A natural wonderland and a broadcasting legend.
David Attenborough is filming a new chapter in his lifelong
fascination with the Galapagos.
Absolutely amazing, unpredictable...
You couldn't really make it up.
But he and his crew have taken on a massive challenge -
to be the first to shoot a TV series here in 3D.
They must adapt a bulky technology to access remote regions
and follow fast-moving wildlife.
I could only get to within about eight feet of the animal.
Can they battle the unexpected...
The helicopter has a mechanical fault.
They're running out of water and they're running out of food.
..and achieve Attenborough's dream of Galapagos 3D?
In the middle of the Pacific Ocean,
600 miles off the coast of Ecuador, lie the Galapagos Islands,
an isolated cluster of 16 volcanic outcrops.
Just nine flights a day touch down at the main airport.
Today, observant local guides have spotted a rare
and very special visitor.
Hi! Welcome to Galapagos.
In his 60th year in television,
David Attenborough is returning for a fourth visit.
He's been drawn back by his fascination for the remarkable
inhabitants of these islands.
Iguanas that can swim,
penguins far from Antarctic ice,
cormorants with wings so small, they can no longer fly
and giant tortoises.
Galapagos is one of the wonder places in the world.
There are extraordinary creatures that live nowhere else.
Extremely beautiful.
Anyone interested in the history of life on Earth
and how it came to be, has to, really, come here.
Very nice to be here.
I must say, the last time I was here, when I left I thought,
"Well, that's the last I shall be seeing of the Galapagos."
But here I am again.
But this time he has a new dream - to film life here in 3D.
It's only now that the latest developments in camera
technology have given us
the possibility of filming the full range of wildlife in 3D.
The first place I wanted to put that to the test was the Galapagos.
3D, properly used, can give the viewer
more of a feeling of being there, more of a feeling of the reality.
We'll see if we succeed.
Over the last three years, he and his team have pioneered
the use of 3D in a series of nature documentaries.
But Galapagos will test them like never before.
It's without doubt,
one of the most complicated 3D documentaries ever undertaken.
Galapagos is the most incredible place, full of wildlife
and huge potential,
but what we've got to work with is a lot of different islands,
volcanic landscape, a range of different animals,
all of which are very complex for 3D.
The production team have had to bring in seven
tonnes of specialist camera
equipment, and a dedicated supply boat with its own on-board
helicopter to shift it around.
To capture the diversity of life and landscapes will take six months,
and a crew of over 40 specialists.
An aerial team will film from the skies.
An underwater camera unit will head beneath the waves.
And a time-lapse photography expert will bring the local plants to life.
97% of the Galapagos is a national park with highly restricted access.
So, its 30,000 human inhabitants cluster in a few small towns.
The team's main base is in the largest of these -
Puerto Ayora, on the island of Santa Cruz.
It's a magnet for tourists who come to see wildlife that isn't
afraid to mix with the locals.
And the world's rarest creature -
a giant tortoise,
the last survivor of his species, nicknamed "Lonesome George."
The separate film units are splitting up and heading off.
The specialist wildlife crew are loading up for an overnight
voyage to film in a remote region of another island.
To get the best 3D images,
they need to get their cameras within a few feet of their subjects.
With few natural predators,
the animals in town seem friendly enough.
But will the same be true for creatures that have never set
eyes on a human being before?
Everything I've been told about the animals in the Galapagos is
that they're tame and they don't run away from you.
If that doesn't prove to be the case,
if the animals are frightened by our
burly crew and our huge 3D camera,
then everything could come apart at the seams, before we've even started.
So, just desperately hoping that won't happen.
For David's first day of filming,
the main unit have chosen an animal that shouldn't run away too fast,
even if it wants to - the giant tortoise.
Tortoises roam freely across the island,
and there's been a sighting on a farm in the highlands.
But so far today, there's no sign.
David leaves the hunt to work on his lines.
He wants to explain how tortoises first crossed to oceans to
arrive in the Galapagos.
It's the giants. We've got to get it, haven't we?
Well, no, I can say, "Some big ones living there."
So, down towards... Arriving in the Galapagos... Were established in the Galapagos.
That's nice. To make the scene work, David needs to talk
and walk beside a marching tortoise.
Joining the hunt for a mobile co-star,
is local expert Dr Stephen Blake.
At last, he finds one, wallowing in a muddy pool.
But this one doesn't look like it'll be in the move any time soon.
This tortoise could not eat and not drink
and sit exactly there for six months,
and he'd be perfectly fine.
So, how does an animal like that...?
What's their concept of time?
Time is something this group can't afford to waste.
They get set up so they're ready to roll as soon as a tortoise arrives.
David is a sound man's delight -
he comes with a shirt custom-built to hold a hidden mic.
Look at that! It's a beauty.
Oh, look. What? It fits in there snugly.
Stops our recorders having to fiddle about all the time.
That was done domestically about 25 years ago.
Specially designed, high tolerance cotton.
The light blue shirt has been a staple of the Attenborough
wardrobe for decades.
But today, it's facing evolutionary pressure from a new
species on the block.
The thing about 3D is that you can't put filters into it.
So, the tops of your shoulders with the classic blue,
tend to sing and Paul can't do anything about it.
So, we have to...
I've never heard such codswallop, Martin.
I mean...what?
I... You believe that sort of stuff?
Is that what Paul says?
Today is the crunch. Deep down, I'm reluctant to make a change.
We're all a little worried, if we change the shirt,
people might think, "Gosh!
"What's happened here? Is this the new Attenborough?"
Or, "Is there some kind of shirt deal going on?"
I think David, luckily, is ambivalent about it.
How does it feel?
Awful. Awful. Awful.
So rough on the skin.
The crew have finished rigging the camera.
It's their first chance to see how the shirts shape
up...in an all-important screen-test.
I think it's good. What? I prefer it, don't you?
Lovely. Are you sure, Martin?
Yeah. After 60 years, you wanna change Attenborough's look. I think so. OK.
I think we should go with dark blue.
What about the sunglasses as well? Oh, God.
We'll have a whole new look going on here. (LAUGHS)
The shirt dilemma is behind them, and right on cue,
Stephen has found a walking tortoise to complete the scene.
It's certainly not the first time David's met a giant tortoise,
but on this trip he's due to encounter a previously
unknown species that few have seen and no-one has ever filmed.
The crew are poised to film their first shot with
David Attenborough walking beside a giant tortoise.
After a long wait, they've finally found one that's on the march.
She's off.
Turning over.
It could be the last chance of the day to get the shot.
Now, it's down to David to deliver the goods.
And, action.
Tortoises can't swim, but they can float.
And about 3 million years ago, one of them
- a large species from the South American forest,
was carried away, perhaps by a flash flood, and swept out to sea.
The shoot is finally under way, and it's already breaking new ground.
If I had done this when I was first here 30 years ago,
we wouldn't have had any doubt at all that the first
tortoises on the Galapagos were small ones.
And that, because of storing of water, and so on, they grew bigger.
We now know, through genetic studies and fossils and so on,
that isn't so.
That 3 or 4 million years ago,
there were giant tortoises on the mainlands, on the continent.
And the creature that floated out to the Galapagos was, probably,
already a giant.
Which means you've got to revise your opinions.
It's quite interesting.
About the size of my mobile phone.
Hardly a thing.
After a location move and a rain delay,
the team soon mop up the rest of the day's filming.
There are something like...
Thanks, everybody.
I'm really happy. It's been a great first day.
David and the tortoise performed together and we, just about,
squeezed in the last couple of pieces
before the rain got too intense.
So, I'm pretty happy.
Across the archipelago,
the different units are starting to get their first shots.
I think, "These winds become the lifeblood of the Galapagos", is a good line.
Yeah.
How did I think of it?
(LAUGHS) Genius. Yeah, must be.
Still to film a frame, are the specialist wildlife crew.
They're on the final stretch of a 75-mile journey to a remote
region of Isabela Island.
The only way to get kit and crew in, is by helicopter.
But there's still no guarantee that all the effort will bring them
3D shots of the animals that live here.
One of the big worries here,
is whether we can get our technology close to the animals.
Obviously, if we can't, we're gonna have a bit of a problem,
because we're gonna have to re-think - can we get smaller bits of kit?
Can we move in?
Can we stay longer on the island?
That's something we don't know,
so, it's a big unknown and a big worry for us all.
Their first target is a colony of yellow land iguanas.
(WHISPERS) There's one of them still there.
This animal seems to be our best bet, cos he's...
The ones further along the rim seem to be very skittish
and have been running away almost instantly,
but this guy's still standing.
So, we're gonna try and quietly get the camera rig down here.
Simon tests the water,
edging in with the photographic bean bag
he plans to rest the camera on.
The team's worst fears might just be coming true.
I think we're gonna leave him alone,
because he obviously doesn't wanna play ball.
We'll see if we can find another animal that's, perhaps,
a bit more relaxed with our presence.
But the real prize for this trip,
is to track down a species that's never been filmed before.
Previously unknown pink-coloured iguanas have only recently
been discovered, living on the rim of this spectacular volcano.
David is on his way to the helipad to fly out and joint the crew.
It's a remarkable thing in this day and age, when you think, the number
of scientists per square metre in the Galapagos is pretty high.
And yet, suddenly, we have discovered,
after all this intense examination, a new species.
I mean, you might find a little periwinkle that nobody has
identified before, but this is more than that -
this is a big iguana.
Even a seasoned campaigner like David rarely gets to
join in with a discovery like this.
Well, it's a new species - very few people have seen it,
it's a privilege.
It'll be interesting to see what it looks like.
To find an iguana to film,
the crew are joining the team of scientists who first identified it.
Nice to see you. What an honour.
You're very kind to say so.
Yeah. What a discovery. What a nice view.
Wow. Maybe that's why they live here.
Yeah, of course it is. Yeah.
"Crater view" it's called - number three, crater view.
David doesn't have to wait long for his first glimpse.
(LAUGHS)
Does it have an English name? Do you call it, "The pink iguana"?
Yeah. Galapagos pink land iguana.
Right.
And it's definitely not albino?
No. Pink is not because there is pink pigment,
but pink because there is a lack of pigment.
Pink is actually blood flowing in the deeper
layer of the skin of this animal.
What is, to me, more impressive,
is that it's got a crest at the back of its head - a fatty crest.
Without those little spines, you'd say, "Marine iguana."
Which is something, really, very different.
And, of course, how different and how long it has been different
and why it's different and what advantages of being different,
and all those questions are still being worked on.
In search of answers, the team of scientists have take DNA samples
from the pink iguanas and compared them with their yellow cousins.
From those data, we realised that they are
so different from one another.
And, also, were able to understand
that they have shared a common ancestor
that must have lived between five and six million years ago.
Gabriele and his team hope to unravel further
secrets from the pink iguana's evolutionary past.
But, for now, they're more worried about its future.
We estimated not more than 200 individuals, and they're all adults.
We observe new juveniles, so, that's a big concern.
And that's why we want to learn more,
and quickly, about this species to be able to input conservation
efforts to guarantee a future for the species.
Now, the pressure's on the wildlife film crew.
They're desperately hoping they can get their camera closer to
the pink iguana than they managed with its yellow cousins.
If anything, it's taken an even stronger dislike to the 3D kit.
Yeah. I'm not sure this iguana understands
how much this mirror costs,
but it, probably, thought it was a rival, giving him the eye.
He's done a bit of damage but I think we'll be OK.
Very important part of the 3D set-up, this mirror.
The crew have some stunning close-ups,
but they still need to film the final piece of the jigsaw -
David with the pink iguana in the same shot.
But will it let him get close enough?
(LAUGHS)
David Attenborough is with the Galapagos 3D wildlife unit to
film a newly discovered species of iguana.
Their biggest test is here -
to shoot David
delivering his lines with his edgy co-star in shot alongside him.
OK.
OK, David. And, action.
Nobody knows why...
(LAUGHS)
Nobody knows where he's gone either!
Can give it a try.
Here we go...and, action.
Maybe this was once spread widely over the island,
and this is just the relic population that's left.
Again, we don't know.
Good bye.
But there's one thing that's quite certain,
and that is that's there's a lot we have yet to learn about the
enchanted islands and about the animals that have evolved here.
The iguana stayed in shot just long enough to complete the scene.
David can head back to base.
After the slow start, the separate units are back on track,
and capturing some remarkable footage.
Working against time.
Sun goes down, so, I may have only one chance to do this piece.
And if I don't get it, all this will have been in vain.
So, there's no pressure.
The wildlife team are back on the boat that transports them
between remote locations.
Before they head off again, they need to comply with
the strict conservation controls in place in the Galapagos.
To prevent the spread of disease or harmful species from one
island to the next, they must now clean
and disinfect all their equipment, and change into clothes that
have spent 48 hours in the cooler to kill any bugs.
They need to helicopter to airlift them in to the five mile wide
crater of the Alcedo Volcano.
It's home to the largest population of giant tortoises in the Galapagos.
David is also flying in to film a scene at a volcanic hot pool
that's a popular hangout for the locals.
They live life at a different pace.
So, there's one out there just heaving himself up.
Yes, he just, "Oooh. Dear, oh, dear."
(SIGHS) "That's really rather good grass, that.
"After sitting in a Turkish bath of hot mud for a couple of days,
"does a chap good to have a mouthful of grass."
David came to this same pool in 1976,
to film a scene for his iconic series Life On Earth.
Tortoises can live to the age of 200,
so, some of them might remember him.
Yes, I had a word with them, but you know that expression
when they smile but they don't, really, recognise you?
They don't.
They got that goofy smile, you know.
On David's previous visit,
the journey up was much more of a challenge.
We had to walk up here.
That meant that we had to, not only, carry all our tents
and our food, but we each of us had to carry five gallons of water.
Five gallons of water in a jerry-can is very heavy.
And we had those dome tents,
and it was breeding season of these lads,
and they suddenly thought that these domed creatures that had
suddenly appeared were absolutely the bees-knees.
And so, overnight would, sort of, moan around and, sort of,
crash into the tent and thrash about as you were in your sleeping bag.
Which was quite tricky.
(TORTOISE GRUNTS) Amorous tortoises are causing problems once again,
this time for sound man Tom.
Do you hear it, Tom, loudly?
It's about a quarter of what we're hearing.
It's coming through.
Is it...
Do they only make that noise when they're...? They do.
You can say it, Tom, it's fine. You can say it. Yeah.
We're all chaps, we all understand about these things. Yes.
Do you think that's a distinctive sound that people will know is a...?
Almost everybody knows that's a mating tortoise, don't they?
Because of their isolation,
the tortoises of Alcedo have evolved into their own species.
With a population of around 5,000, they're thriving.
But not all of the 15 separate Galapagos varieties have been
so fortunate.
David wants to meet a tortoise that's the only one of his kind left,
an icon of the Galapagos -
Lonesome George.
George is important from a symbolic point of view.
Even a name like Lonesome George
encapsulates the feeling that we
ought to feel about a species that is about to become extinct.
George is a native of Pinta island,
where tortoises evolve distinctive saddle shaped shells
and long necks, very different from the Alcedo species.
David has been given rare access to join him
in the island's tortoise sanctuary.
There's only one catch - he needs to be done
and dusted by 6.30am to be out before the public arrive.
Despite an intense breeding programme,
George has remained a confirmed bachelor,
and he doesn't seem much in the mood for company this morning either.
Poor old chap, I know how he feels.
You're just waking up and you're thinking, "Bit of cactus."
that sort of thing, and you find these blokes crawling
towards him on hands and knees and talking in reverential voices.
So, he tucked his head in decided he'd go to sleep.
Then he decided he wouldn't and he moved around a bit.
But eventually, he did OK.
And, action.
He's about 80 years old
and he's getting a bit creaky in his joints,
as indeed, am I.
Of course, the world won't change if George...when George dies.
But nonetheless, he has focused the attention of the world
on what's going on, not only in the Galapagos, but everywhere.
The shoot days are counting down, but the separate units have plenty to
do to capture the remarkable diversity of life in Galapagos.
The specialist underwater
team are in pursuit of one of the strangest looking creatures
to swim in Galapagos waters - the hammerhead shark.
Following a local tip-off, they've sailed all night
through rough seas to reach Wolf Island.
Last night can only be described as
the most uncomfortable night of my life.
I feel completely drained because I've had no sleep,
but I'm very much looking forward to getting into that water
and just seeing what's going on out here.
The team seal the waterproof housing and head beneath the waves.
The Galapagos Islands lie at the crossroads of several major
ocean currents, turning the waters here into a rich feeding ground.
But after a half-hour wait,
the team have filmed plenty of turtles, but no sharks.
Suddenly, a hammerhead glides into view, followed by a whole posse.
They're swimming much faster than usual - for good reason.
In deadly pursuit is a vicious predator of the deep -
a killer whale.
The team have some fantastic close-up shots of the sharks,
but to film such a large group is a massive achievement.
I still can't quite believe we saw what we did see.
We've been dreaming of that.
Five years now we've been trying to get that together.
We must have done how many hours?
How many early mornings? Trying to get that and it just built up and built up and built up
and there was sharks everywhere.
It was an incredible dive. The most amazing dive.
I think it was the best dive I've ever done in my life.
While the underwater team head for their next location,
the main unit are also preparing to take to the seas.
David wants to demonstrate a key geological feature of the Galapagos.
He will sail into the heart of this crescent shaped island,
to reveal that it is, in fact, the rim of a sunken volcano.
They also plan to capture the action from the sky.
Boat and helicopter need to be perfectly co-ordinated.
Aerial filming expert Ron Chappell has been out
since dawn trialling some shots.
Oh, perfect.
Ron heads back to the helicopter,
and the main unit load up for the trip out to the yacht.
But outside the harbour, conditions take an unexpected
turn for the worse, and the swell picks up.
One slip, and David will be putting his lifejacket to the test.
Fortunately, he can draw on his seafaring
experiences in national service.
I was in the Navy, we did go to sea - once.
I was supposed to be a navigating officer at one stage.
You could scarcely believe it.
Um, once we went out of sight of land I was never so terrified in my life.
Before they reach the island, the aerial unit need a shot
of David sailing along the coast - the edge of a solidified lava flow.
The crew leave David on deck, and hide themselves and the kit below.
The helicopter returns to base to refuel.
The yacht heads inside the ancient crater, ready for the main shot.
But there's some disastrous news from the aerial unit -
the helicopter has a suspected mechanical fault.
If the ground crew can't solve it soon,
the team will miss out on today's spectacular aerial sequence.
A long repair job could have more serious consequences -
the seven-man wildlife unit are camped out on a remote volcano.
Without the helicopter, they're stranded.
The Galapagos filming team have spent the day
getting into position for a spectacular aerial shot.
But they've just had some disastrous news from the helipad.
We just heard that the helicopter has a mechanical
fault in the tail rotor, so, it can't take off.
Getting a replacement part in the middle of the Pacific won't be easy.
In fact, it'll have to come from America
and could take several days to arrive.
But the helicopter isn't just here for the aerial filming -
it's the wildlife unit's lifeline.
Today, they were due to be airlifted
out from a remote location.
Now, they're cut off, with 40 miles of rugged terrain
and open seas between them and the team's base.
My concern, everyone's concern is the team
up on the volcano on Alcedo, on the other island.
They're running out of water and they're running out of food.
There's only so long a person can survive
in the wilds on these islands.
The porous lava doesn't trap much rain,
so, drinking water is hard to find.
If the part doesn't arrive from America in the next day or two
- I'm told that's where it has to come from,
we're gonna have to have a search and rescue mission mounted.
Is there a second helicopter? OK.
Obviously, if we can't get a helicopter up here
then we're in right trouble, really.
We're literally stuck here with no real easy access off.
Two days later, and the wildlife team are still stranded
and eking out their supplies.
Despite their concerns,
the other units must press on with their filming.
It's David Attenborough's final day on location.
The main crew are getting ready to film an icon of the islands,
and a personal favourite of David's -
the marine iguana.
There's no mistaking these creatures,
they are unlike any other iguana in the world.
They also do very odd things - they squirt sea
salt from their nostrils, which is also highly entertaining.
Just as you're taking them seriously, they go, "Pfft."
The really astonishing time to see them, of course,
is not here where they're basking and soaking up heat,
but it's when they're fully charged up.
They swim out to sea in an astonishingly graceful way
and then dive and hold onto the sea floor with very long claws,
and then...
scrape off, with their jaws, their teeth, scrape off the seaweed.
Absolutely amazing, unpredictable sight.
You couldn't really make it up.
The shot the crew must get today before their presenter leaves,
is of David sitting in the middle of the iguana colony.
But some damage to the camera brings filming to a halt.
It's a highly complex piece of kit,
but it's just been tripped up by one of its simplest components.
Somewhere in moving the camera around in the rocks,
we managed to break the synch cable between the two cameras.
The two cameras have to be locked in synchronisation, with that cable.
So, at the moment, we have no 3D capacity.
What do you think the chances are? Very, very small.
And the soldering iron nib that I've got is only... Well, it's not that small.
But I'll give it a shot. Good luck. Thank you.
Normally the cable would be sent to a specialist workshop for repair,
but on a remote island, the only option is to improvise.
OK. Camera. It's down to the specialist underwater unit to keep the
shoot rolling.
They need to capture the unique way marine iguanas hunt for food
beneath the waves, and they've found a stretch of water
that's teeming with potential.
I have filmed these marine iguanas before,
but I've never seen them here I such numbers.
They're all feeding out on the reef on algae and seaweed, but I never
expected to see this - literally hundreds of them in the water.
They're bobbing about everywhere - look at them.
To get the footage they need won't be easy.
The iguanas are feeding in the rocky shallows,
where space is tight and the surf a constant hazard.
But the team manage to capture the iguana's unique
behaviour in extraordinary detail.
It's one of the most incredible highlights of the trip so far,
because there's just hundreds of them in the water.
But in amongst it all you've got the surge, you've got the kelp...
You've got sea lions darting past you every ten seconds.
There was a turtle going in and out of it all,
and to cap it all, a penguin and a cormorant.
I think the star of the show has to be the marine iguana.
To see them in that cold water just feeding on kelp
and algae on the rocks...
They're just incredible reptiles.
I got some stunning footage and I'm really, really pleased with it.
It's been three hours
since the main unit's 3D camera went down with a broken cable.
Now, it's returning from a makeshift workshop in the crew's hotel.
So, what we've been able to do is, take our cable apart,
solder it to a hypodermic needle
- our medic very kindly lent us one, an actually jam that inside.
That gives us synch between the two cameras,
so that enables the 3D to, actually, work.
And what we've done is fashion this beautiful-looking cable
protector, which will hopefully get us out of any sticky
situation whilst we're using this makeshift needle-based cable.
David can record the final scene of his trip.
Here we go...and, action.
The ancestors of these lizards almost certainly
lived in the jungles of Central America.
There, still today, iguanas are
regularly swept out to sea.
But a long time ago, just a few were lucky enough to be
carried by a favourable current and pitched up here.
OK. Cut.
Pretty damned good.
Give it a go. Ready?
(ALL) Three, two, one...cheese.
Hasta manana. Hast la vista.
Hast a la vista, amigo.
Finally, there's an update on the grounded helicopter.
The news has just come in that the piece that was broken on the
helicopter has now been replaced - we got a piece from America,
from San Diego that was flown in over the last two days.
And it's now been fixed in the back of the helicopter and the helicopter is now functioning.
So, to be honest with you, I'm thrilled.
The helicopter's first mission is to pick up the wildlife
crew from the Alcedo Volcano.
By dawn the next day, they're coming ashore at the team's base.
Basically, had to ration ourselves to one litre of water
a day for all uses, which was, effectively, just for drinking.
So, it did feel like we were slightly on the knife edge,
and, if the helicopter part didn't come then it starts to become a question of survival.
We were talking about walking off, which would mean hiking up the crater rim
and then walking off the side of the volcano to try and find the boat.
So, those kind of discussions were happening.
The wildlife crew's return has given David the chance to
view their footage in the final hours before he heads home.
It's a nerve-shredding moment for David and the team -
time to find out if the 3D camera has got close enough
and moved quickly enough to capture the animal behaviour he wanted.
Hello.
Is that an egg?
On show today - sea lions at play,
blue-footed boobies
and the mating dance of the albatross.
Yes. This is it.
Look at that.
And they clearly love it.
Don't they? I mean, really love it. "Oh, do that again, darling."
(SMACKS LIPS TOGETHER) Ooh!
It's wonderful.
I know these animals a bit, so, I know what the reality is,
and 3D does it justice in a way that 2D can't.
Well, that's what we came for, isn't it?
I mean, that's why we're here.
Great.
David and his team have overcome immense challenges to
achieve his dream -
to film the first 3D television series in Galapagos.
From the air...
beneath the waves...
and across a string of remote islands...
..to bring viewers closer than ever to the reality of this
extraordinary wonderland.
It's time for David to board a charter plane for the first
leg of his journey home.
So, is he sad to leave?
I've had a great time in Galapagos, they're wonderful places
and I have warm memories.
It's full of dramas. It's full of very, very charismatic animals.
It's a natural for 3D.
I don't think how sad it will be to leave,
because there's tomorrow - and what's on tomorrow?
I don't know.
`•.¸¸.•¤¦¤`••._.• ] ( Subs by Team Cliff ) [ `•.¸¸.•¤¦¤`••._.•`
Subtitles by Red Bee Media Ltd