Ok I call this the Perry walk down from Sixty-Four work.
I have a friend last name is Barry and he showed me this many years ago.
He revolutionized the way that I play expanded my hand position and sort of open my eyes and ears to
chromaticism and moving from one court to the next.
I'm not going to write this one out because it's a lot to explain here.
So this stay with me.
We start with F minor chord and then the F minor get the power core on the base of your fancy moves
down chromatically and then I position my hand over here to make this chromatic move down into a dominant
seventh becomes a dominant 7 really did just kept the outside voices the same.
It was plainly a flat in a fletching chance for twitchy sharp and I ended the seventh for the seventh
there.
So we had seven then we came here actually.
E minor 7 to 9 Culley minor nine the voicing is as follows.
Very nice and open.
So you get the fifth here the third of them minus seven seven and ninth.
And you know this is great because this top notes base the whole progression that we move here.
This is a deep down minute seven
in the middle.
Here the C and E really bring it out.
And they resolve on a D-flat major
with a very open voicing here.
We've doubled the third get the seventh in the middle there.
So altogether only minus seven down nine.
He minor
the dominant nine you can keep that if you want to deflect major seven times
I need to call these notes so if C a flat C a flat E G.
D This is turning from two wonderful reinterpretation of the notes E-flat B flat flat flat.
Now flat again and then we go d.
K sharp C D now t shirt began to finally move towards the A-flat D-flat flat F C a flat.
Practice that loaded in the single key.
I know I did.
And that's partially the reason that play the way that I do with the expand the intervals the first
time I play it so I don't even know if I can stretch my fingers.
I said yes you can and I did it.
So for him I say OK very much.
Thank you.
Mr. Barry can I see the world that Barry walked out.