欢迎您参加9级大学预科课程的预科课程，我们将 welcome to class nine uh phd advance and we're going to
正在研究解决色彩管理与华硕与 be looking at resolve color managed versus asus versus
在达芬奇yrgb工作 working in da vinci yrgb
所以不同的是，如果您在我们通常所在的地方工作 so the difference is is that if you are working in where we normally
工作，大多数人可能从事的工作是 work and what most people probably work in is that
davinci y rgb是显示参考，表示 davinci y rgb is display referred which means
无论相机拍摄了什么，我们都在监视器上看 whatever the camera was shot in we look at it on the monitor
而且我们让它看起来不错我们对任何颜色都没有影响 and we make it look good we have no influence in terms of any color
我们从布景到分级使用的管理方式 management that we utilize from the set to the grading we do that
我们自己，所以我们用一个荡妇，我们会得到一个小时的荡妇，所以在你 ourselves so we use a lut we'd go and get an houry lut so in your
运气好的话，您会像我们以前一样去这里，然后您将 luck views you would go here like we did before and you would put
把它放进去，然后放进去 that into there and that puts that into uh
709我们在709工作，因为那是 709 we're working in 709 here because that's
我们的显示器哦，我们去拍这样的照片 our monitor oh we go to a shot like this
然后开始对其评分，所以我们可以添加对比度，并且需要 and we start to grade it so we go okay we need to add contrast and we need to
知道那是什么相机，如果是原始相机，我们进入原始设置，然后执行 know what camera that is and if it's raw we go into our raw settings and we do
通过查看颜色管理也是如此 the same by looking at the color management and
改变色彩空间和我们的工作，这很好，这是一种很好的方法 changing the color space and what we do and that's fine and that's a fine way of
工作，但是有很多手册 working but there's quite a lot of manual
您必须在那里做的事情以及何时去做 things you have to do there and when you're
匹配很多不同的相机，有很多东西 matching lots of different cameras there's a lot of things that are
稍微多一些，但我想，我们知道 slightly more variable but i suppose and we know that
荡妇也可以修剪，所以我们知道有时候这可能是个问题 luts can clip as well so we know that sometimes that can be a problem
那么解决颜色匹配和华硕 so what the resolve color match and asus
尝试做的是使事情更加标准化 try to do is to standardize things more
所以如果我们先看解析颜色匹配 so if we look at the resolve color match first
现在大概已经三四年了 this has been around probably three or four years now
这对编辑也很重要，所以如果您去达芬奇·埃尔格（davinci yrgb）， and it's great for editorial as well so if you go to davinci yrgb
在“颜色管理器”标签中管理颜色，然后您就可以设置 color managed in the color manager tab you then have the ability to set an
输入色彩空间，现在我不在这里做 input color space now i'm not going to do that here
因为我有很多随机输入颜色管理 because i've got lots of random input colors management
你知道从arri到red到exr，所以我要离开，我们要去 you know from arri to red to an exr so i'm going to leave that we're going
保留建议709中的时间线颜色空间，这意味着 to leave that timeline color space in rec 709 that means how
是您的轨迹球，您的色彩校正器会感觉如何 is your track balls and how is your color corrector going to feel
现在您可以拥有时间轴颜色空间 now you could have your timeline color space
在工作中，您知道您可能喜欢控件或感觉在日志c中 working in you know you might like the controls or the feel that it is in log c
大多数人会留意709.2.4中的内容，但您的输出 most people would leave that in 709.2.4 is what they're used to but your output
颜色空间可能会有所不同，因此您可以将其更改为dci空间 color space could be different so you could change that to a dci space
或者，如果您要在HDR中进行分级，则您的时间轴可能是HDR，但您的 or if you were grading in hdr your timeline could be an hdr but your
输出可能是709，这就是为什么要使用这些 output could be 709 and that's why you have these
时间轴输出色调映射可以缓解伽玛的变化 uh timeline output tone maps to ease that change of gamma
和伽玛映射，所以您也可以在此处找到它 and gamma mapping so you've got that here as well
因此，您可以通过打开这些按钮来做的是 so what you can do by turning those on is that you can
更改，您会看到那里有一个红色以及ipp2伽玛映射 change you see there's a red one in there as well ipp2 gamma mapping
这样您就拥有了柔和的音调并突出显示了与 and so you've got a soft tone and highlight roll off the same as what
您也已经进入这里，所以让我们打开那个看看 you've got in here as well so let's just turn that one on to see
当我们在其中放一个红色剪辑时，它如何工作，所以我将其留在709中，我将 how that works when we get a red clip in there so i'll leave that in 709 i'll
留下那个不保存 leave that one to none save that
现在它将要做什么，现在将要求我们 and what it will now do it will now ask us to
输入了输入设备的变换，换句话说，我们需要知道它是 input a input device transform so in other words we need to know was it
如果是索尼或红色原木胶卷或bmd胶卷，则记录在原木3中 shot in it's log 3 if it's sony or red log film or bmd film
以及相当不错的社论，因为您可以进入媒体库 and the editorial that can be quite good because you can go to your media pool
您可以列出所有剪辑说都是alexa and you can list all your clips say it was all alexa
您只需列出所有这样的alexa剪辑即可 you would just list all your alexa clips like that
右键单击，然后通过说出输入颜色空间将它们一起完成 right click and then do them all together by saying input color space
转换alexa，它会突然使您所有 transform alexa and it will suddenly make all your
alexas看起来像709。您不必担心 alexas look like 709. you don't have to worry
关于编辑的荡妇，他们不必评分 about luts for an editor they don't have to grade
很好，他们不必做任何事情，这很容易 it's great they don't have to do anything it's easy
但您也可以在彩色页面中执行此操作，因此我可以在此处选择此剪辑 but you can also do that in the color page so i can select this clip here
它不是原始的，它是prores，我可以右键单击它并说 it's not raw it's prores and i can right click on it and say
关于中间输入颜色空间，我知道这是对数c about in the middle input color space and i know this is log c
在那里看起来非常不错，让我们把示波器放在那里 there so that's pretty much looks quite good let's put my scopes out there
为你那样 for you like that
马上就很好了，所以如果我们这样做 pretty good straight off the bat so if we do this
放大一点，我也会把示波器放在这里 make that slightly bigger and i'll put my scopes up here as well
这样，我们也可以删除我的时间表 like that and we can also just remove my timeline
现在有h.264好了，还有什么 there now h.264 okay that's coming in and what that
应该让我们看看检测到的是 should do let's see what it's detected it's
检测到它将处于旁路状态，这表示它是rec 709 2.4，所以它知道 detected it would be in bypass it's saying it's rec 709 2.4 so it knows
那很好，这是可行的 that that's good it's worked that out this is
dng好的，所以我去那里等等 dng okay so i'll go there and so
那里没有，所以这是不可思议的 there is no on there so that is blackmagic
影片三，这是一个迷你那个 uh video three this was uh some mini that one there
我们还有什么，我们又有了哈利 what else have we got we've got harry again
同样非常原始的东西，我们可以告诉它它想成为log c same thing this very raw into there and we can tell it it wants to be log c
现在是个好起点现在呢 now good starting point now what about this
exr clip现在该怎么办呢 exr clip what can we do with this now it looks incredibly
对比，进入这里看起来 contrasty and coming in here it looks
嗯，几乎您知道曝光过度了，我们将看看 uh almost you know overexposed and we'll see where there's any detail in the
在外面，我可以调高中音 outside there i can lift up the mid tones
降低亮点正在下降，这是xr bring down the highlights are coming back down this is the xr
所以这就是为什么这个片段范围如此之大 so that's why there's so much range in this clip
在那我可以找回那个窗外的细节 and there i can get the detail back which is outside of that window
很好，但这是xr，所以不一定有 which is pretty good but this is the xr so this doesn't necessarily have an
输入设备转换，因此它只是在 input device transform so it's just on the
绕过的项目，因为它不是相机拍摄的 project which is bypass because it's not a camera that shoots an
exr，所以这已经在后期处理中了 exr so this has been in a post uh process
其他地方，所以要么放在一起， somewhere else so this has either been put together and
他们给了我XR，因为它是16位的，这就是为什么我无法带来那么多 they've given me xr because it's 16 bit that's why i'm unable to bring as much
尽我所能详细介绍这真是太好了 detail down as i can in there which is really nice
那这个家伙呢，这是一个非常饱和的剪辑 what about this guy now this is a very saturated clip
现在这将是一个红色镜头，所以让我们进入这里，让我们选择 now this would be a red shot so let's go in here and let's select
我们到这里来了龙的颜色我们去了 what we got here dragon color there we go
现在解决颜色管理的优势 now the advantage of resolve color managed
是您可以像平时一样使用自己的臀部 is that you can use your luts as you normally would
您可以像平常一样进行评分，感觉几乎一样 and you can grade as you normally would and it feels pretty much the same
因为它可以在rec 709中使用，所以一切的感觉都像是 because it you can have it in rec 709 so everything sort of feels like you're
过去 used to
嗯，另一个好处是，一旦您为程序着色并 um and the other advantage is obviously once you have colored your program and
说您在um rec 709中，然后您想去 say you're in um rec 709 and you then want to go to
另一个颜色空间，那么转换就更容易了，因为 another color space then that's an easier transform because
你有那些小的色调映射滑块，你可以 you've got those little tone mapping sliders that you can
利用，如果我们要这样做 utilize so if we were to do this
然后我们要做的是，您还可以 and then we were to do this and what you can also
如果我像这样把它拉到那边，那就做得很好 do as well if i just pull that down there like this
您可以对这些进行相同的评分，设置完成后， you can grade these just the same as you would so once you've set
这些，你知道这些，这是唯一的轻微缺点 these and you know these so that's the only slight drawback
是你必须去那里，你必须记住或者你必须 is that you've got to go there and you've got to remember or you've got to
知道这些是什么，所以这会是红色的 know what these are so this would be a red so
那不是龙，而是我们要去的地方 that isn't a dragon uh it's going to be that there we go
所以就设置而言，这很容易 so in terms of setup then that's pretty easy
而且您可以不用考虑对比度就可以进行调整 and that you can go in and adjust this without having to think about contrast
和荡妇，那种东西现在和那之间的区别 and luts and that sort of thing now the difference between that and the
华硕正在做很多类似的事情 asus which is which is doing a lot of similar thing
人们说哦，你知道你会用什么 and people say oh you know what would you use
我想说的就是你所知道的任何区别 the difference i'd say like anything you know
尝试一下，让我们拥有相同的剪辑片段 try it so we have the same bunch of clips
让我们把那个家伙移开吧，让我们进来 and let's move that guy over let's come in here
我们将选择“而不是对颜色进行管理” and instead of being y ig color managed we'll select
华硕的CCT现在的CCT是 asus cct now cct is the
大多数颜色都会使用它的感觉只是一点点 one that most colors will use it just feels a little bit more
配色师友好，他们在黑色细节上进行了一些调整 colorist friendly and they made some adjustments in black detail
和阴影细节，所以我建议使用那个和最新的 and shadow detail so i'd recommend using that one and the latest
华硕的颜色版本是1.3现在我们在这里看到它都是灰色的 asus color version is 1.3 now here that we see this is all grayed
出来，但是你有一个类似的东西，你有一个 out but you have a similar thing where you have an
华硕的输入设备转换称为 input device transform for asus known as an
idt并且您也有一个odt，所以这就是您所在的位置 idt and you have an odt as well so that is where you're
出门去可能很明显呃 going out to which could be obviously uh
可能是您正在制作dc dm或正在制作dcp it could be you're making a dc dm or you're making dcp
所以你想要xyz在这种情况下，你的显示器 so you want xyz in which case your monitor
否则您的投影机必须在该色彩空间中才能正常工作，但是如果 or your projector would have to be in that color space for this to work but if
你做到了，那么你可以直接从 you did then you could grade straight from
输出转换在那里，所以我们要离开这个 output transform there so we're going to leave this
再次在709，所以我们可以在这些监视器上看到我们的结果 at 709 again so we can see our results on these monitors
再一次，我不会在这里选择输入设备转换 and again i'm not going to select an input device transform here
所以我要离开了，因为我们有各种各样的剪辑 so i'm going to leave that because we've got a variety of clips
而我要去保存 and i'm going to hit save
马上就可以在华硕这里看到，这张照片看起来好多了 straight away you can see here in asus that this shot looks quite a lot better
从这里的阴影开始 to start with certainly in the shadows here
这个华硕的工作动态范围非常广， this asus is working in an incredibly wide dynamic range and
纬度，这样的色彩空间就好像真的是面向未来的，然后通常 latitude so color space it's like really really future proofed and then normally
我们正在做的所有事情都在该色彩空间内 everything we're doing is inside that color space
所以它非常宽，因此看起来非常好，现在可以将其适合记录 so it's very wide hence this looks very good and it's fitting this now into rec
709但我可以拉一下让我看看是否可以 709 but can i just pull let's see if i can
把细节拉下来我正在把增益拉下来 pull the detail down i'm pulling the gain down on the
跟踪球，而我们正在重新获取细节 trackballs and we are getting detail back down inside there
但我想我们也会保持更好的细节和色彩 but we're also maintaining better detail and color on her i think
在这一个很好的 in this one which is good
现在，当您获得这些剪辑时，请尝试使用普通的da vinci y rgb there now when you get these clips try that in normal da vinci y rgb
在将它带入ace或rcm之前，请尝试一下，看看现在是否要去这里 before you bring it into aces or rcm try that and see now if i go to here
我只是点击，我没有选择任何lut或任何东西 i've just clicked on that i haven't had to select any lut or anything
因为来自哈里·华硕的sdk um because the sdk um from harry asus
从此剪辑的元数据知道这是正确的 knows what this is right from the metadata of this clip
所以它知道现在可以了，知道那是红色的 so it knows what that is okay now that knows that that was red
空格红色空间并显示它 space red space and displays it so
所以我们仍然可以将它分级为一个，这样当您转到 so we can still grade that one this one it will know so when you go to
在这里，你走了，哦，我不认为那是正确的色彩空间 here and you go oh i don't think that's the right color space
您不能在那里更改它，因为它已被锁定 you can't change that there because that's locked out
因为它正在尝试制作所有这些图像 because it's trying to make all of these images
如果您想简化分级的开始，可以将其大致放入同一空间 roughly into the same space if you like to ease the starting of the grading so
你不能去改变它，但是如果你去这里，你去了 you can't go and change it but if you go here and you go to this
现在拍摄，这看起来有点奇怪好吗 shot now this looks a little bit strange okay
我对此没有做任何事情，为什么现在看起来像那样 i haven't done anything to this and why does it look like that now the
原因是，在华硕，默认情况下是 reason for this is that in asus it's defaulted to project which
是709，我需要告诉它，这是alexa was 709 i need to tell it that this was alexa
如果我去alexa，它会再次使这个变得奇怪 if i go to alexa it does that this one again strange this
是REC 709，如果您看到这些摄像头，它们就必须存在 is rec 709 and it needs to be there if you see these camera ones these mean
这些意味着较旧的类型的华硕转换是在 legacy these mean older type asus transforms that are in
在那里，让我们转到709，再用原始格式再好一次 there so let's go to 709 it's good again dng it's raw format
因此，如果您现在可以开始评分，它知道现在还可以 so it knows what it is okay now if you um can now start grading
人们已经报告了您感觉不到的细胞颜色 and people have reported and color of cell you know it doesn't feel
就像我记得的那样，特别是如果您使用的是轨迹球 quite as i remember especially if you're using track balls
轨迹球在这里感觉很热闹 and the tracks balls feels quite lively here
现在我在Ace做工作可能感觉确实不一样 and it might it does feel different now i do jobs in aces
我在RCM工作，在da vinci y rgb工作，这实际上取决于什么 i do jobs in rcm i do jobs in da vinci y rgb it just really depends on what
如果您在使用vfx的管道中，那您就在做 you're doing if you're in a pipeline with vfx
而且您知道自己有很多伴奏，而且您在演戏中 and you know you've got lots of comps and you're in an exr
工作流程，以便您可以在整个帖子中保留所有动态范围 workflow so you can keep all your dynamic range through the whole post
进行配置过程，这确实是有道理的 profile process then it really does make sense
但是显然，与exrs一起，您将需要做很多工作 but obviously with exrs you're going to be working with much
大 bigger
如果您需要大量存储空间来移动 if you like lots of storage to move around
这也确实取决于您的工作流程中的明确利益 it really depends in your workflows definite benefits as well
如果我们去做这样的事情，人们可能会报告说 if we go to something like this people might report that
是的，镜头看起来不错，但是如果您看一下这里的范围 yeah the shot looks good but if you look at the scopes here
您可以看到我们的绿色通道现在已经稍微消失了 you can see that our green channel has slightly disappeared now
华硕有一点点问题，因为它必须要映射 there is a slight thing with asus because it's having to map
如此宽广的色彩空间并将其全部降低到799， such a wide color space and bring it all down it's a 799 where
我们正在工作，有时情况会稍微出错 we're working sometimes things will slightly go wrong
霓虹色可能是个问题，所以它们 and neon colors can be a problem so they
会给你的，你可以在这里下载很多，我不得不把它们放到我的 will give you and you can download a lot here which i've had to put into my
lut文件夹是达芬奇 lut folder it is a da vinci
呃，CTL，那里有一个LMT学院的固定灯，把它放进去 uh ctl and there's an lmt academy fixed lights there put that in
然后我可以告诉这个剪辑华硕处理好运处理模式 and then i can tell just this clip for asus processing luck processing mode
不是项目，我可以去华硕线性，然后解决这个问题，那就是 not project i can go to asus linear and then that fixes that so that's
几乎像一个小修复，您有时会在这些上看到它 almost like a little fix and you do see this sometimes on these
确实很强的片段，有时会发生什么 really strong clips and sometimes what happens
您可能会看到绿色通道和人们 you might see that that green channel and people
说哦，我不太喜欢，我不太喜欢 say oh i don't quite like i don't quite like that
现在在对剪辑进行分级时，它的行为会更加正常 and now this behaves a little bit more normally when grading this clip
显然，我建议您设置轨迹球 obviously i would recommend setting up your track balls
并在您进入华硕时进行调整， and adjusting that when you're in asus now when you've gone through and you've
对所有这些进行了评分，您确实可以选择进入此处， graded all of this you do have your option of going in here and
说好吧，现在我已经在那打分了，我很满意 saying right okay now i've graded it there i'm happy with
我要改变我的输出变换 it i'm going to change my output transform
并将其渲染为其他图像，或者如果您已经在投影仪上进行了分级，或者 and render that to something else or if you've graded on your projector or
您的显示器在您的p3中，并且您已经完成了 your monitor is in your p3 and you've made your
数字电影版本明显更宽 digital cinema version which is obviously wider
您可以将其设置为709，但我仍然建议您可能会看一下 you can then turn it to 709 but i would still recommend you probably would look
在它上做一个修剪通行证来做它们，而不是仅仅依靠放置 at it and do a trim pass to do them and not rely on just putting
进入709并进行渲染，总是最好修剪，因为有 into 709 and letting it go to render it's always best to trim because there's
总是会有一些细微的差异，您将要这样做 always going to be slight differences that you're going to want to do so
那是华硕的优势，我相当 that's uh that's the advantage of asus and i quite
喜欢它的原因是您要从中取出更多的变量 like it in that you is taking more of that variable out of
对，我们必须增加对比度和透视度，我们是否经常使用和 right we've got to add contrast and pivot and do we use a lot or not and
有些有荡妇，有些则没有，这是更自然的，那就是 some have luts and some don't so in a way it's more natural and that's
为什么要开发它，而DPS确实是它的忠实拥护者， why it's been developed and the dps are really big fans of it and the guys in
在我们开始努力时，各州仍在真正地推动它 the states are still really pushing it as we're starting to
如果您想了解更多有关此方面的信息，请立即在澳大利亚这里进行 do here in australia now if you want more information on this
有华硕中央这是社区论坛，还有 there is asus central which is the community forum and there's
那里有一些非常好的论文，但没有一些好的问题 some really good papers in there some good questions it doesn't
变得太怪异了，显然要多一些 get too geeky um obviously it's a bit more
参与比呃，但我们在谈论更高端 involved than uh but we're talking in the higher end of
事情，还有比我在这里告诉你的更多的负担 things and there's a load more than what i've told you here
但是尝试一下，我对人们说不必选择A就开枪，只需要找一份工作就可以了。 but try it i say to people doesn't have to be shot in aces just pick a job
尝试华硕，如果您要完成709，就可以了，您会喜欢上一些东西 try in asus if you're finishing 709 you're fine there's things you're like
有些事情您可能不喜欢，但是每次您工作时 there's things you might not like but every time you do a job
您将学到一些东西，然后您将获得收益，然后 you're going to learn something and you're going to get benefits and then
您可以跳到论坛上，并且可以学到更多，但是 you can jump onto the forum and you can learn a little bit more but
这是一个很好的发展，并且向前迈进了 it's a good development and going forward it is
面向未来的感谢，如果您热衷于华硕或解决色彩管理问题，那么我 future-proofed thanks if you are keen on asus or resolve color managed then i
真的敦促您看一下looks类，looks类是在版本14上 really urge you to look at the looks class looks class is on version 14
但实际上，这全都与评分有关，我对评分的想法也涉及 but really it's all about grading and my thoughts on grading and there's about
现在有七个或八个不同的序列 seven or eight different sequences in there now this
现场就能看到的场景有四个摄像头，还有一个alexa scene you can get if you do the looks there's four cameras there's an alexa
有一个ursa mini，有一个gopro，还有一个索尼 there's an ursa mini there's a gopro and there's a sony
索尼拍摄的几张照片非常适合华硕，非常好的做法 couple of sony shots great for asus really good practice
镜头，因为您拥有所有这些不同 footage because you've got all these different
相机，那就是您需要练习的地方，那才是好时机 cameras and that's what you need to practice and that's where it's good when
你有不同的消息来源，华硕知道哦，我知道那是我什么 you've got different sources and asus knows oh i know what that is i
知道那是什么，所以那里有不同的序列 know what that is so there's different sequences there so um
如果您还没有，或者您的超级包装中有，并且您在考虑 if you haven't got it or if you've got it in your mega pack and you're thinking
关于在路上看它，那将是很棒的镜头 about looking at it down the road then that'll be great footage to
练习谢谢 practice on thanks