK IT OUT.

1230
00:36:19,642 --> 00:36:22,309
TO CHECK IT OUT.
WE ARE CALLING IT "TALKING

1231
00:36:22,311 --> 00:36:23,444
WE ARE CALLING IT "TALKING
SAUL."

1232
00:36:23,446 --> 00:36:24,545
SAUL."
CHECK IT OUT.

1233
00:36:24,547 --> 00:36:25,912
CHECK IT OUT.
WE'LL BE RIGHT BACK WITH

1234
00:36:25,914 --> 00:36:26,713
WE'LL BE RIGHT BACK WITH
"TALKING DEAD."

1235
00:36:26,715 --> 00:36:28,215
"TALKING DEAD."
>> THIS IS WHAT A MIDLIFE

1236
00:36:28,217 --> 00:36:30,184
>> THIS IS WHAT A MIDLIFE
CRISIS LOOKS LIKE.

1237
00:36:30,186 --> 00:36:32,586
CRISIS LOOKS LIKE.
>> THIS IS SEASON TWO IS A

1238
00:36:32,588 --> 00:36:33,887
>> THIS IS SEASON TWO IS A
CONTINUATION OF THE STORY.

1239
00:36:33,889 --> 00:36:35,656
CONTINUATION OF THE STORY.
WE LEFT SEASON ONE AND JIMMY IS

1240
00:36:35,658 --> 00:36:37,458
WE LEFT SEASON ONE AND JIMMY IS
AT A CROSSROADS.

1241
00:36:37,460 --> 00:36:42,296
AT A CROSSROADS.
HE'S TRYING FIGURE HOW HE WILL

1242
00:36:42,298 --> 00:36:43,197
HE'S TRYING FIGURE HOW HE WILL
LIVE HIS LIFE.

1243
00:36:43,199 --> 00:36:44,598
LIVE HIS LIFE.
>> THE MORE WE DREAD HIM

1244
00:36:44,600 --> 00:36:46,099
>> THE MORE WE DREAD HIM
EVENTUALLY TURNING INTO SAUL

1245
00:36:46,101 --> 00:36:46,367
EVENTUALLY TURNING INTO SAUL
GOODMAN.

1246
00:36:46,369 --> 00:36:50,771
GOODMAN.
>> LISTEN TO ME.

1247
00:36:50,773 --> 00:36:52,473
>> LISTEN TO ME.
>> HE'S FRUSTRATED WITH JIMMY

1248
00:36:52,475 --> 00:36:55,643
>> HE'S FRUSTRATED WITH JIMMY
AND HE WOULD JUST ASSUME BRUSH

1249
00:36:55,645 --> 00:36:56,577
AND HE WOULD JUST ASSUME BRUSH
HIM ASIDE.

1250
00:36:56,579 --> 00:36:58,045
HIM ASIDE.
>> I DID A JOB AND THAT'S AS

1251
00:36:58,047 --> 00:36:59,346
>> I DID A JOB AND THAT'S AS
FAR AS IT GOES.

1252
00:36:59,348 --> 00:37:01,215
FAR AS IT GOES.
>> HE'S ONE OF THOSE THINGS

1253
00:37:01,217 --> 00:37:02,115
>> HE'S ONE OF THOSE THINGS
THAT KEEPS GOING.

1254
00:37:02,117 --> 00:37:04,351
THAT KEEPS GOING.
>> WE GO A LOT DEEPER INTO

1255
00:37:04,353 --> 00:37:05,719
>> WE GO A LOT DEEPER INTO
JIMMY'S RELATIONSHIP WITH KIM.

1256
00:37:05,721 --> 00:37:07,087
JIMMY'S RELATIONSHIP WITH KIM.
>> IS THIS GOING TO HAPPEN.

1257
00:37:07,089 --> 00:37:09,056
>> IS THIS GOING TO HAPPEN.
>> WILL THESE TWO COME

1258
00:37:09,058 --> 00:37:09,356
>> WILL THESE TWO COME
TOGETHER?

1259
00:37:09,358 --> 00:37:10,658
TOGETHER?
WILL THEIR LIVES FIT TOGETHER.

1260
00:37:10,660 --> 00:37:12,793
WILL THEIR LIVES FIT TOGETHER.
>> I FEEL LIKE THEY ARE BOTH

1261
00:37:12,795 --> 00:37:14,027
>> I FEEL LIKE THEY ARE BOTH
ADEPT AT WEARING MASKS AND THEY

1262
00:37:14,029 --> 00:37:15,796
ADEPT AT WEARING MASKS AND THEY
BOTH TAKE THOSE MASKS OFF WHEN

1263
00:37:15,798 --> 00:37:17,064
BOTH TAKE THOSE MASKS OFF WHEN
THEY ARE WITH EACH OTHER.

1264
00:37:17,066 --> 00:37:18,832
THEY ARE WITH EACH OTHER.
>> YEAH!

1265
00:37:18,834 --> 00:37:20,634
>> YEAH!
[ LAUGHTER ]

1266
00:37:20,636 --> 00:37:22,769
[ LAUGHTER ]
>> IT'S LONG AND ENTERTAINING

1267
00:37:22,771 --> 00:37:38,985
>> IT'S LONG AND ENTERTAINING
ROAD.

1268
00:38:02,344 --> 00:38:04,912
[ CHEERS AND APPLAUSE ]
>> Chris: WELCOME BACK TO

1269
00:38:04,914 --> 00:38:06,980
>> Chris: WELCOME BACK TO
"TALKING DEAD."

1270
00:38:06,982 --> 00:38:08,482
"TALKING DEAD."
REALLY QUICKLY, A COUPLE OF

1271
00:38:08,484 --> 00:38:09,283
REALLY QUICKLY, A COUPLE OF
PIECES OF IMPORTANT BUSINESS.

1272
00:38:09,285 --> 00:38:11,785
PIECES OF IMPORTANT BUSINESS.
MY SIXTH GRADE PITCHER NEXT TO

1273
00:38:11,787 --> 00:38:12,353
MY SIXTH GRADE PITCHER NEXT TO
MAJOR DODSON.

1274
00:38:12,355 --> 00:38:12,853
MAJOR DODSON.
THERE IT IS.

1275
00:38:12,855 --> 00:38:13,687
THERE IT IS.
LOOK AT THAT GUY.

1276
00:38:13,689 --> 00:38:14,755
LOOK AT THAT GUY.
LOOK AT THAT GUY.

1277
00:38:14,757 --> 00:38:17,058
LOOK AT THAT GUY.
OH, YEAH!

1278
00:38:17,060 --> 00:38:18,992
OH, YEAH!
ALSO SOME OF OUR FAVORITE

1279
00:38:18,994 --> 00:38:23,364
ALSO SOME OF OUR FAVORITE
WALKING DEAD COUNTRY HASHTAG.

1280
00:38:23,366 --> 00:38:25,132
WALKING DEAD COUNTRY HASHTAG.
RIBA McENTIRE.

1281
00:38:25,134 --> 00:38:26,100
RIBA McENTIRE.
SWEET HOME ALEXANDRIA.

1282
00:38:26,102 --> 00:38:27,201
SWEET HOME ALEXANDRIA.
THANKS FOR PLAYING ALONG WITH

1283
00:38:27,203 --> 00:38:31,439
THANKS FOR PLAYING ALONG WITH
THAT.

1284
00:38:31,441 --> 00:38:32,039
THAT.
NOW, IT'S TIME FOR TONIGHT'S

1285
00:38:32,041 --> 00:38:32,673
NOW, IT'S TIME FOR TONIGHT'S
SNEAK PEEK OF NEXT WEEK'S ALL

1286
00:38:32,675 --> 00:38:33,274
SNEAK PEEK OF NEXT WEEK'S ALL
NEW EPISODE OF "THE WALKING

1287
00:38:33,276 --> 00:38:34,808
NEW EPISODE OF "THE WALKING
DEAD."

1288
00:38:34,810 --> 00:38:35,676
DEAD."
HERE IT IS.

1289
00:38:36,511 --> 00:38:52,659
¶

1290
00:38:54,862 --> 00:38:58,065
[ CHEERS AND APPLAUSE ]
>> Chris: ALL RIGHT.

1291
00:38:58,067 --> 00:39:00,834
>> Chris: ALL RIGHT.
SO APPARENTLY SOMETHING HAS

1292
00:39:00,836 --> 00:39:02,002
SO APPARENTLY SOMETHING HAS
HAPPENED TO NEXT WEEK'S

1293
00:39:02,004 --> 00:39:02,269
HAPPENED TO NEXT WEEK'S
EPISODE.

1294
00:39:02,271 --> 00:39:03,304
EPISODE.
ALL WE COULD SHOW YOU WAS SOME

1295
00:39:03,306 --> 00:39:04,338
ALL WE COULD SHOW YOU WAS SOME
OF THE CHARACTERS RUNNING.

1296
00:39:04,340 --> 00:39:06,173
OF THE CHARACTERS RUNNING.
WE DON'T WANT TO SPOIL

1297
00:39:06,175 --> 00:39:06,474
WE DON'T WANT TO SPOIL
ANYTHING.

1298
00:39:06,476 --> 00:39:08,809
ANYTHING.
>> IT WILL BE AWESOME.

1299
00:39:08,811 --> 00:39:09,676
>> IT WILL BE AWESOME.
>> Chris: APPARENTLY IT STARTS

1300
00:39:09,678 --> 00:39:12,045
>> Chris: APPARENTLY IT STARTS
INTENSE AND IT RAMPS.

1301
00:39:12,047 --> 00:39:15,349
INTENSE AND IT RAMPS.
THIS IS FROM @WMAP.

1302
00:39:15,351 --> 00:39:17,084
THIS IS FROM @WMAP.
IF YOU COULD TAKE ONE OTHER

1303
00:39:17,086 --> 00:39:18,619
IF YOU COULD TAKE ONE OTHER
MUSICAL ARTIST INTO THE

1304
00:39:18,621 --> 00:39:21,455
MUSICAL ARTIST INTO THE
APOCALYPSE, WHO COULD IT.

1305
00:39:21,457 --> 00:39:22,789
APOCALYPSE, WHO COULD IT.
>> OH, MY GOSH.

1306
00:39:22,791 --> 00:39:24,858
>> OH, MY GOSH.
COUNTRY MUSIC IS FULL OF BIG

1307
00:39:24,860 --> 00:39:27,228
COUNTRY MUSIC IS FULL OF BIG
DUDES THAT KNOW HOW TO HANDLE

1308
00:39:27,230 --> 00:39:27,561
DUDES THAT KNOW HOW TO HANDLE
THEMSELVES.

1309
00:39:27,563 --> 00:39:30,631
THEMSELVES.
I DON'T KNOW, LIKE BRYANT.

1310
00:39:30,633 --> 00:39:33,867
I DON'T KNOW, LIKE BRYANT.
>> Chris: I WOULD PUT TRACE

1311
00:39:33,869 --> 00:39:34,301
>> Chris: I WOULD PUT TRACE
ATKINS LIKE YODA.

1312
00:39:34,303 --> 00:39:34,935
ATKINS LIKE YODA.
TAKE ME AROUND.

1313
00:39:34,937 --> 00:39:36,303
TAKE ME AROUND.
>> CATCH ME!

1314
00:39:36,305 --> 00:39:37,238
>> CATCH ME!
>> Chris: TAKE ME AROUND,

1315
00:39:37,240 --> 00:39:37,871
>> Chris: TAKE ME AROUND,
TRACE.

1316
00:39:37,873 --> 00:39:38,172
TRACE.
>> YEAH.

1317
00:39:38,174 --> 00:39:38,872
>> YEAH.
>> Chris: THAT WOULD BE A GOOD

1318
00:39:38,874 --> 00:39:40,241
>> Chris: THAT WOULD BE A GOOD
ONE TOO.

1319
00:39:40,243 --> 00:39:43,744
ONE TOO.
BUT HONESTLY, I THINK WE ARE

1320
00:39:43,746 --> 00:39:45,479
BUT HONESTLY, I THINK WE ARE
JUST ABOUT OUT OF TOWN ON THE

1321
00:39:45,481 --> 00:39:45,712
JUST ABOUT OUT OF TOWN ON THE
SHOW.

1322
00:39:45,714 --> 00:39:47,281
SHOW.
GOOD LUCK TOMORROW NIGHT AT THE

1323
00:39:47,283 --> 00:39:48,782
GOOD LUCK TOMORROW NIGHT AT THE
GRAMMYS AND ALSO BENEDICT

1324
00:39:48,784 --> 00:39:49,650
GRAMMYS AND ALSO BENEDICT
SAMUEL, THANK YOU SO MUCH FOR

1325
00:39:49,652 --> 00:39:54,188
SAMUEL, THANK YOU SO MUCH FOR
BEING PART OF OUR WALKING DEAD

1326
00:39:54,190 --> 00:39:55,856
BEING PART OF OUR WALKING DEAD
UNIVERSE.

1327
00:39:55,858 --> 00:39:57,658
UNIVERSE.
>> GREG NICOTERO,

1328
00:39:57,660 --> 00:39:58,925
>> GREG NICOTERO,
CONGRATULATIONS ON TONIGHT'S

1329
00:39:58,927 --> 00:39:59,193
CONGRATULATIONS ON TONIGHT'S
EPISODE.

1330
00:39:59,195 --> 00:40:00,461
EPISODE.
I CAN'T WAIT TO SEE THE REST OF

1331
00:40:00,463 --> 00:40:01,529
I CAN'T WAIT TO SEE THE REST OF
THE SEASON.

1332
00:40:01,531 --> 00:40:06,333
THE SEASON.
BY THE WAY, I'M ON INSTAGRAM

1333
00:40:06,335 --> 00:40:06,767
BY THE WAY, I'M ON INSTAGRAM
HARDWICK.

1334
00:40:06,769 --> 00:40:08,769
HARDWICK.
BUT YOU SHOULD FOLLOW UP GREG

1335
00:40:08,771 --> 00:40:12,906
BUT YOU SHOULD FOLLOW UP GREG
NICOTERO.

1336
00:40:12,908 --> 00:40:18,779
NICOTERO.
HE'S GNICOTERO ON INSTAGRAM.

1337
00:40:18,781 --> 00:40:19,413
HE'S GNICOTERO ON INSTAGRAM.
AND BE SURE TO CATCH CARRIE ON

1338
00:40:19,415 --> 00:40:19,946
AND BE SURE TO CATCH CARRIE ON
HER "STORYTELLER TOUR,"

1339
00:40:19,948 --> 00:40:20,548
HER "STORYTELLER TOUR,"
HAPPENING ACROSS THE COUNTRY

1340
00:40:20,550 --> 00:40:23,317
HAPPENING ACROSS THE COUNTRY
NOW THROUGH JULY.

1341
00:40:23,319 --> 00:40:24,218
NOW THROUGH JULY.
NEXT WEEK WHEN WE HAVE THE ONE

1342
00:40:24,220 --> 00:40:25,052
NEXT WEEK WHEN WE HAVE THE ONE
AND ONLY MICHONNE, DANAI

1343
00:40:25,054 --> 00:40:25,786
AND ONLY MICHONNE, DANAI
GURIRA, SPENCER HIMSELF, AUSTIN

1344
00:40:25,788 --> 00:40:26,453
GURIRA, SPENCER HIMSELF, AUSTIN
NICHOLS AND THE STAR OF

1345
00:40:26,455 --> 00:40:27,521
NICHOLS AND THE STAR OF
"CASTLE," NATHAN FILLION.

1346
00:40:27,523 --> 00:40:28,322
"CASTLE," NATHAN FILLION.
ALSO TUNE IN NEXT WEEK FOR A

1347
00:40:28,324 --> 00:40:29,089
ALSO TUNE IN NEXT WEEK FOR A
BIG ANNOUNCEMENT ABOUT OUR

1348
00:40:29,091 --> 00:40:31,758
BIG ANNOUNCEMENT ABOUT OUR
SEARCH FOR THE ULTIMATE WALKING

1349
00:40:31,760 --> 00:40:32,593
SEARCH FOR THE ULTIMATE WALKING
DEAD FAN.

1350
00:40:32,595 --> 00:40:34,061
DEAD FAN.
ONE OF YOU WILL END UP ON THIS

1351
00:40:34,063 --> 00:40:36,763
ONE OF YOU WILL END UP ON THIS
COUCH RIGHT HERE.

1352
00:40:36,765 --> 00:40:37,398
COUCH RIGHT HERE.
RIGHT NOW, STICK AROUND FOR AN

1353
00:40:37,400 --> 00:40:38,065
RIGHT NOW, STICK AROUND FOR AN
ENCORE OF "THE WALKING DEAD,"

1354
00:40:38,067 --> 00:40:38,699
ENCORE OF "THE WALKING DEAD,"
FOLLOWED BY AN ALL-NEW "COMIC

1355
00:40:38,701 --> 00:40:38,999
FOLLOWED BY AN ALL-NEW "COMIC
BOOK MEN."

1356
00:40:39,001 --> 00:40:40,234
BOOK MEN."
AND TOMORROW, BE SURE TO GO TO

1357
00:40:40,236 --> 00:40:40,967
AND TOMORROW, BE SURE TO GO TO
TALKINGDEAD.COM FOR A BONUS

1358
00:40:40,969 --> 00:40:41,569
TALKINGDEAD.COM FOR A BONUS
SEGMENT PLUS HIGHLIGHTS FROM

1359
00:40:41,571 --> 00:40:44,205
SEGMENT PLUS HIGHLIGHTS FROM
TONIGHT'S SHOW.

1360
00:40:44,207 --> 00:40:45,872
TONIGHT'S SHOW.
AND CHEN YOU CAN US OUT ON

1361
00:40:45,874 --> 00:40:47,708
AND CHEN YOU CAN US OUT ON
"TALKING SAUL" TOMORROW NIGHT

1362
00:40:47,710 --> 00:40:51,545
"TALKING SAUL" TOMORROW NIGHT
AFTER "BETTER CALL SAUL."

1363
00:40:51,547 --> 00:40:54,381
AFTER "BETTER CALL SAUL."
I'M CHRIS HARDWICK @HARDWICK.

1364
00:40:54,383 --> 00:40:57,451
I'M CHRIS HARDWICK @HARDWICK.
HAPPY VALENTINE'S DAY.

1365
00:40:57,453 --> 00:40:58,419
HAPPY VALENTINE'S DAY.
BYE-BYE.