1 00:00:00,810 --> 00:00:07,650 Now that we have two out of the five, let's go ahead and continue on with John, the rest of these. 2 00:00:07,950 --> 00:00:09,940 So let's go with the more sitting POWs now. 3 00:00:10,860 --> 00:00:12,590 This one is a little bit different. 4 00:00:12,600 --> 00:00:13,350 It's not really sitting. 5 00:00:13,350 --> 00:00:14,220 It's more like kneeling. 6 00:00:14,910 --> 00:00:18,040 But I still think it's kind of interesting pose and it's quite different. 7 00:00:18,510 --> 00:00:19,270 So let's get started. 8 00:00:21,760 --> 00:00:28,600 Add another layer, and I'm just going to once again start off with the gesture, that's when I'm leaning 9 00:00:28,600 --> 00:00:33,460 a little bit a little bit lower to the ground or a little bit lower than appear just because it's kind 10 00:00:33,460 --> 00:00:34,630 of in a crouching position. 11 00:00:35,230 --> 00:00:40,930 Her head is facing more this way, just roughly block it. 12 00:00:40,930 --> 00:00:44,830 And this is a bit of an interesting position because you can't really see the neck. 13 00:00:44,840 --> 00:00:46,540 We can kind of understand where it goes. 14 00:00:47,050 --> 00:00:51,370 It goes a little bit downward because you can see the shoulder kind of hovering over 15 00:00:54,190 --> 00:00:57,310 and they can see that the ribcage is a little bit on the side here. 16 00:01:01,600 --> 00:01:07,690 Leaning towards the side, and that was since we can't really see much of the pelvis area here, I can 17 00:01:07,690 --> 00:01:12,640 sort of have a hint on where the seam line or the waistband is going. 18 00:01:13,000 --> 00:01:17,320 So it looks like it's and we can also see a little bit of the glutes here. 19 00:01:17,680 --> 00:01:22,330 So it looks more it probably has a bit of a upward look. 20 00:01:32,570 --> 00:01:36,310 Due to that, we can have this leg more bent. 21 00:01:40,430 --> 00:01:48,740 And the other one goes upward, straight down, and then here we have her arm covering her neck. 22 00:01:49,880 --> 00:01:51,380 So that is our basic sketch. 23 00:01:51,800 --> 00:01:55,310 Once you have a gesture, then we can continue on with. 24 00:01:57,070 --> 00:02:02,830 The rest of it, so it's going to be refining at this time, erased most of it enough to see. 25 00:02:03,730 --> 00:02:07,960 Now I'm just going to go ahead and refine the face and the rest of them. 26 00:02:09,310 --> 00:02:18,070 So I'm just going to find out more by sharpening some edges and kind of protruding out the eyebrow ridge 27 00:02:18,070 --> 00:02:18,610 just a bit. 28 00:02:21,620 --> 00:02:27,410 We can't see her neck or anything like that, but we can see that her hand is covering it, so we can 29 00:02:27,410 --> 00:02:29,240 just kind of indicate where her hand is. 30 00:02:42,200 --> 00:02:50,080 Then we can also draw in her arm in relation to the hand. 31 00:02:57,470 --> 00:03:03,800 Her shoulders covered, but we can tell that the trapezius muscle is kind of more flowing over the side 32 00:03:04,610 --> 00:03:08,960 and then the shoulders here, as you can see, a little bit of the other arm here. 33 00:03:11,110 --> 00:03:16,540 Her rib cage, she seems to be a bit more forward than I thought, but we're just going to add her breast 34 00:03:16,540 --> 00:03:23,050 area here for a chest area and then a shoulder goes in front. 35 00:03:32,070 --> 00:03:33,620 Here we have her elbow area. 36 00:03:37,800 --> 00:03:39,180 ARM is quite long. 37 00:03:44,380 --> 00:03:49,550 Here we have her hand always indicate the cylinder. 38 00:03:50,080 --> 00:03:53,590 You don't have to draw it all the time, but once you start getting that, you can just start indicating 39 00:03:53,590 --> 00:03:54,700 which direction it goes. 40 00:03:55,000 --> 00:03:59,530 And doesn't it just make sure doesn't look too outlining meaning make sure it just doesn't look like. 41 00:04:03,420 --> 00:04:09,050 You know, you want to make sure that want to make it not so fluid as to make it less stiff, you want 42 00:04:09,060 --> 00:04:14,910 to overlap forms around each other to make it less aulani and more form based. 43 00:04:19,310 --> 00:04:21,390 So it looks like her chest area. 44 00:04:23,450 --> 00:04:28,880 This is her back area, her chest area kind of is hidden from from here. 45 00:04:29,520 --> 00:04:35,350 So it looks like your chest areas here and the rest of her abdominal area. 46 00:04:39,100 --> 00:04:49,930 We have their waistband up here and we have the buttock area to simplify it by, actually what I'm going 47 00:04:49,930 --> 00:04:51,610 to do is move. 48 00:04:54,430 --> 00:04:56,140 As part and just move it more. 49 00:04:58,870 --> 00:05:06,910 Like that, so it looks more like it's going to be resting on the knee, so it's not too short knee, 50 00:05:07,120 --> 00:05:09,610 which is about where her arm is. 51 00:05:20,250 --> 00:05:26,840 Can see this big increase coming in, and that's where her kav the rest of her leg goes behind. 52 00:05:27,930 --> 00:05:32,490 She has quite big shoes there, like platform shoes or something or platform sneakers. 53 00:05:32,490 --> 00:05:34,870 So I'm just going to draw a big box in this direction. 54 00:05:37,490 --> 00:05:43,970 Just kind of estimating the shape of it, then we have the other leg going across. 55 00:06:03,610 --> 00:06:08,200 Should be a little bit thinner and on the same wave or on the same length, so it's kind of put it down 56 00:06:08,200 --> 00:06:12,490 here and if any they need any fixings, I will do that. 57 00:06:13,060 --> 00:06:16,210 Mace, make this a little bit smaller. 58 00:06:19,970 --> 00:06:20,720 So it fits. 59 00:06:27,540 --> 00:06:37,500 There and now let's go ahead and refine this, as always, so I'm going to erase most of this and the 60 00:06:37,590 --> 00:06:39,000 cycle repeats itself, right? 61 00:06:39,720 --> 00:06:45,500 I'm actually going to make the head just a little bit bigger just because it's supposed to be bigger. 62 00:06:45,510 --> 00:06:47,230 I always make it smaller than usual. 63 00:06:47,250 --> 00:06:50,500 But sometimes when I make it too big, it gets really weird and obvious. 64 00:06:51,540 --> 00:06:53,190 So let's continue drawing. 65 00:06:53,190 --> 00:06:54,780 Let's just remap this. 66 00:06:57,410 --> 00:07:04,010 And in fact, I'd actually make the chin just a little bit sharper just for the sake of dramatic effect 67 00:07:04,010 --> 00:07:08,080 and because she looks really serious and really cool, I want to give her a sharper look. 68 00:07:10,160 --> 00:07:16,940 So I want to also give her some nice, like, sharp bangs, not bangs, but like kind of like the sharp 69 00:07:16,940 --> 00:07:19,460 peaks around the bangs where parts. 70 00:07:22,880 --> 00:07:25,220 So rather than round have it sharper, so it looks cooler. 71 00:07:30,380 --> 00:07:32,240 And have it cover over her scalp. 72 00:07:37,580 --> 00:07:44,540 And her hair covers and most of her body here, so I'm just going to draw the basic shape on top. 73 00:07:46,910 --> 00:07:48,140 Could even simplify it. 74 00:07:52,190 --> 00:07:57,330 Covers your hand, simplify it to one large Drennen to substance. 75 00:07:59,300 --> 00:08:07,070 Same thing with her other hair as well, or her other strands just make it bigger and put less detail 76 00:08:07,070 --> 00:08:07,450 on them. 77 00:08:13,610 --> 00:08:17,540 It may look like it needs more detail, but it really doesn't, it does because I don't want I just 78 00:08:17,540 --> 00:08:19,280 don't want it to take away from the whole figure. 79 00:08:19,280 --> 00:08:19,730 In general. 80 00:08:20,060 --> 00:08:22,100 You can add more strands if you want some. 81 00:08:22,100 --> 00:08:28,700 Actually, some artists have a very, very simple style on drawing here, and it looks totally fine. 82 00:08:29,180 --> 00:08:33,200 Now, I'm just going to be drawing in her tank top on top. 83 00:08:34,460 --> 00:08:36,320 Notice her rose over the shoulder. 84 00:08:41,120 --> 00:08:42,410 Because he kind of rolled back. 85 00:08:45,340 --> 00:08:48,640 I'm going to draw in her hand. 86 00:08:53,620 --> 00:08:56,110 Looks like her hand kind of reaches back into the hair. 87 00:09:02,120 --> 00:09:08,120 In fact, I want to add a little bit of muscle by just simply adding a little bit of a deltoid definition. 88 00:09:13,460 --> 00:09:15,050 And then even a little bit at the elbow. 89 00:09:21,900 --> 00:09:29,220 So by redefining or just defining the muscles a little bit, it shows a lot more a lot more depth into 90 00:09:29,220 --> 00:09:29,970 the body. 91 00:09:44,280 --> 00:09:47,370 And for the sake of simplicity, I'm not going to draw the entire hand because I don't want to. 92 00:09:51,340 --> 00:09:53,680 Now, I'm going to extend the arm down here. 93 00:09:57,220 --> 00:09:58,860 And her hair kind of covers her elbows. 94 00:09:58,900 --> 00:10:04,180 I'm just going to show you that I want to show the her chest ends this way, too. 95 00:10:05,080 --> 00:10:10,840 So it looks like she has a little mesh or this little shirt up top that is really tight, tight on her 96 00:10:11,320 --> 00:10:14,920 upper part of the body and doesn't really have much. 97 00:10:14,920 --> 00:10:19,140 And it doesn't really have much ruffle or fold other than just a tight fit. 98 00:10:19,360 --> 00:10:22,210 So I'm not going to draw any folds in this kind, but I'm going to draw the pattern. 99 00:10:22,540 --> 00:10:23,890 So it looks like the pattern goes here. 100 00:10:24,550 --> 00:10:27,670 It kind of has this, like, cheerleader pattern. 101 00:10:32,570 --> 00:10:41,570 And then we can draw the little mesh around her body and to do a mesh, you can simply just do custom 102 00:10:41,570 --> 00:10:47,300 crisscrosses or you can even do some square ellipses like this, although that takes too long. 103 00:10:47,330 --> 00:10:51,350 So what I'm just going to do is I'm going to draw a waistband around. 104 00:10:52,290 --> 00:11:01,910 Then when I'm going to do so, I'm just going to draw some cross crosses over, make them light so doesn't 105 00:11:02,480 --> 00:11:05,600 you know, it doesn't take away from the other details. 106 00:11:05,600 --> 00:11:07,520 So just draw very simply. 107 00:11:08,450 --> 00:11:14,360 In fact, it's best to do simply rather than overcomplicate it, says the one who also draws a lot of 108 00:11:14,480 --> 00:11:16,690 Lolita dresses and loves ruffles and stuff. 109 00:11:16,730 --> 00:11:19,190 Yeah, a hypocrite sometimes when it comes to that stuff. 110 00:11:19,190 --> 00:11:25,070 But most of the time you want to draw simplified because when you're drawing manga, for example, and 111 00:11:25,070 --> 00:11:27,590 you're making comics, you want something simpler to draw. 112 00:11:27,680 --> 00:11:34,220 You don't want to take so much time, especially if you're like an actual manga artist or manga artist. 113 00:11:34,400 --> 00:11:35,140 You have a deadline. 114 00:11:35,630 --> 00:11:38,090 So drawing characters the simplest way is the best way. 115 00:11:38,540 --> 00:11:42,650 So anyways, I'm going to draw the waistband or this little elastic band going around. 116 00:11:43,010 --> 00:11:48,860 And I think this texture here just to show the kind of type of elastic it is, it's the kind words like 117 00:11:49,400 --> 00:11:55,760 it has this kind of elastic around it and it feels a little bit bumpy, like I have one on my sleeve 118 00:11:55,760 --> 00:11:56,210 right here. 119 00:11:59,000 --> 00:12:01,220 This pant, these pants also have a lot of pockets. 120 00:12:01,250 --> 00:12:06,590 I'm just going to be dry so pockets around will follow in the form of the of the. 121 00:12:09,190 --> 00:12:10,810 Basically, the pants. 122 00:12:10,840 --> 00:12:20,170 So there's another kind of flap right here, it's quite thick, so I'm going to just loop mark out these 123 00:12:20,170 --> 00:12:25,140 forms here and make sure that the ruffles are rather or the folds are rather crinkly. 124 00:12:25,420 --> 00:12:26,920 So not very fluid. 125 00:12:26,920 --> 00:12:32,560 They're just kind of crackly, I would say, and some buttons here and there. 126 00:12:32,560 --> 00:12:40,460 And you can see that it's quite squashed as it gets as it gets lower and lower down the crotch area. 127 00:12:40,930 --> 00:12:43,240 There's another section that's quite confusing. 128 00:12:49,980 --> 00:12:57,930 And we have her other leg and then we have the half block folds which crinkle in and notice how the 129 00:12:57,930 --> 00:13:06,240 pants kind of fold outward, as if they're kind of turning along with the leg and it becomes a lot it 130 00:13:06,240 --> 00:13:07,740 becomes a lot more expanded. 131 00:13:08,220 --> 00:13:10,580 So it's not as thin as you think. 132 00:13:10,590 --> 00:13:12,330 It's actually kind of baggy as well. 133 00:13:12,510 --> 00:13:18,000 I have a lot of there's a lot of baggy pants in this in this section, a lot more to learn. 134 00:13:18,000 --> 00:13:18,250 Right. 135 00:13:18,660 --> 00:13:20,210 So here I feel want to do the straps. 136 00:13:20,220 --> 00:13:26,790 I just simply draw straps on top, not worrying too much about about if it's going over the line or 137 00:13:26,790 --> 00:13:27,000 not. 138 00:13:27,000 --> 00:13:28,110 In fact, I do it wrong. 139 00:13:28,110 --> 00:13:32,610 So it's supposed to be kind of thin in the middle and the twists 140 00:13:35,340 --> 00:13:37,050 and the connects to other strips. 141 00:13:37,440 --> 00:13:39,390 It's kind of confusing pants. 142 00:13:39,480 --> 00:13:43,290 Look, but you don't have to worry about the lines that it crosses because we'll be shading those in 143 00:13:43,290 --> 00:13:45,870 any way and those kind of circle around. 144 00:13:45,870 --> 00:13:51,270 And we had this one here that goes around straight down. 145 00:13:59,140 --> 00:14:01,990 Can draw the girls or not? 146 00:14:02,020 --> 00:14:06,280 Should we call girls, but just basically the soles of the feet kind of like gridded. 147 00:14:08,320 --> 00:14:10,000 Kind of like a gridded texture. 148 00:14:11,640 --> 00:14:19,330 I forgot what she calls my vocabulary unclosed is a very good and more visual anyway, but her shoes 149 00:14:19,330 --> 00:14:20,270 are quite thick. 150 00:14:20,440 --> 00:14:25,720 Looks like the base of it kind of goes a little bit higher and there's like multiple layers on it. 151 00:14:25,720 --> 00:14:27,520 But I think I'll just simplify it to just. 152 00:14:29,740 --> 00:14:35,330 It does make it very simple, but still make sure that the forms read well. 153 00:14:39,750 --> 00:14:43,590 And here, I'm just going to draw a strap and notice that I'm kind of twisting it a little bit. 154 00:14:44,400 --> 00:14:47,610 This is the front and this is the back or vice versa. 155 00:14:47,640 --> 00:14:48,450 Both can work out. 156 00:14:48,570 --> 00:14:51,660 Just make sure that there's a nice turning point. 157 00:14:55,480 --> 00:14:57,210 And here's her leg, her other leg. 158 00:15:03,720 --> 00:15:06,150 And kind of poofs out. 159 00:15:08,100 --> 00:15:13,660 There's just seem one in the middle, which is a little bit like kind of poofy, so I just want to draw 160 00:15:13,830 --> 00:15:18,840 a line here and that ruffles that kind of curl into it and make it seem kind of elastic. 161 00:15:20,070 --> 00:15:24,450 And there's also these little these little strands out here. 162 00:15:24,450 --> 00:15:28,730 I'm not sure what they're for and probably for attaching some pockets or whatever. 163 00:15:30,290 --> 00:15:33,430 And I once again, don't don't worry too much about the lines right now. 164 00:15:33,450 --> 00:15:34,410 We'll clean them up later. 165 00:15:39,060 --> 00:15:50,250 Just kind of simplify them a bit and then here we have the other foot so you can almost see the platform 166 00:15:50,260 --> 00:15:56,130 spiked to the platform, spiked sneaker. 167 00:16:00,250 --> 00:16:06,820 I'd like to draw the platform first so we can get the main ground and draw what's on top and it. 168 00:16:18,660 --> 00:16:20,130 You have the tongue of the. 169 00:16:22,860 --> 00:16:27,840 Of the sneaker net, we have the spikes coming out of it. 170 00:16:31,470 --> 00:16:37,260 So now let's get on to the stress, let's just shade the sun real quick, let's just watch it or even 171 00:16:37,260 --> 00:16:38,690 just fill it all in black. 172 00:16:39,210 --> 00:16:43,170 That's why I tell you guys not to worry too much about the lines inside, because we're just going to 173 00:16:43,170 --> 00:16:43,860 cover these. 174 00:16:44,400 --> 00:16:45,750 And these could be rather rough to. 175 00:16:56,710 --> 00:17:02,890 Notice how the hatches are kind of going in one direction that makes a more uniform and just more consistent 176 00:17:03,580 --> 00:17:05,240 even with the flow of this as well. 177 00:17:05,380 --> 00:17:10,630 You want to make sure that goes along with the rest of the direction of the cloth, because a lot more 178 00:17:10,630 --> 00:17:13,540 cohesive, not just do your best. 179 00:17:17,370 --> 00:17:23,280 You can even shade it or hatch a little bit of what's going on inside here because we don't see it as 180 00:17:23,280 --> 00:17:28,290 much and this could be a good way to introduce some values into your linework. 181 00:17:47,310 --> 00:17:52,370 Now to her face, she has a bit of a serious and kind of aggressive, not aggressive, but kind of very 182 00:17:52,370 --> 00:18:02,780 cool looking face, so I want her to look very like she's not sassy, but more just like really cold 183 00:18:02,780 --> 00:18:03,510 and cool. 184 00:18:03,560 --> 00:18:06,650 So we're going to have her have slanted eyes. 185 00:18:14,900 --> 00:18:15,990 And a highlight. 186 00:18:20,720 --> 00:18:22,460 And the other eye on top. 187 00:18:25,730 --> 00:18:35,500 Notice how the cat like or just kind of the slanted eye gives a really nice, serious, cool effect. 188 00:18:50,150 --> 00:18:55,630 A little bit like this is just a little bit too far, and I'm going to just tilt it a little bit and 189 00:18:55,630 --> 00:18:57,450 then draw just a little bit closer. 190 00:19:08,320 --> 00:19:09,580 Not for her mouth. 191 00:19:12,470 --> 00:19:22,490 Can have a little bit of lip gloss towards the bottom lip, and that is the more cooler looking pose 192 00:19:22,730 --> 00:19:29,600 of this batch, in fact, I kind of want to shade in the sneakers real quick just so it doesn't look 193 00:19:29,600 --> 00:19:32,000 too messy compared to the pants. 194 00:19:55,550 --> 00:19:57,040 Oh, now that one's done. 195 00:19:58,080 --> 00:20:01,170 Now let's go on to our fourth one. 196 00:20:04,500 --> 00:20:08,370 Either one is more of a partial post, not a full body pose, unfortunately, I wish I could find a 197 00:20:08,370 --> 00:20:14,190 full body pose of this, but oh well, I like the curvature of this and the kind of variety of clothes 198 00:20:14,190 --> 00:20:16,080 that she has on with the pleated skirt and everything. 199 00:20:16,110 --> 00:20:17,510 So I chose this one as well. 200 00:20:20,140 --> 00:20:26,740 Now, once again, let's draw in the gesture, the gesture is kind of you want to find us curve or just 201 00:20:26,740 --> 00:20:30,710 the line of action, understand where the face is going. 202 00:20:32,320 --> 00:20:38,390 She looks very confident in her abilities to dance and her confidence in her visual. 203 00:20:38,770 --> 00:20:44,830 So I want her to look very, very I want her to have that kind of pack, like really 204 00:20:47,560 --> 00:20:50,740 this really confident pose. 205 00:20:50,770 --> 00:20:53,830 So to do that, I want to lift her chest up really high, as she does here. 206 00:20:54,520 --> 00:20:58,770 So the rib cage should be more riding towards up the sky where it's really, really curved. 207 00:20:58,780 --> 00:21:02,770 It looks like she's just really, like flexing her back. 208 00:21:02,980 --> 00:21:08,270 But not only that, but the shoulder width really contributes to that. 209 00:21:10,870 --> 00:21:18,010 So her shoulder mixed with her hip, we're all focusing upward. 210 00:21:19,480 --> 00:21:28,000 So it looks like her hip is like going way up like that as connected to the and of course, it's connected 211 00:21:28,000 --> 00:21:30,630 to the waistline area. 212 00:21:36,230 --> 00:21:45,230 Her legs are very structured so that it gives a more like the reason why the legs aren't doing as much 213 00:21:45,230 --> 00:21:50,810 action is just because it pulls the gesture into a more of a grander focus. 214 00:21:54,240 --> 00:21:59,100 So because these are straight this appears even more curved and this is what it is, curve, it looks 215 00:21:59,100 --> 00:21:59,550 like that. 216 00:22:00,270 --> 00:22:02,640 So now once we have that done, let's just erase most of it. 217 00:22:02,640 --> 00:22:08,160 Just refine it this make a little bit faster now, because I've just been explaining the whole thing 218 00:22:08,160 --> 00:22:09,050 over and over now. 219 00:22:09,540 --> 00:22:15,150 But, yeah, I hope you guys don't mind that we're finding the face, of course, understanding where 220 00:22:15,150 --> 00:22:18,810 the head is facing. 221 00:22:19,260 --> 00:22:20,910 She looks like she's kind of facing front. 222 00:22:21,930 --> 00:22:24,350 Her neck is a bit low. 223 00:22:24,390 --> 00:22:25,620 We're kind of just tucked in a bit. 224 00:22:27,450 --> 00:22:36,960 And then her collarbone locks the neck a little bit, the blocks, the length of the neck, sorry. 225 00:22:37,590 --> 00:22:39,450 And then it connects to the shoulder. 226 00:22:40,140 --> 00:22:44,130 And it's very confident looking because it's very upward. 227 00:22:44,130 --> 00:22:45,360 It's not shaky or anything. 228 00:22:45,360 --> 00:22:46,280 It's not loose. 229 00:22:46,290 --> 00:22:56,790 It's very confident, as I mentioned earlier here with underarm, that also gives a little leeway to 230 00:22:56,790 --> 00:22:58,260 the ribcage area. 231 00:22:59,730 --> 00:23:02,580 Her breasts or her chest isn't that big. 232 00:23:02,580 --> 00:23:07,050 So I would probably just put a little bulge over on top. 233 00:23:07,950 --> 00:23:14,930 But we can see most of the bottom of her chest area because we can see these lines going this way because 234 00:23:14,940 --> 00:23:16,410 and also because we don't see the top of it. 235 00:23:16,920 --> 00:23:19,260 So I understand also the perspective of where it goes. 236 00:23:24,480 --> 00:23:32,850 Another thing is to understand the twists and how the body twists when it's very and I want to put in 237 00:23:32,850 --> 00:23:37,200 this kind of constraint we want to do is you want to understand that this is almost like a little pillow 238 00:23:37,980 --> 00:23:39,540 and it constricts like a pillow. 239 00:23:39,750 --> 00:23:41,370 So this is more like the obliques. 240 00:23:43,020 --> 00:23:45,920 And then we have the butt. 241 00:23:51,130 --> 00:23:59,620 And then we have the pubic area or the abdominal area, but it's also kind of like what they've done, 242 00:23:59,740 --> 00:24:04,360 malerie ends and even though we don't see it, we can see the motion that it causes. 243 00:24:04,630 --> 00:24:06,820 So we can kind of also assume where it ends. 244 00:24:08,240 --> 00:24:09,730 And here we have the other leg. 245 00:24:12,290 --> 00:24:13,460 This is very straight. 246 00:24:21,020 --> 00:24:22,390 This is what it looks like so far. 247 00:24:23,120 --> 00:24:31,820 And here we have our elbow being in front of the other of the top arm, upper arm, and then running 248 00:24:31,820 --> 00:24:33,380 nice and snug on the hip. 249 00:24:37,230 --> 00:24:44,690 And then we have our other arm and then her other elbow being quite dominant elbow is quite dominant 250 00:24:44,690 --> 00:24:45,290 in this one. 251 00:24:45,610 --> 00:24:50,670 A lot of it is in front, but that's also just because of the direction of the elbow. 252 00:24:50,990 --> 00:24:54,610 So if the elbow is more forward, it's in front. 253 00:24:54,620 --> 00:25:01,190 But if her hand is going this way and it's going back, this arm prevails over this one. 254 00:25:01,620 --> 00:25:04,910 I don't know if that just made sense, but that's how I like to view it. 255 00:25:09,020 --> 00:25:16,760 So, yeah, that's our basic body now, of course, let's just go ahead and refine it once more, make 256 00:25:16,760 --> 00:25:19,610 sure not to lose any of your drawing, because that's really critical. 257 00:25:25,950 --> 00:25:27,570 So here, let's draw her face. 258 00:25:31,250 --> 00:25:36,830 We noticed that the ear is facing this way and the other ear isn't because she's sort of facing like 259 00:25:36,830 --> 00:25:39,140 a frontal front of you. 260 00:25:44,000 --> 00:25:49,070 I'd like to draw the Brigidine noses for these characters just because it gives a bit more, it kind 261 00:25:49,070 --> 00:25:55,760 of shows a little bit more realism and I like to do it the style just because I'm kind of referencing 262 00:25:55,760 --> 00:25:57,950 and kind of making them more animated version. 263 00:26:00,720 --> 00:26:06,870 So let's draw the face or the hair first we measure out the one that measured, we can estimate where 264 00:26:06,870 --> 00:26:14,310 the hairline is and then draw the parting and then we draw the hair on top and it fluffs over the scalp. 265 00:26:14,310 --> 00:26:20,760 Once again, I cannot stress enough how many people make this mistake where their hair is just covering 266 00:26:20,760 --> 00:26:21,150 the scalp. 267 00:26:21,150 --> 00:26:26,490 And this is not just like I just mean in general, like even I did the same thing. 268 00:26:26,490 --> 00:26:28,530 I was the hair was stuck to the head. 269 00:26:29,130 --> 00:26:32,880 So it always made it look really stiff. 270 00:26:33,030 --> 00:26:37,740 But until I realized that there's a bit of spacing between the scalp and the hair, I got really it 271 00:26:37,770 --> 00:26:40,360 got a lot clearer and my hair looks a lot better. 272 00:26:41,250 --> 00:26:45,570 So here we have a front part that flows out. 273 00:26:46,620 --> 00:26:50,520 That's the come out, the first upper layer, and then we have the bottom layer that's more straight. 274 00:26:51,010 --> 00:27:01,950 In fact, I kind of want to make it really long, but here we have some more towards the back and then 275 00:27:01,950 --> 00:27:05,270 we can indicate a little bit more towards this area as well. 276 00:27:07,410 --> 00:27:09,260 And then we can also draw on her face. 277 00:27:09,270 --> 00:27:10,710 She looks also very confident. 278 00:27:11,580 --> 00:27:13,530 I would actually say she looks a little bit cuter. 279 00:27:13,530 --> 00:27:18,150 I would actually make her eyes more medium sized, probably more like boxy. 280 00:27:20,360 --> 00:27:21,380 Not too sharp. 281 00:27:24,730 --> 00:27:27,700 So this is more of a different eye shape than I usually draw. 282 00:27:31,700 --> 00:27:36,830 I just heard the other side make sure it's a little bit more contorted and fits in the in the eye or 283 00:27:36,830 --> 00:27:39,770 in the head, make sure it's rather thick. 284 00:27:45,180 --> 00:27:49,090 And then her eyebrows are kind of thick, so. 285 00:27:50,250 --> 00:27:56,040 And it's also because she has a more confident look, I would put them a lot lower than I would a cheerful, 286 00:27:56,520 --> 00:28:00,390 kind of cheerful kind of expression. 287 00:28:07,090 --> 00:28:08,530 And it made the eyes looking up. 288 00:28:13,450 --> 00:28:18,560 Because usually when it's more full becomes a little bit more sweeter. 289 00:28:18,580 --> 00:28:26,140 But the smaller the people is compared to the the and sweet kind, the more cooler and chic she looks. 290 00:28:29,850 --> 00:28:34,500 That's why girls with bigger eyes look very innocent and girls with smaller eyes look a lot more mature. 291 00:28:38,090 --> 00:28:44,180 And her smile is more like an open teeth smile, so I would lift it up here. 292 00:28:49,470 --> 00:28:55,500 And parked in the middle, of course, at some lipgloss, because why not see the pop star? 293 00:28:59,470 --> 00:29:00,910 That's what her face would look like. 294 00:29:04,740 --> 00:29:09,480 Now, let's try and her color, which is kind of an interesting perspective. 295 00:29:09,780 --> 00:29:15,180 We see the underside here and then we see the side of the color. 296 00:29:15,360 --> 00:29:17,820 It almost looks like a school uniform, but kind of cropped. 297 00:29:27,240 --> 00:29:28,620 We see the button on this side. 298 00:29:31,240 --> 00:29:34,720 And the underside of the collar. 299 00:29:46,590 --> 00:29:54,960 And here we have our her vest, which surrounds the body, and it kind of overlaps on top of the ribcage 300 00:29:54,960 --> 00:29:59,070 and forms these little folds because it's stretched across. 301 00:30:03,270 --> 00:30:07,880 Make sure the direction goes in the same direction as the rib cage in the direction of the body. 302 00:30:12,490 --> 00:30:16,660 Looks like your hair is also overlapping on top, so hair is really long. 303 00:30:21,850 --> 00:30:25,750 Make sure the gravity is pulling it so you don't want it to go all over the place, you want to make 304 00:30:25,750 --> 00:30:28,800 sure it goes in a nice flowing direction. 305 00:30:33,960 --> 00:30:40,140 Notice how there's a there is these fools that kind of stretch across that kind of shows that it's a 306 00:30:40,140 --> 00:30:48,330 little bit tight and tightly wrapped around in these photos, just show that to show the motion of where 307 00:30:48,330 --> 00:30:53,430 the ribcage is going as well as her chest and the sleeves are what I'm interested in, so I can't wait 308 00:30:53,430 --> 00:30:53,970 to draw that. 309 00:30:55,950 --> 00:30:58,500 So her sleeves are downright puffy. 310 00:30:59,460 --> 00:31:04,140 So I'm just going to draw a sleeve and kind of a puffed sleeve over top and draw the seam right on the 311 00:31:04,140 --> 00:31:06,740 bottom towards the bottom, I would say. 312 00:31:07,080 --> 00:31:12,810 And then you see that that stretch of folds coming through from the underside, because this is a loose 313 00:31:12,810 --> 00:31:14,250 kind of material. 314 00:31:14,520 --> 00:31:17,610 There's a lot more bagginess going along. 315 00:31:19,380 --> 00:31:21,580 It also a different kind of fabric as well. 316 00:31:21,600 --> 00:31:26,640 I think this is I don't know what kind of fabric it is, honestly, but it gives us it doesn't give 317 00:31:26,640 --> 00:31:31,140 this kind of like soopers soft look. 318 00:31:31,140 --> 00:31:38,130 It kind of gives it a there the, um, I wouldn't say, like you say, papery, but that's really the 319 00:31:38,130 --> 00:31:39,740 only kind of texture that I can think of. 320 00:31:40,230 --> 00:31:45,280 It's not paper is just more like just regular like dress clothing, like, like a dress shirt or something, 321 00:31:45,280 --> 00:31:47,360 because that kind of has those very sharp edges. 322 00:31:49,920 --> 00:31:55,260 And also has more folds because it's also a looser kind of fold here we have a ruffle. 323 00:31:58,200 --> 00:32:00,030 What you can layer on top like this. 324 00:32:04,240 --> 00:32:11,890 And then have it overcome with the balloon like sleeve, so just think of it as like a big balloon and 325 00:32:11,890 --> 00:32:15,640 it constricts towards the end. 326 00:32:23,310 --> 00:32:24,870 Can you raise the armor beneath? 327 00:32:29,230 --> 00:32:34,150 And then we can draw these photos that kind of loop around towards the center, because that's where 328 00:32:34,150 --> 00:32:40,960 it originates and we have the other fools that kind of just go through from go through the motions of 329 00:32:41,500 --> 00:32:42,200 going across. 330 00:32:42,220 --> 00:32:44,610 So like her, her arm is moving this way. 331 00:32:44,620 --> 00:32:49,120 So then it's only natural that her that the folds of her clothes would do the same thing. 332 00:32:50,980 --> 00:32:52,180 Now, this is really puffy. 333 00:32:52,630 --> 00:32:56,410 So I'm going to draw the collar here just so I can understand where my landing space is. 334 00:32:59,680 --> 00:33:01,780 And then this big balloon that appears. 335 00:33:04,860 --> 00:33:11,430 And notice that it's not flowing or kind of attached to the skin, it's very it leaves a lot of space 336 00:33:11,430 --> 00:33:13,890 in a room for the arm to move around it. 337 00:33:15,120 --> 00:33:23,340 Now, here we have the vault connecting to this center of the cups and then some other other folds to 338 00:33:23,340 --> 00:33:25,550 kind of show that more of the shape of this. 339 00:33:25,590 --> 00:33:26,910 Well, the nature of this cloth. 340 00:33:36,900 --> 00:33:40,490 Can even draw the badge, which is more elliptical rather than circular. 341 00:33:43,850 --> 00:33:46,010 In fact, I kind of want to draw a longer hair on her. 342 00:33:50,250 --> 00:34:00,640 There, that's better, so it looks like she has this kind of strap in towards the center of her shirt. 343 00:34:00,660 --> 00:34:03,390 I think it's probably like a ribbon to tie the back, but they get loosened. 344 00:34:05,460 --> 00:34:07,860 Notice that there's nice kind of ribbon texture. 345 00:34:08,370 --> 00:34:13,830 There's a back or there's a front part of her ribbon. 346 00:34:18,890 --> 00:34:21,200 It flips up and then it flips down. 347 00:34:25,520 --> 00:34:26,990 And it burns down. 348 00:34:31,790 --> 00:34:34,250 And here, the side. 349 00:34:40,330 --> 00:34:42,280 Just shows the underside of the ribbon. 350 00:34:44,020 --> 00:34:49,900 It's an interesting costume look under layer and on the bottom than the last layer. 351 00:34:57,580 --> 00:35:05,860 Now we see this foldes coming through under a skirt, and that's where the skirts, waistline or waistband 352 00:35:06,370 --> 00:35:06,970 is their. 353 00:35:12,170 --> 00:35:19,490 And it's good to also note where the billy or the belly just shows, but notice how it kind of wraps 354 00:35:19,490 --> 00:35:25,610 around a tux on top of the waistband, that just because that's just how flesh works, really, if there's 355 00:35:25,610 --> 00:35:28,790 a little bit of fat, mostly Tammy kind of loops over. 356 00:35:29,360 --> 00:35:30,530 So it kind of looks like this. 357 00:35:46,660 --> 00:35:48,990 Have a dark strap around her waist. 358 00:35:54,650 --> 00:35:58,220 Well, I forgot to draw her hand, too, so we can just draw her some. 359 00:36:03,270 --> 00:36:07,550 Then her finger, just to simplify it. 360 00:36:09,650 --> 00:36:14,600 Same thing with the other hand here, I don't want to just make it like a stick, so I'm just going 361 00:36:14,600 --> 00:36:20,150 to indicate where the hand starts there enough for a pleated skirt. 362 00:36:21,080 --> 00:36:26,450 You kind of want to draw like a little upside down cone, not really upside down, but more like a flat 363 00:36:26,450 --> 00:36:28,970 topped cone and then draw the ruffles. 364 00:36:28,980 --> 00:36:35,840 So I want to I want you guys to practice by dry one portion and then draw on the curve on top. 365 00:36:39,520 --> 00:36:45,070 Just drop off sections one by one, so that doesn't become so confusing. 366 00:36:45,100 --> 00:36:46,960 So this is the back part of the plate. 367 00:36:47,290 --> 00:36:48,370 This is in front of it. 368 00:36:55,540 --> 00:37:02,980 Then we have another plate underneath that connect to the top, so it's not really that hard because 369 00:37:03,400 --> 00:37:06,990 you start from the beginning and end, it becomes a lot easier. 370 00:37:10,150 --> 00:37:16,390 So it looks like her shorts are kind of peeking through, so I'm just going to be drawing that on top 371 00:37:16,600 --> 00:37:17,320 or underneath. 372 00:37:18,940 --> 00:37:24,190 Notice how there's also little more pleats at the back can just draw that as well. 373 00:37:26,380 --> 00:37:36,010 Here we have her thigh area and as you can see, which is what some people would call absolute territory. 374 00:37:36,700 --> 00:37:40,330 I only figured that out just now because I've just seen it so many times, like, oh, so that's absolute 375 00:37:40,330 --> 00:37:40,840 territory. 376 00:37:40,840 --> 00:37:47,110 I guess it's just some kind of interesting way of calling thigh high socks. 377 00:37:47,110 --> 00:37:52,060 But anyways, you can see that there's like this kind of flap going not flap, this kind of boat kind 378 00:37:52,060 --> 00:37:52,570 of going through. 379 00:37:52,750 --> 00:37:53,590 That's a thigh. 380 00:37:53,800 --> 00:38:02,770 And because it's the sock is quite tight, skin tight, it kind of creates is kind of shapely, kind 381 00:38:02,770 --> 00:38:03,850 of bulge on top. 382 00:38:03,970 --> 00:38:08,710 And I think it's just it does look really aesthetic, I have to say, but it's kind of also satisfying 383 00:38:08,710 --> 00:38:09,120 to draw. 384 00:38:09,130 --> 00:38:09,550 So. 385 00:38:13,780 --> 00:38:20,900 And then we can draw the bottom part, just the same thing, kind of draw a loop around almost like 386 00:38:20,900 --> 00:38:25,670 a cylinder and then the sock underneath. 387 00:38:27,050 --> 00:38:29,200 So that is our second pose. 388 00:38:29,450 --> 00:38:30,500 Let's see how much time we have. 389 00:38:30,500 --> 00:38:31,820 We're thirty two minutes. 390 00:38:32,360 --> 00:38:33,820 So I think that should be a good time. 391 00:38:33,830 --> 00:38:39,410 And since we have one more pose pose left, let's just do that here. 392 00:38:39,410 --> 00:38:42,680 We have the last one, which is an ice skating figure. 393 00:38:46,500 --> 00:38:50,400 And this one's going to be rather tricky because this is more of a back view, but we still want to 394 00:38:50,460 --> 00:38:51,650 apply the same things. 395 00:38:51,930 --> 00:38:54,930 So once again, we just want to understand the gesture. 396 00:38:54,930 --> 00:39:01,850 First noticed that this is her head is facing almost like a three quarter side view. 397 00:39:02,100 --> 00:39:04,020 You can just barely see the three quarters side. 398 00:39:05,820 --> 00:39:08,480 And we see that the her ribcage is facing towards the back. 399 00:39:08,820 --> 00:39:09,930 So we don't draw the front. 400 00:39:09,930 --> 00:39:11,340 We just can't draw the back part. 401 00:39:12,510 --> 00:39:17,220 Her neck is straight down and then we can draw the motions of her arms. 402 00:39:19,410 --> 00:39:22,170 And five, doing this a lot faster is probably a lot easier. 403 00:39:22,920 --> 00:39:25,980 So we just want to understand the motions. 404 00:39:26,370 --> 00:39:30,210 In fact, in this case, I think I would go for a little bit of a different method. 405 00:39:31,380 --> 00:39:34,350 I still want to understand what the boxes, the boxes is more towards the back. 406 00:39:34,350 --> 00:39:38,210 We see the complete side of of her leg here. 407 00:39:38,340 --> 00:39:43,590 So it's more towards the side, I would say, back side. 408 00:39:44,490 --> 00:39:52,500 So we see the side, we see the back, and then we have the weighted leg straight down. 409 00:39:53,550 --> 00:39:56,100 We want to make sure she looks as if she's gliding. 410 00:40:00,690 --> 00:40:05,810 The weight and the how to do that really well, just go a lot faster and make her more fluid, a more 411 00:40:05,810 --> 00:40:06,530 graceful. 412 00:40:09,980 --> 00:40:16,340 The faster your lines are and the faster you understand the gracefulness of her pose and her elegance, 413 00:40:17,180 --> 00:40:20,510 the more struck looking more fluid and not so stiff. 414 00:40:20,660 --> 00:40:25,400 So don't take your time on this one, because this is more about the gesture, even though you still 415 00:40:25,400 --> 00:40:26,860 want to build it correctly. 416 00:40:27,170 --> 00:40:30,170 So here, I'm going to once again go ahead and. 417 00:40:33,850 --> 00:40:42,250 Make sure that this is all nice and refined so it looks like her head is going this direction almost 418 00:40:42,260 --> 00:40:44,980 side view her nose. 419 00:40:54,660 --> 00:40:57,570 Her nose kind of protrudes out from her. 420 00:41:00,950 --> 00:41:01,640 Head here. 421 00:41:14,880 --> 00:41:18,570 And then her mouth also protrudes out just a little bit. 422 00:41:20,200 --> 00:41:22,080 They want to do a part of lips. 423 00:41:25,790 --> 00:41:29,780 The bottom you can do this if you want, although I think it's probably pretty or without it. 424 00:41:39,340 --> 00:41:45,280 Well, I started getting into a little bit too ahead of myself with the face, so I'm not going to do 425 00:41:45,280 --> 00:41:45,580 that, 426 00:41:48,640 --> 00:41:49,740 focuses on the gesture. 427 00:41:50,620 --> 00:41:56,350 So here we can see that we had the back of the neck neck here, and then we could see this kind of flap 428 00:41:56,350 --> 00:41:57,100 going through. 429 00:41:57,370 --> 00:42:01,900 And that's basically like the trapezius and the other fat muscles at work when it comes to lifting the 430 00:42:01,900 --> 00:42:02,320 arms. 431 00:42:05,400 --> 00:42:12,780 Can see the shoulder just a little bit of distance away underneath the clavicle. 432 00:42:14,750 --> 00:42:15,770 Well, straight ahead. 433 00:42:20,390 --> 00:42:24,110 Going gracefully upward, just slightly. 434 00:42:33,810 --> 00:42:38,040 And the back and then you have your hand, you have the pinky. 435 00:42:39,700 --> 00:42:41,530 The back of the hand and then. 436 00:42:43,600 --> 00:42:54,460 There's some kind of hidden hindsight, and in hindsight, that's your arm stretch outward like an eagle. 437 00:42:54,610 --> 00:43:01,300 I would say I like to consider as an eagle you have the other arm, which is which makes her top torso 438 00:43:01,360 --> 00:43:02,680 look more stretched out. 439 00:43:03,970 --> 00:43:12,780 You have the scapula, which I didn't really teach much on back muscle because usually for us, we don't 440 00:43:12,880 --> 00:43:15,970 draw back sides that much unless it's absolutely needed to. 441 00:43:15,970 --> 00:43:19,120 In fact, if you want to draw back views, just look at some references. 442 00:43:19,690 --> 00:43:22,330 So here we have the scapula and the scapula kind of moves on. 443 00:43:22,330 --> 00:43:22,980 The arm moves. 444 00:43:23,040 --> 00:43:25,780 It's kind of a floating bone here. 445 00:43:27,850 --> 00:43:31,690 But, you know, the reason why can't always locate the scapula is just because it's always it's kind 446 00:43:31,690 --> 00:43:32,110 of floating. 447 00:43:32,110 --> 00:43:32,860 It's always moving. 448 00:43:33,140 --> 00:43:38,740 You just got to understand where you are moves and that's where your scapula most mostly is reaching. 449 00:43:42,340 --> 00:43:43,510 Here we have a breast. 450 00:43:47,710 --> 00:43:54,160 And then her torso area, and I'd like to kind of squish this area here just because it gives this nice 451 00:43:54,160 --> 00:43:58,270 fluidity and we have the external obliques. 452 00:44:02,460 --> 00:44:09,810 And notice how I make sure that I pull the muscle in, because there's a I can't name all the muscles 453 00:44:09,810 --> 00:44:14,940 here and there, but here's a trapezius where the neck muscle kind of goes and it kind of forms like 454 00:44:14,940 --> 00:44:16,320 a trapezoid in a way. 455 00:44:16,680 --> 00:44:19,350 And they have your back muscles that kind of go all the way down. 456 00:44:19,770 --> 00:44:21,840 I forgot what they're called, so don't ask me. 457 00:44:23,130 --> 00:44:30,270 And then there's lots which are kind of like from your kind of pull in across your elbow area and your 458 00:44:30,270 --> 00:44:34,590 ribcage area that elbow your arm area like this area here. 459 00:44:39,950 --> 00:44:45,800 We have the two dimples, usually when it comes to pelvic, kind of also telling the back of the pelvis 460 00:44:45,800 --> 00:44:48,740 is because we can't really see. 461 00:44:49,610 --> 00:44:52,390 Looks like it's going pretty straight for this one leg here. 462 00:44:52,400 --> 00:44:56,120 So it looks like the buttock is facing upward. 463 00:45:02,340 --> 00:45:13,320 And this is going straight, straight down side view, this is the back or the glutes, the thigh area 464 00:45:13,320 --> 00:45:15,360 kind of formed two lumps. 465 00:45:21,760 --> 00:45:28,540 What's interesting is that she kind of turned she kind of turns her other her leg to a more forward 466 00:45:28,540 --> 00:45:33,660 pose, so it looks more so you can see this side of her leg here. 467 00:45:34,120 --> 00:45:39,940 So it kind of somehow just turns, I guess, and it's more towards the side. 468 00:45:46,190 --> 00:45:48,350 Here we have her foot. 469 00:45:48,800 --> 00:45:57,260 This area here, then we have her and then let's go with her other leg, her buttock area, her glutes. 470 00:45:59,960 --> 00:46:10,040 Carefully enveloping and below or on top of the quads and the hamstrings have a kneecap. 471 00:46:12,800 --> 00:46:17,770 We were calves, this is more of a side view look, let me have. 472 00:46:20,490 --> 00:46:22,170 Her foot. 473 00:46:25,460 --> 00:46:35,740 So this kind of twisting motion that she has or that you draw really affects the motion of the pose 474 00:46:36,410 --> 00:46:37,790 now is draw the back of the arm. 475 00:46:39,110 --> 00:46:40,050 It's quite similar. 476 00:46:41,330 --> 00:46:45,020 You have the elbow kind of twisted forward. 477 00:46:47,970 --> 00:46:53,730 It's more kind of relaxed, straight, kind of like a relaxed straight pose, so it looks it doesn't 478 00:46:53,730 --> 00:47:00,840 look super tense, it looks very graceful, and that is our basic pose, which is probably a little 479 00:47:00,840 --> 00:47:01,710 bit difficult for you guys. 480 00:47:01,720 --> 00:47:04,250 But don't worry, if you guys don't get it, it's fine. 481 00:47:08,480 --> 00:47:13,080 So I'm probably gonna have to minimize this image here so I can sit. 482 00:47:16,030 --> 00:47:17,920 The Posies side by side. 483 00:47:22,990 --> 00:47:23,470 WAPs. 484 00:47:29,020 --> 00:47:31,180 If I can layer some on top, that'll be great. 485 00:47:32,180 --> 00:47:32,940 Let's look at that. 486 00:47:33,280 --> 00:47:34,120 Not too bad. 487 00:47:34,270 --> 00:47:43,690 I would say I would put a little bit further away, probably even lower like this, even just for the 488 00:47:43,690 --> 00:47:45,790 sake of convenience. 489 00:47:46,480 --> 00:47:47,560 Well, I don't know. 490 00:47:47,560 --> 00:47:51,750 I think I just put them side by side all extend the canvas just a little bit. 491 00:47:53,560 --> 00:47:58,150 So I'm going to do it under the crop, make sure my background color is white and just drag. 492 00:47:59,440 --> 00:48:07,660 And then what I'm going to do after is just move movies, since this is kind of a long, extensive pose 493 00:48:07,660 --> 00:48:07,930 here. 494 00:48:09,580 --> 00:48:10,130 That's great. 495 00:48:10,150 --> 00:48:10,710 Perfect. 496 00:48:11,500 --> 00:48:17,020 And then let's enlarge that photo just so we can get a clear look at a dress. 497 00:48:20,810 --> 00:48:27,260 So let's start with drawing her hair here is kind of like in a nice little updo, once again, we want 498 00:48:27,260 --> 00:48:28,610 to erase most of this. 499 00:48:32,080 --> 00:48:37,000 Maybe at least the shoulder area in the leg area here. 500 00:48:38,500 --> 00:48:41,920 We want to look at the hair and want to look at the face eyes. 501 00:48:46,740 --> 00:48:51,210 Notice the eyes are kind of still within are still visible. 502 00:48:53,990 --> 00:48:58,610 Make sure that when they're closed, they kind of look a little bit closed, at least make sure they're 503 00:48:58,610 --> 00:48:59,990 in a nice downward direction. 504 00:49:00,760 --> 00:49:02,230 She has a kind of a graceful look. 505 00:49:03,020 --> 00:49:08,480 So I want to have her eyebrows a little bit gentler, not super sharp. 506 00:49:11,500 --> 00:49:19,840 And why do I want to draw some nice eyelashes just to make her look a little bit more graceful and actually 507 00:49:19,840 --> 00:49:22,060 I feel like her face needs a little bit of work. 508 00:49:25,330 --> 00:49:27,520 I would probably round it out a little bit more. 509 00:49:30,700 --> 00:49:38,910 There is probably a bit better, and I would separate this just a little bit more, so it looks no, 510 00:49:38,950 --> 00:49:40,150 no, I'm not going to do that. 511 00:49:42,100 --> 00:49:45,790 The reason being is because it's kind of like a more side view perspective here. 512 00:49:51,090 --> 00:50:00,230 Looks like she has a part between an overhead, some bangs kind of covering over her face that kind 513 00:50:00,230 --> 00:50:01,610 of overlap against her head. 514 00:50:09,200 --> 00:50:12,410 She has a bit of a poof that comes out from her head, from her updo. 515 00:50:15,510 --> 00:50:22,500 And she has a little bit of a clip in her hair, and then we want to draw her hair also flowing in the 516 00:50:22,500 --> 00:50:25,440 wind as if she's like just kind of gliding through. 517 00:50:26,010 --> 00:50:33,120 So want to do it according to the direction she's going and she looks so she's kind of gliding and twirling. 518 00:50:33,130 --> 00:50:38,790 So I would go this way when it comes to the direction of her hair because the photo has it. 519 00:50:38,820 --> 00:50:45,480 But aside from that, that's how I would make sure it's being seen or being portrayed as. 520 00:51:11,850 --> 00:51:16,500 Now it's dry, her dress and her dress has some nice, very flowing, 521 00:51:19,590 --> 00:51:21,560 nice, very flowing feel to it. 522 00:51:21,930 --> 00:51:27,210 So notice how these sleeves kind of connect to the back, almost like wings, so it gets thinner towards 523 00:51:27,210 --> 00:51:27,690 the back. 524 00:51:28,110 --> 00:51:33,030 And then they both have, like, this kind of nice double layer towards the center. 525 00:51:34,960 --> 00:51:38,450 So it gets a little bit thicker and it gets thinner as it connects to the back. 526 00:51:39,030 --> 00:51:44,430 So we want to make sure it flows easily as also a little bit transparent. 527 00:51:44,430 --> 00:51:48,080 So we want to leave some wine work of the body intact. 528 00:51:48,090 --> 00:51:49,530 We don't want to erase it completely. 529 00:52:03,130 --> 00:52:05,420 And here we have the dress underneath. 530 00:52:05,450 --> 00:52:10,790 Notice how this is actually kept light, because I don't want this to be, like, totally dark like 531 00:52:10,790 --> 00:52:11,060 this. 532 00:52:11,300 --> 00:52:13,610 In fact, the fainter looks, the more transparent it looks. 533 00:52:14,210 --> 00:52:15,050 So it's another thing. 534 00:52:16,190 --> 00:52:24,230 And here we have our waist area and I want to draw some ruffles or so I keep saying, ruffle some folds 535 00:52:24,230 --> 00:52:26,510 to show the wrapping around on our waist. 536 00:52:27,410 --> 00:52:32,590 And then afterwards, the fun part comes where you draw the multiple layers of a dress. 537 00:52:32,600 --> 00:52:34,130 So it looks like there's one layer. 538 00:52:34,130 --> 00:52:41,330 There's like two layers of a dress, one layer that's very elegant, which is the decorative part. 539 00:52:42,230 --> 00:52:48,830 And what you want to do is you want to just draw on top very smoothly, like Wavves. 540 00:52:53,530 --> 00:52:59,970 Just have it flow naturally, you don't want to draw this slowly, you want to draw actually rather 541 00:52:59,970 --> 00:53:08,220 fast because the faster you draw these, draw the stress, the more motion it brings and therefore the 542 00:53:08,220 --> 00:53:09,450 less static you'll feel. 543 00:53:12,450 --> 00:53:13,710 Here we have the underside. 544 00:53:16,490 --> 00:53:25,510 Which mirrors almost exactly what's on the top layer, so you don't have to go all out or completely, 545 00:53:25,550 --> 00:53:27,450 it's the same as the image. 546 00:53:27,470 --> 00:53:29,360 Just make sure you capture the essence of it. 547 00:53:32,030 --> 00:53:34,670 And now let's go on to her legs, her feet. 548 00:53:34,680 --> 00:53:41,210 More specifically, let's talk in this edge here so it's easy to see. 549 00:53:48,750 --> 00:53:49,530 Let's draw. 550 00:53:52,450 --> 00:54:02,350 Her shoe, which are the base of the shoe to draw the heel back and then 551 00:54:05,770 --> 00:54:08,560 blade of the ice skate, ice skating shoe. 552 00:54:08,920 --> 00:54:11,770 So here we have the laces, the tongue and everything. 553 00:54:12,670 --> 00:54:14,080 It's kind of indicated roughly. 554 00:54:16,930 --> 00:54:20,390 That's pretty much that for this one last one. 555 00:54:20,410 --> 00:54:24,250 It's more side of you actually want to make her look a little bit more slender. 556 00:54:24,970 --> 00:54:26,290 So I didn't make too bulky. 557 00:54:29,990 --> 00:54:35,030 I drew the base of the foot, just the base kind of shape of it. 558 00:54:37,760 --> 00:54:39,150 I drew the tongue on top. 559 00:54:40,130 --> 00:54:43,070 I drew the rest of the foot around or most of the show around it. 560 00:54:47,940 --> 00:54:49,500 Overlapped on top of the foot. 561 00:55:08,260 --> 00:55:11,440 Notice that there's a bit of a bump here. 562 00:55:19,150 --> 00:55:25,990 In fact, I sort of looked a little bit choppy, so I'm going to do I'm going to make this more flowing. 563 00:55:28,960 --> 00:55:35,390 And I'm going to arch this heel so it looks a little bit more natural, indicate a little bit of laces, 564 00:55:37,020 --> 00:55:40,670 I'm going to draw the base of the foot. 565 00:55:40,670 --> 00:55:42,320 Here are the base of the heel. 566 00:55:47,830 --> 00:55:49,750 And then the blades, the bottom. 567 00:55:56,790 --> 00:55:58,330 So that's how you draw the last pose. 568 00:55:58,350 --> 00:55:59,360 Let me know what you guys think. 569 00:55:59,370 --> 00:56:03,990 Hopefully this was really helpful for you guys and I'll see you guys in the next episode, Labi.