lot the for do the
in September 2009 Native Instruments
happy bride got together to record Abbey Road sixties drums
legendary student hello minor XO
and on the sound engineer Abbey Road sixties from
I'm not going to talk you through the recording process
the
so the first thing we do set up the drums get mark barnes and
position we are using a traditional microphone setup from the sixties
as well as introducing close but mike's the user
flexibility here Abbey Road we have one of the largest
vintage mark fine collections well on this session
used all vintage mark turns you would have found on a typical session
back sixties so full Abbey Road sixties drums
we used all original vintage drum hits
and recording equipment we had an early sixties correct here
and a late sixties depicting we also use simple
vintage recording chain including mixing consoles
preamps intake machines summers equipment walls
and still is exclusive to Abbey Road is going to sound
right once we have the market funds in place it's up to the control room
love you just the metals going to take computer this is the first time the Red
17 desk has been used on a session since
seventies and most to the chaos same was made by Emin fifties and sixties
for exclusive use Abbey Road like maybe like me
know Peter in its more open with an 8-2 belt and
Brotherhood event Yahoo
won't be a set up happy with the sound I'm ready to go
it's all down to the session from listen to these
for someone drums possibly know 9
being the actual process involves hitting the drums
number velocity levels from quite to lower a number variations such as soft
and hard kick drum beaters
hitting the center inside if the skins and various parts symbols
great care was taken for tuning in to get the correct sound from the vintage
drums we had to play with
cheapening we also tried out some typical tricks at the period
such as placing tate house having a snare drum in Toms
to deaden the overt
that's great for level thanks ro the
the
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day