1
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Ok I call this the Perry walk down from Sixty-Four work.

2
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I have a friend last name is Barry and he showed me this many years ago.

3
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He revolutionized the way that I play expanded my hand position and sort of open my eyes and ears to

4
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chromaticism and moving from one court to the next.

5
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I'm not going to write this one out because it's a lot to explain here.

6
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So this stay with me.

7
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We start with F minor chord and then the F minor get the power core on the base of your fancy moves

8
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down chromatically and then I position my hand over here to make this chromatic move down into a dominant

9
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seventh becomes a dominant 7 really did just kept the outside voices the same.

10
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It was plainly a flat in a fletching chance for twitchy sharp and I ended the seventh for the seventh

11
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there.

12
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So we had seven then we came here actually.

13
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E minor 7 to 9 Culley minor nine the voicing is as follows.

14
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Very nice and open.

15
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So you get the fifth here the third of them minus seven seven and ninth.

16
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And you know this is great because this top notes base the whole progression that we move here.

17
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This is a deep down minute seven

18
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in the middle.

19
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Here the C and E really bring it out.

20
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And they resolve on a D-flat major

21
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with a very open voicing here.

22
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We've doubled the third get the seventh in the middle there.

23
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So altogether only minus seven down nine.

24
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He minor

25
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the dominant nine you can keep that if you want to deflect major seven times

26
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I need to call these notes so if C a flat C a flat E G.

27
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D This is turning from two wonderful reinterpretation of the notes E-flat B flat flat flat.

28
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Now flat again and then we go d.

29
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K sharp C D now t shirt began to finally move towards the A-flat D-flat flat F C a flat.

30
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Practice that loaded in the single key.

31
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I know I did.

32
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And that's partially the reason that play the way that I do with the expand the intervals the first

33
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time I play it so I don't even know if I can stretch my fingers.

34
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I said yes you can and I did it.

35
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So for him I say OK very much.

36
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Thank you.

37
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Mr. Barry can I see the world that Barry walked out.