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Hey, everyone.

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So now let's get onto dynamic poses and as you can see, these have a lot of more pop references.

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The reason being is that they they have kind of a lot of images that they stop in between their dances.

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So I feel like a lot of these are really actually really useful.

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Now, some of these, of course, are also like ice skating images.

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Mostly these are people don't judge.

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But I mean, I do like it.

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It's kind of cool.

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But I find that a lot of these images and this kind of flow, they're very good at that, actually.

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So I want to share or I want to suggest that these are actually really nice resources to learn from

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as they are literally caught midway or just while they're dancing.

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So a lot of the flow comes in.

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You can choose any kind of other images that you want.

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This is just an example.

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You don't have to do these images, although every kind of dynamic flow will apply to other posts that

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are similar, like the ice skating one.

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All these have a very, very similar build up.

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Now, of course, this one is an exception, but I wanted to also give a different kind of post style

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as compared to the other ones here.

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So let's get started.

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Let's start with this one here.

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Now, these are just kind of random photos.

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I don't know which girl group girl groups they are.

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I think this one's from Google.

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But anyways, let's get started on it.

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So when it comes to, you know, we're just going to do the same thing, we're just going to do the

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same thing as we did last time.

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No, there's nothing different about it, which is the good thing.

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Second thing is that it might be a little bit boring, but I mean, in a way, it's quite methodical.

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So that's nice.

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So here I want to look for the line of action.

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I draw the head first kind of show the direction of where the head is going.

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And then I kind of draw the line of action.

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Now she's kind of standing almost kind of like a tree in a way.

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I wouldn't say tree, but she has this kind of curved look and she's planted right onto the floor.

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So I feel like that's also a really good stance.

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It gives a nice even distribution of weight, but it still gives a nice dynamic look because you see

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that tilt in her ribcage and her pelvis.

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So I'm just going to be drawing that real quick.

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Her pelvis is facing.

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You can see most of the breast area here is leaning more towards three quarter area.

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We have her shoulder kind of bent and we have her hip facing more towards the bottom three quarter because

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we can see the side of her leg here.

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And if you want to push the if you want, you can even push the kind of proportions, you can even make

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it more curved for exaggeration.

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But for now, let's just go with it.

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And then we have another sort of bent.

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And a foot that is kind of on the balls of her feet and this one's more straightforward, so it's like

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this leg here.

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This leg has the weight and this leg is sort of a little bit loose.

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So now we can go ahead and just refine it.

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So let's get started.

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I'm just going to erase most of this enough that we can see, but not enough that it can really hinder

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or drawing.

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So once again, I'm going to redraw her head.

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Her head looks like it's more three-quarter.

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Looks more like that instead, I'm going to change the angle of the head by just making sure that this

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cheek area is more defined and this is more towards the ears towards this way.

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Her neck is leaning against this direction, more outward trapezius kind of flows down and I have her

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shoulder.

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More pushed up.

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We can see that the elbow is kind of more relaxed as we trace it down all the way to the hip, and then

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we can draw in her hand here, just very simply, do the same thing on the other side.

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In this case, with your ribcage, her breast area, follow the direction of where it's going.

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You always want to fold the gesture of your body so it doesn't get lost.

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Notice that there's this nice abdominal area and I'm actually going to have to move the pelvis up a

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little bit because her obliques are kind of higher dosages of the pants, but looks more like this.

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So notice how there's also this kind of nice twist in her, which is kind of nice bending back of her

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waist area because it's arched up, you want to show that?

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Can extend the arm.

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Bend it, this is in front of the foot of the elbow, actually looks a little bit long, but we'll fix

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it later.

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And then we have her hand kind of reaching back towards the back of her head.

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We have a thumb in this area here and then the rest of the fingers are covered.

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So this can be a short symbolization.

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Symbolism for now was just bring this just a little bit closer so it's not too long and then we can

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adjust.

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Her hips are actually a little bit more curvy.

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So I'm going to draw her buttocks in this area here, kind of pushed out because this is the side of

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the leg, I'm going to push this down more and the kneecap actually ends a little bit shorter.

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So I'm just going to draw over that and correct it that way that we have her calf.

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And then we have her.

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Foot planted on the ground.

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The other like.

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We want to draw this side of the inner part of the leg going outward, and I want this going more straight

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just to give it some nice dynamic or more like firm, feel a little bit covered, but I can see that

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the front is this way and the back a little bit more towards the back of the.

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But yeah.

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So that is our main pose.

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Going to of course, correct it for any.

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The head looks a little bit small, so I'm just going to enlarge it.

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I always make my head's just a little bit too small sometimes.

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Come on.

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I think that should be.

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Oh no, that's not what I want and that's a little bit too big.

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I think this should be fine.

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This looks about right.

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So I'm going to duplicate this.

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And I'm going to refine and put some clothes on her, so let's start off with drawing the face.

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Let's erase most of this because it looks like she has the majority of her clothes.

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Looks like it's around her arms and around her pants area here as well as her shoes.

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So let's erase most of this, except for probably the waist area, although I did erase that anyways.

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I can just always redraw it.

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Let's start off with her face.

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Her face looks like it's going more forward and I can draw the nose facing towards us more.

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Then her lips are a little bit puffy, so to speak, so to really capture that.

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Then make her lips more straight.

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And then have it curled at the end and draw the outline of her lips, and then I'm going to shoot it

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in real roughly.

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So that kind of gives her nice and puffy lips, I kind of shave it back if I want to, but I just eat

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clearly embracing it, making the upper lip a little bit smaller so it still looks puffy, just the

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bottom lip is more centralized, accentuated or whatever.

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And she has kind of like sleepy kind of eyes.

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So I'm going to make her eyes a little bit thinner and kind of droopy and also kind of small.

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It depends on the personality or the look that she's given.

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So this is kind of more of a very sultry kind of look.

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Do the same thing on the other side.

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Even a little bit of shading towards the other side, just to give us some more like sexy look, one

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more sultry look, and she's kind of looking down.

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So I would kind of fill in.

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But a good ratio, about like 60 40 around there, and our eyes look a little bit weird without eyebrows.

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Let's add some and there are some extra eyelashes.

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So her eyebrows are looking a little bit bald.

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She also looks Latino, but she's not.

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So I'm just going to draw the eyebrows right over the bridge.

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And therefore, look, looks pretty nice, and I can always alter some areas like the head looks a little

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bit Jenky, so I'm going to do I'm going to just smooth it out a little bit more and move the lips just

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a little bit more to the right.

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This is her.

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Right.

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So that's what I see.

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Right.

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So it looks more like in the middle sent more centered.

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I'm also just going to fix.

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The head shape just a little bit, so it's more correct looking.

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Now for the hair, she has very, very loose bangs, almost kind of wiry looking bangs, and it quite

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fits her actually.

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So I'm just going to be drawing some nice thin lines that just show.

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The characteristic of her bangs, and I'm not going to do this all like I'm just only going to do at

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the beginning because it really specifically calls for it.

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And then what I'm going to do afterwards, I'm just going to draw on the base of her hair.

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Her hair is very, very permed looking.

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So I'm just going to be drawing in very, very messily, kind of just casually.

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But how that goes over the head.

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So notice that going over the scalp, I'm not making it stick to the scalp and also adding that hairline,

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but I'm not going to add as many details to the rest of the hair, mainly because it's too long.

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But it's just better to indicate rather than to just draw the whole thing.

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I'm also going to add hair on the side, but notice, I'm just kind of reserving detail along the bang

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area because that has nice some nice contrast.

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So notice that most of the detail comes from the sides, the back can kind of work itself out, not

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for her clothes.

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We have a jacket that's almost kind of like Midway and it's kind of thick, so we want to draw it over.

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So it looks like it's half worn.

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This is the back of the jacket.

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I don't know how it works, really tugs at the back of the jacket, you have this collar here and we

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have the front of the jacket kind of folded in and we separate that into one shape.

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It's kind of confusing to look at.

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And then her sleeves are actually thicker than her arm.

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So I'm just going to be drawing the folds over on top and making sure that the sleeves are not sticking

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to the arm very much.

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They're actually a lot more droopy and a lot bigger.

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So that's what I'm going to do.

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I'm just going to draw over.

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Her arm make the slips thick.

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And a hides most of her arm.

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But notice the forwards going around, it's kind of like a mix of a half like fold, which is towards

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the bent arm.

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And I kind of like some zigzag folds and that curls down towards the end.

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We can draw the same line in the middle just to give us a nice context on what this material is.

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And that is one side of the jacket.

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It looks like she has some nice wrinkles going from the arm just to show some movement or kind of just

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something in front of the arm here in front of the ribcage, just necklace with which we can just draw

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very, very loosely.

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Then we have the other side of her jacket.

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This one's a little bit more clipped because I see the collar, it looks like a crop jacket.

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So this is the cropped part of the jacket where it wraps around her chest area and then the sleeve goes

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quite thick and then we see that half block folds and make sure that they're actually a lot more scarce

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because this is a hard material.

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So harder materials just show that is just not as many folds.

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And that's that's a good indicator of how to how, you know, thick and thin cloth works.

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And this kind of jacket covers the whole.

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Covers a whole hand here and just to seem like going down as well and following the folds as well,

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so I noticed that my sea mine is going over the folds and therefore making a little bit more earthy.

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And now we have her breast area, which I will darken because it's in front and as she has cut a bra

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like outfit.

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And she has a strap underneath her breast, so that gives a nice, warm indication.

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So I'm going to drop the double layer and shade the sun.

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And if you can even add the patterns, you know, you can just draw them really, really roughly.

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Looks almost like a cheetah or a leopard, think it's a cheetah, some small, some big, some medium,

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make sure they're not all the same size.

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If you're doing patterns, make sure you have a big, medium and small, like a big and small and then

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medium to have a nice balance.

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So it doesn't look to even that's how I would do patterns.

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And then we have denim jeans.

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So let's draw in the rib cage here or not.

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The rib cage, the abdominal area here.

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It looks like that the arm is shielding the rest of the body here, so I'm just going to actually stick

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in this area.

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And I can draw a center line just to show the emotion.

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They can draw the belt or the waistband around her denim, denim or jeans, very thick jeans, and I

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can draw the main shape on top.

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And unfortunately, we don't really see a lot of the curves.

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But, you know, it's going to whatever.

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That's kind of how the style is.

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And notice how the.

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This edge here is connected way to the edge of the foot and hooks around and gets very loose towards

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the end, that kind of gives a nice motion on where the foot ends at.

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The foot is at the edge here.

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That means your leg, her leg is towards the edge.

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And I want to add a little bit of a bent motion just to show that this leg is bent on the fourth.

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Also indicate that.

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I don't want to saturate this legging with too many folds, so I'm just going to add some more pockets

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and seam lines and also some nice little stitching pattern just to give it some nice.

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It's nice texture, so here we have the rest of the hand, which is kind of curled up into a fist,

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and then we have a little bit of a seam one going in here.

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So notice that the stitches kind of make this nice, nice texture for the denim.

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Same goes for the middle seen.

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So details like that can help.

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It's not the most important, the most important is the basic shapes, but it is important to tell,

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like you want to start abstractly and then add detail last, because once you added to last, then it

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becomes a lot clearer about what the image is.

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So this looks like it kind of goes over her shoes here.

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So I start with the basic shapes and then I start detailing it even more now.

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So stuff like the folds, kind of what it is, is it denim, you know, which it is.

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In fact, if it's done or how many folds does it have, what it seems like, you know, all that stuff

226
00:18:49,180 --> 00:18:51,760
to really build up the character of your clothing.

227
00:18:52,120 --> 00:18:53,830
This has a little bit of a baggy look to it.

228
00:18:53,830 --> 00:18:56,830
So I'm just going to add a little bit of a bulge for shape language.

229
00:19:02,760 --> 00:19:05,550
And this patch on top.

230
00:19:22,000 --> 00:19:29,320
I'm going to talk to the edges on the edge of the hair just for some nice contoured look, and then

231
00:19:29,320 --> 00:19:39,490
we can draw in the shoes, which are kind of like your front toe and then a box of which is the platform

232
00:19:39,490 --> 00:19:42,460
of the sneaker and drawn.

233
00:19:42,460 --> 00:19:47,290
And then that's pretty much it can just draw some laces if you want, as she looks like she's wearing

234
00:19:47,290 --> 00:19:48,040
some sneakers.

235
00:19:50,200 --> 00:19:51,070
But simplify it.

236
00:19:51,280 --> 00:19:52,270
You have to make it too hard.

237
00:19:52,920 --> 00:19:58,390
We have the sole foot going down in front is the front of the foot.

238
00:19:58,480 --> 00:20:08,890
We have the rest of the store kind of going up, envision a kind of like a circular area if that helps,

239
00:20:10,300 --> 00:20:11,680
or kind of like a football form.

240
00:20:11,980 --> 00:20:12,760
And that helps.

241
00:20:14,710 --> 00:20:16,890
So that is our first pose.

242
00:20:17,120 --> 00:20:18,970
Now let's go on to the second.

243
00:20:26,190 --> 00:20:27,190
Now, let's go for more.

244
00:20:27,210 --> 00:20:33,420
I mean, they're all mostly standing, but let's go for more of like a more standard dynamic pose,

245
00:20:33,630 --> 00:20:36,090
which is a very good example of a nice Esslin.

246
00:20:36,840 --> 00:20:41,460
This could go into the standing pose kind of section, but.

247
00:20:41,460 --> 00:20:52,260
Oh, well, so here what we have once again, it's a nice gesture line.

248
00:20:52,260 --> 00:20:53,370
So I'm going to draw the head.

249
00:20:55,590 --> 00:20:56,850
I'm going to just make a little bit bigger.

250
00:20:58,800 --> 00:21:01,800
This is all done 11 by 17 canvas, by the way.

251
00:21:02,490 --> 00:21:04,200
I think I probably mentioned that earlier.

252
00:21:04,200 --> 00:21:07,880
But for those who are curious, that's what I use.

253
00:21:09,180 --> 00:21:14,790
So here in this case, we have a really outstretched ribcage that's really high up because we see the

254
00:21:14,790 --> 00:21:16,590
breast line going way up.

255
00:21:18,180 --> 00:21:22,470
And it's also because probably her shirt makes it look like as if her chest was like really, really

256
00:21:22,470 --> 00:21:22,890
high up.

257
00:21:23,460 --> 00:21:29,040
We see this nice curve going along and her pelvis is more like Ford.

258
00:21:30,210 --> 00:21:36,240
We see a nice side to the pelvis because we can see the side here.

259
00:21:36,600 --> 00:21:44,550
If it's in front, we would just see it more like this looks more like this, that leg here, but it

260
00:21:44,550 --> 00:21:45,300
puts more on the side.

261
00:21:45,300 --> 00:21:48,600
We see it more like we see that we see the glutes at the back.

262
00:21:49,530 --> 00:21:57,240
So that's a good indication of if you can see where the sides of the pelvis boxes, then we have her

263
00:21:57,240 --> 00:22:02,880
shoulder, which is kind of a nice contrapositive look, meaning shoulders go this way, pelvis goes

264
00:22:02,880 --> 00:22:05,040
this way and gets a nice dynamic look.

265
00:22:05,640 --> 00:22:12,300
This hand, one hand is going straight down, one hand is on her hip and her hip or not in her elbow

266
00:22:12,300 --> 00:22:14,610
is in line with the end of the pelvis.

267
00:22:17,670 --> 00:22:18,840
And it looks like.

268
00:22:22,150 --> 00:22:28,330
I put the pelvis just a little bit too high, so I'm just going to lower it so I have her hand resting

269
00:22:28,330 --> 00:22:29,110
on top of it.

270
00:22:32,970 --> 00:22:41,070
And we have one straight line going down for that stance and then one resting or one, this is the weighted

271
00:22:41,070 --> 00:22:46,290
leg, and then we have our other leg going through and kind of just supporting it.

272
00:22:50,440 --> 00:22:54,650
So once we have main gesture, let's go ahead and refine it once again.

273
00:22:54,700 --> 00:22:58,360
I am just going to erase most of the stuff.

274
00:22:58,870 --> 00:23:00,610
I want to make sure their full gesture.

275
00:23:01,540 --> 00:23:04,270
But if I can fix something, then I'll fix it.

276
00:23:07,470 --> 00:23:11,520
She has a nice three quarter head.

277
00:23:15,040 --> 00:23:16,150
The ear at the back.

278
00:23:23,710 --> 00:23:30,250
And our neck is more towards the front, so it looks it doesn't look like it's going here and it's more

279
00:23:30,250 --> 00:23:41,550
towards the front and shoulders, Trapezius and her shoulders follow shortly after and her breast area.

280
00:23:41,560 --> 00:23:48,880
We can just draw the peg and then round it out, but kind of draw it in a way that's kind of like the

281
00:23:48,880 --> 00:23:50,260
bottom side it's facing up.

282
00:23:50,500 --> 00:23:55,590
So if you want, you can even draw like a line that shows the middle section of the breast area.

283
00:23:56,980 --> 00:23:58,750
But I would do something more like this.

284
00:24:02,500 --> 00:24:07,390
Just to show that this is what the form looks like from the from our view.

285
00:24:09,810 --> 00:24:11,760
Then we have a rib cage down here.

286
00:24:24,820 --> 00:24:29,290
And notice how the rib cage doesn't really change, it's the muscle that layers over on top.

287
00:24:34,770 --> 00:24:35,790
And we have the armed.

288
00:24:37,950 --> 00:24:41,520
If the forearm which goes in front of the elbow.

289
00:24:45,110 --> 00:24:50,240
And then we have the hand, we can draw one finger and the rest can be grouped together.

290
00:24:51,350 --> 00:24:51,970
That's for now.

291
00:24:53,700 --> 00:24:57,890
In fact, this actually looks a little bit stretched out, looks almost dislocated.

292
00:24:58,250 --> 00:25:02,620
So I'm going to do is I'm going to select this and I'm going to move this more inward.

293
00:25:02,870 --> 00:25:03,630
That's better.

294
00:25:04,970 --> 00:25:07,460
So now it looks more natural rather than far apart.

295
00:25:14,700 --> 00:25:16,270
Feel free to listen to some music.

296
00:25:17,220 --> 00:25:19,370
In fact, I want to put up some music right now.

297
00:25:19,380 --> 00:25:22,620
Let me think of some lo fi music.

298
00:25:23,120 --> 00:25:24,090
Oh, my

299
00:25:27,240 --> 00:25:27,650
music.

300
00:25:29,010 --> 00:25:30,250
I like that stuff because it's nice.

301
00:25:30,270 --> 00:25:36,860
It doesn't have it doesn't have much instrumentals and I can concentrate while I speak.

302
00:25:37,650 --> 00:25:39,600
But anyways, let's continue on.

303
00:25:44,880 --> 00:25:47,190
That's how it stretches, almost kind of like a pillow.

304
00:25:48,210 --> 00:25:49,560
It's a good exercise to do.

305
00:25:57,950 --> 00:26:02,900
And then we have our pelvis area here, and even though we don't see it, it looks like the triangular

306
00:26:02,900 --> 00:26:07,700
pubic area is more towards the side.

307
00:26:10,630 --> 00:26:17,530
And we have her leg outstretched and we can even kind of put in her glutes to show the curve.

308
00:26:20,820 --> 00:26:23,220
Your kneecap shortly after.

309
00:26:25,730 --> 00:26:33,980
We have other leg kind of beef it up to show some quad action, and we have her kneecap kind of almost

310
00:26:33,980 --> 00:26:35,060
the same distance.

311
00:26:39,250 --> 00:26:40,090
Mavor, Cathe.

312
00:26:43,730 --> 00:26:47,930
So, of course, I always make the legs a little bit too long, but that's fine, we can always fix

313
00:26:47,930 --> 00:26:48,200
that.

314
00:26:49,700 --> 00:26:51,470
Let's draw in the gesture of the foot.

315
00:26:52,970 --> 00:26:56,120
Looks like the foot is on the ball of our feet and the heels all the way up.

316
00:26:59,280 --> 00:27:03,360
So make sure that you have when you're drawing poses, you have a good foundation, you have a good

317
00:27:03,360 --> 00:27:08,250
stature so that it doesn't look like she's floating, you want to make sure her legs are planted directly

318
00:27:08,250 --> 00:27:12,230
onto the wine or onto the floor at the same around the same level.

319
00:27:20,290 --> 00:27:23,560
We have a shoulder or the other arm sort of hidden from the back.

320
00:27:30,770 --> 00:27:33,550
And then the rest of the arm kind of flows down.

321
00:27:46,660 --> 00:27:48,920
So that is a good pose.

322
00:27:48,940 --> 00:27:53,350
What I think I'm going to do is, of course, large the head and large the head just a little bit more.

323
00:27:54,430 --> 00:27:54,910
Touch more.

324
00:27:54,910 --> 00:27:56,710
Come on their.

325
00:27:59,100 --> 00:28:00,220
No, I don't want that.

326
00:28:00,810 --> 00:28:03,210
Interesting how Photoshop on Windows works.

327
00:28:07,690 --> 00:28:10,510
So now I'm going to do as I'm going to just.

328
00:28:13,860 --> 00:28:18,010
Move that aside and then we can further refine.

329
00:28:19,680 --> 00:28:26,040
So if you're going to make sure that your post has enough energy, a good thing to do is to not lose

330
00:28:26,040 --> 00:28:28,540
your old drawing and just redraw on top.

331
00:28:28,800 --> 00:28:33,000
You don't want to line it over too much if you want to make sure that your drawing doesn't look too

332
00:28:33,000 --> 00:28:33,570
sterile.

333
00:28:34,380 --> 00:28:41,430
So notice how even after all this drawing, I have my under process, underneath it by process, underneath

334
00:28:41,430 --> 00:28:43,450
it, therefore kind of gives us some nice structure.

335
00:28:43,740 --> 00:28:49,020
I want you guys to do the same for this here so it looks more alive rather than sterile, because if

336
00:28:49,020 --> 00:28:56,370
you lean over and make it to perfect, it looks really sterile, sterile and therefore doesn't look

337
00:28:56,370 --> 00:28:56,790
as good.

338
00:28:56,880 --> 00:29:01,830
So I would say just redraw on top of your drawing or your older drawing and just correct if needed.

339
00:29:02,850 --> 00:29:12,990
So here I'm just going to draw in her hair and I sorry, I notice a parting of her hair and a little

340
00:29:12,990 --> 00:29:18,120
bit of a bounce for the to make some room for the pigtails.

341
00:29:18,150 --> 00:29:19,650
So notice that there's that.

342
00:29:19,660 --> 00:29:21,300
Of course, that's not sticking to the scalp.

343
00:29:21,510 --> 00:29:22,680
There's a little bit of a poof.

344
00:29:23,340 --> 00:29:28,200
The reason why I know that is because I see this little ridge here that kind of puts like the side hair

345
00:29:28,200 --> 00:29:33,420
into like you can see in this image that her hair is actually wrapping around it.

346
00:29:33,840 --> 00:29:40,910
So you see this this strand having use for being the ponytail holder of this pigtail.

347
00:29:41,400 --> 00:29:43,150
So that's what I want to emphasize.

348
00:29:43,260 --> 00:29:44,550
So it's not just hair ties.

349
00:29:44,550 --> 00:29:47,210
It's part of the hair that's being done.

350
00:29:48,330 --> 00:29:50,940
And I also make sure that I draw the hairline.

351
00:29:51,600 --> 00:29:52,890
The hairline is around here.

352
00:29:56,980 --> 00:30:03,280
So here we have the strand of hair going out and we can draw some nice strands that connect to the edge

353
00:30:03,280 --> 00:30:03,970
of the scalp.

354
00:30:11,570 --> 00:30:17,630
Something is just a little tiny bit too big now, though, let me go ahead and both of them just a little

355
00:30:17,630 --> 00:30:21,680
bit smaller in know works better.

356
00:30:24,230 --> 00:30:26,040
So let me do that the other side.

357
00:30:40,220 --> 00:30:40,760
That's better.

358
00:30:45,220 --> 00:30:49,670
And the same thing for the other side, just draw that part as well, and the center is in the middle.

359
00:30:54,770 --> 00:31:02,660
Can draw some little strands around the little pony tail hair area and draw in.

360
00:31:06,580 --> 00:31:07,600
Very basic.

361
00:31:10,530 --> 00:31:14,890
Basic shapes, almost like ribbons for the hair.

362
00:31:14,910 --> 00:31:17,940
So notice how I'm kind of going half circle, half circle,

363
00:31:21,150 --> 00:31:23,760
it's just ribbon after ribbon.

364
00:31:23,770 --> 00:31:27,410
So there's some nice warm change on the hair.

365
00:31:27,420 --> 00:31:29,190
There's a front side and a back side.

366
00:31:29,200 --> 00:31:31,860
There's curves going in and out.

367
00:31:33,390 --> 00:31:38,850
So safety on the other side in this part kind of covers most of her face here or not.

368
00:31:38,850 --> 00:31:41,460
Most of her face is more like just kind of covers this area.

369
00:31:42,240 --> 00:31:45,150
Notice how there's also some nice resting area on top.

370
00:31:45,480 --> 00:31:52,830
So I'm going to draw the hair kind of as if it's resting on top of her chest area and leaning against

371
00:31:52,830 --> 00:31:52,970
it.

372
00:31:53,730 --> 00:31:57,630
So notice that it looks a little bit flatter and as if it's sitting on top of something rather than

373
00:31:57,630 --> 00:31:59,130
just dropping down straight.

374
00:32:01,670 --> 00:32:07,220
And then we get folks our face face looks quite cheerful, very charismatic.

375
00:32:13,350 --> 00:32:14,970
He never knows facing this way.

376
00:32:19,670 --> 00:32:22,340
And a very nice smile.

377
00:32:29,990 --> 00:32:33,990
And then for this in this case, I would probably make her eyes just a little bit bigger.

378
00:32:34,010 --> 00:32:35,360
She said she looks kind of cheerful.

379
00:32:42,340 --> 00:32:43,690
Probably more the sharper side.

380
00:32:50,090 --> 00:32:55,010
And then her eyebrows, I would actually make it a little bit pointed just to give it that kind of almost

381
00:32:55,010 --> 00:33:00,680
aggressive look, but kind of and kind of nice, but not kind of not naughty.

382
00:33:01,070 --> 00:33:03,960
What I say that just more like a sassy look, right?

383
00:33:03,960 --> 00:33:04,560
Sassy.

384
00:33:04,580 --> 00:33:05,630
That's the word I want.

385
00:33:08,030 --> 00:33:09,440
And I want to make her looking up.

386
00:33:13,130 --> 00:33:18,620
In fact, instead of that, you could actually rotate this so it looks a little sharper, that's better.

387
00:33:34,190 --> 00:33:36,780
You are the ends of the eyes here and some eyelashes.

388
00:33:50,480 --> 00:33:54,500
We have a caller here and we have to notice that she has this.

389
00:33:54,650 --> 00:33:56,210
Let me just turn my music down.

390
00:33:56,210 --> 00:33:57,230
This is quite loud.

391
00:33:59,900 --> 00:34:07,950
So then we have this kind of strap going around, so if you look at this, look at this outfit here,

392
00:34:07,950 --> 00:34:14,100
we have this kind of nice foaled kind of going across from her breasts or her chest area.

393
00:34:14,100 --> 00:34:18,750
And that's just simply because of the tight probably like the shortness of the shirt, if it were.

394
00:34:18,870 --> 00:34:25,800
And also the kind of like the looseness, if it were super tight, it probably show more of her chest

395
00:34:25,800 --> 00:34:26,240
area.

396
00:34:26,550 --> 00:34:32,310
But since it's not, it's more loose and also short, it kind of gives it a more like connected, straightforward

397
00:34:32,310 --> 00:34:32,940
kind of feeling.

398
00:34:34,350 --> 00:34:40,740
We can draw the shirt over on top and draw the folds over.

399
00:34:44,510 --> 00:34:52,280
Make sure that we have the bottom side of her shirt in here and over here as well, so it loops around

400
00:34:53,090 --> 00:34:55,850
and it's going around and around object.

401
00:34:57,870 --> 00:35:01,040
Her sleeves are kind of baggy, so they kind of protrude out a little bit.

402
00:35:20,420 --> 00:35:24,960
And we can draw a little bit of a pattern here if you want, I'm not sure what kind of pattern that

403
00:35:24,960 --> 00:35:27,210
is, but I'll just kind of draw indication of it.

404
00:35:36,070 --> 00:35:42,640
Well, just kind of draw whatever I think they'll do for now can even draw a slight paring down here

405
00:35:42,640 --> 00:35:48,730
as well, and that is how the pattern also flows along with the fold as well, to prevent it from looking

406
00:35:48,730 --> 00:35:48,960
flat.

407
00:35:48,970 --> 00:35:49,990
You want it to go over.

408
00:35:55,090 --> 00:36:01,300
And as she has a bit of a crop as well, a crop top of some sort, and we can see that in black, we

409
00:36:01,300 --> 00:36:03,160
can even just do some crosshatching down here.

410
00:36:10,030 --> 00:36:12,670
Now we have the waistband of her pants.

411
00:36:15,700 --> 00:36:18,490
Just a little bit sick, make sure it goes around like a cylinder.

412
00:36:21,510 --> 00:36:32,160
Hmmm, what's going on, I'm not sure why this isn't doing anything, why is my voice on the arrow?

413
00:36:34,980 --> 00:36:36,590
Oh, come on, get out of here.

414
00:36:37,850 --> 00:36:39,210
Hmm, that's weird.

415
00:36:40,200 --> 00:36:41,900
I'll be right back and see what I can do.

416
00:36:45,350 --> 00:36:51,380
All right, got a black eye to sort of reset my Photoshop, and then I'm going to be drawing the midline

417
00:36:52,040 --> 00:36:55,490
and it seems that her pants kind of go way lower than the crotch line here.

418
00:36:55,850 --> 00:36:57,090
So I'm just going to end it right here.

419
00:36:58,940 --> 00:37:05,210
I want to show the basic shape and notice that the pants kind of have this nice curve around the back,

420
00:37:05,760 --> 00:37:06,740
little pocket out.

421
00:37:08,890 --> 00:37:14,050
And kind of of it's kind of very pretty much it's very badly towards the end and then it gets curled

422
00:37:14,050 --> 00:37:18,210
up towards the end here with her boots.

423
00:37:18,220 --> 00:37:21,880
So she has military style cargo pants.

424
00:37:21,880 --> 00:37:25,590
I'm guessing it looks like it has a lot of pockets and styled that way.

425
00:37:30,540 --> 00:37:31,530
I go straight down.

426
00:37:33,770 --> 00:37:41,810
When I dropped over the knees or the or the over the legs toward the end here, we want to curve it

427
00:37:41,810 --> 00:37:47,570
up to kind of a square shape, you know, the ruffles that can go towards the middle here.

428
00:37:51,820 --> 00:38:00,130
And that already creates a very baggy look, so if you draw against or have at least have it pretty

429
00:38:00,130 --> 00:38:02,860
much sticking against the leg, it looks tighter.

430
00:38:03,460 --> 00:38:06,160
The bag your looks, the less it conforms to the shape.

431
00:38:06,670 --> 00:38:09,700
So here we have let's draw in some baggy ruffles.

432
00:38:09,700 --> 00:38:17,840
Here you can see a lot more like zigzag kind of curl zigzag kind of folds and kind of thin folds at

433
00:38:17,840 --> 00:38:22,620
the most because this is also kind of a papery material.

434
00:38:22,620 --> 00:38:23,710
It feels kind of papery.

435
00:38:24,070 --> 00:38:25,660
At least that's the only way I can describe it.

436
00:38:25,660 --> 00:38:27,700
It's kind of it's not like cotton.

437
00:38:28,030 --> 00:38:31,930
It's very like I don't know how to really describe it.

438
00:38:31,930 --> 00:38:34,120
It's almost kind of, as I said, paper.

439
00:38:34,130 --> 00:38:38,380
It kind of feels like you're curling up paper or something like that.

440
00:38:41,900 --> 00:38:50,690
The Fords aren't very sharp, they're kind of more straight, they're not very fluey, I would say it's

441
00:38:50,690 --> 00:38:51,470
kind of crinkly.

442
00:38:51,470 --> 00:38:56,710
I would say we have a chain on the side here, so we just want to draw a loop.

443
00:38:57,560 --> 00:38:58,880
We don't have to draw the whole entire detail.

444
00:38:58,930 --> 00:39:00,150
We can draw from here.

445
00:39:00,170 --> 00:39:08,540
There you have a zipper down the middle here and we have Fords overlapping each other.

446
00:39:08,870 --> 00:39:11,510
And when you overlap folds, it creates a lot more depth.

447
00:39:11,870 --> 00:39:13,580
So feel free to do that.

448
00:39:13,730 --> 00:39:20,770
In fact, I would encourage you guys to find as many overlaps as you can so it becomes a lot more realistic.

449
00:39:20,780 --> 00:39:22,970
And we have a bulge right over here for the pocket.

450
00:39:25,370 --> 00:39:33,010
And we have some nice and voluptuous curl curves or folds down this line here.

451
00:39:35,340 --> 00:39:41,310
So once you have those shoes in or sorry, those pants in place, we can start with the shoes.

452
00:39:41,610 --> 00:39:44,490
Shoes are like combat boots, I'm guessing.

453
00:39:45,960 --> 00:39:47,360
So you want to just draw the base?

454
00:39:48,690 --> 00:39:50,250
It's actually looks a little bit longer.

455
00:39:50,250 --> 00:39:51,030
Shorten this.

456
00:39:58,670 --> 00:39:59,180
Looks good.

457
00:39:59,710 --> 00:40:02,650
So I'm just going to be drawing the shape over on top.

458
00:40:03,160 --> 00:40:07,630
I'm also going to be shortening this just a little bit.

459
00:40:07,640 --> 00:40:09,970
So there are equal level, spitter.

460
00:40:14,300 --> 00:40:16,400
Considering she's going to draw the outside first.

461
00:40:19,330 --> 00:40:20,860
Make sure it overlaps the foot.

462
00:40:23,150 --> 00:40:25,550
And they can the soul of at the bottom once you're done.

463
00:40:38,030 --> 00:40:40,160
And we have sole of the foot.

464
00:40:55,660 --> 00:40:59,650
Here we have the zipper has it seems to have a little bit of color on the top.

465
00:41:01,650 --> 00:41:03,150
And here's the zipper down here.

466
00:41:05,920 --> 00:41:13,330
Some places that kind of shoot out can even add a little bit of texture on top just to give it some

467
00:41:13,330 --> 00:41:16,750
nice context on what it is.

468
00:41:18,280 --> 00:41:19,630
Let's do the same thing on the other side.

469
00:41:19,690 --> 00:41:23,950
We can see the straps on top that over that kind of overlap.

470
00:41:25,060 --> 00:41:28,550
The shoes and the overlap, the foot and the pants.

471
00:41:28,590 --> 00:41:37,060
Sorry, we have a strap in the middle, but can you raise this foot here?

472
00:41:39,170 --> 00:41:45,320
We can have a foot planted in the front, so if you look the shape closely, it's like a pointed triangle

473
00:41:47,060 --> 00:41:50,930
or folded kind of box here, rounded box.

474
00:41:54,960 --> 00:41:56,030
The goes at the back.

475
00:42:11,240 --> 00:42:17,000
And that's the second post, so I'm going to be just splitting these to put these videos into two and

476
00:42:17,000 --> 00:42:18,920
anyways, I'll see you guys in one by.