Go down to see them without the impression of hearing or perhaps wondering what was behind the song
So here we are going to be able to do it. I opened my little Logic Pro with the tracks that I had.
taken from the studio and then and then here I am making you listen to several songs like that
to give you a little anecdote about how it was recorded and so here it is
example we are on the song simi how you do that when we listen to it in full simi how you do here it is put like that the tracks they are a little how to say they are put a little
compressed, that is to say that there are tracks which are gathered with others so you do not have
all track by track it would represent a little more than 30 tracks but that's already not bad so
we're going to listen to it quietly see me how you do it's the fourth track on the album for those
who don't know so we're going to listen to it quietly and then we're going to listen a little to what's going on inside. At the same time I'm going to read the message.
Hi Yann.
We hope there are no bugs this time.
So there in fact on this part,
we have the piano, the voice,
and the violin that plays the notes.
We will be able to search for them by email.
I played the piano on the album.
I created them directly on my piano at home.
A super joli piano.
With the small delays behind.
There you have guitars that do all of that.
Two rhythms. All that rhythm
We're going to listen to this passage again because it's important.
This is the passage where the battery enters
I wanted to compose the piece it was really
the plans
this whole theme, wait, I'll give it to you again
It's really from the piano and the voice
and then I wanted to go further
I wanted to have a piece
that has a little impact, that has a little rock
and I could have stayed on a piano voice all along but in fact the thing
It was cool to be able to add these drums which come in at the end of the first chorus.
who is there my first chorus we will move forward a little
we're going to bring a little atmosphere
and then we have this drum and this bass which will come together there
there I'm going to put a solo
a piece with a Jolito hi-hat but we have a guitar that doubles the piano theme, which gives a really nice effect I think.
Rhythmic bass a bit of the piece, easy to do.
And the cool thing is that Théo Osekaldi who is the violinist who played on the album,
while working on this piece he brought out something I didn't expect,
I wouldn't have thought of it and that's his credit.
He is truly an amazing violinist.
He brought strings, I don't know if you can really hear them when you listen to the album.
I will try to find them for you
after they will bring a theme on the chorus which comes after
something a bit invisible I think
espèce de guitare vraiment cachée derrière quoi
celle là on entendra jamais C'est pas grave, c'est pas grave. un effet qui arrive derrière pour pousser plus
cette montée en fait c'est une espèce d'effet
de reverb qu'on a mis sur tout
renversé
ce stop vraiment
sec à la fin de la scène
il va y avoir un effet vraiment de
là voilà on a vraiment deux guitares qui vont s'harmoniser
au début elles font la même note
et là elles s'harmonisent
là en fait ça fait vraiment à chaque fois des petites choses
qui s'ajoutent
histoire de faire que le morceau
se tienne
donc là on arrive à la fin du morceau
alors là on a un truc qu'on entend peut-être pas
mais c'est qu'il ya plusieurs voix qui viennent se
qui viennent en plus de la lead vous mettre un peu la lite si vous voulez
moi j'aime bien la fin j'étais content de ce que j'avais fait
Non mais
Ava faire d'un corps
Tu prends
La
Picard
Non mais Il Nommé
A la fin
Tu primes
Il
Is it me
Qui sait
De pas de 6,6 là du coup là il ya des breaks pas mal sympa aussi d'alan là dedans et du coup ce qu'on n'entend pas forcément c'est qu'à la fin donc si on en si on écoute bien ce
passage là voilà on a un thème de cordes les corti continue leur côté staccato
Et en même temps on rajoute ce chant là, au violon
Ça on le retrouve au dernier refrain mais sauf qu'on a une guitare électrique qui vient se poser avec
Passé par la guitare électrique
N'hésitez pas à me dire s'il y a des trucs que vous voulez entendre en solo comme ça là, s'il y a des instruments qui vous
intéresseraient d'entendre en solo sur une plus grande durée parce que là c'est vrai que je switch
un peu mais s'il y a des choses que vous voulez entendre en particulier puis après on va aller
s'écouter une autre chanson. Allez dites moi les amis. Je crois pas que j'ai demandé les chansons
en fait c'était vraiment savoir si là dans cette chanson déjà il y avait un instrument qui vous
parlait, que vous aviez envie d'entendre en solo plus que les autres plus longtemps. On a les cordes, on a la batterie, la basse, les guitares, la voix, le piano.
T'as vu l'orgue?
Alors de l'orgue y'en a pas beaucoup en fait, c'est ça qui est marrant, y'en a qu'à la fin du morceau.
C'est tout ce qu'il y a de connu dans le morceau.
Un peu de voix, allez je vous mettrais un peu de voix. Sous-titrage ST' 501 Where the world tells clear The clean break
Après, un petit bout de piano, allez.
Piano.
Thomas aussi.
Elle est où cette babasse?
La basses, je vais un peu plier la batterie.
Il n'y a pas de basses, pour le moment.
On a fait un peu le tour pour ce morceau-là, on va s'en faire un autre.
Je vais aller voir ce que j'ai d'autre.
Attendez, il faut que je vous reçois.
Attendez, il faut que j'ouvre ça.
Alors là, si vous voyez, on voit qu'il y a plusieurs morceaux.
Lequel vous brancherez?
Je ne sais pas si vous voyez un assez gros.
You don't even see, there's my head hiding.
I told you, there is Sunday Afternoon, Stockholm,
Simi, we're driving too fast, Like a Man, By the time you come back,
The world is to be given up, Lately, The madness of men,
Summer, I'm John, Awake.
Yeah, on Logic Pro. Summer at Imagine Awake yeah on the gic takes so tell me some songs that make you want to hear a little closer here are three differences
to help me four different super me I'm going to split the difference I'm going to
put the madness of men to work it has been settled it is therefore the madness of
men there it's a big it's a big pie too so there that I had mutated
lots of things we're going to listen to each other like that I'll see if I haven't done any
nonsense that can raise levels for nothing we will listen to the beginning after I will make you
listen to our party there I don't know if we're fighting in fact I'm going to stop right away it's there I
I don't know if we realize it, but in fact there is the guitar and the piano playing at the same time.
theme I don't find myself friends at too much more of all that you have strings that come to play
straight from the start and give us a bit of the atmosphere where these strings are too?
too much!
we'll move forward a little
my heart stopped
my breath caught
it seems insane
could you enlighten me
So there we have the whole piece
we left tonight
you will receive us
There's something I love that you don't necessarily hear, but it's what Théo does behind the scenes.
to persevere I have to give you the piano so that you know roughly what I am going to give
the piano and voice with
could you enlighten me we left this evening you receive us the sky
is saturated we have the rhythm which comes in
as far as I know, it's really the piano that starts everything
alone and string atmospheres
This passage is true, it's beautiful with the strings, it's really something
thing of... it's one of the favorite passages of the album and there's a lot of string spice in it
we even hear the... and yeah so in this passage there are quite a few layers
in fact which overlap and which mean that in the end we arrive at this thing
who advances we have this famous piano there
which holds this theme from the beginning
he starts slowly at first
we have the rhyme that keeps the rhythm throughout
after that it really starts to sink in
the chorus is quite interesting
what happens on the piano and guitar
finally on the piano and the horns, I would like you to listen to just this passage there
Well, that's about it for the madness of men, that's a lot of things too.
I couldn't make you listen to everything like that, it wasn't bad, we'll go see what's there
I'd also like to make you listen to the team for a laugh and a lot of things. Ethnicity is mainly the rock side, drums, voice and everything, I like it.
So here we start the piece with a reverse on the guitar.
A reverse effect.
That is to say, I played the guitar in the right way, finally...
I played it upside down and we flipped it over to get that suction effect.
It was put upside down, which means it is read the other way around, it starts at the end,
and she suddenly goes back up.
Here I'm going to show you roughly. We have this effect of...
We have this effect here...
This reverse effect. Here's Stephanie's verse behind us, we have a little road to get the bass
because otherwise there is no guitar made we have nothing and we have what of the
guitar wait