1 00:00:01,375 --> 00:00:04,125 ♪ 2 00:00:49,417 --> 00:00:53,542 (Larry) YOU SEE, AFTER ALL IS SAID AND DONE, 3 00:00:53,542 --> 00:00:56,208 THE ONLY THING YOU CAN BE REALLY SURE OF, 4 00:00:56,208 --> 00:00:57,667 THE ONLY THING YOU CAN REALLY COUNT ON 5 00:00:57,667 --> 00:01:00,041 IN THIS WORLD, 6 00:01:00,041 --> 00:01:03,333 IS THAT YOU JUST NEVER FUCKING KNOW. 7 00:01:03,333 --> 00:01:06,250 I BET THE LAST THING YOU WERE THINKIN' ABOUT 8 00:01:06,250 --> 00:01:08,375 WHEN YOU WERE TYING YOUR SHOELACES THIS MORNING 9 00:01:08,375 --> 00:01:12,709 WAS THAT THERE WAS A CHANCE THAT BY THE END OF THE DAY, THIS DAY, 10 00:01:12,709 --> 00:01:15,959 THOSE SAME SHOELACES WERE GOIN' TO BE UNTIED 11 00:01:15,959 --> 00:01:18,709 BY SOMEBODY WORKING FOR THE CORONER'S OFFICE. 12 00:01:18,709 --> 00:01:21,250 AM I RIGHT? 13 00:01:21,250 --> 00:01:25,083 I'M RIGHT, RIGHT? 14 00:01:25,083 --> 00:01:28,458 HEY! GET THE FUCK OUT OF HERE! 15 00:01:28,458 --> 00:01:29,917 WHAT, YOU WANNA KNOW ABOUT THIS? 16 00:01:29,917 --> 00:01:31,417 GET THE FUCK OUT OF HERE! 17 00:01:31,417 --> 00:01:33,625 TAKE THAT SHIT TO THE DRY CLEANERS. 18 00:01:33,625 --> 00:01:34,208 NOW! 19 00:01:37,667 --> 00:01:39,083 [sighs] 20 00:01:39,083 --> 00:01:40,834 SORRY. LONG DAY. 21 00:01:40,834 --> 00:01:43,125 WHERE WAS I? OK. 22 00:01:43,125 --> 00:01:43,959 YOU KNOW, THE HUMAN BODY IS, LIKE, 23 00:01:43,959 --> 00:01:47,125 80 PERCENT MOISTURE, RIGHT? 24 00:01:47,125 --> 00:01:51,375 HOW MUCH DO YOU WEIGH? 165? 170? 25 00:01:51,375 --> 00:01:55,208 NOW, I FIGURE IF YOU COULD SOMEHOW EXTRACT 26 00:01:55,208 --> 00:01:57,208 80 PERCENT OF THAT, 27 00:01:57,208 --> 00:02:01,166 YOU'D HAVE... GIVE ME A SECOND... 28 00:02:01,166 --> 00:02:02,709 34 POUNDS 29 00:02:02,709 --> 00:02:05,709 OF, LIKE, SOLID, 30 00:02:05,709 --> 00:02:08,750 NOT MEAT... 31 00:02:08,750 --> 00:02:11,333 IT'D BE MORE LIKE BEEF JERKY, YOU KNOW? 32 00:02:11,333 --> 00:02:15,250 BUT WITH HAIR AND BONES AND TEETH, 33 00:02:15,250 --> 00:02:18,875 SHRIVELED-UP TATTOOS AND WHATNOT. 34 00:02:18,875 --> 00:02:20,875 PROBABLY BE, LIKE, THIS BIG. 35 00:02:20,875 --> 00:02:23,333 IN ANY EVENT, 36 00:02:23,333 --> 00:02:25,375 YOU'RE STARTIN' TO FOLLOW MY DRIFT HERE, PAPI? 37 00:02:25,375 --> 00:02:30,166 BECAUSE SOMEBODY HAS SOME MONEY THAT BELONGS TO LOUIS. 38 00:02:30,166 --> 00:02:31,625 IS IT YOU, PERCHANCE? 39 00:02:31,625 --> 00:02:36,500 IS IT YOU THAT HAS SOME MONEY THAT BELONGS TO LOUIS? 40 00:02:36,500 --> 00:02:37,667 NO, NO. 41 00:02:37,667 --> 00:02:38,208 - IS IT? - NO. 42 00:02:38,208 --> 00:02:39,625 - IS IT? - NO. 43 00:02:39,625 --> 00:02:40,792 NO? SURE? 44 00:02:40,792 --> 00:02:43,250 - YEAH. - OK. 45 00:02:43,250 --> 00:02:45,291 I'M GONNA START THIS THING AND LEAVE. 46 00:02:48,208 --> 00:02:50,375 WHAT DO YOU THINK? PERMANENT PRESS OR DELICATE? NAH. 47 00:02:54,542 --> 00:02:56,667 WOULDN'T BE APPROPRIATE IF I ASKED YOU 48 00:02:56,667 --> 00:02:57,917 IF YOU HAD CHANGE FOR A DOLLAR. 49 00:02:57,917 --> 00:02:59,500 I GOT IT. I GOT IT. 50 00:02:59,500 --> 00:03:02,375 ALL RIGHT. CALM DOWN. I JUST NEED 4 QUARTERS. 51 00:03:02,375 --> 00:03:06,250 NO. I GOT LOUIS'S MONEY. 52 00:03:07,000 --> 00:03:08,834 OH. YOU GOT IT. 53 00:03:08,834 --> 00:03:10,166 YEAH, I DO. 54 00:03:10,166 --> 00:03:15,250 WELL, I GOT SOME OF IT, ANYWAYS. 55 00:03:17,375 --> 00:03:20,375 NAH, THIS ISN'T WHAT WE TALKED ABOUT. 56 00:03:20,375 --> 00:03:21,667 NAH, THIS IS-- IT'S FUCKING SIMPLE. 57 00:03:21,667 --> 00:03:24,583 - FUCKIN' BREAKING THE CONTRACT. - (man) ABSOLUTELY RIGHT. 58 00:03:24,583 --> 00:03:25,834 - IT'S VERY SIMPLE. I GIVE YOU, YOU GIVE ME. 59 00:03:25,834 --> 00:03:28,500 YOU DON'T GIVE ME, THAT'S NOT RIGHT. BREACH OF CONTRACT. 60 00:03:28,500 --> 00:03:30,750 YOU'RE FUCKIN' UP. THAT'S WHAT YOU'RE DOING. 61 00:03:30,750 --> 00:03:33,083 WHAT DO YOU THINK I'M OUT HERE FOR? I'M ASKING YOU A QUESTION. 62 00:03:33,083 --> 00:03:33,875 - WHAT DO YOU THINK I'M OUT HERE FOR, HUH? - LOUIS, 63 00:03:33,875 --> 00:03:36,291 I'M REALLY SCARED NOW. 64 00:03:36,291 --> 00:03:38,208 YOU'RE SCARED NOW? I DON'T GIVE A FUCK. 65 00:03:38,208 --> 00:03:39,583 I TOLD YOU NOT TO LET THIS GET OUT OF CONTROL, DIDN'T I? 66 00:03:39,583 --> 00:03:41,625 WHAT'D I TELL YOU? I TOLD YOU THAT, RIGHT? RIGHT? 67 00:03:41,625 --> 00:03:44,375 LISTEN, HERE'S WHAT YOU'RE GONNA DO FOR ME, OK? 68 00:03:44,375 --> 00:03:45,250 YOU'RE GONNA COME SEE ME TOMORROW 69 00:03:45,250 --> 00:03:48,083 AND YOU'RE GONNA BRING ME SOMETHING. 70 00:03:48,083 --> 00:03:50,375 OK, YOU HEAR ME? - YES. YES, I DO. 71 00:03:50,375 --> 00:03:52,458 SOMETHING TO SCALE, ALL RIGHT? 72 00:03:52,458 --> 00:03:54,333 OTHERWISE I CAN'T--I CAN'T TALK TO YOU NO MORE, ALL RIGHT? 73 00:03:54,333 --> 00:03:56,959 I'M GONNA HAVE TO SEND JIGGLY OVER, 74 00:03:56,959 --> 00:03:59,208 AND HE'S GONNA HAVE TO SETTLE UP WITH YOU. 75 00:03:59,208 --> 00:04:01,208 YOU COME TO ME TOMORROW OR HE GOES TO YOU TOMORROW. VERY SIMPLE. 76 00:04:01,208 --> 00:04:03,041 - I'LL BE HERE TOMORROW. - YEAH? 77 00:04:03,041 --> 00:04:04,667 - THAT'S GOOD. - AND I'M NOT KIDDIN' YA. 78 00:04:04,667 --> 00:04:06,166 - GET THE FUCK OUT OF HERE NOW. - OK? 79 00:04:06,166 --> 00:04:08,709 GET THE FUCK... GO, YOU FUCKIN'... 80 00:04:08,709 --> 00:04:10,208 FUCKIN' ROACH. 81 00:04:10,208 --> 00:04:12,709 FUCKING CLASS OF PEOPLE. 82 00:04:12,709 --> 00:04:14,750 I'M IN SIBERIA AROUND HERE. 83 00:04:14,750 --> 00:04:15,250 I KNOW. 84 00:04:15,250 --> 00:04:17,417 FUCK THIS CITY. 85 00:04:17,417 --> 00:04:18,375 I DON'T KNOW HOW YOU GUYS CUT IT OUT HERE. 86 00:04:18,375 --> 00:04:21,417 IT'S, UH, IT'S GIGLI, BY THE WAY. 87 00:04:21,417 --> 00:04:23,291 - WHAT? - MY NAME IS GI-- 88 00:04:23,291 --> 00:04:25,208 PRONOUNCED "ZHEE-LEE." IT RHYMES WITH "REALLY. 89 00:04:25,208 --> 00:04:27,041 IS THAT RIGHT? IS THAT SO? 90 00:04:27,041 --> 00:04:28,417 YEAH. 91 00:04:28,417 --> 00:04:30,125 ALL RIGHT. WELL, YOU KNOW WHAT, 92 00:04:30,125 --> 00:04:32,083 I'LL REMEMBER THAT FOR THE NEXT TIME, THEN. 93 00:04:32,083 --> 00:04:32,917 MEANWHILE, YOU GOT SOMETHIN' FOR ME, GIGLI... 94 00:04:32,917 --> 00:04:35,625 RHYMES WITH REALLY? 95 00:04:35,625 --> 00:04:37,792 IT'S--IT'S ABOUT HALF. 96 00:04:37,792 --> 00:04:39,750 HALF? 97 00:04:39,750 --> 00:04:40,917 HALF FOR TODAY. 98 00:04:40,917 --> 00:04:42,709 BELIEVE ME, THAT'S ALL THE GUY HAD. 99 00:04:42,709 --> 00:04:44,917 YOU KNOW, IT'S BETTER THAN NOTHIN'. 100 00:04:44,917 --> 00:04:47,917 HOW ABOUT IT'S NOT BETTER THAN NOTHIN', YOU FUCKIN' IDIOT? 101 00:04:47,917 --> 00:04:48,959 BETTER IS FUCK THE MONEY 102 00:04:48,959 --> 00:04:50,875 AND THEN YOU HURT HIM, IT'S TO SPREAD THE WORD. 103 00:04:50,875 --> 00:04:53,792 SINCE WHEN ARE YOU AUTHORIZED TO MAKE CORPORATE POLICY DECISIONS? 104 00:04:53,792 --> 00:04:56,583 I'M SORRY, LOUIS. I DIDN'T KNOW. I'M SORRY. 105 00:04:56,583 --> 00:04:57,875 ARE YOU ALL THEY GOT TO OFFER AROUND HERE? 106 00:04:57,875 --> 00:05:03,291 YOU'RE SUPPOSED TO BE LIKE THIS VICIOUS, FUCKIN' MAD DOG. 107 00:05:03,291 --> 00:05:05,250 I'M SORRY. 108 00:05:10,166 --> 00:05:11,959 WALK WITH ME. 109 00:05:13,291 --> 00:05:15,709 THERE IS A CERTAIN INDIVIDUAL 110 00:05:15,709 --> 00:05:17,333 WHO IS CREATING VERY SUBSTANTIAL DIFFICULTIES 111 00:05:17,333 --> 00:05:20,959 FOR A DEAR FRIEND OF MINE IN NEW YORK. 112 00:05:20,959 --> 00:05:23,333 NOW, THIS CERTAIN PARTY 113 00:05:23,333 --> 00:05:25,583 IS VERY BULLHEADED AND SEEMS TO BE REMOVED 114 00:05:25,583 --> 00:05:28,417 FROM WHAT I WOULD LIKE TO CALL MY SPHERE OF INFLUENCE. 115 00:05:28,417 --> 00:05:30,125 ALL RIGHT, HOW CAN I HELP? 116 00:05:30,125 --> 00:05:32,291 THE PLOT NEEDS A TWIST. 117 00:05:32,291 --> 00:05:35,834 THE INDIVIDUAL NEEDS TO BE TOUCHED IN SOME MANNER AS TO, UH, 118 00:05:35,834 --> 00:05:37,333 CONVINCE HIM OF THE ERROR OF HIS WAYS 119 00:05:37,333 --> 00:05:39,667 BEFORE HE CAN HURT OTHER PEOPLE, 120 00:05:39,667 --> 00:05:41,834 PARTICULARLY MY FRIEND FROM NEW YORK. 121 00:05:41,834 --> 00:05:44,375 RIGHT. 122 00:05:44,375 --> 00:05:47,959 NOW, THIS CERTAIN INDIVIDUAL, HE'S GOT A, UH, 123 00:05:47,959 --> 00:05:51,959 A BELOVED RELATIVE WITH CERTAIN PSYCHOLOGICAL DEFECTS. 124 00:05:54,500 --> 00:05:57,000 I WANT THE RELATIVE GOTTEN, ALL RIGHT? 125 00:05:57,000 --> 00:06:01,500 AND I WANT HIM, FOR THE TIME BEING, HELD ONTO. 126 00:06:01,500 --> 00:06:03,500 PERHAPS THEN 127 00:06:03,500 --> 00:06:05,500 REASON CAN PREVAIL. 128 00:06:05,500 --> 00:06:07,000 YOU--YOU'RE FOLLOWING ALL THIS? 129 00:06:07,000 --> 00:06:09,291 YEAH, ALL OF IT. 130 00:06:09,291 --> 00:06:11,125 ALL OF IT. 131 00:06:11,125 --> 00:06:12,625 GOT IT. 132 00:06:41,250 --> 00:06:43,000 ALL RIGHT. WAIT. WHOA. WHOA. 133 00:06:43,000 --> 00:06:45,250 WHERE IS HE? 134 00:06:45,250 --> 00:06:46,625 OVER THERE. 135 00:06:46,625 --> 00:06:48,458 RIGHT THERE? THAT'S HIM? 136 00:06:48,458 --> 00:06:49,875 ALL RIGHT. 137 00:06:49,875 --> 00:06:51,625 THANKS. 138 00:06:51,625 --> 00:06:53,834 I'M ALL RIGHT. YOU CAN GO OUTSIDE. I'M OK. 139 00:06:53,834 --> 00:06:54,667 THANKS. 140 00:07:18,000 --> 00:07:19,959 HEY. 141 00:07:19,959 --> 00:07:21,917 ARE YOU BRIAN? 142 00:07:21,917 --> 00:07:23,000 HUH? 143 00:07:23,000 --> 00:07:25,041 BRIAN. 144 00:07:26,583 --> 00:07:27,542 I KNOW YOU'RE BRIAN. 145 00:07:27,542 --> 00:07:31,000 YOUR FRIEND RATTED YOU OUT BACK THERE. 146 00:07:31,000 --> 00:07:32,875 HELLO? 147 00:07:36,625 --> 00:07:37,750 WHAT ARE YOU, UH, EATIN' THERE? 148 00:07:37,750 --> 00:07:40,625 WHAT DO YOU GOT, UH? WHAT ARE THOSE, POLLY SEEDS? 149 00:07:40,625 --> 00:07:43,333 THEY'RE NOT. YOU'RE STUPID. 150 00:07:43,333 --> 00:07:44,333 I'M STUPID. 151 00:07:44,333 --> 00:07:46,917 THEY LOOK LIKE POLLY SEEDS TO ME. 152 00:07:46,917 --> 00:07:50,208 - THEY'RE SUNFLOWER SEEDS. - IT'S THE SAME THING. 153 00:07:50,208 --> 00:07:52,500 WE JUST CALLED THEM POLLY SEEDS WHEN I WAS A KID. 154 00:07:52,500 --> 00:07:56,083 YOU MUST BE THE STUPIDEST PERSON, YOU PISS-HEAD, PISSER-FUCKER. 155 00:07:59,291 --> 00:08:01,125 [sighs] AHEM. ALL RIGHT, LOOK. 156 00:08:01,125 --> 00:08:05,250 ME AND YOU, WE'RE SUPPOSED TO GO FOR A QUICK WALK. YOU READY? 157 00:08:05,250 --> 00:08:06,792 YEAH, WE GOTTA GO TAKE A WALK AROUND THE BLOCK. 158 00:08:06,792 --> 00:08:10,208 - WHAT DO YOU SAY? - I WON'T GIVE ANYBODY MY SEEDS. 159 00:08:10,208 --> 00:08:12,458 BARRY ALWAYS ASKS WHY I DON'T GIVE ANYBODY ANY. 160 00:08:12,458 --> 00:08:14,667 DON'T WORRY ABOUT IT. KEEP THOSE. 161 00:08:14,667 --> 00:08:16,291 THAT'S FOR YOU, OK? 162 00:08:16,291 --> 00:08:18,375 COME ON, LET'S GO. WE'RE GONNA TAKE A WALK. COME ON. 163 00:08:18,375 --> 00:08:20,542 - [yelps] WHAT DID THAT?! - SHH. 164 00:08:20,542 --> 00:08:24,000 HE'S KIDDIN'. HE'S KIDDIN'. HE'S KIDDIN'. 165 00:08:24,000 --> 00:08:24,792 AH... 166 00:08:31,291 --> 00:08:33,542 SORRY ABOUT THAT. 167 00:08:33,542 --> 00:08:36,709 ALL RIGHT, LOOK, IT'S REAL SIMPLE. 168 00:08:36,709 --> 00:08:38,458 YOU AND I ARE GONNA GO OUTSIDE AND TAKE A LITTLE WALK. 169 00:08:38,458 --> 00:08:40,625 I WON'T GRAB YOU AGAIN, OK? 170 00:08:42,750 --> 00:08:46,250 - I HAVE TO GO TO THE BAYWATCH. - I'M SORRY, WHAT? 171 00:08:46,250 --> 00:08:49,500 I HAVE TO GO TO THE BAYWATCH. I WAS GONNA GO. 172 00:08:49,500 --> 00:08:51,208 YOU WANNA WATCH BAYWATCH? 173 00:08:51,208 --> 00:08:53,208 ROLL BY MY APARTMENT, WE'LL TURN ON BAYWATCH. 174 00:08:53,208 --> 00:08:56,667 AH! YOU'RE THE STUPIDEST PERSON. YOU'RE THE STUPIDEST PERSON. 175 00:08:56,667 --> 00:08:57,917 NOT TELEVISION. THE BAYWATCH. 176 00:08:57,917 --> 00:09:00,458 OH. 177 00:09:00,458 --> 00:09:01,250 THE BAYWATCH? 178 00:09:01,250 --> 00:09:03,208 YEAH, THE BAYWATCH. 179 00:09:03,208 --> 00:09:04,375 OK. ALL RIGHT. 180 00:09:04,375 --> 00:09:07,375 YEAH. THE BAYWATCH. 181 00:09:07,375 --> 00:09:09,083 CAN I GO? 182 00:09:13,458 --> 00:09:14,166 YOU WANNA GO NOW? 183 00:09:14,166 --> 00:09:17,375 TO THE BAYWATCH. 184 00:09:17,375 --> 00:09:19,709 YEAH. I'M GOIN' THERE. 185 00:09:19,709 --> 00:09:22,333 I WAS ON MY WAY. 186 00:09:22,333 --> 00:09:24,583 [both laughing] 187 00:09:24,583 --> 00:09:26,166 - YES, I WOULD. - ALL RIGHT. 188 00:09:26,166 --> 00:09:27,709 - YES, I WOULD. - LET'S GO, LET'S GO. 189 00:09:27,709 --> 00:09:29,166 LET'S GO. 190 00:09:32,458 --> 00:09:33,709 COME ON, LET'S GO. 191 00:09:33,709 --> 00:09:36,667 OK, I GOTTA GET MY RADIO. I GOTTA GET MY RADIO. 192 00:09:36,667 --> 00:09:37,041 THE MUSIC'S GONNA BE GOOD THERE. 193 00:09:37,041 --> 00:09:38,208 OK, GOOD. 194 00:09:38,208 --> 00:09:41,792 [whooping] 195 00:09:43,166 --> 00:09:44,250 BAYWATCH! 196 00:09:44,250 --> 00:09:46,417 [chuckling] 197 00:09:46,417 --> 00:09:47,750 HERE WE COME. 198 00:09:47,750 --> 00:09:48,625 HEY, UH, WAIT A MINUTE. 199 00:09:48,625 --> 00:09:51,583 YOU HEAR THAT, NOW? WHAT IS THAT? 200 00:09:51,583 --> 00:09:54,583 YOU HEAR THAT? - NO. 201 00:09:54,583 --> 00:09:57,542 YEP, IT'S MY WALKIE-TALKIE CALLIN'. 202 00:09:57,542 --> 00:09:59,125 YEAH, HELLO? 203 00:09:59,125 --> 00:10:00,875 HEY, I TOLD YOU, DON'T EVER BOTHER ME AGAIN 204 00:10:00,875 --> 00:10:03,083 WHEN I'M TAKIN' TRIPS WITH MY FRIENDS. 205 00:10:03,083 --> 00:10:05,417 YEP. 206 00:10:05,417 --> 00:10:07,291 WHAT? NO, WE'RE GOIN' TO THE BAYWATCH. 207 00:10:07,291 --> 00:10:10,083 YEP, THAT'S RIGHT, THE BAYWATCH. 208 00:10:10,083 --> 00:10:11,917 HUH? 209 00:10:11,917 --> 00:10:12,709 NO! 210 00:10:12,709 --> 00:10:15,417 HOLY MACKEREL. 211 00:10:15,417 --> 00:10:17,250 WOULD YOU KNOW WHEN THEY'RE GONNA BE OPEN AGAIN? 212 00:10:17,250 --> 00:10:18,750 AH, OK. 213 00:10:18,750 --> 00:10:21,875 WE'LL CALL YOU TOMORROW FOR THE UPDATE. OK. 214 00:10:23,250 --> 00:10:24,917 HOW DO YOU LIKE THAT? 215 00:10:24,917 --> 00:10:27,625 THE BAYWATCH IS CLOSED TODAY. 216 00:10:27,625 --> 00:10:29,083 NO. 217 00:10:29,083 --> 00:10:30,959 TOMORROW WE'LL GO. WE'LL GO TOMORROW. 218 00:10:30,959 --> 00:10:33,000 I CAN'T BELIEVE IT. 219 00:10:33,000 --> 00:10:34,667 THIS ALWAYS HAPPENS LIKE THAT, RIGHT? 220 00:10:34,667 --> 00:10:35,417 WHEN YOU-- WHEN YOU PLAN A BIG TRIP. 221 00:10:35,417 --> 00:10:38,792 [phone ringing] 222 00:10:41,125 --> 00:10:41,709 HELLO. 223 00:10:41,709 --> 00:10:44,542 HELLO THERE. P.O.B. 224 00:10:44,542 --> 00:10:45,458 WHAT DOES THAT MEAN? 225 00:10:45,458 --> 00:10:48,125 P.O.B. LIMO DRIVERS SAY THAT. 226 00:10:48,125 --> 00:10:49,667 THAT'S GOOD. WHAT DOES IT MEAN? 227 00:10:49,667 --> 00:10:51,208 P.O.B. PASSENGER ON BOARD. 228 00:10:51,208 --> 00:10:52,333 ALREADY, HUH? 229 00:10:52,333 --> 00:10:54,291 (Larry) YEAH, ALREADY. 230 00:10:54,291 --> 00:10:55,500 THAT'S GOOD. 231 00:10:55,500 --> 00:10:56,667 YOU HEADED BACK TO YOUR PLACE? 232 00:10:56,667 --> 00:10:57,959 I AM, I AM. 233 00:10:57,959 --> 00:10:59,792 (Louis) GOOD. WE'LL TALK LATER. 234 00:10:59,792 --> 00:11:01,709 YEAH, WE'LL TALK LATER. 235 00:11:11,667 --> 00:11:12,917 COME ON IN. IT'S ALL RIGHT. 236 00:11:12,917 --> 00:11:14,250 I DON'T BITE. 237 00:11:14,250 --> 00:11:16,750 COME ON. 238 00:11:21,291 --> 00:11:22,792 HEY, YOU HUNGRY? 239 00:11:22,792 --> 00:11:24,166 I GOT FOOD. 240 00:11:24,166 --> 00:11:25,333 HUH? 241 00:11:25,333 --> 00:11:28,125 YOU THIRSTY? 242 00:11:28,125 --> 00:11:28,959 I WANT A SODA. 243 00:11:28,959 --> 00:11:30,250 YOU WANT A SODA? I'M OUT OF SODA. 244 00:11:30,250 --> 00:11:31,667 WANT A WATER? 245 00:11:31,667 --> 00:11:33,792 HUH? HEY, YOU WANT A WATER? 246 00:11:33,792 --> 00:11:35,750 I'LL GET YOU A WATER. 247 00:11:41,208 --> 00:11:42,583 ALL RIGHT. HOW IS THAT? 248 00:11:42,583 --> 00:11:43,875 GOOD? 249 00:11:51,250 --> 00:11:52,375 I WANNA GO HOME. 250 00:11:52,375 --> 00:11:55,208 ALL RIGHT, YOU GOT TO STAY HERE FOR A LITTLE BIT. 251 00:12:00,959 --> 00:12:01,583 NO, I WANNA GO HOME. 252 00:12:01,583 --> 00:12:03,875 NO, WE GOT TO STAY HERE. 253 00:12:03,875 --> 00:12:05,417 CAN'T DO IT RIGHT NOW. 254 00:12:05,417 --> 00:12:08,750 SO MAYBE YOU WANNA WATCH T.V. OR CARTOONS? 255 00:12:08,750 --> 00:12:10,375 I WANNA GO HOME. 256 00:12:10,375 --> 00:12:13,250 WE GOT TO STAY HERE. 257 00:12:13,250 --> 00:12:15,208 NO. 258 00:12:15,208 --> 00:12:18,583 - BRIAN, WHAT ARE YOU DOIN'? - TAKE ME HOME NOW. 259 00:12:18,583 --> 00:12:20,083 - STOP. - HEY! 260 00:12:20,083 --> 00:12:21,417 FUCK ALL OF YOU! YOU STUPID SOUP-FUCKER! 261 00:12:21,417 --> 00:12:22,709 WHAT? 262 00:12:22,709 --> 00:12:24,417 DON'T DO THAT, MOTHERFUCKER! 263 00:12:24,417 --> 00:12:25,834 BRIAN, WHAT'S WRONG WITH YOU? CUT THAT OUT. 264 00:12:25,834 --> 00:12:29,041 CUT IT OUT! STOP! STOP! BE QUIET! 265 00:12:29,041 --> 00:12:30,834 - I'M GOIN' TO THE BAYWATCH. - BRIAN! 266 00:12:30,834 --> 00:12:32,917 - I'M GOIN' TO THE BAYWATCH. - HEY! 267 00:12:32,917 --> 00:12:36,583 I'M GOIN' TO THE BAYWATCH. 268 00:12:36,583 --> 00:12:38,333 ALL RIGHT. 269 00:12:41,583 --> 00:12:42,667 [burps] 270 00:12:42,667 --> 00:12:43,166 WHERE ARE MY SEEDS? 271 00:12:43,166 --> 00:12:45,166 HUH? 272 00:12:45,166 --> 00:12:47,709 THEY'RE SUNFLOWER SEEDS, IDIOT. 273 00:12:47,709 --> 00:12:49,500 - THEY'RE RIGHT THERE. - THEY'RE SUNFLOWER SEEDS! 274 00:12:49,500 --> 00:12:51,917 OK, THEY'RE RIGHT THERE. 275 00:12:51,917 --> 00:12:53,125 - THEY'RE SUNFLOWER SEEDS! - BEHIND YOU. 276 00:12:53,125 --> 00:12:54,583 THEY'RE RIGHT THERE. 277 00:12:54,583 --> 00:12:56,083 RIGHT THERE. 278 00:12:57,208 --> 00:12:58,875 OK. 279 00:13:01,417 --> 00:13:05,333 [doorbell ringing] 280 00:13:05,333 --> 00:13:07,417 STAY HERE. 281 00:13:07,417 --> 00:13:09,500 EVERYTHING'S FINE. 282 00:13:09,500 --> 00:13:11,375 JUST KIDDIN' AROUND. 283 00:13:23,458 --> 00:13:25,125 HELLO. 284 00:13:25,125 --> 00:13:25,917 HI. 285 00:13:27,750 --> 00:13:29,000 MAY I BE OF SOME ASSISTANCE? 286 00:13:31,125 --> 00:13:33,083 WELL, THAT REMAINS TO BE SEEN. 287 00:13:33,083 --> 00:13:34,709 - [chuckling] - LOOK, I'M-- 288 00:13:34,709 --> 00:13:36,250 I'M SORRY TO BOTHER YOU. IT'S JUST, UH... 289 00:13:36,250 --> 00:13:38,333 I WAS WONDERING IF IT WOULDN'T BE 290 00:13:38,333 --> 00:13:40,208 TOO MUCH TROUBLE IF I COULD USE YOUR PHONE FOR A SECOND. 291 00:13:40,208 --> 00:13:41,959 - THAT'S-- I, UH... - RIGHT. 292 00:13:41,959 --> 00:13:44,166 I JUST TOOK A ONE-BEDROOM IN THE FRONT, 293 00:13:44,166 --> 00:13:45,291 AND I'VE BEEN WAITIN' ALL DAY 294 00:13:45,291 --> 00:13:48,041 FOR THE PHONE COMPANY TO COME HOOK ME UP, BUT... 295 00:13:48,041 --> 00:13:50,000 YEAH, IT'S JUST KIND OF A BAD... 296 00:13:50,000 --> 00:13:52,291 IT'LL ONLY TAKE A SECOND, I PROMISE. 297 00:13:52,291 --> 00:13:55,959 YOU KNOW, IT'S PROBABLY A LOCAL CALL. 298 00:13:55,959 --> 00:13:57,041 I CAN'T. I'M SORRY, YOU KNOW. 299 00:13:57,041 --> 00:13:59,500 I'LL BE IN AND OUT BEFORE YOU KNOW IT. 300 00:13:59,500 --> 00:14:01,542 I PROMISE. 301 00:14:01,542 --> 00:14:04,125 JUST LEAVE A FAINT SCENT. 302 00:14:05,291 --> 00:14:07,834 [sighs] 303 00:14:07,834 --> 00:14:10,834 YEAH, ALL RIGHT. COME ON IN. 304 00:14:10,834 --> 00:14:12,500 THANK YOU. 305 00:14:12,500 --> 00:14:15,500 SURE. 306 00:14:15,500 --> 00:14:17,834 IT'S, UH... THE PHONE'S RIGHT THERE. 307 00:14:17,834 --> 00:14:18,500 I PROMISE IT'LL ONLY TAKE A MINUTE. 308 00:14:18,500 --> 00:14:20,166 ALL RIGHT. 309 00:14:23,834 --> 00:14:25,250 AHEM. 310 00:14:35,375 --> 00:14:37,875 HELLO. 311 00:14:39,834 --> 00:14:42,291 WHAT ARE YOU DOIN'? GO SIT DOWN. GO IN THE KITCHEN. 312 00:14:43,750 --> 00:14:45,458 THESE COMPUTER ANSWERING THINGS, 313 00:14:45,458 --> 00:14:47,375 THEY DRIVE ME NUTS. 314 00:14:47,375 --> 00:14:49,291 YOU'RE MAKIN' A TELEPHONE CALL. 315 00:14:49,291 --> 00:14:51,208 THAT'S RIGHT, SHE'S MAKIN' A TELEPHONE CALL. 316 00:14:51,208 --> 00:14:52,542 DON'T CALL BAYWATCH BECAUSE THEY'RE CLOSED TODAY. 317 00:14:52,542 --> 00:14:53,625 [chuckling] 318 00:14:53,625 --> 00:14:56,166 I WOULDN'T THINK OF IT. 319 00:15:12,625 --> 00:15:14,542 I'M SORRY, I GOT TO ASK. 320 00:15:14,542 --> 00:15:16,959 DO WE KNOW EACH OTHER? 321 00:15:17,709 --> 00:15:19,458 NOT YET. 322 00:15:21,750 --> 00:15:23,417 I'M RICKI. 323 00:15:23,417 --> 00:15:26,542 LARRY. 324 00:15:26,542 --> 00:15:27,792 LARRY GIGGLY, RIGHT? 325 00:15:27,792 --> 00:15:30,417 I SAW IT ON THE MAILBOX. 326 00:15:30,417 --> 00:15:33,750 YEAH, IT'S PRONOUNCED "ZHEE-LEE," LIKE, UH... 327 00:15:33,750 --> 00:15:35,583 RHYMES WITH "REALLY." 328 00:15:35,583 --> 00:15:38,166 IT'S NICE TO MEET YOU, LARRY GIGLI. 329 00:15:38,166 --> 00:15:38,583 NICE TO MEET YOU, LARRY. 330 00:15:38,583 --> 00:15:39,667 [chuckling] 331 00:15:39,667 --> 00:15:42,208 WHAT'S YOUR NAME? 332 00:15:43,917 --> 00:15:45,291 BOB. 333 00:15:45,291 --> 00:15:46,792 YOU'RE STUPID. THAT'S NOT MY NAME. 334 00:15:46,792 --> 00:15:48,125 THAT'S NOT YOUR NAME? 335 00:15:48,125 --> 00:15:49,500 WHAT IS YOUR NAME, SWEETIE? 336 00:15:49,500 --> 00:15:50,834 THAT'S IT. HIS NAME'S BOB. 337 00:15:50,834 --> 00:15:51,917 HIS NAME'S NOT BOB. 338 00:15:51,917 --> 00:15:53,250 YOUR NAME IS BOB. 339 00:15:53,250 --> 00:15:55,291 WELL, WHATEVER YOUR NAME IS, 340 00:15:55,291 --> 00:15:58,166 HAS ANYONE EVER TOLD YOU YOU'RE A VERY HANDSOME YOUNG MAN? 341 00:16:13,000 --> 00:16:14,125 CAN I TALK TO YOU FOR A MINUTE? 342 00:16:16,625 --> 00:16:18,125 SURE. 343 00:16:22,709 --> 00:16:24,208 IN PRIVATE. 344 00:16:30,834 --> 00:16:31,875 I CAN'T FUCKIN' BELIEVE THIS. 345 00:16:31,875 --> 00:16:34,208 IT'S AN UNEXPECTED BONUS. 346 00:16:34,208 --> 00:16:35,959 WHO'D HAVE THOUGHT YOU WERE A BABE MAGNET? 347 00:16:35,959 --> 00:16:37,500 YOU'RE BETTER THAN A FUCKIN' DOG. 348 00:16:37,500 --> 00:16:38,500 YOU'RE A DOG, YOU DOG-HEAD PISS-FART! 349 00:16:38,500 --> 00:16:40,208 OH, WHATEVER. 350 00:16:52,750 --> 00:16:56,250 YOU KNOW, I HEARD YOU WERE A BIT OF A FUCK-UP. 351 00:16:56,250 --> 00:16:58,375 BUT I GOTTA TELL YOU, I'M FRANKLY AMAZED 352 00:16:58,375 --> 00:17:02,375 AT HOW MUCH OF A FUCK-UP YOU ACTUALLY ARE. 353 00:17:02,375 --> 00:17:03,000 AM I MISSIN' SOMETHING HERE? 354 00:17:03,000 --> 00:17:05,291 WELL, IT WOULD SEEM SO. 355 00:17:05,291 --> 00:17:06,166 BUT YOU KNOW, WHY DON'T YOU CALL LOUIS 356 00:17:06,166 --> 00:17:08,208 AND HE'LL EXPLAIN EVERYTHING TO YOU. 357 00:17:10,458 --> 00:17:12,250 UH, I, UH... 358 00:17:12,250 --> 00:17:15,125 I DON'T KNOW THAT I KNOW ANY LOUIS. 359 00:17:15,125 --> 00:17:17,208 WELL, THEN I GUESS HE HASN'T CALLED YOU 360 00:17:17,208 --> 00:17:18,875 TO TELL YOU HE DOESN'T TRUST YOU 361 00:17:18,875 --> 00:17:21,333 WITH A TASK OF THIS MAGNITUDE. 362 00:17:21,333 --> 00:17:24,125 THAT HE FEELS THE STAKES ARE TOO HIGH. 363 00:17:24,125 --> 00:17:26,375 - NOPE. - "NOPE." 364 00:17:26,375 --> 00:17:29,000 WELL, THEN I GUESS HE ALSO PROBABLY HASN'T CALLED TO TELL YOU 365 00:17:29,000 --> 00:17:33,041 THAT HE'D FEEL MUCH MORE COMFORTABLE IF THERE WERE TWO INDEPENDENT, UNACQUAINTED, 366 00:17:33,041 --> 00:17:36,125 PERHAPS EVEN MUTUALLY HOSTILE CONTRACTORS WORKING ON THIS, 367 00:17:36,125 --> 00:17:39,458 SO THEY COULD KEEP AN EYE ON ONE ANOTHER? 368 00:17:39,458 --> 00:17:40,750 NOPE. 369 00:17:40,750 --> 00:17:43,291 YOU KNOW WHAT, THERE'S NO REASON FOR YOU TO TAKE MY WORD 370 00:17:43,291 --> 00:17:45,625 FOR PRECISELY HOW SECOND-RATE HE CONSIDERS YOU. 371 00:17:45,625 --> 00:17:47,041 IT'D PROBABLY MAKE BOTH OUR LIVES A LOT EASIER 372 00:17:47,041 --> 00:17:50,458 IF YOU JUST HEARD IT DIRECTLY FROM HIM. 373 00:17:52,792 --> 00:17:54,333 [phone ringing] 374 00:17:54,333 --> 00:17:56,875 THAT'S GOOD STUFF. I HAD THAT TODAY. 375 00:17:56,875 --> 00:17:58,792 EXCUSE ME ONE MINUTE. 376 00:17:58,792 --> 00:17:59,375 SURE. 377 00:18:03,750 --> 00:18:05,208 LOUIS, YOU THERE? 378 00:18:05,208 --> 00:18:07,959 I'M HERE. WHAT DO YOU WANT? 379 00:18:07,959 --> 00:18:10,417 YEAH, THERE'S THIS, UH, 380 00:18:10,417 --> 00:18:12,792 YOUNG LADY HERE TRYING TO TELL ME THAT-- 381 00:18:12,792 --> 00:18:14,667 ALL RIGHT, THIS THING IS MONUMENTAL, OK? 382 00:18:14,667 --> 00:18:15,959 CERTAINLY TOO BIG FOR A JERK-OFF LIKE YOURSELF, 383 00:18:15,959 --> 00:18:18,583 BUT TODAY, I HAD NO CHOICE. 384 00:18:18,583 --> 00:18:21,250 (Louis) THIS THING REPRESENTS MY ASS AND MY FUTURE. 385 00:18:21,250 --> 00:18:23,291 I WANT YOU TO WORK WITH HER AND I WANT YOU 386 00:18:23,291 --> 00:18:25,959 TO WATCH HER AS SHE WILL BE WATCHING YOU. 387 00:18:25,959 --> 00:18:27,875 I WANT YOU TO KNOW 388 00:18:27,875 --> 00:18:29,166 THAT I WILL PERSONALLY EXCORIATE ANYONE RESPONSIBLE 389 00:18:29,166 --> 00:18:32,250 FOR THE TINIEST FUCK-UP IN THIS ACTION. 390 00:18:32,250 --> 00:18:34,041 AND I WANT YOU TO UNDERSTAND THAT. 391 00:18:34,041 --> 00:18:36,250 YES, LOUIS. 392 00:18:36,250 --> 00:18:38,792 "YES, LOUIS"? 393 00:18:38,792 --> 00:18:41,083 DO YOU HAPPEN TO KNOW WHAT "EXCORIATE" MEANS? 394 00:18:41,083 --> 00:18:42,500 UH... 395 00:18:42,500 --> 00:18:44,250 IT'S NOT COMIN' TO ME AT THE MOMENT. 396 00:18:44,250 --> 00:18:48,542 IT MEANS "TO STRIP OR WEAR OFF THE SKIN OF, 397 00:18:48,542 --> 00:18:49,709 TO FLAY." 398 00:18:49,709 --> 00:18:51,583 NOW, I'M LEARNING A WORD A DAY. 399 00:18:51,583 --> 00:18:53,792 AND IT'S CRITICAL TO USE THESE WORDS IN CONVERSATION, 400 00:18:53,792 --> 00:18:55,583 BUT THAT'S NOT WHY I USED IT IN THIS CONVERSATION. 401 00:18:55,583 --> 00:18:59,959 IN THIS CONVERSATION I USED IT BECAUSE I MEANT IT. 402 00:18:59,959 --> 00:19:03,208 NOW, IF YOU'LL EXCUSE ME, I'LL BE GOING NOW. 403 00:19:04,792 --> 00:19:06,375 ALL RIGHT, I'LL TALK TO YOU LATER. 404 00:19:06,375 --> 00:19:07,625 YEAH, DON'T WORRY ABOUT IT. 405 00:19:07,625 --> 00:19:09,792 OK. 406 00:19:12,000 --> 00:19:14,458 NOW DON'T GET YOURSELF ALL TIED IN A KNOT. 407 00:19:14,458 --> 00:19:15,917 OK? I DON'T KNOW THIS GUY, 408 00:19:15,917 --> 00:19:17,625 AND HE DOESN'T KNOW ME. 409 00:19:17,625 --> 00:19:20,458 BUT MY REPUTATION APPARENTLY IS PRETTY SOLID. 410 00:19:20,458 --> 00:19:24,125 SO WHY DON'T YOU JUST GET YOURSELF STRAIGHT, 411 00:19:24,125 --> 00:19:26,625 AND WE CAN PUT THIS WHOLE THING BEHIND US. 412 00:19:26,625 --> 00:19:30,458 AND IF YOU HAVE ANY DECAFFEINATED OR HERBAL TEA, 413 00:19:30,458 --> 00:19:32,458 I WOULD REALLY BE MOST APPRECIATIVE. 414 00:19:32,458 --> 00:19:34,834 - I WANT TEA. - TWO TEAS. 415 00:19:36,208 --> 00:19:37,458 LET ME TELL YOU SOMETHIN', OK? 416 00:19:37,458 --> 00:19:40,583 I DON'T KNOW WHO THE FUCK YOU THINK YOU ARE, 417 00:19:40,583 --> 00:19:41,709 BUT I DON'T WORK LIKE THIS. 418 00:19:41,709 --> 00:19:43,291 YOU GOT THAT? 419 00:19:43,291 --> 00:19:45,333 IF YOU WANNA TALK ABOUT REPUTATIONS, 420 00:19:45,333 --> 00:19:48,083 AND IF BY SOME FUCKIN' MIRACLE LONG SHOT 421 00:19:48,083 --> 00:19:50,208 YOU HAVEN'T HEARD OF MY REPUTATION, 422 00:19:50,208 --> 00:19:51,291 LET ME TELL YOU WHO THE FUCK I AM. 423 00:19:51,291 --> 00:19:54,709 I AM THE FUCKIN' SULTAN OF SLICK, SADIE. 424 00:19:54,709 --> 00:19:56,375 I AM THE RULE OF FUCKIN' COOL. 425 00:19:56,375 --> 00:19:59,583 YOU WANNA BE A GANGSTER? YOU WANNA BE A THUG? 426 00:19:59,583 --> 00:20:01,333 YOU SIT AT MY FUCKIN' FEET. 427 00:20:01,333 --> 00:20:03,291 GATHER THE PEARLS THAT EMANATE FORTH FROM ME. 428 00:20:03,291 --> 00:20:05,125 BECAUSE I'M THE FUCKIN' ORIGINAL, 429 00:20:05,125 --> 00:20:08,291 STRAIGHT-FIRST-FOREMOST, PIMP-MACK 430 00:20:08,291 --> 00:20:13,166 FUCKIN' HUSTLER, ORIGINAL GANGSTER'S GANGSTER. 431 00:20:16,083 --> 00:20:17,917 I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT, 432 00:20:17,917 --> 00:20:20,208 BUT I'M GONNA GO AND GET MY STUFF. 433 00:20:22,041 --> 00:20:25,834 AND DON'T YOU WORRY YOUR LITTLE GANGSTER'S GANGSTER HEAD ABOUT IT, 434 00:20:25,834 --> 00:20:26,834 I CAN MANAGE. 435 00:20:26,834 --> 00:20:28,208 [door closing] 436 00:20:28,208 --> 00:20:30,709 HOW MANY CUPS OF YOUR OWN SPIT 437 00:20:30,709 --> 00:20:32,625 DO YOU THINK YOU SWALLOW EVERY DAY, LARRY? 438 00:20:34,959 --> 00:20:37,625 I THINK ABOUT 35 CUPS. 439 00:20:37,625 --> 00:20:39,333 WOULD YOU JUST SHUT THE FUCK UP. 440 00:20:39,333 --> 00:20:40,583 YOU'RE AN IDIOT! 441 00:20:42,417 --> 00:20:44,542 - WHAT IS IT WITH YOU? - NO, YOU! 442 00:20:44,542 --> 00:20:46,166 WHAT, YOU JUST GO IN AND OUT, RIGHT? 443 00:20:46,166 --> 00:20:47,625 YOU'RE AN IDIOT. 444 00:20:47,625 --> 00:20:49,291 WHAT THE FUCK ARE YOU TALKIN' ABOUT? 445 00:20:49,291 --> 00:20:51,625 YOU'RE THE FUCK, YOU STUPID DUCK-FUCK. 446 00:20:51,625 --> 00:20:54,417 WHY DON'T YOU DO ME A FAVOR AND JUST ACT FUCKIN' NORMAL FOR A MINUTE. 447 00:20:54,417 --> 00:20:56,375 - LOOKS LIKE-- - JUST FOR A MINUTE. 448 00:20:56,375 --> 00:20:58,792 YOU'LL END UP WITH ELLIOT OVER THERE. 449 00:20:58,792 --> 00:21:01,542 I KNOW YOU UNDERSTAND WHAT I'M TALKIN' ABOUT. JUST FUCKIN' BE NORMAL, OK. 450 00:21:01,542 --> 00:21:02,750 I'M TELLING YOU-- 451 00:21:02,750 --> 00:21:04,583 NOT FUCKIN' CRAZY! NORMAL! 452 00:21:04,583 --> 00:21:06,375 HOW ABOUT IF I SMACK YOU IN THE FUCKIN' HEAD, HUH? 453 00:21:06,375 --> 00:21:08,625 - HEY! LEAVE HIM ALONE. WHAT ARE YOU DOIN'? 454 00:21:08,625 --> 00:21:11,333 WE'RE SUPPOSED TO WATCH HIM, NOT SLAP HIM AROUND. 455 00:21:11,333 --> 00:21:13,542 DON'T TELL ME WHAT WE'RE SUPPOSED TO DO. 456 00:21:13,542 --> 00:21:16,000 WELL, HOW ABOUT THIS? YOU LEAVE HIM ALONE OR I'LL KILL YOU. 457 00:21:16,000 --> 00:21:17,834 OH, YOU'LL KILL ME, HUH? 458 00:21:17,834 --> 00:21:19,917 FU-FUCK YOU! GO AHEAD. 459 00:21:19,917 --> 00:21:22,000 I'LL KILL YOU. 460 00:21:22,000 --> 00:21:25,333 DON'T-- YOU DON'T TELL ME WHAT TO DO. OK? 461 00:21:25,333 --> 00:21:27,083 DON'T TELL ME WHAT WE MIGHT DO. 462 00:21:27,083 --> 00:21:28,875 DON'T TELL ME WHAT WE'RE SUPPOSED TO DO. 463 00:21:28,875 --> 00:21:30,667 DON'T TELL ME WHAT WE MAYBE SHOULD DO. 464 00:21:30,667 --> 00:21:32,750 DON'T EVER TELL ME NOTHIN'! 465 00:21:34,625 --> 00:21:35,542 WELL, I'LL TELL YOU THIS, 466 00:21:35,542 --> 00:21:38,834 YOU LEAVE HIM ALONE OR I'LL KILL YOU. 467 00:21:40,959 --> 00:21:42,500 I'M GONNA SAY 35 CUPS. 468 00:21:42,500 --> 00:21:44,583 I'M GONNA SAY 35 CUPS OF SPIT. 469 00:21:46,375 --> 00:21:49,458 I'M A GENIUS. I'M A GENIUS, MON. 470 00:21:49,458 --> 00:21:51,250 [chuckling] 471 00:21:53,166 --> 00:21:54,875 WHAT'S HE TALKIN' ABOUT? 472 00:21:54,875 --> 00:21:58,542 I DON'T KNOW. 473 00:21:58,542 --> 00:22:02,875 LOOK, WHY DON'T WE TRY AND MAKE THIS PLEASANT. 474 00:22:02,875 --> 00:22:05,333 OK? 475 00:22:07,917 --> 00:22:08,500 NICE. 476 00:22:11,792 --> 00:22:12,542 EASY. 477 00:22:22,375 --> 00:22:25,333 SO, WHAT DO YOU NORMALLY HIRE OUT FOR? 478 00:22:25,333 --> 00:22:28,542 I DO JOBS OF VARIOUS TYPES. 479 00:22:30,250 --> 00:22:30,917 HOW ABOUT YOURSELF? 480 00:22:30,917 --> 00:22:32,542 ME, TOO. 481 00:22:32,542 --> 00:22:37,333 I DO VARIOUS TYPES OF JOBS OF VARIOUS KINDS. 482 00:22:37,333 --> 00:22:39,542 WELL, THERE YOU HAVE IT. 483 00:22:41,458 --> 00:22:44,041 HOW COME I NEVER SEEN YOU AROUND BEFORE? 484 00:22:44,041 --> 00:22:47,291 I'M FROM ANOTHER PLACE. 485 00:22:47,291 --> 00:22:49,834 W-WHERE WOULD THAT BE, RICKI? 486 00:22:51,542 --> 00:22:53,834 SOMEWHERE ELSE, LARRY. 487 00:22:53,834 --> 00:22:56,917 OH. OK. I SEE. 488 00:22:58,875 --> 00:23:00,208 AND MY NAME'S NOT REALLY RICKI. 489 00:23:00,208 --> 00:23:03,667 AND WHAT WOULD IT BE, THEN? 490 00:23:08,542 --> 00:23:11,667 THEN HOW ABOUT I KEEP CALLIN' YOU RICKI JUST TO PISS YOU OFF? 491 00:23:11,667 --> 00:23:13,083 IF IT'LL MAKE YOU HAPPY. 492 00:23:13,083 --> 00:23:14,834 YEAH, IT WILL. 493 00:23:18,291 --> 00:23:20,083 THIS ISN'T VERY GOOD FOOD. 494 00:23:20,083 --> 00:23:22,709 TOO BAD. THAT'S YOUR DINNER. EAT IT. 495 00:23:22,709 --> 00:23:24,500 - I'M HUNGRY. - FUCK. 496 00:23:27,542 --> 00:23:29,875 - I'M HUNGRY. - HE SAID HE'S HUNGRY. 497 00:23:29,875 --> 00:23:31,709 SO? LET HIM EAT HIS FOOD. HE GOT FOOD. 498 00:23:31,709 --> 00:23:32,291 - I DON'T LIKE THIS FOOD. - TOO BAD! 499 00:23:32,291 --> 00:23:34,208 EAT YOUR FOOD, STUPID! 500 00:23:34,208 --> 00:23:35,792 HEY! BACK OFF! 501 00:23:35,792 --> 00:23:37,542 GOD! IT'S NOT HIS FAULT. 502 00:23:37,542 --> 00:23:39,000 YEAH, IT'S NOT MY FAULT I'M BRAIN-DAMAGED. 503 00:23:39,000 --> 00:23:41,500 [laughing] 504 00:23:41,500 --> 00:23:42,500 BEAUTIFUL. 505 00:23:42,500 --> 00:23:45,125 WHAT ARE YOU, HIS SHOP STEWARD? 506 00:23:45,125 --> 00:23:46,250 LISTEN TO ME, YOU FUCKING RETARD, EAT YOUR-- 507 00:23:46,250 --> 00:23:48,792 -HEY! ENOUGH! -NOT ENOUGH! 508 00:23:48,792 --> 00:23:50,750 - WHAT IS YOUR PROBLEM? - LET ME TELL YOU SOMETHIN'. 509 00:23:50,750 --> 00:23:53,458 IN EVERY RELATIONSHIP THERE'S A BULL AND A COW. 510 00:23:53,458 --> 00:23:56,417 IT JUST SO HAPPENS THAT IN THIS RELATIONSHIP RIGHT HERE WITH ME AND YOU, 511 00:23:56,417 --> 00:24:00,375 I'M THE BULL, YOU'RE THE COW. 512 00:24:00,375 --> 00:24:03,917 ALL RIGHT? BULL. COW. 513 00:24:03,917 --> 00:24:05,208 YOU GOT THAT? 514 00:24:05,208 --> 00:24:06,583 YEAH, I GOT IT. BULL, COW. 515 00:24:06,583 --> 00:24:08,500 YOU WANT TO MAKE HIM SOMETHIN' ELSE TO EAT, 516 00:24:08,500 --> 00:24:09,583 BE MY GUEST. OTHERWISE, MIND YOUR BUSINESS. 517 00:24:09,583 --> 00:24:11,375 I WANNA GO HOME. 518 00:24:12,542 --> 00:24:13,041 YOU CAN'T GO HOME. 519 00:24:13,041 --> 00:24:14,583 I WANNA GO HOME. 520 00:24:14,583 --> 00:24:17,291 YOU CAN'T GO HOME RIGHT NOW! EAT YOUR FOOD! 521 00:24:17,291 --> 00:24:19,083 PISS YOU! I WANT TO GO HOME! 522 00:24:19,083 --> 00:24:20,625 [chuckling] 523 00:24:25,792 --> 00:24:27,041 HOW YOU GONNA GO TO THE BAYWATCH TOMORROW 524 00:24:27,041 --> 00:24:28,625 IF YOU GO HOME? 525 00:24:32,500 --> 00:24:35,750 THIS IS YOUR SPOT. YEAH? 526 00:24:37,125 --> 00:24:39,917 IT'S NICE. COME ON. LIE DOWN. 527 00:24:40,291 --> 00:24:41,709 ALL RIGHT. 528 00:24:44,041 --> 00:24:45,583 THIS IS A COUCH. 529 00:24:45,583 --> 00:24:48,041 DON'T WORRY ABOUT IT. IT'S FINE. 530 00:24:48,041 --> 00:24:49,834 IT'S A GOOD SLEEPING PLACE. LIE DOWN. 531 00:24:56,250 --> 00:24:58,959 LARRY, READ TO ME. 532 00:24:59,291 --> 00:25:01,250 WHAT? 533 00:25:01,250 --> 00:25:03,291 READ TO ME, LARRY. 534 00:25:03,291 --> 00:25:05,917 READ TO HIM, LARRY. 535 00:25:05,917 --> 00:25:07,458 I DON'T WANNA READ TO HIM. 536 00:25:07,458 --> 00:25:09,125 WHAT DO I GOT TO READ TO HIM FOR? 537 00:25:09,125 --> 00:25:10,500 READ TO ME, LARRY. 538 00:25:10,500 --> 00:25:11,750 WHAT FOR? 539 00:25:11,750 --> 00:25:13,291 IT SOOTHES ME DOWN. 540 00:25:13,291 --> 00:25:15,625 IT SOOTHES YOU DOWN? 541 00:25:15,625 --> 00:25:16,750 OH, COME ON, LARRY, READ TO HIM. 542 00:25:16,750 --> 00:25:19,166 WHAT AM I GONNA READ? I GOT NOTHIN' HERE. 543 00:25:19,166 --> 00:25:21,792 READ HIM A BOOK. 544 00:25:28,834 --> 00:25:30,959 YOU DON'T HAVE A BOOK? 545 00:25:33,250 --> 00:25:34,208 I GOT A PHONE BOOK. 546 00:25:34,208 --> 00:25:36,125 THERE YOU GO. 547 00:25:36,125 --> 00:25:38,166 READ TO ME, LARRY. 548 00:25:38,166 --> 00:25:39,750 ALL RIGHT, FINE. 549 00:25:47,250 --> 00:25:48,375 HERE YOU GO. 550 00:25:48,375 --> 00:25:52,208 "SINCE 1868. 551 00:25:52,208 --> 00:25:53,166 "FOR WELL OVER A CENTURY, 552 00:25:53,166 --> 00:25:54,875 "THE ADVENTUROUS FLAVOR OF TABASCO SAUCE 553 00:25:54,875 --> 00:25:59,041 HAS FIRED UP GENERATIONS OF THRILL-SEEKERS." 554 00:25:59,041 --> 00:25:59,500 OK? 555 00:25:59,500 --> 00:26:01,333 THAT WAS GOOD. 556 00:26:01,333 --> 00:26:04,083 READ TO ME MORE. 557 00:26:08,000 --> 00:26:10,166 UH, "ITS ALL-NATURAL INGREDIENTS 558 00:26:10,166 --> 00:26:12,709 "AND UNIQUE AGING PROCESS IN WHITE OAK BARRELS 559 00:26:12,709 --> 00:26:17,208 "KEEP TABASCO ON THE CULINARY CUTTING EDGE. 560 00:26:21,458 --> 00:26:24,291 "TRY IT ON EGGS, PIZZA, SALADS, AND ANY OTHER FOOD 561 00:26:24,291 --> 00:26:26,917 FOR A BURST OF FLAVOR THAT WILL TANTALIZE YOUR TASTE BUDS." 562 00:26:26,917 --> 00:26:28,250 - THAT'S IT. - READ TO ME MORE. 563 00:26:28,250 --> 00:26:31,750 NO, THAT'S IT. I'M NOT READIN' THE INGREDIENTS. I'M DONE. 564 00:26:31,750 --> 00:26:34,166 OK, THANK YOU, LARRY. 565 00:26:34,166 --> 00:26:35,166 SURE. 566 00:26:35,166 --> 00:26:37,542 [switch clicks] 567 00:26:55,667 --> 00:26:57,917 TELL YOU WHAT, NO OFFENSE, 568 00:26:57,917 --> 00:27:00,750 YOU DON'T LOOK LIKE ANY CONTRACTOR I EVER MET. 569 00:27:00,750 --> 00:27:03,709 WELL... APPARENTLY, 570 00:27:03,709 --> 00:27:06,792 THERE'S A NEED FOR ALL TYPES. 571 00:27:11,291 --> 00:27:13,500 SO, LISTEN. 572 00:27:13,500 --> 00:27:15,125 YOU KNOW, UH, 573 00:27:15,125 --> 00:27:17,125 I WAS THINKING ABOUT WHAT YOU SAID BEFORE, 574 00:27:17,125 --> 00:27:18,959 ABOUT US BEING STUCK IN THIS SITUATION. 575 00:27:18,959 --> 00:27:21,041 THERE'S NOTHIN' WE CAN DO. 576 00:27:21,041 --> 00:27:22,625 I THINK YOU'RE RIGHT. 577 00:27:22,625 --> 00:27:24,458 WE MIGHT AS WELL MAKE THE BEST OF IT. 578 00:27:24,458 --> 00:27:26,333 I THINK SO. 579 00:27:26,333 --> 00:27:29,792 SO, YOU KNOW, LOOK, DON'T TAKE THIS THE WRONG WAY, 580 00:27:29,792 --> 00:27:31,291 BELIEVE ME. 581 00:27:31,291 --> 00:27:32,917 BUT I JUST... THIS IS, YOU KNOW... 582 00:27:32,917 --> 00:27:36,166 I HATE TO SEE YOU SLEEP ON THE FLOOR LIKE THAT. 583 00:27:36,166 --> 00:27:37,792 I MEAN, COME ON. 584 00:27:37,792 --> 00:27:39,333 SO IF YOU WANT TO, 585 00:27:39,333 --> 00:27:42,250 YOU CAN GO AHEAD AND JUST, YOU KNOW, 586 00:27:42,250 --> 00:27:46,709 JUST TAKE HALF OF MY BED. AND, UH... 587 00:27:46,709 --> 00:27:49,625 YOU KNOW, 'CAUSE LOOK, WE'RE WORKIN' TOGETHER. WE'RE GROWNUPS, RIGHT? 588 00:27:49,625 --> 00:27:52,417 YOU KNOW, WE'RE PARTNERS. WE'LL JUST, YOU KNOW, 589 00:27:52,417 --> 00:27:55,709 JUST, YOU KNOW, DO THE WHOLE THING PROFESSIONALLY. 590 00:27:57,375 --> 00:27:59,667 WELL, THAT'S... 591 00:27:59,667 --> 00:28:01,583 THAT'S VERY KIND OF YOU. THANK YOU. 592 00:28:01,583 --> 00:28:04,125 I MEAN, I'D LOVE TO. 593 00:28:05,917 --> 00:28:08,166 YOU KNOW, PROFESSIONALLY. 594 00:28:08,166 --> 00:28:10,709 PLEASE. 595 00:28:10,709 --> 00:28:12,792 HOW'S THAT PROFESSIONALLY? 596 00:28:12,792 --> 00:28:14,875 HUH? YOU LIKE THAT? 597 00:28:14,875 --> 00:28:16,500 THAT'S PROFESSIONAL. RIGHT HERE. 598 00:28:16,500 --> 00:28:18,834 BULL. COW. 599 00:28:18,834 --> 00:28:20,291 THAT'S HOW THAT WORKS. 600 00:28:23,166 --> 00:28:25,500 [thudding] 601 00:28:25,500 --> 00:28:27,291 THERE'S YOUR BULL RIGHT THERE! 602 00:28:27,291 --> 00:28:28,375 THERE'S YOUR BULL. 603 00:28:28,375 --> 00:28:31,250 THERE'S THE HORN. 604 00:28:31,250 --> 00:28:32,875 YOU FUCK WITH THE BULL, 605 00:28:32,875 --> 00:28:34,375 YOU GET THE HORN. 606 00:28:34,375 --> 00:28:38,709 [thudding] 607 00:28:39,875 --> 00:28:41,834 THAT'S PROFESSIONAL. 608 00:28:43,834 --> 00:28:46,583 FUCKIN' PROFESSIONAL. 609 00:28:46,583 --> 00:28:48,041 LOOK AT THAT. 610 00:28:49,709 --> 00:28:51,542 THAT'S THE BULL. RIGHT. 611 00:28:51,542 --> 00:28:53,875 GET THE BULL BY THE HORN. 612 00:28:53,875 --> 00:28:54,542 YOU KNOW WHAT I'M TALKIN' ABOUT? 613 00:28:54,542 --> 00:28:56,542 I'LL GIVE YOU THE HORN. 614 00:28:56,542 --> 00:28:58,375 WANT TO SEE THE HORN? 615 00:28:58,375 --> 00:28:59,917 WANT TO SEE THE HORN? 616 00:29:32,625 --> 00:29:34,083 [sighing] 617 00:29:36,417 --> 00:29:38,834 [fake yawning] 618 00:30:04,250 --> 00:30:05,792 YOU KNOW, 619 00:30:05,792 --> 00:30:09,083 YOU'RE ACTUALLY A VERY ATTRACTIVE WOMAN. 620 00:30:11,625 --> 00:30:13,792 THANK YOU. 621 00:30:13,792 --> 00:30:16,417 YOU'RE WELCOME. 622 00:30:16,417 --> 00:30:19,291 YOU KNOW, THIS MAY BE A GOOD TIME TO SUGGEST 623 00:30:19,291 --> 00:30:23,458 THAT YOU NOT ALLOW THE SEEDS OF CRUEL HOPE TO SPROUT IN YOUR SOUL. 624 00:30:24,667 --> 00:30:26,041 I DON'T KNOW WHAT THAT MEANS, 625 00:30:26,041 --> 00:30:27,750 BUT IT SOUNDS BEAUTIFUL. 626 00:30:27,750 --> 00:30:31,291 IT MEANS YOU'RE NOT MY TYPE. 627 00:30:32,375 --> 00:30:34,750 IS THAT RIGHT? 628 00:30:36,875 --> 00:30:40,166 WHAT ABOUT ME IS NOT YOUR TYPE? 629 00:30:43,834 --> 00:30:45,375 YOUR PENIS. 630 00:30:45,959 --> 00:30:48,166 WHAT DOES THAT MEAN? 631 00:30:49,709 --> 00:30:51,542 IT MEANS I'M GAY. 632 00:30:51,542 --> 00:30:55,000 IT MEANS I'M A LESBIAN. 633 00:30:57,000 --> 00:31:01,166 BUT I GOT TO TELL YOU, IF I WASN'T... 634 00:31:01,166 --> 00:31:02,834 I MEAN, AFTER A FIRST DATE LIKE THIS, 635 00:31:02,834 --> 00:31:05,250 I'D FIND IT REALLY HARD 636 00:31:05,250 --> 00:31:07,500 NOT TO JUST GET UNDER THE COVERS 637 00:31:07,500 --> 00:31:10,417 AND DO YOU BIG-TIME RIGHT NOW. 638 00:31:10,417 --> 00:31:12,166 GOOD NIGHT. 639 00:31:16,709 --> 00:31:18,917 "GOOD NIGHT"? 640 00:31:19,542 --> 00:31:21,375 GOOD NIGHT. 641 00:31:33,250 --> 00:31:37,583 (man on T.V.) WHOA, STEP-PAPA. WITH THAT SASSY NEW LOOK, 642 00:31:37,583 --> 00:31:41,333 SHEEP'S ALL THAT AND A BAG OF CHIPS. 643 00:31:50,875 --> 00:31:52,500 (woman) MELBOURNE'S FORECAST: 644 00:31:52,500 --> 00:31:54,166 THE CHANCE OF A BRIEF SHOWER TOMORROW, 645 00:31:54,166 --> 00:31:55,208 BUT WE'RE EXPECTING A MOSTLY FINE DAY 646 00:31:55,208 --> 00:31:58,125 WITH A LIGHT-TO-MODERATE SOUTHWESTWARDLY WIND. 647 00:31:58,125 --> 00:31:59,959 - WHO THE FUCK ARE YOU TALKIN' TO? - OW! 648 00:31:59,959 --> 00:32:01,750 SYDNEY ALSO FINE AND 18. 649 00:32:01,750 --> 00:32:04,458 - BRISBANE, SHOWERS... - GIVE ME THAT BACK, PLEASE. 650 00:32:04,458 --> 00:32:06,333 - SUNNY, 32. - GIVE ME THAT BACK. 651 00:32:06,333 --> 00:32:08,917 ADELAIDE AND HOBART BOTH MAINLY FINE DAYS TOMORROW... 652 00:32:08,917 --> 00:32:11,792 YOU KNOW HOW MUCH THIS SHIT COSTS? 653 00:32:11,792 --> 00:32:13,542 [man chattering on T.V.] 654 00:32:13,542 --> 00:32:14,625 IT'S $5. 655 00:32:14,625 --> 00:32:17,291 NO, IT'S NOT $5. 656 00:32:18,792 --> 00:32:19,792 IT'S $10. 657 00:32:19,792 --> 00:32:21,709 NO, IT'S... 658 00:32:21,709 --> 00:32:23,417 [woman chattering on T.V.] 659 00:32:23,417 --> 00:32:25,417 WHY AM I EVEN TALKING TO YOU FOR? 660 00:32:25,417 --> 00:32:27,417 IT'S $10. 661 00:32:27,417 --> 00:32:28,166 YEAH, IT'S $10. ALL RIGHT. 662 00:32:35,917 --> 00:32:37,083 HEY. 663 00:32:38,500 --> 00:32:40,417 JUST WANTED TO TELL YOU, YOU KNOW, 664 00:32:40,417 --> 00:32:44,500 JUST GET STRAIGHT ABOUT THAT THING LAST NIGHT. 665 00:32:44,500 --> 00:32:46,959 YOU KNOW, NO HARD FEELINGS. 666 00:32:46,959 --> 00:32:48,625 YOU KNOW WHAT I MEAN? 667 00:32:48,625 --> 00:32:50,041 I DON'T WANT YOU TO GET UPSET OR NOTHIN'. 668 00:32:50,041 --> 00:32:53,625 [laughs] 669 00:32:53,625 --> 00:32:56,375 THAT'S--THAT'S IT. D-DON'T BE COMIN' BACK, THOUGH. 670 00:32:56,375 --> 00:32:58,000 I MEAN, IT'S A ONE-TIME OFFER. 671 00:32:58,000 --> 00:33:00,542 ONE SHOT WITH ME. I'M OUT. 672 00:33:03,125 --> 00:33:04,667 [knocking on door] 673 00:33:04,667 --> 00:33:07,041 ARE YOU EXPECTING SOMEBODY? 674 00:33:07,041 --> 00:33:09,583 [doorbell ringing] 675 00:33:10,625 --> 00:33:14,291 (man) COME ON! 676 00:33:14,291 --> 00:33:15,291 LARRY! 677 00:33:15,291 --> 00:33:15,792 [pounding on door] SHIT! 678 00:33:15,792 --> 00:33:17,667 IT'S YOUR MOTHER. 679 00:33:17,667 --> 00:33:18,625 FUCK! IT'S A COP. 680 00:33:18,625 --> 00:33:20,333 (man) OPEN THE DOOR! 681 00:33:20,333 --> 00:33:23,208 (Brian) HEY! I WAS WATCHING THAT. SHH! BE QUIET. 682 00:33:23,208 --> 00:33:24,250 (man) I HEAR YOU SNEAKIN' AROUND. 683 00:33:24,250 --> 00:33:27,166 GO IN THIS ROOM. GO. I WANT YOU TO STAY HERE. 684 00:33:27,166 --> 00:33:29,208 DON'T COME OUT. DON'T SAY ANYTHING. YOU UNDERSTAND ME? 685 00:33:29,208 --> 00:33:30,166 WE'RE GOING TO BAYWATCH TODAY? 686 00:33:30,166 --> 00:33:32,834 - YEAH. SOON. STAY HERE. BE QUIET. - OK. 687 00:33:32,834 --> 00:33:35,000 (man) COME ON, I'M DYING HERE! - COMING! 688 00:33:35,000 --> 00:33:38,041 LARRY, I HAVE A CHICKEN. [inaudible] 689 00:33:38,041 --> 00:33:38,500 [pounding on door] 690 00:33:38,500 --> 00:33:41,041 WHAT? 691 00:33:41,041 --> 00:33:42,125 YOUR DOOR'S NOT THICK ENOUGH TO PRETEND 692 00:33:42,125 --> 00:33:44,667 YOU'RE NOT HOME WHEN YOU'RE HOME. 693 00:33:44,667 --> 00:33:46,125 WHAT'S UP? 694 00:33:46,125 --> 00:33:47,667 I WAS IN THE NEIGHBORHOOD. 695 00:33:47,667 --> 00:33:48,750 [door closing] 696 00:33:48,750 --> 00:33:50,667 HOW ARE YOU TODAY? 697 00:33:50,667 --> 00:33:51,625 JUST FINE. YOURSELF? 698 00:33:51,625 --> 00:33:54,166 JUST FINE. 699 00:33:54,166 --> 00:33:58,250 I'M SEARCHING FOR NEWS ON THE UNDERGROUND. 700 00:34:00,125 --> 00:34:03,542 MIGHT YOU KNOW WHAT IT IS I'M GETTING AT? 701 00:34:03,542 --> 00:34:04,709 NO. 702 00:34:04,709 --> 00:34:06,542 NO. WELL... 703 00:34:06,542 --> 00:34:09,709 THIS IS ONE OF THOSE MYSTERIOUS CASES. 704 00:34:09,709 --> 00:34:13,250 UNSOLVABLE. PROBABLY TURN OUT TO BE AN ALIEN ABDUCTION, 705 00:34:13,250 --> 00:34:14,458 BUT YOU KNOW WE'RE OBLIGATED 706 00:34:14,458 --> 00:34:17,583 TO AT LEAST CREATE THE APPEARANCE OF DUE DILIGENCE. 707 00:34:17,583 --> 00:34:19,500 WHAT? 708 00:34:19,500 --> 00:34:20,834 I DIDN'T SAY NOTHIN'. 709 00:34:20,834 --> 00:34:22,375 OH YEAH. 710 00:34:22,375 --> 00:34:25,417 YOU KNOW, YOUR FRIEND... 711 00:34:25,417 --> 00:34:27,333 LOUIS, 712 00:34:27,333 --> 00:34:29,667 HIS SUPERVISOR BACK IN THE HOME OFFICE 713 00:34:29,667 --> 00:34:31,542 IS ABOUT TO FOLD HIS NAPKIN, RIGHT? 714 00:34:31,542 --> 00:34:32,750 SORRY? 715 00:34:32,750 --> 00:34:36,041 STARKMAN, IN NEW YORK. 716 00:34:36,041 --> 00:34:37,041 HE'S THROUGH. 717 00:34:37,041 --> 00:34:39,166 LOOKING AT HUGE FEDERAL TIME. 718 00:34:39,166 --> 00:34:42,041 BIG, UGLY, DARK DUNGEON UNDERGROUND. 719 00:34:42,041 --> 00:34:44,458 NO CHANCE OF PAROLE, NEVER EVER. 720 00:34:44,458 --> 00:34:46,083 TIME. 721 00:34:50,375 --> 00:34:52,875 YEP. I'M SORRY TO SAY. 722 00:34:52,875 --> 00:34:56,625 I HEAR HE'S A GOOD GUY, BUT, YOU KNOW... 723 00:34:56,625 --> 00:34:58,834 IN ANY EVENT, HERE'S MY PROBLEM, 724 00:34:58,834 --> 00:35:00,083 AND IF YOU KNOW ANY OF THIS, 725 00:35:00,083 --> 00:35:02,041 FEEL FREE, JUMP IN, SHUT ME UP. 726 00:35:02,041 --> 00:35:06,417 THIS FEDERAL PROSECUTOR OUT HERE, 727 00:35:06,417 --> 00:35:10,583 THE ONE WITH STARKMAN'S TESTICULAR MATTER CLUTCHED IN HIS FIST, 728 00:35:10,583 --> 00:35:14,458 THIS VERY FEDERAL PROSECUTOR'S LITTLE BROTHER... 729 00:35:14,458 --> 00:35:16,750 ANY OF THIS SOUND FAMILIAR? 730 00:35:16,750 --> 00:35:18,750 TO ME? NO. 731 00:35:18,750 --> 00:35:21,458 NO. WELL... 732 00:35:21,458 --> 00:35:23,583 THIS VERY FEDERAL PROSECUTOR'S LITTLE BROTHER, 733 00:35:23,583 --> 00:35:25,834 A BIT DOPEY FROM WHAT I GATHER, 734 00:35:25,834 --> 00:35:28,125 MAY HAVE BEEN ABSCONDED WITH, 735 00:35:28,125 --> 00:35:30,542 WHICH, AS YOU CAN IMAGINE, WOULD BE 736 00:35:30,542 --> 00:35:33,500 TO THE DISMAY OF OUR PROSECUTOR. 737 00:35:35,750 --> 00:35:38,041 I THINK... 738 00:35:38,041 --> 00:35:40,083 BUT I COULD BE WRONG ABOUT THIS, 739 00:35:40,083 --> 00:35:42,333 BECAUSE IT'S ALMOST TOO STUPID FOR A MIND TO GRASP. 740 00:35:42,333 --> 00:35:45,000 BUT I THINK MAYBE SOMEONE 741 00:35:45,000 --> 00:35:48,792 IN YOUR PROFESSIONAL COMMUNITY 742 00:35:48,792 --> 00:35:51,917 MIGHT BE PARTICIPATING IN THESE SHENANIGANS 743 00:35:51,917 --> 00:35:54,750 TO, I DON'T KNOW, 744 00:35:54,750 --> 00:35:57,917 HELP SQUEEZE A LITTLE FRIENDSHIP, 745 00:35:57,917 --> 00:36:00,166 ALTRUISM, WHATEVER, 746 00:36:00,166 --> 00:36:01,208 OUT OF THIS PARTICULAR FEDERAL OFFICIAL. 747 00:36:01,208 --> 00:36:04,792 MAYBE IN THE HOPES THAT STARKMAN 748 00:36:04,792 --> 00:36:07,959 WILL WAKE UP 749 00:36:07,959 --> 00:36:10,333 ONE MORNING... 750 00:36:13,208 --> 00:36:17,375 WAKE UP ONE MORNING TO FIND ALL CHARGES MYSTERIOUSLY DROPPED. 751 00:36:17,375 --> 00:36:19,458 THE SCHOOL OF THOUGHT AMONGST MY COLLEAGUES 752 00:36:19,458 --> 00:36:22,250 IS THAT THIS KID IS ALREADY WAY OUT OF TOWN. 753 00:36:22,250 --> 00:36:24,667 I ALONE AM OF THE OPPOSITE SCHOOL. 754 00:36:24,667 --> 00:36:26,333 I THINK HE'S STILL HERE. THAT'S WHAT I THINK. 755 00:36:26,333 --> 00:36:29,041 BUT WHAT'S IMPORTANT IS WHAT YOU THINK. 756 00:36:29,041 --> 00:36:30,709 WHAT DO YOU THINK? 757 00:36:30,709 --> 00:36:32,834 AS A FRIEND WHO'S GOT HIS EAR TO THE STREET. 758 00:36:32,834 --> 00:36:34,542 SERIOUSLY. 759 00:36:36,083 --> 00:36:39,000 - I NEVER... YOU KNOW-- - I KNOW. 760 00:36:39,000 --> 00:36:41,667 YOU DON'T KNOW NOTHIN'. 761 00:36:41,667 --> 00:36:45,166 I CAN TELL JUST BY LOOKIN' AT YOU. 762 00:36:50,750 --> 00:36:53,834 THE WHOLE THING'S PROBABLY ALIEN ABDUCTION, 763 00:36:53,834 --> 00:36:55,375 LIKE I SAID BEFORE. 764 00:36:59,750 --> 00:37:03,667 MAN, YOU KNOW WHAT I'D LOVE TO DO 765 00:37:03,667 --> 00:37:04,333 RIGHT NOW? 766 00:37:11,458 --> 00:37:14,041 GO DOWN TO MARIE CALLENDER'S, 767 00:37:14,041 --> 00:37:18,083 GET ME A BIG BOWL, PIE, SOME ICE CREAM ON IT. 768 00:37:18,083 --> 00:37:19,208 MMM-HMM. 769 00:37:19,208 --> 00:37:20,709 GOOD. 770 00:37:20,709 --> 00:37:22,041 PUT SOME ON YOUR HEAD, 771 00:37:22,041 --> 00:37:26,875 YOUR TONGUE WOULD SLAP YOUR BRAINS OUT TRYING TO GET TO IT. 772 00:37:26,875 --> 00:37:28,625 INTERESTED? 773 00:37:28,625 --> 00:37:31,583 SURE? 774 00:37:31,583 --> 00:37:33,542 YEAH, I'M TRYING TO GET IN SHAPE, YOU KNOW. 775 00:37:55,917 --> 00:37:58,083 SAY NO MORE. 776 00:37:58,083 --> 00:38:00,667 LOOK, 777 00:38:00,667 --> 00:38:03,417 THANKS FOR THE HOSPITALITY. 778 00:38:03,417 --> 00:38:05,208 IT CAN'T BE THE MOST PLEASANT THING 779 00:38:05,208 --> 00:38:08,125 TO HAVE YOUR PRIVACY BE INTRUDED ON. 780 00:38:08,125 --> 00:38:10,750 MAYBE IF YOU HEAR ANYTHING, YOU'LL LET ME KNOW? 781 00:38:12,750 --> 00:38:16,333 YEAH, YOU KNOW, IF I HEAR ANYTHING. 782 00:38:21,625 --> 00:38:22,417 YEAH, I'LL LET YOU KNOW. 783 00:38:42,959 --> 00:38:44,625 - ALL RIGHT. - YUP. 784 00:38:48,250 --> 00:38:52,125 A FEDERAL FUCKIN' PROSECUTOR! 785 00:38:52,125 --> 00:38:53,875 FUCK! 786 00:38:53,875 --> 00:38:55,000 LARRY? 787 00:38:55,000 --> 00:38:56,792 I'LL COME BACK NOW, OK? 788 00:38:56,792 --> 00:38:59,125 WHAT ARE YOU DOIN'? I TOLD YOU TO... 789 00:38:59,125 --> 00:39:02,333 - I'M HUNGRY. - WE GOT NOTHIN' TO EAT. 790 00:39:02,333 --> 00:39:03,166 I'M HUNGRY, THOUGH. 791 00:39:03,166 --> 00:39:06,834 A FEDERAL FUCKIN' PROSECUTOR. 792 00:39:06,834 --> 00:39:10,000 MY BROTHER'S A FEDERAL FUCKIN' "PROSTITUTOR." 793 00:39:10,000 --> 00:39:11,667 YOU DON'T SAY. 794 00:39:15,417 --> 00:39:16,750 PUT THIS ON. 795 00:39:18,625 --> 00:39:20,291 DID YOU KNOW ABOUT ALL THAT STUFF? 796 00:39:20,291 --> 00:39:21,792 NO, NOT ALL OF IT. 797 00:39:21,792 --> 00:39:23,417 MAYBE WE SHOULD CHECK INTO A HOTEL. 798 00:39:23,417 --> 00:39:25,458 FUCK THAT. I LIVE HERE. THIS IS MY PLACE. 799 00:39:25,458 --> 00:39:28,333 NO ONE'S GETTIN' ME OUT OF MY PLACE. PUT THIS ON, TOO. 800 00:39:28,333 --> 00:39:30,417 I'M HUNGRY. I WANNA EAT NOW. 801 00:39:30,417 --> 00:39:32,875 I HEARD YOU THE FIRST FUCKIN' FIVE TIMES, BRIAN. COME ON. 802 00:39:37,000 --> 00:39:37,625 COME ON. 803 00:39:40,333 --> 00:39:41,875 STOP FUCKIN' AROUND. 804 00:39:42,750 --> 00:39:45,792 WHEN ARE WE GETTIN' TO THE BAYWATCH? 805 00:39:45,792 --> 00:39:48,542 - WHAT? WHAT'S THAT? YOU HEAR THAT? - NO. 806 00:39:48,542 --> 00:39:51,875 WHAT IS THAT? IT'S THE WALKIE-TALKIE AGAIN. 807 00:39:51,875 --> 00:39:52,875 HELLO? 808 00:39:52,875 --> 00:39:54,542 WHAT? 809 00:39:54,542 --> 00:39:56,458 YOU GOT TO BE KIDDING ME. AGAIN? 810 00:39:56,458 --> 00:39:59,291 WHAT'S THE DEAL WITH THESE GUYS? 811 00:39:59,291 --> 00:40:02,000 HOW LONG? MAYBE TOMORROW? OK. 812 00:40:02,000 --> 00:40:04,709 HEY, KICK THOSE GUYS IN THE ASS FOR ME, WILL YOU? 813 00:40:04,709 --> 00:40:07,542 THOSE FUCKIN' GUYS. ALL RIGHT. TALK TO YOU LATER. 814 00:40:07,542 --> 00:40:09,959 YEAH, GIVE US A CALL BACK. 815 00:40:09,959 --> 00:40:11,959 UNBELIEVABLE. 816 00:40:11,959 --> 00:40:15,125 YOU BELIEVE THAT? THE BAYWATCH IS CLOSED TODAY. AGAIN. 817 00:40:15,125 --> 00:40:17,166 - THEY'RE CLOSED? - YEAH, I TALKED TO 'EM. 818 00:40:17,166 --> 00:40:20,125 THEY--THEY SAID THEY'RE WORKIN' ON THE PROBLEM, BUT, YOU KNOW, 819 00:40:20,125 --> 00:40:22,083 THEY DON'T KNOW HOW LONG IT'S GONNA BE. 820 00:40:22,083 --> 00:40:24,667 WHAT IS THE BAYWATCH? 821 00:40:26,583 --> 00:40:29,375 IT'S WHERE ALL THE BEAUTIFUL GIRLS ARE. 822 00:40:29,375 --> 00:40:31,083 THEY SWIM. 823 00:40:31,083 --> 00:40:33,333 THEY SWIM THERE. 824 00:40:33,333 --> 00:40:35,291 YOU'RE TALKIN' ABOUT THE T.V. SHOW? 825 00:40:35,291 --> 00:40:38,875 NO, YOU-- NOT T.V. THAT'S T.V. 826 00:40:38,875 --> 00:40:41,625 THE BAYWATCH IS WHERE THEY REALLY ARE. 827 00:40:41,625 --> 00:40:44,375 THEY'RE REALLY THERE. 828 00:40:44,375 --> 00:40:46,667 I THINK YOU COULD BE FRIENDS THERE. 829 00:40:53,083 --> 00:40:55,083 I THINK THAT'S WHERE THE SEX IS. 830 00:40:55,083 --> 00:40:58,083 I THINK SO. 831 00:40:58,083 --> 00:41:00,834 I THINK THAT'S WHERE THE SEX IS. 832 00:41:12,041 --> 00:41:16,375 [Demagogue by Urban Dance Squad playing] 833 00:41:16,375 --> 00:41:18,625 ♪ I KICK THE MUSIC SO HARD ♪ 834 00:41:18,625 --> 00:41:20,125 ♪ PEOPLE GET INJURIES ♪ 835 00:41:20,125 --> 00:41:21,417 ♪ STEP TO ME ♪ 836 00:41:21,417 --> 00:41:22,667 ♪ BE A BIG STITCH M.C. ♪ 837 00:41:22,667 --> 00:41:23,542 ♪ LYRICS I CHOP ♪ 838 00:41:23,542 --> 00:41:25,583 ♪ KICK SKILLS LIKE JACKIE CHAN ♪ 839 00:41:25,583 --> 00:41:27,166 ♪ MANY PROPS LOOT ♪ 840 00:41:27,166 --> 00:41:28,000 ♪ GLADLY PAY THE TAX MAN ♪ 841 00:41:28,000 --> 00:41:29,291 ♪ FLEX PLANS ♪ 842 00:41:29,291 --> 00:41:30,792 ♪ LEAVE BODYBAGS FULL OF MEN ♪ 843 00:41:30,792 --> 00:41:32,834 HEY, YOU WANNA TURN THAT DOWN? 844 00:41:32,834 --> 00:41:34,250 YOU FUCKIN' TURN IT DOWN. 845 00:41:34,250 --> 00:41:36,041 ♪ PLUS THE SQUAD ♪ 846 00:41:36,041 --> 00:41:37,792 ♪ TOOK SOMETIME OFF WITH THE WILD FUNK, SO WHAT? ♪ 847 00:41:37,792 --> 00:41:38,709 I DON'T THINK THIS IS THE BEST TIME 848 00:41:38,709 --> 00:41:42,000 TO BE DRAWING ATTENTION TO OURSELVES. 849 00:41:42,000 --> 00:41:44,542 ♪ LIKE THE BEASTIE BOYS, THE FUNKY DEMAGOGUE ♪ 850 00:41:44,542 --> 00:41:46,917 HEY, BEAVIS, TURN THE FUCKIN' RADIO OFF. 851 00:41:46,917 --> 00:41:48,792 WHAT THE FUCK IS YOUR PROBLEM, BITCH? 852 00:41:48,792 --> 00:41:50,500 ♪ HEAR THE DEMAGOGUE, FUNKY DEMAGOGUE ♪ 853 00:41:50,500 --> 00:41:52,000 "BITCH"? 854 00:41:52,000 --> 00:41:53,417 YOU KNOW WHAT, CREATING A SCENE RIGHT NOW 855 00:41:53,417 --> 00:41:55,125 WOULD BE A BAD THING. 856 00:41:55,125 --> 00:41:57,000 ♪ CHECK A LOOK-ALIKE, WANNA SEE A JOKE ♪ 857 00:41:57,000 --> 00:41:58,375 YEAH, THAT'S RIGHT. WHY DON'T YOU COME OVER HERE, 858 00:41:58,375 --> 00:42:00,792 SO WE CAN KICK YOUR ASS. 859 00:42:06,542 --> 00:42:09,000 (boy #1) WHAT HAPPENED? 860 00:42:09,000 --> 00:42:10,834 LET ME. OK? 861 00:42:10,834 --> 00:42:11,959 ♪ STYLES NOT REALLY MATCHED UP ♪ 862 00:42:11,959 --> 00:42:13,959 GO AHEAD. 863 00:42:13,959 --> 00:42:15,375 ♪ PUSHED 'N DRESSED UP ♪ 864 00:42:15,375 --> 00:42:17,000 YOU KNOW, WHAT YOU BOYS NEED 865 00:42:17,000 --> 00:42:19,583 IS TO DEVELOP BETTER PEOPLE SKILLS. 866 00:42:19,583 --> 00:42:22,667 HOWEVER, IN THE MEANTIME... 867 00:42:22,667 --> 00:42:23,208 ♪ CALLED NEW YORK ♪ 868 00:42:23,208 --> 00:42:24,166 ♪ YOU GOT BEEF ♪ 869 00:42:24,166 --> 00:42:26,375 EXCUSE ME. 870 00:42:26,375 --> 00:42:27,375 ♪ FOUL LIKE A PIG ON A BUM ♪ 871 00:42:27,375 --> 00:42:30,041 ( turns off music ) 872 00:42:30,041 --> 00:42:32,959 YOU EVER HEARD OF TAI MOI CHAI? 873 00:42:32,959 --> 00:42:34,583 NO. OK. 874 00:42:34,583 --> 00:42:35,667 IN TRADITIONAL TAI MOI CHAI, 875 00:42:35,667 --> 00:42:39,792 THERE ARE 5 LEVELS OF DIGITAL ORB EXTRUSION. 876 00:42:39,792 --> 00:42:43,417 THAT'S THE GOUGING OUT OF YOUR OPPONENT'S EYEBALL 877 00:42:43,417 --> 00:42:45,250 WITH ONE'S FINGER. 878 00:42:45,250 --> 00:42:46,792 NOW, 879 00:42:46,792 --> 00:42:47,417 THE HIGHEST AND MOST DIFFICULT TO MASTER 880 00:42:47,417 --> 00:42:50,000 IS MY PERSONAL FAVORITE: 881 00:42:50,000 --> 00:42:51,750 KAI TOI MAI. 882 00:42:51,750 --> 00:42:55,250 LOOSELY TRANSLATED, THAT'S "THE RIP THAT TAKES THE PAST." 883 00:42:55,250 --> 00:42:59,208 NOW, ONCE THE THUMB LIQUEFIES THE EYE, 884 00:42:59,208 --> 00:43:03,250 IT IS DEFTLY AND IMMEDIATELY REPLACED BY THE FOREFINGER. 885 00:43:03,250 --> 00:43:08,000 DEEP THRUST, HOOKING AROUND AND SECURING THE OCULAR NERVE 886 00:43:08,000 --> 00:43:10,625 AND THEN REMOVING IT WITH SUCH FORCE 887 00:43:10,625 --> 00:43:12,750 AS TO BRING WITH IT, BY SUCTION, 888 00:43:12,750 --> 00:43:15,750 A VITAL PORTION OF THE VISUAL CORTEX. 889 00:43:15,750 --> 00:43:18,458 THE PART OF THE BRAIN, AS I'M SURE YOU MAY KNOW, 890 00:43:18,458 --> 00:43:21,333 THAT STORES VISUAL MEMORY. 891 00:43:21,333 --> 00:43:22,917 NOW, 892 00:43:22,917 --> 00:43:25,291 THE EXTRAORDINARY ELEMENT OF THIS MOVE, 893 00:43:25,291 --> 00:43:28,166 THE GENIUS OF IT, 894 00:43:28,166 --> 00:43:33,208 THE--THE--THE ABSOLUTE POETRY OF IT 895 00:43:33,208 --> 00:43:36,458 IS THAT, ASIDE FROM THE OBVIOUS WOUND, 896 00:43:36,458 --> 00:43:41,750 ONE'S OPPONENT IS LEFT WITH NO MEMORY OF ANYTHING HE HAS EVER SEEN. 897 00:43:41,750 --> 00:43:45,208 FAMILY, FRIENDS, NOTHING. 898 00:43:46,333 --> 00:43:50,834 HENCE, KAI TOI MAI: 899 00:43:50,834 --> 00:43:53,750 "THE RIP THAT TAKES THE PAST." 900 00:43:53,750 --> 00:43:55,625 AS YOU CAN IMAGINE, VERY DIFFICULT 901 00:43:55,625 --> 00:43:58,583 TO PRACTICE HERE IN THE UNITED STATES 902 00:43:58,583 --> 00:44:02,834 BUT, I FELT, WELL WORTH THE TRIPS TO THE CHANG RAI PROVINCE. 903 00:44:07,333 --> 00:44:09,583 PEOPLE SKILLS. 904 00:44:10,917 --> 00:44:13,250 SEE, KNOWING HOW TO PROPERLY JUDGE CHARACTER, 905 00:44:13,250 --> 00:44:15,250 KNOWING HOW AND WHEN TO MAKE A MOVE, 906 00:44:15,250 --> 00:44:19,500 IN SHORT, KNOWING WHO TO AND WHO NOT TO FUCK WITH. 907 00:44:19,500 --> 00:44:22,375 THESE ARE THINGS YOU BOYS ARE GONNA WANNA WORK ON 908 00:44:22,375 --> 00:44:23,500 IN THE FUTURE. OK? 909 00:44:23,500 --> 00:44:25,750 OH, AND ONE MORE THING: 910 00:44:25,750 --> 00:44:27,583 SPORTS ARE ALL WELL AND GOOD, 911 00:44:27,583 --> 00:44:29,709 BUT VERY HARD TO EARN A LIVING AT. 912 00:44:29,709 --> 00:44:31,333 SO I WANT YOU GUYS TO STUDY HARD, 913 00:44:31,333 --> 00:44:33,875 AND KEEP YOUR GRADES UP, ALL RIGHT? 914 00:44:33,875 --> 00:44:34,333 OK? EVERYONE, YES? 915 00:44:34,333 --> 00:44:35,250 (all) YES. 916 00:44:35,250 --> 00:44:36,792 OK. GOOD. 917 00:44:41,875 --> 00:44:44,041 BRIAN, LET'S GO. 918 00:44:52,375 --> 00:44:53,959 NICE COMPUTER. 919 00:44:57,500 --> 00:45:00,750 HERE'S SUCK-MY-DICK.COM. 920 00:45:07,458 --> 00:45:10,500 HEY, SO CAN YOU REALLY DO ALL THAT KUNG FU SHIT 921 00:45:10,500 --> 00:45:14,083 YOU SAID BACK THERE WITH THE--THE EYE AND THAT? 922 00:45:14,083 --> 00:45:16,750 NO. 923 00:45:16,750 --> 00:45:19,750 THAT WAS ALL BULLSHIT, HUH? 924 00:45:20,208 --> 00:45:22,250 YEP. 925 00:45:23,542 --> 00:45:26,166 SUN TZU SAID THAT, IN A WAR, 926 00:45:26,166 --> 00:45:29,375 THE BEST VICTORY IS THAT WHICH REQUIRES NO BATTLE. 927 00:45:29,375 --> 00:45:32,083 IS THIS SOME MORE BULLSHIT NOW I'M GETTIN'? 928 00:45:32,083 --> 00:45:34,917 - NO. - WHO'S SUN TZU? 929 00:45:36,542 --> 00:45:38,834 A CHINESE MILITARY THEORETICIAN WHO POINTED OUT 930 00:45:38,834 --> 00:45:41,542 THAT IN A CONFLICT, GETTING ANGRY, 931 00:45:41,542 --> 00:45:43,041 WHICH YOU SEEM TO DO A LOT OF, 932 00:45:43,041 --> 00:45:47,041 IS A TACTICALLY AND STRATEGICALLY STUPID MOVE. 933 00:45:47,041 --> 00:45:49,917 IT CLOUDS YOUR ABILITY TO REASON. 934 00:45:49,917 --> 00:45:52,250 IT GIVES YOUR ADVERSARY THE UPPER HAND. 935 00:45:52,250 --> 00:45:55,083 YOU WANNA CLOUD YOUR ADVERSARY'S ABILITY TO REASON, 936 00:45:55,083 --> 00:45:57,083 THUS GAINING THE UPPER HAND YOURSELF. 937 00:46:01,500 --> 00:46:03,417 WHATEVER. 938 00:46:03,417 --> 00:46:05,709 YOU KNOW WHAT? GIVEN HOW UNHAPPY YOU SEEM TO BE, 939 00:46:05,709 --> 00:46:07,250 I CAN SEE HOW THAT WOULDN'T BE 940 00:46:07,250 --> 00:46:08,750 THE EASIEST THING FOR YOU TO DO. 941 00:46:08,750 --> 00:46:10,250 WHAT IS THAT SUPPOSED TO MEAN? 942 00:46:10,250 --> 00:46:13,375 JUST THAT. 943 00:46:13,375 --> 00:46:14,583 I MEAN, 944 00:46:14,583 --> 00:46:16,250 WHEN MEN ARE LITTLE BOYS, 945 00:46:16,250 --> 00:46:17,917 THEY'RE--THEY'RE ENCOURAGED NOT TO CRY, 946 00:46:17,917 --> 00:46:20,125 NOT TO SHOW THEIR SADNESS, 947 00:46:20,125 --> 00:46:21,667 SO THEY'RE FORCED TO FIND OTHER WAYS TO LET THOSE FEELINGS OUT. 948 00:46:21,667 --> 00:46:22,583 AND AS I'M SURE YOU KNOW, 949 00:46:22,583 --> 00:46:25,250 FIGHTING AND GETTING ANGRY 950 00:46:25,250 --> 00:46:28,125 ARE MUCH MORE ACCEPTABLE MALE BEHAVIORS. 951 00:46:28,125 --> 00:46:30,000 SO WHEN THESE LITTLE BOYS GROW UP, 952 00:46:30,000 --> 00:46:32,208 GUESS WHAT OUTLET THEY USE TO EXPRESS THEIR SADNESS. 953 00:46:32,208 --> 00:46:35,250 A GUY WHO'S MISERABLE AT WORK OR DEPRESSED ABOUT HIS LIFE 954 00:46:35,250 --> 00:46:39,333 COMES HOME AT THE END OF THE DAY, WHAT DOES HE DO? 955 00:46:39,333 --> 00:46:43,458 HE DOESN'T USUALLY CRY IN FRONT OF THE WIFE AND KIDS. 956 00:46:43,458 --> 00:46:45,000 HE USUALLY YELLS AT THEM. 957 00:46:50,291 --> 00:46:52,417 SO, LARRY... 958 00:46:52,417 --> 00:46:54,625 WHAT? 959 00:46:54,625 --> 00:46:57,291 WHAT IS IT EXACTLY YOU'RE SO SAD ABOUT? 960 00:46:57,291 --> 00:47:00,125 [snickers] 961 00:47:00,125 --> 00:47:02,542 NO, I'M SERIOUS. 962 00:47:02,542 --> 00:47:06,417 [phone ringing] 963 00:47:08,375 --> 00:47:10,417 YO. 964 00:47:13,375 --> 00:47:14,667 YEAH. 965 00:47:14,667 --> 00:47:15,959 WHAT ABOUT YOUR FRIEND? 966 00:47:15,959 --> 00:47:19,166 MRS. LEONARD. WHATEVER HER NAME IS. 967 00:47:22,583 --> 00:47:23,542 LOOK, I CAN'T RIGHT NOW, I'M SORRY. 968 00:47:23,542 --> 00:47:26,625 IT'S NOT A GOOD TIME. 969 00:47:26,625 --> 00:47:30,333 IT'S NOT A GOOD TIME, MA, THAT'S WHY. 970 00:47:30,333 --> 00:47:31,959 NO. 971 00:47:31,959 --> 00:47:33,625 OK, OK. ALL RIGHT. 972 00:47:33,625 --> 00:47:35,125 ALL RIGHT! 973 00:47:35,125 --> 00:47:36,834 OK, WHAT DO YOU WANT, BLOOD? 974 00:47:36,834 --> 00:47:37,667 I SAID OK. I'M COMIN' OVER, ALL RIGHT? 975 00:47:37,667 --> 00:47:40,208 I'LL BE RIGHT OVER THERE. 976 00:47:41,792 --> 00:47:43,667 I GOT TO, UH, MAKE A QUICK DETOUR. 977 00:47:43,667 --> 00:47:46,166 YOU CAN STAY IN THE CAR. 978 00:47:48,250 --> 00:47:49,667 (mother) OH, EASY. A LITTLE LOWER. 979 00:47:49,667 --> 00:47:51,667 (Larry) RIGHT HERE? 980 00:47:51,667 --> 00:47:52,959 A LITTLE BIT HIGHER. 981 00:47:52,959 --> 00:47:54,458 A LITTLE LOWER. 982 00:47:54,458 --> 00:47:56,917 - - MA. A LITTLE LOWER! 983 00:47:56,917 --> 00:47:59,583 ALL RIGHT, RIGHT-- OHH, GOD. 984 00:47:59,583 --> 00:48:01,166 LOOK, MA, IF MRS. LEONARD ISN'T AROUND, 985 00:48:01,166 --> 00:48:04,166 YOU'RE GONNA HAVE TO CALL A DOCTOR SOMETIMES. 986 00:48:04,166 --> 00:48:07,417 I CAN'T JUST DROP EVERYTHING AND SHOW UP HERE ALL THE TIME, OK? 987 00:48:07,417 --> 00:48:10,083 WHAT, AND I DIDN'T DROP EVERYTHING FOR YOU? 988 00:48:10,083 --> 00:48:11,542 "OH, I'M SO SORRY, LARRY, 989 00:48:11,542 --> 00:48:13,125 "I CAN'T CHANGE YOUR DIAPER NOW. 990 00:48:13,125 --> 00:48:14,667 YOU'RE GONNA HAVE TO CALL MRS. LEONARD." 991 00:48:14,667 --> 00:48:16,875 [knocking on door] 992 00:48:16,875 --> 00:48:19,166 - LET ME JUST-- - LET ME. HOLD ON. 993 00:48:27,375 --> 00:48:29,166 WHAT? 994 00:48:29,166 --> 00:48:29,709 HE'S GOT TO PEE. 995 00:48:29,709 --> 00:48:31,834 I GOT TO PEE, LARRY. 996 00:48:33,041 --> 00:48:34,000 I THOUGHT I TOLD YOU TO WAIT IN THE CAR. 997 00:48:34,000 --> 00:48:36,542 I THOUGHT YOU'D PREFER IT IF WE CAME IN 998 00:48:36,542 --> 00:48:38,375 RATHER THAN TAKE THE CAR SOMEWHERE. 999 00:48:38,375 --> 00:48:41,208 WOULDN'T WANT YOU TO THINK WE LAMMED OUT ON YOU. 1000 00:48:41,208 --> 00:48:43,667 BESIDES, I WANT TO MEET YOUR MOTHER. 1001 00:48:43,667 --> 00:48:45,500 [scoffing] NO. 1002 00:48:45,500 --> 00:48:48,166 (mother) LARRY, ARE THOSE FRIENDS OF YOURS? 1003 00:48:49,917 --> 00:48:50,917 YEAH, CLOSE PERSONAL. 1004 00:48:50,917 --> 00:48:52,667 - WELL, INVITE THEM IN. 1005 00:48:52,667 --> 00:48:55,166 - I GOT TO PEE, LARRY. 1006 00:48:55,166 --> 00:48:57,667 - LARRY, INVITE THEM IN! 1007 00:48:57,667 --> 00:49:00,208 I AM, MA, ALL RIGHT? 1008 00:49:04,750 --> 00:49:06,583 (mother) WELL, 1009 00:49:06,583 --> 00:49:07,667 [chuckling] 1010 00:49:07,667 --> 00:49:09,625 HELLO, EVERYBODY. 1011 00:49:09,625 --> 00:49:10,667 HELLO. 1012 00:49:10,667 --> 00:49:12,458 MY GOD. 1013 00:49:12,458 --> 00:49:14,458 WHAT A BEAUTY. 1014 00:49:14,458 --> 00:49:15,041 MA. 1015 00:49:15,041 --> 00:49:17,250 WHAT? I'M JUST SAYIN'. 1016 00:49:17,250 --> 00:49:19,917 YOU SHOULD SEE SOME OF THE PIGS HE'S BROUGHT BY. 1017 00:49:19,917 --> 00:49:20,959 I MEAN, NOT THAT THEY WERE PIGS, PER SE. 1018 00:49:20,959 --> 00:49:23,792 IT'S JUST THAT, BY AND LARGE, 1019 00:49:23,792 --> 00:49:27,500 THEY WERE WHAT I WOULD CALL INSIGNIFICANT WOMEN. 1020 00:49:27,500 --> 00:49:29,375 YOU, I COULD TELL RIGHT OFF THE BAT, 1021 00:49:29,375 --> 00:49:31,959 YOU SEEM TO BE OF SOME SUBSTANCE. 1022 00:49:31,959 --> 00:49:33,792 EXCUSE ME, MISS, WHERE'S THE MEN'S ROOM? 1023 00:49:33,792 --> 00:49:37,250 OH, RIGHT THIS WAY, DARLIN'. 1024 00:49:37,250 --> 00:49:39,291 LARRY, SHE'S GORGEOUS. 1025 00:49:39,291 --> 00:49:42,125 DON'T YOU FUCK THIS ONE UP. 1026 00:49:42,125 --> 00:49:44,625 (mother) SO, WHAT IS YOUR STORY, HONEY? 1027 00:49:44,625 --> 00:49:46,208 (Brian) I'M LARRY'S FRIEND. 1028 00:49:46,208 --> 00:49:47,792 DON'T, DON'T PAY NO ATTENTION TO HER. 1029 00:49:47,792 --> 00:49:49,417 SHE THINKS I'M BEAUTIFUL. 1030 00:49:49,417 --> 00:49:51,917 YEAH. SHE'S BLIND IN ONE EYE, THOUGH. 1031 00:49:51,917 --> 00:49:53,917 OPEN THE DOOR. 1032 00:49:55,125 --> 00:49:55,917 YOU ALL RIGHT IN THERE? 1033 00:49:55,917 --> 00:50:00,291 SO THIS IS WHERE YOU GREW UP? 1034 00:50:00,291 --> 00:50:02,542 ARE YOU WRITIN' A BOOK? 1035 00:50:09,709 --> 00:50:12,959 - [sighing] - MA. 1036 00:50:12,959 --> 00:50:16,333 OH, SHUT UP. I DIDN'T SAY ANYTHING. 1037 00:50:16,333 --> 00:50:20,083 I THINK YOU TWO MAKE A VERY CUTE COUPLE, THOUGH. 1038 00:50:20,083 --> 00:50:21,625 - MA. - WHAT? 1039 00:50:21,625 --> 00:50:23,959 WHAT'S WITH THE "MA, MA, MA, MA, MA"? 1040 00:50:23,959 --> 00:50:26,667 STOP ALREADY WITH THE "MA." 1041 00:50:27,959 --> 00:50:30,291 SO, TELL ME, 1042 00:50:30,291 --> 00:50:32,667 - ARE YOU AND LARRY SWEETHEARTS? - MA! 1043 00:50:32,667 --> 00:50:35,041 BEFORE YOU ANSWER, LET ME SAY UP FRONT 1044 00:50:35,041 --> 00:50:36,959 THAT I HOPE SO. 1045 00:50:36,959 --> 00:50:39,458 WHAT? YES, I HOPE SO. 1046 00:50:39,458 --> 00:50:41,709 WHAT'S SO TERRIBLE ABOUT "I HOPE SO"? 1047 00:50:41,709 --> 00:50:42,750 YEAH? GUESS WHAT. 1048 00:50:42,750 --> 00:50:43,750 WHAT? 1049 00:50:43,750 --> 00:50:45,250 SHE'S A LESBIAN. 1050 00:50:51,542 --> 00:50:53,542 NEVER MIND. 1051 00:50:53,542 --> 00:50:55,250 SHE'S BEEN WITH FELLAS BEFORE. 1052 00:50:55,250 --> 00:50:57,625 AM I RIGHT, DARLIN'? 1053 00:50:57,625 --> 00:50:59,000 HUH? 1054 00:50:59,000 --> 00:51:01,542 (Ricki) YOU'RE RIGHT. 1055 00:51:01,542 --> 00:51:04,709 BUT SOMETIMES THEY HAVE THEIR LIMITATIONS. 1056 00:51:04,709 --> 00:51:06,959 AM I RIGHT? 1057 00:51:06,959 --> 00:51:08,083 YEAH. 1058 00:51:08,083 --> 00:51:11,542 [both laughing] 1059 00:51:11,542 --> 00:51:13,000 WHAT ARE YOU TWO TALKIN' ABOUT? 1060 00:51:13,000 --> 00:51:14,500 OH, NEVER MIND. 1061 00:51:14,500 --> 00:51:15,917 WE KNOW WHAT WE'RE TALKIN' ABOUT. 1062 00:51:15,917 --> 00:51:17,250 AM I RIGHT, SWEETHEART? 1063 00:51:17,250 --> 00:51:19,000 YOU'RE RIGHT. 1064 00:51:19,000 --> 00:51:20,458 YOU KNOW, 1065 00:51:20,458 --> 00:51:23,208 I WASN'T ALWAYS JUST LARRY'S MOTHER. 1066 00:51:23,208 --> 00:51:24,959 MMM, I USED TO BE 1067 00:51:24,959 --> 00:51:27,166 QUITE EXPERIMENTAL. 1068 00:51:27,166 --> 00:51:29,250 - OH, JESUS CHRIST! - LOOK AT HIM! 1069 00:51:29,250 --> 00:51:32,041 LOOK WHO'S NOT UP-TO-THE-MINUTE NOW. 1070 00:51:32,041 --> 00:51:33,917 - BIG BOY. - THAT'S IT. WE'RE GOIN'. 1071 00:51:33,917 --> 00:51:36,333 BRIAN, COME ON. WE'RE GOIN'. THAT'S IT. MA, WHAT THE... 1072 00:51:36,333 --> 00:51:38,250 ALL RIGHT, ALL RIGHT. JUST REMEMBER, YOU TWO, 1073 00:51:38,250 --> 00:51:40,208 LIFE'S NOT JUST BLACK-AND-WHITE. 1074 00:51:40,208 --> 00:51:41,166 ALL RIGHT, MA, WE'LL REMEMBER THAT. BRIAN, LET'S GO. 1075 00:51:41,166 --> 00:51:43,667 WE'RE GOIN' NOW. WE'RE GOIN'. LET'S GO. 1076 00:51:43,667 --> 00:51:46,333 COME HERE, YOU BIG LUG, GIVE ME A KISS. 1077 00:51:46,333 --> 00:51:48,875 - I LOVE YOU. - YEAH. 1078 00:51:48,875 --> 00:51:51,458 - I WASHED MY HANDS, LARRY. - CONGRATULATIONS. LET'S GO. 1079 00:51:51,458 --> 00:51:54,500 - GOODBYE. - COME HERE, DARLIN'. 1080 00:51:54,500 --> 00:51:55,667 [sighing] 1081 00:51:55,667 --> 00:51:57,625 I FEEL LIKE I KNOW YOU ALREADY. 1082 00:51:57,625 --> 00:51:59,709 - VERY NICE MEETING YOU. - IT'S MY PLEASURE. 1083 00:51:59,709 --> 00:52:01,291 ALL RIGHT, WE'RE GOIN'. LET'S GO. 1084 00:52:01,291 --> 00:52:03,333 COME ON. LET'S GO, BRIAN. 1085 00:52:03,333 --> 00:52:06,000 JUST REMEMBER, YOU TWO, KEEP AN OPEN MIND 1086 00:52:06,000 --> 00:52:07,583 BECAUSE YOU NEVER KNOW. 1087 00:52:07,583 --> 00:52:09,458 - WE WILL. - BYE. - BYE. 1088 00:52:09,458 --> 00:52:11,041 (Ricki) I LIKE HER, SHE'S VERY NICE. 1089 00:52:11,041 --> 00:52:12,750 (Larry) OH, MAN. 1090 00:52:22,291 --> 00:52:25,250 (woman on phone) ON THE SATELLITE MAP, THE CLOUD OVER QUEENSLAND 1091 00:52:25,250 --> 00:52:27,291 AND NEW SOUTH WALES IS BRINGING SHOWERS, 1092 00:52:27,291 --> 00:52:28,125 AND THERE'S VERY LITTLE ACTIVITY 1093 00:52:28,125 --> 00:52:30,875 OVER THE REST OF THE CONTINENT. 1094 00:52:30,875 --> 00:52:33,125 BUT THERE IS SOME LOW-LEVEL CLOUD OVER SOUTHERN VICTORIA 1095 00:52:33,125 --> 00:52:36,000 WHICH WILL BRING ISOLATED SHOWERS MAINLY TO COASTAL AREAS. 1096 00:52:36,000 --> 00:52:39,291 ANOTHER CHILLY NIGHT IN MELBOURNE'S OUTER SUBURBS WITH THE MERCURY... 1097 00:52:39,291 --> 00:52:41,500 HEY. WHAT ARE YOU DOING NOW? 1098 00:52:41,500 --> 00:52:42,500 ...AND AVALON FALLING AS LOW... 1099 00:52:42,500 --> 00:52:45,125 BRIAN, I TOLD YOU, THIS IS VERY EXPENSIVE. 1100 00:52:45,125 --> 00:52:47,375 IT'S NOT EXPENSIVE. 1101 00:52:47,375 --> 00:52:49,125 DON'T ARGUE WITH ME. 1102 00:52:49,125 --> 00:52:51,125 WHAT--WHAT ARE-- WHY ARE YOU DOING THIS? 1103 00:52:51,125 --> 00:52:52,959 WHAT DO YOU CARE ABOUT THE WEATHER IN FUCKING ENGLAND FOR? 1104 00:52:52,959 --> 00:52:55,250 IT'S IN AUSTRALIA. 1105 00:52:55,250 --> 00:52:57,625 - WHATEVER. - IT'S NOT ENGLAND. 1106 00:52:57,625 --> 00:52:59,500 WHATEVER, BRIAN. WHY DO YOU KEEP CALLING THERE? 1107 00:53:04,458 --> 00:53:06,417 'CAUSE I REALLY, REALLY LIKE HER VOICE. 1108 00:53:11,834 --> 00:53:15,250 OK. TRY TO KEEP IT UNDER CONTROL, THOUGH. 1109 00:53:15,250 --> 00:53:16,333 ALL RIGHT? 1110 00:53:16,333 --> 00:53:16,834 OK, LARRY, I'LL TRY. 1111 00:53:16,834 --> 00:53:17,917 THANK YOU. 1112 00:53:17,917 --> 00:53:20,417 YOU'RE WELCOME. 1113 00:53:39,125 --> 00:53:40,500 [exhaling] 1114 00:53:43,208 --> 00:53:45,375 SO I'M NOT YOUR TYPE, HUH? 1115 00:53:46,917 --> 00:53:50,625 HOW DID WE GET BACK THERE ALL OF A SUDDEN? 1116 00:53:50,625 --> 00:53:52,500 RELAX. 1117 00:53:52,500 --> 00:53:54,583 YOU'RE MORE WOMAN THAN I KNOW WHAT TO DO WITH. 1118 00:53:54,583 --> 00:53:58,041 I DON'T NEED TO BE DIPPIN' INTO THE SISTERHOOD. 1119 00:53:58,041 --> 00:54:01,375 BUT I'M JUST CURIOUS, BECAUSE ALL OF A SUDDEN NOW 1120 00:54:01,375 --> 00:54:03,667 YOU SAY YOU'VE BEEN WITH GUYS. 1121 00:54:03,667 --> 00:54:06,542 I HAVE. 1122 00:54:06,542 --> 00:54:10,583 BUT THEY HAVE THEIR, UH, SHORTCOMINGS... 1123 00:54:10,583 --> 00:54:13,375 WELL, BESIDES THE FACT THAT THEY GIVE TERRIBLE HEAD. 1124 00:54:13,375 --> 00:54:17,375 SEE, RIGHT THERE, THAT TELLS ME SOMETHING. 1125 00:54:17,375 --> 00:54:19,583 I KNOW THE GUYS YOU'VE BEEN WITH OBVIOUSLY DIDN'T KNOW 1126 00:54:19,583 --> 00:54:22,750 HOW TO, UH, HOW TO BRING HOME THE PEARLS 1127 00:54:22,750 --> 00:54:25,500 WHEN THEY WERE DIVING FOR OYSTERS. 1128 00:54:25,500 --> 00:54:26,667 I WAS ACTUALLY JUST JOKING. 1129 00:54:26,667 --> 00:54:29,291 EH, WELL, SINCE WE'RE LETTING IT ALL HANG OUT NOW, 1130 00:54:29,291 --> 00:54:31,792 LET ME TELL YOU SOMETHING ELSE. 1131 00:54:31,792 --> 00:54:34,417 OK, WHEN IT COMES TO PLEASING A WOMAN, 1132 00:54:34,417 --> 00:54:36,917 YOUR GIRLFRIENDS, THEY'RE JUST... 1133 00:54:36,917 --> 00:54:39,417 THEY'RE AT A NATURAL DISADVANTAGE. 1134 00:54:39,417 --> 00:54:40,250 IT'S LIKE THEY MIGHT TRY HARD, 1135 00:54:40,250 --> 00:54:42,834 BUT THEY'RE JUST NOT BACKED UP 1136 00:54:42,834 --> 00:54:45,083 WITH MILLIONS OF YEARS OF GENETIC ENGINEERING, 1137 00:54:45,083 --> 00:54:48,875 PROGRAMMING, INSTINCT. 1138 00:54:48,875 --> 00:54:52,917 (Larry) NATURE HAS EVOLVED MAN FOR THAT PURPOSE. 1139 00:54:52,917 --> 00:54:55,875 SATISFY. 1140 00:54:55,875 --> 00:54:58,291 LEAD THE PACK. 1141 00:54:58,291 --> 00:55:01,083 THAT'S WHY THESE LESBIANS ARE ALWAYS GOING OUT BUYING, YOU KNOW, 1142 00:55:01,083 --> 00:55:03,667 SPENDING ALL THEIR DOUGH ON, LIKE, YOU KNOW, 1143 00:55:03,667 --> 00:55:07,542 SEXUAL APPLIANCES, EROTIC MONKEY WRENCHES AND SHIT, 1144 00:55:07,542 --> 00:55:09,625 TRYING TO COMPENSATE 1145 00:55:09,625 --> 00:55:13,917 FOR WHAT THEY DON'T HAVE. WHAT THEY'RE NOT GETTING. 1146 00:55:13,917 --> 00:55:15,250 THE PENIS. 1147 00:55:15,250 --> 00:55:18,000 (Larry) THAT'S RIGHT. 1148 00:55:18,000 --> 00:55:22,542 ITS VERY DESIGN TELLS YOU EVERYTHING YOU NEED TO KNOW. 1149 00:55:23,750 --> 00:55:25,875 FORWARD MOTION. 1150 00:55:25,875 --> 00:55:26,792 WITH ADVANCEMENTS. 1151 00:55:26,792 --> 00:55:30,583 FUCKING PROGRESS INTO THE DARK, DEEP, 1152 00:55:30,583 --> 00:55:34,250 MYSTERIOUS UNKNOWN. 1153 00:55:35,083 --> 00:55:38,166 IT'S LIKE ADVENTURE-SEEKING, 1154 00:55:38,166 --> 00:55:41,000 FRONTIER-CONQUERING, 1155 00:55:41,000 --> 00:55:43,583 OBSTACLE-ERADICATING. 1156 00:55:43,583 --> 00:55:47,458 WHOA. AND YOU TRIED TO CREATE THE IMPRESSION YOU DIDN'T READ BOOKS. 1157 00:55:47,458 --> 00:55:50,500 WELL, YOU'RE SETTLING FOR SECOND BEST. 1158 00:55:50,500 --> 00:55:52,709 THAT'S ALL I'M SAYING. 1159 00:55:52,709 --> 00:55:55,667 SO, IN REVIEW, 1160 00:55:55,667 --> 00:55:58,625 YOU'RE SAYING THAT IT'S MEN 1161 00:55:58,625 --> 00:56:02,166 THAT ARE AT THE TOP OF THE MUST-FUCK PYRAMID? 1162 00:56:02,166 --> 00:56:05,250 THAT'S ALL I'M TELLING YOU. 1163 00:56:05,250 --> 00:56:07,625 LOVING, CARING, 1164 00:56:07,625 --> 00:56:11,917 SENSITIVE, GIVING MEN. - THAT'S RIGHT. 1165 00:56:11,917 --> 00:56:15,750 [exhaling] WELL, YOU'RE ENTITLED TO YOUR OPINION. 1166 00:56:15,750 --> 00:56:21,959 BUT LET US RECONSIDER WOMEN FOR A MINUTE. SHALL WE? 1167 00:56:21,959 --> 00:56:24,333 SURE. 1168 00:56:24,333 --> 00:56:27,083 THEIR FORM: 1169 00:56:27,083 --> 00:56:32,041 NECK. SHOULDERS. 1170 00:56:32,041 --> 00:56:34,417 LEGS. 1171 00:56:34,417 --> 00:56:37,208 HIPS. 1172 00:56:37,208 --> 00:56:40,250 I THINK PRETTY COOL. 1173 00:56:40,250 --> 00:56:43,542 NOW, AS FAR AS YOUR FAMOUS 1174 00:56:43,542 --> 00:56:45,709 PENIS GOES... 1175 00:56:45,709 --> 00:56:48,583 THE PENIS IS LIKE SOME SORT OF 1176 00:56:48,583 --> 00:56:50,208 BIZARRE SEA SLUG 1177 00:56:50,208 --> 00:56:54,709 OR LIKE A REALLY LONG TOE. 1178 00:56:54,709 --> 00:56:57,041 I MEAN, IT'S HANDY, IMPORTANT, EVEN. 1179 00:56:57,041 --> 00:56:59,875 BUT THE PINNACLE OF SEXUAL DESIGN? 1180 00:56:59,875 --> 00:57:03,000 THE TOP OF THE LIST OF EROTIC DESTINATIONS? 1181 00:57:03,000 --> 00:57:05,458 I DON'T THINK SO. 1182 00:57:05,458 --> 00:57:10,583 ONE'S FIRST IMPULSE IS TO KISS WHAT? 1183 00:57:12,500 --> 00:57:15,709 TO KISS THE LIPS. 1184 00:57:15,709 --> 00:57:19,291 FIRM, DELICIOUS LIPS. 1185 00:57:19,291 --> 00:57:21,333 SWEET LIPS. 1186 00:57:21,333 --> 00:57:26,750 SURROUNDING A WARM, MOIST, 1187 00:57:26,750 --> 00:57:29,875 DIZZYINGLY SCENTED MOUTH. 1188 00:57:29,875 --> 00:57:33,500 THAT'S WHAT EVERYONE WANTS TO KISS. 1189 00:57:33,500 --> 00:57:37,417 NOT A TOE. NOT A SEA SLUG. 1190 00:57:37,417 --> 00:57:40,458 A MOUTH. 1191 00:57:40,458 --> 00:57:43,792 NOW, WHY DO YOU THINK THAT IS, STUPID? 1192 00:57:45,500 --> 00:57:48,625 BECAUSE THE MOUTH IS THE TWIN SISTER, 1193 00:57:48,625 --> 00:57:53,625 THE ALMOST EXACT LOOK-ALIKE OF THE WHAT? 1194 00:57:55,458 --> 00:57:58,250 NOT THE TOE. 1195 00:57:58,250 --> 00:58:01,417 THE MOUTH IS THE TWIN SISTER 1196 00:58:01,417 --> 00:58:05,500 OF--OF THE VAGINA. 1197 00:58:08,458 --> 00:58:11,083 AND ALL CREATURES, BIG AND SMALL, 1198 00:58:11,083 --> 00:58:13,417 SEEK THE ORIFICE. THE OPENING. 1199 00:58:13,417 --> 00:58:18,208 TO--TO BE TAKEN IN, ENGULFED. 1200 00:58:18,208 --> 00:58:22,875 TO BE SQUEEZED AND LOVINGLY CRUSHED BY WHAT IS TRULY 1201 00:58:22,875 --> 00:58:26,041 THE ALL-POWERFUL, ALL-ENCOMPASSING. 1202 00:58:26,041 --> 00:58:28,959 NOW, IF IT'S DESIGN YOU'RE CONCERNED WITH, 1203 00:58:28,959 --> 00:58:32,125 HIDDEN MEANINGS, SYMBOLISM AND POWER, 1204 00:58:32,125 --> 00:58:33,834 WELL, FORGET THE TOP OF MOUNT EVEREST. 1205 00:58:33,834 --> 00:58:38,000 FORGET THE BOTTOM OF THE SEA, THE MOON, THE STARS. 1206 00:58:38,000 --> 00:58:40,917 THERE IS NO PLACE, NOWHERE, THAT HAS BEEN THE OBJECT 1207 00:58:40,917 --> 00:58:43,375 OF MORE AMBITIONS, MORE BATTLES 1208 00:58:43,375 --> 00:58:45,750 THAN THE SWEET, SACRED MYSTERY 1209 00:58:45,750 --> 00:58:51,625 BETWEEN A WOMAN'S LEGS THAT I AM PROUD TO CALL 1210 00:58:51,625 --> 00:58:53,959 MY PUSSY. 1211 00:58:56,000 --> 00:58:57,875 SO I GUESS THIS IS JUST MY ROUNDABOUT WAY OF SAYING 1212 00:58:57,875 --> 00:59:03,333 THAT IT IS WOMEN WHO ARE, IN FACT, THE MOST DESIRABLE FORM. 1213 00:59:03,333 --> 00:59:04,458 [inhales] 1214 00:59:04,458 --> 00:59:06,959 WOULDN'T YOU AGREE? 1215 00:59:08,583 --> 00:59:10,458 I AGREE. 1216 00:59:10,458 --> 00:59:11,083 MMM. 1217 00:59:11,083 --> 00:59:13,667 AND SO DO I. 1218 00:59:13,667 --> 00:59:16,500 [breathes deeply] 1219 00:59:25,542 --> 00:59:27,125 [redial button beeping] 1220 00:59:27,125 --> 00:59:27,709 (Louis) HELLO? 1221 00:59:29,875 --> 00:59:30,875 HELLO? 1222 00:59:32,417 --> 00:59:33,959 HELLO? 1223 00:59:36,291 --> 00:59:38,083 IS SOMEBODY THERE? 1224 00:59:38,083 --> 00:59:39,333 YES. 1225 00:59:39,333 --> 00:59:41,583 WHO'S THIS? 1226 00:59:41,583 --> 00:59:42,709 WHO IS THIS? 1227 00:59:42,709 --> 00:59:44,041 WHO'S THIS? 1228 00:59:44,041 --> 00:59:45,250 [chuckling] WHO IS THIS? 1229 00:59:45,250 --> 00:59:48,041 I DON'T FIND THIS FUNNY. 1230 00:59:48,041 --> 00:59:50,500 WHO IS THIS? 1231 00:59:50,500 --> 00:59:52,083 IS THIS THE RETARD? 1232 00:59:52,083 --> 00:59:53,917 [chuckling] WHO IS THIS? 1233 00:59:53,917 --> 00:59:55,959 (Larry) BRIAN, WHAT ARE YOU DOING NOW? 1234 00:59:55,959 --> 00:59:57,750 GIVE ME THE FUCKING PHONE. 1235 01:00:00,250 --> 01:00:01,417 HELLO? 1236 01:00:01,417 --> 01:00:02,959 WHO THE FUCK IS THIS? 1237 01:00:02,959 --> 01:00:03,875 WHO THE FUCK IS THIS? 1238 01:00:03,875 --> 01:00:07,333 WHAT THE FUCK IS GOING ON OVER THERE? 1239 01:00:07,333 --> 01:00:09,375 NOTHING. SORRY, LOUIS. 1240 01:00:09,375 --> 01:00:11,083 - WE'RE NOT GETTING THE DESIRED MOVEMENT HERE. 1241 01:00:11,083 --> 01:00:13,125 WE'RE STEPPING UP THE OPERATION. 1242 01:00:13,125 --> 01:00:15,792 FIRST THING IN THE MORNING, I WANT YOU TO SEND HIS THUMB 1243 01:00:15,792 --> 01:00:18,166 TO JAMES DORF... ARE YOU LISTENING TO THIS? 1244 01:00:18,166 --> 01:00:19,417 - YEAH. - GOOD. 1245 01:00:19,417 --> 01:00:23,750 TO JAMES DORF AT THE U.S. COURTHOUSE ON SPRING STREET. 1246 01:00:25,417 --> 01:00:28,834 HOLD ON ONE SECOND. GO--GO IN THE OTHER ROOM. 1247 01:00:28,834 --> 01:00:30,583 GO IN THE OTHER ROOM IN THE BACK. 1248 01:00:30,583 --> 01:00:32,166 GO IN THE BACK. 1249 01:00:32,166 --> 01:00:34,000 I'M TALKING ON THE PHONE. GO IN THE BACK. 1250 01:00:36,041 --> 01:00:38,834 WHAT DO YOU MEAN? HOW DO I SEND HIS THUMB? 1251 01:00:38,834 --> 01:00:41,458 YOU CUT IT THE FUCK OFF. YOU TAKE IT TO BOXES 'R' US 1252 01:00:41,458 --> 01:00:44,959 OR WHATEVER THE FUCK IT IS, YOU PUT THE APPROPRIATE POSTAGE ON IT, 1253 01:00:44,959 --> 01:00:45,917 AND THAT'S HOW YOU SEND IT. 1254 01:00:45,917 --> 01:00:48,125 AND SEND IT EXPRESS NEXT-DAY DELIVERY. 1255 01:00:48,125 --> 01:00:50,041 AND MAKE SURE YOU KINDLY REFRAIN 1256 01:00:50,041 --> 01:00:52,208 FROM PROVIDING A RETURN ADDRESS, YOU FUCKING DUMMY. 1257 01:00:52,208 --> 01:00:54,875 I MEAN... 1258 01:00:54,875 --> 01:00:56,917 YOU WANT ME TO CUT HIS THUMB OFF? 1259 01:00:56,917 --> 01:00:59,750 OH, IT'S ENOUGH ALREADY. PUT THE CLAM-LICKER ON. 1260 01:00:59,750 --> 01:01:01,792 HOLD ON. W-W-WAIT A MINUTE. 1261 01:01:01,792 --> 01:01:03,208 WH-WH-WHAT ABOUT, LIKE, YOU KNOW, THE BLEEDING AND THE-- 1262 01:01:03,208 --> 01:01:06,500 I CAN'T BELIEVE I'M HAVING THIS CONVERSATION WITH A PROFESSIONAL. 1263 01:01:06,500 --> 01:01:09,417 YOU WANT I SHOULD SEND PEOPLE THERE TO HELP YOU? THEY'LL TAKE YOUR THUMB, TOO. 1264 01:01:09,417 --> 01:01:10,917 I'M NOT SAYING THAT. 1265 01:01:10,917 --> 01:01:11,834 I DO NOT LIKE THE HABIT OF HIRING YOU 1266 01:01:11,834 --> 01:01:13,625 AND THEN HAVING TO HIRE SOMEONE ELSE 1267 01:01:13,625 --> 01:01:16,000 TO MAKE SURE YOU DO YOUR JOB RIGHT. 1268 01:01:16,000 --> 01:01:18,000 - DO YOUR FUCKING JOB RIGHT! - OK. 1269 01:01:18,000 --> 01:01:20,041 I'M GETTING TIRED OF THIS. 1270 01:01:22,291 --> 01:01:22,834 [switches off phone] 1271 01:01:28,000 --> 01:01:28,333 LARRY. 1272 01:01:28,333 --> 01:01:30,500 WHAT? 1273 01:01:30,500 --> 01:01:33,041 CAN I STAY HERE WITH YOU? 1274 01:01:33,041 --> 01:01:36,208 NO. 1275 01:01:36,208 --> 01:01:37,834 [sighs] 1276 01:01:37,834 --> 01:01:38,834 TIME FOR YOU TO GO TO BED ANYWAYS. 1277 01:01:38,834 --> 01:01:40,834 - I DON'T WANNA GO TO BED. - GO TO BED. 1278 01:01:40,834 --> 01:01:43,291 IF I TELL YOU TO GO TO BED, GO TO BED. 1279 01:01:43,291 --> 01:01:46,250 I DON'T WANNA GO TO BED, THOUGH. 1280 01:01:47,750 --> 01:01:50,375 (Larry) "NEW. OUR BEST CHARMIN EVER. 1281 01:01:50,375 --> 01:01:51,917 "CHARMIN ULTRA DOUBLE ROLL. 1282 01:01:51,917 --> 01:01:54,000 "TWICE AS MANY SHEETS AS REGULAR CHARMIN ULTRA. 1283 01:01:54,000 --> 01:01:58,375 UNSCENTED BATHROOM TISSUE. 170 SQUARE FEET." 1284 01:01:58,375 --> 01:02:01,917 BLAH, BLAH, BLAH. "4.5 INCHES BY 4.0 INCHES." 1285 01:02:01,917 --> 01:02:06,375 AND THEY GOT IT IN CENTIMETERS OR WHATEVER. 1286 01:02:08,875 --> 01:02:12,792 IT'S THE SAME SHIT ON THE BACK. ALL RIGHT? 1287 01:02:12,792 --> 01:02:15,917 GOOD NIGHT. - GOOD NIGHT, LARRY. 1288 01:02:18,291 --> 01:02:19,375 YEAH. 1289 01:02:19,375 --> 01:02:22,834 THANK YOU VERY MUCH. 1290 01:02:27,417 --> 01:02:29,667 [switch clicks] 1291 01:02:38,417 --> 01:02:41,041 [sighs] 1292 01:02:45,750 --> 01:02:48,667 WHAT ARE YOUR FRIENDS LIKE? 1293 01:02:48,667 --> 01:02:51,709 I DON'T REALLY HAVE FRIENDS. 1294 01:02:51,709 --> 01:02:54,417 WELL, WHO DO YOU HANG OUT WITH? 1295 01:02:54,417 --> 01:02:56,917 NOBODY. 1296 01:02:58,917 --> 01:03:02,000 WHY DO I THINK YOU'RE NOT EXAGGERATING? 1297 01:03:05,333 --> 01:03:08,417 I JUST KEEP TO MYSELF. I GO ABOUT MY BUSINESS, YOU KNOW. 1298 01:03:08,417 --> 01:03:10,250 DO MY WORK. 1299 01:03:10,250 --> 01:03:15,166 A CHARMING, LOVEABLE GUY LIKE YOURSELF? YOU SHOULD GET OUT MORE. 1300 01:03:15,166 --> 01:03:17,041 I'M SURE THERE'S A TON OF STRAIGHT WOMEN 1301 01:03:17,041 --> 01:03:19,750 WHO YOU COULD MAKE VERY HAPPY. 1302 01:03:22,542 --> 01:03:25,750 LOUIS WANTS US TO CUT THE KID'S THUMB OFF. 1303 01:03:33,625 --> 01:03:36,250 [Hip-Hop] ♪ THIS IS A STORY ABOUT THE DRIFTER ♪ 1304 01:03:36,250 --> 01:03:39,083 ♪ WHO WAITED THROUGH THE WORST FOR THE BEST IN CROSSTOWN ♪ 1305 01:03:39,083 --> 01:03:41,875 ♪ WHO NEVER PLANNED ON HAVIN' SO DICK ♪ 1306 01:03:41,875 --> 01:03:43,792 ♪ WHY ME, HUH? ♪ 1307 01:03:43,792 --> 01:03:45,083 ♪ EVERYTHING'S GONNA BE ALL RIGHT, ALL RIGHT ♪ 1308 01:03:45,083 --> 01:03:48,166 ♪ EVERYTHING'S GONNA BE ALL RIGHT, ALL RIGHT ♪ 1309 01:03:48,166 --> 01:03:50,291 ♪ EVERYTHING'S GONNA BE ALL RIGHT NOW ALL RIGHT ♪ 1310 01:03:50,291 --> 01:03:52,417 ♪ EVERYTHING'S GONNA BE ALL RIGHT, ALL RIGHT ♪ 1311 01:03:52,417 --> 01:03:55,000 ♪ I COULDN'T GET A JOB NAPPY HAIR WAS NOT ALLOWED ♪ 1312 01:03:55,000 --> 01:03:57,500 ♪ MY MOTHER COULDN'T AFFORD US ALL SHE HAD TO THROW ME OUT ♪ 1313 01:03:57,500 --> 01:04:00,208 ♪ I WALKED THE STRIP WHICH IS A CLIP WHO WANNA HIT? ♪ 1314 01:04:00,208 --> 01:04:02,375 ♪ THEY GOT 'EM QUICK, I HAD TO EAT THIS MONEY'S GOOD AS SPENT ♪ 1315 01:04:02,375 --> 01:04:04,875 ♪ I THREW IN GRAVES, I WASN'T PAID, ENOUGH ♪ 1316 01:04:04,875 --> 01:04:07,250 ♪ I KEPT 'EM LONG 'CAUSE I COULDN'T AFFORD A HAIRCUT ♪ 1317 01:04:07,250 --> 01:04:09,667 ♪ I GOT LAUGHED AT, I GOT CHUMPED, I GOT DISSED ♪ 1318 01:04:09,667 --> 01:04:12,125 ♪ I GOT UPSET, I GOT A TEC AND A BANANA CLIP ♪ 1319 01:04:12,125 --> 01:04:13,291 ♪ WHY WHEN I WAS A KID AND PLAYED OUT WAS A SAD ONE ♪ 1320 01:04:13,291 --> 01:04:16,250 ♪ AND ALWAYS WANTED TO LIVE LIKE JUST A FAT ONE ♪ 1321 01:04:16,250 --> 01:04:19,458 LET ME GIVE SHOUTS TO ALL MY HOMIES! 1322 01:04:19,458 --> 01:04:21,500 MRS. FRIEDMAN. LILY. 1323 01:04:21,500 --> 01:04:24,667 MR. MOSSMAN AND THE MAN HE PLAYS CARDS WITH. 1324 01:04:24,667 --> 01:04:26,583 FORGOT HIS NAME. 1325 01:04:26,583 --> 01:04:28,417 ♪ A GHETTO BASTARD, BORN INTO THE PROJECTS... ♪ 1326 01:04:28,417 --> 01:04:30,250 AND ALL MY PEEPS AT--AT WILSHIRE ADULT CARE. 1327 01:04:30,250 --> 01:04:34,250 EVERYBODY IN THE CAFETERIA. BIG UPS, BIG UPS! 1328 01:04:34,250 --> 01:04:37,917 WHAT'S UP TO MY MAN LARRY. AND RICKI. 1329 01:04:37,917 --> 01:04:39,875 YO, YO, YO. PEACE, "G." 1330 01:04:39,875 --> 01:04:41,375 [Brian chuckles] 1331 01:04:41,375 --> 01:04:42,792 AND THE REC ROOM, THE REC ROOM! 1332 01:04:42,792 --> 01:04:45,041 ♪ FOR EVERY BOTTLE SOLD-- ♪ 1333 01:04:45,041 --> 01:04:47,208 [music stops] 1334 01:04:47,208 --> 01:04:50,000 I GOT NEIGHBORS, YOU KNOW. 1335 01:04:51,542 --> 01:04:53,417 DIGAME SABROSA. 1336 01:04:55,041 --> 01:04:57,792 - WHAT'S THAT? - IT'S ESPANOL. 1337 01:04:57,792 --> 01:04:59,917 WHAT DOES IT MEAN? 1338 01:05:00,750 --> 01:05:02,458 I DON'T KNOW. 1339 01:05:03,542 --> 01:05:05,959 [knocking at door] 1340 01:05:05,959 --> 01:05:07,500 SEE THAT? 1341 01:05:08,917 --> 01:05:12,917 [chuckling] DON'T BE A PLAYA HATER, "G." 1342 01:05:17,667 --> 01:05:19,083 YEAH? 1343 01:05:19,083 --> 01:05:21,333 WHO THE FUCK ARE YOU? 1344 01:05:21,333 --> 01:05:24,000 WHO THE FUCK ARE YOU? 1345 01:05:26,333 --> 01:05:27,417 EXCUSE ME. 1346 01:05:27,417 --> 01:05:28,917 WOW. 1347 01:05:28,917 --> 01:05:30,500 WHAT A SHITHOLE. 1348 01:05:30,500 --> 01:05:32,250 LADY, I THINK YOU'RE IN THE WRONG PLACE. 1349 01:05:32,250 --> 01:05:34,166 NO, YOU ARE IN THE WRONG PLACE. 1350 01:05:34,166 --> 01:05:36,041 ALL RIGHT? YOU'RE IN THE WRONG PLACE. 1351 01:05:36,041 --> 01:05:37,500 [softly] YOU HAVE NO IDEA. 1352 01:05:37,500 --> 01:05:38,792 OH! 1353 01:05:38,792 --> 01:05:40,750 AND WHO THE FUCK ARE YOU? 1354 01:05:40,750 --> 01:05:42,625 YOU'RE THE FUCK ARE YOU. 1355 01:05:42,625 --> 01:05:44,417 - WHAT? - HUH? 1356 01:05:46,208 --> 01:05:48,000 WHAT ARE YOU DOING HERE? 1357 01:05:48,000 --> 01:05:50,208 [gasps] I'M STALKING YOU. 1358 01:05:50,208 --> 01:05:51,417 WAIT A MINUTE, YOU KNOW HER? 1359 01:05:51,417 --> 01:05:54,166 FIRST OF ALL, DO NOT SAY MY NAME IN THIS ROOM. ALL RIGHT? 1360 01:05:54,166 --> 01:05:56,000 SECOND OF ALL, YOU'RE OUT OF LINE. 1361 01:05:56,000 --> 01:05:57,667 THIS IS A PROFESSIONAL SITUATION, 1362 01:05:57,667 --> 01:05:59,417 AND YOU HAVE NO RIGHT TO INTRUDE HERE. 1363 01:05:59,417 --> 01:06:01,750 WHAT KIND OF PROFESSIONAL SITUATION? 1364 01:06:01,750 --> 01:06:03,625 I CAN'T BELIEVE THIS. 1365 01:06:03,625 --> 01:06:05,291 A FUCKING MAN? 1366 01:06:05,291 --> 01:06:07,834 OK. I--I REALLY THOUGHT THIS WAS ALL ABOUT SHARON. 1367 01:06:07,834 --> 01:06:09,542 WHAT, ARE YOU TELLING PEOPLE WHERE WE ARE NOW? 1368 01:06:09,542 --> 01:06:11,041 MIND YOUR OWN FUCKING BUSINESS. 1369 01:06:11,041 --> 01:06:11,917 - SHUT THE FUCK UP. - BLOW ME. 1370 01:06:11,917 --> 01:06:14,500 LISTEN, BOTH OF YOU SHUT UP! 1371 01:06:14,500 --> 01:06:16,959 LOOK, I HAVEN'T TOLD ANYBODY WHERE WE ARE. 1372 01:06:16,959 --> 01:06:18,000 AND, ROBIN, 1373 01:06:18,000 --> 01:06:21,250 THIS IS A PROFESSIONAL SITUATION. 1374 01:06:21,250 --> 01:06:24,166 OUR PROBLEMS HAVE NOTHING TO DO WITH SHARON, 1375 01:06:24,166 --> 01:06:26,834 AND THEY HAVE NOTHING TO DO WITH HIM! 1376 01:06:26,834 --> 01:06:28,834 I WANT YOU TO LEAVE RIGHT NOW! 1377 01:06:28,834 --> 01:06:30,333 - NO! UH-UH! - PLEASE. 1378 01:06:30,333 --> 01:06:32,166 I'M NOT LEAVING, HE'S LEAVING. 1379 01:06:32,166 --> 01:06:34,166 WHAT? WHO THE FUCK DO YOU THINK YOU ARE? 1380 01:06:34,166 --> 01:06:36,125 I FUCKING LIVE HERE. I'M NOT GOING ANYWHERE. 1381 01:06:36,125 --> 01:06:38,333 YEAH? WELL, NEITHER AM I. 1382 01:06:38,333 --> 01:06:39,750 GONNA BE ALL THERE IS TO THAT. 1383 01:06:39,750 --> 01:06:41,375 WHY ARE YOU DOING THIS? 1384 01:06:41,375 --> 01:06:42,917 HOW ABOUT IF I THROW YOU THE FUCK OUT? 1385 01:06:42,917 --> 01:06:44,709 HOW ABOUT IF I ROUNDHOUSE YOU 1386 01:06:44,709 --> 01:06:46,250 UPSIDE YOUR FAT FUCKING HEAD AND COLLAPSE YOUR SKULL? 1387 01:06:46,250 --> 01:06:47,458 I DON'T KNOW. GIVE IT A SHOT. 1388 01:06:47,458 --> 01:06:50,375 NO, DON'T. BECAUSE SHE KNOWS HOW TO DO THAT STUFF, OK? 1389 01:06:50,375 --> 01:06:52,250 - DON'T BE ALL MACHO-- I DON'T GIVE A FUCK WHAT SHE KNOWS! 1390 01:06:52,250 --> 01:06:53,375 THIS AIN'T FUCKING LESBIAN TALK-CIRCLE TIME! 1391 01:06:53,375 --> 01:06:55,834 WE GOT SOMETHING TO DO. YOU'RE GETTING THE FUCK OUT. 1392 01:06:55,834 --> 01:06:56,750 GOT IT? - I MEAN, THIS? 1393 01:06:56,750 --> 01:06:59,125 YOU--YOU NEED THIS? 1394 01:06:59,125 --> 01:07:00,000 YOU NEED, LIKE, A LITTLE FREEDOM OR SOMETHING? 1395 01:07:00,000 --> 01:07:02,667 YOU WANNA DABBLE? WE CAN ALL FUCK. 1396 01:07:02,667 --> 01:07:05,625 YOU KNOW, WE CAN ALL HAVE SEX TOGETHER, THAT'S FINE. 1397 01:07:05,625 --> 01:07:07,792 WHAT DO YOU SAY, HOT ROCKS? WOULD YOU LIKE THAT, HUH? 1398 01:07:07,792 --> 01:07:10,250 - I'D SAY YOU'RE FUCKING OUT OF YOUR MIND. - YOU KNOW YOU WANT IT. 1399 01:07:10,250 --> 01:07:12,834 LOOK, OUR SITUATION HAS NOTHING TO DO WITH HIM. 1400 01:07:12,834 --> 01:07:15,125 IT'S OVER. - [gasps] 1401 01:07:15,125 --> 01:07:18,000 AND IT'S NOT HIM. IT'S US, HONEY. 1402 01:07:18,000 --> 01:07:19,709 THAT'S RIGHT, IT'S NOT YOU, IT'S HER. WHATEVER. 1403 01:07:19,709 --> 01:07:22,250 JUST SHUT UP FOR ONE SECOND! GOD! FUCK! 1404 01:07:22,250 --> 01:07:24,500 THIS HAS NOTHING TO DO WITH HIM. 1405 01:07:24,500 --> 01:07:26,041 [sobs] 1406 01:07:28,291 --> 01:07:28,875 IT'S JUST, WE'RE OVER. 1407 01:07:28,875 --> 01:07:31,542 NO, WE'RE NOT OVER. 1408 01:07:31,542 --> 01:07:33,625 WE'LL--WE'LL ALL SET UP TOGETHER, THE THREE OF US, 1409 01:07:33,625 --> 01:07:35,375 TILL YOU GET THIS OUT OF YOUR SYSTEM. 1410 01:07:35,375 --> 01:07:36,125 BABY, YOU'RE NOT HEARING ME. 1411 01:07:36,125 --> 01:07:38,750 I'M FUCKING HEARING YOU. OK? 1412 01:07:38,750 --> 01:07:40,667 I'M FUCKING HEARING YOU! 1413 01:07:40,667 --> 01:07:42,542 GOD DAMN IT! 1414 01:07:42,542 --> 01:07:47,417 SEE, I'M GONNA KILL MYSELF RIGHT NOW AND YOU CARE, 1415 01:07:47,417 --> 01:07:49,000 YOU CARE BECAUSE YOU LOVE ME. - THAT'S A NICE GIRL. 1416 01:07:49,000 --> 01:07:50,917 SHUT THE FUCK UP, ALL RIGHT! 1417 01:07:50,917 --> 01:07:52,542 HEY, WHAT-- 1418 01:07:52,542 --> 01:07:54,041 OH, MY GOD. - WHAT THE FUCK IS THAT? 1419 01:07:54,041 --> 01:07:55,458 WHAT DID YOU... 1420 01:07:55,458 --> 01:07:57,959 - OH, NO. OH, NO. - [whooping] 1421 01:07:57,959 --> 01:07:59,417 (Ricki) WHAT DID YOU DO? 1422 01:07:59,417 --> 01:08:01,041 - THIS HOT ENOUGH FOR YOU, BABY? 1423 01:08:01,041 --> 01:08:02,709 - GET AWAY FROM ME. - YOU WANT SOME? 1424 01:08:02,709 --> 01:08:04,375 - SIT DOWN. - WHAT'S WRONG WITH YOU?! 1425 01:08:04,375 --> 01:08:05,166 - OH, MY GOD. - WHAT THE FUCK IS THIS? 1426 01:08:05,166 --> 01:08:07,625 LADY, YOU NEED SOME BAND-AIDS. 1427 01:08:11,333 --> 01:08:15,375 (Larry) THIS MUST BE MENTAL-FUCKING-ILLNESS WEEK. 1428 01:08:26,417 --> 01:08:31,125 THAT WOMAN... IS FUCKING BEAUTIFUL. 1429 01:08:32,250 --> 01:08:33,792 [chuckling] YES. 1430 01:08:33,792 --> 01:08:35,375 SHE'S LIKE THE ONES AT THE BAYWATCH. 1431 01:08:37,625 --> 01:08:39,083 YES. 1432 01:08:39,083 --> 01:08:41,417 THEY MAKE MY PENIS SNEEZE. 1433 01:08:43,709 --> 01:08:45,417 [laughs] 1434 01:08:45,417 --> 01:08:49,208 YOU GOT A GOOD SENSE OF HUMOR, YOU KNOW THAT? 1435 01:08:49,208 --> 01:08:50,792 GOD BLESS YOU. 1436 01:08:53,333 --> 01:08:55,583 - THANK YOU. - NO, NOT YOU, STUPID. 1437 01:08:55,583 --> 01:08:56,917 WHEN MY PENIS SNEEZES, I SAY, "GOD BLESS YOU." 1438 01:08:56,917 --> 01:08:59,667 GOD BLESS YOU, PENIS. 1439 01:09:00,041 --> 01:09:02,417 [snorts] 1440 01:09:18,792 --> 01:09:21,208 SHE'S GONNA BE OK. 1441 01:09:21,208 --> 01:09:22,417 OH, WHAT A RELIEF. 1442 01:09:25,291 --> 01:09:26,291 BRIAN, WOULD YOU EXCUSE US? 1443 01:09:26,291 --> 01:09:28,125 I WANNA TALK TO LARRY FOR A MINUTE. OK? 1444 01:09:28,125 --> 01:09:30,291 YOU BE ALL RIGHT IN THE CAR? 1445 01:09:30,291 --> 01:09:32,375 - YEAH. - OK, GOOD. 1446 01:09:43,750 --> 01:09:45,667 I JUST... 1447 01:09:45,667 --> 01:09:49,166 I GOTTA TELL YOU, I'M NOT UP FOR THIS THUMB DEAL. 1448 01:09:49,166 --> 01:09:50,333 I SAY WE DON'T DO IT. 1449 01:09:56,166 --> 01:09:59,125 YOU TRYING TO TEST ME? 1450 01:09:59,125 --> 01:10:01,542 IS THAT IT? YOU WANNA SEE IF I'M GONNA DO WHAT I'M SUPPOSED TO DO? 1451 01:10:01,542 --> 01:10:04,709 NO. 1452 01:10:04,709 --> 01:10:08,208 SO, WHAT ARE YOU, A CONTRACTOR WITH A CONSCIENCE? 1453 01:10:09,834 --> 01:10:12,333 LOOK, I'VE DONE SOME BAD THINGS, 1454 01:10:12,333 --> 01:10:16,000 BUT I DIDN'T SIGN ON TO THIS TO BE A BRUTAL STREET THUG. 1455 01:10:16,000 --> 01:10:19,333 BECAUSE FAR AS I'M CONCERNED, THAT'S NOT THE JOB I TOOK. 1456 01:10:23,208 --> 01:10:26,875 HOW WOULD YOU GET AROUND IT? 1457 01:10:26,875 --> 01:10:28,917 I'D WORK IT OUT. 1458 01:10:28,917 --> 01:10:33,250 BUT FIRST I GOT TO KNOW, ARE YOU WITH ME? 1459 01:10:43,041 --> 01:10:44,875 SURE. 1460 01:10:44,875 --> 01:10:46,166 SURE OR YES? 1461 01:10:46,166 --> 01:10:47,500 THAT'S THE SAME THING. 1462 01:10:47,500 --> 01:10:49,375 NO, IT'S NOT THE SAME THING. 1463 01:10:49,375 --> 01:10:51,125 SEE, IF I WERE TO ASK YOU TO MOVE MY COUCH FOR ME, 1464 01:10:51,125 --> 01:10:53,875 YOU'D PROBABLY SAY, "SURE." 1465 01:10:53,875 --> 01:10:56,625 BUT IF I WERE TO ASK YOU TO LOOK DEEP INTO MY EYES, 1466 01:10:56,625 --> 01:10:58,542 AND TELL ME FROM THE BOTTOM OF YOUR HEART 1467 01:10:58,542 --> 01:11:00,333 IF IT WOULD GIVE YOU GREAT PLEASURE 1468 01:11:00,333 --> 01:11:03,083 IF I WERE TO SUCK YOUR COCK FOR 12 HOURS, 1469 01:11:03,083 --> 01:11:06,667 IF I MAY BE PRESUMPTUOUS, YOU'D PROBABLY SAY, "YES." 1470 01:11:06,667 --> 01:11:11,250 SEE, IT JUST IMPLIES A DIFFERENT LEVEL OF COMMITMENT. 1471 01:11:13,333 --> 01:11:16,041 ASK ME THE QUESTION AGAIN. 1472 01:11:16,041 --> 01:11:18,667 OK. ARE YOU WITH ME? 1473 01:11:20,250 --> 01:11:21,792 YES. 1474 01:11:26,083 --> 01:11:27,583 GOOD. 1475 01:11:30,500 --> 01:11:33,166 - ISN'T THIS "B" LEVEL? - THIS IS "D" LEVEL. YOU'RE NOT SUPPOSED TO BE HERE. 1476 01:11:33,166 --> 01:11:35,834 WELL, I'M LOOKING FOR "B" LEVEL. 1477 01:11:35,834 --> 01:11:37,542 NO, THIS IS A "D" LEVEL AND NO ONE IS ALLOWED ON "D" LEVEL. 1478 01:11:37,542 --> 01:11:38,583 SO YOU NEED TO GO BACK TO "B" LEVEL. 1479 01:11:38,583 --> 01:11:41,125 OK, HOLD ON, BECAUSE YOU'RE CONFUSING ME, OK? 1480 01:11:41,125 --> 01:11:43,417 NO, YOU'RE CONFUSING ME. 1481 01:11:43,417 --> 01:11:44,625 LET'S JUST START FROM THE BEGINNING. 1482 01:11:44,625 --> 01:11:45,250 IF THIS ISN'T "B"-- 1483 01:11:45,250 --> 01:11:47,333 [gasping] OH, MY GOD. 1484 01:11:47,333 --> 01:11:50,625 OH, MY GOD. I AM SO SORRY. 1485 01:11:50,625 --> 01:11:52,041 - OH, THAT'S OK. - I'M SORRY. 1486 01:11:52,041 --> 01:11:52,417 SHH. 1487 01:11:55,542 --> 01:11:58,917 (Ricki) JUST SOAK THAT IN COLD WATER AND IT'LL COME RIGHT OUT, OK? 1488 01:11:58,917 --> 01:12:02,000 I PROMISE YOU. YES. NO, IT WILL. IT WILL. 1489 01:12:02,000 --> 01:12:03,583 LOOK, THE THING IS, THE REASON I'M HERE 1490 01:12:03,583 --> 01:12:06,083 IS THEY TOLD ME TO GO AROUND THE CORNER... 1491 01:12:06,083 --> 01:12:08,583 - CLOSE YOUR EYES. - WHAT? 1492 01:12:08,583 --> 01:12:10,458 [whispering] CLOSE YOUR EYES. FOLLOW ME. 1493 01:12:10,458 --> 01:12:12,375 JUST WALK IN. CLOSE YOUR EYES. DON'T LOOK. 1494 01:12:12,375 --> 01:12:15,375 (Larry) COME ON. GO, GO, GO. YOU'RE FINE. 1495 01:12:20,417 --> 01:12:23,458 - CAN I OPEN THEM? - NO. STAND RIGHT HERE. 1496 01:12:23,458 --> 01:12:24,917 - IT'S COLD IN HERE. - SHH. 1497 01:12:24,917 --> 01:12:26,583 DON'T LOOK AT NOTHIN', ALL RIGHT? 1498 01:12:36,417 --> 01:12:37,750 CAN I OPEN 'EM? 1499 01:12:37,750 --> 01:12:39,000 NO. 1500 01:12:39,000 --> 01:12:40,333 STAY TURNED AROUND. 1501 01:12:40,333 --> 01:12:42,500 SMELLS LIKE MY GRANDMOTHER'S. 1502 01:12:46,000 --> 01:12:47,834 [rustling] 1503 01:12:47,834 --> 01:12:49,333 WHAT WAS THAT? 1504 01:12:49,333 --> 01:12:50,625 IT'S NOTHIN'. 1505 01:13:05,375 --> 01:13:07,542 [creaking] 1506 01:13:10,000 --> 01:13:12,500 [hacking] 1507 01:13:14,041 --> 01:13:15,959 [chuckling] 1508 01:13:18,583 --> 01:13:21,458 ♪ I LIKE BIG BUTTS AND I CANNOT LIE ♪ 1509 01:13:21,458 --> 01:13:23,709 ♪ THE OTHER BROTHERS CAN'T DENY ♪ 1510 01:13:23,709 --> 01:13:26,792 ♪ WHEN THE GIRLS WALK IN WITH AN ITTY-BITTY WAIST ♪ 1511 01:13:26,792 --> 01:13:28,583 ♪ AND ROUND THINGS IN YOUR FACE ♪ 1512 01:13:28,583 --> 01:13:31,208 ♪ YOU GET SPRUNG WANNA PULL UP TOUGH ♪ 1513 01:13:31,208 --> 01:13:33,291 ♪ 'CAUSE YOU NOTICE THAT BUTT WAS STUFFED ♪ 1514 01:13:33,291 --> 01:13:35,709 ♪ 'CAUSE I'M LONG, AND I'M STRONG ♪ 1515 01:13:35,709 --> 01:13:37,458 ♪ AND I'M DOWN TO GET THE FRICTION ON ♪ 1516 01:13:37,458 --> 01:13:39,458 ♪ SO, LADIES, YEAH LADIES, YEAH ♪ 1517 01:13:39,458 --> 01:13:42,375 ♪ YOU WANNA ROLL IN MY MERCEDES? YEAH? ♪ 1518 01:13:42,375 --> 01:13:45,667 ♪ SO TURN AROUND STICK IT OUT ♪ 1519 01:13:45,667 --> 01:13:47,667 ♪ EVEN WHITE BOYS GOT TO SHOUT ♪ 1520 01:13:47,667 --> 01:13:48,166 ♪ BABY GOT BACK! ♪ 1521 01:13:48,166 --> 01:13:50,375 ♪ [humming] ♪ 1522 01:13:50,375 --> 01:13:51,542 ♪ BABY GOT BACK! ♪ 1523 01:13:51,542 --> 01:13:53,000 ♪ [humming] ♪ 1524 01:13:53,000 --> 01:13:54,750 [laughing] 1525 01:13:54,750 --> 01:13:58,083 THAT'S AN OLD-SCHOOL-- THAT'S AN OLD-SCHOOL SONG. 1526 01:13:58,083 --> 01:14:01,583 YOU'RE OLD-SCHOOL, TOO, LARRY. YOU'RE OLD-SCHOOL. 1527 01:14:01,583 --> 01:14:04,375 [Larry snorts] [crackling] 1528 01:14:04,375 --> 01:14:08,458 SO WE GOT AN ITEM THAT WE WANNA PACKAGE OURSELVES AND, UH, YOU KNOW... 1529 01:14:08,458 --> 01:14:10,291 - MAIL OUT. - OK. 1530 01:14:10,291 --> 01:14:12,417 SO COULD WE JUST GET, LIKE, AN ENVELOPE FROM YOU? 1531 01:14:12,417 --> 01:14:13,792 WHAT SIZE WOULD YOU LIKE? 1532 01:14:13,792 --> 01:14:14,417 JUST THE TOP, RIGHT-- 1533 01:14:14,417 --> 01:14:16,792 - SIX BY NINE. - YEAH. 1534 01:14:20,083 --> 01:14:22,667 SO, ALL RIGHT. 1535 01:14:22,667 --> 01:14:25,458 - WE'RE DONE, RIGHT? - MMM-HMM. 1536 01:14:25,458 --> 01:14:27,083 THAT'S IT. 1537 01:14:27,083 --> 01:14:27,625 ALL RIGHT, THEN. 1538 01:14:32,500 --> 01:14:33,583 [laughing] 1539 01:14:36,458 --> 01:14:37,709 YEAH. 1540 01:14:42,250 --> 01:14:43,709 THANKS. 1541 01:14:45,125 --> 01:14:47,458 [paper crackling] 1542 01:14:59,834 --> 01:15:03,875 WOULD YOU LIKE YOUR PARCEL INSURED? 1543 01:15:03,875 --> 01:15:05,166 [chuckles] 1544 01:15:05,166 --> 01:15:07,458 NO, THAT'S ALL RIGHT. 1545 01:15:25,458 --> 01:15:27,000 I'LL BE RIGHT BACK. 1546 01:15:30,000 --> 01:15:32,291 FRIEND OF YOURS? 1547 01:15:32,291 --> 01:15:33,875 CLOSE PERSONAL. 1548 01:15:35,375 --> 01:15:36,000 [slams door] 1549 01:15:36,000 --> 01:15:38,458 [starts car] 1550 01:15:42,542 --> 01:15:44,750 YOU KNOW SOMETHING? YOU'RE RIGHT. 1551 01:15:44,750 --> 01:15:48,166 IT IS SADNESS. IT'S SADNESS, AND I'M FUCKING SAD. 1552 01:15:48,166 --> 01:15:49,417 YOU GOT ME. 1553 01:15:49,417 --> 01:15:50,458 YOU'RE A GENIUS. 1554 01:15:50,458 --> 01:15:53,417 YOU KNOW WHY I'M FUCKING SAD? 1555 01:15:53,417 --> 01:15:56,250 BECAUSE I GOT THIS FUCKING 1556 01:15:56,250 --> 01:15:59,417 BEAUTIFUL, SEXY, GORGEOUS 1557 01:15:59,417 --> 01:16:03,542 HEARTTHROB-O-RAMA, FUCKING SMART, AMAZING BOMBSHELL, 1558 01:16:03,542 --> 01:16:07,083 17-ON-A-FUCKING-10-SCALE GIRL 1559 01:16:07,083 --> 01:16:10,375 SLEEPING IN A BED RIGHT NEXT TO ME. 1560 01:16:10,375 --> 01:16:13,375 (Larry) AND YOU KNOW WHAT? 1561 01:16:13,375 --> 01:16:17,125 SHE'S A STONE-COLD DYKE. 1562 01:16:17,125 --> 01:16:19,125 A FUCKING UNTOUCHABLE, 1563 01:16:19,125 --> 01:16:22,250 UNHAVEABLE, UNATTAINABLE BRICK WALL 1564 01:16:22,250 --> 01:16:24,709 FUCKING DYKEASAURUS REXI. 1565 01:16:25,250 --> 01:16:28,375 SO IT'S SAD, OK? 1566 01:16:28,375 --> 01:16:30,000 WHAT DO YOU WANT ME TO DO? 1567 01:16:30,000 --> 01:16:33,000 I FEEL FUCKING SADNESS ABOUT THAT. 1568 01:16:33,000 --> 01:16:36,625 THERE'S NOTHING I CAN FUCKING DO. 1569 01:16:40,917 --> 01:16:44,917 AND NOT ONLY IS SHE A MAJOR BABE, 1570 01:16:44,917 --> 01:16:48,166 BUT I REALLY LIKE THIS GIRL A LOT. 1571 01:16:48,166 --> 01:16:50,166 A LOT. 1572 01:16:50,166 --> 01:16:52,917 I MEAN, SHE'S NOT LIKE ANYBODY ELSE I EVER KNEW BEFORE, 1573 01:16:52,917 --> 01:16:54,792 AND THAT'S A COMPLETELY FUCKING NEW ONE ON ME. 1574 01:16:56,959 --> 01:16:58,250 AND I DON'T EVEN KNOW HER REAL FUCKING NAME. 1575 01:16:58,250 --> 01:17:00,750 SO THERE YOU GO. 1576 01:17:00,750 --> 01:17:05,250 OH, AND IN CASE YOU'RE INTERESTED, MY LIFE SUCKS. 1577 01:17:05,250 --> 01:17:08,583 ALL RIGHT? STICK A FORK IN ME, I'M DONE. 1578 01:17:18,125 --> 01:17:20,709 [laughing] 1579 01:17:20,709 --> 01:17:23,709 [squeaking from T.V.] 1580 01:17:25,000 --> 01:17:26,709 CLEAN THE BAR ALL YOU LIKE. 1581 01:17:26,709 --> 01:17:28,959 I'M JUST GONNA PUKE ON IT AGAIN. 1582 01:17:28,959 --> 01:17:30,583 (ape #1) OH, YOU GOT ME. 1583 01:17:30,583 --> 01:17:32,667 (ape #2) OH! I GOT YOU! OH! 1584 01:17:35,166 --> 01:17:35,959 [keys jingling] 1585 01:17:40,875 --> 01:17:43,917 DO YOU THINK YOUR FINGERNAILS NEED TRIMMING? 1586 01:17:52,667 --> 01:17:54,625 THEY'RE FINE. 1587 01:17:56,875 --> 01:18:00,333 WHAT? YOU DON'T LIKE MY FINGERNAILS NOW? 1588 01:18:02,375 --> 01:18:07,417 LOOK, I HAVE NO IDEA IF THIS IS TRUE OR NOT, BUT I'VE HEARD IT SAID 1589 01:18:07,417 --> 01:18:09,375 THAT THOSE WHO ARE BALANCED 1590 01:18:09,375 --> 01:18:11,667 MORE TOWARD THE MASCULINE OF EITHER SEX 1591 01:18:11,667 --> 01:18:12,875 CHECK THEIR FINGERNAILS THIS WAY. 1592 01:18:12,875 --> 01:18:16,333 AND THOSE BALANCED MORE TOWARD THE FEMININE 1593 01:18:16,333 --> 01:18:18,959 CHECK THEM THAT WAY. 1594 01:18:18,959 --> 01:18:21,583 AND I JUST HAD A FEELING THAT EVEN THOUGH 1595 01:18:21,583 --> 01:18:23,834 YOU HAVE THIS TOUGH GUY THING GOING ON, THAT YOU... 1596 01:18:23,834 --> 01:18:27,667 ARE WRESTLING WITH SOME VERY STRONG FEMININE LEANINGS. 1597 01:18:27,667 --> 01:18:29,834 (Larry) THAT'S FUCKIN' BULLSHIT. 1598 01:18:29,834 --> 01:18:32,000 I--I CAN'T SEE. I'M FARSIGHTED. 1599 01:18:32,000 --> 01:18:33,834 NEARSIGHTED. WHATEVER IT IS. 1600 01:18:33,834 --> 01:18:37,959 SO I HOLD 'EM OUT HERE, BUT I CAN'T SEE 'EM UP CLOSE. 1601 01:18:37,959 --> 01:18:41,500 YOU WANNA FIND OUT HOW SOMEBODY'S BALANCED TOWARD A MASCULINE, LOOK AT ME. 1602 01:18:41,500 --> 01:18:43,917 I CAN'T SEE. THAT'S WHY I HOLD 'EM FAR AWAY. 1603 01:18:43,917 --> 01:18:47,041 - [chuckling] ALL RIGHT. - YEAH, IT IS ALL RIGHT. 1604 01:18:47,041 --> 01:18:48,417 NO, ALL RIGHT, ALL RIGHT. ALL RIGHT. 1605 01:18:48,417 --> 01:18:50,041 I WAS GONNA GO LIKE THIS, 1606 01:18:50,041 --> 01:18:51,834 THAT'S WHAT I WANNA DO. BUT I KNOW I CAN'T SEE, 1607 01:18:51,834 --> 01:18:53,542 SO I HOLD THEM OUT THERE TO LOOK AT 'EM. 1608 01:18:53,542 --> 01:18:55,083 ALL RIGHT. 1609 01:19:06,041 --> 01:19:08,792 DON'T GIVE ME THAT LOOK. I SEE YOU LOOKING AT ME. 1610 01:19:12,250 --> 01:19:13,500 ARE YOU GAY? 1611 01:19:13,500 --> 01:19:14,667 WHAT THE FUCK. 1612 01:19:14,667 --> 01:19:17,250 NO! I'M NOT GAY! 1613 01:19:17,250 --> 01:19:19,583 I AM NOT GAY. WHY DO YOU LOOK AT ME AND THINK I'M GAY? 1614 01:19:19,583 --> 01:19:21,917 I AM NOT FUCKING GAY! 1615 01:19:21,917 --> 01:19:23,083 ARE YOU SURE? 1616 01:19:23,083 --> 01:19:25,792 YEAH, I'M FUCKIN' SURE. 1617 01:19:25,792 --> 01:19:29,500 YOU KNOW WHAT, I BET YOU'RE RIGHT. 1618 01:19:29,500 --> 01:19:31,250 - THANK YOU. - IT WASN'T A COMPLIMENT. 1619 01:19:31,250 --> 01:19:36,375 RICKI, WHATEVER YOUR REAL NAME IS, ALL RIGHT, THIS IS MY EYES. 1620 01:19:38,291 --> 01:19:40,959 LOOK--LOOK--LOOK HOW I'M ACTING. 1621 01:19:40,959 --> 01:19:42,750 YOU'RE DRIVING ME CRAZY. 1622 01:19:42,750 --> 01:19:46,917 YOU, LIKE, FUCKIN' GIVE ME A FUCKIN' H-H-HEADACHE. 1623 01:19:46,917 --> 01:19:49,333 I DON'T EVEN KNOW WHY I HAD A CRUSH ON YOU 1624 01:19:49,333 --> 01:19:52,208 BACK A LONG TIME WHEN I FIRST MET YOU, 1625 01:19:52,208 --> 01:19:54,375 THAT YOU REALLY CURED ME OF. 1626 01:19:56,333 --> 01:19:58,208 I DON'T KNOW. 1627 01:19:58,208 --> 01:20:01,542 MAYBE IT'S BECAUSE YOU KNOW I CAN KICK YOUR ASS. 1628 01:20:01,542 --> 01:20:03,333 MAYBE THAT TURNS YOU ON. 1629 01:20:04,625 --> 01:20:07,458 YOU CANNOT KICK MY ASS. 1630 01:20:25,625 --> 01:20:27,542 OW! 1631 01:20:27,542 --> 01:20:28,125 WHAT? 1632 01:20:31,417 --> 01:20:33,000 [chuckles] 1633 01:20:33,000 --> 01:20:33,959 YOU--YOU NEED A WOMAN. 1634 01:20:36,250 --> 01:20:37,000 I GOT ONE. 1635 01:20:38,667 --> 01:20:40,250 OW! STOP. 1636 01:20:40,667 --> 01:20:43,125 KISS ME AGAIN. 1637 01:20:46,250 --> 01:20:48,333 I THOUGHT YOU WANTED TO BE MY BITCH. 1638 01:20:50,166 --> 01:20:52,792 THIS IS SO FUCKED UP. 1639 01:21:15,041 --> 01:21:16,625 WHERE YOU GOIN'? 1640 01:21:16,625 --> 01:21:18,917 IT'S TURKEY TIME. 1641 01:21:20,709 --> 01:21:21,125 HUH? 1642 01:21:23,583 --> 01:21:25,208 GOBBLE, GOBBLE. 1643 01:21:26,875 --> 01:21:28,000 WHAT? 1644 01:21:28,709 --> 01:21:31,083 NOW, YOU TALK THE TALK, 1645 01:21:31,083 --> 01:21:32,875 YOU KNOW I'M EXPECTING YOU TO WALK THE WALK. 1646 01:21:32,875 --> 01:21:34,375 COME ON. SHOW ME WHAT 1647 01:21:34,375 --> 01:21:36,417 I'VE BEEN MISSING MY WHOLE LIFE. 1648 01:21:36,417 --> 01:21:39,166 LAY SOME OF THAT SWEET HETEROLINGUS ON ME. 1649 01:21:44,500 --> 01:21:47,208 I THINK, UH, 1650 01:21:47,208 --> 01:21:50,458 TO BE SERIOUS... - MMM? 1651 01:21:50,458 --> 01:21:53,000 I JUST... YOU KNOW, I THINK... 1652 01:21:53,000 --> 01:21:56,166 I WAS THINKING, YOU KNOW, AND YOU WERE RIGHT 1653 01:21:56,166 --> 01:21:59,208 WHEN YOU SAID, YOU KNOW, PROBABLY, ACTUALLY A WOMAN MIGHT KNOW MORE 1654 01:21:59,208 --> 01:22:01,583 ABOUT WHAT FEELS BETTER TO ANOTHER WOMAN. 1655 01:22:01,583 --> 01:22:03,417 SHE'S A WOMAN HERSELF. 1656 01:22:03,417 --> 01:22:05,583 A GUY MIGHT BE AT A CERTAIN DISADVANTAGE. 1657 01:22:05,583 --> 01:22:08,542 YOU KNOW, LIKE, UH... 1658 01:22:08,542 --> 01:22:10,583 IT'S LIKE, YOU NEED, LIKE, A HANDICAP. 1659 01:22:10,583 --> 01:22:14,000 YOU KNOW, LIKE GOLF. 1660 01:22:14,667 --> 01:22:17,875 SHUT UP AND GET OVER HERE. 1661 01:22:50,959 --> 01:22:53,375 OH! [laughing] 1662 01:24:07,208 --> 01:24:09,375 GOD BLESS YOU, PENIS. 1663 01:24:10,750 --> 01:24:13,083 WHAT'D YOU SAY? 1664 01:24:14,959 --> 01:24:16,333 NOTHIN'. 1665 01:24:19,250 --> 01:24:23,750 EVERY RELATIONSHIP HAS A BULL AND A COW, HUH? 1666 01:24:23,750 --> 01:24:25,291 THAT'S RIGHT. 1667 01:24:27,500 --> 01:24:29,333 MMMMMMOOOO! 1668 01:24:43,041 --> 01:24:46,583 JUST TO BE UP FRONT ABOUT ALL THIS... 1669 01:24:46,583 --> 01:24:47,875 - MMM? 1670 01:24:47,875 --> 01:24:50,542 - WHEN THIS GIG IS OVER, 1671 01:24:50,542 --> 01:24:54,041 I WANT YOU TO KNOW THAT I'M GONNA BE LEAVING. 1672 01:25:04,208 --> 01:25:06,667 [phone ringing] 1673 01:25:09,667 --> 01:25:12,333 [rings] 1674 01:25:14,083 --> 01:25:15,542 - YEAH? - (Louis) LISTEN, 1675 01:25:15,542 --> 01:25:18,834 YOU AND TRIXIE OVER THERE, MEET ME AT BEVERLY AND LOMITAS. 1676 01:25:18,834 --> 01:25:20,959 LOUIS, WHAT'S GOING ON? 1677 01:25:20,959 --> 01:25:22,959 AND DON'T BRING THE THING. 1678 01:25:22,959 --> 01:25:26,208 - THE WHAT? - THE THING. 1679 01:25:26,208 --> 01:25:28,000 - DON'T BRING THE THING. - WHAT THING? 1680 01:25:28,000 --> 01:25:31,000 THE THING! DON'T BRING-- DON'T BRING IT. 1681 01:25:31,000 --> 01:25:33,291 - OH, YOU MEAN THE, UH... - YEAH. DON'T BRING IT. 1682 01:25:33,291 --> 01:25:36,125 YOU LEAVE IT SOMEWHERE SAFE FOR THE TIME BEING. 1683 01:25:36,125 --> 01:25:38,542 - ALL RIGHT. - YOU UNDERSTAND? 1684 01:25:38,542 --> 01:25:40,208 - YEAH, I UNDERSTAND, I UNDERSTAND. 1685 01:25:40,208 --> 01:25:41,625 - AND HURRY UP, JACKASS. 1686 01:25:41,625 --> 01:25:42,542 [phone clicks] 1687 01:25:42,542 --> 01:25:45,333 WHAT? 1688 01:25:45,333 --> 01:25:47,375 IT'S LOUIS. HE'S FUCKIN' PISSED. 1689 01:25:47,375 --> 01:25:51,792 (Larry) SEE THIS? SOME COOKIES IN THERE. 1690 01:25:51,792 --> 01:25:53,625 WE'LL BE BACK. 1691 01:25:53,625 --> 01:25:55,750 - WHEN ARE YOU COMING BACK? - SOON. 1692 01:25:55,750 --> 01:25:58,041 JUST RELAX, EAT YOUR BREAKFAST. OK? 1693 01:25:58,041 --> 01:25:59,625 I'M NOT HUNGRY, THOUGH. 1694 01:25:59,625 --> 01:26:01,458 WELL, YOU CAN'T SKIP BREAKFAST. 1695 01:26:01,458 --> 01:26:03,417 IT'S A VERY IMPORTANT MEAL. ALL RIGHT? 1696 01:26:03,417 --> 01:26:06,208 DON'T GO NOWHERE. DON'T TOUCH NOTHING. 1697 01:26:06,208 --> 01:26:08,375 DON'T MAKE ANY PHONE CALLS. I'M NOT KIDDING. 1698 01:26:08,375 --> 01:26:09,041 ALL RIGHT, LARRY. 1699 01:26:09,041 --> 01:26:10,792 ALL RIGHT. SEE YOU LATER. 1700 01:26:10,792 --> 01:26:12,750 BYE, RICKI. 1701 01:26:12,750 --> 01:26:13,458 BYE, BRIAN. 1702 01:26:25,208 --> 01:26:26,917 WHAT? 1703 01:26:26,917 --> 01:26:28,291 NOTHIN'. 1704 01:26:35,667 --> 01:26:38,125 YOU KNOW, I GOT THIS, UH, FANTASY. 1705 01:26:38,125 --> 01:26:41,500 ABOUT MAKING IT WITH A GUY? 1706 01:26:41,500 --> 01:26:44,667 [snorts, laughs] NO. 1707 01:26:44,667 --> 01:26:47,166 [laughing] 1708 01:26:47,166 --> 01:26:48,834 THAT'S NOT IT. 1709 01:26:50,458 --> 01:26:55,875 GOING SOMEWHERE, YOU KNOW, LIKE, SOMEWHERE REALLY, 1710 01:26:55,875 --> 01:27:00,500 REALLY, UH...CLEAN. 1711 01:27:02,208 --> 01:27:03,542 CLEAN? 1712 01:27:03,542 --> 01:27:05,375 YEAH. 1713 01:27:05,375 --> 01:27:07,917 NO SCUMBAGS TELLING YOU WHAT TO DO. 1714 01:27:07,917 --> 01:27:10,542 NOBODY YELLING AT YOU ALL THE TIME. 1715 01:27:10,542 --> 01:27:13,959 SOMEPLACE YOU COULD JUST BE. 1716 01:27:13,959 --> 01:27:15,875 [birds chirping] 1717 01:27:15,875 --> 01:27:17,458 BE YOURSELF. 1718 01:27:21,709 --> 01:27:23,458 NO BAD STUFF. 1719 01:27:27,834 --> 01:27:29,792 THAT SOUNDS GOOD. 1720 01:27:44,500 --> 01:27:46,125 WHAT'S UP? 1721 01:27:46,125 --> 01:27:50,000 WE HAVE A VISITOR FROM NEW YORK. 1722 01:27:50,000 --> 01:27:51,667 FOLLOW ME. 1723 01:27:55,834 --> 01:27:58,583 [starts engine] 1724 01:28:02,041 --> 01:28:05,041 HELLO. 1725 01:28:05,041 --> 01:28:07,250 WELCOME. NICE TO MEET YOU. 1726 01:28:07,250 --> 01:28:09,291 - HELLO, SIR. - FINALLY. 1727 01:28:09,291 --> 01:28:10,709 NICE TO MEET YOU, TOO. 1728 01:28:10,709 --> 01:28:12,792 COME. WOW, LOOK AT YOU. BEAUTIFUL. 1729 01:28:12,792 --> 01:28:16,166 COME ON IN. HERE. GRAB A COUCH. 1730 01:28:16,166 --> 01:28:17,792 SIT, SIT. 1731 01:28:17,792 --> 01:28:21,333 I SAY EVERYTHING TWICE. IN, IN. SIT, SIT. 1732 01:28:21,333 --> 01:28:24,250 I'M SO GLAD YOU COULD COME 1733 01:28:24,250 --> 01:28:25,625 ON SUCH A SHORT NOTICE, TOO. 1734 01:28:25,625 --> 01:28:29,250 THANK YOU, I REALLY APPRECIATE IT. I REALLY... 1735 01:28:29,250 --> 01:28:30,834 I THANK YOU. 1736 01:28:30,834 --> 01:28:32,709 I APPRECIATE IT. HERE, I'VE GOT SOME STUFF. 1737 01:28:32,709 --> 01:28:34,375 I'M SORRY IF I'M A BIT OF A MESS, 1738 01:28:34,375 --> 01:28:37,959 BUT I JUST GOT IN A FEW HOURS AGO. 1739 01:28:37,959 --> 01:28:41,458 I'M SURE LOUIS TOLD YOU, YOU KNOW, I'M HAVING, UH, 1740 01:28:41,458 --> 01:28:46,542 SOME LITTLE LEGAL PROBLEMS OUT HERE RIGHT NOW. 1741 01:28:46,542 --> 01:28:50,000 WHAT ARE YOU GONNA DO? IT'S A REAL NUISANCE, 1742 01:28:50,000 --> 01:28:54,291 BUT WHAT ARE YOU GONNA DO? I GOT TO FIGHT IT, RIGHT? 1743 01:28:54,291 --> 01:28:56,166 I MEAN, I CAN'T GO TO JAIL. 1744 01:28:56,166 --> 01:28:59,000 THAT JUST CAN'T HAPPEN. 1745 01:28:59,000 --> 01:29:01,083 HUH? I'M USED TO THE FINER THINGS. 1746 01:29:01,083 --> 01:29:02,458 LOUIS, AM I RIGHT? 1747 01:29:02,458 --> 01:29:04,083 YOU ARE RIGHT. 1748 01:29:04,083 --> 01:29:09,000 IT CAN'T BE. SO I THINK WE CAN SAY 1749 01:29:09,000 --> 01:29:13,500 BEYOND A SHADOW OF A DOUBT, THAT IT'S NOT GONNA HAPPEN. 1750 01:29:13,500 --> 01:29:15,500 (Starkman) HUH? 1751 01:29:18,250 --> 01:29:21,000 SOMEWHERE, A MISTAKE HAS BEEN MADE. 1752 01:29:24,000 --> 01:29:26,208 DID YOU KNOW 1753 01:29:26,208 --> 01:29:29,000 THAT APPARENTLY SOME PEOPLE 1754 01:29:29,000 --> 01:29:33,500 DO NOT REGARD THE THUMB, TECHNICALLY, TO BE A FINGER? 1755 01:29:36,583 --> 01:29:38,917 CURIOUS FOR MYSELF, I TURNED TO LOUIS HERE, 1756 01:29:38,917 --> 01:29:45,000 WHO, WITH HIS NEWFOUND DICTIONARY SKILLS, LOOKED IT UP FOR ME. 1757 01:29:45,000 --> 01:29:46,208 YOU KNOW WHAT IT SAID? 1758 01:29:46,208 --> 01:29:47,667 NO. 1759 01:29:47,667 --> 01:29:50,125 TELL HIM WHAT IT SAID, LOUIS. 1760 01:29:50,125 --> 01:29:51,125 [clears throat] 1761 01:29:51,125 --> 01:29:52,667 IT SAID, QUOTE: 1762 01:29:52,667 --> 01:29:54,500 "THE SHORT, THICK, INNER DIGIT OF THE HAND 1763 01:29:54,500 --> 01:29:56,417 NEXT TO THE FOREFINGER." UNQUOTE. 1764 01:29:56,417 --> 01:30:00,041 NOW IT SAID, "DIGIT," NOT "FINGER." 1765 01:30:00,041 --> 01:30:03,041 SO I STILL DON'T REALLY KNOW, TECHNICALLY, 1766 01:30:03,041 --> 01:30:05,250 IF IT'S CONSIDERED A FINGER OR NOT. 1767 01:30:05,250 --> 01:30:07,333 RIGHT? - RIGHT. 1768 01:30:07,333 --> 01:30:10,375 RIGHT. LOOK AT HIM. I LOVE HIM. 1769 01:30:10,375 --> 01:30:13,083 I LOVE THIS GUY. HE EATS NO MATTER WHAT. 1770 01:30:13,083 --> 01:30:14,041 I LOVE YOU, LOUIS. 1771 01:30:14,041 --> 01:30:16,709 WHAT'S THIS? 1772 01:30:16,709 --> 01:30:20,041 WHAT IS THIS? LOUIS... 1773 01:30:20,041 --> 01:30:24,083 I'VE BEEN SUBPOENAED. 1774 01:30:24,083 --> 01:30:28,458 I CAN'T BE CONSORTING WITH ARMED FELONS. 1775 01:30:29,709 --> 01:30:32,834 A LITTLE CONSIDERATION, PLEASE. 1776 01:30:32,834 --> 01:30:36,500 BESIDES, YOU THINK SOMETHING LIKE THIS IS NECESSARY, 1777 01:30:36,500 --> 01:30:39,458 ANYWAY, TO INTIMIDATE PEOPLE? 1778 01:30:41,834 --> 01:30:44,333 I SAY INTIMIDATION COMES FROM WITHIN. 1779 01:30:44,333 --> 01:30:48,166 THERE ARE A MULTITUDE OF QUALITIES AN INDIVIDUAL CAN POSSESS 1780 01:30:48,166 --> 01:30:50,291 THAT MAKE THEM INTIMIDATING. 1781 01:30:50,291 --> 01:30:52,750 NOT ONLY THIS, THIS IS THE OUTSIDE. 1782 01:30:52,750 --> 01:30:54,583 THEN THERE'S THE INSIDE. 1783 01:30:54,583 --> 01:30:58,250 BUT YOU KNOW WHAT'S THE MOST INTIMIDATING QUALITY? 1784 01:30:58,250 --> 01:31:00,125 NOT THAT YOU ASKED. 1785 01:31:00,125 --> 01:31:03,583 BUT THE ABSOLUTELY MOST INTIMIDATING, IN MY OPINION? 1786 01:31:03,583 --> 01:31:07,792 WHEN AN INDIVIDUAL JUST DOESN'T GIVE A SHIT. 1787 01:31:07,792 --> 01:31:09,166 LOUIS, YOU WANNA GO TO MEDICAL SCHOOL? 1788 01:31:09,166 --> 01:31:11,667 MEDICAL SCHOOL? 1789 01:31:13,041 --> 01:31:14,125 [gasps] 1790 01:31:14,125 --> 01:31:15,709 YES! 1791 01:31:18,041 --> 01:31:22,792 STUDENTS THERE CAN ALWAYS USE SOMETHING TO LEARN ON. 1792 01:31:23,291 --> 01:31:24,709 [wheezing laugh] 1793 01:31:27,709 --> 01:31:29,583 I FEEL LIKE I'M FLOATING. 1794 01:31:31,291 --> 01:31:33,959 (Starkman) I FEEL... 1795 01:31:33,959 --> 01:31:36,625 RELEASED. 1796 01:31:40,250 --> 01:31:43,125 I DON'T GIVE A SHIT. 1797 01:31:43,125 --> 01:31:45,000 I DON'T. 1798 01:31:54,667 --> 01:31:58,709 I HAVE NO COMPUNCTIONS, 1799 01:31:58,709 --> 01:32:02,000 NONE WHATSOEVER. 1800 01:32:05,208 --> 01:32:08,709 AND I AM VERY CONCERNED 1801 01:32:08,709 --> 01:32:12,917 ABOUT THE WAY THINGS HAVE TURNED OUT HERE. 1802 01:32:20,500 --> 01:32:22,917 HOW WAS THE BLEEDING? 1803 01:32:26,250 --> 01:32:28,542 THE BLEEDING? 1804 01:32:28,542 --> 01:32:31,417 NO, NO, NO. NOT HIM. 1805 01:32:31,417 --> 01:32:33,041 [wheezing laugh] 1806 01:32:33,041 --> 01:32:36,041 THE RETARD, WHEN YOU CUT HIS THUMB OFF. 1807 01:32:36,041 --> 01:32:40,000 LOUIS, UH, TOLD ME YOU WERE CONCERNED. 1808 01:32:45,709 --> 01:32:46,667 BLEEDING WAS FINE. 1809 01:32:49,125 --> 01:32:51,208 FINE? 1810 01:32:51,208 --> 01:32:53,500 IT WAS ALL RIGHT. 1811 01:32:56,125 --> 01:32:58,959 OK. GOOD. 1812 01:33:05,083 --> 01:33:08,000 I DIDN'T NEED YOUR HELP, YOU KNOW. 1813 01:33:08,000 --> 01:33:11,291 I COULD HAVE BEATEN THESE CHARGES. 1814 01:33:11,291 --> 01:33:13,750 WHAT WERE YOU THINKING? 1815 01:33:13,750 --> 01:33:18,834 YOU WERE GONNA EXTORT A FEDERAL PROSECUTOR. 1816 01:33:18,834 --> 01:33:22,959 YOU THOUGHT YOU COULD SAY... 1817 01:33:22,959 --> 01:33:25,333 "KIDNAPPED YOUR LITTLE BROTHER, DROP ALL CHARGES," 1818 01:33:25,333 --> 01:33:29,417 AND THE GUY'D ROLL OVER? 1819 01:33:29,417 --> 01:33:33,667 YOU DIDN'T THINK ALL HELL WOULDN'T BREAK LOOSE? 1820 01:33:34,917 --> 01:33:37,834 YOU DIDN'T THINK EVERY FUCKING FED 1821 01:33:37,834 --> 01:33:41,083 WOULDN'T DROP WHATEVER THEY WERE DOING 1822 01:33:41,083 --> 01:33:45,125 AND DIVE IN TO PROTECT ONE OF THEIR OWN? 1823 01:33:46,417 --> 01:33:49,625 WHAT DO YOU MORONS THINK, 1824 01:33:49,625 --> 01:33:52,750 THIS IS LITTLE ITALY?! 1825 01:33:54,000 --> 01:33:55,333 WAKE UP! 1826 01:33:55,333 --> 01:33:58,917 THIS IS THE TWENTY-FUCKING-FIRST CENTURY! 1827 01:34:13,125 --> 01:34:15,959 SO NOW... 1828 01:34:17,333 --> 01:34:19,875 THINGS ARE BAD. 1829 01:34:21,917 --> 01:34:25,375 AND WHETHER YOU WANNA CALL A THUMB 1830 01:34:25,375 --> 01:34:28,208 A FINGER OR A DIGIT, 1831 01:34:28,208 --> 01:34:32,208 FOR THE SAKE OF THIS DISCUSSION, IT DOESN'T REALLY MATTER. 1832 01:34:32,208 --> 01:34:34,959 YOU KNOW WHY? 1833 01:34:34,959 --> 01:34:40,000 BECAUSE WHATEVER YOU CHOOSE TO CALL IT, 1834 01:34:40,000 --> 01:34:41,875 A THUMB 1835 01:34:41,875 --> 01:34:44,959 HAS A FINGERPRINT, 1836 01:34:44,959 --> 01:34:47,500 AND THE ONE YOU SENT 1837 01:34:47,500 --> 01:34:52,250 HAD THE WRONG FUCKING ONE. 1838 01:34:54,625 --> 01:34:55,834 MR. STARKMAN-- 1839 01:34:55,834 --> 01:34:58,625 I KNOW MY FUCKING NAME, 1840 01:34:58,625 --> 01:35:00,875 YOU PIECE OF SHIT! 1841 01:35:06,000 --> 01:35:08,667 YOU DON'T TRY TO EXTORT 1842 01:35:08,667 --> 01:35:11,959 A FEDERAL FUCKING PROSECUTOR! 1843 01:35:15,250 --> 01:35:18,458 AND IF YOU DO, 1844 01:35:18,458 --> 01:35:23,000 YOU DON'T FUCK AROUND! 1845 01:35:28,458 --> 01:35:30,041 FUCK THIS. 1846 01:35:30,041 --> 01:35:31,625 CUTTING OFF HIS THUMB WAS A STUPID ORDER 1847 01:35:31,625 --> 01:35:34,875 AND WE WOULD HAVE BEEN DERELICT IN OUR RESPONSIBILITIES IF WE HAD FOLLOWED IT. 1848 01:35:37,500 --> 01:35:39,125 HELLO. 1849 01:35:39,125 --> 01:35:40,875 HOW LONG DO YOU THINK WE COULDA KEPT BELOW THE RADAR 1850 01:35:40,875 --> 01:35:43,375 WITH A THUMBLESS, BLEEDING HALF-WIT? 1851 01:35:43,375 --> 01:35:46,625 YOU SEE, SOMETIMES 1852 01:35:46,625 --> 01:35:50,750 ONE HAS TO USE THEIR PROFESSIONAL PREROGATIVE 1853 01:35:50,750 --> 01:35:54,250 TO OVERRIDE A DUMB REQUEST. 1854 01:35:55,750 --> 01:35:57,500 WITH ALL DUE RESPECT, 1855 01:35:57,500 --> 01:36:00,333 EVEN AT THIS POINT IF YOU WERE TO ASK US 1856 01:36:00,333 --> 01:36:04,917 TO PURSUE A COURSE OF ACTION THAT WOULD BE, 1857 01:36:04,917 --> 01:36:09,125 LET'S SAY, CONTRARY TO YOUR BEST INTERESTS, 1858 01:36:09,125 --> 01:36:11,917 THEN AS AWKWARD AS IT MIGHT BE, 1859 01:36:11,917 --> 01:36:15,125 WE WOULD HAVE TO TAKE EXCEPTION. 1860 01:36:20,208 --> 01:36:22,792 ASIDE FROM THOSE OF US HERE IN THIS ROOM, 1861 01:36:22,792 --> 01:36:24,917 THERE IS ONLY ONE PERSON, REALLY, 1862 01:36:24,917 --> 01:36:27,750 THAT CAN LINK YOU TO THIS FUCK-UP. 1863 01:36:27,750 --> 01:36:32,875 AND I FEEL THAT WE SHOULD... 1864 01:36:32,875 --> 01:36:36,083 RECTIFY THAT PROBLEM AS SOON AS WE CAN. 1865 01:36:37,792 --> 01:36:43,458 I THINK I'D MUCH PREFER JUST TO, 1866 01:36:43,458 --> 01:36:46,583 YOU KNOW, 1867 01:36:46,583 --> 01:36:49,041 END IT RIGHT HERE. 1868 01:36:50,208 --> 01:36:52,083 HMM. 1869 01:36:52,083 --> 01:36:55,333 AND THAT WOULD BE YOUR PROFESSIONAL PREROGATIVE. 1870 01:36:55,333 --> 01:36:58,333 IF YOU THINK THAT HAVING THAT KID PICKED UP BY THE AUTHORITIES 1871 01:36:58,333 --> 01:37:00,208 AND TELLING THEM ALL ABOUT BEING KIDNAPPED 1872 01:37:00,208 --> 01:37:04,208 IN AN ATTEMPT TO SAVE YOUR ASS MAKES ANY SENSE. 1873 01:37:04,208 --> 01:37:08,375 IF YOU THINK THAT'S THE BEST TACTIC TO KEEP YOU OUT OF JAIL. 1874 01:37:08,375 --> 01:37:10,375 IF YOU THINK THAT'S ANY LESS DUMB 1875 01:37:10,375 --> 01:37:11,875 THAN ASKING TO HAVE HIS FINGER CUT OFF, 1876 01:37:11,875 --> 01:37:15,291 [chuckling] WELL, THEN THAT WOULD BE 1877 01:37:15,291 --> 01:37:17,041 THE THING THAT YOU SHOULD DO. 1878 01:37:19,417 --> 01:37:22,834 BUT IF YOU DON'T, 1879 01:37:22,834 --> 01:37:25,959 THEN LET US TAKE THE THORN OUT OF YOUR SIDE. 1880 01:37:25,959 --> 01:37:26,875 LET US MAKE SURE THAT KID WILL NEVER BE 1881 01:37:26,875 --> 01:37:30,041 ABLE TO TESTIFY AGAINST ANYBODY. 1882 01:37:33,208 --> 01:37:36,709 AND IF AFTER THAT YOU'RE STILL NOT HAPPY, 1883 01:37:36,709 --> 01:37:40,125 THEN WE CAN ALL TALK AGAIN. 1884 01:37:47,542 --> 01:37:50,583 (Larry) YOU WERE KIDDING, RIGHT? - (Ricki) WHAT DO YOU THINK? 1885 01:37:50,583 --> 01:37:54,166 WE'LL JUST TAKE BRIAN BACK TO WHERE YOU FOUND HIM AND GET THE HELL OUT OF HERE. 1886 01:37:55,750 --> 01:37:58,291 ARE WE GOING TO THE BAYWATCH NOW? 1887 01:37:58,291 --> 01:38:00,500 NO, WE CAN'T GO TO THE BAYWATCH NOW. 1888 01:38:00,500 --> 01:38:02,458 TAKE YOU LATER. 1889 01:38:07,208 --> 01:38:09,667 MAYBE THIS IS IT. I MEAN, MAYBE THIS IS THE THING, YOU KNOW. 1890 01:38:09,667 --> 01:38:12,208 MAYBE THIS IS, LIKE, A SIGN COMING FROM NOWHERE, FROM OUT OF THE BLUE, 1891 01:38:12,208 --> 01:38:15,542 JUST TELLING ME IT'S TIME. IT'S TIME TO GET OUT. 1892 01:38:15,542 --> 01:38:17,333 IT'S TIME TO DO IT. 1893 01:38:24,417 --> 01:38:27,834 ♪ WHEN I'M ALONE IN MY ROOM SOMETIMES I STARE AT THE WALL ♪ 1894 01:38:27,834 --> 01:38:30,542 ♪ AND IN THE BACK OF MY MIND I HEAR MY CONSCIENCE CALL ♪ 1895 01:38:30,542 --> 01:38:33,542 ♪ TELLING ME I NEED A GIRL WHO'S AS SWEET AS A DOVE ♪ 1896 01:38:33,542 --> 01:38:36,875 ♪ FOR THE FIRST TIME IN MY LIFE I COULD SEE I NEED LOVE ♪ 1897 01:38:36,875 --> 01:38:40,375 ♪ SO IF YOU KNOW WHO YOU ARE WILLING TO MAKE YOURSELF SEEN ♪ 1898 01:38:40,375 --> 01:38:44,375 ♪ TAKE A CHANCE WITH MY LOVE AND FIND OUT WHAT I MEAN ♪ 1899 01:38:44,375 --> 01:38:45,625 ♪ I NEED LOVE ♪ 1900 01:38:45,625 --> 01:38:49,583 ♪ [humming] ♪ 1901 01:38:49,583 --> 01:38:50,709 BRIAN. 1902 01:38:50,709 --> 01:38:51,959 ♪ I NEED LOVE ♪ 1903 01:38:51,959 --> 01:38:53,542 LET ME ASK YOU SOMETHING. 1904 01:38:53,542 --> 01:38:55,417 YOU GOT A GIRLFRIEND? 1905 01:38:59,667 --> 01:39:01,917 NO, I DON'T. 1906 01:39:01,917 --> 01:39:04,333 LET ME DO SOMETHING FOR YOU, OK, 'CAUSE, YOU KNOW, 1907 01:39:04,333 --> 01:39:08,250 TO MAKE UP FOR ALL THE PROBLEMS I CAUSED YOU. 1908 01:39:08,250 --> 01:39:11,333 'CAUSE I SEE YOU'RE A LITTLE-- A LITTLE NERVOUS AROUND WOMEN. 1909 01:39:11,333 --> 01:39:13,500 RIGHT? LET ME TELL YOU SOMETHING. 1910 01:39:13,500 --> 01:39:16,500 YOU GOT NO REASON TO BE SHY. THERE'S NO MAGIC TO IT. 1911 01:39:16,500 --> 01:39:18,834 LET--LET ME TELL YOU THIS THING THAT I HEARD, 1912 01:39:18,834 --> 01:39:20,792 AND I'M STARTING TO BELIEVE THAT IT'S TRUE. 1913 01:39:20,792 --> 01:39:23,458 [chuckling] YOU KNOW? 1914 01:39:23,458 --> 01:39:26,875 IT'S THAT, LIKE, THE THING YOU'RE MOST AFRAID OF IN LIFE, 1915 01:39:26,875 --> 01:39:31,792 IF YOU DO IT, IF YOU STEP UP, GOOD THINGS WILL HAPPEN. 1916 01:39:31,792 --> 01:39:35,458 YOU SEE A GIRL THAT YOU LIKE THAT YOU'RE SCARED TO TALK TO, 1917 01:39:35,458 --> 01:39:37,917 BRO, STEP UP. 1918 01:39:37,917 --> 01:39:40,291 GO UP TO HER AND SAY: 1919 01:39:40,291 --> 01:39:44,417 "HI, HOW ARE YOU TODAY? NICE WEATHER WE'RE HAVING." YOU KNOW, TAKE IT FROM THERE, 1920 01:39:44,417 --> 01:39:47,291 WHEREVER THE CONVERSATION GOES. ALL RIGHT, YOU TRY IT. 1921 01:39:47,291 --> 01:39:50,083 TRY IT WITH ME. PRACTICE. GO AHEAD. 1922 01:39:50,083 --> 01:39:52,375 HELLO, HOW ARE YOU TODAY? 1923 01:39:52,375 --> 01:39:55,875 TRY IT WITH ME. GO AHEAD. JUST SAY IT. 1924 01:39:55,875 --> 01:39:58,125 HELLO, HOW ARE YOU TODAY? 1925 01:40:00,166 --> 01:40:02,625 COME ON. HELLO. HELLO? 1926 01:40:02,625 --> 01:40:04,125 HELLO. 1927 01:40:06,000 --> 01:40:07,417 HOW ARE YOU TODAY? 1928 01:40:09,000 --> 01:40:09,834 HOW--HOW ARE YOU TODAY? 1929 01:40:09,834 --> 01:40:13,208 NICE WEATHER WE'RE HAVING. 1930 01:40:16,125 --> 01:40:17,083 NICE WEATHER WE'RE HAVING. 1931 01:40:17,083 --> 01:40:20,375 THERE YOU GO. YOU SEE HOW HE DID IT? 1932 01:40:20,375 --> 01:40:22,709 IT'S BECAUSE YOU STEPPED UP, BRIAN. 1933 01:40:22,709 --> 01:40:27,542 IF YOU'RE AFRAID, STEP UP AND GOOD THINGS START TO HAPPEN. AM I RIGHT? 1934 01:40:27,542 --> 01:40:28,834 I STEPPED UP. 1935 01:40:28,834 --> 01:40:30,875 STEP IT UP, PIMP. 1936 01:40:30,875 --> 01:40:33,125 THAT'S HOW YOU DO. STEP IT UP. 1937 01:40:45,125 --> 01:40:48,166 SO, UH, NOW THAT WE'RE PARTNERS IN CRIME, 1938 01:40:48,166 --> 01:40:50,375 HOW ABOUT TELLING ME YOUR REAL NAME? 1939 01:40:52,875 --> 01:40:55,125 THE REASON THAT I ASK THAT 1940 01:40:55,125 --> 01:40:58,667 IS BECAUSE, I DON'T KNOW IF YOU GAVE IT ANY THOUGHT SINCE LAST NIGHT, 1941 01:40:58,667 --> 01:41:00,208 BUT I'VE BEEN THINKING ABOUT IT. 1942 01:41:00,208 --> 01:41:01,166 AND SEEING, YOU KNOW, 1943 01:41:01,166 --> 01:41:06,208 LOOKS LIKE NOW WE'RE BOTH GONNA BE LEAVING. 1944 01:41:06,208 --> 01:41:08,709 SO I THOUGHT, YOU KNOW... 1945 01:41:08,709 --> 01:41:10,375 ALL RIGHT, LOOK. 1946 01:41:10,375 --> 01:41:12,333 I'M GONNA LAY IT ALL OUT THERE FOR YOU RIGHT NOW. 1947 01:41:12,333 --> 01:41:18,458 I'M JUST GONNA SAY IT, BECAUSE, YOU KNOW, HERE I AM. 1948 01:41:18,458 --> 01:41:18,750 I THINK-- 1949 01:41:18,750 --> 01:41:21,875 LARRY. 1950 01:41:21,875 --> 01:41:25,208 YOU KNOW I HAVEN'T DONE THIS KIND OF THING HARDLY EVER. 1951 01:41:25,208 --> 01:41:26,291 YOU KNOW, THE WHOLE MAN THING 1952 01:41:26,291 --> 01:41:31,000 DOESN'T REALLY HOLD THAT MUCH FOR ME, USUALLY. 1953 01:41:31,000 --> 01:41:33,083 I KNOW. 1954 01:41:33,083 --> 01:41:36,083 BUT SOMEHOW YOU GOT THROUGH. 1955 01:41:37,125 --> 01:41:39,166 SOMEHOW. 1956 01:41:41,667 --> 01:41:45,417 BUT IN THE END... 1957 01:41:45,417 --> 01:41:51,125 I DON'T THINK I COULD EVER BE WHAT YOU REALLY WANT. 1958 01:42:04,709 --> 01:42:06,834 SO WHERE DO YOU THINK YOU'LL GO? 1959 01:42:06,834 --> 01:42:09,542 (Ricki) I DON'T KNOW. 1960 01:42:13,083 --> 01:42:15,375 SOMEWHERE CLEAN. 1961 01:42:19,125 --> 01:42:22,792 YOU KNOW, NORTHERN CALIFORNIA, 1962 01:42:22,792 --> 01:42:25,083 OREGON MAYBE. 1963 01:42:25,083 --> 01:42:28,125 YOU COULD JUST DROP ME OFF ANYWHERE NEAR THE PACIFIC COAST HIGHWAY 1964 01:42:28,125 --> 01:42:30,792 AND I'LL FIGURE IT OUT FROM THERE. 1965 01:42:30,792 --> 01:42:32,834 OK. 1966 01:42:32,834 --> 01:42:37,291 AFTER THAT, BRIAN, UH, I THINK IT'S GONNA BE TIME TO GO HOME. 1967 01:42:39,417 --> 01:42:42,625 WE JUST LEFT THERE A LITTLE WHILE AGO, THOUGH. 1968 01:42:42,625 --> 01:42:44,333 I DON'T MEAN MY APARTMENT. 1969 01:42:44,333 --> 01:42:46,917 I MEAN, YOU KNOW, THE PLACE WHERE YOU LIVE. 1970 01:42:46,917 --> 01:42:48,375 WHERE I GOT YOU. 1971 01:42:50,792 --> 01:42:52,375 WHAT, YOU MEAN TO STAY? 1972 01:42:54,166 --> 01:42:56,709 YEAH, BUDDY. TO STAY. 1973 01:43:53,834 --> 01:43:56,291 OH, MY GOD. 1974 01:43:58,208 --> 01:43:59,166 OH, MY GOD. OH, MY GOD. 1975 01:43:59,166 --> 01:44:01,875 OH, MY GOD. OH, MY GOD. 1976 01:44:03,417 --> 01:44:06,291 - IT'S OPEN. OH MY GOD. - WHAT ARE YOU DOING? 1977 01:44:06,291 --> 01:44:08,625 - SIT DOWN. - LOOK, IT'S OPEN! HO HO HO! 1978 01:44:08,625 --> 01:44:10,208 - BRIAN, WHAT? WHAT'S HE TALKING ABOUT? 1979 01:44:10,208 --> 01:44:11,834 THEY'RE OPEN. OH, MY GOD. MY GOD. 1980 01:44:11,834 --> 01:44:14,000 [Brian whoops] 1981 01:44:14,000 --> 01:44:15,875 THEY'RE OPEN, THEY'RE OPEN. 1982 01:44:15,875 --> 01:44:17,166 OH, MY GOD. THE BAYWATCH, THE BAYWATCH, THE BAYWATCH. 1983 01:44:17,166 --> 01:44:19,709 THEY'RE OPEN, THEY'RE OPEN! 1984 01:44:19,709 --> 01:44:20,417 [laughing] 1985 01:44:20,417 --> 01:44:22,417 - COWABUNGA! - OH, MY GOD. 1986 01:44:22,417 --> 01:44:24,250 THAT'S THE BAYWATCH? 1987 01:44:24,250 --> 01:44:26,291 - IT'S OPEN, IT'S OPEN. THE BAYWATCH. IT'S THE BAYWATCH. 1988 01:44:26,291 --> 01:44:28,792 IT'S THE BAYWATCH. HELLO THERE! 1989 01:44:28,792 --> 01:44:29,834 [Brian laughing] 1990 01:44:29,834 --> 01:44:32,875 I CAN'T BELIEVE THIS! I CAN'T BELIEVE THIS! 1991 01:44:32,875 --> 01:44:34,583 I CAN'T BELIEVE IT. WE HAVE TO STOP. 1992 01:44:34,583 --> 01:44:36,166 - WE CAN'T STOP NOW. (Ricki) COME ON, LARRY. 1993 01:44:36,166 --> 01:44:37,500 (Brian) NO, NO, NO, NO, NO. 1994 01:44:37,500 --> 01:44:39,000 WE HAVE TO STOP! HAVE TO STOP! 1995 01:44:39,000 --> 01:44:40,583 NO, LARRY, NO! NO, NO, NO, NO. 1996 01:44:40,583 --> 01:44:43,208 THEY'RE HERE. WE'RE HERE. WE'RE HERE. WE'RE HERE. 1997 01:44:43,208 --> 01:44:44,458 BRIAN, I KNOW. WE CAN'T, THOUGH. 1998 01:44:44,458 --> 01:44:46,208 I'M SORRY. WE CAN'T STOP. 1999 01:44:46,208 --> 01:44:48,083 - LARRY, WE'RE HERE. - WE'RE HERE! 2000 01:44:48,083 --> 01:44:49,792 - WE'RE RIGHT HERE! - BRIAN. 2001 01:44:49,792 --> 01:44:51,083 - WAIT, WAIT, WAIT, WAIT. WE'RE RIGHT HERE! 2002 01:44:51,083 --> 01:44:53,083 - BRIAN. - LARRY. 2003 01:44:53,083 --> 01:44:54,291 - BRIAN. - LARRY. 2004 01:44:54,291 --> 01:44:55,500 - BRIAN. - LARRY. 2005 01:44:55,500 --> 01:44:56,250 - BRIAN. - LARRY. 2006 01:44:56,250 --> 01:44:58,291 (Brian) WAIT, WAIT A SECOND. 2007 01:44:58,291 --> 01:45:01,333 WAIT. SO TURN AROUND NOW, OK? 2008 01:45:14,083 --> 01:45:16,583 ALL RIGHT. EH? 2009 01:45:19,500 --> 01:45:21,458 WHAT DO YOU THINK? 2010 01:45:27,000 --> 01:45:28,625 CAN I GO DOWN THERE? 2011 01:45:28,625 --> 01:45:31,792 BRIAN, YOU CAN'T GO DOWN THERE, NO. THAT'S... 2012 01:45:31,792 --> 01:45:36,333 I MEAN, THEY-- WE'RE NOT ALLOWED DOWN THERE. IT'S... 2013 01:45:36,333 --> 01:45:39,333 PLUS, WE GOT TO GO SOON. 2014 01:45:39,333 --> 01:45:42,917 PLEASE? PLEASE CAN I GO DOWN THERE? 2015 01:45:42,917 --> 01:45:47,333 YOU KNOW, BRIAN, I DON'T EVEN THINK... 2016 01:45:47,333 --> 01:45:49,500 THIS MIGHT NOT EVEN BE THE BAYWATCH. 2017 01:45:49,500 --> 01:45:52,667 I THINK THIS IS PROBABLY SOMETHING ELSE. 2018 01:45:55,041 --> 01:45:56,458 LARRY, YOU PROMISED ME. 2019 01:45:59,000 --> 01:46:00,500 YOU PROMISED ME. 2020 01:46:07,375 --> 01:46:09,125 IT'S RIGHT THERE. 2021 01:46:09,125 --> 01:46:11,166 I KNOW. 2022 01:46:11,166 --> 01:46:13,166 JUST FOR FIVE MINUTES? 2023 01:46:13,166 --> 01:46:14,959 FOR FIVE MINUTES? 2024 01:46:18,917 --> 01:46:21,709 BRIAN, WHAT'S YOUR BROTHER'S NAME? 2025 01:46:23,667 --> 01:46:25,750 BRIAN. - MY BROTHER'S-- MY BROTHER'S-- 2026 01:46:25,750 --> 01:46:28,458 MY BROTHER'S NAME IS STINKY JIMMY DORF. WANNA KNOW WHY? 2027 01:46:28,458 --> 01:46:31,041 YEAH, SOME OTHER TIME, I DO. 2028 01:46:31,041 --> 01:46:33,250 YEAH, LOS ANGELES. THE U.S. COURTHOUSE. 2029 01:46:33,250 --> 01:46:35,709 THE OFFICE OF A JAMES DORF. 2030 01:46:35,709 --> 01:46:39,333 BECAUSE.... DO YOU WANNA KNOW WHY? DO YOU WANNA KNOW WHY? 2031 01:46:39,333 --> 01:46:40,417 UH-HUH. YEAH, YEAH. 2032 01:46:40,417 --> 01:46:43,709 BECAUSE SOMETIMES HE SMELLS LIKE FISH. 2033 01:46:43,709 --> 01:46:44,917 NO, I DON'T THINK SO. 2034 01:46:44,917 --> 01:46:47,375 UH, YEAH, YEAH, I'LL GIVE YOU MY NAME. GIVE ME A MINUTE. 2035 01:46:47,375 --> 01:46:48,875 HOLD ON. I FORGOT IT. YEAH. 2036 01:46:56,792 --> 01:46:58,375 [sighs] 2037 01:46:59,041 --> 01:47:01,709 [laughing] 2038 01:47:01,709 --> 01:47:03,417 BRIAN. 2039 01:47:03,417 --> 01:47:06,500 BRIAN, LOOK AT ME. 2040 01:47:06,500 --> 01:47:09,583 I THINK YOUR BROTHER AND HIS FRIENDS ARE GONNA BE HERE SOON 2041 01:47:09,583 --> 01:47:11,917 TO PICK YOU UP. OK? 2042 01:47:15,750 --> 01:47:17,792 I WANT YOU TO KNOW SOMETHING. 2043 01:47:20,208 --> 01:47:23,500 YOU'RE A GOOD KID. 2044 01:47:23,500 --> 01:47:28,375 I'M SORRY ABOUT ALL THE, UH... 2045 01:47:28,375 --> 01:47:31,959 I'M SORRY FOR BEING, UH... 2046 01:47:39,250 --> 01:47:40,792 I'M SORRY. 2047 01:47:46,458 --> 01:47:48,041 I THINK YOU'RE WRONG. 2048 01:47:49,667 --> 01:47:53,083 I THINK THAT IS THE BAYWATCH RIGHT THERE. 2049 01:47:58,000 --> 01:48:00,291 WHO KNOWS? MAYBE IT IS. 2050 01:48:00,291 --> 01:48:01,750 [chuckling] 2051 01:48:01,750 --> 01:48:04,125 I'M A GENIUS, MON. 2052 01:48:04,125 --> 01:48:05,625 I KNEW IT. 2053 01:48:08,542 --> 01:48:11,041 YOU TAKE GOOD CARE OF YOURSELF, BRIAN. 2054 01:48:22,917 --> 01:48:24,959 YOU TAKE GOOD CARE OF YOURSELF, LARRY. 2055 01:48:28,333 --> 01:48:28,792 I'LL DO THAT. 2056 01:48:32,834 --> 01:48:35,333 BRIAN, LET ME ASK YOU SOMETHING. 2057 01:48:35,333 --> 01:48:37,959 HOW DO YOUR FINGERNAILS LOOK? 2058 01:48:37,959 --> 01:48:38,875 MY FINGERNAILS? 2059 01:48:38,875 --> 01:48:40,875 YOUR FINGERNAILS, HOW ARE THEY LOOKING? 2060 01:48:44,291 --> 01:48:46,667 DON'T SAY NOTHIN'. 2061 01:48:46,667 --> 01:48:48,834 THEY LOOK VERY GOOD. 2062 01:48:48,834 --> 01:48:50,333 I GOT A-PLUS NAILS. I GOT A-PLUS NAILS. 2063 01:48:50,333 --> 01:48:55,166 NEVER MIND. OK. GOOD. 2064 01:48:55,166 --> 01:48:55,750 GO AHEAD. 2065 01:48:58,000 --> 01:49:00,542 [laughing] 2066 01:49:00,542 --> 01:49:02,917 [Brian laughs] 2067 01:49:07,500 --> 01:49:09,208 GO ON. 2068 01:49:15,375 --> 01:49:16,542 YOU KNOW, I DON'T KNOW HOW YOU'RE THINKING 2069 01:49:16,542 --> 01:49:19,000 ABOUT GETTING OUT OF HERE OR WHATEVER, 2070 01:49:19,000 --> 01:49:21,959 WHAT YOUR PLANS ARE, BUT, UH.... 2071 01:49:21,959 --> 01:49:23,333 [keys jingling] 2072 01:49:23,333 --> 01:49:24,667 [sighs] 2073 01:49:24,667 --> 01:49:25,792 I THINK YOU SHOULD TAKE MY CAR. 2074 01:49:27,875 --> 01:49:30,166 GO AHEAD, TAKE IT. TAKE IT. 2075 01:49:32,500 --> 01:49:34,834 I COULDN'T DO THAT, LARRY. 2076 01:49:39,417 --> 01:49:42,792 I'D RATHER... YOU KNOW, I'D PREFER IF YOU HAD IT. 2077 01:49:42,792 --> 01:49:47,333 IT'S A GOOD CAR, AND I WANT YOU TO BE ALL RIGHT. 2078 01:49:47,333 --> 01:49:50,458 AND I KNOW THAT, YOU KNOW, IT'LL GET YOU WHEREVER YOU NEED TO GO, 2079 01:49:50,458 --> 01:49:52,834 SO JUST, YOU KNOW, TAKE IT. 2080 01:49:52,834 --> 01:49:55,792 I WAS THINKING ABOUT GETTING RID OF IT ANYWAY. 2081 01:49:57,375 --> 01:49:59,625 I'M TRYING TO CHANGE MY IMAGE. 2082 01:50:03,417 --> 01:50:04,792 GO AHEAD, TAKE IT. 2083 01:50:09,542 --> 01:50:10,959 PLEASE. 2084 01:50:19,417 --> 01:50:21,125 OK. 2085 01:50:22,333 --> 01:50:23,333 I WILL, THANK YOU. 2086 01:50:23,333 --> 01:50:26,875 NAH, DON'T MENTION IT. 2087 01:50:26,875 --> 01:50:29,959 JUST DO ME ONE FAVOR, THOUGH. 2088 01:50:30,333 --> 01:50:32,834 NAME IT. 2089 01:50:32,834 --> 01:50:39,125 AS FAR AS THE, UH, LESBIAN THING GOES... 2090 01:50:39,125 --> 01:50:41,417 YEAH? 2091 01:50:41,417 --> 01:50:45,875 IF YOU DO EVER THINK ABOUT HOPPING THE FENCE, 2092 01:50:45,875 --> 01:50:48,125 PROMISE YOU'LL GIVE ME A CALL FIRST. 2093 01:51:11,458 --> 01:51:13,125 [car starts] 2094 01:51:39,667 --> 01:51:43,709 (man, over loudspeaker) OK, LADIES AND GENTLEMEN, LISTEN UP. 2095 01:51:43,709 --> 01:51:46,834 CAMERA IS READY AND PICTURE IS UP. 2096 01:51:46,834 --> 01:51:50,834 I NEED ALL DANCERS TO FIRST POSITION AS SOON AS POSSIBLE. 2097 01:51:50,834 --> 01:51:54,333 ALL DANCERS TO FIRST POSITION AS SOON AS POSSIBLE. LET'S GO. 2098 01:51:54,333 --> 01:51:56,792 [people chattering] 2099 01:52:33,625 --> 01:52:35,500 (Director) OK, LISTEN UP, GUYS. 2100 01:52:35,500 --> 01:52:38,208 CAN WE PLEASE FINISH PAIRING UP, EVERYONE? 2101 01:52:38,208 --> 01:52:41,250 COME ON, GUYS, IT'S NOT LIKE YOU'RE MATING FOR LIFE. 2102 01:52:41,250 --> 01:52:43,542 AS THE OLD SONG GOES: "JUST LOVE THE ONE YOU'RE WITH." 2103 01:52:43,542 --> 01:52:46,000 FIND SOMEONE TO LOVE. 2104 01:53:12,333 --> 01:53:15,041 [mouthing words] 2105 01:53:21,625 --> 01:53:23,959 NICE WEATHER WE'RE HAVING. 2106 01:53:23,959 --> 01:53:27,208 (Australian accent) YES, IT'S VERY NICE. 2107 01:53:35,625 --> 01:53:37,417 IT IS? 2108 01:53:37,417 --> 01:53:39,625 [giggling] YES. 2109 01:53:39,625 --> 01:53:43,125 BUT THE WEATHER'S ALWAYS VERY NICE AROUND HERE, ISN'T IT? 2110 01:53:43,542 --> 01:53:47,709 YES, AND... 2111 01:53:47,709 --> 01:53:50,959 A 10% CHANCE OF PRECIPITATION FOR LOW-LYING COASTAL REGIONS 2112 01:53:50,959 --> 01:53:54,959 EXTENDING FROM NEW SOUTH WALES TO VICTORIA. 2113 01:53:56,291 --> 01:53:58,083 [chuckling] 2114 01:54:03,000 --> 01:54:04,834 (Director) AND PLAYBACK. 2115 01:54:04,834 --> 01:54:06,375 ♪ [music playing] 2116 01:54:06,375 --> 01:54:08,041 AND...ACTION! 2117 01:54:11,959 --> 01:54:15,333 ♪ I HEAR YOUR THUNDER ♪ 2118 01:54:19,166 --> 01:54:23,250 ♪ I HEAR YOUR THUNDER ♪ 2119 01:54:25,667 --> 01:54:30,041 ♪ I HEAR YOUR THUNDER ♪ 2120 01:54:33,208 --> 01:54:37,792 ♪ I HEAR YOUR THUNDER ♪ 2121 01:54:40,125 --> 01:54:44,125 ♪ I HEAR YOUR THUNDER... ♪ 2122 01:55:36,917 --> 01:55:38,250 ROCHELLE. 2123 01:55:39,917 --> 01:55:41,792 WHAT? 2124 01:55:41,792 --> 01:55:46,041 ROCHELLE. THAT'S MY REAL NAME. 2125 01:55:47,667 --> 01:55:49,583 ROCHELLE. 2126 01:55:49,583 --> 01:55:51,208 [chuckles] 2127 01:55:56,500 --> 01:56:00,875 SO, ROCHELLE, 2128 01:56:00,875 --> 01:56:04,250 DOES THIS MEAN YOU DECIDED TO HOP THE FENCE? 2129 01:56:04,250 --> 01:56:06,917 WELL, I WOULDN'T GO THAT FAR. 2130 01:56:06,917 --> 01:56:11,041 BUT I FIGURED SINCE I HELPED GET YOU INTO ALL THIS, 2131 01:56:11,041 --> 01:56:15,417 THE LEAST I COULD DO IS OFFER YOU A RIDE OUT OF TOWN. 2132 01:56:16,792 --> 01:56:19,000 FAIR ENOUGH. 2133 01:56:33,750 --> 01:56:35,792 WHAT? 2134 01:56:35,792 --> 01:56:39,083 YOU KNOW, I BET YOU'D LOOK AWESOME IN SOME MASCARA. 2135 01:56:44,333 --> 01:56:46,083 I'M NOT SURE HOW TO TAKE THAT. 2136 01:56:46,083 --> 01:56:48,041 IT'S A COMPLIMENT. 2137 01:56:48,041 --> 01:56:50,000 YEAH? 2138 01:56:50,000 --> 01:56:52,208 LIKE YOUR MOTHER SAID, 2139 01:56:52,208 --> 01:56:54,917 LIFE'S NOT ALWAYS BLACK-AND-WHITE. 2140 01:56:54,917 --> 01:56:57,709 SOMETIMES YOU JUST NEVER KNOW. 2141 01:56:57,709 --> 01:56:59,291 ARE YOU DRIVIN' OR ARE YOU BULLSHITTIN'? 2142 01:57:01,834 --> 01:57:03,667 I'M DRIVIN'. 2143 01:57:29,333 --> 01:57:31,250 ♪ 2144 02:00:21,959 --> 02:00:26,083 (Brian) ♪ I LOVE BIG BUTTS AND I CANNOT LIE ♪ 2145 02:00:26,083 --> 02:00:28,291 ♪ THE OTHER BROTHERS CAN'T DENY ♪ 2146 02:00:28,291 --> 02:00:30,291 ♪ WHEN THE GIRLS WALK IN WITH THEIR ITTY-BITTY WAIST ♪ 2147 02:00:30,291 --> 02:00:31,333 ♪ AND ROUND THINGS IN YOUR FACE ♪ 2148 02:00:31,333 --> 02:00:34,792 ♪ YOU GET SPRUNG OR PULL UP TOUGH ♪ 2149 02:00:34,792 --> 02:00:36,291 ♪ 'CAUSE YOU NOTICE THAT BUTT WAS STUFFED ♪ 2150 02:00:36,291 --> 02:00:39,333 ♪ 'CAUSE I'M LONG, AND I'M STRONG ♪ 2151 02:00:39,333 --> 02:00:40,333 ♪ AND I'M DOWN TO GET THE FRICTION ON ♪ 2152 02:00:40,333 --> 02:00:44,083 ♪ SO, LADIES, YEAH LADIES, YEAH ♪ 2153 02:00:44,083 --> 02:00:46,917 ♪ YOU WANNA ROLL IN MY MERCEDES? YEAH! ♪ 2154 02:00:46,917 --> 02:00:49,083 ♪ SO TURN AROUND STICK IT OUT ♪ 2155 02:00:49,083 --> 02:00:51,166 ♪ EVEN WHITE BOYS GOT TO SHOUT ♪ 2156 02:00:51,166 --> 02:00:52,625 ♪ BABY GOT BACK! ♪ 2157 02:00:52,625 --> 02:00:53,959 ♪ [humming] ♪ 2158 02:00:53,959 --> 02:00:55,250 ♪ BABY GOT BACK! ♪ 2159 02:00:55,250 --> 02:00:56,792 ♪ [humming] ♪ 2160 02:00:56,792 --> 02:00:57,667 [laughs] 2161 02:00:57,667 --> 02:01:00,583 ♪