Hey, everyone.
So now let's get onto dynamic poses and as you can see, these have a lot of more pop references.
The reason being is that they they have kind of a lot of images that they stop in between their dances.
So I feel like a lot of these are really actually really useful.
Now, some of these, of course, are also like ice skating images.
Mostly these are people don't judge.
But I mean, I do like it.
It's kind of cool.
But I find that a lot of these images and this kind of flow, they're very good at that, actually.
So I want to share or I want to suggest that these are actually really nice resources to learn from
as they are literally caught midway or just while they're dancing.
So a lot of the flow comes in.
You can choose any kind of other images that you want.
This is just an example.
You don't have to do these images, although every kind of dynamic flow will apply to other posts that
are similar, like the ice skating one.
All these have a very, very similar build up.
Now, of course, this one is an exception, but I wanted to also give a different kind of post style
as compared to the other ones here.
So let's get started.
Let's start with this one here.
Now, these are just kind of random photos.
I don't know which girl group girl groups they are.
I think this one's from Google.
But anyways, let's get started on it.
So when it comes to, you know, we're just going to do the same thing, we're just going to do the
same thing as we did last time.
No, there's nothing different about it, which is the good thing.
Second thing is that it might be a little bit boring, but I mean, in a way, it's quite methodical.
So that's nice.
So here I want to look for the line of action.
I draw the head first kind of show the direction of where the head is going.
And then I kind of draw the line of action.
Now she's kind of standing almost kind of like a tree in a way.
I wouldn't say tree, but she has this kind of curved look and she's planted right onto the floor.
So I feel like that's also a really good stance.
It gives a nice even distribution of weight, but it still gives a nice dynamic look because you see
that tilt in her ribcage and her pelvis.
So I'm just going to be drawing that real quick.
Her pelvis is facing.
You can see most of the breast area here is leaning more towards three quarter area.
We have her shoulder kind of bent and we have her hip facing more towards the bottom three quarter because
we can see the side of her leg here.
And if you want to push the if you want, you can even push the kind of proportions, you can even make
it more curved for exaggeration.
But for now, let's just go with it.
And then we have another sort of bent.
And a foot that is kind of on the balls of her feet and this one's more straightforward, so it's like
this leg here.
This leg has the weight and this leg is sort of a little bit loose.
So now we can go ahead and just refine it.
So let's get started.
I'm just going to erase most of this enough that we can see, but not enough that it can really hinder
or drawing.
So once again, I'm going to redraw her head.
Her head looks like it's more three-quarter.
Looks more like that instead, I'm going to change the angle of the head by just making sure that this
cheek area is more defined and this is more towards the ears towards this way.
Her neck is leaning against this direction, more outward trapezius kind of flows down and I have her
shoulder.
More pushed up.
We can see that the elbow is kind of more relaxed as we trace it down all the way to the hip, and then
we can draw in her hand here, just very simply, do the same thing on the other side.
In this case, with your ribcage, her breast area, follow the direction of where it's going.
You always want to fold the gesture of your body so it doesn't get lost.
Notice that there's this nice abdominal area and I'm actually going to have to move the pelvis up a
little bit because her obliques are kind of higher dosages of the pants, but looks more like this.
So notice how there's also this kind of nice twist in her, which is kind of nice bending back of her
waist area because it's arched up, you want to show that?
Can extend the arm.
Bend it, this is in front of the foot of the elbow, actually looks a little bit long, but we'll fix
it later.
And then we have her hand kind of reaching back towards the back of her head.
We have a thumb in this area here and then the rest of the fingers are covered.
So this can be a short symbolization.
Symbolism for now was just bring this just a little bit closer so it's not too long and then we can
adjust.
Her hips are actually a little bit more curvy.
So I'm going to draw her buttocks in this area here, kind of pushed out because this is the side of
the leg, I'm going to push this down more and the kneecap actually ends a little bit shorter.
So I'm just going to draw over that and correct it that way that we have her calf.
And then we have her.
Foot planted on the ground.
The other like.
We want to draw this side of the inner part of the leg going outward, and I want this going more straight
just to give it some nice dynamic or more like firm, feel a little bit covered, but I can see that
the front is this way and the back a little bit more towards the back of the.
But yeah.
So that is our main pose.
Going to of course, correct it for any.
The head looks a little bit small, so I'm just going to enlarge it.
I always make my head's just a little bit too small sometimes.
Come on.
I think that should be.
Oh no, that's not what I want and that's a little bit too big.
I think this should be fine.
This looks about right.
So I'm going to duplicate this.
And I'm going to refine and put some clothes on her, so let's start off with drawing the face.
Let's erase most of this because it looks like she has the majority of her clothes.
Looks like it's around her arms and around her pants area here as well as her shoes.
So let's erase most of this, except for probably the waist area, although I did erase that anyways.
I can just always redraw it.
Let's start off with her face.
Her face looks like it's going more forward and I can draw the nose facing towards us more.
Then her lips are a little bit puffy, so to speak, so to really capture that.
Then make her lips more straight.
And then have it curled at the end and draw the outline of her lips, and then I'm going to shoot it
in real roughly.
So that kind of gives her nice and puffy lips, I kind of shave it back if I want to, but I just eat
clearly embracing it, making the upper lip a little bit smaller so it still looks puffy, just the
bottom lip is more centralized, accentuated or whatever.
And she has kind of like sleepy kind of eyes.
So I'm going to make her eyes a little bit thinner and kind of droopy and also kind of small.
It depends on the personality or the look that she's given.
So this is kind of more of a very sultry kind of look.
Do the same thing on the other side.
Even a little bit of shading towards the other side, just to give us some more like sexy look, one
more sultry look, and she's kind of looking down.
So I would kind of fill in.
But a good ratio, about like 60 40 around there, and our eyes look a little bit weird without eyebrows.
Let's add some and there are some extra eyelashes.
So her eyebrows are looking a little bit bald.
She also looks Latino, but she's not.
So I'm just going to draw the eyebrows right over the bridge.
And therefore, look, looks pretty nice, and I can always alter some areas like the head looks a little
bit Jenky, so I'm going to do I'm going to just smooth it out a little bit more and move the lips just
a little bit more to the right.
This is her.
Right.
So that's what I see.
Right.
So it looks more like in the middle sent more centered.
I'm also just going to fix.
The head shape just a little bit, so it's more correct looking.
Now for the hair, she has very, very loose bangs, almost kind of wiry looking bangs, and it quite
fits her actually.
So I'm just going to be drawing some nice thin lines that just show.
The characteristic of her bangs, and I'm not going to do this all like I'm just only going to do at
the beginning because it really specifically calls for it.
And then what I'm going to do afterwards, I'm just going to draw on the base of her hair.
Her hair is very, very permed looking.
So I'm just going to be drawing in very, very messily, kind of just casually.
But how that goes over the head.
So notice that going over the scalp, I'm not making it stick to the scalp and also adding that hairline,
but I'm not going to add as many details to the rest of the hair, mainly because it's too long.
But it's just better to indicate rather than to just draw the whole thing.
I'm also going to add hair on the side, but notice, I'm just kind of reserving detail along the bang
area because that has nice some nice contrast.
So notice that most of the detail comes from the sides, the back can kind of work itself out, not
for her clothes.
We have a jacket that's almost kind of like Midway and it's kind of thick, so we want to draw it over.
So it looks like it's half worn.
This is the back of the jacket.
I don't know how it works, really tugs at the back of the jacket, you have this collar here and we
have the front of the jacket kind of folded in and we separate that into one shape.
It's kind of confusing to look at.
And then her sleeves are actually thicker than her arm.
So I'm just going to be drawing the folds over on top and making sure that the sleeves are not sticking
to the arm very much.
They're actually a lot more droopy and a lot bigger.
So that's what I'm going to do.
I'm just going to draw over.
Her arm make the slips thick.
And a hides most of her arm.
But notice the forwards going around, it's kind of like a mix of a half like fold, which is towards
the bent arm.
And I kind of like some zigzag folds and that curls down towards the end.
We can draw the same line in the middle just to give us a nice context on what this material is.
And that is one side of the jacket.
It looks like she has some nice wrinkles going from the arm just to show some movement or kind of just
something in front of the arm here in front of the ribcage, just necklace with which we can just draw
very, very loosely.
Then we have the other side of her jacket.
This one's a little bit more clipped because I see the collar, it looks like a crop jacket.
So this is the cropped part of the jacket where it wraps around her chest area and then the sleeve goes
quite thick and then we see that half block folds and make sure that they're actually a lot more scarce
because this is a hard material.
So harder materials just show that is just not as many folds.
And that's that's a good indicator of how to how, you know, thick and thin cloth works.
And this kind of jacket covers the whole.
Covers a whole hand here and just to seem like going down as well and following the folds as well,
so I noticed that my sea mine is going over the folds and therefore making a little bit more earthy.
And now we have her breast area, which I will darken because it's in front and as she has cut a bra
like outfit.
And she has a strap underneath her breast, so that gives a nice, warm indication.
So I'm going to drop the double layer and shade the sun.
And if you can even add the patterns, you know, you can just draw them really, really roughly.
Looks almost like a cheetah or a leopard, think it's a cheetah, some small, some big, some medium,
make sure they're not all the same size.
If you're doing patterns, make sure you have a big, medium and small, like a big and small and then
medium to have a nice balance.
So it doesn't look to even that's how I would do patterns.
And then we have denim jeans.
So let's draw in the rib cage here or not.
The rib cage, the abdominal area here.
It looks like that the arm is shielding the rest of the body here, so I'm just going to actually stick
in this area.
And I can draw a center line just to show the emotion.
They can draw the belt or the waistband around her denim, denim or jeans, very thick jeans, and I
can draw the main shape on top.
And unfortunately, we don't really see a lot of the curves.
But, you know, it's going to whatever.
That's kind of how the style is.
And notice how the.
This edge here is connected way to the edge of the foot and hooks around and gets very loose towards
the end, that kind of gives a nice motion on where the foot ends at.
The foot is at the edge here.
That means your leg, her leg is towards the edge.
And I want to add a little bit of a bent motion just to show that this leg is bent on the fourth.
Also indicate that.
I don't want to saturate this legging with too many folds, so I'm just going to add some more pockets
and seam lines and also some nice little stitching pattern just to give it some nice.
It's nice texture, so here we have the rest of the hand, which is kind of curled up into a fist,
and then we have a little bit of a seam one going in here.
So notice that the stitches kind of make this nice, nice texture for the denim.
Same goes for the middle seen.
So details like that can help.
It's not the most important, the most important is the basic shapes, but it is important to tell,
like you want to start abstractly and then add detail last, because once you added to last, then it
becomes a lot clearer about what the image is.
So this looks like it kind of goes over her shoes here.
So I start with the basic shapes and then I start detailing it even more now.
So stuff like the folds, kind of what it is, is it denim, you know, which it is.
In fact, if it's done or how many folds does it have, what it seems like, you know, all that stuff
to really build up the character of your clothing.
This has a little bit of a baggy look to it.
So I'm just going to add a little bit of a bulge for shape language.
And this patch on top.
I'm going to talk to the edges on the edge of the hair just for some nice contoured look, and then
we can draw in the shoes, which are kind of like your front toe and then a box of which is the platform
of the sneaker and drawn.
And then that's pretty much it can just draw some laces if you want, as she looks like she's wearing
some sneakers.
But simplify it.
You have to make it too hard.
We have the sole foot going down in front is the front of the foot.
We have the rest of the store kind of going up, envision a kind of like a circular area if that helps,
or kind of like a football form.
And that helps.
So that is our first pose.
Now let's go on to the second.
Now, let's go for more.
I mean, they're all mostly standing, but let's go for more of like a more standard dynamic pose,
which is a very good example of a nice Esslin.
This could go into the standing pose kind of section, but.
Oh, well, so here what we have once again, it's a nice gesture line.
So I'm going to draw the head.
I'm going to just make a little bit bigger.
This is all done 11 by 17 canvas, by the way.
I think I probably mentioned that earlier.
But for those who are curious, that's what I use.
So here in this case, we have a really outstretched ribcage that's really high up because we see the
breast line going way up.
And it's also because probably her shirt makes it look like as if her chest was like really, really
high up.
We see this nice curve going along and her pelvis is more like Ford.
We see a nice side to the pelvis because we can see the side here.
If it's in front, we would just see it more like this looks more like this, that leg here, but it
puts more on the side.
We see it more like we see that we see the glutes at the back.
So that's a good indication of if you can see where the sides of the pelvis boxes, then we have her
shoulder, which is kind of a nice contrapositive look, meaning shoulders go this way, pelvis goes
this way and gets a nice dynamic look.
This hand, one hand is going straight down, one hand is on her hip and her hip or not in her elbow
is in line with the end of the pelvis.
And it looks like.
I put the pelvis just a little bit too high, so I'm just going to lower it so I have her hand resting
on top of it.
And we have one straight line going down for that stance and then one resting or one, this is the weighted
leg, and then we have our other leg going through and kind of just supporting it.
So once we have main gesture, let's go ahead and refine it once again.
I am just going to erase most of the stuff.
I want to make sure their full gesture.
But if I can fix something, then I'll fix it.
She has a nice three quarter head.
The ear at the back.
And our neck is more towards the front, so it looks it doesn't look like it's going here and it's more
towards the front and shoulders, Trapezius and her shoulders follow shortly after and her breast area.
We can just draw the peg and then round it out, but kind of draw it in a way that's kind of like the
bottom side it's facing up.
So if you want, you can even draw like a line that shows the middle section of the breast area.
But I would do something more like this.
Just to show that this is what the form looks like from the from our view.
Then we have a rib cage down here.
And notice how the rib cage doesn't really change, it's the muscle that layers over on top.
And we have the armed.
If the forearm which goes in front of the elbow.
And then we have the hand, we can draw one finger and the rest can be grouped together.
That's for now.
In fact, this actually looks a little bit stretched out, looks almost dislocated.
So I'm going to do is I'm going to select this and I'm going to move this more inward.
That's better.
So now it looks more natural rather than far apart.
Feel free to listen to some music.
In fact, I want to put up some music right now.
Let me think of some lo fi music.
Oh, my
music.
I like that stuff because it's nice.
It doesn't have it doesn't have much instrumentals and I can concentrate while I speak.
But anyways, let's continue on.
That's how it stretches, almost kind of like a pillow.
It's a good exercise to do.
And then we have our pelvis area here, and even though we don't see it, it looks like the triangular
pubic area is more towards the side.
And we have her leg outstretched and we can even kind of put in her glutes to show the curve.
Your kneecap shortly after.
We have other leg kind of beef it up to show some quad action, and we have her kneecap kind of almost
the same distance.
Mavor, Cathe.
So, of course, I always make the legs a little bit too long, but that's fine, we can always fix
that.
Let's draw in the gesture of the foot.
Looks like the foot is on the ball of our feet and the heels all the way up.
So make sure that you have when you're drawing poses, you have a good foundation, you have a good
stature so that it doesn't look like she's floating, you want to make sure her legs are planted directly
onto the wine or onto the floor at the same around the same level.
We have a shoulder or the other arm sort of hidden from the back.
And then the rest of the arm kind of flows down.
So that is a good pose.
What I think I'm going to do is, of course, large the head and large the head just a little bit more.
Touch more.
Come on their.
No, I don't want that.
Interesting how Photoshop on Windows works.
So now I'm going to do as I'm going to just.
Move that aside and then we can further refine.
So if you're going to make sure that your post has enough energy, a good thing to do is to not lose
your old drawing and just redraw on top.
You don't want to line it over too much if you want to make sure that your drawing doesn't look too
sterile.
So notice how even after all this drawing, I have my under process, underneath it by process, underneath
it, therefore kind of gives us some nice structure.
I want you guys to do the same for this here so it looks more alive rather than sterile, because if
you lean over and make it to perfect, it looks really sterile, sterile and therefore doesn't look
as good.
So I would say just redraw on top of your drawing or your older drawing and just correct if needed.
So here I'm just going to draw in her hair and I sorry, I notice a parting of her hair and a little
bit of a bounce for the to make some room for the pigtails.
So notice that there's that.
Of course, that's not sticking to the scalp.
There's a little bit of a poof.
The reason why I know that is because I see this little ridge here that kind of puts like the side hair
into like you can see in this image that her hair is actually wrapping around it.
So you see this this strand having use for being the ponytail holder of this pigtail.
So that's what I want to emphasize.
So it's not just hair ties.
It's part of the hair that's being done.
And I also make sure that I draw the hairline.
The hairline is around here.
So here we have the strand of hair going out and we can draw some nice strands that connect to the edge
of the scalp.
Something is just a little tiny bit too big now, though, let me go ahead and both of them just a little
bit smaller in know works better.
So let me do that the other side.
That's better.
And the same thing for the other side, just draw that part as well, and the center is in the middle.
Can draw some little strands around the little pony tail hair area and draw in.
Very basic.
Basic shapes, almost like ribbons for the hair.
So notice how I'm kind of going half circle, half circle,
it's just ribbon after ribbon.
So there's some nice warm change on the hair.
There's a front side and a back side.
There's curves going in and out.
So safety on the other side in this part kind of covers most of her face here or not.
Most of her face is more like just kind of covers this area.
Notice how there's also some nice resting area on top.
So I'm going to draw the hair kind of as if it's resting on top of her chest area and leaning against
it.
So notice that it looks a little bit flatter and as if it's sitting on top of something rather than
just dropping down straight.
And then we get folks our face face looks quite cheerful, very charismatic.
He never knows facing this way.
And a very nice smile.
And then for this in this case, I would probably make her eyes just a little bit bigger.
She said she looks kind of cheerful.
Probably more the sharper side.
And then her eyebrows, I would actually make it a little bit pointed just to give it that kind of almost
aggressive look, but kind of and kind of nice, but not kind of not naughty.
What I say that just more like a sassy look, right?
Sassy.
That's the word I want.
And I want to make her looking up.
In fact, instead of that, you could actually rotate this so it looks a little sharper, that's better.
You are the ends of the eyes here and some eyelashes.
We have a caller here and we have to notice that she has this.
Let me just turn my music down.
This is quite loud.
So then we have this kind of strap going around, so if you look at this, look at this outfit here,
we have this kind of nice foaled kind of going across from her breasts or her chest area.
And that's just simply because of the tight probably like the shortness of the shirt, if it were.
And also the kind of like the looseness, if it were super tight, it probably show more of her chest
area.
But since it's not, it's more loose and also short, it kind of gives it a more like connected, straightforward
kind of feeling.
We can draw the shirt over on top and draw the folds over.
Make sure that we have the bottom side of her shirt in here and over here as well, so it loops around
and it's going around and around object.
Her sleeves are kind of baggy, so they kind of protrude out a little bit.
And we can draw a little bit of a pattern here if you want, I'm not sure what kind of pattern that
is, but I'll just kind of draw indication of it.
Well, just kind of draw whatever I think they'll do for now can even draw a slight paring down here
as well, and that is how the pattern also flows along with the fold as well, to prevent it from looking
flat.
You want it to go over.
And as she has a bit of a crop as well, a crop top of some sort, and we can see that in black, we
can even just do some crosshatching down here.
Now we have the waistband of her pants.
Just a little bit sick, make sure it goes around like a cylinder.
Hmmm, what's going on, I'm not sure why this isn't doing anything, why is my voice on the arrow?
Oh, come on, get out of here.
Hmm, that's weird.
I'll be right back and see what I can do.
All right, got a black eye to sort of reset my Photoshop, and then I'm going to be drawing the midline
and it seems that her pants kind of go way lower than the crotch line here.
So I'm just going to end it right here.
I want to show the basic shape and notice that the pants kind of have this nice curve around the back,
little pocket out.
And kind of of it's kind of very pretty much it's very badly towards the end and then it gets curled
up towards the end here with her boots.
So she has military style cargo pants.
I'm guessing it looks like it has a lot of pockets and styled that way.
I go straight down.
When I dropped over the knees or the or the over the legs toward the end here, we want to curve it
up to kind of a square shape, you know, the ruffles that can go towards the middle here.
And that already creates a very baggy look, so if you draw against or have at least have it pretty
much sticking against the leg, it looks tighter.
The bag your looks, the less it conforms to the shape.
So here we have let's draw in some baggy ruffles.
Here you can see a lot more like zigzag kind of curl zigzag kind of folds and kind of thin folds at
the most because this is also kind of a papery material.
It feels kind of papery.
At least that's the only way I can describe it.
It's kind of it's not like cotton.
It's very like I don't know how to really describe it.
It's almost kind of, as I said, paper.
It kind of feels like you're curling up paper or something like that.
The Fords aren't very sharp, they're kind of more straight, they're not very fluey, I would say it's
kind of crinkly.
I would say we have a chain on the side here, so we just want to draw a loop.
We don't have to draw the whole entire detail.
We can draw from here.
There you have a zipper down the middle here and we have Fords overlapping each other.
And when you overlap folds, it creates a lot more depth.
So feel free to do that.
In fact, I would encourage you guys to find as many overlaps as you can so it becomes a lot more realistic.
And we have a bulge right over here for the pocket.
And we have some nice and voluptuous curl curves or folds down this line here.
So once you have those shoes in or sorry, those pants in place, we can start with the shoes.
Shoes are like combat boots, I'm guessing.
So you want to just draw the base?
It's actually looks a little bit longer.
Shorten this.
Looks good.
So I'm just going to be drawing the shape over on top.
I'm also going to be shortening this just a little bit.
So there are equal level, spitter.
Considering she's going to draw the outside first.
Make sure it overlaps the foot.
And they can the soul of at the bottom once you're done.
And we have sole of the foot.
Here we have the zipper has it seems to have a little bit of color on the top.
And here's the zipper down here.
Some places that kind of shoot out can even add a little bit of texture on top just to give it some
nice context on what it is.
Let's do the same thing on the other side.
We can see the straps on top that over that kind of overlap.
The shoes and the overlap, the foot and the pants.
Sorry, we have a strap in the middle, but can you raise this foot here?
We can have a foot planted in the front, so if you look the shape closely, it's like a pointed triangle
or folded kind of box here, rounded box.
The goes at the back.
And that's the second post, so I'm going to be just splitting these to put these videos into two and
anyways, I'll see you guys in one by.