CAPTIONING MADE POSSIBLE BY WARNER BROS.
? ?? AND NOW THE PURPLE DUSK ?
?? OF TWILIGHT TIME ??
?? STEALS ACROSS THE MEADOWS OF MY HEART ??
?? HIGH UP IN THE SKY ??
?? THE LITTLE STARS CLIMB ??
?? ALWAYS REMINDING ME ??
?? THAT WE'RE APART ??
?? YOU WANDER DOWN THE LANE AND FAR AWAY ??
?? LEAVING ME A SONG ??
?? THAT WILL NOT DIE ??
?? LOVE IS NOW THE STARDUST ??
?? OF YESTERDAY ??
?? THE MUSIC ??
?? OF THE YEARS ??
?? GONE BY ??
1954. YOU DON'T GET YEARS LIKE THAT ANYMORE.
IT WAS MY FAVORITE YEAR.
LOOK. LOOK AT THAT BUICK.
SEE, THAT'S WHAT I'M TALKING ABOUT.
IN 1954, A BUICK WAS A BUICK.
IT DIDN'T LOOK LIKE A CHEVY, WHICH LOOKS LIKE A PONTIAC,
WHICH YOU CAN'T TELL APART FROM AN OLDS, LIKE TODAY.
THIS IS THE WAY PEOPLE DRESSED IN 1954.
SMOOTH, HUH?
? ?? SOMEWHERE THERE'S MUSIC ?
?? HOW FAINT THE TUNE ??
?? SOMEWHERE THERE'S HEAVEN ??
?? HOW HIGH THE MOON ??
IN 1954, TELEVISION WAS LIVE,
AND COMEDY WAS KING.
COMIC STARS LIKE MILTON BERLE, SID CAESAR, AND JACKIE GLEASON
KEPT AMERICA IN FRONT OF THEIR TV SETS.
I WAS THE FRESHMAN WRITER ONTHE COMEDY CAVALCADE,
STARRING STAN "KING" KAISER, SATURDAY NIGHTS AT 8:00.
THERE. THERE I AM. THAT'S ME--BENJY STONE,
THE GUY CARRYING THE GUY WITH THE SWORD.
THE GUY WITH THE SWORD IS ALAN SWANN,
THE GREATEST MOVIE IDOL OF ALL TIMES
AND MY PERSONAL HERO.
THAT WEEK, ALAN SWANN WAS THE GUEST STAR
ONTHE COMEDY CAVALCADE.
THIS IS WHERE WE WROTE THE SHOW.
30 ROCKEFELLER PLAZA-- "30 ROCK" WE CALLED IT.
HERE I WAS,
TWO YEARS AFTER BEING ASKED TO LEAVE BROOKLYN COLLEGE,
AND ALREADY I WAS EARNING MORE MONEY PER WEEK
THAN THE ENTIRE FOURTH FLOOR OF MY MOTHER'S APARTMENT HOUSE
ON OCEAN PARKWAY IN BROOKLYN.
ANYWAY, 1954-- THE WEEK ALAN SWANN WAS
THE GUEST STAR ONTHE COMEDY CAVALCADE--
WAS A MAJOR TURNING POINT FOR ME.
IT CHANGED ME.
HOLD IT! HOLD IT!
GOOD MORNING.
?? ...FRANCE ??
GOOD, HUH?
YOU TALKING TO ME, SY?
LOOK WHO I'M ASKING.
SORRY I'M LATE, SY.
THE FOOD--THE FOOD-- GIVE ME MY FOOD!
THE COFFEE SHOP WAS JAMMED.
FINE, THANK YOU, SY. AND YOU?
OH, REALLY? NO? I DIDN'T THINK SO.
WHAT IS THIS, TEA? I DIDN'T ORDER TEA!
THAT'S HERB'S. HE HAD THE TEA AND DRY TOAST.
THIS IS YOURS, SY-- EXTRA LARGE COFFEE, 6 SUGARS,
LIGHTLY TOASTED BAGEL, HEAVY BUTTER,
SCHMEER OF CREAM CHEESE, GRAPE JELLY, RIGHT?
WAIT A MINUTE! WHERE'S MY CRUMB CAKE?
THEY WERE OUT.
SIDNEY PUT IN A BEAR CLAW.
ALICE, WHAT ARE WE SEEING?
CLIPS FROM SWANN'S MOVIES.
CLIPS FROM HIS CRAP. ROLL 'EM, HERB!
THIS ISCAPTAIN FROM TORTUGA.
CAPTAIN FROM CRAP.
THIS IS FROMRAPTURE.
YOU CALL WHAT SWANN DOES ACTING?
THAT'S NOT ACTING.
THAT'S KISSING AND JUMPING AND DRINKING AND HUMPING.
I DON'T KNOW WHY WE'RE WASTING OUR EYESIGHT ON THIS CRAP.
SWANN'S NEVER GOING TO SHOW UP ANYHOW.
WE'LL FIND HIM, SY.
WHAT HAPPENED?
HE LANDED FINE LAST NIGHT. THAT MUCH WE KNOW.
SO WHERE IS HE?
WHERE ELSE? DRINKING AND HUMPING.
HELLO.
HI.
AAAAAAAAOOOOOOO...
[COUGHS]
Sy: CRAP! THIS IS CRAP!
THAT WAS THE BEST PART.
THERE IS NO BEST PART!
SWANN NEVER MADE A DECENT MOVIE IN HIS LIFE.
SY, THAT ONE-- DEFENDER OF THE CROWN--
IS A CLASSIC.
CRAP.
AND SO ISCAPTAIN FROM TORTUGA.
CRAP.
AND WHAT ABOUT SWORDS OF GLORY?
CRAP. AMARILLO.
SANDS OF THE SUDAN.
CRAP. BENJY, YOU WANT TO SEE MOVIES,
GET A JOB AS AN USHER. THE REST OF US ARE HERE
TO WRITE PROFESSIONAL SHOW-BUSINESS COMEDY!
IN YOUR CASE, SEMI-PROFESSIONAL.
WHAT'S THE MATTER, HERB? YOU CAN'T TALK TO A PERSON
LIKE A REGULAR NORMAL HUMAN BEING?
NO.
COME ON! KING WANTS US TO SEE
A RUN-THROUGH OF THE BOSS HIJACK SKETCH.
HEY, JANINE, WHEN ARE YOU
GOING TO LET ME GET INTO YOUR BOX?
HEY, KID, READ YOUR BULLFIGHTER SKETCH LAST NIGHT.
YOU LIKED IT?
DOZED OFF HALFWAY THROUGH IT.
HEY, COME ON. DON'T GET THE WRONG IDEA, KID.
IT'S NOT THAT IT WASN'T FUNNY.
IT'S JUST THAT IT WASN'T FUNNY.
SY, I READ THAT SKETCH. I THOUGHT IT WAS TERRIFIC.
THEN MAYBE YOU SHOULD BE HEAD WRITER, ALICE.
I COULDN'T TAKE THE CHANCE.
WHAT CHANCE?
THAT I'D BECOME LIKE YOU.
HOLD IT!
OHH!
WHOA-HO!
OH, UH, K.C.!
LIL, MR. SILVER WANTS TO SEE
HELEN'S COSTUME FOR THE 3 MUSKETEERS SKETCH.
NOW HE WANTS IT WHEN I'M UP TO MY ASS HERE IN THREADS?
[DOOR OPENS]
SO...
LET'S JUST HAVE A QUIET DINNER TONIGHT...
DANNY'S HIDEAWAY.
LIL!
WE'LL SPLIT A CHATEAUBRIAND... MEDIUM RARE.
I GOT IT.
CAREFUL WITH THE TIARA, KID.
YOU BREAK IT, YOU BOUGHT IT.
THEN A HANSOM CAB RIDE THROUGH CENTRAL PARK.
FROM THERE, WE HOP OVER
TO THE ALGONQUIN FOR A CORDIAL,
AND WE END THE NIGHT AT YOUR PLACE.
WHAT DO YOU THINK?
BENJAMIN, WHY WOULD I WANT TO GO OUT WITH YOU?
EVERY TIME YOU COME NEAR ME, YOU EMBARRASS OR HUMILIATE ME.
I MEAN, WHAT DO YOU WANT FROM ME?
SEX.
WHAT IS THE TIME?
I DON'T KNOW. DON'T YOU HAVE A WATCH?
NO. I'M NOT ALLOWED TO WEAR A WATCH.
WHY NOT?
I DON'T TRUST THEM.
WHY?
ONE HAND IS SHORTER THAN THE OTHER.
[CLANKING]
HI.
DO YOU HAVE THE TIME?
IT'S 9:25.
ARE YOU LATE FOR SOMETHING?
ALWAYS.
I'M NEVER QUITE SURE FOR WHAT.
PEOPLE! PEOPLE!
I HATE TO BREAK UP THE LAST SUPPER,
BUT I WOULDN'T MIND SEEING A RUN-THROUGH.
SORRY TO TELL YOU THIS,
BUT KING THREW OUT THE MONOLOGUE.
LEO, THAT MONOLOGUE WAS GOOD.
CHECK THAT! PERFECT!
I WROTE IT!
HERE'S WHERE SY BENSON DRAWS THE LINE.
SY, DON'T DO ANYTHING CRAZY.
KING'S GOT TO BE TAUGHT.
FIRST COMES THE WORD, AND THE WORD WAS FUNNY!
THE MONOLOGUE STAYS, OR I GO!
SY, MAYBE WE CAN COMPROMISE.
NO COMPROMISE!
SY BENSON HAS HIS INTEGRITY, HIS PRIDE!
KING DOES THAT MONOLOGUE WORD FOR WORD,
OR I WALK! I WALK!
MONOLOGUE'S IN.
MORNING, KING.
HELLO, STAN.
HEY, GOOD MORNING.
KING! ABOUT THE MONOLOGUE--
WAIT A MINUTE. SY, DO YOU SMELL SOMETHING?
IT'S COMING FROM THE SCRIPT!
OH, IT'S YOUR MONOLOGUE!
OH, WHAT A STINKBURGER!
K.C.
PULL.
BOOM!
I HATE IT. IT'S NOT FUNNY. IT'S OUT.
HEY, BABE, WE'RE NOT MARRIED TO IT.
MONOLOGUE'S OUT.
SY BENSON, A TOWER OF JELL-O.
K.C.
I THINK I WENT A LITTLE TOO FAR WITH SY JUST NOW.
I REALLY HURT HIS FEELINGS.
I'VE GOT TO GET HIM SOMETHING.
HERE'S 100 BUCKS. GET HIM SOMETHING.
TIRES ARE NICE.
GET HIM A SET OF TIRES.
CALL MY BROTHER IN THE BRONX.
HE'LL TELL YOU WHERE.
Man: BOSS HIJACK SKETCH. FROM THE TOP.
K.C.
Man: ELECTRICS AND CAMERAS. PLEASE.
WHITEWALLS.
WHITEWALLS?
Man: HERE WE GO!
4, 3, 2, AND...
COME IN.
WHO OWNS THE GRAY '51 DeSOTO?
THE NEW GUY HARRIS.
YOU'RE PARKED IN BOSS HIJACK'S SPOT.
YOU BETTER MOVE.
THE BOSS HAS GOT SOME TEMPER ON HIM.
HOW BAD CAN IT BE?
[TIRES SCREECHING]
WE'RE LUCKY WE'RE ON THE SECOND FLOOR HERE.
IT SLOWED HIM DOWN.
SOMEBODY PARKED IN MY SPOT.
MOVE YOUR CAR.
THAT BLACKOUT HAS GOT TO COME A BEAT SOONER.
SCREAMS--I GUARANTEE YOU SCREAMS.
WELL, NOW ALL WE NEED IS ANOTHER 47 MINUTES,
AND WE'VE GOT A SHOW THIS WEEK.
King: COMING IN, SY!
HERB!
SWANN HERE YET?
HE'S ON HIS WAY.
ALFIE WENT TO PICK HIM UP, AND THEN HE'S--
NOT HERE YET, RIGHT? GREAT.
YOU LOOK REAL NICE TODAY, ALICE.
YOU LIKE THE SHOES I SENT YOU?
OH, YEAH.
THEN WHY DID YOU SEND THEM BACK?
THEY WERE THE WRONG SIZE,
AND THEY WERE USED.
COME ON, COME ON, ROLL THIS THING.
BENJY, LIGHTS!
THIS GUY GOING TO BE FUNNY?
HE JUMPS AROUND NICE, BUT IS HE GOING TO BE FUNNY?
GOOD GOD, IT'S RENFIELD.
I THOUGHT HE WAS DEAD.
OH.
SO HE IS.
VERY GOOD WITH A SWORD, THOUGH.IN QUARTATA!
COUP A LA MOUCHE!
GOOD MORROW TO YOU,
LADIES AND GENTLEMEN.
HE'S PLASTERED!
SO ARE SOME OF THE FINEST ERECTIONS IN EUROPE.
IF I WERE TRULY PLASTERED,
COULD I DO THIS?
SIGNOR BUMBACELLI, WOULD YOU HOLD MY SWORD?
HA!
WELL, WE KNOW HE CAN DOTHAT.
IT'S STILL TICKING.
ALFIE! ALFIE!
WHAT HAPPENED?
TO BEGIN WITH,
THERE WAS SOME DIFFICULTY
AT THE AIRPORT.
MR. SWANN HERE HAS BEEN RECLASSIFIED.
RECLASSIFIED?
YEAH, AS FREIGHT.
OH, BOY.
THEN MR. SWANN WANTED TO MAKE A COUPLE OF STOPS.
ALFIE, I TOLD YOU TO TAKE HIM RIGHT TO THE WALDORF!
NOW I GOT TO SLAM YOUR BRAKES ON, MR. SILVER.
WHEN I'M DRIVING MR. SWANN,
HE'S CHIEF OF THE CAR,
AND WHEN THE CHIEF SAYS HE WANTS TO MAKE SOME STOPS,
ALFIE BUMBACELLI MAKES THE STOPS,
AND THAT'S WHAT I LIVE BY.
WELL, AT LEAST WE'VE GOT PLENTY OF TIME
TO REPLACE HIM.
DUMP HIM!
LEO, ISN'T THERE SOME WAY?
I MEAN, THE MAN IS A LEGEND.
STAN, WHAT DO YOU THINK?
I DON'T KNOW.
HEISA LEGEND--
ONE OF THE BIGGEST STARS EVER.
HE'S ONE OF A KIND.
A GUY LIKE THIS IS IRREPLACEABLE.
REPLACE HIM, LEO.
YOU CAN'T!
TOO RISKY. HE'S OUT.
BUT, KING!
YOU'RE RIGHT.
THIS IS TOO RISKY.
YOU CAN'T TAKE A CHANCE WITH SOMETHING LIKE THIS.
LOOK, KING, YOU'RE A BIG STAR NOW,
AND I'M SURE YOU ALWAYS WILL BE,
BUT SUPPOSE, JUST SUPPOSE--
AND I KNOW THIS IS NEVER GOING TO HAPPEN--
BUT SUPPOSE SOMEDAY YOU WIND UP LIKE THIS.
I HOPE NOBODY DOES TO YOU
WHAT YOU'RE DOING TO HIM.
DUMP HIM!
WHO ARE YOU TO TALK TO ME LIKE THAT,
YOU LITTLE JIMINY CRICKET PEST BASTARD?
ALL RIGHT, HE GETS ONE MORE CHANCE.
NO!
YES!
OK, BUT NOW YOU--
YOU'RE GOING TO BE RESPONSIBLE FOR HIM.
SWANN BETTER BE AT EVERY REHEARSAL SOBER,
OR IT'S YOUR ASS, YOU UNDERSTAND?
NOW, SEE, SY?
THIS KID'S GOT BALLS.
A WEEK'S SALARY SWANN TAKES A DIVE.
HEY! SWANN DIVE! BA-DUMP BUMP!
YOU'RE ON.
DOUBLE THE LAD'S BET FOR ME, YOU TOAD.
OK, NOW, PICK A CARD. GO AHEAD--ANY CARD.
PRISCILLA, COME HERE.
NOW, PUT IT BACK IN THE DECK ANYWHERE.
HOW LONG YOU WORKING HERE?
ABOUT A YEAR.
YOU LOOK REAL NICE TODAY.
THANK YOU.
HERE. WRITE YOUR ADDRESS ON HERE.
PUT IT ON MY DESK.
I'M GOING TO SEND YOU SOME STEAKS.
WAS THAT YOUR CARD?
YEAH, THAT'S MY CARD!
MR. SILVER, BOSS ROJECK AND HIS LAWYER
ARE IN YOUR OFFICE.
IT'S ABOUT THE BOSS HIJACK SKETCH.
HEY, WHERE ARE YOU GOING?
WITH YOU.
WHAT FOR?
TO MEET BOSS ROJECK.
STAN, WHAT'S THE MATTER WITH YOU?
YOU THINK HE'S HERE
BECAUSE HELIKES THE BOSS HIJACK SKETCH?
YOU THINK HE LIKES BEING MADE A FOOL OUT OF BY YOU
IN FRONT OF 20 MILLION PEOPLE EVERY WEEK?
I DON'T KNOW.
STAN, HE'S HERE BECAUSE HE WANTS US
TO DROP THE BOSS HIJACK SKETCH!
THINK SO? LET'S GO FIND OUT.
ALL RIGHT, ALL RIGHT.
MAYBE YOU BETTER CHANGE FIRST.
WHY?
WELL, THAT OUTFIT MIGHT SET HIM OFF.
MR. ROJECK, SIR, I THINK YOU MADE
A WISE DECISION TO COME HERE.
I THINK THIS GENTLEMAN WILL BE ABLE TO TALK
TO US ABOUT OUR PROBLEM IN A MATURE WAY.
I'M SURE THEY'LL SEE REASON, SIR,
AND THERE SHOULD BE NO PROBLEM WHATSOEVER.
MYRON FEIN.
I'M LEO SILVER.
THIS IS KING KAISER.
WHAT DO YOU SAY, MYRON?
MY CLIENT, KARL ROJECK.
KARL?
IT'S NOT BOSS?
STAN!
GENTLEMEN.
WE'LL ALL BE SITTING NOW, MR. ROJECK.
I'M SURE WE'RE ALL AWARE
THAT MY CLIENT MR. ROJECK
IS ONE OF THE MOST RESPECTED LABOR LEADERS IN AMERICA TODAY.
OH, THAT'S WHY THEY SUBPOENAED HIM.
STAN!
MR. KAISER, A SUBPOENA IS NOT AN INDICTMENT.
NOW, IT HAS COME TO OUR ATTENTION
THAT ON TWO SEPARATE OCCASIONS--
SEPTEMBER 4, 1954, AND SEPTEMBER 18, 1954--
A CHARACTER REFERRED TO AS "BOSS HIJACK"
WAS PORTRAYED IN YOUR TELEVISION PROGRAM.
WE FEEL THAT THIS CHARACTER TO A GREAT DEGREE
IS BASED UPON MY CLIENT.
THAT'S YOU, KARL.
ACCORDING TO OUR LAWYERS,
YOUR CLIENT IS A PUBLIC FIGURE
AND AS SUCH HAS ALREADY FORFEITED
CERTAIN RIGHTS OF PRIVACY.
GRANTED. HOWEVER, EVEN THOUGH MR. ROJECK CONCEDES THAT POINT,
HE FEELS THAT THE PORTRAYAL OF SAID CHARACTER
IS SLANDEROUS AND DEFAMATORY AND DONE WITH MALICIOUS INTENT,
THEREFORE ABROGATING THE PUBLIC FIGURE DEFENSE
AND RENDERING IT...
TO WIT, ACTIONABLE.
DID YOU SAY THAT, KARL?
WHAT A GUY!
THAT'S IT!
I WANT TO CLEAR SOME THINGS UP HERE.
OH?
THIS IS A STUPID SHOW,
AND THAT IS A STUPID, STUPID SUIT,
AND I DON'T WANT TO SEE IT NO MORE.
HEY, LOOK, TAKE IT EASY, KARL.
I MEAN, IF YOU REALLY DON'T WANT TO SEE IT NO MORE,
THEN DON'T WATCH.
STAN!
LET ME EXPLAIN SOMETHING TO YOU, KARL.
WE'RE GOING TO KEEP ON DOING THE SKETCH.
YOU KNOW WHY? BECAUSE IT'S FUNNY,
AND IN MY BUSINESS, YOU NEVER CUT FUNNY.
FUNNY, HUH?
LET ME TELL YOU ABOUT THE BUSINESSI'MIN.
I'M IN THE REMOVAL BUSINESS.
NOW, IF I WERE TO FEEL THAT THIS STUPID THING
FROM THIS STUPID SHOW WAS BOTHERING ME...
I'D REMOVE IT.
YOU SEE, IT'S GONE...
[TIRES SCREECHING AND CAR HORNS HONKING]
AND I FEEL GOOD.
NOW, THAT'S HOW THE REMOVAL BUSINESS WORKS.
DO I MAKE MYSELF CLEAR?
I THINK EVERYONE UNDERSTANDS, MR. ROJECK.
WAIT, WAIT, WAIT.
I'M NOT CLEAR ABOUT A COUPLE OF THINGS HERE.
WHAT YOU'RE SAYING IS THAT IN THIS REMOVAL BUSINESS,
IF SOMETHING BOTHERS YOU, LIKE, UH...
LIKE SAY, THIS...
THEN YOU REMOVE IT.
STAN, THAT IS A CASHMERE COAT.
LIKE THAT.
STAN!
[CRASH]
YOU KNOW, YOU'RE RIGHT. YOUDOFEEL BETTER.
I LIKE THE REMOVAL BUSINESS.
I WANT YOU.
COME ON. COME AND GET ME! COME ON. COME ON.
A FIGHT IS ROUNDS.
THIS IS ROUND ONE.
[GROWLING]
[WHISTLE]
SO THE FIRST TIME I DRIVE HIM IS WHAT?
RIGHT BEFORE THE WAR--1938.
WOW, THAT MAKES IT 16 YEARS.
YEAH. WE GO WAY BACK.
YOU DRIVE ANYONE ELSE?
SURE, BUT WHEN MR. SWANN'S IN TOWN,
I DROP EVERYONE.
UPSTAIRS, BOYS. ALL RIGHT?
?? LA LA LA LA, LA LA LA, BOM PAH ??
?? LA LA LA... ??
WONDERFUL TO BE ALIVE.
MAKE SURE HE DON'T FALL.
WHAT IS OUR ESTIMATED TIME OF ARRIVAL?
GO AHEAD AND LASH ME, YOU SWINE!
YOU'LL NOT LOOSEN MY TONGUE.
WOW! THAT'S FROM CAPTAIN FROM TORTUGA.
EXCUSE ME.
HAD THIS MADE SPECIAL FOR WHEN HE TRAVELS.
HE CALLS IT HIS DRUNK SUIT.
I HAVE TO REMIND HIM
TO WORK ON SOME TEAR-AWAY SHOES.
GOOD IDEA.
OH, MY GOD, I'M BLIND!
I CANNOT SEE.
HELP ME GET HIM INTO THE TUB.
I GOT HIM.
THIS IS PROBABLY MORE THAN $35 A NIGHT, HUH?
TRY $250.
$250 A NIGHT?
WELL, WHAT'S THAT MEAN
TO A GUY LIKE ALAN SWANN?
NOTHING. WHEN YOU AIN'T GOT NOTHING,
IT DON'T MEAN NOTHING.
WHAT ARE YOU TALKING ABOUT?
YOU'RE LOOKING AT TAP CITY IN THERE.
THAT'S HIS STOCKPILE. GRAB THEM, WILL YOU?
THESE MUST BE HIS DRINKING SOCKS.
WHO'S THIS?
THAT'S TESS, HIS DAUGHTER.
DAUGHTER? I DIDN'T KNOW HE HAD A DAUGHTER.
WHERE IS SHE?
SHE'S IN CONNECTICUT.
HE ALWAYS HAS ONE SECRET BOTTLE
HIDDEN SOMEWHERE FOR EMERGENCIES.
GOT THEM ALL NOW.
NO. THAT GUY NEVER ACTUALLY SHOT HIM.
YOU SEE, THEY WERE SUPPOSED TO HAVE THIS DUEL, AND--
I THINK IT WAS OVER THAT PERON DAME.
ANYHOW, THEY BOTH SHOWED UP DRUNK,
AND SWANN SORT OF SHOT HIMSELF.
?? BA BA, BOM BOM BOM ??
?? BA BA BA BA, BA BA BOM, BOM BOM ??
ALFREDO, MY DEAR OLD CHUM.
TELL ME. HOW IN THE NAME OF GOD
DID I GET HERE? BEGIN AT THE AIRPORT.
THIS IS BENJY STONE,
ONE OF THE WRITERS FROM THE COMEDY CAVALCADE.
HOW DO YOU DO?
ALFREDO, WE SHOULD POP IN AND SEE THESE PEOPLE.
PLENTY OF TIME TOMORROW, MR. SWANN,
AND SINCE THIS IS YOUR FIRST TIME WORKING IN TELEVISION,
THEY'VE ASKED ME TO STAY WITH YOU
AND HELP YOU OVER SOME OF THE ROUGH SPOTS.
LIKE SHOWING UP?
THAT'S ONE.
ANOTHER IS NOT PASSING OUT.
AN HONEST ONE.
SIGNOR BUMBACELLI, WE'LL BE TWO FOR DINNER.
TELEPHONE THE STORK CLUB.
YOU SURE YOU MEAN THE STORK CLUB, MR. SWANN?
CERTAINLY. IT'S BEEN 1 1/2 YEARS.
SURELY THEY'VE REPAIRED
THE WALL AND THE BANDSTAND BY NOW.
WOULD YOU LIKE TO TALK ABOUT THE SKETCH BEFORE YOU LEAVE?
ON AN EMPTY STOMACH? NO. WE'LL TALK OVER DINNER.
UH, ME? YOU? THE STORK CLUB?
WELL, AFTER THAT RATHER ELOQUENT SPEECH
YOU MADE EARLIER THIS MORNING,
I DIDN'T THINK YOU'D MIND HAVING DINNER WITH ME.
YOU HEARD THAT?
BUT YOU WERE OUT.
THERE'S "OUT"...
AND THERE'SOUT.
WELL, STONE,
WHAT SORT OF HEROIC IDIOT AM I THIS TIME?
A MUSKETEER IDIOT.
I READ THAT ON THE AIRPLANE.
VERY FUNNY. VERY GOOD.
I WROTE THAT.
DID YOU?
BRAVO, STONE. BRAVO.
OK, MR. SWANN. TABLE FOR TWO
AT THE STORK CLUB. LET'S MOVE IT.
COMEDY IS SUCH A MYSTERY TO ME.
I FEEL THE WAY EDMUND KEAN DID.
THE GREAT ENGLISH ACTOR?
MM-HMM. ON HIS DEATHBED, KEAN WAS ASKED HOW HE FELT.
HE ANSWERED,
"DYING IS EASY."
"COMEDY IS HARD."
[EXCITED CHATTER]
AH, MR. SWANN, IT'S A PLEASURE TO SEE YOU, SIR.
IT'S A PLEASURE TO BE SEEN.
BENJAMIN STONE, MY COLLEAGUE.
ALAN, YOU LOOK ABSOLUTELY MARVELOUS.
AS DO YOU.
WE MUST TALK.
THANK YOU.
MR. SWANN.
ALAN! GOOD TO SEE YOU. CALL ME, WILL YOU?
SURELY.
I'LL CALL YOU.
WELCOME BACK, MR. SWANN.
CURT.
CAN I GET YOU SOMETHING?
PERHAPS.
CURT...
WHO IS THAT GORGEOUS-LOOKING CREATURE OVER THERE?
OH, NO, MR. SWANN.
THIS IS EXACTLY THE WAY IT STARTED LAST TIME.
IN THAT CASE, WE'LL JUST ORDER DINNER.
FOR NOW.
VICTORIA WAS THE ONE I SHOULD HAVE MARRIED.
APART FROM BEING THE FINEST ACTRESS I'VE WORKED WITH,
SHE WAS THE MOST GRACIOUS
AND INTELLIGENT WOMAN I'VE EVER KNOWN.
WAS IT TRUE THE TWO OF YOU LIVED TOGETHER
WHILE YOU WERE FILMINGRAPTURE?
LORD KNOWS I WAS MARRIED TO ALMOST ALL HER FRIENDS.
WHY DID YOU MARRY SO MANY OF THEM?
STONE, I DIDN'T MARRY ANY OF THEM.
THEY MARRIED ME.
EXCUSE ME, MR. SWANN. I'M ALVIN HORN.
MY WIFE ANN AND I
ARE CELEBRATING OUR 40th ANNIVERSARY.
CONGRATULATIONS, SPORT!
YOU CERTAINLY HAVE MORE STAYING POWER THAN I.
IT WOULD MEAN SO MUCH TO HER
IF YOU COULD STOP ON YOUR WAY OUT AND JUST SAY HELLO.
WHY WAIT?
LEAD ME TO THE FAIR ANN.
STONE,
IN A FEW MINUTES,
I SHALL REQUIRE A DIVERSION.
MR. SWANN, MY WIFE ANN.
MR. HORN, MAY I HAVE THIS DANCE
WITH YOUR BEAUTIFUL WIFE?
OF COURSE.
[CRASH]
COME BACK HERE!
AAH! OHH!
IS IT ALWAYS LIKE THIS?
SOMEBODY STOLE MY GIRL!
[PLAYING SOMEBODY STOLE MY GAL]
"TO THE QUESTION,
"WHAT WERE YOU DOING NAKED
"IN CENTRAL PARK IN BETHESDA FOUNTAIN
"AT 3:00 IN THE MORNING?
SWANN REPLIED, THE BACKSTROKE."
NOW, IS THIS YOUR IDEA OF WATCHING HIM, BENJY?
THE POLICE ARE TREATING IT
LIKE A PARKING TICKET. IT'S NO BIG DEAL.
NO BIG DEAL? WE GOT KIDS WATCHING THIS SHOW.
WE'RE TALKING GENERATIONS TO COME HERE!
WE'RE DISCUSSING MORALS HERE!
YOU'RE NOT QUALIFIED TO DISCUSS MORALS, SY.
UP YOUR HOLE WITH A MELLO ROLL, ALICE,
AND YOURS, TOO, HERB!
LEO, IT GETS ME SICK
TO THINK WE GOT TO PUT UP WITH SOME WASHED-UP JIBONNEY
WHO'S GOING TO BE RUNNING AROUND CENTRAL PARK
WITH HIS SCHLONG HANGING OUT!
MY DEAR FELLOW, WHAT I CHOOSE TO DO
WITH MY SCHLONG IS MY BUSINESS.
HOW'S BUSINESS?
NEVER BETTER.
STONE! GOOD MORNING.
MORNING, ALL.
MORNING.
GOOD MORNING.
WHEN KING GETS HERE,
WE'LL READ THROUGH THE MUSKETEER SKETCH.
MY ASSISTANT K.C. DOWNING, MR. SWANN.
HOW DO YOU DO?
HELLO. UH, OH,
UH, IF THERE'S ANYTHING YOU NEED,
I CAN TAKE CARE OF IT FOR YOU.
ANYTHING?
HA HA! WITHIN REASON.
WELL, LET'S BEGIN WITH SOME TEA
AND SEE WHERE THAT LEADS US.
AH, TEA...
OH, DO YOU DRINK BAGS?
I MEAN--I MEAN, ARE THESE OK--TEA BAGS?
OH, SURELY.
NOW--
GOOD MORNING, MR. KAISER.
WHAT DO YOU SAY?
LEO!
OH, AND, UH...
GOOD MORNING, UH, MR. SWANN.
WHERE'S THE MUSKETEER SET?
OK, IT ISN'T HERE. THAT'S WHERE IT IS,
AND THEY WON'T DELIVER IT.
ROJECK DID IT. NOW YOU HAPPY?
ROJECK?
YEAH. OH, I'VE GOT A GREAT IDEA.
LET'S JUST DROP THE BOSS HIJACK SKETCH THIS WEEK.
GET ME THAT SET, YOU UNDERSTAND?
I WANT THAT SET!
I DON'T CARE IF YOU HAVE TO RENT TRUCKS!
FIND DRIVERS!
GET THAT SET! BUILD A SET!
STEAL A SET! I DON'T CARE!
NOBODY'S GOING TO TELL KING KAISER THAT...
OK, I'M GOING TO GO BACK THERE AND GET MY SCRIPT,
AND THEN I'LL COME BACK HERE,
AND WE'LL READ THROUGH THE SKETCH,
AND THEN WE'LL WORK OUT THE SET PROBLEM.
OK, LEO?
[TELEPHONE RINGS]
OK, EVERYBODY, LET'S TAKE 10 MINUTES.
CAVALCADE.
BENJY STONE! TELEPHONE!
HELLO.
BENJAMIN, DARLING.
MA. DID YOU WATCH THE SHOW SATURDAY NIGHT?
NO. WE WATCHED WRESTLING INSTEAD.
OF COURSE I SAW THE SHOW.
WELL?
WELL, WHAT ELSE? IT WAS BRILLIANT, DARLING.
JUST ONE THING. WHO IS THIS BENJY STONE?
MA, DON'T START IN.
DO YOU THINK--SHH!
DO YOU THINK I'LL EVER SEE
THE NAME BENJAMIN STEINBERG-- A REAL NAME--
GO BY KING KAISER'S FACE ONE DAY?
LOOK WHO'S TALKING, MRS. BELLE CARRIOCA.
CARROCA. CARROCA.
ROOKIE, SHUSH. SEE? NOW YOU UPSET YOUR STEPFATHER.
MA, COULD YOU JUST CALL HIM ROOKIE,
AND NOT MY STEPFATHER ALL THE TIME?
BENJAMIN, DARLING-- ROOKIE, DUST.
BEFORE YOUR BELOVED FATHER PASSED AWAY
AND EVENTUALLY DIED, HE SAID TO ME,
"BELLE, AFTER I GO,
"GET SOMEONE TO BE WITH, SOMEONE NICE,
A PAL."
SO YOU WENT OUT AND FOUND
A FILIPINO BANTAMWEIGHT NAMED ROOKIE CARROCA?
ROOKIE CARROCA,
WHOHELD THE TITLE FOR WELL OVER 6 MONTHS!
UNTIL MANNY SERPA TURNED HIM
INTO GUAVA JELLY AT THE GARDEN.
SERPA BUTTED HIM.
I'LL FIGHT SERPA TODAY AND TAKE HIM APART!
DO YOU HEAR WHAT YOU STARTED HERE?
MA...
WHAT?!
WAS THERE A REASON YOU CALLED?
ONLY TO REMIND YOU
THAT YOU'RE COMING HERE FOR DINNER TOMORROW NIGHT.
OH, NO! MA, I CAN'T MAKE IT.
ALAN SWANN'S ON THE SHOW,
AND THEY MADE ME HIS KEEPER.
ALAN SWANN FROM THE MOVIES?
YEAH.
ROOKIE, ALAN SWANN FROM THE MOVIES.
SO BRING HIM ALONG.
BRING ALAN SWANN TO BROOKLYN?
WELL, WHY NOT? WHAT ARE YOU ASHAMED OF?
EVERYTHING.
AND, BENJAMIN, WHEN YOU GET HERE,
BE NICE TO MY ROOKIE. HE LIKES YOU.
YEAH, AND I LIKE HIM.
TELL YOU WHAT. I'LL BRING HIM A PRESENT.
DOES HE NEED A NEW MACHETE?
EYES. IT'S ALWAYS IN THE EYES.
YOU--I WOULD LIKE A WORD WITHYOU.
OH, BENJAMIN, WE'RE IN THE MIDDLE
OF AN INTERESTING CONVERSATION HERE.
I BET IT'S REAL INTERESTING. WHAT'S THE SUBJECT
OF THIS INTERESTING CONVERSATION?
THESE EYES.
THEY'RE MERLE OBERON'S EYES.
MERLE OBERON'S?
OH, AND WHAT'S MERLE DOING FOR EYES,
USING KATHARINE HEPBURN'S?
UH, UH...
EXCUSE ME, ALAN.
EXCUSEME,ALAN.
BENJAMIN, WHAT IS THE MATTER WITH YOU?
ME?! IF YOU'RE GOING TO FALL
FOR EVERY MOVIE STAR WHO COMES ON THE SHOW,
WHAT KIND OF A FUTURE AREWEGOING TO HAVE?
THE SAME AS WE HAVE NOW--NONE!
WAIT.
GIVE HER A HEAD START.
IT GIVES HER THE ILLUSION SHE'S BEING CHASED.
[RUNNING]
THESE CANS SAY "CRUSH"!
WHERE THE HELL ARE THE PINEAPPLE GIRLS?
HEY. I'M SORRY.
I ACTED LIKE A JERK.
YOU'RE BEING TOO EASY ON YOURSELF,
AND WHERE DID YOU GET THE IDEA
THAT WE HAVE A FUTURE?
WE HAVE AN UNDERSTANDING.
WHAT UNDERSTANDING?
THAT I AM HOPELESSLY IN LOVE WITH YOU
AND YOU COULDN'T CARE LESS ABOUT ME.
HA HA! YEAH, YOU COULD SAY THAT.
WELL, MAYBE THIS WILL CHANGE YOUR MIND.
THIS BELONGED TO MY GRANDMOTHER.
I WANT YOU TO HAVE IT.
OH, BENJAMIN. I CAN'T TAKE THAT.
FINE. HOW ABOUT A CAR?
BENJAMIN, THE RING.
IT WAS GLASS.
OH! SANCTUARY!
SANCTUARY!
SANCTUARY, MY ASS.
I'M SORRY, LADIES.
BENJAMIN, WILL YOU GET OUT OF HERE?
NO. NOT UNTIL YOU TELL ME EXACTLY WHAT WAS GOING ON
BETWEEN YOU AND SWANN.
LOOK, JUST GET OUT OF HERE!
HEY, I'M IN HERE.
WAIT. I WAS SAVING THIS FOR LATER.
WHAT ARE YOU DOING?
WHAT'S HE DOING?
I'M PROPOSING.
WHAT? WHAT?
I'M PROPOSING THAT WE LIVE TOGETHER,
AND IF WE LIKE IT, WE GET MARRIED.
COME ON. SAY YES.
OH, GOD. OH, MY GOD.
ALL RIGHT, IF THAT'S TOO TOUGH, JUST NOD YOUR HEAD.
PLEASE GIVE ME A WORD, A SIGN, A SOUND.
[TOILET FLUSHES]
THAT'S NOT THE SOUND I WAS LOOKING FOR.
ALL RIGHT, THE HELL WITH IT.
I'M COMING OUT NOW.
AH, STONE! TIME FOR LUNCH?
JUST GOING TO THE LAVATORY.
THIS IS FOR LADIES ONLY.
[ZIPPER UNZIPPING]
AND SO IS THIS, MA'AM,
BUT EVERY NOW AND AGAIN
I HAVE TO RUN A LITTLE WATER THROUGH IT.
NO, STONE, I INSIST. LUNCH IS ON ME.
I GOT IT.
GOOD.
STONE, I WANT YOU TO KNOW THAT THIS MORNING,
I HAD ABSOLUTELY NO IDEA
I WAS IN THE PROCESS OF INSERTING MYSELF
INTO AN ARRANGEMENT WHICH ALREADY EXISTED
BETWEEN YOU AND MISS DOWNING.
WOULD IT HAVE MADE ANY DIFFERENCE?
NO.
ARE YOU IN LOVE WITH THE GIRL?
I THINK I AM. I DON'T KNOW WHAT SHE WANTS.
ROMANCE, STONE--
THAT'S THE ONLY THING WE CAN BE SURE THEY ALL WANT.
Benjy: I NEVER MET ANYONE LIKE HER.
SHE NEVER MET ANYONE LIKE YOU.
USE THAT. CULTIVATE IT.
RIGHT THERE IS WHERE I LOST YOU.
STONE, WOMEN LOVE TO BE INTRIGUED.
THEY ENJOY UNRAVELING THE MYSTERY THAT IS MAN,
BUT YOU MUST ALLOW THEM THE FREEDOM
TO DISCOVER YOU.
IS THAT WHAT YOU DO?
NO. I DON'T HAVE THAT LUXURY.
THE WOMEN WHO ARE INTERESTED IN ME
KNOW EXACTLY WHO I AM AND WHAT THEY WANT,
AND 9 TIMES OUT OF 10, THEY GET IT.
THAT'S SOME CURSE.
YOU'D BE SURPRISED.
YOU SEE, NO MATTER WHAT I DO,
I CAN NEVER FULFILL THEIR EXPECTATIONS.
COULD I-- COULD I HAVE...
SO THIS IS THE BENJY STONE VERSION
OF DINNER AND A MOVIE, HUH?
DOESN'T SY'S OFFICE
TAKE ON A WHOLE DIFFERENT FEELING AT NIGHT?
YEAH. IT GETS WORSE.
OK, HERE WE GO.
THESE ARE ALL DIM-SUM-- CHINESE DUMPLINGS.
THESE ARE PAN-FRIED. THOSE ARE STEAMED.
THEY'RE GOOD JUST WITH VINEGAR.
CHILI SAUCE--STAY AWAY FROM THIS BABY.
A COUPLE OF DROPS OF THIS,
AND YOUR TONGUE DIALS THE FIRE DEPARTMENT.
YOU KNOW HOW TO USE THESE?
UH, TO MAKE A SWEATER, YES.
OK, I'LL SHOW YOU. LOOK. BALANCE IS EVERYTHING.
ONE GOES THERE,
THE OTHER ONE ON TOP LIKE THAT.
NOW, DO EXACTLY AS I DO.
DIM-SUM ARE TOO HARD TO EAT WITH CHOPSTICKS.
DON'T MAKE YOURSELF CRAZY.
HA HA! OK.
YOU REALLY KNOW THIS STUFF.
KATHARINE, JEWS KNOW TWO THINGS--
SUFFERING AND WHERE TO FIND GREAT CHINESE FOOD.
WHAT?
TOO LOUD? WHAT? WHAT?
NO, NO. IT'S JUST-- IT'S REALLY NICE.
YOU KNOW, YOU'RE JUST SITTING THERE HAVING YOUR DINNER,
WEARING MEN'S CLOTHING--
WELL, SORT OF.
I MEAN, I REALLY LIKE THIS GUY.
I LIKE THIS GUY MUCH BETTER THAN THE OTHER GUY.
WHAT OTHER GUY?
OH, YOU KNOW, THE GUY IN THE TIARA,
THE MOSQUITO WHO BOTHERS YOU IN ELEVATORS,
THE PERSON WHO RUNS DOWN THE HALLWAY
WITH SCOTCH TAPE ALL OVER HIS BODY, THE HUMAN FLY.
OHHH!
DO YOU THINK-- I THINK--
NO, I WAS JUST GOING TO SAY,
DO YOU THINK THERE ARE FUNNY PEOPLE
AND NOT-FUNNY PEOPLE?
YES. DEFINITELY.
ON THE FUNNY SIDE,
THERE ARE THE MARX BROTHERS EXCEPT ZEPPO,
THE RITZ BROTHERS-- NO EXCEPTIONS--
BOTH LAUREL AND HARDY, AND WOODY WOODPECKER.
ON THE UNFUNNY SIDE, THERE IS ANYBODY
WHO HAS EVER PLAYED THE ACCORDION PROFESSIONALLY.
HA HA HA! AND ME.
YOU KNOW, EVERYBODY WHO WORKS HERE IS FUNNY EXCEPT ME.
NO, YOU'RE FUNNY.
REALLY? WHEN?
WELL, I'M SURE YOU COULD BE FUNNY.
HOW?
YOU CAN TELL A JOKE. ANYONE CAN TELL A JOKE.
NOT ME.
YES, YOU CAN. I'LL TEACH YOU.
I'LL TELL YOU A JOKE,
AND YOU TELL IT BACK TO ME, OK?
OK, I'LL TRY.
FIRST RULE--NEVER TELL A JOKE SITTING DOWN.
YOU HAVE TO BE ON YOUR FEET AND USE YOUR HANDS.
THIS GUY WALKS INTO A PSYCHIATRIST'S OFFICE.
HE HAS A DUCK ON HIS HEAD.
THE PSYCHIATRIST SAYS, "CAN I HELP YOU?"
THE DUCK SAYS, "YEAH. GET THIS GUY OFF MY ASS."
OK, NOW YOU TRY.
OK, HERE GOES.
A MAN--
HOLD IT. "THIS GUY" IS BETTER THAN "MAN."
OH, OK.
SORRY.
AND USE YOUR HANDS. SORRY. GO AHEAD.
THIS GUY, UH, WALKS INTO A DOCTOR'S OFFICE.
PSYCHIATRIST.
PSYCHIATRIST, RIGHT. OK, SORRY. I GOT IT.
UH, THIS GUY WALKS INTO A PSYCHIATRIST'S OFFICE
WEARING A DUCK.
WHOA. WHAT? WEARING A DUCK? WEARING A DUCK?
NO. HE HAS A DUCK ON HIS HEAD.
I TOLD YOU I WASN'T VERY GOOD AT THIS.
NO. IT'S MY FAULT. IT'S GOOD.
YEAH? OH, OK.
THIS GUY WALKS INTO A PSYCHIATRIST'S OFFICE
WITH A DUCK ON HIS HEAD,
AND THE GUY SAYS TO THE PSYCHIATRIST,
"WILL YOU HELP ME?
BECAUSE I HAVE A DUCK ON MY HEAD."
WHAT IS THAT FOR?
ACCORDION LESSONS.
OH. HA HA HA!
WELL, THAT ENDS THE DINNER PORTION OF THE EVENING,
AND NOW IT'S TIME FOR THE MOVIE PORTION.
LORD DRUMMOND.
LORD DRUMMOND!
AH, DRUMMOND, IF IT WILL PUT YOU AT EASE,
I COULD TURN MY BACK AGAIN.
SHH!
YOU WILL THIS DAY TASTE MY STEEL.
THEN LEAVE US NOT DALLY, DRUMMOND,
FOR TODAY I HAVE AN ENGAGEMENT
TO MOUNT THE THRONE OF ENGLAND.
OVER MY DEAD BODY.
BE QUIET!
AS YOU WISH.
ARE YOU GOING TO KEEP DOING THIS?
AS YOU WISH.
SIR JOHN!
BENJAMIN! SHH!
I GUESS THIS IS THE KISSING PORTION OF THE EVENING.
?? I AM ARROGANT ??
?? HE'S ARROGANT, HE'S ARROGANT ??
?? AND I AM PORTHOLE ??
?? HE'S PORTHOLE, HE'S PORTHOLE ??
?? AND I AM SWANN ??
?? HE'S SWANN, HE'S SWANN ??
?? IT'S ONE FOR ALL AND ALL FOR ONE ??
?? AND ONE FOR YOU AND TEA FOR TWO ??
?? IT'S YOU AND ME ??
BREAK IT UP! BREAK IT UP!
EVERYBODY, OK, ALL RIGHT.
NOW, HOLD IT! HOLD IT! HOLD IT! HOLD IT!
WAIT A MINUTE.
I WANT TO SAY SOMETHING.
ALAN, UH...
I WANT TO TELL YOU
THAT I WAS A LITTLE WORRIED ABOUT YOU.
ONLY A LITTLE? I WOULD HAVE THOUGHT MY REPUTATION
WARRANTED MAJOR CONCERN.
YEAH, YOU'RE RIGHT.
I WAS GOING TO DUMP YOU...
BUT, UH, I'M GLAD I DIDN'T
BECAUSE, UH...
WELL, UH, I'VE SEEN ALL YOUR FILMS,
AND, UH, I'M A FAN.
AND HERE WE ARE WORKING TOGETHER,
AND IT'S, UH, IT'S BEEN NICE
BECAUSE, UH, YOU'RE FUNNY.
YOU'RE REALLY FUNNY.
PRAISE INDEED, SIR, AND MAY I SAY
THAT OTHER THAN ONE REMARKABLE SEASON
WITH AN ENGLISH REPERTORY COMPANY,
THIS IS THE MOST FUN AND THE HARDEST WORK
I'VE DONE SINCE THE WORLD WAS YOUNG.
THAT'S GREAT. REALLY.
BUT ONE OTHER THING.
YOU'RE GOING TO SHOW UP TOMORROW, TOO, RIGHT?
RIGHT, SWANN?
RIGHT, PORTHOLE.
BUT NOW I MUST TAKE LEAVE OF YOU,
FOR STONE AND I JOURNEY TO DINE
IN SOME FAR-OFF LAND CALLED BROOKLYN.
WELL, THAT'S IT.
BIG DAY TOMORROW-- SHOW DAY.
HAVE A GOOD NIGHT. SEE YOU AT 10 A.M.
GOOD NIGHT.
GOOD NIGHT, KING.
TAKE IT EASY, EDDIE.
NICE WORK TODAY.
DO IT THAT GOOD ON THE SHOW TOMORROW.
WHAT? YOU ALL RIGHT?
IT'S ALL RIGHT. I'M OK. IT'S NO PROBLEM.
IT'S NOTHING. THE THING FELL. IT'S NOTHING, REALLY.
GO HOME. GO HOME. REALLY.
SURE YOU'RE OK? I'M OK.
I WANT YOU TO GET SOME REST.
NOW, EVERYBODY GO HOME. I'M ALL RIGHT.
I PROMISE YOU I'M ALL RIGHT.
COME ON. LET'S GO HOME. COME ON.
MY GOD!
IT'S AN ACCIDENT, LEO.
ROJECK. THAT'S IT.
I'M NOT GOING TO LET YOU DO
THE BOSS HIJACK SKETCH!
IT WAS AN ACCIDENT, LEO--AN ACCIDENT--
AND WE'RE DOING THE BOSS HIJACK SKETCH.
STAN!
LEO!
THANKS FOR CARING.
BY THE BY, STONE, WHERE IS THIS BROOKLYN?
ANOTHER WORLD.
UNCLE MORTY. HOW ODD TO FIND YOU HERE.
WHY? I JUST CAUGHT THE 7:45 ELEVATOR DOWN FROM 6.
I ASSUME AUNT SADIE IS HERE ALSO.
NOT YET, BUT SHE'LL BE.
UNCLE MORTY, SAY HELLO TO ALAN SWANN.
I DIDN'T CATCH THE NAME.
OOH.
ALAN SWANN, ROOKIE CARRIOCA.
CARROCA!
THERE WAS A LETHAL BANTAMWEIGHT CALLED CARROCA.
YOU'RE LOOKING AT HIM.
I SAW YOU FIGHT IN SAN DIEGO--
SAILOR DONOVAN.
RIGHT.
TOOK HIM OUT IN 3.
2.
WHO KNEW THE CHINAMAN WAS A FIGHTER?
TO ME HE DOESN'T OPEN A MOUTH.
STILL IN THE FIGHT GAME?
IN A WAY.
I MARRIED BENJY'S MOTHER.
BENJAMIN, DARLING,
HOW WONDERFUL TO HAVE YOU TO HOME.
I GOT TO GET BACK TO MY MEAT LOAF.
MR. SWANN, MAY I PRESENT MY MOTHER,
MRS. BELLE MAY STEINBERG CARROCA
OF BROOKLYN, NEW YORK,
AND MIAMI BEACH, FLORIDA,
FOR 2 WEEKS EACH AND EVERY WINTER.
BENJAMIN, WHY DIDN'T YOU TELL ME YOUR MOTHER WAS SO LOVELY?
FOR ME?
NO, FOR ME.
MR. SWANN--
ALAN, PLEASE. WHAT MAY I CALL YOU?
HOW ABOUT YOURS? HA HA!
OH, ALAN, ON BEHALF OF EVERYONE HERE,
I WOULD LIKE TO WELCOME YOU
TO OUR HUMBLE CHAPEAU.
TWO YEARS AT THE SORBONNE,
SHE STILL GETS IT WRONG.
AL.
MA!
WHAT?
IT'S NOT AL.
IF I BRING CAPONE OR JOLSON, THEN IT'S AL.
JOLSON'S COMING?
ALAN, I WANT YOU TO FEEL PERFECTLY FREE
TO DO WHATEVER YOU WOULD NORMALLY DO
IN YOUR OWN APARTMENT.
SOMETHING TO DRINK BEFORE DINNER?
UH, SOME SODA WATER.
ROOKIE, A GLASS OF SELTZER!
PICK IT UP!
EXCUSE ME.
SORRY.
EXCUSE ME, MR. SWANN. I HATE TO IMPOSE,
BUT I WONDER IF YOU WOULD MIND SIGNING--
AN AUTOGRAPH?
CERTAINLY.
IF YOU DON'T MIND,
MAKE IT TO SADIE AND MORTY KRONSKY.
THAT'S WITH A "K."
THE REST IS THE WAY IT'S USUALLY SPELLED.
[DOORBELL BUZZES]
THAT'S PROBABLY AUNT SADIE.
WHY DON'T YOU GO OPEN THE DOOR FOR YOUR WIFE?
[DOORBELL BUZZING]
THANK YOU, MR. SWANN.
ALAN.
THANK YOU.
YOUR SELTZER. A LITTLE LIVER?
OH, NO, THANK YOU.
OH, SADIE, YOU LOOK BEAUTIFUL.
WHAT A LOVELY DRESS.
YOU LIKE IT? I ONLY WORE IT ONCE.
Rookie: COME AND GET IT!
DINNER IS SERVED!
ROOKIE, YOUR MEAT LOAF MINDANAO WAS SUPERB.
THANKS.
THAT TAKES TWO DAYS TO PREPARE, YOU KNOW.
REALLY? TELL ME.
WHAT WAS THAT RATHER PUNGENT TASTE?
PARROT.
AND THEY'RE NOT EASY TO WORK WITH.
THEY PUT UP SOME SQUAWK.
I CAN IMAGINE.
UM, WHAT WAS THAT DISH?
FILIPINO PORK AND BEANS.
WHERE WAS THE PORK?
YOU CAN'T! THERE'S JEWS HERE.
SO I GUESS IF YOU WANT TO BE TECHNICAL...
WHAT'S THE DIFFERENCE?
SO, MR. SWANN,
NOW THAT WE SAT NICE,
BROKE BREAD TOGETHER,
SHARED A GLASS OF WINE,
I FEEL I KNOW YOU A LITTLE.
MORTY, I FEEL I KNOW YOU EVEN BETTER.
GOOD.
THEN YOU WON'T MIND IF I ASK YOU A QUESTION?
UNCLE MORTY!
WHAT ARE YOU WORRIED? IT'S NOT PERSONAL.
WHAT WAS I, BORN IN MINSKIPINSK?
I KNOW MY WAY AROUND.
MORTY, ASK YOUR QUESTION.
THAT PATERNITY RAP A COUPLE OF YEARS AGO--
DID YOU SCHTUP HER? MORTY!
DID YOU GO ALL THE WAY?
WHAT?
WHAT? WHAT?
WHAT DO YOU WANT?
IT'S ALL RIGHT.
MORTY, I HOPE THIS DOESN'T LESSEN YOUR OPINION OF ME,
BUT THE ANSWER IS NO.
YOU SEE,
PEOPLE LIKE ME, WE'RE TARGETS.
I'M BLAMED FOR A LOT OF THINGS
I HAD ABSOLUTELY NOTHING TO DO WITH.
ON THE OTHER HAND, BECAUSE OF WHO I AM,
I GET AWAY WITH MURDER IN OTHER AREAS.
I SUPPOSE IT ALL BALANCES OUT IN THE END.
DOES IT REALLY, SWANNY?
MA, HE'S AN ACTOR, NOT A RIVER.
SWANNY...
CAN I TALK FRANK TO YOU?
CERTAINLY, BELLE.
UH-OH.
TAKE A GOOD LOOK HERE.
THIS--THIS...
THIS IS GOOD.
SITTING AROUND WITH PEOPLE YOU LOVE.
SOME YOU JUST LIKE,
OTHERS MAYBE YOU COULD LIVE WITHOUT, EXCUSE ME.
SHARING STORIES,
SHARING WARMTH.
THIS IS REAL LIFE, ALAN,
AND THIS IS WHAT YOU NEED.
A HOME...
AND A FAMILY...
AND CHILDREN. HUH?
HEY, WHO KNOWS?
UNFORTUNATELY, BELLE, THAT PART OF MY LIFE
HASN'T WORKED OUT TOO WELL,
THOUGH I DID PRODUCE
A PERFECTLY GLORIOUS LITTLE CHILD.
HER NAME IS TESS.
SEE? YOU'RE A DADDY,
AND THIS I DIDN'T EVEN KNOW.
SO WHERE IS SHE?
SHE LIVES WITH HER MOTHER IN CONNECTICUT.
I HAVEN'T SEEN HER IN OVER A YEAR.
A YEAR? SHAME ON YOU, SWANNY.
YES, YOU'RE RIGHT, BELLE.
SHAME ON ME INDEED.
WELL, TIME TO GO. WHAT A DIVINE EVENING.
WE MUST DO THIS AGAIN REAL SOON--
SAY, AT THE TURN OF THE CENTURY?
ROOKIE, SADIE, MORTY.
GOOD-BYE, MR. SWANN.
BELLE.
OH, ALAN.
OHHH! OHHH!
MR. AND MRS. KESSLER, APARTMENT 4-B.
GOD BLESS YOU, MR. SWANN.
MR. AND MRS. BERKOWITZ, APARTMENT 2-A. WE LOVE YOU.
NATHAN AND LILY CANN, SECOND FLOOR FRONT.
PLEASURE TO HAVE YOU IN THE BUILDING.
SCALFONI, 1-R. YOU'RE THE BEST!
HOW DID YOU GET INTO THE BUILDING?
I'M THE SUPER.
DR. BUMBACELLI, MY MEDICATION.
YOUR MEDICATION.
UH, UH, UH, MR. SWANN.
UH, BIG DAY TOMORROW. SHOW DAY.
AND YOU KNOW, I'M SUPPOSED TO WATCH YOU.
GOOD. WATCH THIS.
WANT TO SEE IT AGAIN?
STONE, YOU CAN EITHER WATCH ME OR JOIN ME.
ONE OF THEM IS MORE FUN.
YOU WERE A HIT IN BROOKLYN.
WANT TO TRY THE BRONX NEXT?
NO. 1030 PARK AVENUE. THE DOWNINGS.
UH, NO. PLEASE, NO. LET'S NOT GO THERE.
WHY ARE WE GOING THERE?
WHY? TO REWEAVE THE FABRIC
OF YOUR RELATIONSHIP WITH THE FAIR K.C.,
THAT'S WHY.
THIS SURPRISE VISIT SHOULD DO IT.
I DON'T THINK SO, MR. SWANN.
K.C. DOWNING'S PARENTS ARE HAVING A BIG PARTY.
BESIDES, THEY'RE NOT GOING TO LET US UP IN THAT BUILDING.
EXCELLENT.
EVER DONE ANY MOUNTAINEERING?
HUH?
NOW, ALL WE HAVE TO DO
IS TO GET FROM HERE... TO THERE.
IT WON'T WORK.
IT WORKED PERFECTLY WELL
INA SLIGHT CASE OF DIVORCE.
THAT WAS A MOVIE.
THIS IS REAL LIFE!
WHAT IS THE DIFFERENCE?
OH...MMM...
IT'S STUCK.
WHAT WE NEED...
IS SOMETHING LIKE A ROPE.
LET'S NOT DO THIS.
OH, STONE, I'VE DONE IT A HUNDRED TIMES!
WHOA!
OR WAS THAT A STUNTMAN?
PERFECT.
WAIT, WAIT, WAIT, WAIT.
WAIT A MINUTE. WAIT A MINUTE. WAIT, WAIT!
LET'S JUST GO BACK THE WAY WE CAME
AND GO THROUGH HER FRONT DOOR.
DULL! BORING! OLD HAT!
STONE, THE CARDINAL RULE--
THEY ALWAYS LOVE A BIG ENTRANCE.
I ASSURE YOU, IT'S--
DOES ANYBODY DIE IN THESE MOVIES?
DIE?
OF COURSE NOT.
IT'S JUST...FUN!
FUN?
FUN!
HE THINKS THIS IS FUN.
[CRYING]
I'M GOING DOWN NOW.
WHEN I ARRIVE, I SHALL HOLD THE ROPE TAUT,
AND YOU CAN JUST SHIMMY DOWN.
I'M NOT SHIMMYING DOWN ANYTHING.
IT'S TOO DANGEROUS!
NONSENSE!
NOT WHEN YOU'VE BEEN INSTRUCTED BY NYBLACK.
WHO THE HELL IS NYBLACK?
NYBLACK IS MY SHERPA GUIDE FROM THE HIMALAYAS.
THE HIMALAYAS? THE HIMALAYAS!
LOOK!
THERE'S THE DOOR!
COME ON! LET'S GO GIVE IT A TRY!
AH...
IT'S OPEN!
AAH!
WHOO!
AAH!
AAH! OH! OHHH!
OH! I KILLED HIM!
I'M SUPPOSED TO TAKE CARE OF HIM,
AND I KILLED HIM!
OHHH! OH, GOD! OHHH!
THE BOND ISSUE WAS A FRAUD.
THE COMPANY WENT BANKRUPT.
THEY LOOKED SOLID, BUT THEY WENT BELLY UP.
EXCUSE ME. HAVE YOU SEEN THAT FILM...
DEFENDER OF THE CROWN?
JUST LIKE THAT!
THE FILM!DEFENDER OF THE CROWN--
HAVE YOU SEEN IT?
STARRING--WHAT'S THAT GUY'S NAME?
ALAN, UH...
SWANN!
YEAH, ALAN SWANN!
I THINK ALAN SWANN'S BENEATH US.
OF COURSE HE'S BENEATH US. HE'S AN ACTOR.
NO. I MEAN, I THINK ALAN SWANN'S BENEATH US
RIGHT NOW! LOOK!
HARRY, GET THE HELL OUT HERE!
ALAN SWANN IS HANGING FROM SOMETHING
FROM THE ROOF!
PULL!
PULL HIM UP.
PULL!
THAT'S IT. HERE WE GO. GOOD.
GOOD EVENING. DO YOU HAVE A LIGHT?
HELP ME! HELP ME!
TERRACE?
WELL DONE.
WE'VE JUST DROPPED IN TO SEE THE DOWNINGS.
THERE ARE NO DOWNINGS HERE.
NO DOWNINGS HERE?
NO.
THE DOWNINGS ARE DOWNSTAIRS...ON 14.
CLOSE, STONE, VERY CLOSE.
MR. SWANN...
I THINK I'M GOING TO BE UNWELL.
STONE, LADIES ARE UNWELL.
GENTLEMEN VOMIT.
ALFREDO, YOU NEEDN'T WAIT.
WE SHAN'T NEED THE CAR ANYMORE.
WE'RE GOING TO THROW UP IN THE PARK
AND THEN WALK HOME.
[VOMITS]
Stone: MR. SWANN, MAY I TELL YOU SOMETHING?
MM-HMM.
BENJY STONE IS NOT WHO HE SEEMS TO BE.
WHO IS, STONE? WHO IS?
WELL, I'M NOT EVEN BENJY STONE.
I'M BENJAMIN STEINBERG.
I CHANGED MY NAME
BECAUSE I THOUGHT IT WOULDN'T LOOK GOOD ON THE SCREEN.
I'M A PHONY.
BECAUSE YOU CHANGED YOUR NAME?
WHAT'S IN A NAME?
A ROSE BY ANY OTHER NAME
WOULD WITHER AND DIE.
I'LL GIVE YOU A NAME...
CLARENCE DUFFY.
CLARENCE DUFFY?
WHO'S CLARENCE DUFFY?
HE'S A YOUNG MAN FROM THE WEST OF SCOTLAND,
MIDDLE CLASS, IRISH DESCENT,
WHOSE FATHER WAS A GRAMMAR SCHOOL TEACHER.
HIS MOTHER LOOKED AFTER HER GARDEN, HER HUSBAND,
AND THEIR ONLY SON.
AT THE AGE OF 18, HE JOINS THE NAVY.
ONE YEAR LATER, HE JUMPS SHIP AT LIVERPOOL,
HAS NOTIONS OF BECOMING AN ACTOR,
FINISHES UP IN ENGLISH "B" MOVIES.
6 MONTHS LATER,
LOU GOLDMARK OF PARAMOUNT STUDIOS
ANNOUNCES HIS FIND--
A DASHING NEW ENGLISH ACTOR
TO STAR IN PARAMOUNT'S NEXT BIG ADVENTURE FILM,
SWORDS OF GLORY.
CLARENCE DUFFY?
ONE AND THE SAME.
THEN YOU'RE NOT ALAN SWANN?
OH, YES, I AM...
AND YOU'RE THE ONLY LIVING SOUL WHO KNOWS IT.
IT DIES WITH ME, CLARENCE.
AT LEAST YOU'RE AN ACTOR.
ACTORS ARE SUPPOSED TO MAKE UP NAMES.
IT'S NOT JUST MAKING UP A NAME, STONEBERG.
THE STUDIO MADE UP AN ENTIRE LIFE FOR ME,
AND I LET THEM DO IT,
AND NOW I CAN'T TELL WHERE THE BOGUS ONE ENDS
AND THE REAL ONE BEGINS.
NOTHING ABOUT ME IS WHAT IT SEEMS TO BE--
EVEN THE REASON I'M DOING
YOURCOMEDY CAVALCADEPROGRAM.
IT'S NOT BECAUSE I WANTED TO.
IT'S A DEAL I MADE WITH MY NEW PARTNER,
THE INTERNAL REVENUE SERVICE.
IF I DO THE SHOW AND GIVE THEM HALF THE PROCEEDS,
THEY PROMISE NOT TO THROW ME OUT OF THE COUNTRY.
WELL, THAT DIES WITH ME, TOO, DUFF.
TONIGHT YOUR MOTHER SAID, "SHAME ON YOU,"
AND SHE WAS RIGHT.
I'M FED UP WITH PEOPLE LETTING ME
GET AWAY WITH THINGS, AND EVERYBODY DOES--
MY FRIENDS, MY AGENT, MY MANAGER,
MY DOCTORS, MY FORMER WIVES,
EVEN MY DAUGHTER!
HAVEN'T WE WALKED ENOUGH FOR ONE NIGHT?
NO. NO, NO, NO!
NO! OHH.
[WHINNIES]
YOU CAN GET 30 YEARS FOR THIS!
HEY! HEY!
[WHINNIES]
NO!
WAIT A MINUTE!
TESS...WHO'S TESS?
TESS IS HIS DAUGHTER.
TESS IS HIS DAUGHTER IN CONNECTICUT!
BETTER BE.
HE WENT TO CONNECTICUT ON THE DAY OF THE SHOW!
THAT BASTARD WENT TO CONNECTICUT!
HE'S IN ANOTHER GODDAMN STATE!
I'VE GOT TO GO DOWN TO THE SHOW AND TELL LEO
SO HE CAN FIRE ME.
I'M A DEAD MAN.
I CAN'T GO LIKE THIS. I HAVE TO GET DRESSED.
DON'T FORGET YOUR SWEATER.
TAKE ME BACK.
GREAT! AIR DAY,
AND OUR GUEST STAR IS NO-SHOW.
HEY, LEO!
HE'S ON THE COVER OF TV GUIDETHIS WEEK.
King: LEO!
LEO!
WHY IS THIS SKETCH IN HERE?
WE DID THIS SKETCH LAST WEEK,
BUT IT'S RIGHT IN HERE! RIGHT IN MY SCRIPT!
NOW, WHY, LEO? WHY? WHY IS IT IN MY SCRIPT?
THAT IS LAST WEEK'S SCRIPT.
OH. THAT'S WHY IT'S IN HERE.
AND NOW YOU'LL FIND THIS WEEK'S SCRIPT
IN YOUR DRESSING ROOM, STAN.
THAT'S GOOD. THAT'S GOOD, LEO.
OK.
THEY'RE NOT SERVING TONGUE AT LUNCH TODAY,
ARE THEY, LEO?
NO TONGUE ON SHOW DAY.
TWICE THEY SERVED TONGUE ON SHOW DAY,
TWICE THE OPENING SKETCH DIED.
NO TONGUE! GET IT? NO TONGUE!
TONGUE...
DEATH!
Leo: BENJY, YOU WERE SUPPOSED TO BE WATCHING SWANN.
I WAS. I EVEN STAYED IN HIS SUITE LAST NIGHT,
BUT WHEN I WOKE UP TODAY, HE WAS GONE.
HE SAID HE WAS GOING TO SEE TESS.
IRISH DAME. FIGURES--
THEY LOVE THEIR BOOZE.
Alfie: SHE'S 12.
FINE. NOW WE CAN THROW IN STATUTORY RAPE.
TESS HAPPENS TO BE HIS DAUGHTER.
ALFIE, WHERE IS HE?
HE'S IN HIS DRESSING ROOM.
DRUNK.
HE'S TAKING A NAP.
I'M GOING TO SEE WHAT KIND OF A NAP HE'S TAKING.
I DON'T THINK SO.
YEAH, BETTER LET HIM REST.
HE'S GOT TO BE READY FOR A RUN-THROUGH IN AN HOUR.
CAN HE MAKE IT?
HE'LL MAKE IT.
LOOK, I KNOW IT'S NONE OF MY BUSINESS,
BUT COULD YOU TELL HIM TO GO EASY ON HIM?
I MEAN, IT AIN'T BEEN HIS BEST DAY.
OK.
IS HE OK?
HE'S ALL RIGHT.
YOU SHOULD HAVE SEEN HER--
12 AND ALREADY A HEARTBREAKER.
WHAT DID HE SAY TO HER?
NEVER GOT OUT OF THE CAR,
AND DON'T SAY ANOTHER WORD FOR 86.4 MILES.
I CLOCKED IT.
I DIDN'T LOOK IN THE REARVIEW, NEITHER.
I GIVE HIM HIS PRIVACY.
WE OPEN ON A TIGHT 2 ON KING AND CUBBY,
AND THEN WE WIND OUT.
WE'RE SET TO OPEN THE HOUSE.
15 MINUTES, EVERYONE. 15 MINUTES.
HOW YOU DOING, ALAN?
I DON'T WANT YOU TO WORRY ABOUT A THING.
BAD REHEARSAL, GOOD SHOW.
WE GOT A GREAT CAST, WE GOT A GREAT CREW,
AND IT ALWAYS WORKS.
JUST REMEMBER, WE'RE GOING TO HAVE FUN, RIGHT?
AND YOU-- YOU LOOK GREAT!
WHAT'S HE WEARING THIS FOR?
THE MUSKETEER SKETCH.
YOU IN THE RIGHT OUTFIT?
I AM.
THEN WHAT AM I DOING IN THIS?
UH... I DON'T KNOW.
ALL RIGHT, WHICH SKETCH IS FIRST?
THE FIRST SKETCH THAT I'M IN IS THE MUSKETEER SKETCH.
I'M IN THAT, TOO.
OK.
I'M IN THE WRONG OUTFIT,
AND LOOK HOW I FIND OUT.
I GOT TO FIND OUT FROM THIS GUY.
WHO ARE THE GENIUSES
WHO WERE SUPPOSED TO TELL ME
WHICH SKETCH COMES FIRST ON MY SHOW
AND WHICH OUTFIT I'M SUPPOSED TO BE IN, HUH?
WHERE ARE THEY?
SOMEBODY TELL ME WHICH SKETCH COMES FIRST!
WARDROBE! WARDROBE! NOW!
LISTEN TO THIS.
HE THINKS HE'S IN THE WRONG COSTUME.
EVERY WEEK, SAME THING. HE'S SO CRAZY!
OH, GOD, SOMEBODY HELP ME WITH MY COSTUME!
TAKE IT OFF!
NO! LEAVE ME ALONE!
THE HIJACK SKETCH COMES FIRST!
WHICH ONE?
THE HIJACK SKETCH!
IT COMES FIRST!
I KNEW IT. I KNEW IT, LEO.
DON'T WORRY ABOUT A THING, PAL.
I KNEW IT.
GOOD.
CALIFORNIA?
YOU CAN'T WRITE COMEDY IN CALIFORNIA.
IT'S NOT DEPRESSING ENOUGH.
YOU LOOK GREAT. HOW DO YOU FEEL?
I FEEL SURPRISINGLY WELL, STONE.
THANK YOU.
SO WELL THAT I'M GOING TO MAKE A PREDICTION.
USUALLY IT TAKES ME 2 OR 3 TAKES JUST TO WARM UP,
BUT TONIGHT, I PREDICT
WE'LL GET IT ON THE FIRST TAKE.
WE ALWAYS GET IT ON THE FIRST TAKE. WE HAVE TO.
WE DO?
SURE. THIS IS LIVE TELEVISION.
LIVE?
LIVE.
WHAT DOES LIVE MEAN?
IT MEANS THAT THE EXACT MOMENT
YOU'RE CAVORTING AND LEAPING AROUND THAT STAGE OVER THERE,
20 MILLION PEOPLE ARE SEEING IT.
WAIT A MINUTE.
WAIT A MINUTE!
MR. SWANN, YOU'RE WHITE.
YOU MEAN, IT ALL GOES INTO THE CAMERA LENS
AND THEN JUST SPILLS OUT INTO PEOPLE'S HOUSES?
YEAH.
WHY IS IT NOBODY HAD THE GOODNESS
TO EXPLAIN THIS TO ME BEFORE?
IT'S NOTHING TO WORRY ABOUT.
OUR AUDIENCES ARE GREAT.
AUDIENCE? WHAT AUDIENCE?
YOU KNEW THERE WAS AN AUDIENCE.
WHAT DID YOU THINK THOSE SEATS WERE FOR?
I HAVEN'T PERFORMED IN FRONT OF AN AUDIENCE FOR 28 YEARS!
AUDIENCE?
I PLAYED A BUTLER.
I HAD ONE LINE!
I FORGOT IT.
DON'T WORRY. THIS IS GOING TO BE EASY.
FOR YOU MAYBE, NOT FOR ME.
I'M NOT AN ACTOR, I'M A MOVIE STAR!
5 MINUTES TO AIR.
READY FOR THE BOSS HIJACK SKETCH.
OH, SHUT UP!
YOU CAN DO IT!
I NEED TIME TO THINK!
I NEED TIME TO THINK.
OH, HOLY MOTHER.
I NEED TIME TO THINK!
IS THAT THINK OR DRINK?
YES!
WELL!
HE'S GOT THE JITTERS.
LADIES AND GENTLEMEN, A SCANT SECOND AGO,
ALAN SWANN HAD A FULL-FLEDGED ANXIETY ATTACK,
AN INCH AWAY FROM A COMPLETE NERVOUS BREAKDOWN,
AND THIS ONE HAS THE NERVE TO DESCRIBE IT AS THE JITTERS!
WHAT ARE YOU DOING?
DRINKING AND LEAVING!
THE MUSKETEER SKETCH IS ON AFTER THE HIJACK SKETCH.
I'M NOT DOING THE MUSCATEL SKETCH.
THEMUSKETEER SKETCH!
I'M NOT DOING EITHER!
WASN'T THAT ALAN SWANN LEAVING?
OBVIOUSLY HE'S STILL IN THE THROES OF THE JITTERS!
GET OUT OF MY WAY, SY.
NOT UNTIL YOU PAY UP.
BENJY, WHAT HAPPENED?
SWANN'S GONE. CAN'T SPEAK. TALK LATER!
YOU LITTLE SMART-ASS,
SON OF A BITCH BASTARD!
YOU'RE THROUGH HERE!
I'M TELLING KING!
SY!
WHERE'S K.C.?
EVERYTHING OK?
GOOD.
THANK YOU, HARMONAIRES, THANK YOU!
THIS IS PLACES, PEOPLE!
COME ON, PEOPLE! LET'S HURRY UP!
DANCERS, OPENING DANCERS,
YOU SHOULD BE IN YOUR STARTING PLACES!
HURRY ALONG!
WHO ARE YOU?
OH, YEAH, PHIL SOMEBODY, RIGHT?
I KNOW YOU. GO AHEAD.
DOING A GOOD JOB, PHIL.
OH!
SY! SY, I'M SORRY!
HELP! HELP!
HELP. WE NEED SOME HELP HERE.
SY, YOU SHOULDN'T SNEAK UP ON A GUY LIKE THAT.
I KNOW YOU CAN'T HEAR ME, PAL,
BUT WHEN YOU WAKE UP,
I'M GOING TO GIVE YOU A NICE RAISE.
GET HIM SOME FIRST AID.
WHAT A PUTZ.
TERRIBLE, TERRIBLE.
ALFREDO!
ALFREDO.
ALFREDO...
YOU'RE NOT ALFREDO.
MR. SWANN?
OH, MY GOD, IT'S STONEBERGER.
WILL YOU EVER LET ME ALONE?
AS SOON AS YOU FINISH THE SHOW.
I'M NOT DOING THE SHOW.
I WANT TO GO TO THE WALDORF!
YOU HAVE TO DO THE SHOW.
IF YOU DON'T, THEY'LL DEPORT YOU.
IT DOESN'T MATTER.
THAT'S A SAD SIGHT.
YOU'RE A SADDER SIGHT.
ALL YOU END UP DOING
IS MAKING ANYONE WHO CARES FOR YOU UNHAPPY.
YOU KNOW WHAT THEY SAY ABOUT ME, STONEBERG,
"YOU CAN DEPEND ON ALAN SWANN.
HE WILL ALWAYS LET YOU DOWN."
DID YOU TELL TESS THAT?
OH, THAT'S RIGHT.
YOU COULDN'T GET OUT OF THE CAR.
ALFIE, TAKE THIS BUM TO THE WALDORF.
Director: LADIES, LADIES,
LET'S GO! LET'S GO!
NANCY, YOU HAVE A NICE SHOW.
SY, DIDN'T I TELL YOU NOT TO SNEAK UP ON--
MR. ROJECK WANTED YOU TO HAVE THAT.
AND THAT.
UH! UH!
WE HAVE 10 SECONDS TO GO,
JUST IN CASE ANYBODY HAS TO.
9...
8...
7...
6...
THIS IS NBC,
THE NATIONAL BROADCASTING COMPANY.
CUE MUSIC, READY ONE.
UP ON ONE.
READY 2 AND ANNOUNCE. 2!
LADIES AND GENTLEMEN, IT IS SATURDAY NIGHT AT 8:00.
THE NATIONAL BROADCASTING COMPANY PRESENTS
THE COMEDY CAVALCADE...
READY 2.
STARRING KING KAISER
WITH HIS SPECIAL GUEST STAR ALAN SWANN!
NOW LET'S ROLL FILM!
WE'LL BE RIGHT BACK AFTER THIS WORD FROM OUR SPONSOR.
TAKE IT!
WHEN YOU EAT LUNCH TOO QUICKLY,
AS THIS FELLOW HAS, THEN YOU'RE APT TO BE CRANKY
BECAUSE YOUR STOMACH FEELS BAD.
STONE.
I'M AFRAID.
THAT'S WHY I COULDN'T GET OUT OF THE CAR
TO SEE MY TESS, MY CHILD.
ALAN SWANN AFRAID?
THE DEFENDER OF THE CROWN,
CAPTAIN FROM TORTUGA,
THE LAST KNIGHT OF THE ROUND TABLE?
THOSE ARE MOVIES, DAMN YOU!
LOOK AT ME!
I'M FLESH AND BLOOD!
LIFE-SIZE, NO LARGER!
I'M NOT THAT SILLY GODDAMNED HERO!
I NEVER WAS!
TO ME YOU WERE.
WHOEVER YOU WERE IN THOSE MOVIES,
THOSE SILLY GODDAMNED HEROES MEANT A LOT TO ME!
WHAT DOES IT MATTER IF IT WAS AN ILLUSION?
IT WORKED!
SO DON'T TELL ME THIS IS YOU "LIFE-SIZE!"
I CAN'T USE YOU LIFE-SIZE.
I NEED ALAN SWANNS AS BIG AS I CAN GET THEM!
AND LET ME TELL YOU SOMETHING.
YOU COULDN'T HAVE CONVINCED ME THE WAY YOU DID
UNLESS SOMEWHERE IN YOU YOU HAD THAT COURAGE!
NOBODY'S THAT GOOD AN ACTOR!
YOUARETHAT SILLY GODDAMNED HERO!
QUIET DOWN BACK HERE! WE'RE ON THE AIR!
COME BACK! GO GET SOME HELP!
YOU'RE FIRED!
WHO OWNS THE GRAY '51 DeSOTO?
THE NEW GUY HARRY.
YOU'RE PARKED IN BOSS HIJACK'S SPOT. BETTER MOVE.
WHAT THE HELL IS THAT?
YOU'RE LUCKY WE'RE ON THE SECOND FLOOR.
IT SLOWED HIM DOWN.
YOU'RE VERY LUCKY WE'RE ON THE SECOND FLOOR.
IT REALLY SLOWED HIM DOWN.
ONE. WHERE'S KING?
CUE KING. CUE HIM.
WELL, WHAT'S IT GOING TO DO?
GOING TO KIND OF...
SLOW HIM DOWN.
BOSS HI--
HOLY JESUS!
BOSS HIJACK--
ONE!
WHAT IS THIS? WHAT'S HAPPENING?
3!
DON'T COME IN HERE.
HA HA, HEY, HEY! HO!
BOP! OOH! HEY!
UH! OOH! HA HA, HEY! OOH! OOH!
3!
2!
ONE!
WHAT'S HAPPENING?
WHAT THE HELL IS HAPPENING?
WHAT THE HELL'S HAPPENING?
ROJECK'S MEN ARE KILLING KING!
WHAT IS SWANN DOING IN THE BALCONY?
GET A LIGHT ON HIM. GET A LIGHT ON HIM.
HE'S IN THE BALCONY!
TAKE 3! GOOD!
PORTHOLE!
SWANN?
WILL YOU HOLD MY SWORD?
THANK YOU VERY MUCH.
AND ONE.
LOOSEN UP ON 3...
AND 3!
OH, GOD, THIS MAKES ME HAPPY.
2! DO AS I TOLD YOU!
WHAT TOOK YOU SO LONG?
LADIES AND GENTLEMEN,
ALAN SWANN!
2.
AND ONE...
2.
Stone, voice-over:
THE WAY YOU SEE HIM HERE, LIKE THIS,
THIS IS THE WAY I LIKE TO REMEMBER HIM.
I THINK IF YOU HAD ASKED ALAN SWANN
WHAT WAS THE SINGLE MOST GRATIFYING MOMENT IN HIS LIFE,
HE MIGHT HAVE SAID THIS ONE RIGHT HERE.
THE NEXT DAY, I DROVE UP TO CONNECTICUT
WITH HIM AND ALFIE.
THIS TIME HE KNOCKED ON THE DOOR,
AND WHEN HE AND TESS SAW EACH OTHER,
IT WAS LIKE THEY'D NEVER BEEN APART.
LIKE ALFIE SAYS,
"WITH SWANN, YOU FORGIVE A LOT, YOU KNOW?"
I KNOW.
CAPTIONING MADE POSSIBLE BY WARNER BROS.
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--