let's begin for this tutorial I'm going 让我们开始本教程我要去
to show you guys how to create a 向您展示你们如何创建
powerful drop and I'm going to be using 强大滴，我将使用
my song dumb with headhunters 我的歌与哑猎头
so the first thing that we're going to 让我们要的第一件事情
look at is the base there's basically 看是基本有基本
two elements going on here there is a 两个因素会在这里有一个
sub base and what I call a gritty base 副基座和我所说的坚韧不拔的基础是什么
and the sub base is pretty much just a 和副基座是非常简单，只是一个
sine wave the interesting thing to know 正弦波有趣的事情就知道
is all the pitch bends that it's doing 是所有的弯音，它在干什么
as we go in between different chords or 因为我们去不同 的和弦或间
different base notes you can see that 不同的基调，你可以看到，
it's pitch bending up into them just 它的俯仰弯曲成他们刚
creates the tension as you go in between 创建张力你去之间
each note and kind of swooshes the 每一个音符和一种标志设计中的
listener up and keeps things interesting 听者起来，让事情变得有趣
the other thing to note is all the 另外一点需要注意的是所有的
different gaps if you listen here I've 不同的差距，如果你在这里听我已经
created a rhythm guide which is playing 创建一个引导节奏正在播放
a little click for all the notes that 一点点击所有笔记
our melody does you can see now notice 我们的旋律也可以看到现在发现
how the bass interacts with that now 如何低音与现在交互
although it does move around a lot it's 虽然它走动了很多它的
really helpful to have at least some 真正有用的至少有 一些
sustained notes because the sub just 持续的笔记，因为子刚
doesn't move as quickly as other 不为快速移动其他
instruments and it's at its most 仪器，它是在其最
powerful when you can let it ring out 强大的时候，你可以让它响起
for at least the full B so the next 至少在全B上下一
thing that we have on top is the gritty 我们已经在上面的就是坚韧不拔
bass and that sounds like this 低音听起来像这样
and what's so important about this layer 什么是这一层很重要
is it makes your base feel present in 是它让你的基地感到目前在
areas of the frequency spectrum that the 频谱的区域，该
sub-base just can't touch it's doing all 分基地只是不能触摸它做的一切
the same notes and melody as the 相同的音符和旋律作为
sub-base it just has added accents as 分基地，它只是增加了作为口音
you can see here the gritty bass is a 你可以在这里看到了坚韧不拔的低音是
great way to do interesting things with 伟大的方式做有趣的事情与
the bass and make the listener feel like 低音，使听者感觉
the bass has a lot of movement without 低音有大量的运动，而不
messing up your low-end 搞乱你的低端
because the sub bass that we have would 因为我们有超低音会
just not be able to handle all these 只是不能够处理所有这些
quick notes and all the bending for 快速笔记和所有的弯曲
instance here how we go up to the high F 比如这里我们如何去达到至高F
you lose all the power you have to keep 你失去所有你必须保持动力
the sub bass at the same octave because 在相同的倍频，因为超低音
there's a very specific region that it 有一个非常特殊的区域，它
works well and you can feel it in but 工作得很好，你能感觉到它，但
we're able to trick the listeners here 我们能够在这里欺骗听众
and do a lot of movement with this 并做大量的运动与此
gritty bass that's on top we of course 坚韧不拔的低音对课程的顶部我们
cut the low end so it gets out of the 削减低端，因此失控的
way of the sub bass and we have some 亚低音的方式和我们有一些
basic extra things going on like this 基本多余的东西会在这样
which gives you a little bit of the 它给你 的 一 点点
histah the air that you want from that histah你从想要的空气
gritty bass to make it stand out in the 坚韧不拔的低音，使其脱颖而出的
mix and of course one of the most 混合当然一个最
important things is your sidechain and 重要的事情是你的侧链和
here I'm using LFO tool with a curve 在这里我使用LFO工具用曲线
that is inversely parallel to the wave 该被逆平行于波
form of the kick in other words the bass 换句话说，踢低音的形式
is fading in just as the kick is fading 在就像踢渐弱渐弱
out 出
now let's take a look at the leads for 现在让我们来看看 为线索
starters we have our main lead I think 首先，我们有我们的主要领导，我认为
it's really important in you guys 这是在你们真的很重要
productions that you pick one sound that 你选择一个声音品生产，
you want to be more in front in this 你想 更在前面这
case it's a silent patch and after 区分这是一种无声的补丁后
silent you see we have equality and I'm 沉默你看，我们有平等的，我
rolling off the end in the highs and 滚落 在高位端部 和
that's because I have another instrument 那是因为我有其他仪器
that we're going to get to in a few 我们会得到在几个
moments that takes care of most of the 的时刻，需要的大多数的护理
hist and xed we have a little ping pong HIST和固定的，我们有一个小乒乓
delay in a little reverb and this is 延缓有点混响，这是
what really gives it space in the mix 真正给它的空间在混合
without it now with so as you can see 没有它现在社会上，你可以看到
it's very important and next thing is 这是非常重要的，接下来的事情就是
this layer and what makes it interesting 这一层，就是它的有趣
I think is it's not just following all 我觉得这不只是遵循所有
of the same notes as the lead melody 相同的音符为主导旋律
it's coming in doing a sort of call in 它的未来做一个排序通话
response it's doing the call here and 响应它在这里做呼叫，
then leaving a gap for the response now 然后现在离开了响应的间隙
our third layer is actually a duplicate 我们的第三层其实是一个重复
of our lead just the octave underneath 我们只是铅的倍频下方
and it's doing the response as opposed 和它做了回应，而不是
to the call from the pluck when you hear 从当你听到摘去通话
them all together it sounds like this so 他们都一起听起来像这样如此
as you can see it's a call a response a 你可以看到这是一个呼叫的响应
call a response and then on the third 呼叫的响应，并且然后在第三
one to keep things interesting they join 一个让事情变得有趣他们加入
each other in unison here now the fourth 对方齐声这里现在是第四
layer is very important because this 层是因为这个很重要
gives you all the air that we are 给你所有，我们是空气
talking about it's pretty much a super 说起这几乎是一个超
solid lead 固体铅
and if you listen to these three 如果你听这三个
it really needs support in the high 它真正需要支持的高
frequencies and elements like white 频率和类似的白色元件
noise will make your ear pay attention 噪音会使你的耳朵注意
to the other instruments that they're in 到他们所在的其他文书
rhythm with like in this case our lead 节奏像在这种情况下，我们的领先优势
synth so here it is without and here it 合成器所以这里是没有和这里
is with the fourth layer 与第四层
a lot stronger one of the interesting 强了不少有趣的一个
things to note about this lead is that 这里需要注意这个领导是
we have a lot of volume automation as 我们有很多的体积自动化作为
you can see here and if you notice it's 你可以在这里看到，如果你注意到它的
actually not doing the volume automation 其实不是在做卷自动化
over the notes it's doing it afterwards 在笔记它后来做
in the space where the reverb tail is it 在该空间中，其中所述混响尾巴是它
creates this effect of ramping up the 创建斜升的这种效果
reverb tail and making it sort of a 混响尾音并使其排序的
suction as we go into the next bar so I 作为吸引我们进入 下一个栏，所以我
encourage you guys to keep your melody 鼓励你们保持你的旋律
simple and allow for space and if you 简单并允许空间，而且如果
need to fill things up you can use 需要填写的东西了，你可以使用
tricks like this one with the reverb now 招数这样一个与 现在混响
the last thing that I've added is this 我已经添加的最后一件事是这样的
group of strings I encourage you guys to 串组我鼓励你们到
use real instruments contact instruments 用真实乐器接触乐器
or sampler instruments to just keep 或采样仪器只保留
things interesting and less synthy the 有趣的事情， 少synthy的
next thing that we're going to look at 那我们要看看接下来的事情
is our top drums first we have white 是我们的首要鼓首先我们有白
noise it really opens up the first few 噪音真的打开了前几
beats of the drop you notice that we 下降的节拍，你注意到我们
have a little bit of side chain going on 有侧链的一点点 事
but not too much because you really want 但不能太多，因为你真的想
it to crash right when you drop hits so 它，当你放下命中因此崩溃权
listen the next thing that we have going 听，我们会在接下来的事情
on supports the end of the melody and 上支持旋律的端部和
that is the cymbals and the reverse 即钹和反向
crash 紧急
now you'll notice I have the same crash 现在你会发现我有同样的崩溃
sample used in two different slots in 在两个不同的时隙中使用在样品
this drum machine and I've panned one a 这个鼓机，我已经平移一个
little bit to the left and one a little 点点左边，一个一点点
bit to the right and that way it doesn't 位到右侧，它不是这样的
sound to the ear like it's the exact 声不绝于耳喜欢它的确切
same thing happening four times in a row 同样的事情连续发生四次
listen and this reverse crash here just 听这里只是这种反向崩溃
glues everything together and brings you 一起胶合一切，给你带来
back as the loop comes to an end next 早在循环即将结束下一个
we're going to look at the clap you're 我们要看看你是拍
going to notice that it really 要真正发现它
reinforces the rhythm of our main melody 巩固了我们主旋律的节奏
all of your instruments really should 所有仪器的真的应该
conspire to drive home the rhythm of 合谋开车回家的节奏
your melody of course the clap isn't 你当然旋律拍手不
going to follow the pitch of your melody 要按照你的旋律的音调
but at least it can follow the rhythm of 但它至少可以跟随节奏
it and really make the listener 它真正使听者
understand the whole vibe of your drop 了解您的下降的整体氛围
everything in your mix you to have a 一切都在你的组合，你有一个
purpose and it really will be most 目的和它真的将是最
powerful if they're all on the same page 强大的，如果他们都在同一页上
about what notes are trying to hit and 什么票据都试图打和
what rhythm so if we turn on the rhythm 所以，如果我们打开 的节奏律动什么
guide you can see our clap here is 指导你可以在这里看到是我们拍
really reinforcing the melody 真正加强旋律
finally we're going to look at these 最后，我们要看看这些
effects vocals that I have 影响人声，我有
so as you can see they do a great job of 所以你可以看到他们做了了不起的 工作
adding tension in making the momentum 在使动量增加张力
feel constantly on the up-and-up 经常感到向上 和向上
so now let's do a little bit of analysis 所以现在让我们做分析的一点点
as to why this drop works really it 至于为什么这种下降的作品真的是
comes down to a combination of cemetery 归结到墓地的组合
and movement cemetery really just means 和运动墓地真的只是手段
that some aspects of your melody is 你的旋律的某些方面是
repeating if you change the notes but 重复如果你改变了笔记，但
the rhythm is the same you might call 节奏是 你可以调用相同
that cemetery and when I say movement 该墓地当我说运动
I'm referring to aspects that haven't 我指的是没有问题
been repeated now if we take a look at 重复了现在，如果我们看一看
the bass really the trick here is these 低音真的在这里，关键是这些
two powerful stabs at the beginning and 在开始两个强大的刺和
it happens on the first bar it also 它发生的第一条还对
happens in the second bar and the third 发生在第二杆和所述第三
bar that's why I've labeled them a a an 酒吧，这就是为什么我已经标记他们的AA
a because although the notes change and 一个因为虽然笔记改变，
they bring about new emotion 他们带来新的情感
rhythmically they are almost entirely 节奏，他们几乎 完全
symmetrical those first two stabs really 对称的前两个真的刺
serve as an anchor for your listener 作为您的听众锚
and finally we have B and this is really 最后，我们有B和这真是
important because four repetitions are 重要的，因为四次重复是
the same thing in a row really borders 在一排同样的事情真的接壤
on being uninteresting so we give the 上是无趣的，所以我们给
listener something that is a deviation 听众的东西，是一种偏离
and it really makes a listener want to 它真的使听者想
go back home you could say or back to 回到家里，你可以说还是回
the main rhythm now let's take a look at 主旋律现在让我们来看看
the melody it also shares a lot of 它也分享了很多的旋律
symmetry now what you'll notice and what 对称现在你会发现什么
I'm really trying to impart on you guys 我真的想传授你们
is the similarities that exist between 是，之间存在的相似性
these sections each evoking a new 这些部分的每个唤起新
emotion but for the most part focusing 情绪但是大部分重点
on different orientations of the same 在相同的不同取向
three notes a sharp C and C sharp and 三个音符尖锐C和C尖锐和
the rhythm is perhaps even more 节奏或许更
symmetrical experiencing only small 对称的经历只是小
evolutions in each section take a for 在每个部分中的演进采取用于
example its distinguishing feature is 例如它的显着特点是
that it has two stabs on the first two 这对 第一二两个刺
kicks similar to the bass line and when 踢类似于贝斯 线，并且当
our melody our base and our kick all 我们的曲调我们的基础，我们的所有踢
match up like that it creates for an 匹配一样，它创造了一个
extremely powerful sound as can be heard 极其强大的声音可以听到
in tracks like tremor now the second 在样震颤轨道现在第二
section and the third section the 部分和第三部分中的
rhythmically identical giving you a 节奏相同的给你
strong symmetrical pair at the center of 强对对称的中心处
your four sections with one extra note 你的四个部分有一个额外的注意事项
in the third creating a subtle evolution 在第三营造微妙的进化
finally just like in the bass we have a 最后就像在低音我们有一个
deviation on C and that deviation is 第C偏差和偏差是
really what makes you want the whole 真的是让你想整
loop to start back over again and keeps 循环开始背了一遍，并保持
it from being boring so I hope this 它是无聊，所以我希望这
helps and all the best 帮助和所有最好的