1
00:00:00,004 --> 00:00:02,009
- [Instructor] Sometimes you've
got to spend a lot of time

2
00:00:02,009 --> 00:00:06,003
taking your pretty footage
that was shot or acquired

3
00:00:06,003 --> 00:00:08,000
and damage it up.

4
00:00:08,000 --> 00:00:09,008
And that's exactly what
this video is about.

5
00:00:09,008 --> 00:00:13,008
Exploring how to use digital
damage inside of Sapphire.

6
00:00:13,008 --> 00:00:16,007
I'm in my Chapter 4_3 sequence.

7
00:00:16,007 --> 00:00:18,006
You can find that in your Chapter 4 bin,

8
00:00:18,006 --> 00:00:20,001
under the Exercise bin.

9
00:00:20,001 --> 00:00:23,000
Now what I'm going to do is
actually under my Effects tab,

10
00:00:23,000 --> 00:00:24,003
Shift + 7 to open that out.

11
00:00:24,003 --> 00:00:26,004
So I'm going to come up
to top of my Effects tab

12
00:00:26,004 --> 00:00:30,000
and actually just do a
search for S_Digital.

13
00:00:30,000 --> 00:00:33,008
And, under Stylize, we've
got a digital damage look.

14
00:00:33,008 --> 00:00:36,001
Once I place this onto the clip,

15
00:00:36,001 --> 00:00:38,004
although nothing has updated just yet,

16
00:00:38,004 --> 00:00:40,000
if I start to scrub through it,

17
00:00:40,000 --> 00:00:43,005
I've got a lot of damage
here that you see.

18
00:00:43,005 --> 00:00:46,009
The cool thing about this
effect is that if I select it,

19
00:00:46,009 --> 00:00:49,007
go Shift + 5 to reveal
that in Effect Controls,

20
00:00:49,007 --> 00:00:53,006
is that there are a
certain amount of elements

21
00:00:53,006 --> 00:00:56,006
that are involved in the
creation of this digital damage.

22
00:00:56,006 --> 00:01:00,000
All of them are controlled
by the Intensity value.

23
00:01:00,000 --> 00:01:02,000
You can see there that
increasing the Intensity

24
00:01:02,000 --> 00:01:05,009
increases the overall
value, or overall intensity,

25
00:01:05,009 --> 00:01:09,001
of all of the elements, Freeze, Shift,

26
00:01:09,001 --> 00:01:10,006
Bright Noise, Pixelate.

27
00:01:10,006 --> 00:01:13,001
And then you've got, also,
a Time Intensity too,

28
00:01:13,001 --> 00:01:15,008
so you can play around
with time and that number.

29
00:01:15,008 --> 00:01:18,001
And how often that, essentially,

30
00:01:18,001 --> 00:01:20,007
or this digital damage occurs

31
00:01:20,007 --> 00:01:23,000
over our beautiful footage of Seattle.

32
00:01:23,000 --> 00:01:25,005
One cool thing that you can
do is choose which ones,

33
00:01:25,005 --> 00:01:27,008
first of all, you want to have involved.

34
00:01:27,008 --> 00:01:29,008
So scrolling down, in Effect Controls,

35
00:01:29,008 --> 00:01:33,005
I am going to actually
just sort of turn off

36
00:01:33,005 --> 00:01:35,000
each of these elements.

37
00:01:35,000 --> 00:01:37,003
And this is just another
great way of also figuring out

38
00:01:37,003 --> 00:01:39,004
what is involved.

39
00:01:39,004 --> 00:01:42,003
So if I simply just turn on Freeze,

40
00:01:42,003 --> 00:01:43,006
and scrub through the project,

41
00:01:43,006 --> 00:01:48,000
you'll see that there is a
little bit of freeze noise

42
00:01:48,000 --> 00:01:50,000
that's sort of added at certain places

43
00:01:50,000 --> 00:01:52,009
where the video will go static and freeze.

44
00:01:52,009 --> 00:01:55,000
If I add Shift to the mix,

45
00:01:55,000 --> 00:01:58,007
you can start to see how
Shift is involved in that.

46
00:01:58,007 --> 00:02:02,001
Another cool thing is if
you look under the element,

47
00:02:02,001 --> 00:02:04,002
there is a ton of defaults for each

48
00:02:04,002 --> 00:02:08,004
of the individual elements that
make up your digital damage.

49
00:02:08,004 --> 00:02:11,005
You seriously have a lot of control

50
00:02:11,005 --> 00:02:15,000
in how that digital damage
looks in what situations.

51
00:02:15,000 --> 00:02:17,003
If I go here and add some Block Noise,

52
00:02:17,003 --> 00:02:19,009
just to show you, I can
go into its details,

53
00:02:19,009 --> 00:02:23,002
and increase the intensity
of just the Block Noise,

54
00:02:23,002 --> 00:02:25,007
while leaving the other two amounts,

55
00:02:25,007 --> 00:02:29,006
the Shifts, as well as the Freeze, as is.

56
00:02:29,006 --> 00:02:31,000
So it doesn't effect them all at once.

57
00:02:31,000 --> 00:02:32,009
So there's a lot of power to just control

58
00:02:32,009 --> 00:02:34,005
the individual elements.

59
00:02:34,005 --> 00:02:36,001
And, like many Sapphire effects,

60
00:02:36,001 --> 00:02:38,007
all of them are keyframeable
in Premiere Pro,

61
00:02:38,007 --> 00:02:40,007
if you use the stopwatches.

62
00:02:40,007 --> 00:02:42,000
So there's a little introduction

63
00:02:42,000 --> 00:02:44,006
to creating some damage on your clips.

64
00:02:44,006 --> 00:02:46,008
I'm just going to actually
remove this effect.

65
00:02:46,008 --> 00:02:48,002
Because it should be worth mentioning

66
00:02:48,002 --> 00:02:52,006
that there is another
type of damage, S_Film.

67
00:02:52,006 --> 00:02:54,007
And you'll see that, under
the Stylized category,

68
00:02:54,007 --> 00:02:57,005
there is a way to create
film damage on your clip.

69
00:02:57,005 --> 00:03:00,003
And, very similar to digital damage,

70
00:03:00,003 --> 00:03:04,005
this effect has a series of elements

71
00:03:04,005 --> 00:03:07,000
used to create the
damage, such as Scratches,

72
00:03:07,000 --> 00:03:08,008
Hairs, Dust, and Density.

73
00:03:08,008 --> 00:03:10,009
The difference is you're going
to just want to play around

74
00:03:10,009 --> 00:03:13,000
with the numbers and
bring them down to zero,

75
00:03:13,000 --> 00:03:14,003
if you don't want Scratches

76
00:03:14,003 --> 00:03:16,005
or, let's say, Hair, in your video.

77
00:03:16,005 --> 00:03:18,009
So have some fun playing with film damage,

78
00:03:18,009 --> 00:03:21,005
as well as digital damage,
to see how you can make

79
00:03:21,005 --> 00:03:24,002
your nice clean video nice and messy.