1 00:00:12,679 --> 00:00:15,974 >> Claudine: FROM NASHVILLE, TENNESSEE, WELCOME TO THE A.C.M. 2 00:00:16,057 --> 00:00:17,600 AWARDS! 3 00:00:17,684 --> 00:00:21,604 AND NOW, PLEASE WELCOME THE NOMINEES FOR ENTERTAINER OF 4 00:00:17,684 --> 00:00:21,604 AND NOW, PLEASE WELCOME THE NOMINEES FOR ENTERTAINER OF 5 00:00:21,688 --> 00:00:24,941 THE YEAR: CARRIE UNDERWOOD, THOMAS RHETT, LUKE COMBS, ERIC 6 00:00:21,688 --> 00:00:24,941 THE YEAR: CARRIE UNDERWOOD, THOMAS RHETT, LUKE COMBS, ERIC 7 00:00:25,024 --> 00:00:35,994 CHURCH, AND TO START THINGS OFF, LUKE BRYAN. 8 00:00:25,024 --> 00:00:35,994 CHURCH, AND TO START THINGS OFF, LUKE BRYAN. 9 00:00:36,077 --> 00:00:37,120 WHAT'S UP GUYS. 10 00:00:37,203 --> 00:00:41,791 WE'RE HERE AT THE GRAND OLE OPRY RIGHT HERE IN NASHVILLE, 11 00:00:41,875 --> 00:00:43,585 TENNESSEE, THE ACM AWARDS. 12 00:00:41,875 --> 00:00:43,585 TENNESSEE, THE ACM AWARDS. 13 00:00:43,668 --> 00:00:47,005 'S GOING TO GET YOU DANCING TONIGHT! 14 00:00:47,088 --> 00:00:52,969 ♪ MY DADDY SPENT HIS LIFE LOOKIN' UP AT THE SKY 15 00:00:47,088 --> 00:00:52,969 ♪ MY DADDY SPENT HIS LIFE LOOKIN' UP AT THE SKY 16 00:00:53,052 --> 00:00:56,973 ♪ HE CUSS, KICK THE DUST, SAYIN' "SON, IT'S WAY TOO DRY" 17 00:00:53,052 --> 00:00:56,973 ♪ HE CUSS, KICK THE DUST, SAYIN' "SON, IT'S WAY TOO DRY" 18 00:00:57,056 --> 00:01:00,101 ♪ IT CLOUDS UP IN THE CITY THE WEATHER MAN COMPLAINS 19 00:00:57,056 --> 00:01:00,101 ♪ IT CLOUDS UP IN THE CITY THE WEATHER MAN COMPLAINS 20 00:01:00,185 --> 00:01:06,107 ♪ BUT WHERE I COME FROM RAIN IS A GOOD THING 21 00:01:00,185 --> 00:01:06,107 ♪ BUT WHERE I COME FROM RAIN IS A GOOD THING 22 00:01:06,191 --> 00:01:12,113 ♪ RAIN MAKES CORN CORN MAKES WHISKEY 23 00:01:06,191 --> 00:01:12,113 ♪ RAIN MAKES CORN CORN MAKES WHISKEY 24 00:01:12,197 --> 00:01:16,117 ♪ WHISKEY MAKES MY BABY FEEL A LITTLE FRISKY 25 00:01:16,201 --> 00:01:20,121 ♪ BACK ROADS ARE BOGGIN' UP MY BUDDIES PILE UP IN MY TRUCK 26 00:01:16,201 --> 00:01:20,121 ♪ BACK ROADS ARE BOGGIN' UP MY BUDDIES PILE UP IN MY TRUCK 27 00:01:20,205 --> 00:01:24,083 ♪ WE HUNT OUR HUNNIES DOWN WE TAKE 'EM INTO TOWN 28 00:01:20,205 --> 00:01:24,083 ♪ WE HUNT OUR HUNNIES DOWN WE TAKE 'EM INTO TOWN 29 00:01:24,167 --> 00:01:28,129 ♪ START WASHIN' ALL OUR WORRIES DOWN THE DRAIN 30 00:01:28,213 --> 00:01:40,058 ♪ RAIN IS A GOOD THING LADY AS AND GENTLEMEN, MY GOOD 31 00:01:28,213 --> 00:01:40,058 ♪ RAIN IS A GOOD THING LADY AS AND GENTLEMEN, MY GOOD 32 00:01:28,213 --> 00:01:40,058 ♪ RAIN IS A GOOD THING LADY AS AND GENTLEMEN, MY GOOD 33 00:01:40,141 --> 00:01:44,020 BUDDY, ERIC CHURCH. 34 00:01:40,141 --> 00:01:44,020 BUDDY, ERIC CHURCH. 35 00:01:44,103 --> 00:01:45,355 ♪ EARLY MONDAY MORNIN' TO FRIDAY AT FIVE 36 00:01:45,438 --> 00:01:48,066 ♪ MAN, I WORK, WORK, WORK BUT I DON'T CLIMB, CLIMB, CLIMB 37 00:01:45,438 --> 00:01:48,066 ♪ MAN, I WORK, WORK, WORK BUT I DON'T CLIMB, CLIMB, CLIMB 38 00:01:48,149 --> 00:01:54,197 ♪ BOSS MAN CAN SHOVE THAT OVERTIME UP HIS CAN 39 00:01:48,149 --> 00:01:54,197 ♪ BOSS MAN CAN SHOVE THAT OVERTIME UP HIS CAN 40 00:01:54,280 --> 00:01:59,118 ♪ ALL YOU GOTTA DO IS PUT A DRINK IN MY HAND 41 00:01:59,202 --> 00:02:04,666 ♪ I FILL IT UP I THROW IT DOWN 42 00:01:59,202 --> 00:02:04,666 ♪ I FILL IT UP I THROW IT DOWN 43 00:02:04,749 --> 00:02:09,045 ♪ I GOT A 40-HOUR WEEK WORTH OF TROUBLE TO DROWN 44 00:02:04,749 --> 00:02:09,045 ♪ I GOT A 40-HOUR WEEK WORTH OF TROUBLE TO DROWN 45 00:02:09,128 --> 00:02:12,173 ♪ NO NEED TO COMPLICATE IT I'M A SIMPLE MAN 46 00:02:09,128 --> 00:02:12,173 ♪ NO NEED TO COMPLICATE IT I'M A SIMPLE MAN 47 00:02:12,257 --> 00:02:20,098 ♪ ALL YOU GOTTA DO IS PUT A DRINK IN MY HAND 48 00:02:12,257 --> 00:02:20,098 ♪ ALL YOU GOTTA DO IS PUT A DRINK IN MY HAND 49 00:02:20,181 --> 00:02:24,561 ♪ YEAH, THE PARKING LOT IS MUDDY I CAN'T GET TO THE DOOR 50 00:02:20,181 --> 00:02:24,561 ♪ YEAH, THE PARKING LOT IS MUDDY I CAN'T GET TO THE DOOR 51 00:02:24,644 --> 00:02:30,191 ♪ I TAKE MY JACKED-UP DROP 'ER DOWN IN 4X4 52 00:02:24,644 --> 00:02:30,191 ♪ I TAKE MY JACKED-UP DROP 'ER DOWN IN 4X4 53 00:02:30,275 --> 00:02:35,321 ♪ YEAH, CHILL DOWN A LONG NECK AND WARM UP THE BAND 54 00:02:35,405 --> 00:02:39,909 ♪ ALL YOU GOTTA DO IS PUT A DRINK IN MY HAND 55 00:02:35,405 --> 00:02:39,909 ♪ ALL YOU GOTTA DO IS PUT A DRINK IN MY HAND 56 00:02:39,993 --> 00:02:51,754 ♪ FILL IT UP OR THROW IT DOWN 57 00:02:39,993 --> 00:02:51,754 ♪ FILL IT UP OR THROW IT DOWN 58 00:02:39,993 --> 00:02:51,754 ♪ FILL IT UP OR THROW IT DOWN 59 00:02:51,838 --> 00:02:54,716 ♪ I'M ABOUT TO TEAR A NEW ONE IN ♪ ALL YOU GOTTA DO 60 00:02:51,838 --> 00:02:54,716 ♪ I'M ABOUT TO TEAR A NEW ONE IN ♪ ALL YOU GOTTA DO 61 00:02:54,799 --> 00:03:05,977 IS PUT A DRINK IN MY HAND ♪ >> PLEASE MAKE WELCOME MY 62 00:02:54,799 --> 00:03:05,977 IS PUT A DRINK IN MY HAND ♪ >> PLEASE MAKE WELCOME MY 63 00:03:06,060 --> 00:03:11,858 FELLOW-- LUKE. 64 00:03:11,941 --> 00:03:15,236 ♪ SUNDAY MORNING, MAN SHE WOKE UP FIGHTIN' MAD 65 00:03:11,941 --> 00:03:15,236 ♪ SUNDAY MORNING, MAN SHE WOKE UP FIGHTIN' MAD 66 00:03:15,320 --> 00:03:24,245 ♪ BITCHIN' AND MOANIN' ON AND ON 'BOUT THE TIME I HAD 67 00:03:15,320 --> 00:03:24,245 ♪ BITCHIN' AND MOANIN' ON AND ON 'BOUT THE TIME I HAD 68 00:03:15,320 --> 00:03:24,245 ♪ BITCHIN' AND MOANIN' ON AND ON 'BOUT THE TIME I HAD 69 00:03:24,329 --> 00:03:30,251 ♪ AND BY TUESDAY, YOU COULD SAY THAT GIRL WAS GOOD AS GONE 70 00:03:24,329 --> 00:03:30,251 ♪ AND BY TUESDAY, YOU COULD SAY THAT GIRL WAS GOOD AS GONE 71 00:03:30,335 --> 00:03:39,969 ♪ AND THEN WHEN THURSDAY CAME AROUND, I WAS ALL ALONE 72 00:03:30,335 --> 00:03:39,969 ♪ AND THEN WHEN THURSDAY CAME AROUND, I WAS ALL ALONE 73 00:03:40,053 --> 00:03:44,265 ♪ SO I WENT FOR A DRIVE TO CLEAR MY MIND 74 00:03:40,053 --> 00:03:44,265 ♪ SO I WENT FOR A DRIVE TO CLEAR MY MIND 75 00:03:44,349 --> 00:03:51,189 ♪ ENDED UP AT A SHELL ON I-65 THEN I WON A HUNDRED BUCKS ON A 76 00:03:44,349 --> 00:03:51,189 ♪ ENDED UP AT A SHELL ON I-65 THEN I WON A HUNDRED BUCKS ON A 77 00:03:51,272 --> 00:03:54,317 ♪ SCRATCH-OFF TICKET BOUGHT TWO 12-PACKS 78 00:03:51,272 --> 00:03:54,317 ♪ SCRATCH-OFF TICKET BOUGHT TWO 12-PACKS 79 00:03:54,400 --> 00:03:56,319 ♪ AND A TANK OF GAS WITH IT SHE SWORE THEY WERE A 80 00:03:56,402 --> 00:04:03,910 ♪ WASTE OF TIME OH, BUT SHE WAS WRONG 81 00:03:56,402 --> 00:04:03,910 ♪ WASTE OF TIME OH, BUT SHE WAS WRONG 82 00:04:03,993 --> 00:04:06,329 ♪ I WAS CALLER NUMBER FIVE ON THE RADIO STATION 83 00:04:03,993 --> 00:04:06,329 ♪ I WAS CALLER NUMBER FIVE ON THE RADIO STATION 84 00:04:06,412 --> 00:04:11,376 ♪ WON A FOUR-DAY, THREE-NIGHT BEACH VACATION 85 00:04:11,459 --> 00:04:18,299 ♪ DEEP SEA, SEÑORITA FISHING DOWN IN PANAMA 86 00:04:11,459 --> 00:04:18,299 ♪ DEEP SEA, SEÑORITA FISHING DOWN IN PANAMA 87 00:04:11,459 --> 00:04:18,299 ♪ DEEP SEA, SEÑORITA FISHING DOWN IN PANAMA 88 00:04:18,383 --> 00:04:24,305 ♪ AND I AIN'T GOTTA SEE MY EX- FUTURE-MOTHER-IN-LAW ANYMORE 89 00:04:18,383 --> 00:04:24,305 ♪ AND I AIN'T GOTTA SEE MY EX- FUTURE-MOTHER-IN-LAW ANYMORE 90 00:04:24,389 --> 00:04:32,522 ♪ OH LORD, WHEN IT RAINS IT POURS 91 00:04:24,389 --> 00:04:32,522 ♪ OH LORD, WHEN IT RAINS IT POURS 92 00:04:32,605 --> 00:04:35,358 AND NOW OVER TO THE RYE MANMAN-- RYMAN FOR 93 00:04:35,441 --> 00:04:41,406 MR. THOMAS RHETT. 94 00:04:35,441 --> 00:04:41,406 MR. THOMAS RHETT. 95 00:04:41,489 --> 00:04:46,411 ♪ HEY GIRL, YOU MAKE ME WANNA WRITE A SONG 96 00:04:41,489 --> 00:04:46,411 ♪ HEY GIRL, YOU MAKE ME WANNA WRITE A SONG 97 00:04:46,494 --> 00:04:48,371 ♪ SIT YOU DOWN I'LL SING IT TO YOU 98 00:04:46,494 --> 00:04:48,371 ♪ SIT YOU DOWN I'LL SING IT TO YOU 99 00:04:48,454 --> 00:04:54,377 ♪ ALL NIGHT LONG I'VE HAD A MELODY IN MY HEAD 100 00:04:48,454 --> 00:04:54,377 ♪ ALL NIGHT LONG I'VE HAD A MELODY IN MY HEAD 101 00:04:54,460 --> 00:04:59,507 ♪ SINCE SHE WALKED IN HERE AND KNOCKED ME DEAD 102 00:04:59,590 --> 00:05:02,385 ♪ YEAH GIRL, YOU MAKE ME WANNA WRITE A SONG 103 00:04:59,590 --> 00:05:02,385 ♪ YEAH GIRL, YOU MAKE ME WANNA WRITE A SONG 104 00:05:02,468 --> 00:05:06,389 ♪ AND IT GOES LIKE OOH 105 00:05:02,468 --> 00:05:06,389 ♪ AND IT GOES LIKE OOH 106 00:05:06,472 --> 00:05:11,644 ♪ WHAT I WOULDN'T DO TO WRITE MY NAME ON YOUR HEART 107 00:05:11,728 --> 00:05:14,230 ♪ GET YOU WRAPPED IN MY ARMS BABY, ALL AROUND YOU 108 00:05:11,728 --> 00:05:14,230 ♪ GET YOU WRAPPED IN MY ARMS BABY, ALL AROUND YOU 109 00:05:14,313 --> 00:05:16,399 ♪ AND IT GOES LIKE HEY 110 00:05:16,482 --> 00:05:22,864 ♪ GIRL I'M BLOWN AWAY YEAH, IT STARTS WITH A SMILE 111 00:05:16,482 --> 00:05:22,864 ♪ GIRL I'M BLOWN AWAY YEAH, IT STARTS WITH A SMILE 112 00:05:22,947 --> 00:05:24,407 ♪ AND IT ENDS WITH AN ALL-NIGHT- LONG SLOW KISS 113 00:05:22,947 --> 00:05:24,407 ♪ AND IT ENDS WITH AN ALL-NIGHT- LONG SLOW KISS 114 00:05:24,490 --> 00:05:30,580 ♪ YEAH, IT GOES LIKE THIS ♪ >> THANK YOU SO MUCH! 115 00:05:24,490 --> 00:05:30,580 ♪ YEAH, IT GOES LIKE THIS ♪ >> THANK YOU SO MUCH! 116 00:05:30,663 --> 00:05:40,423 WE'RE GOING TO THROW IT BACK TO CARRIE UNDERWOOD AT THE OPRY. 117 00:05:30,663 --> 00:05:40,423 WE'RE GOING TO THROW IT BACK TO CARRIE UNDERWOOD AT THE OPRY. 118 00:05:40,506 --> 00:05:44,093 ♪ ♪ ♪ ♪ RIGHT NOW, SHE'S PRO'BLY UP 119 00:05:40,506 --> 00:05:44,093 ♪ ♪ ♪ ♪ RIGHT NOW, SHE'S PRO'BLY UP 120 00:05:44,177 --> 00:05:46,387 SINGIN' ♪ SOME WHITE TRASH VERSION 121 00:05:46,471 --> 00:05:48,389 OF SHANIA KARAOKE ♪ RIGHT NOW, SHE'S PRO'BLY 122 00:05:46,471 --> 00:05:48,389 OF SHANIA KARAOKE ♪ RIGHT NOW, SHE'S PRO'BLY 123 00:05:48,473 --> 00:05:52,435 SAYIN' "I'M DRUNK" ♪ AND HE'S A THINKIN' THAT HE'S 124 00:05:52,518 --> 00:05:56,397 GONNA GET LUCKY ♪ RIGHT NOW, HE'S PRO'BLY DABBIN 125 00:05:52,518 --> 00:05:56,397 GONNA GET LUCKY ♪ RIGHT NOW, HE'S PRO'BLY DABBIN 126 00:05:56,481 --> 00:06:00,443 ON ♪ THREE DOLLARS WORTH OF THAT 127 00:05:56,481 --> 00:06:00,443 ON ♪ THREE DOLLARS WORTH OF THAT 128 00:06:00,526 --> 00:06:08,451 BATHROOM POLO ♪ OH, AND HE DON'T KNOW 129 00:06:00,526 --> 00:06:08,451 BATHROOM POLO ♪ OH, AND HE DON'T KNOW 130 00:06:08,534 --> 00:06:12,455 I DUG MY KEY INTO THE SIDE ♪ OF HIS PRETTY LITTLE SOUPED-UP 131 00:06:08,534 --> 00:06:12,455 I DUG MY KEY INTO THE SIDE ♪ OF HIS PRETTY LITTLE SOUPED-UP 132 00:06:12,538 --> 00:06:16,459 FOUR-WHEEL DRIVE ♪ CARVED MY NAME INTO HIS 133 00:06:16,542 --> 00:06:20,463 LEATHER SEATS ♪ I TOOK A LOUISVILLE SLUGGER 134 00:06:16,542 --> 00:06:20,463 LEATHER SEATS ♪ I TOOK A LOUISVILLE SLUGGER 135 00:06:20,546 --> 00:06:24,467 TO BOTH HEADLIGHTS ♪ SLASHED A HOLE IN ALL FOUR 136 00:06:20,546 --> 00:06:24,467 TO BOTH HEADLIGHTS ♪ SLASHED A HOLE IN ALL FOUR 137 00:06:24,550 --> 00:06:28,471 TIRES ♪ MAYBE NEXT TIME HE'LL THINK 138 00:06:28,554 --> 00:06:36,479 BEFORE HE CHEATS ♪ OH, MAYBE NEXT TIME HE'LL 139 00:06:28,554 --> 00:06:36,479 BEFORE HE CHEATS ♪ OH, MAYBE NEXT TIME HE'LL 140 00:06:28,554 --> 00:06:36,479 BEFORE HE CHEATS ♪ OH, MAYBE NEXT TIME HE'LL 141 00:06:36,562 --> 00:06:44,445 THINK BEFORE HE CHEATS ♪ OHHHH, BEFORE HE CHEATS 142 00:06:36,562 --> 00:06:44,445 THINK BEFORE HE CHEATS ♪ OHHHH, BEFORE HE CHEATS 143 00:06:44,529 --> 00:06:58,501 OHHHH ♪ >> Claudine: WELCOME TO THE 55th 144 00:06:44,529 --> 00:06:58,501 OHHHH ♪ >> Claudine: WELCOME TO THE 55th 145 00:06:44,529 --> 00:06:58,501 OHHHH ♪ >> Claudine: WELCOME TO THE 55th 146 00:06:58,584 --> 00:07:02,505 ANNUAL ACADEMY OF COUNTRY MUSIC AWARDS, A NIGHT OF HEART AND 147 00:06:58,584 --> 00:07:02,505 ANNUAL ACADEMY OF COUNTRY MUSIC AWARDS, A NIGHT OF HEART AND 148 00:07:02,588 --> 00:07:06,509 HITS LIVE FROM NASHVILLE TENNESSEE. 149 00:07:02,588 --> 00:07:06,509 HITS LIVE FROM NASHVILLE TENNESSEE. 150 00:07:06,592 --> 00:07:12,014 THIS EVENING WE BRING YOU 23 PERFORMANCES FROM THE BIGGEST 151 00:07:06,592 --> 00:07:12,014 THIS EVENING WE BRING YOU 23 PERFORMANCES FROM THE BIGGEST 152 00:07:12,098 --> 00:07:12,515 STARS IN COUNTRY FROM THREE OF THE MOST ICONIC VENUES HERE IN 153 00:07:12,598 --> 00:07:17,228 MUSIC CITY. 154 00:07:17,311 --> 00:07:20,523 FROM THE GRAND OLE OPRY HOUSE: KANE BROWN, LUKE BRYAN, ERIC 155 00:07:17,311 --> 00:07:20,523 FROM THE GRAND OLE OPRY HOUSE: KANE BROWN, LUKE BRYAN, ERIC 156 00:07:20,606 --> 00:07:24,527 CHURCH, DAN AND SHAY, FLORIDA GEORGIA LINE, MICKEY GUYTON 157 00:07:20,606 --> 00:07:24,527 CHURCH, DAN AND SHAY, FLORIDA GEORGIA LINE, MICKEY GUYTON 158 00:07:24,610 --> 00:07:28,531 FEATURING KEITH URBAN, MORGAN WALLEN, AND CARRIE UNDERWOOD, 159 00:07:28,614 --> 00:07:32,535 WITH A SPECIAL TRIBUTE TO THE GREAT WOMEN OF COUNTRY MUSIC. 160 00:07:28,614 --> 00:07:32,535 WITH A SPECIAL TRIBUTE TO THE GREAT WOMEN OF COUNTRY MUSIC. 161 00:07:32,618 --> 00:07:36,539 AT THE HISTORIC RYMAN AUDITORIUM: KELSEA BALLERINI, 162 00:07:32,618 --> 00:07:36,539 AT THE HISTORIC RYMAN AUDITORIUM: KELSEA BALLERINI, 163 00:07:36,622 --> 00:07:43,296 GABBY BARRETT, RILEY GREEN, MAREN MORRIS, OLD DOMINION, 164 00:07:36,622 --> 00:07:43,296 GABBY BARRETT, RILEY GREEN, MAREN MORRIS, OLD DOMINION, 165 00:07:43,379 --> 00:07:45,506 THOMAS RHETT FEATURING JON PARDI AND TENILLE TOWNES. 166 00:07:45,590 --> 00:07:52,638 AND FROM LEGENDARY BLUEBIRD CAFÉ: JIMMIE ALLEN, LUKE COMBS, 167 00:07:45,590 --> 00:07:52,638 AND FROM LEGENDARY BLUEBIRD CAFÉ: JIMMIE ALLEN, LUKE COMBS, 168 00:07:52,722 --> 00:07:53,806 MIRANDA LAMBERT AND TIM McGRAW. 169 00:07:53,890 --> 00:08:00,062 PLUS, TWO UNFORGETTABLE DUETS FROM BLAKE SHELTON AND GWEN 170 00:07:53,890 --> 00:08:00,062 PLUS, TWO UNFORGETTABLE DUETS FROM BLAKE SHELTON AND GWEN 171 00:07:53,890 --> 00:08:00,062 PLUS, TWO UNFORGETTABLE DUETS FROM BLAKE SHELTON AND GWEN 172 00:08:00,146 --> 00:08:02,523 STEFANI, AND KEITH URBAN WITH PiNK. 173 00:08:02,607 --> 00:08:04,567 AND A VERY SPECIAL PERFORMANCE BY THE ONE AND ONLY TRISHA 174 00:08:04,650 --> 00:08:05,818 YEARWOOD. 175 00:08:05,902 --> 00:08:12,575 AND FOR THE FIRST TIME IN SEVEN YEARS, TAYLOR SWIFT RETURNS TO 176 00:08:05,902 --> 00:08:12,575 AND FOR THE FIRST TIME IN SEVEN YEARS, TAYLOR SWIFT RETURNS TO 177 00:08:05,902 --> 00:08:12,575 AND FOR THE FIRST TIME IN SEVEN YEARS, TAYLOR SWIFT RETURNS TO 178 00:08:12,658 --> 00:08:16,579 THE ACM STAGE WITH THE WORLD PREMIERE PERFORMANCE OF HER HIT 179 00:08:16,662 --> 00:08:17,788 SONG "BETTY." 180 00:08:17,872 --> 00:08:28,591 NOW, PLEASE WELCOME YOUR HOST FOR THE EVENING, KEITH URBAN! 181 00:08:17,872 --> 00:08:28,591 NOW, PLEASE WELCOME YOUR HOST FOR THE EVENING, KEITH URBAN! 182 00:08:17,872 --> 00:08:28,591 NOW, PLEASE WELCOME YOUR HOST FOR THE EVENING, KEITH URBAN! 183 00:08:28,674 --> 00:08:32,929 >> Keith: ALL RIGHT! 184 00:08:28,674 --> 00:08:32,929 >> Keith: ALL RIGHT! 185 00:08:33,012 --> 00:08:33,221 WHOOO! 186 00:08:33,304 --> 00:08:34,263 AMAZING. 187 00:08:34,347 --> 00:08:36,599 WELCOME, EVERYONE, TO THE 55th ACADEMY OF COUNTRY 188 00:08:34,347 --> 00:08:36,599 WELCOME, EVERYONE, TO THE 55th ACADEMY OF COUNTRY 189 00:08:36,682 --> 00:08:37,767 MUSIC AWARDS. 190 00:08:37,850 --> 00:08:41,812 NOW AS MANY OF YOU KNOW THIS SHOW WAS SUPPOSED TO TAKE PLACE 191 00:08:41,896 --> 00:08:44,607 IN LAS VEGAS IN APRIL BUT WAS POSTPONED DUE TO LOCKDOWN BUT 192 00:08:41,896 --> 00:08:44,607 IN LAS VEGAS IN APRIL BUT WAS POSTPONED DUE TO LOCKDOWN BUT 193 00:08:44,690 --> 00:08:47,443 TONIGHT WE'RE BACK. 194 00:08:47,526 --> 00:08:50,446 OF COURSE DUE TO THE COVID WAR THAT WE ARE LIVING IN RIGHT NOW 195 00:08:47,526 --> 00:08:50,446 OF COURSE DUE TO THE COVID WAR THAT WE ARE LIVING IN RIGHT NOW 196 00:08:50,529 --> 00:08:54,450 WE WANTED AN AUDIENCE HERE BUT WE HAVE EVERY ONE OF YOU 197 00:08:50,529 --> 00:08:54,450 WE WANTED AN AUDIENCE HERE BUT WE HAVE EVERY ONE OF YOU 198 00:08:54,533 --> 00:08:56,953 WATCHING, WHEREVER YOU ARE WATCHING FROM RIGHT NOW, THANK 199 00:08:57,036 --> 00:08:58,454 YOU SO MUCH EVERY ONE OF YOU. 200 00:08:58,538 --> 00:09:02,959 AFTER DECADES OF BEING IN LAS VEGAS AND LOS ANGELES THE ACM 201 00:08:58,538 --> 00:09:02,959 AFTER DECADES OF BEING IN LAS VEGAS AND LOS ANGELES THE ACM 202 00:09:03,042 --> 00:09:06,295 AWARDS ARE RIGHT HERE IN NASHVILLE, TENNESSEE, THE HOME 203 00:09:03,042 --> 00:09:06,295 AWARDS ARE RIGHT HERE IN NASHVILLE, TENNESSEE, THE HOME 204 00:09:06,379 --> 00:09:07,672 OF COUNTRY MUSIC. 205 00:09:07,755 --> 00:09:11,300 FOR THE VERY FIRST TIME, BY THE WAY, AND PART OF BEING HOME IS 206 00:09:11,384 --> 00:09:13,511 CELEBRATING THREE ICONIC LOCATIONS WHERE IT ALL BEGAN FOR 207 00:09:11,384 --> 00:09:13,511 CELEBRATING THREE ICONIC LOCATIONS WHERE IT ALL BEGAN FOR 208 00:09:13,594 --> 00:09:14,637 MANY OF US. 209 00:09:14,720 --> 00:09:19,141 TONIGHT OUR SHOW IS GOING TO COME FROM THE HISTORIC RYMAN 210 00:09:14,720 --> 00:09:19,141 TONIGHT OUR SHOW IS GOING TO COME FROM THE HISTORIC RYMAN 211 00:09:19,225 --> 00:09:22,311 AUDITORIUM, THE LEGENDARY BLUEBIRD CAFE AND OF COURSE 212 00:09:22,395 --> 00:09:28,651 RIGHT HERE AT THIS COUNTRY MUSIC TREASURE, THE GRAND OLE OPRY 213 00:09:22,395 --> 00:09:28,651 RIGHT HERE AT THIS COUNTRY MUSIC TREASURE, THE GRAND OLE OPRY 214 00:09:28,734 --> 00:09:29,902 HOUSE. 215 00:09:29,986 --> 00:09:33,155 EVERY THEY GREW UP DREAMING AND HEARING OF THESE GREAT PLACE, I 216 00:09:29,986 --> 00:09:33,155 EVERY THEY GREW UP DREAMING AND HEARING OF THESE GREAT PLACE, I 217 00:09:33,239 --> 00:09:36,075 A AND NOW THE HONOR OF APPEARING AT THEM. 218 00:09:33,239 --> 00:09:36,075 A AND NOW THE HONOR OF APPEARING AT THEM. 219 00:09:36,158 --> 00:09:40,663 WITH ALL THAT SAID, THIS HAS BEEN AN UNPREDICTABLE AND 220 00:09:40,746 --> 00:09:41,872 UNSETTLING YEAR FOR EVERYONE. 221 00:09:41,956 --> 00:09:47,295 EVEN AS OF RIGHT NOW OUR FRIENDS OUT WEST ARE BATTLING HORRIFIC 222 00:09:41,956 --> 00:09:47,295 EVEN AS OF RIGHT NOW OUR FRIENDS OUT WEST ARE BATTLING HORRIFIC 223 00:09:47,378 --> 00:09:50,673 WILDFIRES, OUR FOLKS ON THE GULF COAST ARE THREATENED BY 224 00:09:47,378 --> 00:09:50,673 WILDFIRES, OUR FOLKS ON THE GULF COAST ARE THREATENED BY 225 00:09:50,756 --> 00:09:51,757 HURRICANES. 226 00:09:51,841 --> 00:09:53,676 WE WANT TO SEND OUR LOVE, THOUGHTS AND OUR PRAYERS OUT 227 00:09:53,759 --> 00:09:56,012 TOVE REE ONE OF YOU AFFECTED RIGHT NOW. 228 00:09:53,759 --> 00:09:56,012 TOVE REE ONE OF YOU AFFECTED RIGHT NOW. 229 00:09:56,095 --> 00:10:03,019 AND OF COURSE WE ARE STILL IN THE MIDST OF TRYING TO FIGHT TWO 230 00:09:56,095 --> 00:10:03,019 AND OF COURSE WE ARE STILL IN THE MIDST OF TRYING TO FIGHT TWO 231 00:10:03,102 --> 00:10:03,686 PANDEMICS. 232 00:10:03,769 --> 00:10:04,687 COVID-19 AND SOCIAL INJUSTICE. 233 00:10:04,770 --> 00:10:08,899 FAR TOO MANY LIVES HAVE BEEN LOST TO BOTH. 234 00:10:04,770 --> 00:10:08,899 FAR TOO MANY LIVES HAVE BEEN LOST TO BOTH. 235 00:10:08,983 --> 00:10:13,112 THE EXAMPLE SET BY OUR ESSENTIAL WORKERS, OUR FIRST RESPONDERS, 236 00:10:08,983 --> 00:10:13,112 THE EXAMPLE SET BY OUR ESSENTIAL WORKERS, OUR FIRST RESPONDERS, 237 00:10:13,195 --> 00:10:15,823 ALONG WITH THE VOICES CRYING OUT FOR EQUALITY IN ALL WALKS OF 238 00:10:15,906 --> 00:10:20,661 LIFE, HAVE ECHOED AROUND THE WORLD AND RIGHT HERE IN OUR 239 00:10:15,906 --> 00:10:20,661 LIFE, HAVE ECHOED AROUND THE WORLD AND RIGHT HERE IN OUR 240 00:10:20,745 --> 00:10:21,871 COUNTRY. 241 00:10:21,954 --> 00:10:26,667 THEY INSPIRE US TO COME TOGETHER AND WORK TOGETHER TO ADDRESS 242 00:10:21,954 --> 00:10:26,667 THEY INSPIRE US TO COME TOGETHER AND WORK TOGETHER TO ADDRESS 243 00:10:26,751 --> 00:10:30,713 THESE CHALLENGES AM COUNTRY MUSIC IS MANY THINGS TO MANY 244 00:10:26,751 --> 00:10:30,713 THESE CHALLENGES AM COUNTRY MUSIC IS MANY THINGS TO MANY 245 00:10:30,796 --> 00:10:36,719 PEOPLE, BUT AT ITS CENTER, AT ITS CORE, AT ITS HEART I BELIEVE 246 00:10:30,796 --> 00:10:36,719 PEOPLE, BUT AT ITS CENTER, AT ITS CORE, AT ITS HEART I BELIEVE 247 00:10:36,802 --> 00:10:39,555 IT'S ABOUT COMMUNITY. 248 00:10:39,639 --> 00:10:44,226 THE SONGS, THE STORIES, AND THE ARTUSES TELLING THEM BRING US 249 00:10:39,639 --> 00:10:44,226 THE SONGS, THE STORIES, AND THE ARTUSES TELLING THEM BRING US 250 00:10:44,310 --> 00:10:46,395 HEALING, COMFORT AND THEY BRING HOPE. 251 00:10:46,479 --> 00:10:50,566 WE SURE COULD USE SOME OF THAT RIGHT ABOUT NOW, DON'T YOU 252 00:10:46,479 --> 00:10:50,566 WE SURE COULD USE SOME OF THAT RIGHT ABOUT NOW, DON'T YOU 253 00:10:50,649 --> 00:10:51,650 THINK? 254 00:10:51,734 --> 00:10:52,735 TONIGHT WE ARE GOING TO CELEBRATE WITH SOME CLASSIC 255 00:10:52,818 --> 00:10:56,739 MUSIC MOMENTS, INCREDIBLE COLLABORATIONS AND POWERFUL 256 00:10:52,818 --> 00:10:56,739 MUSIC MOMENTS, INCREDIBLE COLLABORATIONS AND POWERFUL 257 00:10:56,822 --> 00:10:59,909 PERFORMANCES AND THE BEST WAY TO SHOW YOU EXACTLY WHAT I AM 258 00:10:59,992 --> 00:11:02,745 TALKING ABOUT IS TO INTRODUCE YOU TO THE VERY TALENTED JIMMIE 259 00:10:59,992 --> 00:11:02,745 TALKING ABOUT IS TO INTRODUCE YOU TO THE VERY TALENTED JIMMIE 260 00:11:02,828 --> 00:11:12,755 ALLEN WITH HIS DEBUT ACM PERFORMANCE AT THE BLUEBIRD 261 00:11:02,828 --> 00:11:12,755 ALLEN WITH HIS DEBUT ACM PERFORMANCE AT THE BLUEBIRD 262 00:11:02,828 --> 00:11:12,755 ALLEN WITH HIS DEBUT ACM PERFORMANCE AT THE BLUEBIRD 263 00:11:12,838 --> 00:11:16,717 CAFE. 264 00:11:16,801 --> 00:11:20,721 ♪ ♪ ♪ ♪ LONG LEGS, CUTOFF JEANS 265 00:11:16,801 --> 00:11:20,721 ♪ ♪ ♪ ♪ LONG LEGS, CUTOFF JEANS 266 00:11:20,805 --> 00:11:25,101 PULLIN' ME IN LIKE A MAGNET ♪ YOUR EYES LOCKED ON ME 267 00:11:20,805 --> 00:11:25,101 PULLIN' ME IN LIKE A MAGNET ♪ YOUR EYES LOCKED ON ME 268 00:11:25,184 --> 00:11:28,771 I KNEW RIGHT THEN ♪ I HAD TO HAVE YOU 269 00:11:28,854 --> 00:11:30,773 'CAUSE RIGHT HERE IN THE MIDDLE OF THE FLOOR 270 00:11:28,854 --> 00:11:30,773 'CAUSE RIGHT HERE IN THE MIDDLE OF THE FLOOR 271 00:11:30,856 --> 00:11:33,734 ♪ OF THIS HOLE-IN-THE-WALL ON A BACK STREET 272 00:11:33,818 --> 00:11:36,737 ♪ I KNEW I HAD TO GET CLOSE TO YOU 273 00:11:33,818 --> 00:11:36,737 ♪ I KNEW I HAD TO GET CLOSE TO YOU 274 00:11:36,821 --> 00:11:39,865 ♪ GIRL, WHAT'S YOUR NAME? 275 00:11:39,949 --> 00:11:40,658 WHAT YOU DRINKIN'? 276 00:11:40,741 --> 00:11:43,619 ♪ YEAH, WHAT'S YOUR FAVORITE SONG? 277 00:11:40,741 --> 00:11:43,619 ♪ YEAH, WHAT'S YOUR FAVORITE SONG? 278 00:11:43,702 --> 00:11:44,662 ♪ IF YOU'RE THINKIN' WHAT I'M THINKIN' 279 00:11:44,745 --> 00:11:48,791 ♪ WE AIN'T GONNA BE IN THIS BAR TOO LONG 280 00:11:44,745 --> 00:11:48,791 ♪ WE AIN'T GONNA BE IN THIS BAR TOO LONG 281 00:11:48,874 --> 00:11:51,669 ♪ WE'LL BE SNEAKIN' ON OUT TO YOUR CAR 282 00:11:51,752 --> 00:11:54,880 ♪ STEALIN' KISSES OUT THERE IN THE DARK 283 00:11:51,752 --> 00:11:54,880 ♪ STEALIN' KISSES OUT THERE IN THE DARK 284 00:11:54,964 --> 00:11:58,509 ♪ YEAH, IT MIGHT BE TOO SOON TO SAY, "I LOVE YOU" 285 00:11:58,592 --> 00:12:02,763 ♪ BUT YOU'RE GONNA MAKE ME WANT TO 286 00:11:58,592 --> 00:12:02,763 ♪ BUT YOU'RE GONNA MAKE ME WANT TO 287 00:12:02,847 --> 00:12:06,851 ♪ ♪ ♪ ♪ ♪ ♪ 288 00:12:02,847 --> 00:12:06,851 ♪ ♪ ♪ ♪ ♪ ♪ 289 00:12:06,934 --> 00:12:12,773 ♪ SOFT HANDS TOUCHIN' ON ME LIGHTIN' ME UP LIKE A BONFIRE 290 00:12:06,934 --> 00:12:12,773 ♪ SOFT HANDS TOUCHIN' ON ME LIGHTIN' ME UP LIKE A BONFIRE 291 00:12:12,857 --> 00:12:16,193 ♪ YOUR LIPS ARE MAKIN' ME THINK THIS IS GONNA BE AN ALL-NIGHTER 292 00:12:16,277 --> 00:12:17,862 ♪ 'CAUSE RIGHT HERE IN THE MIDDLE OF THE CROWD 293 00:12:17,945 --> 00:12:20,781 ♪ YOU'RE THE CENTER OF THE WORLD ON A BARSTOOL 294 00:12:17,945 --> 00:12:20,781 ♪ YOU'RE THE CENTER OF THE WORLD ON A BARSTOOL 295 00:12:20,865 --> 00:12:24,994 ♪ AND OH YEAH, I HAD TO GET CLOSE TO YOU 296 00:12:20,865 --> 00:12:24,994 ♪ AND OH YEAH, I HAD TO GET CLOSE TO YOU 297 00:12:25,077 --> 00:12:28,456 ♪ GIRL, WHAT'S YOUR NAME? 298 00:12:28,539 --> 00:12:29,248 WHAT YOU DRINKIN'? 299 00:12:29,331 --> 00:12:30,082 ♪ YEAH, WHAT'S YOUR FAVORITE SONG? 300 00:12:29,331 --> 00:12:30,082 ♪ YEAH, WHAT'S YOUR FAVORITE SONG? 301 00:12:30,166 --> 00:12:33,669 ♪ IF YOU'RE THINKIN' WHAT I'M THINKIN' 302 00:12:33,752 --> 00:12:36,839 ♪ WE AIN'T GONNA BE IN THIS BAR TOO LONG 303 00:12:33,752 --> 00:12:36,839 ♪ WE AIN'T GONNA BE IN THIS BAR TOO LONG 304 00:12:36,922 --> 00:12:39,467 ♪ WE'LL BE SNEAKIN' ON OUT TO YOUR CAR 305 00:12:39,550 --> 00:12:42,845 ♪ STEALIN' KISSES OUT THERE IN THE DARK 306 00:12:39,550 --> 00:12:42,845 ♪ STEALIN' KISSES OUT THERE IN THE DARK 307 00:12:42,928 --> 00:12:46,557 ♪ YEAH, IT MIGHT BE TOO SOON TO SAY, "I LOVE YOU" 308 00:12:46,640 --> 00:12:51,979 ♪ BUT YOU'RE GONNA MAKE ME WANT TO 309 00:12:46,640 --> 00:12:51,979 ♪ BUT YOU'RE GONNA MAKE ME WANT TO 310 00:12:52,062 --> 00:12:56,859 ♪ ♪ ♪ ♪ ♪ ♪ 311 00:12:52,062 --> 00:12:56,859 ♪ ♪ ♪ ♪ ♪ ♪ 312 00:12:56,942 --> 00:13:00,905 YEAH ♪ WE'LL BE SNEAKIN' ON OUT TO 313 00:12:56,942 --> 00:13:00,905 YEAH ♪ WE'LL BE SNEAKIN' ON OUT TO 314 00:13:00,988 --> 00:13:04,867 YOUR CAR, CAR, CAR ♪ STEALIN' KISSES OUT THERE IN 315 00:13:04,950 --> 00:13:08,996 THE DARK, DARK, DARK ♪ GIRL, WHAT'S YOUR NAME? 316 00:13:04,950 --> 00:13:08,996 THE DARK, DARK, DARK ♪ GIRL, WHAT'S YOUR NAME? 317 00:13:09,079 --> 00:13:11,624 WHAT YOU DRINKIN'? 318 00:13:11,707 --> 00:13:14,835 ♪ YEAH, WHAT'S YOUR FAVORITE SONG? 319 00:13:11,707 --> 00:13:14,835 ♪ YEAH, WHAT'S YOUR FAVORITE SONG? 320 00:13:14,919 --> 00:13:16,879 ♪ IF YOU'RE THINKIN' WHAT I'M THINKIN' 321 00:13:16,962 --> 00:13:20,049 ♪ WE AIN'T GONNA BE IN THIS BAR TOO LONG 322 00:13:16,962 --> 00:13:20,049 ♪ WE AIN'T GONNA BE IN THIS BAR TOO LONG 323 00:13:20,132 --> 00:13:22,551 ♪ WE'LL BE SNEAKIN' ON OUT TO YOUR CAR 324 00:13:22,635 --> 00:13:24,887 ♪ STEALIN' KISSES OUT THERE IN THE DARK 325 00:13:22,635 --> 00:13:24,887 ♪ STEALIN' KISSES OUT THERE IN THE DARK 326 00:13:24,970 --> 00:13:28,766 ♪ YEAH, IT MIGHT BE TOO SOON TO SAY, "I LOVE YOU" 327 00:13:28,849 --> 00:13:36,899 ♪ BUT YOU'RE GONNA MAKE ME WANT TO 328 00:13:28,849 --> 00:13:36,899 ♪ BUT YOU'RE GONNA MAKE ME WANT TO 329 00:13:28,849 --> 00:13:36,899 ♪ BUT YOU'RE GONNA MAKE ME WANT TO 330 00:13:36,982 --> 00:13:40,945 ♪ ♪ ♪ ♪ ♪ ♪ 331 00:13:41,028 --> 00:13:45,699 GIRL YOU'RE GONNA MAKE ME WANT TO, 332 00:13:41,028 --> 00:13:45,699 GIRL YOU'RE GONNA MAKE ME WANT TO, 333 00:13:45,783 --> 00:13:48,869 WANT TO ♪ YOU'RE GONNA MAKE ME WANT TO 334 00:13:45,783 --> 00:13:48,869 WANT TO ♪ YOU'RE GONNA MAKE ME WANT TO 335 00:13:48,953 --> 00:13:57,419 I WANT YOU, YEAH ♪ >> Claudine: AT THE RYMAN 336 00:13:48,953 --> 00:13:57,419 I WANT YOU, YEAH ♪ >> Claudine: AT THE RYMAN 337 00:13:57,503 --> 00:14:00,965 AUDITORIUM, OLD DOMINION, LAST YEAR'S A.C.M. VOCAL GROUP 338 00:13:57,503 --> 00:14:00,965 AUDITORIUM, OLD DOMINION, LAST YEAR'S A.C.M. VOCAL GROUP 339 00:14:01,048 --> 00:14:04,927 OF THE YEAR. 340 00:14:05,010 --> 00:14:08,931 ♪ ♪ ♪ ♪ ♪ ♪ 341 00:14:05,010 --> 00:14:08,931 ♪ ♪ ♪ ♪ ♪ ♪ 342 00:14:09,014 --> 00:14:13,936 ♪ BEEN FLYING SOLO FOR SO LONG NOBODY'S SINGING THE HARMONY 343 00:14:09,014 --> 00:14:13,936 ♪ BEEN FLYING SOLO FOR SO LONG NOBODY'S SINGING THE HARMONY 344 00:14:14,019 --> 00:14:18,983 ♪ UP THERE JUST ME AND MY SHADOW NO BASS, NO GUITAR, NO 345 00:14:14,019 --> 00:14:18,983 ♪ UP THERE JUST ME AND MY SHADOW NO BASS, NO GUITAR, NO 346 00:14:19,066 --> 00:14:24,989 ♪ TAMBOURINE AND I FOUND YOU LIKE A MELODY 347 00:14:19,066 --> 00:14:24,989 ♪ TAMBOURINE AND I FOUND YOU LIKE A MELODY 348 00:14:25,072 --> 00:14:27,616 ♪ YOU WERE SINGING IN THE SAME KEY AS ME 349 00:14:27,700 --> 00:14:28,951 ♪ WE HAD 'EM DANCING IN THE STREETS 350 00:14:29,034 --> 00:14:33,789 ♪ I DON'T WANNA BE A ONE MAN BAND 351 00:14:29,034 --> 00:14:33,789 ♪ I DON'T WANNA BE A ONE MAN BAND 352 00:14:33,872 --> 00:14:36,959 ♪ I DON'T WANNA BE A ROLLING STONE, ALONE 353 00:14:33,872 --> 00:14:36,959 ♪ I DON'T WANNA BE A ROLLING STONE, ALONE 354 00:14:37,042 --> 00:14:40,963 ♪ ARE WE WRITTEN IN THE STARS BABY 355 00:14:41,046 --> 00:14:42,965 ♪ ARE WE WRITTEN IN THE SAND ♪ PUTTING MILES ON A RUN-DOWN 356 00:14:41,046 --> 00:14:42,965 ♪ ARE WE WRITTEN IN THE SAND ♪ PUTTING MILES ON A RUN-DOWN 357 00:14:43,048 --> 00:14:46,135 VAN ♪ BABY, WE COULD TAKE OUR OWN 358 00:14:46,218 --> 00:14:52,975 SHOW ON THE ROAD ♪ YOU GOTTA LOVE LIKE THERE'S NO 359 00:14:46,218 --> 00:14:52,975 SHOW ON THE ROAD ♪ YOU GOTTA LOVE LIKE THERE'S NO 360 00:14:53,058 --> 00:14:56,979 SUCH THING AS BROKEN HEARTS ♪ I'LL LAY DOWN THE BEAT, YOU 361 00:14:53,058 --> 00:14:56,979 SUCH THING AS BROKEN HEARTS ♪ I'LL LAY DOWN THE BEAT, YOU 362 00:14:57,062 --> 00:15:01,025 CARRY THE TUNE ♪ I KNOW YOU AIN'T IN LOVE WITH 363 00:14:57,062 --> 00:15:01,025 CARRY THE TUNE ♪ I KNOW YOU AIN'T IN LOVE WITH 364 00:15:01,108 --> 00:15:04,987 HIM, BREAK UP WITH HIM ♪ SO BEFORE WE TURN IN, I CAN'T 365 00:15:05,070 --> 00:15:10,868 MAKE YOU LOVE ME ♪ LET'S BE BROWN-EYED GIRL, 366 00:15:05,070 --> 00:15:10,868 MAKE YOU LOVE ME ♪ LET'S BE BROWN-EYED GIRL, 367 00:15:10,951 --> 00:15:14,830 SWEET CAROLINE, FREE-FALL AND ♪ SMALL TOWN SATURDAY NIGHT 368 00:15:10,951 --> 00:15:14,830 SWEET CAROLINE, FREE-FALL AND ♪ SMALL TOWN SATURDAY NIGHT 369 00:15:14,913 --> 00:15:16,999 BEFORE YOU LOSE THAT LOVING ♪ FEELING 370 00:15:17,082 --> 00:15:21,003 LET'S GO DANCING ON THE CEILING ♪ KEEP ON LIVING THAT TEENAGE 371 00:15:17,082 --> 00:15:21,003 LET'S GO DANCING ON THE CEILING ♪ KEEP ON LIVING THAT TEENAGE 372 00:15:21,086 --> 00:15:25,090 DREAM ♪ PARADISE CITY WHERE THE GRASS 373 00:15:21,086 --> 00:15:25,090 DREAM ♪ PARADISE CITY WHERE THE GRASS 374 00:15:25,174 --> 00:15:29,053 IS GREEN ♪ PRETTY SOON I'LL BE SO 375 00:15:29,136 --> 00:15:30,179 LONESOME I COULD CRY ♪ BUT THAT'S A SONG FOR ANOTHER 376 00:15:29,136 --> 00:15:30,179 LONESOME I COULD CRY ♪ BUT THAT'S A SONG FOR ANOTHER 377 00:15:30,262 --> 00:15:35,851 TIME ♪ ♪ ♪ 378 00:15:35,934 --> 00:15:41,023 ♪ ♪ ♪ ♪ THAT'S A SONG FOR ANOTHER TIME 379 00:15:35,934 --> 00:15:41,023 ♪ ♪ ♪ ♪ THAT'S A SONG FOR ANOTHER TIME 380 00:15:41,106 --> 00:15:47,071 THAT'S A SONG FOR ANOTHER TIME ♪ ♪ ♪ 381 00:15:41,106 --> 00:15:47,071 THAT'S A SONG FOR ANOTHER TIME ♪ ♪ ♪ 382 00:15:47,154 --> 00:16:01,001 ♪ ♪ ♪ THAT'S A SONG FOR ANOTHER TIME 383 00:15:47,154 --> 00:16:01,001 ♪ ♪ ♪ THAT'S A SONG FOR ANOTHER TIME 384 00:15:47,154 --> 00:16:01,001 ♪ ♪ ♪ THAT'S A SONG FOR ANOTHER TIME 385 00:15:47,154 --> 00:16:01,001 ♪ ♪ ♪ THAT'S A SONG FOR ANOTHER TIME 386 00:16:01,085 --> 00:16:04,713 ♪ ♪ ♪ ♪ ♪ ♪ 387 00:16:04,797 --> 00:16:05,881 ♪ ♪ ♪ ♪ ♪ ♪ 388 00:16:05,964 --> 00:16:09,051 ♪ WELL IT WAS DOWN SOME STREET WE COULDN'T EVEN PRONOUNCE 389 00:16:05,964 --> 00:16:09,051 ♪ WELL IT WAS DOWN SOME STREET WE COULDN'T EVEN PRONOUNCE 390 00:16:09,134 --> 00:16:13,722 ♪ WE WERE SMOKING A LITTLE FROM ♪ TEQUILA WAS CHEAP BUT THE FLOW 391 00:16:09,134 --> 00:16:13,722 ♪ WE WERE SMOKING A LITTLE FROM ♪ TEQUILA WAS CHEAP BUT THE FLOW 392 00:16:13,806 --> 00:16:17,226 WE WERE FEELING WAS REAL ♪ NEITHER ONE OF US LOOKING FOR 393 00:16:17,309 --> 00:16:19,103 THREE LITTLE WORDS ♪ UNLESS THOSE THREE WORDS WERE 394 00:16:17,309 --> 00:16:19,103 THREE LITTLE WORDS ♪ UNLESS THOSE THREE WORDS WERE 395 00:16:19,186 --> 00:16:21,939 "DO NOT DISTURB" ♪ CHECKOUT WAS S'POSED TO BE 396 00:16:22,022 --> 00:16:29,071 NOON BUT WE SLEPT IN 'TIL THREE ♪ SHE KEPT THE HOTEL KEY 397 00:16:22,022 --> 00:16:29,071 NOON BUT WE SLEPT IN 'TIL THREE ♪ SHE KEPT THE HOTEL KEY 398 00:16:29,154 --> 00:16:31,156 SLIPPED IT IN HER PURSE, I GUESS ♪ I GUESS IT MAKES HER THINK OF 399 00:16:29,154 --> 00:16:31,156 SLIPPED IT IN HER PURSE, I GUESS ♪ I GUESS IT MAKES HER THINK OF 400 00:16:31,240 --> 00:16:33,200 ME ♪ AND THAT NIGHT WE LEFT OUR 401 00:16:33,283 --> 00:16:37,162 HEARTS ON OUR SLEEVES AND THE ♪ CLOTHES ALL OVER THE FLOOR 402 00:16:33,283 --> 00:16:37,162 HEARTS ON OUR SLEEVES AND THE ♪ CLOTHES ALL OVER THE FLOOR 403 00:16:37,246 --> 00:16:41,083 WE BOTH KNOW WE CAN'T OPEN THE ♪ DOOR NO MORE 404 00:16:41,166 --> 00:16:45,045 SHE KEPT THE HOTEL KEY ♪ I KNOW IT'S A DRAG, I KNOW 405 00:16:41,166 --> 00:16:45,045 SHE KEPT THE HOTEL KEY ♪ I KNOW IT'S A DRAG, I KNOW 406 00:16:45,129 --> 00:16:49,633 IT'S A GRIND ♪ I KNOW THAT A DOLLAR AIN'T 407 00:16:45,129 --> 00:16:49,633 IT'S A GRIND ♪ I KNOW THAT A DOLLAR AIN'T 408 00:16:49,717 --> 00:16:55,222 WORTH A DIME ♪ I KNOW YOU GET TIRED, I KNOW 409 00:16:49,717 --> 00:16:55,222 WORTH A DIME ♪ I KNOW YOU GET TIRED, I KNOW 410 00:16:55,305 --> 00:17:01,228 YOU GET DOWN ♪ I KNOW YOU GET SICK OF THIS 411 00:16:55,305 --> 00:17:01,228 YOU GET DOWN ♪ I KNOW YOU GET SICK OF THIS 412 00:17:01,311 --> 00:17:04,064 SOUL SUCKING TOWN ♪ SHE LEFT THE LIGHTS 413 00:17:04,148 --> 00:17:05,107 SHE LEFT THE CROWD ♪ SHE LEFT THE WORLD AND LOCKED 414 00:17:05,190 --> 00:17:09,611 IT OUT ♪ SHE LEFT A PICTURE IN MY HEAD 415 00:17:05,190 --> 00:17:09,611 IT OUT ♪ SHE LEFT A PICTURE IN MY HEAD 416 00:17:09,695 --> 00:17:11,238 SHE LEFT THE NIGHT I CAN'T ♪ FORGET 417 00:17:11,321 --> 00:17:17,119 ♪ ♪ ♪ ♪ ♪ ♪ 418 00:17:11,321 --> 00:17:17,119 ♪ ♪ ♪ ♪ ♪ ♪ 419 00:17:17,202 --> 00:17:25,169 ♪ ♪ ♪ ♪ OPEN SKY, GLIMPSE OF HEAVEN, 420 00:17:17,202 --> 00:17:25,169 ♪ ♪ ♪ ♪ OPEN SKY, GLIMPSE OF HEAVEN, 421 00:17:17,202 --> 00:17:25,169 ♪ ♪ ♪ ♪ OPEN SKY, GLIMPSE OF HEAVEN, 422 00:17:25,252 --> 00:17:29,131 TAKE THE TOP OFF THE CJ-7 ♪ LET THAT SURFSIDE SAN ANNE 423 00:17:29,214 --> 00:17:33,802 WIND MESS UP YOUR HAIR ♪ AND LET THAT WINDSHIELD FRAME 424 00:17:29,214 --> 00:17:33,802 WIND MESS UP YOUR HAIR ♪ AND LET THAT WINDSHIELD FRAME 425 00:17:33,886 --> 00:17:37,139 THE OCEAN ♪ RADIO KEEP COAST-TO-COASTIN' 426 00:17:33,886 --> 00:17:37,139 THE OCEAN ♪ RADIO KEEP COAST-TO-COASTIN' 427 00:17:37,222 --> 00:17:41,143 IF WE DON'T GET WHERE WE'RE ♪ GOING, BABY I DON'T CARE 428 00:17:41,226 --> 00:17:45,814 I'M ALREADY THERE ♪ 'CAUSE I'M STUCK ON YOU, 429 00:17:41,226 --> 00:17:45,814 I'M ALREADY THERE ♪ 'CAUSE I'M STUCK ON YOU, 430 00:17:45,898 --> 00:17:48,317 YOU'RE STUCK ON ME ♪ I NEVER GOTTA WONDER WHERE MY 431 00:17:45,898 --> 00:17:48,317 YOU'RE STUCK ON ME ♪ I NEVER GOTTA WONDER WHERE MY 432 00:17:48,400 --> 00:17:49,359 HONEY BE ♪ I AIN'T SAVIN' ALL MY SUGAR 433 00:17:49,443 --> 00:17:53,906 FOR A SATURDAY NIGHT ♪ SEVEN DAYS A WEEK I GOT AN 434 00:17:53,989 --> 00:17:57,659 APPETITE ♪ THE SUNSETS LIKE A TANGERINE 435 00:17:53,989 --> 00:17:57,659 APPETITE ♪ THE SUNSETS LIKE A TANGERINE 436 00:17:57,743 --> 00:18:00,496 LET'S FIND A ROAD WE'VE NEVER ♪ SEEN 437 00:17:57,743 --> 00:18:00,496 LET'S FIND A ROAD WE'VE NEVER ♪ SEEN 438 00:18:00,579 --> 00:18:05,167 DON'T WASTE ANOTHER MILE OR A ♪ MINUTE NOT KISSIN' ME 439 00:18:05,250 --> 00:18:09,171 LIFE IS SHORT, MAKE IT SWEET ♪ ♪ ♪ 440 00:18:05,250 --> 00:18:09,171 LIFE IS SHORT, MAKE IT SWEET ♪ ♪ ♪ 441 00:18:09,254 --> 00:18:17,179 ♪ LIFE IS SHORT, MAKE IT SWEET OH YEAH ♪ 442 00:18:09,254 --> 00:18:17,179 ♪ LIFE IS SHORT, MAKE IT SWEET OH YEAH ♪ 443 00:18:17,262 --> 00:18:25,229 ♪ ♪ ♪ ♪ ♪ ♪ 444 00:18:17,262 --> 00:18:25,229 ♪ ♪ ♪ ♪ ♪ ♪ 445 00:18:17,262 --> 00:18:25,229 ♪ ♪ ♪ ♪ ♪ ♪ 446 00:18:25,312 --> 00:18:37,199 ♪ ♪ ♪ ♪ ♪ ♪ 447 00:18:25,312 --> 00:18:37,199 ♪ ♪ ♪ ♪ ♪ ♪ 448 00:18:25,312 --> 00:18:37,199 ♪ ♪ ♪ ♪ ♪ ♪ 449 00:18:37,282 --> 00:18:41,829 >> Claudine: AND NOW, AT THE GRAND OLE OPRY HOUSE, A.C.M. 450 00:18:41,912 --> 00:18:56,552 WINNERS CLINT BLACK AND LISA HARTMAN BLACK. 451 00:18:41,912 --> 00:18:56,552 WINNERS CLINT BLACK AND LISA HARTMAN BLACK. 452 00:18:41,912 --> 00:18:56,552 WINNERS CLINT BLACK AND LISA HARTMAN BLACK. 453 00:18:41,912 --> 00:18:56,552 WINNERS CLINT BLACK AND LISA HARTMAN BLACK. 454 00:18:56,635 --> 00:18:58,220 >> WOW, WE NEED TO GET DRESSED UP MORE OFTEN. 455 00:18:58,303 --> 00:19:00,764 >> WE DO >> WE WANT TO THANK THE 456 00:18:58,303 --> 00:19:00,764 >> WE DO >> WE WANT TO THANK THE 457 00:19:00,848 --> 00:19:01,932 ACADEMY OF COUNTRY MUSIC FOR HAVING THIS CELEBRATION HERE 458 00:19:02,015 --> 00:19:05,394 IN MUSIC CITY USA. 459 00:19:05,477 --> 00:19:06,228 >> AND WE WANT TO THANK NASHVILLE AND THE ENTIRE STATE 460 00:19:05,477 --> 00:19:06,228 >> AND WE WANT TO THANK NASHVILLE AND THE ENTIRE STATE 461 00:19:06,311 --> 00:19:09,231 OF TENNESSEE FOR THEIR HOSPITALITY. 462 00:19:09,314 --> 00:19:12,067 >> AND WE WANT TO THANK THESE NOMINEES FOR CONTINUING THE 463 00:19:09,314 --> 00:19:12,067 >> AND WE WANT TO THANK THESE NOMINEES FOR CONTINUING THE 464 00:19:12,150 --> 00:19:16,572 TRADITION OF DYNAMIC DUOS IN COUNTRY MUSIC. 465 00:19:16,655 --> 00:19:19,366 >> Claudine: FOR DUO OF THE YEAR, THE NOMINEES ARE: 466 00:19:16,655 --> 00:19:19,366 >> Claudine: FOR DUO OF THE YEAR, THE NOMINEES ARE: 467 00:19:19,449 --> 00:19:21,243 BROOKS & DUNN. 468 00:19:21,326 --> 00:19:25,163 BROTHERS OSBORNE. 469 00:19:21,326 --> 00:19:25,163 BROTHERS OSBORNE. 470 00:19:25,247 --> 00:19:25,706 DAN AND SHAY. 471 00:19:25,789 --> 00:19:29,251 FLORIDA GEORGIA LINE. 472 00:19:29,334 --> 00:19:33,797 MADDIE AND TAE. 473 00:19:29,334 --> 00:19:33,797 MADDIE AND TAE. 474 00:19:33,881 --> 00:19:41,263 AND THE A.C.M. DUO OF THE YEAR GOES TO... 475 00:19:33,881 --> 00:19:41,263 AND THE A.C.M. DUO OF THE YEAR GOES TO... 476 00:19:41,346 --> 00:19:44,391 DAN AND SHAY. 477 00:19:41,346 --> 00:19:44,391 DAN AND SHAY. 478 00:19:44,474 --> 00:19:49,271 ♪ ♪ ♪ ♪ ♪ ♪ 479 00:19:44,474 --> 00:19:49,271 ♪ ♪ ♪ ♪ ♪ ♪ 480 00:19:49,354 --> 00:19:54,276 ♪ ♪ ♪ >> OH MY GOODNESS, THIS IS 481 00:19:49,354 --> 00:19:54,276 ♪ ♪ ♪ >> OH MY GOODNESS, THIS IS 482 00:19:54,359 --> 00:19:55,527 AMAZING. 483 00:19:55,611 --> 00:19:56,737 WHAT A GREAT WAY TO START OFF THE NIGHT, FIRST OF ALL I KNOW I 484 00:19:56,820 --> 00:19:59,406 WILL START RAMBLING BECAUSE THESE THINGS MAKE ME SO NERVOUS. 485 00:19:59,489 --> 00:20:02,242 IT IS MY WIFE'S BIRTHDAY, ABBEY, HAPPY BIRTHDAY. 486 00:19:59,489 --> 00:20:02,242 IT IS MY WIFE'S BIRTHDAY, ABBEY, HAPPY BIRTHDAY. 487 00:20:02,326 --> 00:20:04,328 I WISH YOU WERE HERE, I MISS YOU SO MUCH. 488 00:20:04,411 --> 00:20:07,289 I LOVE YOU, HOPE YOU HAVE THE BEST BIRTHDAY EVER, I WILL BE 489 00:20:04,411 --> 00:20:07,289 I LOVE YOU, HOPE YOU HAVE THE BEST BIRTHDAY EVER, I WILL BE 490 00:20:07,372 --> 00:20:08,790 HOME SOON. 491 00:20:08,874 --> 00:20:10,751 THE ACADEMY OF COUNTRY MUSIC, THANK YOU SO MUCH FOR VOTING FOR 492 00:20:10,834 --> 00:20:11,877 US, THIS IS AMAZING. 493 00:20:11,960 --> 00:20:15,297 WE ARE SO PROUD TO BE PART OF THIS COUNTRY MUSIC FAMILY. 494 00:20:11,960 --> 00:20:15,297 WE ARE SO PROUD TO BE PART OF THIS COUNTRY MUSIC FAMILY. 495 00:20:15,380 --> 00:20:17,758 THE COUNTRY MS.-- MUSIC FANS ARE THE BEST IN THE WORLD, THANK YOU 496 00:20:17,841 --> 00:20:20,636 FOR CONTINUING TO SUPPORT US AND MAKE OUR DREAMS COME TRUE, WE 497 00:20:17,841 --> 00:20:20,636 FOR CONTINUING TO SUPPORT US AND MAKE OUR DREAMS COME TRUE, WE 498 00:20:20,719 --> 00:20:23,305 LOVE YOU, COUNTRY RADIO THANK YOU FOR PLAYING OUR RECORDS, OUR 499 00:20:23,388 --> 00:20:26,808 TEAM, THANK YOU FOR EVERYTHING. 500 00:20:23,388 --> 00:20:26,808 TEAM, THANK YOU FOR EVERYTHING. 501 00:20:26,892 --> 00:20:31,521 >> HANNA,ASKER, I I LOVE YOU ♪ ♪ ♪ 502 00:20:26,892 --> 00:20:31,521 >> HANNA,ASKER, I I LOVE YOU ♪ ♪ ♪ 503 00:20:31,605 --> 00:20:31,939 GUYS, THANK YOU Y'ALL SO MUCH. 504 00:20:32,022 --> 00:20:33,106 >> THANK YOU. 505 00:20:33,190 --> 00:20:35,317 7 >> Claudine: OUR CELEBRATION IN 506 00:20:35,400 --> 00:20:37,319 NASHVILLE CONTINUES WITH ENTERTAINER OF THE YEAR NOMINEE 507 00:20:35,400 --> 00:20:37,319 NASHVILLE CONTINUES WITH ENTERTAINER OF THE YEAR NOMINEE 508 00:20:37,402 --> 00:20:40,113 LUKE BRYAN, NEXT. 509 00:20:40,197 --> 00:20:43,325 PLUS, WE'LL HEAD BACK TO THE HISTORIC RYMAN AUDITORIUM FOR A 510 00:20:40,197 --> 00:20:43,325 PLUS, WE'LL HEAD BACK TO THE HISTORIC RYMAN AUDITORIUM FOR A 511 00:20:43,408 --> 00:20:45,202 PERFORMANCE BY KELSEA BALLERINI. 512 00:20:45,285 --> 00:20:49,915 AND LATER, A DEBUT FROM BLAKE SHELTON AND GWEN STEFANI, 513 00:20:45,285 --> 00:20:49,915 AND LATER, A DEBUT FROM BLAKE SHELTON AND GWEN STEFANI, 514 00:20:49,998 --> 00:20:55,796 AND TAYLOR SWIFT PERFORMS FOR THE FIRST TIME IN SEVEN YEARS! 515 00:20:49,998 --> 00:20:55,796 AND TAYLOR SWIFT PERFORMS FOR THE FIRST TIME IN SEVEN YEARS! 516 00:20:55,879 --> 00:20:57,339 THE 55th A.C.M. AWARDS. 517 00:20:57,422 --> 00:21:01,343 THIS IS CBS. 518 00:20:57,422 --> 00:21:01,343 THIS IS CBS. 519 00:21:01,426 --> 00:21:04,221 >> Claudine: THE 55th ACADEMY OF COUNTRY MUSIC AWARDS. 520 00:21:04,304 --> 00:21:05,347 SPONSORED BY FORD. 521 00:21:05,430 --> 00:21:06,431 BUILT FORD PROUD. 522 00:21:05,430 --> 00:21:06,431 BUILT FORD PROUD. 523 00:21:14,272 --> 00:21:15,440 >> Claudine: WE'RE BACK, FROM NASHVILLE 524 00:21:15,524 --> 00:21:21,029 HERE'S ENTERTAINER OF THE YEAR NOMINEE LUKE BRYAN PERFORMING“ 525 00:21:15,524 --> 00:21:21,029 HERE'S ENTERTAINER OF THE YEAR NOMINEE LUKE BRYAN PERFORMING“ 526 00:21:21,113 --> 00:21:29,037 ONE MARGARITA.” ♪ EVERYBODY HERE AIN'T FROM HERE 527 00:21:21,113 --> 00:21:29,037 ONE MARGARITA.” ♪ EVERYBODY HERE AIN'T FROM HERE 528 00:21:29,121 --> 00:21:33,041 BUT WE'RE HERE DOIN' OUR THING ♪ LETTIN' GO A LITTLE 529 00:21:29,121 --> 00:21:33,041 BUT WE'RE HERE DOIN' OUR THING ♪ LETTIN' GO A LITTLE 530 00:21:33,125 --> 00:21:37,045 LITTLE BY LITTLE ♪ SIPPIN' ON A FROZEN DRINK 531 00:21:33,125 --> 00:21:37,045 LITTLE BY LITTLE ♪ SIPPIN' ON A FROZEN DRINK 532 00:21:37,129 --> 00:21:39,381 TIKI BARS TIK'N ♪ POURIN' ALL WEEKEND 533 00:21:39,464 --> 00:21:46,304 CLOUDS AIN'T LEAKIN' NO RAIN ♪ TWO PIECES SHAKIN' 534 00:21:39,464 --> 00:21:46,304 CLOUDS AIN'T LEAKIN' NO RAIN ♪ TWO PIECES SHAKIN' 535 00:21:46,388 --> 00:21:49,057 WHITE CAPS A-BREAKIN' ♪ WE AIN'T FEELIN' NO PAIN 536 00:21:46,388 --> 00:21:49,057 WHITE CAPS A-BREAKIN' ♪ WE AIN'T FEELIN' NO PAIN 537 00:21:49,141 --> 00:21:51,393 IT GOES LIKE ♪ ONE MARGARITA, TWO MARGARITA, 538 00:21:51,476 --> 00:21:55,731 THREE MARGARITA, SHOT ♪ DON'T WORRY 'BOUT TOMORROW 539 00:21:51,476 --> 00:21:55,731 THREE MARGARITA, SHOT ♪ DON'T WORRY 'BOUT TOMORROW 540 00:21:55,814 --> 00:22:01,069 LEAVE ALL YOUR SORROW ♪ OUT HERE ON THE FLOATIN' DOCK 541 00:21:55,814 --> 00:22:01,069 LEAVE ALL YOUR SORROW ♪ OUT HERE ON THE FLOATIN' DOCK 542 00:22:01,153 --> 00:22:07,075 WHEN THAT SUN LAYS DOWN ♪ WE'LL BE ON OUR WAY 543 00:22:01,153 --> 00:22:07,075 WHEN THAT SUN LAYS DOWN ♪ WE'LL BE ON OUR WAY 544 00:22:07,159 --> 00:22:11,580 ONE MORE BAREFOOT ROUND ♪ ONE MORE LAST CHANCE TO SAY 545 00:22:11,663 --> 00:22:15,709 "HEY, SEÑORITA ♪ DON'T YOU THINK WE NEED A 546 00:22:11,663 --> 00:22:15,709 "HEY, SEÑORITA ♪ DON'T YOU THINK WE NEED A 547 00:22:15,792 --> 00:22:18,086 SALT AND A BUFFETT SONG?" ♪ ONE MARGARITA, TWO MARGARITA, 548 00:22:15,792 --> 00:22:18,086 SALT AND A BUFFETT SONG?" ♪ ONE MARGARITA, TWO MARGARITA, 549 00:22:18,170 --> 00:22:25,177 THREE MARGARITA, WE'LL BE GONE ♪ ICE BLUE SKIES 550 00:22:18,170 --> 00:22:25,177 THREE MARGARITA, WE'LL BE GONE ♪ ICE BLUE SKIES 551 00:22:25,260 --> 00:22:30,223 SHADES ON THE EYES ♪ TO TUCK THE BLOODSHOT AWAY 552 00:22:25,260 --> 00:22:30,223 SHADES ON THE EYES ♪ TO TUCK THE BLOODSHOT AWAY 553 00:22:30,307 --> 00:22:31,767 HAIR OF THE DOG ♪ SHOULDN'T TAKE LONG 554 00:22:31,850 --> 00:22:35,604 BUT WHO CARES ♪ WE GOT ALL DAY 555 00:22:35,687 --> 00:22:39,775 PALM TREES A-LEANIN' ♪ SUNBURN SCREAMIN' 556 00:22:35,687 --> 00:22:39,775 PALM TREES A-LEANIN' ♪ SUNBURN SCREAMIN' 557 00:22:39,858 --> 00:22:43,111 BUT WE'LL ALL BE ALRIGHT, AFTER ♪ ONE MARGARITA, TWO MARGARITA, 558 00:22:39,858 --> 00:22:43,111 BUT WE'LL ALL BE ALRIGHT, AFTER ♪ ONE MARGARITA, TWO MARGARITA, 559 00:22:43,195 --> 00:22:47,783 THREE MARGARITA, SHOT ♪ DON'T WORRY 'BOUT TOMORROW 560 00:22:47,866 --> 00:22:51,787 LEAVE ALL YOUR SORROW ♪ OUT HERE ON THE FLOATIN' DOCK 561 00:22:47,866 --> 00:22:51,787 LEAVE ALL YOUR SORROW ♪ OUT HERE ON THE FLOATIN' DOCK 562 00:22:51,870 --> 00:22:58,710 WHEN THAT SUN LAYS DOWN ♪ WE'LL BE ON OUR WAY 563 00:22:51,870 --> 00:22:58,710 WHEN THAT SUN LAYS DOWN ♪ WE'LL BE ON OUR WAY 564 00:22:58,794 --> 00:23:01,129 ONE MORE BAREFOOT ROUND ♪ ONE MORE LAST CHANCE TO SAY 565 00:22:58,794 --> 00:23:01,129 ONE MORE BAREFOOT ROUND ♪ ONE MORE LAST CHANCE TO SAY 566 00:23:01,213 --> 00:23:04,132 "HEY, SEÑORITA ♪ DON'T YOU THINK WE NEED A 567 00:23:04,216 --> 00:23:11,807 SALT AND A BUFFETT SONG?" ♪ ONE MARGARITA, TWO MARGARITA, 568 00:23:04,216 --> 00:23:11,807 SALT AND A BUFFETT SONG?" ♪ ONE MARGARITA, TWO MARGARITA, 569 00:23:11,890 --> 00:23:18,522 THREE MARGARITA, WE'LL BE GONE ♪ ♪ ♪ 570 00:23:11,890 --> 00:23:18,522 THREE MARGARITA, WE'LL BE GONE ♪ ♪ ♪ 571 00:23:11,890 --> 00:23:18,522 THREE MARGARITA, WE'LL BE GONE ♪ ♪ ♪ 572 00:23:18,605 --> 00:23:21,608 ♪ ♪ ♪ WE'LL BE GONE 573 00:23:21,691 --> 00:23:24,986 ♪ ♪ ♪ ♪ ♪ ♪ 574 00:23:21,691 --> 00:23:24,986 ♪ ♪ ♪ ♪ ♪ ♪ 575 00:23:25,070 --> 00:23:27,823 TIKI BARS TIK'N ♪ POURIN' ALL WEEKEND 576 00:23:27,906 --> 00:23:30,784 CLOUDS AIN'T LEAKIN' NO RAIN ♪ TWO PIECES SHAKIN' 577 00:23:27,906 --> 00:23:30,784 CLOUDS AIN'T LEAKIN' NO RAIN ♪ TWO PIECES SHAKIN' 578 00:23:30,867 --> 00:23:35,122 WHITE CAPS A-BREAKIN' ♪ WE AIN'T FEELIN' NO PAIN 579 00:23:35,205 --> 00:23:36,206 ♪ WE AIN'T FEELIN' NO PAIN IT GOES LIKE 580 00:23:35,205 --> 00:23:36,206 ♪ WE AIN'T FEELIN' NO PAIN IT GOES LIKE 581 00:23:36,289 --> 00:23:42,170 ♪ ONE MARGARITA, TWO MARGARITA, THREE MARGARITA, SHOT 582 00:23:36,289 --> 00:23:42,170 ♪ ONE MARGARITA, TWO MARGARITA, THREE MARGARITA, SHOT 583 00:23:42,254 --> 00:23:46,466 ♪ DON'T WORRY 'BOUT TOMORROW LEAVE ALL YOUR SORROW 584 00:23:46,550 --> 00:23:51,847 ♪ OUT HERE ON THE FLOATIN' DOCK WHEN THAT SUN LAYS DOWN 585 00:23:46,550 --> 00:23:51,847 ♪ OUT HERE ON THE FLOATIN' DOCK WHEN THAT SUN LAYS DOWN 586 00:23:51,930 --> 00:23:55,433 ♪ WE'LL BE ON OUR WAY ONE MORE BAREFOOT ROUND 587 00:23:51,930 --> 00:23:55,433 ♪ WE'LL BE ON OUR WAY ONE MORE BAREFOOT ROUND 588 00:23:55,517 --> 00:23:59,855 ♪ ONE MORE LAST CHANCE TO SAY "HEY, SEÑORITA 589 00:23:59,938 --> 00:24:03,525 ♪ DON'T YOU THINK WE NEED A SALT AND A BUFFETT SONG?" 590 00:23:59,938 --> 00:24:03,525 ♪ DON'T YOU THINK WE NEED A SALT AND A BUFFETT SONG?" 591 00:24:03,608 --> 00:24:11,867 ♪ ONE MARGARITA, TWO MARGARITA, THREE MARGARITA, WE'LL BE GONE 592 00:24:03,608 --> 00:24:11,867 ♪ ONE MARGARITA, TWO MARGARITA, THREE MARGARITA, WE'LL BE GONE 593 00:24:11,950 --> 00:24:19,207 ♪ WE'LL BE GONE ♪ WE'LL BE GONE 594 00:24:11,950 --> 00:24:19,207 ♪ WE'LL BE GONE ♪ WE'LL BE GONE 595 00:24:11,950 --> 00:24:19,207 ♪ WE'LL BE GONE ♪ WE'LL BE GONE 596 00:24:19,291 --> 00:24:26,715 WE'LL BE GONE ♪ >> Claudine: PLEASE WELCOME 597 00:24:19,291 --> 00:24:26,715 WE'LL BE GONE ♪ >> Claudine: PLEASE WELCOME 598 00:24:26,798 --> 00:24:28,216 THE A.C.M. NATIONAL ON-AIR PERSONALITY OF THE YEAR, 599 00:24:28,300 --> 00:24:35,891 BOBBY BONES. 600 00:24:28,300 --> 00:24:35,891 BOBBY BONES. 601 00:24:35,974 --> 00:24:39,394 >> LIKE MOST STORYTELLERS, SONGWRITERS WRITE FROM THE 602 00:24:35,974 --> 00:24:39,394 >> LIKE MOST STORYTELLERS, SONGWRITERS WRITE FROM THE 603 00:24:39,477 --> 00:24:42,731 HEART, FROM PERSONAL EXPERIENCE, AND, HOPEFULLY, THEIR MUSIC 604 00:24:39,477 --> 00:24:42,731 HEART, FROM PERSONAL EXPERIENCE, AND, HOPEFULLY, THEIR MUSIC 605 00:24:42,814 --> 00:24:43,899 MAKES A CONNECTION WITH THE LISTENER. 606 00:24:43,982 --> 00:24:47,903 THROUGH THE AIRWAVES AND STREAMING, THESE NEXT NOMINEES 607 00:24:47,986 --> 00:24:51,907 MADE SOME BIG-TIME CONNECTIONS. 608 00:24:47,986 --> 00:24:51,907 MADE SOME BIG-TIME CONNECTIONS. 609 00:24:51,990 --> 00:24:54,701 >> Claudine: FOR SONG OF THE YEAR, THE NOMINEES ARE...“ 610 00:24:51,990 --> 00:24:54,701 >> Claudine: FOR SONG OF THE YEAR, THE NOMINEES ARE...“ 611 00:24:54,784 --> 00:25:00,248 10,000 HOURS” BY DAN AND SHAY WITH JUSTIN BIEBER.“ 612 00:24:54,784 --> 00:25:00,248 10,000 HOURS” BY DAN AND SHAY WITH JUSTIN BIEBER.“ 613 00:25:00,332 --> 00:25:01,875 GIRL GOIN' NOWHERE” BY ASHLEY McBRYDE.“ 614 00:25:01,958 --> 00:25:04,211 GOD'S COUNTRY” BY BLAKE SHELTON.“ 615 00:25:04,294 --> 00:25:15,931 ONE MAN BAND” BY OLD DOMINION.“ SOME OF IT” BY ERIC CHURCH. 616 00:25:04,294 --> 00:25:15,931 ONE MAN BAND” BY OLD DOMINION.“ SOME OF IT” BY ERIC CHURCH. 617 00:25:04,294 --> 00:25:15,931 ONE MAN BAND” BY OLD DOMINION.“ SOME OF IT” BY ERIC CHURCH. 618 00:25:16,014 --> 00:25:16,890 THEY'RE ALL SUCH GOOD SONGS. 619 00:25:16,973 --> 00:25:23,980 AND THE A.C.M. SONG OF THE YEAR GOES TO...“ 620 00:25:16,973 --> 00:25:23,980 AND THE A.C.M. SONG OF THE YEAR GOES TO...“ 621 00:25:24,064 --> 00:25:25,982 ONE MAN BAND” BY OLD DOMINION. 622 00:25:26,066 --> 00:25:27,234 I DON'T WANT TO BE A ONE-MAN BAND. 623 00:25:27,317 --> 00:25:31,321 ♪ I DON'T WANT TO BE A ROLLING STONE ALONE PUTTING MILES ON A 624 00:25:27,317 --> 00:25:31,321 ♪ I DON'T WANT TO BE A ROLLING STONE ALONE PUTTING MILES ON A 625 00:25:31,404 --> 00:25:31,988 RUNDOWN VAN. 626 00:25:32,072 --> 00:25:35,951 ♪ BABY, WE CAN TAKE OUR OWN. 627 00:25:36,034 --> 00:25:37,327 ♪. 628 00:25:37,410 --> 00:25:38,161 >> WE'RE SMILING. 629 00:25:38,245 --> 00:25:42,082 >> WE'RE SMILING. 630 00:25:38,245 --> 00:25:42,082 >> WE'RE SMILING. 631 00:25:42,165 --> 00:25:47,254 WOW. 632 00:25:47,337 --> 00:25:47,712 MAN. 633 00:25:47,796 --> 00:25:49,297 THAT'S A BIG ONE. 634 00:25:47,796 --> 00:25:49,297 THAT'S A BIG ONE. 635 00:25:49,381 --> 00:25:55,303 MAN, THERE IS JUST-- SONG WRITING IS WHAT GOT US HERE. 636 00:25:49,381 --> 00:25:55,303 MAN, THERE IS JUST-- SONG WRITING IS WHAT GOT US HERE. 637 00:25:55,387 --> 00:25:59,307 THIS IS NOT WHAT I THOUGHT I WOULD SAY BUT WE'RE SITTING HERE 638 00:25:59,391 --> 00:26:03,979 IN THIS EMPTY ROOM AND I CAN HEAR ANDREW OUR FRIEND THAT 639 00:25:59,391 --> 00:26:03,979 IN THIS EMPTY ROOM AND I CAN HEAR ANDREW OUR FRIEND THAT 640 00:26:04,062 --> 00:26:04,854 PASSED AWAY. 641 00:26:04,938 --> 00:26:06,898 I CAN HEAR HIM SAYING, I KNOW WHO YOU ARE. 642 00:26:04,938 --> 00:26:06,898 I CAN HEAR HIM SAYING, I KNOW WHO YOU ARE. 643 00:26:06,982 --> 00:26:10,485 LIKE HE USED TO YELL THAT AT US. 644 00:26:10,568 --> 00:26:15,365 AND I CAN FEEL-- I CAN FEEL YOUR DAD, SMILING. 645 00:26:10,568 --> 00:26:15,365 AND I CAN FEEL-- I CAN FEEL YOUR DAD, SMILING. 646 00:26:15,448 --> 00:26:19,995 CAN I FEEL HOW PROUD HE IS RIGHT NOWMENT I CAN FEEL YOUR BROTHER. 647 00:26:15,448 --> 00:26:19,995 CAN I FEEL HOW PROUD HE IS RIGHT NOWMENT I CAN FEEL YOUR BROTHER. 648 00:26:20,078 --> 00:26:22,789 I CAN FEEL HIM, I CAN FEEL THEM ALL. 649 00:26:22,872 --> 00:26:23,999 THEY ARE SO PROUD. 650 00:26:24,082 --> 00:26:31,339 AND THIS IS SUCH AN HONOR TO RECEIVE THIS IN THEIR PRESENCE. 651 00:26:24,082 --> 00:26:31,339 AND THIS IS SUCH AN HONOR TO RECEIVE THIS IN THEIR PRESENCE. 652 00:26:31,423 --> 00:26:35,885 THANK YOU FOR THIS. 653 00:26:35,969 --> 00:26:39,973 >> Claudine: NOW, AT THE RYMAN AUDITORIUM, FEMALE ARTIST OF THE 654 00:26:35,969 --> 00:26:39,973 >> Claudine: NOW, AT THE RYMAN AUDITORIUM, FEMALE ARTIST OF THE 655 00:26:40,056 --> 00:26:41,683 YEAR NOMINEE KELSEA BALLERINI. 656 00:26:41,766 --> 00:26:42,726 >> WHAT'S UP, EVERYBODY? 657 00:26:41,766 --> 00:26:42,726 >> WHAT'S UP, EVERYBODY? 658 00:26:42,809 --> 00:26:45,687 I'M SO HAPPY TO BE A PART OF THIS TONIGHT, THIS IS SO 659 00:26:45,770 --> 00:26:48,523 SPECIAL, ESPECIALLY HERE AT THE RYMAN AUDITORIUM. 660 00:26:45,770 --> 00:26:48,523 SPECIAL, ESPECIALLY HERE AT THE RYMAN AUDITORIUM. 661 00:26:48,606 --> 00:26:51,359 AND I PICKED THIS SONG BECAUSE-- I DON'T KNOW ABOUT YOU, BUT I 662 00:26:51,443 --> 00:26:54,529 FEEL LIKE, THIS YEAR, WE CAN ALL USE A DRINK. 663 00:26:51,443 --> 00:26:54,529 FEEL LIKE, THIS YEAR, WE CAN ALL USE A DRINK. 664 00:26:54,612 --> 00:26:59,200 ( LAUGHS ) ♪ ♪ ♪ 665 00:26:59,284 --> 00:27:04,622 ♪ ♪ ♪ ♪ HOLE IN THE BOTTLE 666 00:26:59,284 --> 00:27:04,622 ♪ ♪ ♪ ♪ HOLE IN THE BOTTLE 667 00:27:04,706 --> 00:27:11,212 THAT BOTTLE OF WINE ♪ ♪ ♪ 668 00:27:04,706 --> 00:27:11,212 THAT BOTTLE OF WINE ♪ ♪ ♪ 669 00:27:11,296 --> 00:27:18,553 HOLE IN THE BOTTLE ♪ IT AIN'T MY FAULT 670 00:27:11,296 --> 00:27:18,553 HOLE IN THE BOTTLE ♪ IT AIN'T MY FAULT 671 00:27:11,296 --> 00:27:18,553 HOLE IN THE BOTTLE ♪ IT AIN'T MY FAULT 672 00:27:18,636 --> 00:27:22,223 SO DON'T BLAME ME ♪ I SWEAR I JUST CAME HERE TO 673 00:27:22,307 --> 00:27:27,228 UNWIND AND HAVE ONE DRINK ♪ THE WAY IT LOOKS 674 00:27:22,307 --> 00:27:27,228 UNWIND AND HAVE ONE DRINK ♪ THE WAY IT LOOKS 675 00:27:27,312 --> 00:27:30,565 AIN'T WHAT YOU THINK ♪ THIS CABERNET HAS A WAY OF 676 00:27:27,312 --> 00:27:30,565 AIN'T WHAT YOU THINK ♪ THIS CABERNET HAS A WAY OF 677 00:27:30,648 --> 00:27:36,571 VANISHING ON ME ♪ THERE'S A HOLE IN THE BOTTLE 678 00:27:30,648 --> 00:27:36,571 VANISHING ON ME ♪ THERE'S A HOLE IN THE BOTTLE 679 00:27:36,654 --> 00:27:42,577 LEAKING ALL THIS WINE ♪ IT'S ALREADY EMPTY AND 680 00:27:36,654 --> 00:27:42,577 LEAKING ALL THIS WINE ♪ IT'S ALREADY EMPTY AND 681 00:27:42,660 --> 00:27:46,748 IT AIN'T EVEN SUPPER TIME ♪ HONEY, NO, I DON'T MISS HIM 682 00:27:46,831 --> 00:27:48,583 IN FACT, IT SLIPPED MY MIND ♪ THERE'S A HOLE IN THE BOTTLE 683 00:27:46,831 --> 00:27:48,583 IN FACT, IT SLIPPED MY MIND ♪ THERE'S A HOLE IN THE BOTTLE 684 00:27:48,666 --> 00:27:54,589 OF WINE ♪ I KEEP MY COOL 685 00:27:48,666 --> 00:27:54,589 OF WINE ♪ I KEEP MY COOL 686 00:27:54,672 --> 00:27:59,260 PLAY BY ALL THE RULES ♪ AND I SWEAR TEN MINUTES AGO 687 00:27:59,344 --> 00:28:03,264 THAT BOTTLE WAS FULL ♪ BUT I WON'T CRY 688 00:27:59,344 --> 00:28:03,264 THAT BOTTLE WAS FULL ♪ BUT I WON'T CRY 689 00:28:03,348 --> 00:28:07,268 ABOUT LOVE GONE WRONG ♪ 'CAUSE TEARS WOULD WATER DOWN 690 00:28:03,348 --> 00:28:07,268 ABOUT LOVE GONE WRONG ♪ 'CAUSE TEARS WOULD WATER DOWN 691 00:28:07,352 --> 00:28:12,607 THIS RUBY RED I'M SIPPING ON ♪ THERE'S A HOLE IN THE BOTTLE 692 00:28:07,352 --> 00:28:12,607 THIS RUBY RED I'M SIPPING ON ♪ THERE'S A HOLE IN THE BOTTLE 693 00:28:12,690 --> 00:28:18,613 LEAKING ALL THIS WINE ♪ IT'S ALREADY EMPTY AND 694 00:28:12,690 --> 00:28:18,613 LEAKING ALL THIS WINE ♪ IT'S ALREADY EMPTY AND 695 00:28:18,696 --> 00:28:23,284 IT AIN'T EVEN SUPPER TIME ♪ HONEY, NO, I DON'T MISS HIM 696 00:28:23,368 --> 00:28:27,122 IN FACT, IT SLIPPED MY MIND ♪ THERE'S A HOLE IN THE BOTTLE 697 00:28:23,368 --> 00:28:27,122 IN FACT, IT SLIPPED MY MIND ♪ THERE'S A HOLE IN THE BOTTLE 698 00:28:27,205 --> 00:28:31,292 OF WINE ♪ AW, YEAH! 699 00:28:27,205 --> 00:28:31,292 OF WINE ♪ AW, YEAH! 700 00:28:31,376 --> 00:28:35,130 ♪ ♪ ♪ ♪ ♪ ♪ 701 00:28:35,213 --> 00:28:39,300 HOLE IN THE BOTTLE ♪ THAT BOTTLE OF WINE 702 00:28:35,213 --> 00:28:39,300 HOLE IN THE BOTTLE ♪ THAT BOTTLE OF WINE 703 00:28:39,384 --> 00:28:43,304 ♪ ♪ ♪ HOLE IN THE BOTTLE 704 00:28:39,384 --> 00:28:43,304 ♪ ♪ ♪ HOLE IN THE BOTTLE 705 00:28:43,388 --> 00:28:48,643 ♪ ♪ ♪ ♪ I WENT AND GOT A NEW ONE 706 00:28:43,388 --> 00:28:48,643 ♪ ♪ ♪ ♪ I WENT AND GOT A NEW ONE 707 00:28:48,726 --> 00:28:54,649 'CAUSE THE OTHER ONE WAS BROKEN ♪ NOW THIS ONE'S HALFWAY GONE 708 00:28:48,726 --> 00:28:54,649 'CAUSE THE OTHER ONE WAS BROKEN ♪ NOW THIS ONE'S HALFWAY GONE 709 00:28:54,732 --> 00:28:59,320 AND IT'S BARELY EVEN OPEN ♪ THERE'S A HOLE IN THE BOTTLE 710 00:28:59,404 --> 00:29:03,324 LEAKING ALL THIS WINE ♪ IT'S ALREADY EMPTY AND 711 00:28:59,404 --> 00:29:03,324 LEAKING ALL THIS WINE ♪ IT'S ALREADY EMPTY AND 712 00:29:03,408 --> 00:29:07,328 THANK GOD SOMEWHERE IT'S 5:00 ♪ HONEY, NO, I DON'T MISS HIM 713 00:29:03,408 --> 00:29:07,328 THANK GOD SOMEWHERE IT'S 5:00 ♪ HONEY, NO, I DON'T MISS HIM 714 00:29:07,412 --> 00:29:10,790 IN FACT, IT SLIPPED MY MIND ♪ THERE'S A HOLE IN THE BOTTLE 715 00:29:10,874 --> 00:29:15,462 OF WINE ♪ YOU MAY ASK ME WHERE IT'S 716 00:29:10,874 --> 00:29:15,462 OF WINE ♪ YOU MAY ASK ME WHERE IT'S 717 00:29:15,545 --> 00:29:23,178 GOING ♪ BUT I CAN'T EVEN FIND 718 00:29:15,545 --> 00:29:23,178 GOING ♪ BUT I CAN'T EVEN FIND 719 00:29:23,261 --> 00:29:27,348 THE HOLE IN THE BOTTLE OF WINE ♪ >> CHEERS! 720 00:29:23,261 --> 00:29:27,348 THE HOLE IN THE BOTTLE OF WINE ♪ >> CHEERS! 721 00:29:27,432 --> 00:29:30,768 >> Claudine: LET'S RETURN, LIVE, TO THE GRAND OLE OPRY HOUSE, AND 722 00:29:27,432 --> 00:29:30,768 >> Claudine: LET'S RETURN, LIVE, TO THE GRAND OLE OPRY HOUSE, AND 723 00:29:30,852 --> 00:29:35,732 RUNAWAY JUNE. 724 00:29:35,815 --> 00:29:39,360 >> THIS SUMMER, THE WORLD WAS IN LOCKDOWN. 725 00:29:35,815 --> 00:29:39,360 >> THIS SUMMER, THE WORLD WAS IN LOCKDOWN. 726 00:29:39,444 --> 00:29:43,364 >> BUT "A.C.M. LIFTING LIVES," THE PHILANTHROPIC ARM OF THE 727 00:29:39,444 --> 00:29:43,364 >> BUT "A.C.M. LIFTING LIVES," THE PHILANTHROPIC ARM OF THE 728 00:29:43,448 --> 00:29:46,117 ACADEMY, STAYED BUSY. 729 00:29:46,201 --> 00:29:47,410 >> THEY FOUND NEW WAYS TO KEEP THE MUSIC GOING-- AND WE GOT TO 730 00:29:47,494 --> 00:29:57,545 BE PART OF IT! 731 00:29:47,494 --> 00:29:57,545 BE PART OF IT! 732 00:29:47,494 --> 00:29:57,545 BE PART OF IT! 733 00:29:57,629 --> 00:30:00,715 ♪ ♪ ♪ ♪ ♪ ♪ 734 00:29:57,629 --> 00:30:00,715 ♪ ♪ ♪ ♪ ♪ ♪ 735 00:30:00,798 --> 00:30:05,929 ♪ ♪ ♪ ♪ ♪ ♪ 736 00:30:06,012 --> 00:30:09,682 >> THE ANNUAL ACM LIFTING LIVES CAMP WENT VIRTUAL GIVING THOSE 737 00:30:09,766 --> 00:30:11,768 WITH DEVELOPMENTAL MUCH NEEDED CREATIVE FUN WITH COUNTRY MUSIC. 738 00:30:11,851 --> 00:30:14,521 >> HERE'S TO HAPPINESS. 739 00:30:11,851 --> 00:30:14,521 >> HERE'S TO HAPPINESS. 740 00:30:14,604 --> 00:30:15,772 >> YEAH! 741 00:30:15,855 --> 00:30:19,400 >> THE CAMPERS WROTE AN ORIGINAL SONG PRODUCED BY ROD COPPERMAN, 742 00:30:15,855 --> 00:30:19,400 >> THE CAMPERS WROTE AN ORIGINAL SONG PRODUCED BY ROD COPPERMAN, 743 00:30:19,484 --> 00:30:24,197 THIS YEAR'S LIFTING LIVES AWARD WINNER FOR SERVICE TO THE 744 00:30:19,484 --> 00:30:24,197 THIS YEAR'S LIFTING LIVES AWARD WINNER FOR SERVICE TO THE 745 00:30:24,280 --> 00:30:28,910 CHARITY AND THE MUSICAL MEDICINE CONTINUES WITH THE LIFTING LIVES 746 00:30:28,993 --> 00:30:33,081 COVID-19 RESPONSE FUND WHICH IS ALREADY GETTING MORE THAN 1.7 747 00:30:28,993 --> 00:30:33,081 COVID-19 RESPONSE FUND WHICH IS ALREADY GETTING MORE THAN 1.7 748 00:30:33,164 --> 00:30:35,792 MILLION DOLLARS TO MEMBERS OF THE COUNTRY MUSIC COMMUNITY. 749 00:30:35,875 --> 00:30:40,880 >> THANKS TO THE ACMS LIFTING LIVES COVID-19 RESPONSE FUND I 750 00:30:35,875 --> 00:30:40,880 >> THANKS TO THE ACMS LIFTING LIVES COVID-19 RESPONSE FUND I 751 00:30:40,964 --> 00:30:44,926 HAVE BEEN ABLE TO FOCUS ON TAKING CARE OF MY FAMILY. 752 00:30:40,964 --> 00:30:44,926 HAVE BEEN ABLE TO FOCUS ON TAKING CARE OF MY FAMILY. 753 00:30:45,009 --> 00:30:54,477 >> ACM LIFTING LIVES, IMPROVING LIVES THROUGH THE POWER OF 754 00:30:45,009 --> 00:30:54,477 >> ACM LIFTING LIVES, IMPROVING LIVES THROUGH THE POWER OF 755 00:30:45,009 --> 00:30:54,477 >> ACM LIFTING LIVES, IMPROVING LIVES THROUGH THE POWER OF 756 00:30:54,561 --> 00:30:55,270 MUSIC. 757 00:30:55,353 --> 00:30:59,107 ♪ >> Claudine: NEXT, THANKS TO OUR 758 00:30:59,190 --> 00:31:00,775 FRIENDS AT FORD, WE'LL RETURN TO THE LEGENDARY BLUEBIRD CAFÉ FOR 759 00:30:59,190 --> 00:31:00,775 FRIENDS AT FORD, WE'LL RETURN TO THE LEGENDARY BLUEBIRD CAFÉ FOR 760 00:31:00,858 --> 00:31:05,572 AN ACOUSTIC PERFORMANCE BY MIRANDA LAMBERT. 761 00:31:05,655 --> 00:31:06,447 PLUS, MORGAN WALLEN SINGS HIS NUMBER ONE HIT, “WHISKEY 762 00:31:05,655 --> 00:31:06,447 PLUS, MORGAN WALLEN SINGS HIS NUMBER ONE HIT, “WHISKEY 763 00:31:06,531 --> 00:31:11,494 GLASSES.” AND LATER, CARRIE UNDERWOOD, 764 00:31:11,578 --> 00:31:15,290 SALUTES THE WOMEN OF COUNTRY MUSIC WITH A SPECIAL TRIBUTE TO 765 00:31:11,578 --> 00:31:15,290 SALUTES THE WOMEN OF COUNTRY MUSIC WITH A SPECIAL TRIBUTE TO 766 00:31:15,373 --> 00:31:17,166 THE 95th ANNIVERSARY OF THE GRAND OLE OPRY. 767 00:31:17,250 --> 00:31:18,793 THE A.C.M. AWARDS. 768 00:31:17,250 --> 00:31:18,793 THE A.C.M. AWARDS. 769 00:31:18,876 --> 00:31:20,628 THIS IS CBS. 770 00:31:25,592 --> 00:31:29,637 >> Claudine: NEXT UP FROM THE BLUEBIRD CAFE, MIRANDA LAMBERT. 771 00:31:29,721 --> 00:31:30,305 THIS IS CBS. 772 00:31:29,721 --> 00:31:30,305 THIS IS CBS. 773 00:31:36,728 --> 00:31:37,812 >> Claudine: WELCOME BACK. 774 00:31:37,895 --> 00:31:40,982 NOW, FROM NASHVILLE'S LEGENDARY BLUEBIRD CAFÉ, 775 00:31:41,065 --> 00:31:46,988 WINNER OF MUSIC EVENT OF THE YEAR, MIRANDA LAMBERT. 776 00:31:41,065 --> 00:31:46,988 WINNER OF MUSIC EVENT OF THE YEAR, MIRANDA LAMBERT. 777 00:31:47,071 --> 00:31:49,032 'S SO HAPPY TO BE HERE AT THE LEGENDARY BLUE BIRD PERFORMING 778 00:31:47,071 --> 00:31:49,032 'S SO HAPPY TO BE HERE AT THE LEGENDARY BLUE BIRD PERFORMING 779 00:31:49,115 --> 00:31:57,040 WITH MY GOOD FRIENDS AND COWRITERS LUKE DICK AND NATALIE 780 00:31:49,115 --> 00:31:57,040 WITH MY GOOD FRIENDS AND COWRITERS LUKE DICK AND NATALIE 781 00:31:57,123 --> 00:32:01,377 HEMBY, WE ARE GOING O TO DO THE SONG LIKE WE WROTE THE SONG, 782 00:31:57,123 --> 00:32:01,377 HEMBY, WE ARE GOING O TO DO THE SONG LIKE WE WROTE THE SONG, 783 00:32:01,461 --> 00:32:03,087 DOING BUT BIRD'S BLUE BIRD. 784 00:32:03,171 --> 00:32:12,764 HERE WE GO. 785 00:32:03,171 --> 00:32:12,764 HERE WE GO. 786 00:32:03,171 --> 00:32:12,764 HERE WE GO. 787 00:32:12,847 --> 00:32:22,065 ♪ YEAH, I'M A TURNER I TURN PAGES ALL THE TIME 788 00:32:12,847 --> 00:32:22,065 ♪ YEAH, I'M A TURNER I TURN PAGES ALL THE TIME 789 00:32:22,148 --> 00:32:24,901 ♪ DON'T LIKE WHERE I'M AT 34 WAS BAD 790 00:32:22,148 --> 00:32:24,901 ♪ DON'T LIKE WHERE I'M AT 34 WAS BAD 791 00:32:24,984 --> 00:32:31,866 ♪ SO I JUST TURN TO 35 YEAH, I'M A KEEPER 792 00:32:24,984 --> 00:32:31,866 ♪ SO I JUST TURN TO 35 YEAH, I'M A KEEPER 793 00:32:31,949 --> 00:32:34,077 ♪ I KEEP DIGGING DOWN FOR THE DEEP 794 00:32:34,160 --> 00:32:37,747 ♪ LIKE THE RECORDS I'M PLAYING THEY MIGHT KEEP YOU WAITING 795 00:32:34,160 --> 00:32:37,747 ♪ LIKE THE RECORDS I'M PLAYING THEY MIGHT KEEP YOU WAITING 796 00:32:37,830 --> 00:32:40,124 ♪ BUT YOU KNOW I'M GONNA PLAY 'EM FOR KEEPS 797 00:32:40,208 --> 00:32:42,168 ♪ AND IF THE HOUSE JUST KEEPS ON WINNING 798 00:32:40,208 --> 00:32:42,168 ♪ AND IF THE HOUSE JUST KEEPS ON WINNING 799 00:32:42,251 --> 00:32:49,384 ♪ I GOT A WILDCARD UP MY SLEEVE AND IF LOVE KEEPS GIVING ME 800 00:32:42,251 --> 00:32:49,384 ♪ I GOT A WILDCARD UP MY SLEEVE AND IF LOVE KEEPS GIVING ME 801 00:32:49,467 --> 00:32:52,929 ♪ LEMONS I'LL JUST MIX 'EM IN MY DRINK 802 00:32:53,012 --> 00:32:57,767 ♪ AND IF THE WHOLE WIDE WORLD STOPS SINGING 803 00:32:53,012 --> 00:32:57,767 ♪ AND IF THE WHOLE WIDE WORLD STOPS SINGING 804 00:32:57,850 --> 00:33:02,188 ♪ AND ALL THE STARS GO DARK I'LL KEEP A LIGHT ON IN MY SOUL 805 00:32:57,850 --> 00:33:02,188 ♪ AND ALL THE STARS GO DARK I'LL KEEP A LIGHT ON IN MY SOUL 806 00:33:02,271 --> 00:33:09,737 ♪ KEEP A BLUEBIRD IN MY HEART ♪ ♪ ♪ 807 00:33:02,271 --> 00:33:09,737 ♪ KEEP A BLUEBIRD IN MY HEART ♪ ♪ ♪ 808 00:33:09,821 --> 00:33:17,745 ♪ ♪ ♪ ♪ ♪ ♪ 809 00:33:09,821 --> 00:33:17,745 ♪ ♪ ♪ ♪ ♪ ♪ 810 00:33:17,829 --> 00:33:22,208 ♪ WELL, I'M A GIVER YEAH, AND I'M STILL 811 00:33:17,829 --> 00:33:22,208 ♪ WELL, I'M A GIVER YEAH, AND I'M STILL 812 00:33:22,291 --> 00:33:26,921 ♪ GIVING 'EM HELL FORGIVING'S PRETTY HARD 813 00:33:22,291 --> 00:33:26,921 ♪ GIVING 'EM HELL FORGIVING'S PRETTY HARD 814 00:33:27,004 --> 00:33:32,093 ♪ SO I MADE AN ART OUT OF FORGETTING 'EM WELL 815 00:33:27,004 --> 00:33:32,093 ♪ SO I MADE AN ART OUT OF FORGETTING 'EM WELL 816 00:33:32,176 --> 00:33:34,220 ♪ YEAH, I'M A RHYMER I CAN TURN TWENTY CENTS INTO 817 00:33:34,303 --> 00:33:39,267 A TEN ♪ AND IF I GET CONFUSED 818 00:33:34,303 --> 00:33:39,267 A TEN ♪ AND IF I GET CONFUSED 819 00:33:39,350 --> 00:33:40,184 AND I START TO LOSE ♪ I RHYME A DIME 'TIL 820 00:33:40,268 --> 00:33:45,857 IT ALL MAKES SENSE ♪ AND IF THE HOUSE JUST 821 00:33:40,268 --> 00:33:45,857 IT ALL MAKES SENSE ♪ AND IF THE HOUSE JUST 822 00:33:45,940 --> 00:33:49,861 KEEPS ON WINNING ♪ I GOT A WILDCARD UP MY SLEEVE 823 00:33:45,940 --> 00:33:49,861 KEEPS ON WINNING ♪ I GOT A WILDCARD UP MY SLEEVE 824 00:33:49,944 --> 00:33:53,072 AND IF LOVE KEEPS GIVING ME ♪ LEMONS 825 00:33:53,156 --> 00:33:57,827 I'LL JUST MIX 'EM IN MY DRINK ♪ AND IF THE WHOLE WIDE WORLD 826 00:33:53,156 --> 00:33:57,827 I'LL JUST MIX 'EM IN MY DRINK ♪ AND IF THE WHOLE WIDE WORLD 827 00:33:57,910 --> 00:34:04,792 STOPS SINGING ♪ AND ALL THE STARS GO DARK 828 00:33:57,910 --> 00:34:04,792 STOPS SINGING ♪ AND ALL THE STARS GO DARK 829 00:34:04,876 --> 00:34:12,967 I'LL TURN A LIGHT ON IN MY SOUL KEEP A BLUEBIRD IN MY HEART 830 00:34:04,876 --> 00:34:12,967 I'LL TURN A LIGHT ON IN MY SOUL KEEP A BLUEBIRD IN MY HEART 831 00:34:04,876 --> 00:34:12,967 I'LL TURN A LIGHT ON IN MY SOUL KEEP A BLUEBIRD IN MY HEART 832 00:34:13,050 --> 00:34:21,809 ♪ ♪ ♪ ♪ ♪ ♪ 833 00:34:13,050 --> 00:34:21,809 ♪ ♪ ♪ ♪ ♪ ♪ 834 00:34:21,893 --> 00:34:25,855 ♪ ♪ ♪ ♪ ♪ ♪ 835 00:34:21,893 --> 00:34:25,855 ♪ ♪ ♪ ♪ ♪ ♪ 836 00:34:25,938 --> 00:34:34,822 ♪ ♪ ♪ ♪ AND IF THE HOUSE JUST 837 00:34:25,938 --> 00:34:34,822 ♪ ♪ ♪ ♪ AND IF THE HOUSE JUST 838 00:34:34,906 --> 00:34:40,995 KEEPS ON WINNING ♪ I GOT A WILDCARD UP MY SLEEVE 839 00:34:34,906 --> 00:34:40,995 KEEPS ON WINNING ♪ I GOT A WILDCARD UP MY SLEEVE 840 00:34:41,078 --> 00:34:45,875 AND IF LOVE KEEPS GIVING ME ♪ LEMONS 841 00:34:41,078 --> 00:34:45,875 AND IF LOVE KEEPS GIVING ME ♪ LEMONS 842 00:34:45,958 --> 00:34:49,879 I'LL JUST MIX 'EM IN MY DRINK ♪ AND IF THE WHOLE WIDE WORLD 843 00:34:45,958 --> 00:34:49,879 I'LL JUST MIX 'EM IN MY DRINK ♪ AND IF THE WHOLE WIDE WORLD 844 00:34:49,962 --> 00:34:53,883 STOPS SINGING ♪ AND ALL THE STARS GO DARK 845 00:34:53,966 --> 00:35:01,891 I'LL KEEP A LIGHT ON IN MY SOUL ♪ KEEP A BLUEBIRD IN MY HEART 846 00:34:53,966 --> 00:35:01,891 I'LL KEEP A LIGHT ON IN MY SOUL ♪ KEEP A BLUEBIRD IN MY HEART 847 00:34:53,966 --> 00:35:01,891 I'LL KEEP A LIGHT ON IN MY SOUL ♪ KEEP A BLUEBIRD IN MY HEART 848 00:35:01,974 --> 00:35:09,899 I'LL KEEP A LIGHT ON IN MY SOUL KEEP A BLUEBIRD IN MY HEART 849 00:35:01,974 --> 00:35:09,899 I'LL KEEP A LIGHT ON IN MY SOUL KEEP A BLUEBIRD IN MY HEART 850 00:35:09,982 --> 00:35:20,993 ♪ KEEP A BLUEBIRD IN MY HEART ♪ ♪ ♪ 851 00:35:09,982 --> 00:35:20,993 ♪ KEEP A BLUEBIRD IN MY HEART ♪ ♪ ♪ 852 00:35:09,982 --> 00:35:20,993 ♪ KEEP A BLUEBIRD IN MY HEART ♪ ♪ ♪ 853 00:35:21,077 --> 00:35:35,883 ♪ ♪ ♪ AND THE BLUEBIRD SINGS ♪ 854 00:35:21,077 --> 00:35:35,883 ♪ ♪ ♪ AND THE BLUEBIRD SINGS ♪ 855 00:35:21,077 --> 00:35:35,883 ♪ ♪ ♪ AND THE BLUEBIRD SINGS ♪ 856 00:35:35,967 --> 00:35:42,557 ♪ ♪ ♪ AND THE BLUEBIRD SINGS ♪ 857 00:35:35,967 --> 00:35:42,557 ♪ ♪ ♪ AND THE BLUEBIRD SINGS ♪ 858 00:35:35,967 --> 00:35:42,557 ♪ ♪ ♪ AND THE BLUEBIRD SINGS ♪ 859 00:35:42,640 --> 00:35:43,599 >> Keith: FANTASTIC, MIRANDA. 860 00:35:43,683 --> 00:35:44,183 > HEY THERE. 861 00:35:44,267 --> 00:35:45,434 >> Keith: HOW ARE YOU? 862 00:35:45,518 --> 00:35:47,103 >> I'M GOOD, I MISS YOU OVER THERE. 863 00:35:47,186 --> 00:35:49,397 >> Keith: YEAH, I MISS YOU OVER THERE TOO. 864 00:35:47,186 --> 00:35:49,397 >> Keith: YEAH, I MISS YOU OVER THERE TOO. 865 00:35:49,480 --> 00:35:50,189 IT'S REALLY GREAT TO SEE YOU. 866 00:35:50,273 --> 00:35:51,440 I LOVE THAT SONG. 867 00:35:51,524 --> 00:35:56,237 I LOVE THE FACT THAT YOU DID IT WITH NATALIE AND LUKE, SHOUT OUT 868 00:35:51,524 --> 00:35:56,237 I LOVE THE FACT THAT YOU DID IT WITH NATALIE AND LUKE, SHOUT OUT 869 00:35:56,320 --> 00:35:59,031 TO BOTH OF THEM. 870 00:35:59,115 --> 00:36:00,616 >> WELL, HE SAID HI. 871 00:35:59,115 --> 00:36:00,616 >> WELL, HE SAID HI. 872 00:36:00,700 --> 00:36:02,577 KEITH SAYS HI. 873 00:36:02,660 --> 00:36:05,413 >> Keith: WHAT A PERFECT VENUE TO PLAY WITH THE WRITERS, BY THE 874 00:36:05,496 --> 00:36:09,959 WAY, AND FOR FOLKS WHO DON'T KNOW, MIRANDA ALSO WON THE VOCAL 875 00:36:05,496 --> 00:36:09,959 WAY, AND FOR FOLKS WHO DON'T KNOW, MIRANDA ALSO WON THE VOCAL 876 00:36:10,042 --> 00:36:13,754 EVENT OF THE YEAR. 877 00:36:10,042 --> 00:36:13,754 EVENT OF THE YEAR. 878 00:36:13,838 --> 00:36:14,589 CONGRATS. 879 00:36:14,672 --> 00:36:16,132 >> YEAH, WITH MY GIRL PALS, SO EXCITED. 880 00:36:16,215 --> 00:36:19,886 >> Keith: AND THIS MAKES MIRANDA, THIS IS YOUR 35th 881 00:36:16,215 --> 00:36:19,886 >> Keith: AND THIS MAKES MIRANDA, THIS IS YOUR 35th 882 00:36:19,969 --> 00:36:23,598 ACM AWARD, 35, THAT MEANS MIRANDA HAS WON MORE A.C.M.S 883 00:36:23,681 --> 00:36:27,268 THAN ANY HUMAN WHO HAS EVER WALKED THE PLANET OR VENUS. 884 00:36:23,681 --> 00:36:27,268 THAN ANY HUMAN WHO HAS EVER WALKED THE PLANET OR VENUS. 885 00:36:27,351 --> 00:36:28,895 THAT IS SPECIAL. 886 00:36:28,978 --> 00:36:30,062 >> I LIKE THAT. 887 00:36:28,978 --> 00:36:30,062 >> I LIKE THAT. 888 00:36:30,146 --> 00:36:32,940 SOUNDS BETTER WHEN YOU ARE SAYING IT LIKE THAT, IT MAKES IT 889 00:36:33,024 --> 00:36:34,150 A BIG DEAL. 890 00:36:34,233 --> 00:36:37,987 >> Keith: YOU ARE THE LIFE ON VENUS, CONGRATULATIONS, MIRANDA. 891 00:36:34,233 --> 00:36:37,987 >> Keith: YOU ARE THE LIFE ON VENUS, CONGRATULATIONS, MIRANDA. 892 00:36:38,070 --> 00:36:38,696 >> THANK YOU SO MUCH. 893 00:36:38,779 --> 00:36:40,197 >> Keith: AND NOW HERE IS AN A 894 00:36:40,281 --> 00:36:46,078 AND NOW, HERE IS NEW MALE ARTIST OF THE YEAR NOMINEE MORGAN 895 00:36:40,281 --> 00:36:46,078 AND NOW, HERE IS NEW MALE ARTIST OF THE YEAR NOMINEE MORGAN 896 00:36:46,162 --> 00:36:56,756 WALLEN. 897 00:36:46,162 --> 00:36:56,756 WALLEN. 898 00:36:46,162 --> 00:36:56,756 WALLEN. 899 00:36:56,839 --> 00:37:04,847 ♪ ♪ ♪ ♪ ♪ ♪ 900 00:36:56,839 --> 00:37:04,847 ♪ ♪ ♪ ♪ ♪ ♪ 901 00:37:04,931 --> 00:37:08,851 ♪ POOR ME POUR ME ANOTHER DRINK 902 00:37:04,931 --> 00:37:08,851 ♪ POOR ME POUR ME ANOTHER DRINK 903 00:37:08,935 --> 00:37:11,187 ♪ 'CAUSE I DON'T WANNA FEEL A THING 904 00:37:11,270 --> 00:37:14,065 ♪ NO MORE, HELL NAH I JUST WANNA SIP 'TIL 905 00:37:11,270 --> 00:37:14,065 ♪ NO MORE, HELL NAH I JUST WANNA SIP 'TIL 906 00:37:14,148 --> 00:37:17,360 ♪ THE PAIN WEARS OFF POOR ME 907 00:37:17,443 --> 00:37:22,448 ♪ POUR ME ANOTHER ROUND LINE 'EM UP AND KNOCK 'EM DOWN 908 00:37:17,443 --> 00:37:22,448 ♪ POUR ME ANOTHER ROUND LINE 'EM UP AND KNOCK 'EM DOWN 909 00:37:22,531 --> 00:37:26,035 ♪ TWO MORE, LET'S GO 'CAUSE I AIN'T EVER 910 00:37:22,531 --> 00:37:26,035 ♪ TWO MORE, LET'S GO 'CAUSE I AIN'T EVER 911 00:37:26,118 --> 00:37:30,039 ♪ HURT LIKE THIS BEFORE DON'T WANNA THINK ABOUT HER 912 00:37:26,118 --> 00:37:30,039 ♪ HURT LIKE THIS BEFORE DON'T WANNA THINK ABOUT HER 913 00:37:30,122 --> 00:37:34,043 ♪ OR WEAR A RING WITHOUT HER DON'T WANNA HIT THE KARAOKE BAR 914 00:37:34,126 --> 00:37:38,005 ♪ CAN'T SING WITHOUT HER SO MAKE THEM DRINKS STRONG 915 00:37:34,126 --> 00:37:38,005 ♪ CAN'T SING WITHOUT HER SO MAKE THEM DRINKS STRONG 916 00:37:38,089 --> 00:37:40,466 ♪ 'CAUSE, BROTHER, SHE'S GONE AND IF I'M EVER GONNA MOVE ON 917 00:37:40,549 --> 00:37:46,138 ♪ I'MA NEED SOME WHISKEY GLASSES 'CAUSE I DON'T WANNA SEE 918 00:37:40,549 --> 00:37:46,138 ♪ I'MA NEED SOME WHISKEY GLASSES 'CAUSE I DON'T WANNA SEE 919 00:37:46,222 --> 00:37:50,142 ♪ THE TRUTH SHE'S PROBABLY MAKING OUT 920 00:37:46,222 --> 00:37:50,142 ♪ THE TRUTH SHE'S PROBABLY MAKING OUT 921 00:37:50,226 --> 00:37:54,146 ♪ ON THE COUCH RIGHT NOW WITH SOMEONE NEW 922 00:37:50,226 --> 00:37:54,146 ♪ ON THE COUCH RIGHT NOW WITH SOMEONE NEW 923 00:37:54,230 --> 00:37:58,150 ♪ YEAH, I'MA NEED SOME WHISKEY GLASSES 924 00:37:58,234 --> 00:38:02,279 ♪ IF I'M GONNA MAKE IT THROUGH IF I'MA BE SINGLE 925 00:37:58,234 --> 00:38:02,279 ♪ IF I'M GONNA MAKE IT THROUGH IF I'MA BE SINGLE 926 00:38:02,363 --> 00:38:06,075 ♪ I'MA NEED A DOUBLE SHOT OF THAT HEARTBREAK PROOF 927 00:38:02,363 --> 00:38:06,075 ♪ I'MA NEED A DOUBLE SHOT OF THAT HEARTBREAK PROOF 928 00:38:06,158 --> 00:38:10,079 ♪ AND SEE THE WORLD THROUGH WHISKEY GLASSES 929 00:38:10,162 --> 00:38:13,040 ♪ AIN'T NOTHING ELSE TO DO BUT SIP AROUND THE TRUTH 930 00:38:10,162 --> 00:38:13,040 ♪ AIN'T NOTHING ELSE TO DO BUT SIP AROUND THE TRUTH 931 00:38:13,124 --> 00:38:16,919 ♪ AND SEE THE WORLD THROUGH WHISKEY GLASSES 932 00:38:17,003 --> 00:38:22,133 ♪ I NEED A BETTER VIEW WHERE I DON'T DRINK TO YOU 933 00:38:17,003 --> 00:38:22,133 ♪ I NEED A BETTER VIEW WHERE I DON'T DRINK TO YOU 934 00:38:22,216 --> 00:38:23,384 ♪ LAST CALL I SWEAR THIS WILL BE 935 00:38:23,467 --> 00:38:28,681 ♪ MY LAST CALL NOW I AIN'T DRUNK DIALING 936 00:38:23,467 --> 00:38:28,681 ♪ MY LAST CALL NOW I AIN'T DRUNK DIALING 937 00:38:28,764 --> 00:38:33,894 ♪ NO MORE AT 3:00 AM MR. BARTENDER, HIT ME AGAIN 938 00:38:28,764 --> 00:38:33,894 ♪ NO MORE AT 3:00 AM MR. BARTENDER, HIT ME AGAIN 939 00:38:33,978 --> 00:38:35,646 ♪ DON'T WANNA THINK ABOUT HER OR WEAR A RING WITHOUT HER 940 00:38:35,730 --> 00:38:38,065 ♪ DON'T WANNA HIT THE KARAOKE BAR 941 00:38:35,730 --> 00:38:38,065 ♪ DON'T WANNA HIT THE KARAOKE BAR 942 00:38:38,149 --> 00:38:40,526 ♪ CAN'T SING WITHOUT HER SO MAKE THEM DRINKS STRONG 943 00:38:40,609 --> 00:38:44,905 ♪ 'CAUSE, BROTHER, SHE'S GONE AND IF I'M EVER GONNA MOVE ON 944 00:38:40,609 --> 00:38:44,905 ♪ 'CAUSE, BROTHER, SHE'S GONE AND IF I'M EVER GONNA MOVE ON 945 00:38:44,989 --> 00:38:50,202 ♪ I'MA NEED SOME WHISKEY GLASSES 'CAUSE I DON'T WANNA SEE 946 00:38:44,989 --> 00:38:50,202 ♪ I'MA NEED SOME WHISKEY GLASSES 'CAUSE I DON'T WANNA SEE 947 00:38:50,286 --> 00:38:53,372 ♪ THE TRUTH SHE'S PROBABLY MAKING OUT 948 00:38:53,456 --> 00:38:57,918 ♪ ON THE COUCH RIGHT NOW WITH SOMEONE NEW 949 00:38:53,456 --> 00:38:57,918 ♪ ON THE COUCH RIGHT NOW WITH SOMEONE NEW 950 00:38:58,002 --> 00:39:02,214 ♪ YEAH, I'MA NEED SOME WHISKEY GLASSES 951 00:38:58,002 --> 00:39:02,214 ♪ YEAH, I'MA NEED SOME WHISKEY GLASSES 952 00:39:02,298 --> 00:39:06,218 ♪ IF I'M GONNA MAKE IT THROUGH IF I'MA BE SINGLE 953 00:39:02,298 --> 00:39:06,218 ♪ IF I'M GONNA MAKE IT THROUGH IF I'MA BE SINGLE 954 00:39:06,302 --> 00:39:10,097 ♪ I'MA NEED A DOUBLE SHOT OF THAT HEARTBREAK PROOF 955 00:39:10,181 --> 00:39:14,226 ♪ AND SEE THE WORLD THROUGH WHISKEY GLASSES 956 00:39:10,181 --> 00:39:14,226 ♪ AND SEE THE WORLD THROUGH WHISKEY GLASSES 957 00:39:14,310 --> 00:39:16,729 ♪ AIN'T NOTHING ELSE TO DO BUT SIP AROUND THE TRUTH 958 00:39:16,812 --> 00:39:20,441 ♪ OH, SEE THE WORLD THROUGH WHISKEY GLASSES 959 00:39:16,812 --> 00:39:20,441 ♪ OH, SEE THE WORLD THROUGH WHISKEY GLASSES 960 00:39:20,524 --> 00:39:25,029 ♪ I NEED A BETTER VIEW WHERE I DON'T DRINK TO YOU 961 00:39:20,524 --> 00:39:25,029 ♪ I NEED A BETTER VIEW WHERE I DON'T DRINK TO YOU 962 00:39:25,112 --> 00:39:26,947 ♪ LINE 'EM UP, LINE 'EM UP LINE 'EM UP, LINE 'EM UP 963 00:39:27,031 --> 00:39:31,744 ♪ KNOCK 'EM BACK, KNOCK 'EM BACK KNOCK 'EM BACK, KNOCK 'EM BACK 964 00:39:27,031 --> 00:39:31,744 ♪ KNOCK 'EM BACK, KNOCK 'EM BACK KNOCK 'EM BACK, KNOCK 'EM BACK 965 00:39:31,827 --> 00:39:34,246 ♪ FILL 'EM UP, FILL 'EM UP FILL 'EM UP, FILL 'EM UP 966 00:39:34,330 --> 00:39:37,958 ♪ 'CAUSE IF SHE AIN'T EVER COMING BACK 967 00:39:34,330 --> 00:39:37,958 ♪ 'CAUSE IF SHE AIN'T EVER COMING BACK 968 00:39:38,042 --> 00:39:40,586 ♪ LINE 'EM UP, LINE 'EM UP LINE 'EM UP, LINE 'EM UP 969 00:39:40,669 --> 00:39:44,423 ♪ KNOCK 'EM BACK, KNOCK 'EM BACK KNOCK 'EM BACK, KNOCK 'EM BACK 970 00:39:40,669 --> 00:39:44,423 ♪ KNOCK 'EM BACK, KNOCK 'EM BACK KNOCK 'EM BACK, KNOCK 'EM BACK 971 00:39:44,507 --> 00:39:47,134 ♪ FILL 'EM UP, FILL 'EM UP FILL 'EM UP, FILL 'EM UP 972 00:39:47,218 --> 00:39:50,262 ♪ 'CAUSE IF SHE AIN'T EVER COMING BACK 973 00:39:47,218 --> 00:39:50,262 ♪ 'CAUSE IF SHE AIN'T EVER COMING BACK 974 00:39:50,346 --> 00:39:53,432 ♪ I'MA NEED SOME WHISKEY GLASSES 'CAUSE I DON'T WANNA SEE 975 00:39:53,516 --> 00:39:58,270 ♪ THE TRUTH SHE'S PROBABLY MAKING OUT 976 00:39:53,516 --> 00:39:58,270 ♪ THE TRUTH SHE'S PROBABLY MAKING OUT 977 00:39:58,354 --> 00:40:02,149 ♪ ON THE COUCH RIGHT NOW WITH SOMEONE NEW 978 00:39:58,354 --> 00:40:02,149 ♪ ON THE COUCH RIGHT NOW WITH SOMEONE NEW 979 00:40:02,233 --> 00:40:05,444 ♪ YEAH, I'MA NEED SOME WHISKEY GLASSES 980 00:40:05,528 --> 00:40:09,448 ♪ IF I'M GONNA MAKE IT THROUGH IF I'MA BE SINGLE 981 00:40:05,528 --> 00:40:09,448 ♪ IF I'M GONNA MAKE IT THROUGH IF I'MA BE SINGLE 982 00:40:09,532 --> 00:40:14,286 ♪ I'MA NEED A DOUBLE SHOT OF THAT HEARTBREAK PROOF 983 00:40:09,532 --> 00:40:14,286 ♪ I'MA NEED A DOUBLE SHOT OF THAT HEARTBREAK PROOF 984 00:40:14,370 --> 00:40:17,373 ♪ AND SEE THE WORLD THROUGH WHISKEY GLASSES 985 00:40:17,456 --> 00:40:21,127 ♪ AIN'T NOTHING ELSE TO DO BUT SIP AROUND THE TRUTH 986 00:40:17,456 --> 00:40:21,127 ♪ AIN'T NOTHING ELSE TO DO BUT SIP AROUND THE TRUTH 987 00:40:21,210 --> 00:40:23,379 ♪ OH, SEE THE WORLD THROUGH WHISKEY GLASSES 988 00:40:23,462 --> 00:40:33,472 ♪ I NEED A BETTER VIEW WHERE I DON'T DRINK TO YOU 989 00:40:23,462 --> 00:40:33,472 ♪ I NEED A BETTER VIEW WHERE I DON'T DRINK TO YOU 990 00:40:23,462 --> 00:40:33,472 ♪ I NEED A BETTER VIEW WHERE I DON'T DRINK TO YOU 991 00:40:33,556 --> 00:40:34,515 ♪ AIN'T NOTHING ELSE TO DO BUT SIP AROUND THE TRUTH 992 00:40:34,598 --> 00:40:37,017 ♪ OH, SEE THE WORLD THROUGH WHISKEY GLASSES 993 00:40:34,598 --> 00:40:37,017 ♪ OH, SEE THE WORLD THROUGH WHISKEY GLASSES 994 00:40:37,101 --> 00:40:49,321 ♪ I NEED A BETTER VIEW WHERE I DON'T DRINK TO YOU 995 00:40:37,101 --> 00:40:49,321 ♪ I NEED A BETTER VIEW WHERE I DON'T DRINK TO YOU 996 00:40:37,101 --> 00:40:49,321 ♪ I NEED A BETTER VIEW WHERE I DON'T DRINK TO YOU 997 00:40:49,405 --> 00:40:58,330 >> Claudine: GRACING THE OPRY HOUSE RUNWAY, HERE IS 998 00:40:49,405 --> 00:40:58,330 >> Claudine: GRACING THE OPRY HOUSE RUNWAY, HERE IS 999 00:40:58,414 --> 00:40:59,540 MODEL LILY ALDRIDGE. 1000 00:40:59,623 --> 00:41:02,877 >> THE NOMINEES IN THIS NEXT CATEGORY PROVE THE EXPRESSION“ 1001 00:40:59,623 --> 00:41:02,877 >> THE NOMINEES IN THIS NEXT CATEGORY PROVE THE EXPRESSION“ 1002 00:41:02,960 --> 00:41:07,464 THERE'S STRENGTH IN NUMBERS.” THEIR OUTSTANDING WORK SHOWS 1003 00:41:02,960 --> 00:41:07,464 THERE'S STRENGTH IN NUMBERS.” THEIR OUTSTANDING WORK SHOWS 1004 00:41:07,548 --> 00:41:10,551 THE GREATNESS THAT CAN BE ACCOMPLISHED WHEN TALENTED 1005 00:41:10,634 --> 00:41:14,346 PEOPLE COMBINE THEIR GIFTS AND WORK TOGETHER. 1006 00:41:10,634 --> 00:41:14,346 PEOPLE COMBINE THEIR GIFTS AND WORK TOGETHER. 1007 00:41:14,430 --> 00:41:18,350 >> Claudine: FOR GROUP OF THE YEAR, THE NOMINEES ARE... 1008 00:41:14,430 --> 00:41:18,350 >> Claudine: FOR GROUP OF THE YEAR, THE NOMINEES ARE... 1009 00:41:18,434 --> 00:41:21,687 LADY A. 1010 00:41:21,770 --> 00:41:22,313 LITTLE BIG TOWN. 1011 00:41:22,396 --> 00:41:26,275 MIDLAND. 1012 00:41:22,396 --> 00:41:26,275 MIDLAND. 1013 00:41:26,358 --> 00:41:29,445 OLD DOMINION. 1014 00:41:29,528 --> 00:41:33,365 THE HIGHWOMEN. 1015 00:41:29,528 --> 00:41:33,365 THE HIGHWOMEN. 1016 00:41:33,449 --> 00:41:41,498 AND THE A.C.M. GROUP OF THE YEAR GOES TO... 1017 00:41:33,449 --> 00:41:41,498 AND THE A.C.M. GROUP OF THE YEAR GOES TO... 1018 00:41:41,582 --> 00:41:48,714 OLD DOMINION. 1019 00:41:41,582 --> 00:41:48,714 OLD DOMINION. 1020 00:41:41,582 --> 00:41:48,714 OLD DOMINION. 1021 00:41:48,797 --> 00:41:52,718 ♪ ♪ ♪ ♪ ♪ ♪ 1022 00:41:52,801 --> 00:41:59,642 ♪ ♪ ♪ HERE WE ARE AGAIN. 1023 00:41:52,801 --> 00:41:59,642 ♪ ♪ ♪ HERE WE ARE AGAIN. 1024 00:41:59,725 --> 00:42:02,353 HEY, I DON'T KNOW WHERE THE CAMERA IS, BUT HEY, EVERYBODY. 1025 00:41:59,725 --> 00:42:02,353 HEY, I DON'T KNOW WHERE THE CAMERA IS, BUT HEY, EVERYBODY. 1026 00:42:02,436 --> 00:42:04,688 WE MISS YOU. 1027 00:42:04,772 --> 00:42:10,277 WE HAVE SUCH AN AMAZING TEAM. 1028 00:42:04,772 --> 00:42:10,277 WE HAVE SUCH AN AMAZING TEAM. 1029 00:42:10,361 --> 00:42:11,612 SONY, RCA, PARADIGM. 1030 00:42:11,695 --> 00:42:14,823 BUT I THINK EVERYBODY HERE WOULD BE OKAY IF I SENT THIS ONE OUT 1031 00:42:11,695 --> 00:42:14,823 BUT I THINK EVERYBODY HERE WOULD BE OKAY IF I SENT THIS ONE OUT 1032 00:42:14,907 --> 00:42:19,787 TO OUR ROAD CREW WHO REALLY IS GETTING HIT HARD RIGHT NOW IN 1033 00:42:14,907 --> 00:42:19,787 TO OUR ROAD CREW WHO REALLY IS GETTING HIT HARD RIGHT NOW IN 1034 00:42:19,870 --> 00:42:20,788 THESE WEIRD TIMES. 1035 00:42:20,871 --> 00:42:21,956 WE LOVE YOU GUYS, YOU WORK SO HARD FOR US. 1036 00:42:22,039 --> 00:42:24,959 WE COULD NOT DO THIS WITHOUT YOU, THANK YOU TO OUR FANS, 1037 00:42:22,039 --> 00:42:24,959 WE COULD NOT DO THIS WITHOUT YOU, THANK YOU TO OUR FANS, 1038 00:42:25,042 --> 00:42:26,543 THANK YOU COUNTRY RADIO. 1039 00:42:26,627 --> 00:42:28,003 YEAH! 1040 00:42:28,087 --> 00:42:32,132 >> THANK YOU. 1041 00:42:28,087 --> 00:42:32,132 >> THANK YOU. 1042 00:42:32,216 --> 00:42:34,426 >> Claudine: COUNTRY MUSIC IS THE BIGGEST RADIO FORMAT IN 1043 00:42:34,510 --> 00:42:38,305 THE U.S., AND THE ACADEMY CONGRATULATES THE ROB AND HOLLY 1044 00:42:34,510 --> 00:42:38,305 THE U.S., AND THE ACADEMY CONGRATULATES THE ROB AND HOLLY 1045 00:42:38,389 --> 00:42:40,683 SHOW, WYCD DETROIT, AS ONE OF THIS YEAR'S A.C.M. COUNTRY RADIO 1046 00:42:40,766 --> 00:42:42,977 WINNERS. 1047 00:42:40,766 --> 00:42:42,977 WINNERS. 1048 00:42:43,060 --> 00:42:46,814 >> Claudine: SUPERSTAR COLLABORATIONS ARE HEADING TO 1049 00:42:46,897 --> 00:42:50,401 NASHVILLE, WHEN THOMAS RHETT IS JOINED BY JON PARDI AT THE 1050 00:42:46,897 --> 00:42:50,401 NASHVILLE, WHEN THOMAS RHETT IS JOINED BY JON PARDI AT THE 1051 00:42:50,484 --> 00:42:53,737 RYMAN, BLAKE SHELTON DUETS WITH GWEN STEFANI, AND KEITH URBAN 1052 00:42:53,821 --> 00:42:57,074 PERFORMS WITH P!NK. 1053 00:42:53,821 --> 00:42:57,074 PERFORMS WITH P!NK. 1054 00:42:57,157 --> 00:42:58,784 PLUS, CARRIE UNDERWOOD SALUTES DOLLY, REBA, LORETTA, PATSY, 1055 00:42:58,867 --> 00:43:02,371 BARBARA AND MARTINA. 1056 00:42:58,867 --> 00:43:02,371 BARBARA AND MARTINA. 1057 00:43:02,454 --> 00:43:04,790 THEN, LUKE COMBS GOES ACOUSTIC AT THE BLUEBIRD CAFÉ, THANKS TO 1058 00:43:04,873 --> 00:43:09,503 FORD. 1059 00:43:04,873 --> 00:43:09,503 FORD. 1060 00:43:09,586 --> 00:43:10,879 AND, FOR THE FIRST TIME IN SEVEN YEARS, TAYLOR SWIFT PERFORMS ON 1061 00:43:10,963 --> 00:43:13,132 OUR STAGE. 1062 00:43:10,963 --> 00:43:13,132 OUR STAGE. 1063 00:43:13,215 --> 00:43:14,341 THE 55th A.C.M. AWARDS. 1064 00:43:14,425 --> 00:43:16,969 THIS IS CBS. 1065 00:43:20,889 --> 00:43:22,808 >> Claudine: THE 55th ACADEMY OF COUNTRY MUSIC AWARDS. 1066 00:43:22,891 --> 00:43:25,644 SPONSORED BY UBRELVY. 1067 00:43:22,891 --> 00:43:25,644 SPONSORED BY UBRELVY. 1068 00:43:31,775 --> 00:43:35,029 >> Claudine: CARRIE UNDERWOOD WHEN WE CONTINUE. 1069 00:43:35,112 --> 00:43:37,781 THIS IS CBS. 1070 00:43:35,112 --> 00:43:37,781 THIS IS CBS. 1071 00:43:40,617 --> 00:43:43,078 >> Claudine: WE'RE BACK IN NASHVILLE WITH THE 55th A.C.M. 1072 00:43:40,617 --> 00:43:43,078 >> Claudine: WE'RE BACK IN NASHVILLE WITH THE 55th A.C.M. 1073 00:43:43,162 --> 00:43:44,538 AWARDS. 1074 00:43:44,621 --> 00:43:47,207 NOW, ENTERTAINER OF THE YEAR NOMINEE THOMAS RHETT IS JOINED 1075 00:43:47,291 --> 00:43:52,755 BY JON PARDI AT THE RYMAN AUDITORIUM. 1076 00:43:47,291 --> 00:43:52,755 BY JON PARDI AT THE RYMAN AUDITORIUM. 1077 00:43:52,838 --> 00:43:55,382 ♪ YOU'RE ALL ALONE AT A PARTY, YOU WANNA DANCE WITH SOMEBODY 1078 00:43:52,838 --> 00:43:55,382 ♪ YOU'RE ALL ALONE AT A PARTY, YOU WANNA DANCE WITH SOMEBODY 1079 00:43:55,466 --> 00:43:59,094 ♪ BUT YOU AIN'T GOT A CLUE HOW TO ASK 1080 00:43:59,178 --> 00:44:04,016 ♪ YOU AND YOUR GIRL HAD A FIGHT AND NOW SHE'S SAYIN' GOODBYE 1081 00:43:59,178 --> 00:44:04,016 ♪ YOU AND YOUR GIRL HAD A FIGHT AND NOW SHE'S SAYIN' GOODBYE 1082 00:44:04,099 --> 00:44:07,644 ♪ SHE RAN UPSTAIRS AND PACKED HER BAGS 1083 00:44:04,099 --> 00:44:07,644 ♪ SHE RAN UPSTAIRS AND PACKED HER BAGS 1084 00:44:07,728 --> 00:44:12,566 ♪ IT COULD BE RAININ' ON YOUR PERFECT VACATION 1085 00:44:07,728 --> 00:44:12,566 ♪ IT COULD BE RAININ' ON YOUR PERFECT VACATION 1086 00:44:12,649 --> 00:44:17,696 ♪ YOU COULD BE STRESSED ABOUT YOUR WORK SITUATION 1087 00:44:17,780 --> 00:44:19,615 ♪ AIN'T GOTTA LISTEN TO ME, BUT ALL I'M SAYIN' 1088 00:44:17,780 --> 00:44:19,615 ♪ AIN'T GOTTA LISTEN TO ME, BUT ALL I'M SAYIN' 1089 00:44:19,698 --> 00:44:23,911 ♪ AIN'T NOTHING THAT A BEER CAN'T FIX 1090 00:44:23,994 --> 00:44:28,791 ♪ AIN'T NO PAIN IT CAN'T WASH AWAY 1091 00:44:23,994 --> 00:44:28,791 ♪ AIN'T NO PAIN IT CAN'T WASH AWAY 1092 00:44:28,874 --> 00:44:33,212 ♪ FROM THE MOMENT THAT IT HITS YOUR LIPS 1093 00:44:28,874 --> 00:44:33,212 ♪ FROM THE MOMENT THAT IT HITS YOUR LIPS 1094 00:44:33,295 --> 00:44:38,592 ♪ MAKES THOSE CLOUDS LOOK A LITTLE LESS GRAY 1095 00:44:33,295 --> 00:44:38,592 ♪ MAKES THOSE CLOUDS LOOK A LITTLE LESS GRAY 1096 00:44:38,675 --> 00:44:42,763 ♪ OH, YOU COULD BE LONELY, OR HEARTBROKEN 1097 00:44:38,675 --> 00:44:42,763 ♪ OH, YOU COULD BE LONELY, OR HEARTBROKEN 1098 00:44:42,846 --> 00:44:47,142 ♪ OR HUNGOVER FROM THE NIGHT BEFORE 1099 00:44:47,226 --> 00:44:50,604 ♪ TURN THAT FROWN INTO A SMILE REAL QUICK 1100 00:44:47,226 --> 00:44:50,604 ♪ TURN THAT FROWN INTO A SMILE REAL QUICK 1101 00:44:50,687 --> 00:44:56,151 ♪ THERE AIN'T NOTHING THAT A BEER CAN'T FIX 1102 00:44:50,687 --> 00:44:56,151 ♪ THERE AIN'T NOTHING THAT A BEER CAN'T FIX 1103 00:44:56,235 --> 00:44:58,445 ♪ YOU'RE ON A LAKE AND YOU'RE FISHIN' 1104 00:44:58,529 --> 00:44:59,738 ♪ IT'S HOT AND ALL THAT YOU'RE GETTIN' 1105 00:44:59,822 --> 00:45:04,785 ♪ IS A LITTLE NIBBLE HERE AND THERE 1106 00:44:59,822 --> 00:45:04,785 ♪ IS A LITTLE NIBBLE HERE AND THERE 1107 00:45:04,868 --> 00:45:07,287 ♪ YOU'RE SITTTIN', WATCHIN' YOUR TEAM LOSIN' THAT CHAMPIONSHIP 1108 00:45:04,868 --> 00:45:07,287 ♪ YOU'RE SITTTIN', WATCHIN' YOUR TEAM LOSIN' THAT CHAMPIONSHIP 1109 00:45:07,371 --> 00:45:11,291 ♪ RING AND YOU'RE FEELIN LIKE LIFE 1110 00:45:11,375 --> 00:45:13,669 ♪AIN'T FAIR IT COULD BE RAININ' ON YOUR 1111 00:45:11,375 --> 00:45:13,669 ♪AIN'T FAIR IT COULD BE RAININ' ON YOUR 1112 00:45:13,752 --> 00:45:19,258 ♪ PERFECT VACATION YOU COULD BE STRESSED ABOUT YOUR 1113 00:45:13,752 --> 00:45:19,258 ♪ PERFECT VACATION YOU COULD BE STRESSED ABOUT YOUR 1114 00:45:19,341 --> 00:45:23,262 ♪ WORK SITUATION AIN'T NOTHING THAT A BEER CAN'T 1115 00:45:23,345 --> 00:45:29,268 ♪ FIX AIN'T NO PAIN IT CAN'T WASH AWAY 1116 00:45:23,345 --> 00:45:29,268 ♪ FIX AIN'T NO PAIN IT CAN'T WASH AWAY 1117 00:45:29,351 --> 00:45:34,106 ♪ FROM THE MOMENT THAT IT HITS YOUR LIPS 1118 00:45:29,351 --> 00:45:34,106 ♪ FROM THE MOMENT THAT IT HITS YOUR LIPS 1119 00:45:34,189 --> 00:45:38,652 ♪ MAKES THOSE CLOUDS LOOK A LITTLE LESS GRAY 1120 00:45:34,189 --> 00:45:38,652 ♪ MAKES THOSE CLOUDS LOOK A LITTLE LESS GRAY 1121 00:45:38,735 --> 00:45:43,282 OH, YOU COULD BE LONELY, ♪ HEARTBROKEN 1122 00:45:38,735 --> 00:45:43,282 OH, YOU COULD BE LONELY, ♪ HEARTBROKEN 1123 00:45:43,365 --> 00:45:46,535 OR HUNGOVER FROM THE NIGHT ♪ BEFORE 1124 00:45:46,618 --> 00:45:50,831 TURN THAT FROWN INTO A SMILE ♪ REAL QUICK 1125 00:45:46,618 --> 00:45:50,831 TURN THAT FROWN INTO A SMILE ♪ REAL QUICK 1126 00:45:50,914 --> 00:45:55,294 AIN'T NOTHING THAT A BEER CAN'T ♪ FIX 1127 00:45:50,914 --> 00:45:55,294 AIN'T NOTHING THAT A BEER CAN'T ♪ FIX 1128 00:45:55,377 --> 00:46:02,676 YEEHAW ♪ ♪ ♪ 1129 00:45:55,377 --> 00:46:02,676 YEEHAW ♪ ♪ ♪ 1130 00:46:02,759 --> 00:46:07,222 ♪ ♪ ♪ ♪ IT COULD BE RAININ' ON YOUR 1131 00:46:02,759 --> 00:46:07,222 ♪ ♪ ♪ ♪ IT COULD BE RAININ' ON YOUR 1132 00:46:07,306 --> 00:46:11,268 PERFECT VACATION ♪ YOU COULD BE STRESSED ABOUT 1133 00:46:11,351 --> 00:46:14,855 YOUR WORK SITUATION ♪ AIN'T GOTTA SAVE IT FOR NO 1134 00:46:11,351 --> 00:46:14,855 YOUR WORK SITUATION ♪ AIN'T GOTTA SAVE IT FOR NO 1135 00:46:14,938 --> 00:46:19,193 SPECIAL OCCASION ♪ AIN'T NOTHING THAT A BEER 1136 00:46:14,938 --> 00:46:19,193 SPECIAL OCCASION ♪ AIN'T NOTHING THAT A BEER 1137 00:46:19,276 --> 00:46:23,197 CAN'T FIX ♪ AIN'T NO PAIN IT CAN'T WASH 1138 00:46:23,280 --> 00:46:26,700 AWAY, NO ♪ FROM THE MOMENT THAT IT HITS 1139 00:46:23,280 --> 00:46:26,700 AWAY, NO ♪ FROM THE MOMENT THAT IT HITS 1140 00:46:26,783 --> 00:46:31,205 YOUR LIPS ♪ MAKES THOSE CLOUDS LOOK A 1141 00:46:26,783 --> 00:46:31,205 YOUR LIPS ♪ MAKES THOSE CLOUDS LOOK A 1142 00:46:31,288 --> 00:46:38,670 LITTLE LESS GRAY ♪ OH, YOU COULD BE LONELY 1143 00:46:31,288 --> 00:46:38,670 LITTLE LESS GRAY ♪ OH, YOU COULD BE LONELY 1144 00:46:38,754 --> 00:46:41,924 HEARTBROKEN ♪ OR HUNGOVER FROM THE NIGHT 1145 00:46:42,007 --> 00:46:44,676 BEFORE ♪ TURN THAT FROWN INTO A SMILE 1146 00:46:44,760 --> 00:46:50,682 REAL QUICK ♪ IT MIGHT TAKE ONE OR IT MIGHT 1147 00:46:44,760 --> 00:46:50,682 REAL QUICK ♪ IT MIGHT TAKE ONE OR IT MIGHT 1148 00:46:50,766 --> 00:46:55,229 TAKE SIX ♪ DRINK IT DOWN, IT'LL DO THE 1149 00:46:50,766 --> 00:46:55,229 TAKE SIX ♪ DRINK IT DOWN, IT'LL DO THE 1150 00:46:55,312 --> 00:46:58,899 TRICK ♪ AIN'T NOTHING THAT A BEER 1151 00:46:58,982 --> 00:47:02,694 CAN'T FIX ♪ NO, SIR 1152 00:46:58,982 --> 00:47:02,694 CAN'T FIX ♪ NO, SIR 1153 00:47:02,778 --> 00:47:08,742 ♪ ♪ ♪ ♪ ♪ ♪ 1154 00:47:02,778 --> 00:47:08,742 ♪ ♪ ♪ ♪ ♪ ♪ 1155 00:47:08,826 --> 00:47:11,453 >> Claudine: PERFORMING TOGETHER FOR THE FIRST TIME ON THE A.C.M. 1156 00:47:11,537 --> 00:47:14,748 AWARDS, BLAKE SHELTON AND GWEN STEFANI. 1157 00:47:11,537 --> 00:47:14,748 AWARDS, BLAKE SHELTON AND GWEN STEFANI. 1158 00:47:14,831 --> 00:47:18,919 >> HEY, GUYS, BLAKE HERE, AND I HOPE EVERYONE OUT THERE IS DOING 1159 00:47:14,831 --> 00:47:18,919 >> HEY, GUYS, BLAKE HERE, AND I HOPE EVERYONE OUT THERE IS DOING 1160 00:47:19,002 --> 00:47:20,128 THEIR BEST TO STAY HEALTHY. 1161 00:47:20,212 --> 00:47:22,047 GWEN AND I WISH THAT WE COULD BE IN NASHVILLE TONIGHT, BUT WE 1162 00:47:22,130 --> 00:47:22,923 COULDN'T. 1163 00:47:23,006 --> 00:47:26,718 BUT, THROUGH THE MAGIC OF TELEVISION... 1164 00:47:23,006 --> 00:47:26,718 BUT, THROUGH THE MAGIC OF TELEVISION... 1165 00:47:26,802 --> 00:47:27,636 VOILA! 1166 00:47:27,719 --> 00:47:31,265 WELCOME BACK TO THE BLUEBIRD CAFE, EVERYBODY. 1167 00:47:27,719 --> 00:47:31,265 WELCOME BACK TO THE BLUEBIRD CAFE, EVERYBODY. 1168 00:47:31,348 --> 00:47:35,269 ♪ ♪ ♪ ♪ ♪ ♪ 1169 00:47:35,352 --> 00:47:39,898 ♪ ♪ ♪ ♪ I'VE ALWAYS BEEN A 1170 00:47:35,352 --> 00:47:39,898 ♪ ♪ ♪ ♪ I'VE ALWAYS BEEN A 1171 00:47:39,982 --> 00:47:46,113 ROLLING STONE ♪ WITH A RECKLESS STREAK 1172 00:47:39,982 --> 00:47:46,113 ROLLING STONE ♪ WITH A RECKLESS STREAK 1173 00:47:46,196 --> 00:47:50,742 YEAH, THE GRASS NEVER GETS ♪ TOO GROWN 1174 00:47:46,196 --> 00:47:50,742 YEAH, THE GRASS NEVER GETS ♪ TOO GROWN 1175 00:47:50,826 --> 00:47:53,787 UNDERNEATH MY FEET ♪ THE CITY LIGHTS 1176 00:47:53,870 --> 00:47:55,330 SOUTHERN STARS ♪ NO SUCH THING AS 1177 00:47:53,870 --> 00:47:55,330 SOUTHERN STARS ♪ NO SUCH THING AS 1178 00:47:55,414 --> 00:47:59,293 GONE TOO FAR ♪ I'M RUNNING 1179 00:47:59,376 --> 00:48:02,754 WIDE OPEN ♪ I WAS BORN WITH MY FEET IN 1180 00:47:59,376 --> 00:48:02,754 WIDE OPEN ♪ I WAS BORN WITH MY FEET IN 1181 00:48:02,838 --> 00:48:07,384 MOTION ♪ BUT SINCE I MET YOU, I SWEAR 1182 00:48:02,838 --> 00:48:07,384 MOTION ♪ BUT SINCE I MET YOU, I SWEAR 1183 00:48:07,467 --> 00:48:11,388 I COULD BE HAPPY ANYWHERE ♪ ANY MAPPED-OUT LOCATION 1184 00:48:11,471 --> 00:48:15,350 YOU'RE ALWAYS MY DESTINATION ♪ YOU'RE THE ONLY THING THAT 1185 00:48:11,471 --> 00:48:15,350 YOU'RE ALWAYS MY DESTINATION ♪ YOU'RE THE ONLY THING THAT 1186 00:48:15,434 --> 00:48:20,814 I'M CHAINED TO ♪ I COULD BE HAPPY ANYWHERE 1187 00:48:15,434 --> 00:48:20,814 I'M CHAINED TO ♪ I COULD BE HAPPY ANYWHERE 1188 00:48:20,897 --> 00:48:29,656 I COULD BE HAPPY ANYWHERE WITH YOU 1189 00:48:20,897 --> 00:48:29,656 I COULD BE HAPPY ANYWHERE WITH YOU 1190 00:48:29,740 --> 00:48:32,826 ♪ YOU'RE THE BEAUTY YOU'RE THE NORTHERN LIGHTS 1191 00:48:29,740 --> 00:48:32,826 ♪ YOU'RE THE BEAUTY YOU'RE THE NORTHERN LIGHTS 1192 00:48:32,909 --> 00:48:38,832 ♪ AND MY MIND IS FADED THE BLUE SKY OVER TELLURIDE 1193 00:48:32,909 --> 00:48:38,832 ♪ AND MY MIND IS FADED THE BLUE SKY OVER TELLURIDE 1194 00:48:38,915 --> 00:48:43,754 ♪ NEXT TO YOU'S KINDA OVERRATED THE WINDING ROAD, LET IT TWIST 1195 00:48:38,915 --> 00:48:43,754 ♪ NEXT TO YOU'S KINDA OVERRATED THE WINDING ROAD, LET IT TWIST 1196 00:48:43,837 --> 00:48:47,049 ♪ MY HOME'S WHEREVER YOUR HEART IS 1197 00:48:47,132 --> 00:48:49,384 ♪ I'M RUNNING WIDE OPEN 1198 00:48:47,132 --> 00:48:49,384 ♪ I'M RUNNING WIDE OPEN 1199 00:48:49,468 --> 00:48:51,053 ♪ I WAS BORN WITH MY FEET IN MOTION 1200 00:48:51,136 --> 00:48:59,353 ♪ BUT SINCE I MET YOU, I SWEAR I COULD BE HAPPY ANYWHERE 1201 00:48:51,136 --> 00:48:59,353 ♪ BUT SINCE I MET YOU, I SWEAR I COULD BE HAPPY ANYWHERE 1202 00:48:59,436 --> 00:49:05,317 ♪ ANY MAPPED-OUT LOCATION YOU'RE ALWAYS MY DESTINATION 1203 00:48:59,436 --> 00:49:05,317 ♪ ANY MAPPED-OUT LOCATION YOU'RE ALWAYS MY DESTINATION 1204 00:49:05,400 --> 00:49:07,486 ♪ YOU'RE THE ONLY THING THAT I'M CHAINED TO 1205 00:49:05,400 --> 00:49:07,486 ♪ YOU'RE THE ONLY THING THAT I'M CHAINED TO 1206 00:49:07,569 --> 00:49:13,533 ♪ I COULD BE HAPPY ANYWHERE I COULD BE HAPPY ANYWHERE 1207 00:49:07,569 --> 00:49:13,533 ♪ I COULD BE HAPPY ANYWHERE I COULD BE HAPPY ANYWHERE 1208 00:49:13,617 --> 00:49:18,080 WIH YOU ♪ ♪ ♪ 1209 00:49:13,617 --> 00:49:18,080 WIH YOU ♪ ♪ ♪ 1210 00:49:18,163 --> 00:49:23,418 ♪ ♪ ♪ ♪ SO GIRL, I HOPE YOU KNOW 1211 00:49:23,502 --> 00:49:27,005 WHEREVER YOU GO, I GO, I KNOW ♪ I'M RUNNING 1212 00:49:23,502 --> 00:49:27,005 WHEREVER YOU GO, I GO, I KNOW ♪ I'M RUNNING 1213 00:49:27,089 --> 00:49:31,426 WIDE OPEN ♪ I WAS BORN WITH MY FEET IN 1214 00:49:27,089 --> 00:49:31,426 WIDE OPEN ♪ I WAS BORN WITH MY FEET IN 1215 00:49:31,510 --> 00:49:35,430 MOTION ♪ BUT SINCE I MET YOU, I SWEAR 1216 00:49:35,514 --> 00:49:42,604 I COULD BE HAPPY ANYWHERE ♪ ANY MAPPED-OUT LOCATION 1217 00:49:35,514 --> 00:49:42,604 I COULD BE HAPPY ANYWHERE ♪ ANY MAPPED-OUT LOCATION 1218 00:49:35,514 --> 00:49:42,604 I COULD BE HAPPY ANYWHERE ♪ ANY MAPPED-OUT LOCATION 1219 00:49:42,688 --> 00:49:44,898 YOU'RE ALWAYS MY DESTINATION ♪ YOU'RE THE ONLY THING THAT 1220 00:49:44,981 --> 00:49:47,901 I'M CHAINED TO ♪ I COULD BE HAPPY ANYWHERE 1221 00:49:47,984 --> 00:49:58,704 I COULD BE HAPPY ANYWHERE ♪ WITH YOU ♪ 1222 00:49:47,984 --> 00:49:58,704 I COULD BE HAPPY ANYWHERE ♪ WITH YOU ♪ 1223 00:49:47,984 --> 00:49:58,704 I COULD BE HAPPY ANYWHERE ♪ WITH YOU ♪ 1224 00:49:58,787 --> 00:50:05,877 I COULD BE HAPPY ANYWHERE ♪ WITH YOU ♪ 1225 00:49:58,787 --> 00:50:05,877 I COULD BE HAPPY ANYWHERE ♪ WITH YOU ♪ 1226 00:50:05,961 --> 00:50:11,425 >> LET'S GO BACK TO THE OPRY, EVERYBODY. 1227 00:50:05,961 --> 00:50:11,425 >> LET'S GO BACK TO THE OPRY, EVERYBODY. 1228 00:50:11,508 --> 00:50:16,263 >> Keith: ALL RIGHT, NICELY DONE, BLAKE, NICE TO SEE YOU, HI 1229 00:50:11,508 --> 00:50:16,263 >> Keith: ALL RIGHT, NICELY DONE, BLAKE, NICE TO SEE YOU, HI 1230 00:50:16,346 --> 00:50:17,931 GWEN, HOPE YOU STAY SAFE OUT THERE. 1231 00:50:18,014 --> 00:50:21,309 THIS YEAR IS THE 95th ANNIVERSARY OF THE GRAND OLE 1232 00:50:21,393 --> 00:50:22,519 OPRY. 1233 00:50:22,602 --> 00:50:26,898 WHEN I WAS INVITED TO JOIN THE FAMILY IN 2012, IT WAS ONE OF 1234 00:50:22,602 --> 00:50:26,898 WHEN I WAS INVITED TO JOIN THE FAMILY IN 2012, IT WAS ONE OF 1235 00:50:26,982 --> 00:50:29,067 THE GREATEST HONORS OF MY WHOLE CAREER. 1236 00:50:29,151 --> 00:50:31,945 HELPING US CELEBRATE THIS LEGENDARY INSTITUTION IS A VERY 1237 00:50:29,151 --> 00:50:31,945 HELPING US CELEBRATE THIS LEGENDARY INSTITUTION IS A VERY 1238 00:50:32,028 --> 00:50:34,114 CLOSE FRIEND OF MINE AND SHE HAS BEEN AN OPRY LANDER SINCE 2008, 1239 00:50:34,197 --> 00:50:35,157 CARRIE UNDERWOOD. 1240 00:50:35,240 --> 00:50:40,620 >> THANK YOU, KEITH. 1241 00:50:35,240 --> 00:50:40,620 >> THANK YOU, KEITH. 1242 00:50:40,704 --> 00:50:41,997 PATSY >> PATSY AND LORETTA. 1243 00:50:42,080 --> 00:50:44,082 MARTINA AND BARBARA. 1244 00:50:44,166 --> 00:50:45,333 REBA AND DOLLY. 1245 00:50:45,417 --> 00:50:47,794 THESE STRONG VOICES HAVE ECHOED DOWN TO ME AND ALL OF THE OTHER 1246 00:50:47,878 --> 00:50:48,920 FEMALE ARTISTS WHO STAND ON THEIR SHOULDERS. 1247 00:50:47,878 --> 00:50:48,920 FEMALE ARTISTS WHO STAND ON THEIR SHOULDERS. 1248 00:50:49,004 --> 00:50:52,883 THEY ARE SOME OF MY HEROES, AND I'M SO HONORED TO STAND 1249 00:50:52,966 --> 00:50:56,762 ALONGSIDE THEM AS A FELLOW MEMBER OF THE GRAND OLE OPRY. 1250 00:50:52,966 --> 00:50:56,762 ALONGSIDE THEM AS A FELLOW MEMBER OF THE GRAND OLE OPRY. 1251 00:50:56,845 --> 00:50:59,264 IT'S MY PLEASURE TO PAY TRIBUTE TO THESE LEGENDARY LADIES, AS 1252 00:50:59,347 --> 00:51:12,444 WE CELEBRATE THE OPRY'S 95th ANNIVERSARY. 1253 00:50:59,347 --> 00:51:12,444 WE CELEBRATE THE OPRY'S 95th ANNIVERSARY. 1254 00:50:59,347 --> 00:51:12,444 WE CELEBRATE THE OPRY'S 95th ANNIVERSARY. 1255 00:50:59,347 --> 00:51:12,444 WE CELEBRATE THE OPRY'S 95th ANNIVERSARY. 1256 00:51:12,527 --> 00:51:14,154 ♪ CRAZY DO, DO, DO 1257 00:51:14,237 --> 00:51:24,122 ♪ I'M CRAZY FOR FEELIN' SO LONELY 1258 00:51:14,237 --> 00:51:24,122 ♪ I'M CRAZY FOR FEELIN' SO LONELY 1259 00:51:14,237 --> 00:51:24,122 ♪ I'M CRAZY FOR FEELIN' SO LONELY 1260 00:51:24,206 --> 00:51:36,885 ♪ I'M CRAZY CRAZY FOR FEELIN' SO BLUE 1261 00:51:24,206 --> 00:51:36,885 ♪ I'M CRAZY CRAZY FOR FEELIN' SO BLUE 1262 00:51:24,206 --> 00:51:36,885 ♪ I'M CRAZY CRAZY FOR FEELIN' SO BLUE 1263 00:51:36,968 --> 00:51:40,931 I KNEW YOU'D LOVE ME AS LONG AS YOU 1264 00:51:41,014 --> 00:51:51,107 WANTED I'M CRAZY FOR TRYIN' 1265 00:51:41,014 --> 00:51:51,107 WANTED I'M CRAZY FOR TRYIN' 1266 00:51:41,014 --> 00:51:51,107 WANTED I'M CRAZY FOR TRYIN' 1267 00:51:52,025 --> 00:51:59,324 AND CRAZY FOR CRYIN' AND I'M CRAZY FOR LOVIN' 1268 00:51:52,025 --> 00:51:59,324 AND CRAZY FOR CRYIN' AND I'M CRAZY FOR LOVIN' 1269 00:51:59,407 --> 00:52:12,170 YOU ♪ ♪ ♪ 1270 00:51:59,407 --> 00:52:12,170 YOU ♪ ♪ ♪ 1271 00:51:59,407 --> 00:52:12,170 YOU ♪ ♪ ♪ 1272 00:51:59,407 --> 00:52:12,170 YOU ♪ ♪ ♪ 1273 00:52:12,254 --> 00:52:15,090 ♪ ♪ ♪ ♪ YOU'VE COME TO TELL ME 1274 00:52:15,173 --> 00:52:21,012 SOMETHING YOU SAY I OUGHT TO KNOW 1275 00:52:15,173 --> 00:52:21,012 SOMETHING YOU SAY I OUGHT TO KNOW 1276 00:52:21,096 --> 00:52:28,395 ♪ THAT HE DON'T LOVE ME ANYMORE AND I'LL HAVE TO LET HIM GO 1277 00:52:21,096 --> 00:52:28,395 ♪ THAT HE DON'T LOVE ME ANYMORE AND I'LL HAVE TO LET HIM GO 1278 00:52:28,478 --> 00:52:32,941 ♪ YOU SAY YOU'RE GONNA TAKE HIM OH, BUT I DON'T THINK YOU CAN 1279 00:52:28,478 --> 00:52:32,941 ♪ YOU SAY YOU'RE GONNA TAKE HIM OH, BUT I DON'T THINK YOU CAN 1280 00:52:33,024 --> 00:52:39,239 ♪ 'CAUSE YOU AIN'T WOMAN ENOUGH TO TAKE MY MAN 1281 00:52:33,024 --> 00:52:39,239 ♪ 'CAUSE YOU AIN'T WOMAN ENOUGH TO TAKE MY MAN 1282 00:52:39,322 --> 00:52:42,117 ♪ WOMEN LIKE YOU THEY'RE A DIME A DOZEN 1283 00:52:39,322 --> 00:52:42,117 ♪ WOMEN LIKE YOU THEY'RE A DIME A DOZEN 1284 00:52:42,200 --> 00:52:47,706 ♪ YOU CAN BUY 'EM ANYWHERE FOR YOU TO GET TO HIM 1285 00:52:47,789 --> 00:52:53,044 ♪ I'D HAVE TO MOVE OVER AND I'M GONNA STAND RIGHT HERE 1286 00:52:47,789 --> 00:52:53,044 ♪ I'D HAVE TO MOVE OVER AND I'M GONNA STAND RIGHT HERE 1287 00:52:53,128 --> 00:52:57,048 ♪ IT'LL BE OVER MY DEAD BODY SO GET OUT WHILE YOU CAN 1288 00:52:53,128 --> 00:52:57,048 ♪ IT'LL BE OVER MY DEAD BODY SO GET OUT WHILE YOU CAN 1289 00:52:57,132 --> 00:53:02,262 ♪ 'CAUSE YOU AIN'T WOMAN ENOUGH TO TAKE MY MAN 1290 00:52:57,132 --> 00:53:02,262 ♪ 'CAUSE YOU AIN'T WOMAN ENOUGH TO TAKE MY MAN 1291 00:53:02,345 --> 00:53:14,900 ♪ NO, YOU AIN'T WOMAN ENOUGH TO TAKE MY MAN ♪ 1292 00:53:02,345 --> 00:53:14,900 ♪ NO, YOU AIN'T WOMAN ENOUGH TO TAKE MY MAN ♪ 1293 00:53:02,345 --> 00:53:14,900 ♪ NO, YOU AIN'T WOMAN ENOUGH TO TAKE MY MAN ♪ 1294 00:53:14,983 --> 00:53:22,616 ♪ ♪ ♪ ♪ ♪ ♪ 1295 00:53:14,983 --> 00:53:22,616 ♪ ♪ ♪ ♪ ♪ ♪ 1296 00:53:22,699 --> 00:53:27,037 ♪ I REMEMBER WEARIN' STRAIGHT-LEG LEVI'S 1297 00:53:22,699 --> 00:53:27,037 ♪ I REMEMBER WEARIN' STRAIGHT-LEG LEVI'S 1298 00:53:27,120 --> 00:53:31,249 ♪ FLANNEL SHIRTS EVEN WHEN THEY WEREN'T IN STYLE 1299 00:53:27,120 --> 00:53:31,249 ♪ FLANNEL SHIRTS EVEN WHEN THEY WEREN'T IN STYLE 1300 00:53:31,333 --> 00:53:32,292 ♪ I REMEMBER SINGIN' WITH ROY ROGERS 1301 00:53:32,375 --> 00:53:41,051 ♪ AT THE MOVIES WHEN THE WEST WAS REALLY WILD 1302 00:53:32,375 --> 00:53:41,051 ♪ AT THE MOVIES WHEN THE WEST WAS REALLY WILD 1303 00:53:41,134 --> 00:53:44,888 ♪ I WAS LISTENIN' TO THE OPRY WHEN ALL OF MY FRIENDS 1304 00:53:41,134 --> 00:53:44,888 ♪ I WAS LISTENIN' TO THE OPRY WHEN ALL OF MY FRIENDS 1305 00:53:44,971 --> 00:53:49,017 ♪ WERE DIGGIN' ROCK 'N ROLL AND RHYTHM & BLUES 1306 00:53:44,971 --> 00:53:49,017 ♪ WERE DIGGIN' ROCK 'N ROLL AND RHYTHM & BLUES 1307 00:53:49,100 --> 00:53:57,734 ♪ I WAS COUNTRY WHEN COUNTRY WASN'T COOL 1308 00:53:49,100 --> 00:53:57,734 ♪ I WAS COUNTRY WHEN COUNTRY WASN'T COOL 1309 00:53:57,817 --> 00:54:11,623 ♪ YEAH, I WAS COUNTRY WHEN COUNTRY WASN'T COOL ♪ 1310 00:53:57,817 --> 00:54:11,623 ♪ YEAH, I WAS COUNTRY WHEN COUNTRY WASN'T COOL ♪ 1311 00:53:57,817 --> 00:54:11,623 ♪ YEAH, I WAS COUNTRY WHEN COUNTRY WASN'T COOL ♪ 1312 00:54:11,706 --> 00:54:12,624 ♪ WHY'D YOU COME IN HERE LOOKIN' LIKE THAT 1313 00:54:11,706 --> 00:54:12,624 ♪ WHY'D YOU COME IN HERE LOOKIN' LIKE THAT 1314 00:54:12,707 --> 00:54:16,962 ♪ IN YOUR COWBOY BOOTS AND YOUR PAINTED-ON JEANS 1315 00:54:17,045 --> 00:54:18,380 ♪ ALL DECKED OUT LIKE A COWGIRL'S DREAM 1316 00:54:17,045 --> 00:54:18,380 ♪ ALL DECKED OUT LIKE A COWGIRL'S DREAM 1317 00:54:18,463 --> 00:54:25,136 ♪ WHY'D YOU COME IN HERE LOOKIN' LIKE THAT 1318 00:54:18,463 --> 00:54:25,136 ♪ WHY'D YOU COME IN HERE LOOKIN' LIKE THAT 1319 00:54:25,220 --> 00:54:30,308 ♪ HERE COMES MY BABY DRAGGIN' MY HEART BEHIND 1320 00:54:25,220 --> 00:54:30,308 ♪ HERE COMES MY BABY DRAGGIN' MY HEART BEHIND 1321 00:54:30,392 --> 00:54:36,690 ♪ HE'S DRIVIN' ME CRAZY WHO SAYS LOVE IS BLIND 1322 00:54:30,392 --> 00:54:36,690 ♪ HE'S DRIVIN' ME CRAZY WHO SAYS LOVE IS BLIND 1323 00:54:36,773 --> 00:54:41,069 ♪ HE'S GOT A WANDERIN' EYE AND A TRAVELIN' MIND 1324 00:54:41,152 --> 00:54:44,656 ♪ BIG IDEAS AND A LITTLE BEHIND OUT WITH A DIFFERENT WOMAN EVERY 1325 00:54:41,152 --> 00:54:44,656 ♪ BIG IDEAS AND A LITTLE BEHIND OUT WITH A DIFFERENT WOMAN EVERY 1326 00:54:44,739 --> 00:54:48,326 NIGHT ♪ BUT I REMEMBER WHEN HE WAS 1327 00:54:44,739 --> 00:54:48,326 NIGHT ♪ BUT I REMEMBER WHEN HE WAS 1328 00:54:48,410 --> 00:54:52,038 MINE ♪ WHY'D YOU COME IN HERE 1329 00:54:52,122 --> 00:54:54,249 LOOKIN' LIKE THAT ♪ IN YOUR COWBOY BOOTS AND YOUR 1330 00:54:52,122 --> 00:54:54,249 LOOKIN' LIKE THAT ♪ IN YOUR COWBOY BOOTS AND YOUR 1331 00:54:54,332 --> 00:54:57,085 PAINTED-ON JEANS ♪ ALL DECKED OUT LIKE A 1332 00:54:57,168 --> 00:54:59,379 COWGIRL'S DREAM ♪ WHY'D YOU COME IN HERE 1333 00:54:59,462 --> 00:55:02,507 LOOKIN' LIKE THAT ♪ WHY'D YOU COME IN HERE 1334 00:54:59,462 --> 00:55:02,507 LOOKIN' LIKE THAT ♪ WHY'D YOU COME IN HERE 1335 00:55:02,590 --> 00:55:05,260 LOOKIN' LIKE THAT ♪ WHEN YOU COULD STOP TRAFFIC IN 1336 00:55:05,343 --> 00:55:08,888 A GUNNEY SACK ♪ WHY, YOU'RE ALMOST GIVIN' ME A 1337 00:55:05,343 --> 00:55:08,888 A GUNNEY SACK ♪ WHY, YOU'RE ALMOST GIVIN' ME A 1338 00:55:08,972 --> 00:55:11,683 HEART ATTACK ♪ WHEN YOU WALTZ RIGHT IN HERE 1339 00:55:11,766 --> 00:55:12,726 LOOKIN' LIKE THAT ♪ WHY'D YOU COME IN 1340 00:55:11,766 --> 00:55:12,726 LOOKIN' LIKE THAT ♪ WHY'D YOU COME IN 1341 00:55:12,809 --> 00:55:24,237 HERE ♪ LOOKIN' LIKE THAT ♪ 1342 00:55:12,809 --> 00:55:24,237 HERE ♪ LOOKIN' LIKE THAT ♪ 1343 00:55:12,809 --> 00:55:24,237 HERE ♪ LOOKIN' LIKE THAT ♪ 1344 00:55:24,320 --> 00:55:27,699 ♪ ♪ ♪ ♪ ♪ ♪ 1345 00:55:27,782 --> 00:55:31,411 ♪ WELL, THEY HUNG MY BROTHER BEFORE I COULD SAY 1346 00:55:27,782 --> 00:55:31,411 ♪ WELL, THEY HUNG MY BROTHER BEFORE I COULD SAY 1347 00:55:31,494 --> 00:55:34,456 ♪ THE TRACKS HE SAW WHILE ON HIS WAY 1348 00:55:34,539 --> 00:55:40,879 ♪ TO ANDY'S HOUSE AND BACK THAT NIGHT WERE MINE 1349 00:55:34,539 --> 00:55:40,879 ♪ TO ANDY'S HOUSE AND BACK THAT NIGHT WERE MINE 1350 00:55:40,962 --> 00:55:43,048 ♪ AND HIS CHEATIN' WIFE HAD NEVER LEFT TOWN 1351 00:55:40,962 --> 00:55:43,048 ♪ AND HIS CHEATIN' WIFE HAD NEVER LEFT TOWN 1352 00:55:43,131 --> 00:55:46,259 ♪ THAT'S ONE BODY THAT'LL NEVER BE FOUND 1353 00:55:46,342 --> 00:55:50,430 ♪ YOU SEE, LITTLE SISTER DON'T MISS WHEN SHE AIMS HER GUN 1354 00:55:46,342 --> 00:55:50,430 ♪ YOU SEE, LITTLE SISTER DON'T MISS WHEN SHE AIMS HER GUN 1355 00:55:50,513 --> 00:55:56,728 ♪ THAT'S THE NIGHT THAT THE LIGHTS WENT OUT IN GEORGIA 1356 00:55:50,513 --> 00:55:56,728 ♪ THAT'S THE NIGHT THAT THE LIGHTS WENT OUT IN GEORGIA 1357 00:55:56,811 --> 00:56:02,734 ♪ THAT'S THE NIGHT THAT THEY HUNG AN INNOCENT MAN 1358 00:55:56,811 --> 00:56:02,734 ♪ THAT'S THE NIGHT THAT THEY HUNG AN INNOCENT MAN 1359 00:56:02,817 --> 00:56:07,530 ♪ WELL, DON'T TRUST YOUR SOUL TO NO BACKWOODS SOUTHERN LAWYER 1360 00:56:02,817 --> 00:56:07,530 ♪ WELL, DON'T TRUST YOUR SOUL TO NO BACKWOODS SOUTHERN LAWYER 1361 00:56:07,614 --> 00:56:18,500 ♪ 'CAUSE THE JUDGE IN THE TOWN'S GOT BLOODSTAINS ON HIS HANDS ♪ 1362 00:56:07,614 --> 00:56:18,500 ♪ 'CAUSE THE JUDGE IN THE TOWN'S GOT BLOODSTAINS ON HIS HANDS ♪ 1363 00:56:07,614 --> 00:56:18,500 ♪ 'CAUSE THE JUDGE IN THE TOWN'S GOT BLOODSTAINS ON HIS HANDS ♪ 1364 00:56:18,583 --> 00:56:30,470 ♪ ♪ ♪ ♪ ♪ ♪ 1365 00:56:18,583 --> 00:56:30,470 ♪ ♪ ♪ ♪ ♪ ♪ 1366 00:56:18,583 --> 00:56:30,470 ♪ ♪ ♪ ♪ ♪ ♪ 1367 00:56:30,553 --> 00:56:34,474 ♪ AND WITH A BROKEN WING OOOH 1368 00:56:34,557 --> 00:56:38,645 SHE STILL SINGS OOOH 1369 00:56:34,557 --> 00:56:38,645 SHE STILL SINGS OOOH 1370 00:56:38,728 --> 00:56:44,651 ♪ SHE KEEPS AN EYE ON THE SKY OOOH 1371 00:56:38,728 --> 00:56:44,651 ♪ SHE KEEPS AN EYE ON THE SKY OOOH 1372 00:56:44,734 --> 00:56:54,494 WITH A BROKEN WING ♪ SHE CARRIES HER DREAMS 1373 00:56:44,734 --> 00:56:54,494 WITH A BROKEN WING ♪ SHE CARRIES HER DREAMS 1374 00:56:44,734 --> 00:56:54,494 WITH A BROKEN WING ♪ SHE CARRIES HER DREAMS 1375 00:56:54,577 --> 00:57:02,460 MAN, YOU OUGHTA SEE HER FLY ♪ AND WITH A BROKEN WING 1376 00:56:54,577 --> 00:57:02,460 MAN, YOU OUGHTA SEE HER FLY ♪ AND WITH A BROKEN WING 1377 00:57:02,544 --> 00:57:08,800 ♪ SHE CARRIES HER DREAMS MAN, YOU OUGHTA SEE HER 1378 00:57:02,544 --> 00:57:08,800 ♪ SHE CARRIES HER DREAMS MAN, YOU OUGHTA SEE HER 1379 00:57:08,883 --> 00:57:23,690 ♪ FLY ♪ ♪ ♪ 1380 00:57:08,883 --> 00:57:23,690 ♪ FLY ♪ ♪ ♪ 1381 00:57:08,883 --> 00:57:23,690 ♪ FLY ♪ ♪ ♪ 1382 00:57:23,773 --> 00:57:26,734 ♪ FLY ♪ ♪ ♪ 1383 00:57:23,773 --> 00:57:26,734 ♪ FLY ♪ ♪ ♪ 1384 00:57:26,818 --> 00:57:38,746 ♪ ♪ ♪ >> Claudine: "A.C.M. LIFTING 1385 00:57:26,818 --> 00:57:38,746 ♪ ♪ ♪ >> Claudine: "A.C.M. LIFTING 1386 00:57:26,818 --> 00:57:38,746 ♪ ♪ ♪ >> Claudine: "A.C.M. LIFTING 1387 00:57:38,830 --> 00:57:42,625 LIVES" AND LEGENDARY CHRISTIE'S AUCTION HOUSE ARE LAUNCHING A 1388 00:57:38,830 --> 00:57:42,625 LIVES" AND LEGENDARY CHRISTIE'S AUCTION HOUSE ARE LAUNCHING A 1389 00:57:42,709 --> 00:57:44,210 COUNTRY EVENT FEATURING RARE ITEMS FROM DOLLY PARTON, TRISHA 1390 00:57:44,294 --> 00:57:46,713 YEARWOOD, TIM McGRAW AND MORE. 1391 00:57:46,796 --> 00:57:50,717 100% OF PROCEEDS BENEFIT THE COVID-19 RESPONSE FUND. 1392 00:57:46,796 --> 00:57:50,717 100% OF PROCEEDS BENEFIT THE COVID-19 RESPONSE FUND. 1393 00:57:50,800 --> 00:57:56,222 >> Claudine: WHEN WE COME BACK, LUKE COMBS AND FORD TEAM UP FOR 1394 00:57:50,800 --> 00:57:56,222 >> Claudine: WHEN WE COME BACK, LUKE COMBS AND FORD TEAM UP FOR 1395 00:57:56,306 --> 00:58:01,561 A SPECIAL MOMENT FOR A DESERVING GROUP OF NASHVILLE VETERANS. 1396 00:57:56,306 --> 00:58:01,561 A SPECIAL MOMENT FOR A DESERVING GROUP OF NASHVILLE VETERANS. 1397 00:58:01,644 --> 00:58:02,812 NEW FEMALE ARTIST OF THE YEAR TENILLE TOWNES PERFORMS AT THE 1398 00:58:02,896 --> 00:58:06,774 RYMAN. 1399 00:58:02,896 --> 00:58:06,774 RYMAN. 1400 00:58:06,858 --> 00:58:10,778 AND LATER, KANE BROWN, TIM McGRAW, PLUS, KEITH URBAN 1401 00:58:10,862 --> 00:58:14,282 PERFORMS WITH SUPERSTAR P!NK. 1402 00:58:10,862 --> 00:58:14,282 PERFORMS WITH SUPERSTAR P!NK. 1403 00:58:14,365 --> 00:58:18,077 THEN, TAYLOR SWIFT RETURNS TO COUNTRY MUSIC, AND THE GRAND OLE 1404 00:58:14,365 --> 00:58:18,077 THEN, TAYLOR SWIFT RETURNS TO COUNTRY MUSIC, AND THE GRAND OLE 1405 00:58:18,161 --> 00:58:20,246 OPRY HOUSE STAGE, WITH A SONG FROM HER NUMBER ONE ALBUM,“ 1406 00:58:20,330 --> 00:58:22,790 FOLKLORE!” THE 55th A.C.M. AWARDS. 1407 00:58:22,874 --> 00:58:24,334 THIS IS CBS. 1408 00:58:22,874 --> 00:58:24,334 THIS IS CBS. 1409 00:58:30,506 --> 00:58:32,967 >> Claudine: WELCOME BACK TO THE A.C.M. AWARDS. 1410 00:58:33,051 --> 00:58:35,595 ENTERTAINER OF THE YEAR NOMINEE LUKE COMBS JOINS US NOW AT THE 1411 00:58:35,678 --> 00:58:39,474 BLUEBIRD CAFÉ. 1412 00:58:35,678 --> 00:58:39,474 BLUEBIRD CAFÉ. 1413 00:58:39,557 --> 00:58:43,519 >> THANKS TO FORD, I RECENTLY HAD THE OPPORTUNITY TO BE PART 1414 00:58:39,557 --> 00:58:43,519 >> THANKS TO FORD, I RECENTLY HAD THE OPPORTUNITY TO BE PART 1415 00:58:43,603 --> 00:58:46,105 OF SOMETHING REALLY COOL WITH A GROUP OF VETERANS. 1416 00:58:46,189 --> 00:58:47,482 IT WAS AN HONOR AND A DAY THAT I'LL NEVER FORGET. 1417 00:58:47,565 --> 00:58:53,154 TAKE A LOOK. 1418 00:58:47,565 --> 00:58:53,154 TAKE A LOOK. 1419 00:58:53,238 --> 00:58:54,405 >> SUPPORTING OUR TROOPS AND VETERANS IS VERY IMPORTANT TO 1420 00:58:53,238 --> 00:58:54,405 >> SUPPORTING OUR TROOPS AND VETERANS IS VERY IMPORTANT TO 1421 00:58:54,489 --> 00:58:57,450 ME, SO TEAMING UP WITH FORD I'M ON MY WAY TO VISIT A GROUP OF 1422 00:58:57,533 --> 00:59:02,163 VETERANS WHO ARE PART OF AN AWESOME ORGANIZATION CALLED 1423 00:58:57,533 --> 00:59:02,163 VETERANS WHO ARE PART OF AN AWESOME ORGANIZATION CALLED 1424 00:59:02,247 --> 00:59:03,373 GUITARS FOR VETERANS. 1425 00:59:03,456 --> 00:59:07,460 >> FORD HELPS VETERANS COPE WITH PTSD BY TEACHING THEM HOW TO 1426 00:59:03,456 --> 00:59:07,460 >> FORD HELPS VETERANS COPE WITH PTSD BY TEACHING THEM HOW TO 1427 00:59:07,543 --> 00:59:12,465 PLAY GUITAR, MUSIC TRULY HAS THE POWER TO HEAL HEEL AND I'M 1428 00:59:07,543 --> 00:59:12,465 PLAY GUITAR, MUSIC TRULY HAS THE POWER TO HEAL HEEL AND I'M 1429 00:59:12,548 --> 00:59:13,716 HONORED TO DO THIS WITH THEM. 1430 00:59:13,800 --> 00:59:19,597 THEY HAVE NO IDEA I'M COMING OR THAT I AM BRINGING A TRUCKLOAD 1431 00:59:13,800 --> 00:59:19,597 THEY HAVE NO IDEA I'M COMING OR THAT I AM BRINGING A TRUCKLOAD 1432 00:59:19,681 --> 00:59:23,101 OF GUITARS. 1433 00:59:23,184 --> 00:59:27,105 >> WHERE DID THAT TRUCK COME FROM? 1434 00:59:23,184 --> 00:59:27,105 >> WHERE DID THAT TRUCK COME FROM? 1435 00:59:27,188 --> 00:59:29,691 >> HEY Y'ALL. 1436 00:59:29,774 --> 00:59:30,775 >> OH MAN! 1437 00:59:29,774 --> 00:59:30,775 >> OH MAN! 1438 00:59:30,858 --> 00:59:31,985 >> GOOD TO SEE YOU. 1439 00:59:32,068 --> 00:59:37,156 >> I HAVE ANOTHER SURPRISE FOR Y'ALL, ON BEHALF OF MYSELF AND 1440 00:59:32,068 --> 00:59:37,156 >> I HAVE ANOTHER SURPRISE FOR Y'ALL, ON BEHALF OF MYSELF AND 1441 00:59:37,240 --> 00:59:40,827 FORD I WOULD LOVE TO GIVE YOU THESE CUSTOM PROUD TO HONOR 1442 00:59:40,910 --> 00:59:43,830 GUITARS, YOU CAN COME AND CHECK THESE THINGS OUT. 1443 00:59:40,910 --> 00:59:43,830 GUITARS, YOU CAN COME AND CHECK THESE THINGS OUT. 1444 00:59:43,913 --> 00:59:47,542 >> I WILL PASS THEM OUT. 1445 00:59:47,625 --> 00:59:51,045 >> NICE. 1446 00:59:47,625 --> 00:59:51,045 >> NICE. 1447 00:59:51,129 --> 00:59:51,462 >> GOODNESS. 1448 00:59:51,546 --> 00:59:52,338 LOOK AT THIS. 1449 00:59:52,422 --> 00:59:54,674 >> HI, Y'ALL, LET'S PLAY A LITTLE MUSIC. 1450 00:59:52,422 --> 00:59:54,674 >> HI, Y'ALL, LET'S PLAY A LITTLE MUSIC. 1451 00:59:54,757 --> 00:59:57,051 >> ♪ CLOSE YOUR EYES AND SAY A 1452 00:59:57,135 --> 00:59:58,052 PRAYER. 1453 00:59:58,136 --> 01:00:00,680 ♪ IT'S OKAY BOY, I AIN'T SCARED. 1454 00:59:58,136 --> 01:00:00,680 ♪ IT'S OKAY BOY, I AIN'T SCARED. 1455 01:00:00,763 --> 01:00:03,016 ♪ I WON'T BE HERE. 1456 01:00:03,099 --> 01:00:04,309 ♪. 1457 01:00:04,392 --> 01:00:08,021 >> WE THE HEALING POWER, THAT IS WHY WE HAVE THE BY TAR FOR VETS 1458 01:00:04,392 --> 01:00:08,021 >> WE THE HEALING POWER, THAT IS WHY WE HAVE THE BY TAR FOR VETS 1459 01:00:08,104 --> 01:00:10,732 PROGRAM, WHAT A DAY, IT CAN'T BE BEAT. 1460 01:00:10,815 --> 01:00:13,818 >> DAYS LIKE TODAY ARE SO AWESOME, JUST BEING ABLE TO GIVE 1461 01:00:10,815 --> 01:00:13,818 >> DAYS LIKE TODAY ARE SO AWESOME, JUST BEING ABLE TO GIVE 1462 01:00:13,901 --> 01:00:16,696 BACK TO PEOPLE WHO HAVE GIVEN SO MUCH TO US, I REALLY ENJOYED IT. 1463 01:00:16,779 --> 01:00:19,240 I HOPE THEY DID TOO. 1464 01:00:16,779 --> 01:00:19,240 I HOPE THEY DID TOO. 1465 01:00:19,324 --> 01:00:20,366 THANK YOU, VETERANS. 1466 01:00:20,450 --> 01:00:23,202 TO LEARN MORE ABOUT MY PARTNERSHIP WITH FORD AND GUITAR 1467 01:00:23,286 --> 01:00:30,501 FOR VETS, HOW CAN IT HELP GO TO FORD.COM. 1468 01:00:23,286 --> 01:00:30,501 FOR VETS, HOW CAN IT HELP GO TO FORD.COM. 1469 01:00:23,286 --> 01:00:30,501 FOR VETS, HOW CAN IT HELP GO TO FORD.COM. 1470 01:00:30,585 --> 01:00:33,963 >> I KNOW IT'S BEEN A CRAZY YEAR FOR EVERYBODY AND THERE HAVE BB 1471 01:00:34,047 --> 01:00:35,715 BRIGHT SPOTS I'M SURE FOR ALL OF US. 1472 01:00:35,798 --> 01:00:39,052 AN ONE OF THE BIGGEST BRIGHT SPOTS IN MY ENTIRE LIFE WAS 1473 01:00:35,798 --> 01:00:39,052 AN ONE OF THE BIGGEST BRIGHT SPOTS IN MY ENTIRE LIFE WAS 1474 01:00:39,135 --> 01:00:40,303 GETTING MARRIED THIS YEAR. 1475 01:00:40,386 --> 01:00:43,556 I WANT TO PLAY YOU A SONG THAT I WROTE FOR MY WIFE BEFORE WE WERE 1476 01:00:40,386 --> 01:00:43,556 I WANT TO PLAY YOU A SONG THAT I WROTE FOR MY WIFE BEFORE WE WERE 1477 01:00:43,639 --> 01:00:44,515 MARRIED. 1478 01:00:44,599 --> 01:00:55,693 THIS IS MY NEW SINGLE CALLED BETTER TOGETHER. 1479 01:00:44,599 --> 01:00:55,693 THIS IS MY NEW SINGLE CALLED BETTER TOGETHER. 1480 01:00:44,599 --> 01:00:55,693 THIS IS MY NEW SINGLE CALLED BETTER TOGETHER. 1481 01:00:55,777 --> 01:01:00,740 ♪ A 40 HP JOHNSON ON A FLAT-BOTTOM METAL BOAT 1482 01:00:55,777 --> 01:01:00,740 ♪ A 40 HP JOHNSON ON A FLAT-BOTTOM METAL BOAT 1483 01:01:00,823 --> 01:01:06,454 ♪ COKE CANS AND B.B. GUNS BARBED WIRE AND OLD FENCE POSTS 1484 01:01:00,823 --> 01:01:06,454 ♪ COKE CANS AND B.B. GUNS BARBED WIRE AND OLD FENCE POSTS 1485 01:01:06,537 --> 01:01:13,711 ♪ EIGHT-POINT BUCKS IN AUTUMN AND FRESHLY-CUT CORN FIELDS 1486 01:01:06,537 --> 01:01:13,711 ♪ EIGHT-POINT BUCKS IN AUTUMN AND FRESHLY-CUT CORN FIELDS 1487 01:01:13,795 --> 01:01:18,424 ♪ ONE ARM OUT THE WINDOW AND ONE HAND ON THE WHEEL 1488 01:01:13,795 --> 01:01:18,424 ♪ ONE ARM OUT THE WINDOW AND ONE HAND ON THE WHEEL 1489 01:01:18,508 --> 01:01:22,428 ♪ SOME THINGS JUST GO BETTER TOGETHER 1490 01:01:22,512 --> 01:01:26,432 ♪ AND PROBABLY ALWAYS WILL LIKE A CUP OF COFFEE 1491 01:01:22,512 --> 01:01:26,432 ♪ AND PROBABLY ALWAYS WILL LIKE A CUP OF COFFEE 1492 01:01:26,516 --> 01:01:33,606 ♪ AND A SUNRISE SUNDAY DRIVES AND TIME TO KILL 1493 01:01:26,516 --> 01:01:33,606 ♪ AND A SUNRISE SUNDAY DRIVES AND TIME TO KILL 1494 01:01:33,689 --> 01:01:37,735 ♪ WHAT'S THE POINT OF THIS OLD GUITAR 1495 01:01:33,689 --> 01:01:37,735 ♪ WHAT'S THE POINT OF THIS OLD GUITAR 1496 01:01:37,819 --> 01:01:42,448 ♪ IF IT AIN'T GOT NO STRINGS OR POURING YOUR HEART INTO 1497 01:01:37,819 --> 01:01:42,448 ♪ IF IT AIN'T GOT NO STRINGS OR POURING YOUR HEART INTO 1498 01:01:42,532 --> 01:01:48,121 ♪ A SONG THAT YOU AIN'T GONNA SING? 1499 01:01:42,532 --> 01:01:48,121 ♪ A SONG THAT YOU AIN'T GONNA SING? 1500 01:01:48,204 --> 01:01:56,254 ♪ IT'S A MATCH MADE UP IN HEAVEN LIKE GOOD OLE BOYS AND BEER 1501 01:01:48,204 --> 01:01:56,254 ♪ IT'S A MATCH MADE UP IN HEAVEN LIKE GOOD OLE BOYS AND BEER 1502 01:01:56,337 --> 01:02:08,266 ♪ AND ME AS LONG AS YOU'RE RIGHT HERE 1503 01:01:56,337 --> 01:02:08,266 ♪ AND ME AS LONG AS YOU'RE RIGHT HERE 1504 01:01:56,337 --> 01:02:08,266 ♪ AND ME AS LONG AS YOU'RE RIGHT HERE 1505 01:02:08,349 --> 01:02:12,270 ♪ YOUR LICENSE IN MY WALLET WHEN WE GO OUT DOWNTOWN 1506 01:02:08,349 --> 01:02:12,270 ♪ YOUR LICENSE IN MY WALLET WHEN WE GO OUT DOWNTOWN 1507 01:02:12,353 --> 01:02:15,815 ♪ YOUR LIPSTICK STAINED EVERY COFFEE CUP 1508 01:02:15,898 --> 01:02:20,736 ♪ THAT I GOT IN THIS HOUSE THE WAY YOU SAY 1509 01:02:15,898 --> 01:02:20,736 ♪ THAT I GOT IN THIS HOUSE THE WAY YOU SAY 1510 01:02:20,820 --> 01:02:26,701 ♪ "I LOVE YOU, TOO" IS LIKE RAIN ON AN OLD TIN ROOF 1511 01:02:20,820 --> 01:02:26,701 ♪ "I LOVE YOU, TOO" IS LIKE RAIN ON AN OLD TIN ROOF 1512 01:02:26,784 --> 01:02:32,206 ♪ AND YOUR HAND FITS RIGHT IN TO MINE LIKE A NEEDLE IN A GROOVE 1513 01:02:26,784 --> 01:02:32,206 ♪ AND YOUR HAND FITS RIGHT IN TO MINE LIKE A NEEDLE IN A GROOVE 1514 01:02:32,290 --> 01:02:36,210 ♪ SOME THINGS JUST GO BETTER TOGETHER 1515 01:02:32,290 --> 01:02:36,210 ♪ SOME THINGS JUST GO BETTER TOGETHER 1516 01:02:36,294 --> 01:02:40,256 ♪ AND PROBABLY ALWAYS WILL LIKE A CUP OF COFFEE 1517 01:02:40,339 --> 01:02:45,720 ♪ AND A SUNRISE SUNDAY DRIVES AND TIME TO KILL 1518 01:02:40,339 --> 01:02:45,720 ♪ AND A SUNRISE SUNDAY DRIVES AND TIME TO KILL 1519 01:02:45,803 --> 01:02:50,725 ♪ WHAT'S THE POINT OF THIS OLD GUITAR 1520 01:02:45,803 --> 01:02:50,725 ♪ WHAT'S THE POINT OF THIS OLD GUITAR 1521 01:02:50,808 --> 01:02:56,230 ♪ IF IT AIN'T GOT NO STRINGS OR POURING YOUR HEART INTO 1522 01:02:50,808 --> 01:02:56,230 ♪ IF IT AIN'T GOT NO STRINGS OR POURING YOUR HEART INTO 1523 01:02:56,314 --> 01:03:00,193 ♪ A SONG THAT YOU AIN'T GONNA SING? 1524 01:02:56,314 --> 01:03:00,193 ♪ A SONG THAT YOU AIN'T GONNA SING? 1525 01:03:00,276 --> 01:03:08,201 ♪ IT'S A MATCH MADE UP IN HEAVEN LIKE GOOD OLE BOYS AND BEER 1526 01:03:00,276 --> 01:03:08,201 ♪ IT'S A MATCH MADE UP IN HEAVEN LIKE GOOD OLE BOYS AND BEER 1527 01:03:08,284 --> 01:03:20,213 ♪ AND ME AS LONG AS YOU'RE RIGHT HERE 1528 01:03:08,284 --> 01:03:20,213 ♪ AND ME AS LONG AS YOU'RE RIGHT HERE 1529 01:03:08,284 --> 01:03:20,213 ♪ AND ME AS LONG AS YOU'RE RIGHT HERE 1530 01:03:20,296 --> 01:03:21,088 ♪ SOMETIMES WE'RE OIL AND WATER BUT I WOULDN'T HAVE IT 1531 01:03:21,172 --> 01:03:27,887 ♪ ANY OTHER WAY AND IF I'M BEING HONEST 1532 01:03:21,172 --> 01:03:27,887 ♪ ANY OTHER WAY AND IF I'M BEING HONEST 1533 01:03:27,970 --> 01:03:36,229 ♪ YOUR FIRST AND MY LAST NAME WOULD JUST SOUND BETTER TOGETHER 1534 01:03:27,970 --> 01:03:36,229 ♪ YOUR FIRST AND MY LAST NAME WOULD JUST SOUND BETTER TOGETHER 1535 01:03:27,970 --> 01:03:36,229 ♪ YOUR FIRST AND MY LAST NAME WOULD JUST SOUND BETTER TOGETHER 1536 01:03:36,312 --> 01:03:39,732 ♪ AND PROBABLY ALWAYS WILL LIKE A CUP OF COFFEE 1537 01:03:39,815 --> 01:03:44,403 ♪ AND A SUNRISE SUNDAY DRIVES AND TIME TO KILL 1538 01:03:39,815 --> 01:03:44,403 ♪ AND A SUNRISE SUNDAY DRIVES AND TIME TO KILL 1539 01:03:44,487 --> 01:03:48,241 ♪ WHAT'S THE POINT OF THIS OLD GUITAR 1540 01:03:44,487 --> 01:03:48,241 ♪ WHAT'S THE POINT OF THIS OLD GUITAR 1541 01:03:48,324 --> 01:03:54,747 ♪ IF IT AIN'T GOT NO STRINGS OR POURING YOUR HEART INTO 1542 01:03:48,324 --> 01:03:54,747 ♪ IF IT AIN'T GOT NO STRINGS OR POURING YOUR HEART INTO 1543 01:03:54,830 --> 01:04:00,211 ♪ A SONG THAT YOU AIN'T GONNA SING? 1544 01:03:54,830 --> 01:04:00,211 ♪ A SONG THAT YOU AIN'T GONNA SING? 1545 01:04:00,294 --> 01:04:06,634 ♪ IT'S A MATCH MADE UP IN HEAVEN LIKE GOOD OLE BOYS AND BEER 1546 01:04:00,294 --> 01:04:06,634 ♪ IT'S A MATCH MADE UP IN HEAVEN LIKE GOOD OLE BOYS AND BEER 1547 01:04:06,717 --> 01:04:12,265 ♪ AND ME AS LONG AS YOU'RE RIGHT HERE 1548 01:04:06,717 --> 01:04:12,265 ♪ AND ME AS LONG AS YOU'RE RIGHT HERE 1549 01:04:12,348 --> 01:04:23,484 ♪ AND ME AS LONG AS YOU'RE RIGHT HERE ♪ 1550 01:04:12,348 --> 01:04:23,484 ♪ AND ME AS LONG AS YOU'RE RIGHT HERE ♪ 1551 01:04:23,568 --> 01:04:30,116 ♪ ♪ ♪ ♪ ♪ ♪ 1552 01:04:23,568 --> 01:04:30,116 ♪ ♪ ♪ ♪ ♪ ♪ 1553 01:04:23,568 --> 01:04:30,116 ♪ ♪ ♪ ♪ ♪ ♪ 1554 01:04:30,199 --> 01:04:32,285 >> AND NOW, IT'S MY PLEASURE TO INTRODUCE AN INCREDIBLE 1555 01:04:32,368 --> 01:04:33,911 PERFORMER WHO HAS A VERY BRIGHT FUTURE AHEAD. 1556 01:04:33,995 --> 01:04:37,248 TAKING THE STAGE AT THE RYMAN AUDITORIUM, HERE'S THE NEW 1557 01:04:33,995 --> 01:04:37,248 TAKING THE STAGE AT THE RYMAN AUDITORIUM, HERE'S THE NEW 1558 01:04:37,331 --> 01:04:39,834 FEMALE ARTIST OF THE YEAR, TENILLE TOWNES. 1559 01:04:39,917 --> 01:04:44,297 >> I AM HUMBLED TO RECEIVE THIS HONOR FROM THE ACADEMY, AND SO 1560 01:04:39,917 --> 01:04:44,297 >> I AM HUMBLED TO RECEIVE THIS HONOR FROM THE ACADEMY, AND SO 1561 01:04:44,380 --> 01:04:47,758 PROUD TO BE A PART OF THIS COUNTRY MUSIC COMMUNITY. 1562 01:04:47,842 --> 01:04:51,637 I AM SO THRILLED TO BE HERE PLAYING A SONG THAT WAS INSPIRED 1563 01:04:47,842 --> 01:04:51,637 I AM SO THRILLED TO BE HERE PLAYING A SONG THAT WAS INSPIRED 1564 01:04:51,721 --> 01:04:54,932 BY A YOUNG GIRL STANDING ON THE SIDE OF THE INTERSTATE, HOLDING 1565 01:04:51,721 --> 01:04:54,932 BY A YOUNG GIRL STANDING ON THE SIDE OF THE INTERSTATE, HOLDING 1566 01:04:55,016 --> 01:04:56,309 ONTO A CARDBOARD SIGN. 1567 01:04:56,392 --> 01:04:59,645 IT'S A REMINDER THAT WE'VE ALL GOT A STORY, AND I THINK 1568 01:04:59,729 --> 01:05:03,816 ESPECIALLY IN THESE TIMES, WE REALLY NEED EACH OTHER. 1569 01:04:59,729 --> 01:05:03,816 ESPECIALLY IN THESE TIMES, WE REALLY NEED EACH OTHER. 1570 01:05:03,899 --> 01:05:06,485 ♪ ♪ ♪ ♪ ♪ ♪ 1571 01:05:03,899 --> 01:05:06,485 ♪ ♪ ♪ ♪ ♪ ♪ 1572 01:05:06,569 --> 01:05:08,321 ♪ I DRIVE HOME THE SAME WAY TWO LEFT TURNS OFF 1573 01:05:08,404 --> 01:05:12,325 THE INTERSTATE ♪ AND SHE'S ALWAYS STANDING AT 1574 01:05:08,404 --> 01:05:12,325 THE INTERSTATE ♪ AND SHE'S ALWAYS STANDING AT 1575 01:05:12,408 --> 01:05:16,329 THE STOPLIGHT ON 18th STREET ♪ SHE COULD BE A SARAH 1576 01:05:16,412 --> 01:05:19,999 SHE COULD BE AN EMILY ♪ AN OLIVIA, MAYBE CASSIDY 1577 01:05:16,412 --> 01:05:19,999 SHE COULD BE AN EMILY ♪ AN OLIVIA, MAYBE CASSIDY 1578 01:05:20,082 --> 01:05:24,337 WITH THE SHAKY HANDS ON ♪ THE CARDBOARD SIGN 1579 01:05:20,082 --> 01:05:24,337 WITH THE SHAKY HANDS ON ♪ THE CARDBOARD SIGN 1580 01:05:24,420 --> 01:05:30,509 AND SHE'S LOOKIN' AT ME ♪ BET SHE WAS SOMEBODY'S 1581 01:05:24,420 --> 01:05:30,509 AND SHE'S LOOKIN' AT ME ♪ BET SHE WAS SOMEBODY'S 1582 01:05:30,593 --> 01:05:33,846 BEST FRIEND ♪ LAUGHING, OH, BACK WHEN 1583 01:05:33,929 --> 01:05:38,643 SHE WAS SOMEBODY'S SISTER ♪ COUNTIN' CHANGE AT 1584 01:05:33,929 --> 01:05:38,643 SHE WAS SOMEBODY'S SISTER ♪ COUNTIN' CHANGE AT 1585 01:05:38,726 --> 01:05:43,481 THE LEMONADE STAND ♪ PROBABLY SOMEBODY'S 1586 01:05:38,726 --> 01:05:43,481 THE LEMONADE STAND ♪ PROBABLY SOMEBODY'S 1587 01:05:43,564 --> 01:05:45,858 HIGH SCHOOL FIRST KISS ♪ OH, DANCIN' IN A GYM WHERE 1588 01:05:45,941 --> 01:05:50,863 THE KIDS ALL TALK ABOUT ♪ SOMEDAY PLANS 1589 01:05:45,941 --> 01:05:50,863 THE KIDS ALL TALK ABOUT ♪ SOMEDAY PLANS 1590 01:05:50,946 --> 01:05:54,575 NOW THIS LIGHT'LL TURN GREEN AND ♪ I'LL HAND HER A COUPLE DOLLARS 1591 01:05:50,946 --> 01:05:54,575 NOW THIS LIGHT'LL TURN GREEN AND ♪ I'LL HAND HER A COUPLE DOLLARS 1592 01:05:54,659 --> 01:06:00,373 AND I'LL WONDER IF SHE GOT LOST ♪ OR THEY FORGOT HER 1593 01:05:54,659 --> 01:06:00,373 AND I'LL WONDER IF SHE GOT LOST ♪ OR THEY FORGOT HER 1594 01:06:00,456 --> 01:06:07,672 SHE'S SOMEBODY'S DAUGHTER ♪ SOMEBODY'S DAUGHTER 1595 01:06:00,456 --> 01:06:07,672 SHE'S SOMEBODY'S DAUGHTER ♪ SOMEBODY'S DAUGHTER 1596 01:06:07,755 --> 01:06:12,385 SOMEBODY'S DAUGHTER ♪ SOMEBODY'S DAUGHTER 1597 01:06:07,755 --> 01:06:12,385 SOMEBODY'S DAUGHTER ♪ SOMEBODY'S DAUGHTER 1598 01:06:12,468 --> 01:06:15,888 ♪ OH, I DON'T KNOW THE REASONS WHY 1599 01:06:15,971 --> 01:06:19,892 ♪ I'M THE ONE WHO'S DRIVING BY AND SHE'S THE ONE 1600 01:06:15,971 --> 01:06:19,892 ♪ I'M THE ONE WHO'S DRIVING BY AND SHE'S THE ONE 1601 01:06:19,975 --> 01:06:27,900 ♪ ON THE CORNER OF 18th STREET OF 18th STREET 1602 01:06:19,975 --> 01:06:27,900 ♪ ON THE CORNER OF 18th STREET OF 18th STREET 1603 01:06:27,983 --> 01:06:39,912 ♪ SHE'S SOMEBODY'S DAUGHTER YEAH 1604 01:06:27,983 --> 01:06:39,912 ♪ SHE'S SOMEBODY'S DAUGHTER YEAH 1605 01:06:27,983 --> 01:06:39,912 ♪ SHE'S SOMEBODY'S DAUGHTER YEAH 1606 01:06:39,995 --> 01:06:45,126 ♪ SOMEBODY'S DAUGHTER ♪ >> Claudine: WE'RE ON OUR WAY 1607 01:06:39,995 --> 01:06:45,126 ♪ SOMEBODY'S DAUGHTER ♪ >> Claudine: WE'RE ON OUR WAY 1608 01:06:45,209 --> 01:06:50,589 BACK TO THE RYMAN FOR BREAKOUT STAR GABBY BARRETT, NEXT. 1609 01:06:45,209 --> 01:06:50,589 BACK TO THE RYMAN FOR BREAKOUT STAR GABBY BARRETT, NEXT. 1610 01:06:50,673 --> 01:06:56,971 AND, DAN AND SHAY PERFORM AT THE COMING UP, KANE BROWN, MAREN 1611 01:06:50,673 --> 01:06:56,971 AND, DAN AND SHAY PERFORM AT THE COMING UP, KANE BROWN, MAREN 1612 01:06:57,054 --> 01:07:05,980 MORRIS, KEITH URBAN JOINS MICKEY THE 55th A.C.M. AWARDS, LIVE, 1613 01:06:57,054 --> 01:07:05,980 MORRIS, KEITH URBAN JOINS MICKEY THE 55th A.C.M. AWARDS, LIVE, 1614 01:07:06,063 --> 01:07:06,605 FROM NASHVILLE. 1615 01:07:06,689 --> 01:07:09,984 THIS IS CBS. 1616 01:07:18,200 --> 01:07:19,618 >> Claudine: THE 55th ACADEMY OF COUNTRY MUSIC AWARDS. 1617 01:07:19,702 --> 01:07:21,704 SPONSORED BY FORD. 1618 01:07:35,593 --> 01:07:37,470 >> Claudine: DAN + SHAY COMING UP. 1619 01:07:35,593 --> 01:07:37,470 >> Claudine: DAN + SHAY COMING UP. 1620 01:07:37,553 --> 01:07:38,596 THIS IS CBS. 1621 01:07:43,017 --> 01:07:45,060 ♪ ♪ ♪ WILL WELCOME BACK TO THE ACM 1622 01:07:45,144 --> 01:07:52,777 AWARDS, NOW AT THE RYMAN AUDITORIUM. 1623 01:07:45,144 --> 01:07:52,777 AWARDS, NOW AT THE RYMAN AUDITORIUM. 1624 01:07:52,860 --> 01:07:58,282 ♪ ♪ ♪ ♪ I 1625 01:07:52,860 --> 01:07:58,282 ♪ ♪ ♪ ♪ I 1626 01:07:58,365 --> 01:08:02,536 I HOPE SHE MAKES YOU SMILE ♪ THE WAY YOU MADE ME SMILE 1627 01:07:58,365 --> 01:08:02,536 I HOPE SHE MAKES YOU SMILE ♪ THE WAY YOU MADE ME SMILE 1628 01:08:02,620 --> 01:08:05,539 ON THE OTHER END OF A PHONE ♪ IN THE MIDDLE OF A HIGHWAY 1629 01:08:05,623 --> 01:08:13,172 DRIVING ALONE ♪ OH BABY, I 1630 01:08:05,623 --> 01:08:13,172 DRIVING ALONE ♪ OH BABY, I 1631 01:08:05,623 --> 01:08:13,172 DRIVING ALONE ♪ OH BABY, I 1632 01:08:13,255 --> 01:08:17,176 I HOPE YOU HEAR A SONG ♪ THAT MAKES YOU SING ALONG 1633 01:08:17,259 --> 01:08:20,179 AND GETS YOU THINKING 'BOUT HER ♪ THEN THE LAST SEVERAL MILES 1634 01:08:17,259 --> 01:08:20,179 AND GETS YOU THINKING 'BOUT HER ♪ THEN THE LAST SEVERAL MILES 1635 01:08:20,262 --> 01:08:25,184 TURN INTO A BLUR, YEAH ♪ I HOPE YOU BOTH FEEL THE 1636 01:08:20,262 --> 01:08:25,184 TURN INTO A BLUR, YEAH ♪ I HOPE YOU BOTH FEEL THE 1637 01:08:25,267 --> 01:08:29,188 SPARKS BY THE END OF THE DRIVE ♪ YOU KNOW SHE'S THE ONE 1638 01:08:29,271 --> 01:08:34,401 BY THE END OF THE NIGHT ♪ YOU NEVER EVER FELT MORE FREE 1639 01:08:29,271 --> 01:08:34,401 BY THE END OF THE NIGHT ♪ YOU NEVER EVER FELT MORE FREE 1640 01:08:34,485 --> 01:08:38,239 TELL YOUR FRIENDS THAT ♪ YOU'RE SO HAPPY 1641 01:08:34,485 --> 01:08:38,239 TELL YOUR FRIENDS THAT ♪ YOU'RE SO HAPPY 1642 01:08:38,322 --> 01:08:40,366 YEAH ♪ I HOPE SHE COMES ALONG AND 1643 01:08:40,449 --> 01:08:44,328 WRECKS EVERY ONE OF YOUR PLANS ♪ YOU SPEND YOUR LAST DIME TO 1644 01:08:40,449 --> 01:08:44,328 WRECKS EVERY ONE OF YOUR PLANS ♪ YOU SPEND YOUR LAST DIME TO 1645 01:08:44,411 --> 01:08:46,497 PUT A ROCK ON HER HAND ♪ SHE'S WILDER THAN YOUR 1646 01:08:46,580 --> 01:08:50,334 WILDEST DREAMS ♪ SHE'S EVERYTHING YOU'RE EVER 1647 01:08:46,580 --> 01:08:50,334 WILDEST DREAMS ♪ SHE'S EVERYTHING YOU'RE EVER 1648 01:08:50,417 --> 01:08:55,047 GONNA NEED ♪ AND THEN I HOPE SHE CHEATS 1649 01:08:50,417 --> 01:08:55,047 GONNA NEED ♪ AND THEN I HOPE SHE CHEATS 1650 01:08:55,130 --> 01:09:03,055 LIKE YOU DID ON ME, YEAH ♪ AND THEN I HOPE SHE CHEATS 1651 01:08:55,130 --> 01:09:03,055 LIKE YOU DID ON ME, YEAH ♪ AND THEN I HOPE SHE CHEATS 1652 01:09:03,139 --> 01:09:10,396 YEAH, LIKE YOU DID ON ME ♪ I HOPE WHAT GOES 1653 01:09:03,139 --> 01:09:10,396 YEAH, LIKE YOU DID ON ME ♪ I HOPE WHAT GOES 1654 01:09:10,479 --> 01:09:14,108 COMES ALL THE WAY AROUND ♪ I HOPE SHE MAKES YOU FEEL 1655 01:09:10,479 --> 01:09:14,108 COMES ALL THE WAY AROUND ♪ I HOPE SHE MAKES YOU FEEL 1656 01:09:14,191 --> 01:09:16,402 THE SAME WAY ABOUT HER ♪ THAT I FEEL ABOUT YOU 1657 01:09:16,485 --> 01:09:22,366 RIGHT NOW ♪ I HOPE YOU BOTH FEEL THE 1658 01:09:16,485 --> 01:09:22,366 RIGHT NOW ♪ I HOPE YOU BOTH FEEL THE 1659 01:09:22,449 --> 01:09:26,161 SPARKS BY THE END OF THE DRIVE ♪ YOU KNOW SHE'S THE ONE 1660 01:09:22,449 --> 01:09:26,161 SPARKS BY THE END OF THE DRIVE ♪ YOU KNOW SHE'S THE ONE 1661 01:09:26,245 --> 01:09:29,582 BY THE END OF THE NIGHT ♪ YOU NEVER EVER FELT MORE FREE 1662 01:09:29,665 --> 01:09:32,918 TELL YOUR FRIENDS THAT ♪ YOU'RE SO HAPPY 1663 01:09:29,665 --> 01:09:32,918 TELL YOUR FRIENDS THAT ♪ YOU'RE SO HAPPY 1664 01:09:33,002 --> 01:09:34,420 YEAH ♪ I HOPE SHE COMES ALONG AND 1665 01:09:34,503 --> 01:09:38,132 WRECKS EVERY ONE OF YOUR PLANS ♪ YOU SPEND YOUR LAST DIME 1666 01:09:34,503 --> 01:09:38,132 WRECKS EVERY ONE OF YOUR PLANS ♪ YOU SPEND YOUR LAST DIME 1667 01:09:38,215 --> 01:09:41,302 TO PUT A ROCK ON HER HAND ♪ SHE'S WILDER THAN YOUR 1668 01:09:41,385 --> 01:09:44,263 WILDEST DREAMS ♪ SHE'S EVERYTHING YOU'RE EVER 1669 01:09:41,385 --> 01:09:44,263 WILDEST DREAMS ♪ SHE'S EVERYTHING YOU'RE EVER 1670 01:09:44,346 --> 01:09:50,185 GONNA NEED ♪ AND THEN I HOPE SHE CHEATS 1671 01:09:44,346 --> 01:09:50,185 GONNA NEED ♪ AND THEN I HOPE SHE CHEATS 1672 01:09:50,269 --> 01:09:58,444 LIKE YOU DID ON ME, YEAH ♪ AND THEN I HOPE SHE CHEATS 1673 01:09:50,269 --> 01:09:58,444 LIKE YOU DID ON ME, YEAH ♪ AND THEN I HOPE SHE CHEATS 1674 01:09:58,527 --> 01:10:09,580 YEAH ♪ >> Claudine: XFINITY CUSTOMERS, 1675 01:09:58,527 --> 01:10:09,580 YEAH ♪ >> Claudine: XFINITY CUSTOMERS, 1676 01:09:58,527 --> 01:10:09,580 YEAH ♪ >> Claudine: XFINITY CUSTOMERS, 1677 01:10:09,663 --> 01:10:12,917 CATCH A BONUS PERFORMANCE BY GABBY BARRETT. 1678 01:10:09,663 --> 01:10:12,917 CATCH A BONUS PERFORMANCE BY GABBY BARRETT. 1679 01:10:13,000 --> 01:10:16,462 JUST SAY “A.C.M. AWARDS” INTO YOUR XFINITY VOICE REMOTE. 1680 01:10:16,545 --> 01:10:22,468 LET'S GO BACK TO THE GRAND OLE OPRY HOUSE FOR A.C.M. AWARD 1681 01:10:16,545 --> 01:10:22,468 LET'S GO BACK TO THE GRAND OLE OPRY HOUSE FOR A.C.M. AWARD 1682 01:10:22,551 --> 01:10:26,180 WINNERS DAN AND SHAY. 1683 01:10:22,551 --> 01:10:26,180 WINNERS DAN AND SHAY. 1684 01:10:26,263 --> 01:10:34,438 ♪ ♪ ♪ ♪ ALL MY FRIENDS FINALLY 1685 01:10:26,263 --> 01:10:34,438 ♪ ♪ ♪ ♪ ALL MY FRIENDS FINALLY 1686 01:10:34,521 --> 01:10:38,192 CONVINCED ♪ ME TO GET OUT OF THE HOUSE 1687 01:10:34,521 --> 01:10:38,192 CONVINCED ♪ ME TO GET OUT OF THE HOUSE 1688 01:10:38,275 --> 01:10:42,821 TO HELP ME FORGET ♪ TO HELP ME MOVE ON 1689 01:10:38,275 --> 01:10:42,821 TO HELP ME FORGET ♪ TO HELP ME MOVE ON 1690 01:10:42,905 --> 01:10:50,204 THEN I HEARD YOU'RE BACK IN TOWN ♪ IN A CROWD OF STRANGERS AND 1691 01:10:42,905 --> 01:10:50,204 THEN I HEARD YOU'RE BACK IN TOWN ♪ IN A CROWD OF STRANGERS AND 1692 01:10:50,287 --> 01:10:54,208 LOVERS ♪ SOMEONE TOLD ME THAT YOU WERE 1693 01:10:50,287 --> 01:10:54,208 LOVERS ♪ SOMEONE TOLD ME THAT YOU WERE 1694 01:10:54,291 --> 01:11:02,716 COMING, SO ♪ I SHOULD PROBABLY GO TO BED 1695 01:10:54,291 --> 01:11:02,716 COMING, SO ♪ I SHOULD PROBABLY GO TO BED 1696 01:11:02,800 --> 01:11:06,220 I SHOULD PROBABLY TURN ♪ OFF MY PHONE 1697 01:11:02,800 --> 01:11:06,220 I SHOULD PROBABLY TURN ♪ OFF MY PHONE 1698 01:11:06,303 --> 01:11:10,516 I SHOULD QUIT WHILE I'M AHEAD ♪ I SHOULD PROBABLY LEAVE 1699 01:11:10,599 --> 01:11:16,522 YOU ALONE ♪ 'CAUSE I KNOW IN THE MORNING 1700 01:11:10,599 --> 01:11:16,522 YOU ALONE ♪ 'CAUSE I KNOW IN THE MORNING 1701 01:11:16,605 --> 01:11:19,483 I'LL BE CALLING ♪ SAYING SORRY FOR THE THINGS I 1702 01:11:16,605 --> 01:11:19,483 I'LL BE CALLING ♪ SAYING SORRY FOR THE THINGS I 1703 01:11:19,566 --> 01:11:26,240 SAID ♪ SO I 1704 01:11:19,566 --> 01:11:26,240 SAID ♪ SO I 1705 01:11:26,323 --> 01:11:30,869 YEAH ♪ I SHOULD PROBABLY GO TO BED 1706 01:11:26,323 --> 01:11:30,869 YEAH ♪ I SHOULD PROBABLY GO TO BED 1707 01:11:30,953 --> 01:11:34,540 SO I DON'T UNDO ♪ THE "GOT OVER YOU" 1708 01:11:34,623 --> 01:11:38,335 THAT IT TOOK SO LONG TO FIND ♪ 'CAUSE ALL IT WOULD TAKE 1709 01:11:34,623 --> 01:11:38,335 THAT IT TOOK SO LONG TO FIND ♪ 'CAUSE ALL IT WOULD TAKE 1710 01:11:38,419 --> 01:11:42,256 IS SEEING YOUR FACE ♪ AND I'D FORGET 1711 01:11:38,419 --> 01:11:42,256 IS SEEING YOUR FACE ♪ AND I'D FORGET 1712 01:11:42,339 --> 01:11:47,011 ♪ I SHOULD PROBABLY GO TO BED I SHOULD PROBABLY TURN 1713 01:11:47,094 --> 01:11:52,558 ♪ OFF MY PHONE I SHOULD QUIT WHILE I'M AHEAD 1714 01:11:47,094 --> 01:11:52,558 ♪ OFF MY PHONE I SHOULD QUIT WHILE I'M AHEAD 1715 01:11:52,641 --> 01:11:58,564 ♪ I SHOULD PROBABLY LEAVE YOU ALONE 1716 01:11:52,641 --> 01:11:58,564 ♪ I SHOULD PROBABLY LEAVE YOU ALONE 1717 01:11:58,647 --> 01:12:02,568 ♪ 'CAUSE I KNOW IN THE MORNING I'LL BE CALLING 1718 01:11:58,647 --> 01:12:02,568 ♪ 'CAUSE I KNOW IN THE MORNING I'LL BE CALLING 1719 01:12:02,651 --> 01:12:04,570 ♪ SAYING SORRY FOR THE THINGS I SAID 1720 01:12:04,653 --> 01:12:10,284 ♪ SO I YEAH 1721 01:12:04,653 --> 01:12:10,284 ♪ SO I YEAH 1722 01:12:10,367 --> 01:12:15,372 ♪ I SHOULD PROBABLY GO TO BED BEFORE I QUESTION MY DECISION 1723 01:12:10,367 --> 01:12:15,372 ♪ I SHOULD PROBABLY GO TO BED BEFORE I QUESTION MY DECISION 1724 01:12:15,456 --> 01:12:16,290 ♪ IS IT LOVE? 1725 01:12:16,373 --> 01:12:18,417 I KNOW IT ISN'T ♪ NOW I'M ALL UP IN MY HEAD 1726 01:12:16,373 --> 01:12:18,417 I KNOW IT ISN'T ♪ NOW I'M ALL UP IN MY HEAD 1727 01:12:18,500 --> 01:12:23,255 AGAIN ♪ 'CAUSE I KNOW I DON'T 1728 01:12:23,338 --> 01:12:28,594 HAVE THE SELF-CONTROL ♪ TO WALK AWAY IF YOU WALK IN 1729 01:12:23,338 --> 01:12:28,594 HAVE THE SELF-CONTROL ♪ TO WALK AWAY IF YOU WALK IN 1730 01:12:28,677 --> 01:12:38,395 OH ♪ I KNOW, I KNOW, I KNOW, I KNOW 1731 01:12:28,677 --> 01:12:38,395 OH ♪ I KNOW, I KNOW, I KNOW, I KNOW 1732 01:12:28,677 --> 01:12:38,395 OH ♪ I KNOW, I KNOW, I KNOW, I KNOW 1733 01:12:38,479 --> 01:12:46,653 I SHOULD PROBABLY GO TO BED ♪ OOH-AH, I'M ALL UP IN MY HEAD 1734 01:12:38,479 --> 01:12:46,653 I SHOULD PROBABLY GO TO BED ♪ OOH-AH, I'M ALL UP IN MY HEAD 1735 01:12:46,737 --> 01:12:58,123 OOH-AH, I SHOULD GO TO BED ♪ OOH-AH, I'M ALL UP IN MY HEAD 1736 01:12:46,737 --> 01:12:58,123 OOH-AH, I SHOULD GO TO BED ♪ OOH-AH, I'M ALL UP IN MY HEAD 1737 01:12:46,737 --> 01:12:58,123 OOH-AH, I SHOULD GO TO BED ♪ OOH-AH, I'M ALL UP IN MY HEAD 1738 01:12:58,207 --> 01:12:58,957 I SHOULD GO TO BED ♪ IN A CROWD OF STRANGERS AND 1739 01:12:59,041 --> 01:13:06,340 LOVERS ♪ SOMEONE TOLD ME THAT YOU WERE 1740 01:12:59,041 --> 01:13:06,340 LOVERS ♪ SOMEONE TOLD ME THAT YOU WERE 1741 01:12:59,041 --> 01:13:06,340 LOVERS ♪ SOMEONE TOLD ME THAT YOU WERE 1742 01:13:06,423 --> 01:13:18,352 COMING, SO ♪ I SHOULD PROBABLY GO TO BED ♪ 1743 01:13:06,423 --> 01:13:18,352 COMING, SO ♪ I SHOULD PROBABLY GO TO BED ♪ 1744 01:13:06,423 --> 01:13:18,352 COMING, SO ♪ I SHOULD PROBABLY GO TO BED ♪ 1745 01:13:18,435 --> 01:13:23,315 >> Claudine: BACK TO THE RYMAN AUDITORIUM FOR NEW MALE ARTIST 1746 01:13:23,398 --> 01:13:27,236 WINNER RILEY GREEN. 1747 01:13:23,398 --> 01:13:27,236 WINNER RILEY GREEN. 1748 01:13:27,319 --> 01:13:28,278 >> THIS AWARD IS SUCH AN HONOR. 1749 01:13:28,362 --> 01:13:30,447 BUT I WOULDN'T BE WHERE I AM WITHOUT A LOT OF HELP. 1750 01:13:28,362 --> 01:13:30,447 BUT I WOULDN'T BE WHERE I AM WITHOUT A LOT OF HELP. 1751 01:13:30,531 --> 01:13:34,118 I WANT TO THANK THE FANS, COUNTRY RADIO, MY TEAM HERE IN 1752 01:13:34,201 --> 01:13:36,995 NASHVILLE, MY FAMILY AND FRIENDS BACK HOME, AND MOST OF ALL THE 1753 01:13:34,201 --> 01:13:36,995 NASHVILLE, MY FAMILY AND FRIENDS BACK HOME, AND MOST OF ALL THE 1754 01:13:37,079 --> 01:13:38,455 TWO MEN THAT INSPIRED ME TO WRITE THIS NEXT SONG. 1755 01:13:38,539 --> 01:13:42,459 BUFORD GREEN AND LENDON BONDS, THIS ONE'S FOR YOU. 1756 01:13:38,539 --> 01:13:42,459 BUFORD GREEN AND LENDON BONDS, THIS ONE'S FOR YOU. 1757 01:13:42,543 --> 01:13:57,015 ♪ ♪ ♪ ♪ ♪ ♪ 1758 01:13:42,543 --> 01:13:57,015 ♪ ♪ ♪ ♪ ♪ ♪ 1759 01:13:42,543 --> 01:13:57,015 ♪ ♪ ♪ ♪ ♪ ♪ 1760 01:13:57,099 --> 01:14:00,853 ♪ I WISH GIRLS YOU LOVED NEVER GAVE BACK DIAMOND RINGS 1761 01:13:57,099 --> 01:14:00,853 ♪ I WISH GIRLS YOU LOVED NEVER GAVE BACK DIAMOND RINGS 1762 01:14:00,936 --> 01:14:10,529 ♪ I WISH EVERY PORCH HAD A SWING WISH KIDS STILL LEARNED TO SAY 1763 01:14:00,936 --> 01:14:10,529 ♪ I WISH EVERY PORCH HAD A SWING WISH KIDS STILL LEARNED TO SAY 1764 01:14:10,612 --> 01:14:14,408 ♪ "SIR" AND "MA'AM" HOW TO SHAKE A HAND 1765 01:14:10,612 --> 01:14:14,408 ♪ "SIR" AND "MA'AM" HOW TO SHAKE A HAND 1766 01:14:14,491 --> 01:14:22,416 ♪ I WISH EVERY STATE HAD A BIRMINGHAM 1767 01:14:14,491 --> 01:14:22,416 ♪ I WISH EVERY STATE HAD A BIRMINGHAM 1768 01:14:22,499 --> 01:14:31,383 ♪ I WISH EVERYBODY KNEW ALL THE WORDS TO "MAMA TRIED" 1769 01:14:22,499 --> 01:14:31,383 ♪ I WISH EVERYBODY KNEW ALL THE WORDS TO "MAMA TRIED" 1770 01:14:22,499 --> 01:14:31,383 ♪ I WISH EVERYBODY KNEW ALL THE WORDS TO "MAMA TRIED" 1771 01:14:31,466 --> 01:14:37,514 ♪ AND I WISH MONDAY MORNINGS FELT JUST LIKE FRIDAY NIGHTS 1772 01:14:31,466 --> 01:14:37,514 ♪ AND I WISH MONDAY MORNINGS FELT JUST LIKE FRIDAY NIGHTS 1773 01:14:37,598 --> 01:14:40,851 ♪ AND I WISH EVEN CARS HAD TRUCK BEDS 1774 01:14:40,934 --> 01:14:43,562 ♪ EVERY ROAD WAS NAMED COPPERHEAD 1775 01:14:40,934 --> 01:14:43,562 ♪ EVERY ROAD WAS NAMED COPPERHEAD 1776 01:14:43,645 --> 01:14:51,236 ♪ AND COOLERS NEVER RUN OUT OF COLD BUD LIGHT 1777 01:14:43,645 --> 01:14:51,236 ♪ AND COOLERS NEVER RUN OUT OF COLD BUD LIGHT 1778 01:14:51,320 --> 01:14:55,240 ♪ AND I WISH HIGH SCHOOL HOME TEAMS NEVER LOST 1779 01:14:51,320 --> 01:14:55,240 ♪ AND I WISH HIGH SCHOOL HOME TEAMS NEVER LOST 1780 01:14:55,324 --> 01:14:57,451 ♪ AND BACK ROAD DRINKIN' KIDS NEVER GOT CAUGHT 1781 01:14:57,534 --> 01:15:04,791 ♪ AND I WISH THE PRICE OF GAS WAS LOW, AND COTTON WAS HIGH 1782 01:14:57,534 --> 01:15:04,791 ♪ AND I WISH THE PRICE OF GAS WAS LOW, AND COTTON WAS HIGH 1783 01:15:04,875 --> 01:15:14,468 ♪ AND I WISH HONKY TONKS DIDN'T HAVE NO CLOSING TIME 1784 01:15:04,875 --> 01:15:14,468 ♪ AND I WISH HONKY TONKS DIDN'T HAVE NO CLOSING TIME 1785 01:15:04,875 --> 01:15:14,468 ♪ AND I WISH HONKY TONKS DIDN'T HAVE NO CLOSING TIME 1786 01:15:14,551 --> 01:15:20,599 ♪ AND I WISH GRANDPAS NEVER DIED I WISH GRANDPAS NEVER DIED ♪ 1787 01:15:14,551 --> 01:15:20,599 ♪ AND I WISH GRANDPAS NEVER DIED I WISH GRANDPAS NEVER DIED ♪ 1788 01:15:34,029 --> 01:15:37,574 >> Claudine: THERE ARE MORE THA 2,000 COUNTRY RADIO STATIONS 1789 01:15:34,029 --> 01:15:37,574 >> Claudine: THERE ARE MORE THA 2,000 COUNTRY RADIO STATIONS 1790 01:15:37,658 --> 01:15:39,743 ACROSS THE NATION, AND THE ACADEMY SALUTES "THE BIG DAVE 1791 01:15:39,826 --> 01:15:46,083 SHOW," WUBE CINCINNATI, AS ONE OF THIS YEAR'S A.C.M. COUNTRY 1792 01:15:39,826 --> 01:15:46,083 SHOW," WUBE CINCINNATI, AS ONE OF THIS YEAR'S A.C.M. COUNTRY 1793 01:15:46,166 --> 01:15:47,167 RADIO WINNERS. 1794 01:15:47,251 --> 01:15:49,753 UP NEXT, PERFORMANCES BY KANE BROWN AND MAREN MORRIS. 1795 01:15:47,251 --> 01:15:49,753 UP NEXT, PERFORMANCES BY KANE BROWN AND MAREN MORRIS. 1796 01:15:49,836 --> 01:15:53,757 AND STILL TO COME, TIM McGRAW, FLORIDA GEORGIA LINE, ERIC 1797 01:15:53,840 --> 01:15:58,512 CHURCH, TRISHA YEARWOOD, AND KEITH URBAN DUETS WITH P!NK. 1798 01:15:53,840 --> 01:15:58,512 CHURCH, TRISHA YEARWOOD, AND KEITH URBAN DUETS WITH P!NK. 1799 01:15:58,595 --> 01:16:01,765 PLUS, TAYLOR SWIFT MAKES AN EXCITING RETURN WHEN SHE 1800 01:15:58,595 --> 01:16:01,765 PLUS, TAYLOR SWIFT MAKES AN EXCITING RETURN WHEN SHE 1801 01:16:01,848 --> 01:16:04,017 PERFORMS "BETTY" ON OUR STAGE. 1802 01:16:04,101 --> 01:16:05,769 THE 55th A.C.M. AWARDS. 1803 01:16:05,852 --> 01:16:07,771 THIS IS CBS. 1804 01:16:05,852 --> 01:16:07,771 THIS IS CBS. 1805 01:16:09,773 --> 01:16:11,608 >> Claudine: THE 55th ACADEMY OF COUNTRY MUSIC AWARDS. 1806 01:16:11,692 --> 01:16:14,319 SPONSORED BY PROGRESSIVE INSURANCE. 1807 01:16:11,692 --> 01:16:14,319 SPONSORED BY PROGRESSIVE INSURANCE. 1808 01:16:14,403 --> 01:16:16,405 SAVE WHEN YOU BUNDLE AUTO, HOME OR MOTORCYCLE INSURANCE. 1809 01:16:27,040 --> 01:16:28,083 >> Keith: WELCOME BACK, EVERYONE. 1810 01:16:28,166 --> 01:16:32,671 EVERY NOW AND THEN AN ARTIST GIVES US A SONG THAT REALLY 1811 01:16:28,166 --> 01:16:32,671 EVERY NOW AND THEN AN ARTIST GIVES US A SONG THAT REALLY 1812 01:16:32,754 --> 01:16:37,509 NEEDS IT, THAT INSPIRES POSITIVE CHANGE, MAYBE A HOPE FOR A 1813 01:16:32,754 --> 01:16:37,509 NEEDS IT, THAT INSPIRES POSITIVE CHANGE, MAYBE A HOPE FOR A 1814 01:16:37,592 --> 01:16:38,635 BETTER FUTURE. 1815 01:16:38,719 --> 01:16:41,513 HERE TO PERFORM ONE OF THOSE VERY SONGS IS KANE BROWN. 1816 01:16:41,596 --> 01:16:43,015 >> THANK YOU SO MUCH, KEITH. 1817 01:16:41,596 --> 01:16:43,015 >> THANK YOU SO MUCH, KEITH. 1818 01:16:43,098 --> 01:16:45,350 I JUST WANT EVERYBODY TO LOVE EVERYBODY. 1819 01:16:45,434 --> 01:16:52,649 AND THIS IS A SONG THAT I WROTE FOR IT. 1820 01:16:45,434 --> 01:16:52,649 AND THIS IS A SONG THAT I WROTE FOR IT. 1821 01:16:52,733 --> 01:17:03,035 ♪ ♪ ♪ ♪ ♪ ♪ 1822 01:16:52,733 --> 01:17:03,035 ♪ ♪ ♪ ♪ ♪ ♪ 1823 01:16:52,733 --> 01:17:03,035 ♪ ♪ ♪ ♪ ♪ ♪ 1824 01:17:03,118 --> 01:17:06,580 ♪ WHITE CHURCHES BLACK CHURCHES 1825 01:17:03,118 --> 01:17:06,580 ♪ WHITE CHURCHES BLACK CHURCHES 1826 01:17:06,663 --> 01:17:09,082 ♪ DIFFERENT PEOPLE SAME HEARSES 1827 01:17:09,166 --> 01:17:13,253 ♪ IT'S KINDA HARD TO FIGHT WITH EACH OTHER 1828 01:17:09,166 --> 01:17:13,253 ♪ IT'S KINDA HARD TO FIGHT WITH EACH OTHER 1829 01:17:13,337 --> 01:17:15,088 ♪ LAYING DOWN IN THE GROUND SIX UNDER 1830 01:17:15,172 --> 01:17:18,717 ♪ AT EVERY SHOW I SEE MY PEOPLE 1831 01:17:15,172 --> 01:17:18,717 ♪ AT EVERY SHOW I SEE MY PEOPLE 1832 01:17:18,800 --> 01:17:22,721 ♪ THEY AIN'T THE SAME BUT THEY'RE ALL EQUAL 1833 01:17:22,804 --> 01:17:29,770 ♪ ONE LOVE, ONE GOD, ONE FAMILY YOU'RE MISSING EVERY COLOR 1834 01:17:22,804 --> 01:17:29,770 ♪ ONE LOVE, ONE GOD, ONE FAMILY YOU'RE MISSING EVERY COLOR 1835 01:17:29,853 --> 01:17:34,232 ♪ IF YOU'RE ONLY SEEING BLACK AND WHITE 1836 01:17:29,853 --> 01:17:34,232 ♪ IF YOU'RE ONLY SEEING BLACK AND WHITE 1837 01:17:34,316 --> 01:17:39,071 ♪ TELL ME HOW YOU'RE GONNA CHANGE YOUR MIND 1838 01:17:34,316 --> 01:17:39,071 ♪ TELL ME HOW YOU'RE GONNA CHANGE YOUR MIND 1839 01:17:39,154 --> 01:17:43,575 ♪ IF YOUR HEART'S UNMOVABLE WE AIN'T THAT DIFFERENT 1840 01:17:39,154 --> 01:17:43,575 ♪ IF YOUR HEART'S UNMOVABLE WE AIN'T THAT DIFFERENT 1841 01:17:43,658 --> 01:17:46,620 ♪ FROM EACH OTHER FROM ONE TO ANOTHER 1842 01:17:46,703 --> 01:17:54,878 ♪ I LOOK AROUND AND SEE WORLDWIDE BEAUTIFUL 1843 01:17:46,703 --> 01:17:54,878 ♪ I LOOK AROUND AND SEE WORLDWIDE BEAUTIFUL 1844 01:17:46,703 --> 01:17:54,878 ♪ I LOOK AROUND AND SEE WORLDWIDE BEAUTIFUL 1845 01:17:54,961 --> 01:18:02,260 ♪ THANK GOD, THANK GOD THANK GOD, THANK GOD, THANK GOD 1846 01:17:54,961 --> 01:18:02,260 ♪ THANK GOD, THANK GOD THANK GOD, THANK GOD, THANK GOD 1847 01:18:02,344 --> 01:18:09,142 ♪ OH, THANK GOD, THANK GOD THANK GOD, THANK GOD, THANK GOD 1848 01:18:02,344 --> 01:18:09,142 ♪ OH, THANK GOD, THANK GOD THANK GOD, THANK GOD, THANK GOD 1849 01:18:09,226 --> 01:18:13,814 ♪ COAST TO COAST, CITY TO CITY REACH OUT YOUR HANDS IF 1850 01:18:09,226 --> 01:18:13,814 ♪ COAST TO COAST, CITY TO CITY REACH OUT YOUR HANDS IF 1851 01:18:13,897 --> 01:18:17,734 ♪ YOU'RE WITH ME STILL GOT SOME WORK BUT 1852 01:18:17,818 --> 01:18:19,653 ♪ WE STILL GOT A DREAM EVERY SHADE, EVERY HEART 1853 01:18:17,818 --> 01:18:19,653 ♪ WE STILL GOT A DREAM EVERY SHADE, EVERY HEART 1854 01:18:19,736 --> 01:18:22,781 ♪ COME TOGETHER AND SING OH, THANK GOD, THANK GOD 1855 01:18:22,864 --> 01:18:31,790 THANK GOD, THANK GOD, THANK GOD ♪ YOU'RE MISSING EVERY COLOR 1856 01:18:22,864 --> 01:18:31,790 THANK GOD, THANK GOD, THANK GOD ♪ YOU'RE MISSING EVERY COLOR 1857 01:18:22,864 --> 01:18:31,790 THANK GOD, THANK GOD, THANK GOD ♪ YOU'RE MISSING EVERY COLOR 1858 01:18:31,873 --> 01:18:36,294 IF YOU'RE ONLY SEEING BLACK ♪ AND WHITE 1859 01:18:31,873 --> 01:18:36,294 IF YOU'RE ONLY SEEING BLACK ♪ AND WHITE 1860 01:18:36,378 --> 01:18:40,424 TELL ME HOW YOU'RE GONNA ♪ CHANGE YOUR MIND 1861 01:18:40,507 --> 01:18:44,803 IF YOUR HEART'S UNMOVABLE ♪ WE AIN'T THAT DIFFERENT 1862 01:18:40,507 --> 01:18:44,803 IF YOUR HEART'S UNMOVABLE ♪ WE AIN'T THAT DIFFERENT 1863 01:18:44,886 --> 01:18:48,807 FROM EACH OTHER ♪ FROM ONE TO ANOTHER 1864 01:18:44,886 --> 01:18:48,807 FROM EACH OTHER ♪ FROM ONE TO ANOTHER 1865 01:18:48,890 --> 01:18:56,815 I LOOK AROUND ♪ AND SEE WORLDWIDE BEAUTIFUL 1866 01:18:48,890 --> 01:18:56,815 I LOOK AROUND ♪ AND SEE WORLDWIDE BEAUTIFUL 1867 01:18:56,898 --> 01:19:04,448 ONE LOVE, ONE GOD, ONE FAMILY ♪ ONE FAMILY, Y'ALL, C'MON 1868 01:18:56,898 --> 01:19:04,448 ONE LOVE, ONE GOD, ONE FAMILY ♪ ONE FAMILY, Y'ALL, C'MON 1869 01:19:04,531 --> 01:19:16,501 ONE LOVE, ONE GOD, ONE FAMILY ♪ ONE LOVE, ONE GOD, ONE FAMILY 1870 01:19:04,531 --> 01:19:16,501 ONE LOVE, ONE GOD, ONE FAMILY ♪ ONE LOVE, ONE GOD, ONE FAMILY 1871 01:19:04,531 --> 01:19:16,501 ONE LOVE, ONE GOD, ONE FAMILY ♪ ONE LOVE, ONE GOD, ONE FAMILY 1872 01:19:16,585 --> 01:19:25,343 ONE LOVE, ONE GOD, ONE FAMILY YOU'RE MISSING EVERY COLOR 1873 01:19:16,585 --> 01:19:25,343 ONE LOVE, ONE GOD, ONE FAMILY YOU'RE MISSING EVERY COLOR 1874 01:19:16,585 --> 01:19:25,343 ONE LOVE, ONE GOD, ONE FAMILY YOU'RE MISSING EVERY COLOR 1875 01:19:25,427 --> 01:19:28,513 ♪ IF YOU'RE ONLY SEEING BLACK AND WHITE 1876 01:19:28,597 --> 01:19:32,851 ♪ TELL ME HOW YOU'RE GONNA CHANGE YOUR MIND 1877 01:19:28,597 --> 01:19:32,851 ♪ TELL ME HOW YOU'RE GONNA CHANGE YOUR MIND 1878 01:19:32,934 --> 01:19:36,855 ♪ IF YOUR HEART'S UNMOVABLE WE'RE NOT THAT DIFFERENT 1879 01:19:32,934 --> 01:19:36,855 ♪ IF YOUR HEART'S UNMOVABLE WE'RE NOT THAT DIFFERENT 1880 01:19:36,938 --> 01:19:40,525 ♪ WE AIN'T THAT DIFFERENT FROM EACH OTHER 1881 01:19:40,609 --> 01:19:44,863 ♪ FROM ONE TO ANOTHER I LOOK AROUND 1882 01:19:40,609 --> 01:19:44,863 ♪ FROM ONE TO ANOTHER I LOOK AROUND 1883 01:19:44,946 --> 01:19:52,496 ♪ AND SEE WORLDWIDE BEAUTIFUL LOOK AROUND AND SEE 1884 01:19:44,946 --> 01:19:52,496 ♪ AND SEE WORLDWIDE BEAUTIFUL LOOK AROUND AND SEE 1885 01:19:52,579 --> 01:19:58,502 ♪ WORLDWIDE BEAUTIFUL SO BEAUTIFUL 1886 01:19:52,579 --> 01:19:58,502 ♪ WORLDWIDE BEAUTIFUL SO BEAUTIFUL 1887 01:19:58,585 --> 01:20:04,508 ♪ WORLDWIDE BEAUTIFUL WORLDWIDE BEAUTIFUL 1888 01:19:58,585 --> 01:20:04,508 ♪ WORLDWIDE BEAUTIFUL WORLDWIDE BEAUTIFUL 1889 01:20:04,591 --> 01:20:10,555 ♪ WORLDWIDE BEAUTIFUL WORLDWIDE BEAUTIFUL 1890 01:20:04,591 --> 01:20:10,555 ♪ WORLDWIDE BEAUTIFUL WORLDWIDE BEAUTIFUL 1891 01:20:10,639 --> 01:20:14,684 LOOK AROUND AND SEE ♪ WORLDWIDE BEAUTIFUL ♪ 1892 01:20:10,639 --> 01:20:14,684 LOOK AROUND AND SEE ♪ WORLDWIDE BEAUTIFUL ♪ 1893 01:20:18,855 --> 01:20:22,025 >> Claudine: PLEASE WELCOME CAM, WITH OUR NEXT AWARD OF THE 1894 01:20:22,108 --> 01:20:30,033 NIGHT. 1895 01:20:22,108 --> 01:20:30,033 NIGHT. 1896 01:20:22,108 --> 01:20:30,033 NIGHT. 1897 01:20:30,116 --> 01:20:34,037 >> AS THESE NEXT NOMINEES REMIND US, THE SWEET THINGS IN LIFE 1898 01:20:34,120 --> 01:20:35,956 AREN'T ALWAYS THE ONES THAT MAKE US BETTER PEOPLE. 1899 01:20:36,039 --> 01:20:41,586 IT'S OFTEN THE BURDENS WE'RE GIVEN, THE LONGING AND 1900 01:20:41,670 --> 01:20:46,007 HEARTACHE, THE CHATTER AND, ULTIMATELY, OUR FAITH THAT MAKE 1901 01:20:41,670 --> 01:20:46,007 HEARTACHE, THE CHATTER AND, ULTIMATELY, OUR FAITH THAT MAKE 1902 01:20:46,091 --> 01:20:49,094 US STRONGER. 1903 01:20:46,091 --> 01:20:49,094 US STRONGER. 1904 01:20:49,177 --> 01:20:51,638 >> Claudine: FOR SINGLE OF THE YEAR, THE NOMINEES ARE...“ 1905 01:20:51,721 --> 01:20:53,014 GOD'S COUNTRY” BY BLAKE SHELTON.“ 1906 01:20:53,098 --> 01:20:58,270 ONE MAN BAND” BY OLD DOMINION.“ RAINBOW” BY KACEY MUSGRAVES.“ 1907 01:20:53,098 --> 01:20:58,270 ONE MAN BAND” BY OLD DOMINION.“ RAINBOW” BY KACEY MUSGRAVES.“ 1908 01:20:58,353 --> 01:21:01,982 RUMOR” BY LEE BRICE.“ WHAT IF I NEVER GET OVER YOU” 1909 01:20:58,353 --> 01:21:01,982 RUMOR” BY LEE BRICE.“ WHAT IF I NEVER GET OVER YOU” 1910 01:21:02,065 --> 01:21:05,944 BY LADY A. 1911 01:21:06,027 --> 01:21:12,033 >> AND THE A.C.M. SINGLE OF THE YEAR GOES TO...“ 1912 01:21:06,027 --> 01:21:12,033 >> AND THE A.C.M. SINGLE OF THE YEAR GOES TO...“ 1913 01:21:12,117 --> 01:21:16,746 GOD'S COUNTRY.” BLAKE SHELTON. 1914 01:21:16,830 --> 01:21:22,085 ♪ ♪ ♪ ♪ ♪ ♪ 1915 01:21:16,830 --> 01:21:22,085 ♪ ♪ ♪ ♪ ♪ ♪ 1916 01:21:22,168 --> 01:21:25,297 >> AS YOU KNOW BLAKE SHELTON IS IN LOS ANGELES TONIGHT SO LET'S 1917 01:21:22,168 --> 01:21:25,297 >> AS YOU KNOW BLAKE SHELTON IS IN LOS ANGELES TONIGHT SO LET'S 1918 01:21:25,380 --> 01:21:26,631 GO THERE NOW. 1919 01:21:26,715 --> 01:21:29,426 >> HOLY COW, SINGLE OF THE YEAR! 1920 01:21:29,509 --> 01:21:35,098 THIS IS A COMPLETE SHOCK AND AN ABSOLUTE HONOR. 1921 01:21:29,509 --> 01:21:35,098 THIS IS A COMPLETE SHOCK AND AN ABSOLUTE HONOR. 1922 01:21:35,181 --> 01:21:38,101 I WANT TO TAKE A SECOND TO THANK SCOTS HENDRICKS FOR PRODUCING 1923 01:21:35,181 --> 01:21:38,101 I WANT TO TAKE A SECOND TO THANK SCOTS HENDRICKS FOR PRODUCING 1924 01:21:38,184 --> 01:21:41,646 THIS RECORD AND BRINGING THIS SONG TO MY ATTENTION. 1925 01:21:41,730 --> 01:21:45,025 THANK YOU TO WARNER BROTHERS RECORDS FOR ALL THE HARD WORK 1926 01:21:41,730 --> 01:21:45,025 THANK YOU TO WARNER BROTHERS RECORDS FOR ALL THE HARD WORK 1927 01:21:45,108 --> 01:21:47,611 YOU DO, THE PROMOTION STAFF, EVERYBODY INVOLVED. 1928 01:21:47,694 --> 01:21:53,325 THANKS FOR CONTINUING TO SHOW PROP ME UP AFTER 20 YEARS OF 1929 01:21:47,694 --> 01:21:53,325 THANKS FOR CONTINUING TO SHOW PROP ME UP AFTER 20 YEARS OF 1930 01:21:53,408 --> 01:21:54,618 DOING THIS. 1931 01:21:53,408 --> 01:21:54,618 DOING THIS. 1932 01:21:54,701 --> 01:21:58,496 AND OBVIOUSLY COUNTRY RADIO FOR PLAYING THE CRAP OUT OF NOT ONLY 1933 01:21:58,580 --> 01:22:02,667 THIS SONG BUT YOU'VE BEEN SO GOOD TO ME WITH ALL MY SINGLES 1934 01:21:58,580 --> 01:22:02,667 THIS SONG BUT YOU'VE BEEN SO GOOD TO ME WITH ALL MY SINGLES 1935 01:22:02,751 --> 01:22:05,128 AND THANK YOU FOR THAT. 1936 01:22:05,211 --> 01:22:10,133 THANK YOU TO MY MANAGEMENT AND THANK YOU TO THE FANS AND THANK 1937 01:22:05,211 --> 01:22:10,133 THANK YOU TO MY MANAGEMENT AND THANK YOU TO THE FANS AND THANK 1938 01:22:10,216 --> 01:22:14,012 YOU GWEN STEFANI FOR CONTINUING TO ENCOURAGE ME TO KEEP DOING 1939 01:22:10,216 --> 01:22:14,012 YOU GWEN STEFANI FOR CONTINUING TO ENCOURAGE ME TO KEEP DOING 1940 01:22:14,095 --> 01:22:18,975 THIS AND KEEP TRYING AND BEING MY INSPIRATION. 1941 01:22:14,095 --> 01:22:18,975 THIS AND KEEP TRYING AND BEING MY INSPIRATION. 1942 01:22:19,059 --> 01:22:25,315 AND THANK YOU GOD, THANK YOU EVERYBODY, SINGLE OF THE YEAR! 1943 01:22:19,059 --> 01:22:25,315 AND THANK YOU GOD, THANK YOU EVERYBODY, SINGLE OF THE YEAR! 1944 01:22:25,398 --> 01:22:26,358 YES! 1945 01:22:26,441 --> 01:22:28,652 >> NOW AT THE RYMAN >> Claudine: NOW, AT THE RYMAN 1946 01:22:28,735 --> 01:22:43,541 AUDITORIUM, FEMALE ARTIST OF THE YEAR NOMINEE MAREN MORRIS. 1947 01:22:28,735 --> 01:22:43,541 AUDITORIUM, FEMALE ARTIST OF THE YEAR NOMINEE MAREN MORRIS. 1948 01:22:28,735 --> 01:22:43,541 AUDITORIUM, FEMALE ARTIST OF THE YEAR NOMINEE MAREN MORRIS. 1949 01:22:28,735 --> 01:22:43,541 AUDITORIUM, FEMALE ARTIST OF THE YEAR NOMINEE MAREN MORRIS. 1950 01:22:43,625 --> 01:22:44,876 AUDITORIUM, FEMALE ARTIST OF THE YEAR NOMINEE MAREN MORRIS. 1951 01:22:44,960 --> 01:22:50,173 ♪ SMOKE WAS COMIN' OFF MY JACKET AND YOU DIDN'T SEEM TO MIND 1952 01:22:44,960 --> 01:22:50,173 ♪ SMOKE WAS COMIN' OFF MY JACKET AND YOU DIDN'T SEEM TO MIND 1953 01:22:50,256 --> 01:22:53,718 ♪ I LEFT A LONG TRAIL OF ASHES AND YOU SAID, "I LIKE YOUR 1954 01:22:53,802 --> 01:22:57,722 STYLE" ♪ NOW, HEARTBREAK AIN'T A 1955 01:22:53,802 --> 01:22:57,722 STYLE" ♪ NOW, HEARTBREAK AIN'T A 1956 01:22:57,806 --> 01:23:02,102 COMPETITION, BUT I TOOK IT IN A ♪ LANDSLIDE 1957 01:22:57,806 --> 01:23:02,102 COMPETITION, BUT I TOOK IT IN A ♪ LANDSLIDE 1958 01:23:02,185 --> 01:23:06,231 THE SKELETONS I WANTED TO BURY, ♪ YOU LIKED OUT IN THE LIGHT 1959 01:23:02,185 --> 01:23:06,231 THE SKELETONS I WANTED TO BURY, ♪ YOU LIKED OUT IN THE LIGHT 1960 01:23:06,314 --> 01:23:11,820 YOU DIDN'T SAVE ME ♪ YOU DIDN'T THINK I NEEDED 1961 01:23:11,903 --> 01:23:16,366 SAVING ♪ YOU DIDN'T CHANGE ME 1962 01:23:11,903 --> 01:23:16,366 SAVING ♪ YOU DIDN'T CHANGE ME 1963 01:23:16,449 --> 01:23:22,205 YOU DIDN'T THINK I NEEDED ♪ CHANGING 1964 01:23:16,449 --> 01:23:22,205 YOU DIDN'T THINK I NEEDED ♪ CHANGING 1965 01:23:22,288 --> 01:23:26,209 MY WINGS ARE FRAYED AND WHAT'S ♪ LEFT OF MY HALO'S BLACK 1966 01:23:22,288 --> 01:23:26,209 MY WINGS ARE FRAYED AND WHAT'S ♪ LEFT OF MY HALO'S BLACK 1967 01:23:26,292 --> 01:23:34,217 LUCKY FOR ME, YOUR KIND OF ♪ HEAVEN'S BEEN TO HELL AND BACK 1968 01:23:26,292 --> 01:23:34,217 LUCKY FOR ME, YOUR KIND OF ♪ HEAVEN'S BEEN TO HELL AND BACK 1969 01:23:34,300 --> 01:23:38,221 TO HELL AND BACK ♪ ♪ ♪ 1970 01:23:34,300 --> 01:23:38,221 TO HELL AND BACK ♪ ♪ ♪ 1971 01:23:38,304 --> 01:23:42,392 ♪ ♪ ♪ ♪ I WONDER HOW YOU TREASURE WHAT 1972 01:23:38,304 --> 01:23:42,392 ♪ ♪ ♪ ♪ I WONDER HOW YOU TREASURE WHAT 1973 01:23:42,475 --> 01:23:47,772 ANYONE WOULD CALL A FLAW ♪ YOU SAY A PEARL WITHOUT THE 1974 01:23:47,856 --> 01:23:53,778 PRESSURE WOULDN'T BE A PEARL AT ♪ ALL 1975 01:23:47,856 --> 01:23:53,778 PRESSURE WOULDN'T BE A PEARL AT ♪ ALL 1976 01:23:53,862 --> 01:23:59,784 WHEN MY DEMONS COME A-CALLIN', ♪ YOU DON'T EVEN BAT AN EYE 1977 01:23:53,862 --> 01:23:59,784 WHEN MY DEMONS COME A-CALLIN', ♪ YOU DON'T EVEN BAT AN EYE 1978 01:23:59,868 --> 01:24:02,162 I DON'T SCARE YOU, AND I GUESS ♪ THAT'S WHY 1979 01:23:59,868 --> 01:24:02,162 I DON'T SCARE YOU, AND I GUESS ♪ THAT'S WHY 1980 01:24:02,245 --> 01:24:05,790 YOU DIDN'T SAVE ME ♪ YOU DIDN'T THINK I NEEDED 1981 01:24:05,874 --> 01:24:10,754 SAVING ♪ YOU DIDN'T CHANGE ME 1982 01:24:05,874 --> 01:24:10,754 SAVING ♪ YOU DIDN'T CHANGE ME 1983 01:24:10,837 --> 01:24:16,968 YOU DIDN'T THINK I NEEDED ♪ CHANGING 1984 01:24:10,837 --> 01:24:16,968 YOU DIDN'T THINK I NEEDED ♪ CHANGING 1985 01:24:17,051 --> 01:24:20,138 MY WINGS ARE FRAYED AND WHAT'S ♪ LEFT OF MY HALO'S BLACK 1986 01:24:17,051 --> 01:24:20,138 MY WINGS ARE FRAYED AND WHAT'S ♪ LEFT OF MY HALO'S BLACK 1987 01:24:20,221 --> 01:24:29,814 LUCKY FOR ME, YOUR KIND OF ♪ HEAVEN'S BEEN TO HELL AND BACK 1988 01:24:20,221 --> 01:24:29,814 LUCKY FOR ME, YOUR KIND OF ♪ HEAVEN'S BEEN TO HELL AND BACK 1989 01:24:29,898 --> 01:24:34,152 TO HELL AND BACK ♪ ♪ ♪ 1990 01:24:29,898 --> 01:24:34,152 TO HELL AND BACK ♪ ♪ ♪ 1991 01:24:34,235 --> 01:24:46,331 ♪ ♪ ♪ ♪ SMOKE WAS COMING OFF MY JACKET 1992 01:24:34,235 --> 01:24:46,331 ♪ ♪ ♪ ♪ SMOKE WAS COMING OFF MY JACKET 1993 01:24:34,235 --> 01:24:46,331 ♪ ♪ ♪ ♪ SMOKE WAS COMING OFF MY JACKET 1994 01:24:46,414 --> 01:24:50,168 ♪ ♪ ♪ ♪ AND I LEFT A LONG TRAIL OF 1995 01:24:46,414 --> 01:24:50,168 ♪ ♪ ♪ ♪ AND I LEFT A LONG TRAIL OF 1996 01:24:50,251 --> 01:24:57,050 ASHES ♪ YOU DIDN'T SAVE ME 1997 01:24:50,251 --> 01:24:57,050 ASHES ♪ YOU DIDN'T SAVE ME 1998 01:24:57,133 --> 01:25:01,054 YOU DIDN'T THINK I NEEDED SAVING ♪ YOU DIDN'T CHANGE ME 1999 01:24:57,133 --> 01:25:01,054 YOU DIDN'T THINK I NEEDED SAVING ♪ YOU DIDN'T CHANGE ME 2000 01:25:01,137 --> 01:25:05,809 YOU DIDN'T THINK I NEEDED ♪ CHANGING 2001 01:25:05,892 --> 01:25:13,316 MY WINGS ARE FRAYED AND WHAT'S ♪ LEFT OF MY HALO'S BLACK 2002 01:25:05,892 --> 01:25:13,316 MY WINGS ARE FRAYED AND WHAT'S ♪ LEFT OF MY HALO'S BLACK 2003 01:25:05,892 --> 01:25:13,316 MY WINGS ARE FRAYED AND WHAT'S ♪ LEFT OF MY HALO'S BLACK 2004 01:25:13,399 --> 01:25:21,366 LUCKY FOR ME, YOUR KIND OF ♪ HEAVEN'S BEEN TO HELL AND BACK 2005 01:25:13,399 --> 01:25:21,366 LUCKY FOR ME, YOUR KIND OF ♪ HEAVEN'S BEEN TO HELL AND BACK 2006 01:25:21,449 --> 01:25:26,246 LUCKY FOR ME, YOUR KIND OF ♪ HEAVEN'S BEEN TO HELL AND BACK 2007 01:25:21,449 --> 01:25:26,246 LUCKY FOR ME, YOUR KIND OF ♪ HEAVEN'S BEEN TO HELL AND BACK 2008 01:25:26,329 --> 01:25:41,219 TO HELL AND BACK ♪ TO HELL AND BACK ♪ 2009 01:25:26,329 --> 01:25:41,219 TO HELL AND BACK ♪ TO HELL AND BACK ♪ 2010 01:25:26,329 --> 01:25:41,219 TO HELL AND BACK ♪ TO HELL AND BACK ♪ 2011 01:25:41,302 --> 01:25:44,222 TO HELL AND BACK ♪ TO HELL AND BACK ♪ 2012 01:25:41,302 --> 01:25:44,222 TO HELL AND BACK ♪ TO HELL AND BACK ♪ 2013 01:25:44,305 --> 01:25:47,892 >> Claudine: COUNTRY RADIO HAS MORE THAN 76 MILLION LISTENERS, 2014 01:25:47,976 --> 01:25:53,857 AND THE ACADEMY CONGRATULATES STEVE AND JESSICA, WFLS 2015 01:25:47,976 --> 01:25:53,857 AND THE ACADEMY CONGRATULATES STEVE AND JESSICA, WFLS 2016 01:25:53,940 --> 01:25:54,232 FREDERICKSBURG, VIRGINIA AS ONE OF THIS YEAR'S A.C.M. COUNTRY 2017 01:25:53,940 --> 01:25:54,232 FREDERICKSBURG, VIRGINIA AS ONE OF THIS YEAR'S A.C.M. COUNTRY 2018 01:25:54,315 --> 01:25:58,278 RADIO WINNERS. 2019 01:25:58,361 --> 01:26:00,530 >> Claudine: NEXT UP, TAYLOR SWIFT PERFORMS “BETTY” FROM 2020 01:25:58,361 --> 01:26:00,530 >> Claudine: NEXT UP, TAYLOR SWIFT PERFORMS “BETTY” FROM 2021 01:26:00,613 --> 01:26:02,866 HER RECORD-BREAKING ALBUM“ FOLKLORE.” 2022 01:26:02,949 --> 01:26:05,118 AND, A POWERFUL PERFORMANCE FROM ENTERTAINER OF THE YEAR NOMINEE, 2023 01:26:05,201 --> 01:26:07,245 ERIC CHURCH. 2024 01:26:05,201 --> 01:26:07,245 ERIC CHURCH. 2025 01:26:07,328 --> 01:26:11,249 LATER, THANKS TO FORD, WE'LL RETURN TO THE LEGENDARY BLUEBIRD 2026 01:26:11,332 --> 01:26:15,920 CAFÉ FOR AN INCREDIBLE PERFORMANCE BY TIM MCGRAW. 2027 01:26:11,332 --> 01:26:15,920 CAFÉ FOR AN INCREDIBLE PERFORMANCE BY TIM MCGRAW. 2028 01:26:16,004 --> 01:26:21,092 AND TRISHA YEARWOOD PERFORMS A SPECIAL TRIBUTE TO THE COUNTRY 2029 01:26:16,004 --> 01:26:21,092 AND TRISHA YEARWOOD PERFORMS A SPECIAL TRIBUTE TO THE COUNTRY 2030 01:26:21,175 --> 01:26:23,469 MUSIC STARS WE LOST THIS YEAR. 2031 01:26:23,553 --> 01:26:24,095 THE 55th A.C.M. AWARDS. 2032 01:26:23,553 --> 01:26:24,095 THE 55th A.C.M. AWARDS. 2033 01:26:24,178 --> 01:26:27,932 THIS IS CBS. 2034 01:26:36,983 --> 01:26:39,110 >> Claudine: THE 55th ACADEMY OF COUNTRY MUSIC AWARDS. 2035 01:26:39,193 --> 01:26:50,455 SPONSORED BY JARDIANCE. 2036 01:26:39,193 --> 01:26:50,455 SPONSORED BY JARDIANCE. 2037 01:26:39,193 --> 01:26:50,455 SPONSORED BY JARDIANCE. 2038 01:26:50,538 --> 01:26:54,083 >> Claudine: NEXT, DARIUS PRESENTS ALBUM OF THE YEAR. 2039 01:26:50,538 --> 01:26:54,083 >> Claudine: NEXT, DARIUS PRESENTS ALBUM OF THE YEAR. 2040 01:26:54,167 --> 01:26:54,751 THIS IS CBS. 2041 01:26:59,339 --> 01:27:02,300 >> Claudine: THE A.C.M. AWARDS ARE BACK, FROM NASHVILLE. 2042 01:26:59,339 --> 01:27:02,300 >> Claudine: THE A.C.M. AWARDS ARE BACK, FROM NASHVILLE. 2043 01:27:02,383 --> 01:27:06,471 HERE TO PERFORM “BETTY” FROM HER RECORD-BREAKING NEW ALBUM 2044 01:27:02,383 --> 01:27:06,471 HERE TO PERFORM “BETTY” FROM HER RECORD-BREAKING NEW ALBUM 2045 01:27:06,554 --> 01:27:07,305 "FOLKLORE," TWO-TIME A.C.M. 2046 01:27:07,388 --> 01:27:14,270 ENTERTAINER OF THE YEAR, TAYLOR SWIFT! 2047 01:27:07,388 --> 01:27:14,270 ENTERTAINER OF THE YEAR, TAYLOR SWIFT! 2048 01:27:14,354 --> 01:27:24,656 ♪ ♪ ♪ ♪ ♪ ♪ 2049 01:27:14,354 --> 01:27:24,656 ♪ ♪ ♪ ♪ ♪ ♪ 2050 01:27:14,354 --> 01:27:24,656 ♪ ♪ ♪ ♪ ♪ ♪ 2051 01:27:24,739 --> 01:27:26,199 ♪ BETTY, I WON'T MAKE ASSUMPTIONS 2052 01:27:26,282 --> 01:27:29,202 ♪ ABOUT WHY YOU SWITCHED YOUR HOMEROOM 2053 01:27:29,285 --> 01:27:34,248 ♪ BUT I THINK IT'S 'CAUSE OF ME 2054 01:27:29,285 --> 01:27:34,248 ♪ BUT I THINK IT'S 'CAUSE OF ME 2055 01:27:34,332 --> 01:27:38,211 ♪ BETTY, ONE TIME I WAS RIDIN' ON A SKATEBOARD 2056 01:27:34,332 --> 01:27:38,211 ♪ BETTY, ONE TIME I WAS RIDIN' ON A SKATEBOARD 2057 01:27:38,294 --> 01:27:45,843 ♪ WHEN I PASSED YOUR HOUSE IT'S LIKE I COULDN'T BREATHE 2058 01:27:38,294 --> 01:27:45,843 ♪ WHEN I PASSED YOUR HOUSE IT'S LIKE I COULDN'T BREATHE 2059 01:27:45,927 --> 01:27:47,345 ♪ YOU HEARD THE RUMORS FROM INEZ 2060 01:27:47,428 --> 01:27:51,182 ♪ YOU CAN'T BELIEVE A WORD SHE SAYS 2061 01:27:47,428 --> 01:27:51,182 ♪ YOU CAN'T BELIEVE A WORD SHE SAYS 2062 01:27:51,265 --> 01:27:55,186 ♪ MOST TIMES, BUT THIS TIME IT WAS TRUE 2063 01:27:51,265 --> 01:27:55,186 ♪ MOST TIMES, BUT THIS TIME IT WAS TRUE 2064 01:27:55,269 --> 01:28:00,650 ♪ THE WORST THING THAT I EVER DID 2065 01:27:55,269 --> 01:28:00,650 ♪ THE WORST THING THAT I EVER DID 2066 01:28:00,733 --> 01:28:08,992 ♪ WAS WHAT I DID TO YOU BUT IF I JUST SHOWED UP 2067 01:28:00,733 --> 01:28:08,992 ♪ WAS WHAT I DID TO YOU BUT IF I JUST SHOWED UP 2068 01:28:09,075 --> 01:28:12,704 ♪ AT YOUR PARTY WOULD YOU HAVE ME 2069 01:28:09,075 --> 01:28:12,704 ♪ AT YOUR PARTY WOULD YOU HAVE ME 2070 01:28:12,787 --> 01:28:17,709 ♪ WOULD YOU WANT ME WOULD YOU TELL ME TO 2071 01:28:17,792 --> 01:28:18,501 ♪ GO-- MYSELF OR LEAD ME TO THE GARDEN 2072 01:28:17,792 --> 01:28:18,501 ♪ GO-- MYSELF OR LEAD ME TO THE GARDEN 2073 01:28:18,584 --> 01:28:21,254 ♪ IN THE GARDEN WOULD YOU TRUST ME 2074 01:28:21,337 --> 01:28:27,051 ♪ IF I TOLD YOU IT WAS JUST A SUMMER THING 2075 01:28:21,337 --> 01:28:27,051 ♪ IF I TOLD YOU IT WAS JUST A SUMMER THING 2076 01:28:27,135 --> 01:28:30,722 ♪ I'M ONLY 17 I DON'T KNOW ANYTHING 2077 01:28:27,135 --> 01:28:30,722 ♪ I'M ONLY 17 I DON'T KNOW ANYTHING 2078 01:28:30,805 --> 01:28:34,267 ♪ BUT I KNOW I MISS YOU ♪ ♪ ♪ 2079 01:28:34,350 --> 01:28:42,400 ♪ ♪ ♪ ♪ BETTY, I KNOW WHERE IT 2080 01:28:34,350 --> 01:28:42,400 ♪ ♪ ♪ ♪ BETTY, I KNOW WHERE IT 2081 01:28:34,350 --> 01:28:42,400 ♪ ♪ ♪ ♪ BETTY, I KNOW WHERE IT 2082 01:28:42,483 --> 01:28:46,738 ALL WENT WRONG ♪ YOUR FAVORITE SONG 2083 01:28:46,821 --> 01:28:54,245 WAS PLAYIN' FROM THE ♪ FAR SIDE OF THE GYM 2084 01:28:46,821 --> 01:28:54,245 WAS PLAYIN' FROM THE ♪ FAR SIDE OF THE GYM 2085 01:28:46,821 --> 01:28:54,245 WAS PLAYIN' FROM THE ♪ FAR SIDE OF THE GYM 2086 01:28:54,328 --> 01:28:57,749 I WAS NOWHERE TO BE FOUND ♪ I HATE THE CROWDS 2087 01:28:57,832 --> 01:29:03,254 YOU KNOW THAT PLUS ♪ I SAW YOU DANCE WITH HIM 2088 01:28:57,832 --> 01:29:03,254 YOU KNOW THAT PLUS ♪ I SAW YOU DANCE WITH HIM 2089 01:29:03,337 --> 01:29:05,548 YOU HEARD THE RUMORS ♪ FROM INEZ 2090 01:29:05,631 --> 01:29:10,928 YOU CAN'T BELIEVE ♪ A WORD SHE SAYS 2091 01:29:05,631 --> 01:29:10,928 YOU CAN'T BELIEVE ♪ A WORD SHE SAYS 2092 01:29:11,012 --> 01:29:15,266 MOST TIMES, BUT THIS TIME ♪ IT WAS TRUE 2093 01:29:11,012 --> 01:29:15,266 MOST TIMES, BUT THIS TIME ♪ IT WAS TRUE 2094 01:29:15,349 --> 01:29:18,728 THE WORST THING THAT ♪ I EVER DID 2095 01:29:15,349 --> 01:29:18,728 THE WORST THING THAT ♪ I EVER DID 2096 01:29:18,811 --> 01:29:27,278 WAS WHAT I DID TO YOU ♪ BUT IF I JUST SHOWED UP 2097 01:29:18,811 --> 01:29:27,278 WAS WHAT I DID TO YOU ♪ BUT IF I JUST SHOWED UP 2098 01:29:27,361 --> 01:29:30,698 AT YOUR PARTY ♪ WOULD YOU HAVE ME 2099 01:29:27,361 --> 01:29:30,698 AT YOUR PARTY ♪ WOULD YOU HAVE ME 2100 01:29:30,782 --> 01:29:35,286 WOULD YOU WANT ME ♪ WOULD YOU TELL ME TO 2101 01:29:35,369 --> 01:29:38,790 ♪ OR LEAD METO THE GARDEN IN THE GARDEN 2102 01:29:35,369 --> 01:29:38,790 ♪ OR LEAD METO THE GARDEN IN THE GARDEN 2103 01:29:38,873 --> 01:29:42,460 ♪ WOULD YOU TRUST ME IF I TOLD YOU IT WAS 2104 01:29:38,873 --> 01:29:42,460 ♪ WOULD YOU TRUST ME IF I TOLD YOU IT WAS 2105 01:29:42,543 --> 01:29:46,631 ♪ JUST A SUMMER THING I'M ONLY 17 2106 01:29:46,714 --> 01:29:48,674 ♪ I DON'T KNOW ANYTHING BUT I KNOW I MISS YOU 2107 01:29:46,714 --> 01:29:48,674 ♪ I DON'T KNOW ANYTHING BUT I KNOW I MISS YOU 2108 01:29:48,758 --> 01:29:54,639 ♪ ♪ ♪ ♪ ♪ ♪ 2109 01:29:48,758 --> 01:29:54,639 ♪ ♪ ♪ ♪ ♪ ♪ 2110 01:29:54,722 --> 01:30:02,522 ♪ ♪ ♪ ♪ I WAS WALKIN' HOME ON 2111 01:29:54,722 --> 01:30:02,522 ♪ ♪ ♪ ♪ I WAS WALKIN' HOME ON 2112 01:30:02,605 --> 01:30:05,525 BROKEN COBBLESTONES ♪ JUST THINKIN' OF YOU 2113 01:30:05,608 --> 01:30:07,318 WHEN SHE PULLED UP ♪ LIKE A FIGMENT OF MY 2114 01:30:05,608 --> 01:30:07,318 WHEN SHE PULLED UP ♪ LIKE A FIGMENT OF MY 2115 01:30:07,402 --> 01:30:12,782 WORST INTENTIONS ♪ SHE SAID, JAMES, GET IN 2116 01:30:07,402 --> 01:30:12,782 WORST INTENTIONS ♪ SHE SAID, JAMES, GET IN 2117 01:30:12,865 --> 01:30:14,617 LET'S DRIVE, THOSE DAYS ♪ TURNED INTO NIGHTS 2118 01:30:14,700 --> 01:30:18,788 SLEPT NEXT TO HER ♪ BUT I DREAMT OF YOU 2119 01:30:14,700 --> 01:30:18,788 SLEPT NEXT TO HER ♪ BUT I DREAMT OF YOU 2120 01:30:18,871 --> 01:30:23,334 ALL SUMMER LONG ♪ ♪ ♪ 2121 01:30:23,417 --> 01:30:35,346 ♪ ♪ ♪ ♪ ♪ ♪ 2122 01:30:23,417 --> 01:30:35,346 ♪ ♪ ♪ ♪ ♪ ♪ 2123 01:30:23,417 --> 01:30:35,346 ♪ ♪ ♪ ♪ ♪ ♪ 2124 01:30:35,429 --> 01:30:39,642 ♪ ♪ ♪ ♪ ♪ ♪ 2125 01:30:35,429 --> 01:30:39,642 ♪ ♪ ♪ ♪ ♪ ♪ 2126 01:30:39,725 --> 01:30:42,728 ♪ BETTY, I'M HERE ON YOUR DOORSTEP 2127 01:30:39,725 --> 01:30:42,728 ♪ BETTY, I'M HERE ON YOUR DOORSTEP 2128 01:30:42,812 --> 01:30:47,358 ♪ AND I PLANNED IT OUT FOR WEEKS NOW BUT 2129 01:30:47,442 --> 01:30:53,030 ♪ IT'S FINALLY SINKIN' IN BETTY, RIGHT NOW IS 2130 01:30:47,442 --> 01:30:53,030 ♪ IT'S FINALLY SINKIN' IN BETTY, RIGHT NOW IS 2131 01:30:53,114 --> 01:30:55,366 ♪ THE LAST TIME I CAN DREAM ABOUT WHAT 2132 01:30:53,114 --> 01:30:55,366 ♪ THE LAST TIME I CAN DREAM ABOUT WHAT 2133 01:30:55,449 --> 01:31:00,788 ♪ HAPPENS WHEN YOU SEE MY FACE AGAIN 2134 01:30:55,449 --> 01:31:00,788 ♪ HAPPENS WHEN YOU SEE MY FACE AGAIN 2135 01:31:00,872 --> 01:31:15,386 ♪ THE ONLY THING I WANNA DO IS MAKE IT UP TO YOU 2136 01:31:00,872 --> 01:31:15,386 ♪ THE ONLY THING I WANNA DO IS MAKE IT UP TO YOU 2137 01:31:00,872 --> 01:31:15,386 ♪ THE ONLY THING I WANNA DO IS MAKE IT UP TO YOU 2138 01:31:15,469 --> 01:31:23,394 ♪ SO I SHOWED UP AT YOUR PARTY ♪ ♪ ♪ 2139 01:31:15,469 --> 01:31:23,394 ♪ SO I SHOWED UP AT YOUR PARTY ♪ ♪ ♪ 2140 01:31:23,478 --> 01:31:27,398 ♪ ♪ ♪ ♪ YEAH, I SHOWED UP 2141 01:31:23,478 --> 01:31:27,398 ♪ ♪ ♪ ♪ YEAH, I SHOWED UP 2142 01:31:27,481 --> 01:31:36,782 AT YOUR PARTY ♪ YEAH, I SHOWED UP 2143 01:31:27,481 --> 01:31:36,782 AT YOUR PARTY ♪ YEAH, I SHOWED UP 2144 01:31:27,481 --> 01:31:36,782 AT YOUR PARTY ♪ YEAH, I SHOWED UP 2145 01:31:36,866 --> 01:31:39,410 AT YOUR PARTY ♪ WILL YOU HAVE ME 2146 01:31:39,493 --> 01:31:42,788 WILL YOU LOVE ME ♪ WILL YOU KISS ME 2147 01:31:39,493 --> 01:31:42,788 WILL YOU LOVE ME ♪ WILL YOU KISS ME 2148 01:31:42,872 --> 01:31:46,083 ON THE PORCH ♪ IN FRONT OF ALL 2149 01:31:46,167 --> 01:31:48,794 YOUR STUPID FRIENDS ♪ IF YOU KISS ME 2150 01:31:46,167 --> 01:31:48,794 YOUR STUPID FRIENDS ♪ IF YOU KISS ME 2151 01:31:48,878 --> 01:31:51,422 WILL IT BE JUST ♪ LIKE I DREAMED IT 2152 01:31:51,505 --> 01:31:53,591 WILL IT PATCH YOUR ♪ BROKEN WINGS 2153 01:31:53,674 --> 01:31:56,928 I'M ONLY 17 ♪ I DON'T KNOW ANYTHING 2154 01:31:53,674 --> 01:31:56,928 I'M ONLY 17 ♪ I DON'T KNOW ANYTHING 2155 01:31:57,011 --> 01:32:00,806 BUT I KNOW I MISS YOU ♪ STANDIN' IN YOUR CARDIGAN 2156 01:31:57,011 --> 01:32:00,806 BUT I KNOW I MISS YOU ♪ STANDIN' IN YOUR CARDIGAN 2157 01:32:00,890 --> 01:32:06,771 KISSIN' IN MY CAR AGAIN ♪ STOPPED AT A STREETLIGHT 2158 01:32:00,890 --> 01:32:06,771 KISSIN' IN MY CAR AGAIN ♪ STOPPED AT A STREETLIGHT 2159 01:32:06,854 --> 01:32:13,861 YOU KNOW I MISS YOU ♪ KISSIN' IN MY CAR AGAIN 2160 01:32:06,854 --> 01:32:13,861 YOU KNOW I MISS YOU ♪ KISSIN' IN MY CAR AGAIN 2161 01:32:13,945 --> 01:32:27,833 ♪ STOPPED AT A STREETLIGHT YOU KNOW I MISS YOU ♪ 2162 01:32:13,945 --> 01:32:27,833 ♪ STOPPED AT A STREETLIGHT YOU KNOW I MISS YOU ♪ 2163 01:32:13,945 --> 01:32:27,833 ♪ STOPPED AT A STREETLIGHT YOU KNOW I MISS YOU ♪ 2164 01:32:27,917 --> 01:32:28,960 >> Claudine: HERE'S A.C.M. 2165 01:32:29,043 --> 01:32:33,673 WINNER DARIUS RUCKER WITH OUR NEXT AWARD. 2166 01:32:29,043 --> 01:32:33,673 WINNER DARIUS RUCKER WITH OUR NEXT AWARD. 2167 01:32:33,756 --> 01:32:37,927 >> I'M HONORED TO BE A BOARD MEMBER OF THE NATIONAL MUSEUM OF 2168 01:32:33,756 --> 01:32:37,927 >> I'M HONORED TO BE A BOARD MEMBER OF THE NATIONAL MUSEUM OF 2169 01:32:38,010 --> 01:32:41,180 AFRICAN AMERICAN MUSIC, LOCATED RIGHT HERE IN NASHVILLE. 2170 01:32:41,264 --> 01:32:42,807 IT'S THE ONLY MUSEUM DEDICATED TO PRESERVING AND CELEBRATING 2171 01:32:41,264 --> 01:32:42,807 IT'S THE ONLY MUSEUM DEDICATED TO PRESERVING AND CELEBRATING 2172 01:32:42,890 --> 01:32:45,518 THE MANY MUSIC GENRES CREATED, INFLUENCED AND INSPIRED BY 2173 01:32:45,601 --> 01:32:48,104 AFRICAN AMERICANS. 2174 01:32:45,601 --> 01:32:48,104 AFRICAN AMERICANS. 2175 01:32:48,187 --> 01:32:49,647 I'M SO PROUD OF THE ACADEMY'S SUPPORT AND COMMITMENT TO A MORE 2176 01:32:49,730 --> 01:32:53,150 INCLUSIVE ENVIRONMENT FOR UNDERREPRESENTED GROUPS IN OUR 2177 01:32:53,234 --> 01:32:54,360 COMMUNITY. 2178 01:32:53,234 --> 01:32:54,360 COMMUNITY. 2179 01:32:54,443 --> 01:32:57,488 COUNTRY MUSIC DRAWS ON MANY INFLUENCES FROM THE SOUNDS THOSE 2180 01:32:57,571 --> 01:33:00,116 GROUPS HAVE DEVELOPED OVER THE YEARS. 2181 01:32:57,571 --> 01:33:00,116 GROUPS HAVE DEVELOPED OVER THE YEARS. 2182 01:33:00,199 --> 01:33:02,535 FROM GOSPEL MUSIC TO SOUL AND EVEN THE BLUES, THOSE INFLUENCES 2183 01:33:02,618 --> 01:33:06,122 ARE EVIDENT ACROSS ALL OF THE ALBUMS IN THIS NEXT CATEGORY. 2184 01:33:02,618 --> 01:33:06,122 ARE EVIDENT ACROSS ALL OF THE ALBUMS IN THIS NEXT CATEGORY. 2185 01:33:06,205 --> 01:33:09,792 I'M PROUD TO PRESENT THE AWARD THAT HONORS THE BEST BODY OF 2186 01:33:09,875 --> 01:33:12,169 WORK OF LAST YEAR. 2187 01:33:09,875 --> 01:33:12,169 WORK OF LAST YEAR. 2188 01:33:12,253 --> 01:33:15,214 >> Claudine: FOR ALBUM OF THE YEAR, THE NOMINEES ARE...“ 2189 01:33:15,298 --> 01:33:18,175 CENTER POINT ROAD” BY THOMAS RHETT.“ 2190 01:33:15,298 --> 01:33:18,175 CENTER POINT ROAD” BY THOMAS RHETT.“ 2191 01:33:18,259 --> 01:33:20,636 GIRL” BY MAREN MORRIS.“ HEARTACHE MEDICATION” BY JON 2192 01:33:20,720 --> 01:33:21,721 PARDI.“ WHAT YOU SEE IS WHAT YOU GET” 2193 01:33:21,804 --> 01:33:30,187 BY LUKE COMBS.“ WILDCARD” BY MIRANDA LAMBERT. 2194 01:33:21,804 --> 01:33:30,187 BY LUKE COMBS.“ WILDCARD” BY MIRANDA LAMBERT. 2195 01:33:21,804 --> 01:33:30,187 BY LUKE COMBS.“ WILDCARD” BY MIRANDA LAMBERT. 2196 01:33:30,271 --> 01:33:37,486 >> AND THE A.C.M. ALBUM OF THE YEAR GOES TO...“ 2197 01:33:30,271 --> 01:33:37,486 >> AND THE A.C.M. ALBUM OF THE YEAR GOES TO...“ 2198 01:33:37,570 --> 01:33:42,867 WHAT YOU SEE IS WHAT YOU GET.” LUKE COMBS 2199 01:33:37,570 --> 01:33:42,867 WHAT YOU SEE IS WHAT YOU GET.” LUKE COMBS 2200 01:33:42,950 --> 01:33:43,868 ♪ CUZ I'M LEAVING. 2201 01:33:43,951 --> 01:33:46,704 ♪ IT DON'T MEAN I WON'T BE RIGHT BY YOUR SIDE. 2202 01:33:46,787 --> 01:33:48,164 ♪. 2203 01:33:46,787 --> 01:33:48,164 ♪. 2204 01:33:48,247 --> 01:33:49,540 >> OH MAN, OKAY. 2205 01:33:49,623 --> 01:33:54,170 THIS IS GOT TO BE REALLY QUICK FROM WHAT I HEAR. 2206 01:33:49,623 --> 01:33:54,170 THIS IS GOT TO BE REALLY QUICK FROM WHAT I HEAR. 2207 01:33:54,253 --> 01:33:58,007 I'M AT THE BLUEBIRD RIGHT NOW A PLACE I ALWAYS WANTED TO PLAY. 2208 01:33:58,090 --> 01:34:01,010 BEFORE I MOVED TO TOWN. 2209 01:33:58,090 --> 01:34:01,010 BEFORE I MOVED TO TOWN. 2210 01:34:01,093 --> 01:34:05,222 I JUST WANT TO THANK MY MANAGEMENT TEAM, MY FAMILY, MY 2211 01:34:05,306 --> 01:34:09,268 WIFE ANY COAL, FOR BEING-- NIK OHL FOR BEING THE INSPIRATION, 2212 01:34:05,306 --> 01:34:09,268 WIFE ANY COAL, FOR BEING-- NIK OHL FOR BEING THE INSPIRATION, 2213 01:34:09,352 --> 01:34:13,272 MY PRODUCER SCOTT FOR WORKING ON THIS, THIS ALBUM WAS HELL TO 2214 01:34:09,352 --> 01:34:13,272 MY PRODUCER SCOTT FOR WORKING ON THIS, THIS ALBUM WAS HELL TO 2215 01:34:13,356 --> 01:34:16,275 MAKE BUT WE DID T I KNOW ARE YOU OUT THERE WATCHING SOMEWHERE, 2216 01:34:16,359 --> 01:34:18,611 ALL THE FANS, THANK YOU SO MUCH FOR LOVING THIS ALBUM, THANK YOU 2217 01:34:16,359 --> 01:34:18,611 ALL THE FANS, THANK YOU SO MUCH FOR LOVING THIS ALBUM, THANK YOU 2218 01:34:18,694 --> 01:34:21,864 SO MUCH, WOW. 2219 01:34:21,947 --> 01:34:24,742 #R. 2220 01:34:21,947 --> 01:34:24,742 #R. 2221 01:34:24,825 --> 01:34:27,620 >> Keith: CONGRATS, LUKE. 2222 01:34:27,703 --> 01:34:30,915 TONIGHT I TALKED WITH BLANCA BROWN, SHE WAS SUPPOSED TO BE 2223 01:34:27,703 --> 01:34:30,915 TONIGHT I TALKED WITH BLANCA BROWN, SHE WAS SUPPOSED TO BE 2224 01:34:30,998 --> 01:34:35,586 HERE WITH US BUT SAS SOME OF YOU MAY NOT KNOW SHE WAS INVOLVED IN 2225 01:34:35,669 --> 01:34:39,632 A SIER-- VERY SERIOUS ACCIDENT BUT WE HEAR HE IS ON THE WAY TO 2226 01:34:35,669 --> 01:34:39,632 A SIER-- VERY SERIOUS ACCIDENT BUT WE HEAR HE IS ON THE WAY TO 2227 01:34:39,715 --> 01:34:45,137 RECOVERY AND THAT IS REALLY GOOD NEWS. 2228 01:34:39,715 --> 01:34:45,137 RECOVERY AND THAT IS REALLY GOOD NEWS. 2229 01:34:45,221 --> 01:34:46,389 OUR HEARTS WITH ARE WITH YOU TONIGHT. 2230 01:34:46,472 --> 01:34:48,891 I HAD THE PLEASURE OF PLAYING WITH THIS NEXT GUY AW FEW TIMES 2231 01:34:46,472 --> 01:34:48,891 I HAD THE PLEASURE OF PLAYING WITH THIS NEXT GUY AW FEW TIMES 2232 01:34:48,974 --> 01:34:54,313 AND DOING CRAZY COLLABORATIONS AM HE IS AN AMAZING SONGWRITER, 2233 01:34:48,974 --> 01:34:54,313 AND DOING CRAZY COLLABORATIONS AM HE IS AN AMAZING SONGWRITER, 2234 01:34:54,397 --> 01:34:58,943 RIVETTING LIVE PERFORMER, TO ME HIS ACT AND ARTIST, THIS GUY IS 2235 01:34:59,026 --> 01:34:59,985 AN ARTIST. 2236 01:35:00,069 --> 01:35:04,657 SPECIAL RENDITION OF JOHNNY CASH'S RAGGED OLD FLAG. 2237 01:35:04,740 --> 01:35:10,121 I COULDN'T BE PROUDER OF MY MATE ENTERTAINER OF THE YEAR AWARD 2238 01:35:04,740 --> 01:35:10,121 I COULDN'T BE PROUDER OF MY MATE ENTERTAINER OF THE YEAR AWARD 2239 01:35:10,204 --> 01:35:15,418 NOMINEE ERIC CHURCH. 2240 01:35:10,204 --> 01:35:15,418 NOMINEE ERIC CHURCH. 2241 01:35:15,501 --> 01:35:18,796 ♪ I WALKED THROUGH A COUNTY COURTHOUSE SQUARE 2242 01:35:15,501 --> 01:35:18,796 ♪ I WALKED THROUGH A COUNTY COURTHOUSE SQUARE 2243 01:35:18,879 --> 01:35:20,923 ♪ ON A PARK BENCH AN OLD MAN WAS SITTING THERE 2244 01:35:21,006 --> 01:35:22,967 ♪ I SAID, YOUR OLD COURTHOUSE IS KINDA RUN DOWN 2245 01:35:23,050 --> 01:35:24,718 ♪ HE SAID, NAW, IT'LL DO FOR OUR LITTLE TOWN 2246 01:35:23,050 --> 01:35:24,718 ♪ HE SAID, NAW, IT'LL DO FOR OUR LITTLE TOWN 2247 01:35:24,802 --> 01:35:27,471 ♪ I SAID, YOUR OLD FLAGPOLE HAS LEANED A LITTLE BIT 2248 01:35:27,555 --> 01:35:29,849 ♪ AND THAT'S A RAGGED OLD FLAG YOU GOT HANGING ON IT 2249 01:35:29,932 --> 01:35:33,352 ♪ HE SAID, HAVE A SEAT AND I SAT DOWN 2250 01:35:29,932 --> 01:35:33,352 ♪ HE SAID, HAVE A SEAT AND I SAT DOWN 2251 01:35:33,436 --> 01:35:35,688 ♪ IS THIS THE FIRST TIME YOU'VE BEEN TO OUR LITTLE TOWN? 2252 01:35:35,771 --> 01:35:39,817 ♪ I SAID, I THINK IT IS HE SAID, I DON'T LIKE TO BRAG 2253 01:35:35,771 --> 01:35:39,817 ♪ I SAID, I THINK IT IS HE SAID, I DON'T LIKE TO BRAG 2254 01:35:39,900 --> 01:35:46,657 ♪ BUT WE'RE KINDA PROUD OF THAT RAGGED OLD FLAG 2255 01:35:39,900 --> 01:35:46,657 ♪ BUT WE'RE KINDA PROUD OF THAT RAGGED OLD FLAG 2256 01:35:46,740 --> 01:35:48,868 ♪ YOU SEE, WE GOT A LITTLE HOLE IN THAT FLAG THERE 2257 01:35:46,740 --> 01:35:48,868 ♪ YOU SEE, WE GOT A LITTLE HOLE IN THAT FLAG THERE 2258 01:35:48,951 --> 01:35:53,622 ♪ WHEN WASHINGTON TOOK IT ACROSS THE DELAWARE 2259 01:35:53,706 --> 01:35:55,791 ♪ AND IT GOT POWDER-BURNED THE NIGHT THAT FRANCIS SCOTT KEY 2260 01:35:53,706 --> 01:35:55,791 ♪ AND IT GOT POWDER-BURNED THE NIGHT THAT FRANCIS SCOTT KEY 2261 01:35:55,875 --> 01:35:59,712 ♪ SAT WATCHING IT WRITING SAY CAN YOU SEE 2262 01:35:59,795 --> 01:36:02,965 ♪ AND IT GOT A BAD RIP INNEW ORLEANS 2263 01:35:59,795 --> 01:36:02,965 ♪ AND IT GOT A BAD RIP INNEW ORLEANS 2264 01:36:03,048 --> 01:36:06,302 ♪ WITH PACKINGHAM AND JACKSON TUGGIN' AT ITS SEAMS 2265 01:36:03,048 --> 01:36:06,302 ♪ WITH PACKINGHAM AND JACKSON TUGGIN' AT ITS SEAMS 2266 01:36:06,385 --> 01:36:07,803 ♪ AND IT ALMOST FELL AT THE ALAMO 2267 01:36:07,887 --> 01:36:13,017 ♪ BESIDE THE TEXAS FLAG, BUT SHE WAVED ON THOUGH 2268 01:36:07,887 --> 01:36:13,017 ♪ BESIDE THE TEXAS FLAG, BUT SHE WAVED ON THOUGH 2269 01:36:13,100 --> 01:36:15,811 ♪ SHE GOT CUT WITH A SWORD AT CHANCELLORSVILLE 2270 01:36:15,895 --> 01:36:17,980 ♪ AND SHE GOT CUT AGAIN AT SHILOH HILL 2271 01:36:18,063 --> 01:36:21,484 ♪ THERE WAS ROBERT E. LEE BEAUREGARD, AND BRAGG 2272 01:36:21,567 --> 01:36:27,490 ♪ AND THE SOUTH WIND BLEW HARD ON THAT RAGGED OLD FLAG 2273 01:36:21,567 --> 01:36:27,490 ♪ AND THE SOUTH WIND BLEW HARD ON THAT RAGGED OLD FLAG 2274 01:36:27,573 --> 01:36:31,827 ♪ ON FLANDERS FIELD IN WORLD WAR I 2275 01:36:27,573 --> 01:36:31,827 ♪ ON FLANDERS FIELD IN WORLD WAR I 2276 01:36:31,911 --> 01:36:33,704 ♪ SHE GOT A BIG HOLE FROM A BERTHA GUN 2277 01:36:33,787 --> 01:36:36,040 ♪ SHE TURNED BLOOD RED IN WORLD WAR II 2278 01:36:33,787 --> 01:36:36,040 ♪ SHE TURNED BLOOD RED IN WORLD WAR II 2279 01:36:36,123 --> 01:36:43,756 ♪ SHE HUNG LIMP AND LOW A TIME OR TWO 2280 01:36:36,123 --> 01:36:43,756 ♪ SHE HUNG LIMP AND LOW A TIME OR TWO 2281 01:36:43,839 --> 01:36:45,716 ♪ SHE WAS IN KOREA AND VIETNAM SHE WENT WHERE SHE WAS SENT 2282 01:36:45,799 --> 01:36:55,851 ♪ BY HER UNCLE SAM AIL SHED 2283 01:36:45,799 --> 01:36:55,851 ♪ BY HER UNCLE SAM AIL SHED 2284 01:36:45,799 --> 01:36:55,851 ♪ BY HER UNCLE SAM AIL SHED 2285 01:36:55,935 --> 01:36:56,852 RED BLOOD. 2286 01:36:56,936 --> 01:36:59,522 AND IN HER OWN GOOD LAND HERE, SHE'S BEEN ABUSED. 2287 01:36:59,605 --> 01:37:00,564 S IN HER OWN GOOD LAND HERE 2288 01:36:59,605 --> 01:37:00,564 S IN HER OWN GOOD LAND HERE 2289 01:37:00,648 --> 01:37:03,442 ♪ SHE'S BEEN ABUSED SHE'S BEEN BURNED, DISHONORED 2290 01:37:03,526 --> 01:37:04,944 ♪ DENIED, AND REFUSED AND THE GOVERNMENT 2291 01:37:05,027 --> 01:37:07,238 ♪ FOR WHICH SHE STANDS IS SCANDALIZED 2292 01:37:05,027 --> 01:37:07,238 ♪ FOR WHICH SHE STANDS IS SCANDALIZED 2293 01:37:07,321 --> 01:37:11,867 ♪ THROUGHOUT THE LAND AND SHE'S GETTING THREADBARE 2294 01:37:11,951 --> 01:37:15,538 ♪ AND SHE'S WEARING THIN BUT SHE'S IN GOOD SHAPE 2295 01:37:11,951 --> 01:37:15,538 ♪ AND SHE'S WEARING THIN BUT SHE'S IN GOOD SHAPE 2296 01:37:15,621 --> 01:37:18,374 ♪ FOR THE SHAPE SHE'S IN 'CAUSE SHE'S BEEN THROUGH 2297 01:37:15,621 --> 01:37:18,374 ♪ FOR THE SHAPE SHE'S IN 'CAUSE SHE'S BEEN THROUGH 2298 01:37:18,457 --> 01:37:19,875 ♪ THE FIRE BEFORE AND I BELIEVE SHE CAN TAKE 2299 01:37:19,959 --> 01:37:23,879 ♪ A WHOLE LOT MORE SO WE RAISE HER UP EVERY MORNING 2300 01:37:23,963 --> 01:37:25,965 ♪ WE TAKE HER DOWN EVERY NIGHT WE DON'T LET HER 2301 01:37:23,963 --> 01:37:25,965 ♪ WE TAKE HER DOWN EVERY NIGHT WE DON'T LET HER 2302 01:37:26,048 --> 01:37:30,928 ♪ TOUCH THE GROUND AND WE FOLD HER UP RIGHT 2303 01:37:26,048 --> 01:37:30,928 ♪ TOUCH THE GROUND AND WE FOLD HER UP RIGHT 2304 01:37:31,011 --> 01:37:33,931 ♪ ON SECOND THOUGHT I DO LIKE TO BRAG 2305 01:37:34,014 --> 01:37:39,478 ♪ 'CAUSE I'M MIGHTY PROUD OF THAT RAGGED OLD FLAG ♪ 2306 01:37:34,014 --> 01:37:39,478 ♪ 'CAUSE I'M MIGHTY PROUD OF THAT RAGGED OLD FLAG ♪ 2307 01:37:39,562 --> 01:37:43,107 ♪ TAKE ME ON UP TO DETROIT CITY 2308 01:37:39,562 --> 01:37:43,107 ♪ TAKE ME ON UP TO DETROIT CITY 2309 01:37:43,190 --> 01:37:45,150 ♪ JAILS ARE FULL THE FACTORIES EMPTY 2310 01:37:45,234 --> 01:37:50,948 ♪ MOMMA'S CRYING YOUNG BOYS DYING 2311 01:37:45,234 --> 01:37:50,948 ♪ MOMMA'S CRYING YOUNG BOYS DYING 2312 01:37:51,031 --> 01:37:54,702 ♪ UNDER THAT RED, WHITE AND BLUE STILL FLYING 2313 01:37:51,031 --> 01:37:54,702 ♪ UNDER THAT RED, WHITE AND BLUE STILL FLYING 2314 01:37:54,785 --> 01:37:57,788 ♪ DROP ME OFF IN BALTIMORE WHERE EVERY OTHER WINDOW'S 2315 01:37:57,871 --> 01:37:59,248 ♪ GOT A PLYWOOD BOARD WHERE DREAMS BECOME 2316 01:37:59,331 --> 01:38:03,002 ♪ DRUGS AND GUNS THE ONLY WAY OUT IS TO 2317 01:37:59,331 --> 01:38:03,002 ♪ DRUGS AND GUNS THE ONLY WAY OUT IS TO 2318 01:38:03,085 --> 01:38:06,088 ♪ SHOOT OR RUN STICK THAT IN YOUR COUNTRY SONG 2319 01:38:03,085 --> 01:38:06,088 ♪ SHOOT OR RUN STICK THAT IN YOUR COUNTRY SONG 2320 01:38:06,171 --> 01:38:07,131 ♪ YEAH TAKE THAT ONE TO NUMBER ONE 2321 01:38:07,214 --> 01:38:11,135 ♪ YEAH AND GET THE WHOLE WORLD 2322 01:38:11,218 --> 01:38:12,970 ♪ SINGING ALONG, YEAH STICK THAT IN YOUR COUNTRY SONG 2323 01:38:11,218 --> 01:38:12,970 ♪ SINGING ALONG, YEAH STICK THAT IN YOUR COUNTRY SONG 2324 01:38:13,053 --> 01:38:24,940 ♪ YEAH OH, OH, OH, OH, OH, OH 2325 01:38:13,053 --> 01:38:24,940 ♪ YEAH OH, OH, OH, OH, OH, OH 2326 01:38:13,053 --> 01:38:24,940 ♪ YEAH OH, OH, OH, OH, OH, OH 2327 01:38:25,024 --> 01:38:27,610 ♪ SING ABOUT THE MAN COMING BACK FROM WAR 2328 01:38:27,693 --> 01:38:31,113 ♪ 23 GOING ON 54 HE LOST A FRIEND 2329 01:38:27,693 --> 01:38:31,113 ♪ 23 GOING ON 54 HE LOST A FRIEND 2330 01:38:31,196 --> 01:38:35,117 ♪ HIS SIGHT, HIS HANDS BABY GIRL HE'LL NEVER 2331 01:38:35,200 --> 01:38:37,995 ♪ SEE AGAIN STICK THAT IN YOUR COUNTRY SONG 2332 01:38:35,200 --> 01:38:37,995 ♪ SEE AGAIN STICK THAT IN YOUR COUNTRY SONG 2333 01:38:38,078 --> 01:38:39,705 ♪ YEAH TAKE THAT ONE TO NUMBER ONE 2334 01:38:39,788 --> 01:38:42,791 ♪ YEAH AND GET THE WHOLE WORLD 2335 01:38:39,788 --> 01:38:42,791 ♪ YEAH AND GET THE WHOLE WORLD 2336 01:38:42,875 --> 01:38:47,129 ♪ SINGING ALONG, MAN STICK THAT IN YOUR COUNTRY SONG 2337 01:38:47,212 --> 01:38:54,803 ♪ YEAH OH, OH, OH, OH, OH, OH 2338 01:38:47,212 --> 01:38:54,803 ♪ YEAH OH, OH, OH, OH, OH, OH 2339 01:38:47,212 --> 01:38:54,803 ♪ YEAH OH, OH, OH, OH, OH, OH 2340 01:38:54,887 --> 01:38:58,015 ♪ OH, OH, OH, OH, OH, OH I LIGHT THE ARROW 2341 01:38:58,098 --> 01:39:00,809 ♪ PULL THE BOW SHOOT THAT FIRE 2342 01:38:58,098 --> 01:39:00,809 ♪ PULL THE BOW SHOOT THAT FIRE 2343 01:39:00,893 --> 01:39:03,145 ♪ RIGHT THROUGH MY SOUL HIT MY PRIDE 2344 01:39:03,228 --> 01:39:06,732 ♪ FIST UP HIGH I WANNA FEEL THE RUSH 2345 01:39:03,228 --> 01:39:06,732 ♪ FIST UP HIGH I WANNA FEEL THE RUSH 2346 01:39:06,815 --> 01:39:09,985 ♪ I WANNA FEEL ALIVE C'MON, I WANNA POUND THE DASH 2347 01:39:10,069 --> 01:39:12,738 ♪ STOMP THE GAS DRIVE TOO FAST 2348 01:39:10,069 --> 01:39:12,738 ♪ STOMP THE GAS DRIVE TOO FAST 2349 01:39:12,821 --> 01:39:15,324 ♪ ROCK ME HARD STOP MY HEART 2350 01:39:15,407 --> 01:39:18,744 ♪ AND BLOW THE SPEAKERS RIGHT OUT OF THIS CAR 2351 01:39:15,407 --> 01:39:18,744 ♪ AND BLOW THE SPEAKERS RIGHT OUT OF THIS CAR 2352 01:39:18,827 --> 01:39:22,706 ♪ STICK THAT IN YOUR COUNTRY SONG, YEAH 2353 01:39:22,790 --> 01:39:24,667 ♪ TAKE THAT ONE TO NUMBER ONE YEAH, NUMBER ONE 2354 01:39:22,790 --> 01:39:24,667 ♪ TAKE THAT ONE TO NUMBER ONE YEAH, NUMBER ONE 2355 01:39:24,750 --> 01:39:26,877 ♪ AND GET THE WHOLE WORLD SINGING ALONG, MAN 2356 01:39:26,960 --> 01:39:29,254 ♪ STICK THAT IN YOUR COUNTRY SONG, YEAH 2357 01:39:29,338 --> 01:39:33,092 ♪ STICK THAT IN YOUR COUNTRY SONG 2358 01:39:29,338 --> 01:39:33,092 ♪ STICK THAT IN YOUR COUNTRY SONG 2359 01:39:33,175 --> 01:39:35,094 ♪ TAKE THAT ONE TO NUMBER ONE I COULD SING THIS 2360 01:39:35,177 --> 01:39:39,056 ♪ ALL NIGHT LONG, YEAH STICK THAT IN YOUR COUNTRY SONG 2361 01:39:35,177 --> 01:39:39,056 ♪ ALL NIGHT LONG, YEAH STICK THAT IN YOUR COUNTRY SONG 2362 01:39:39,139 --> 01:39:42,768 ♪ YEAH ♪ ♪ ♪ 2363 01:39:39,139 --> 01:39:42,768 ♪ YEAH ♪ ♪ ♪ 2364 01:39:42,851 --> 01:39:54,780 ♪ ♪ ♪ ♪ ♪ ♪ 2365 01:39:42,851 --> 01:39:54,780 ♪ ♪ ♪ ♪ ♪ ♪ 2366 01:39:42,851 --> 01:39:54,780 ♪ ♪ ♪ ♪ ♪ ♪ 2367 01:39:54,863 --> 01:39:59,076 ♪ ♪ ♪ ♪ ♪ ♪ 2368 01:39:59,159 --> 01:40:02,079 ♪ ♪ ♪ ♪ GIMME ONE ABOUT THE 2369 01:39:59,159 --> 01:40:02,079 ♪ ♪ ♪ ♪ GIMME ONE ABOUT THE 2370 01:40:02,162 --> 01:40:05,249 TEACHER WHO'S ♪ TRYIN' TO CHANGE 2371 01:40:05,332 --> 01:40:07,042 A LIFE OR TWO ♪ SHE'LL BE ROCKING OUT 2372 01:40:05,332 --> 01:40:07,042 A LIFE OR TWO ♪ SHE'LL BE ROCKING OUT 2373 01:40:07,126 --> 01:40:10,212 ALL NIGHT WITH YOU ♪ TOMORROW SHE'LL BACK 2374 01:40:10,295 --> 01:40:12,881 IN A RED BRICK SCHOOL ♪ WHERE KIDS ARE CLIMBING 2375 01:40:10,295 --> 01:40:12,881 IN A RED BRICK SCHOOL ♪ WHERE KIDS ARE CLIMBING 2376 01:40:12,965 --> 01:40:15,134 OFF THE WALLS ♪ IT'S SCARY WALKING 2377 01:40:15,217 --> 01:40:18,887 DOWN THE HALLS ♪ SHE'S UNDERPAID 2378 01:40:15,217 --> 01:40:18,887 DOWN THE HALLS ♪ SHE'S UNDERPAID 2379 01:40:18,971 --> 01:40:21,181 SHE'S OVERWORKED ♪ COME ON, MAN 2380 01:40:21,265 --> 01:40:24,893 SHOUT ONE OUT TO HER ♪ STICK THAT IN 2381 01:40:21,265 --> 01:40:24,893 SHOUT ONE OUT TO HER ♪ STICK THAT IN 2382 01:40:24,977 --> 01:40:27,146 YOUR COUNTRY SONG, C'MON ♪ TAKE THAT ONE TO NUMBER ONE 2383 01:40:27,229 --> 01:40:29,189 YEAH ♪ AND GET THE WHOLE WORLD 2384 01:40:29,273 --> 01:40:31,150 SINGING ALONG ♪ STICK THAT IN 2385 01:40:29,273 --> 01:40:31,150 SINGING ALONG ♪ STICK THAT IN 2386 01:40:31,233 --> 01:40:35,154 YOUR CONTRY SONG ♪ STICK THAT IN 2387 01:40:35,237 --> 01:40:39,116 YOUR COUNTRY SONG ♪ TAKE THAT ONE TO NUMBER ONE 2388 01:40:35,237 --> 01:40:39,116 YOUR COUNTRY SONG ♪ TAKE THAT ONE TO NUMBER ONE 2389 01:40:39,199 --> 01:40:42,786 AND GET THE WHOLE WORLD ♪ SINGING ALONG, MAN 2390 01:40:39,199 --> 01:40:42,786 AND GET THE WHOLE WORLD ♪ SINGING ALONG, MAN 2391 01:40:42,870 --> 01:40:47,124 STICK THAT IN YOUR COUNTRY SONG ♪ YEAH 2392 01:40:47,207 --> 01:40:50,169 OH, OH, OH, OH, OH, OH ♪ STICK THAT IN 2393 01:40:47,207 --> 01:40:50,169 OH, OH, OH, OH, OH, OH ♪ STICK THAT IN 2394 01:40:50,252 --> 01:40:54,840 YOUR COUNTRY SONG, YEAH ♪ OH, OH, OH, OH, OH, OH 2395 01:40:50,252 --> 01:40:54,840 YOUR COUNTRY SONG, YEAH ♪ OH, OH, OH, OH, OH, OH 2396 01:40:54,923 --> 01:40:59,178 AND GET THE WHOLE WORLD ♪ SINGING ALONG, SINGING ALONG 2397 01:40:59,261 --> 01:41:03,140 OH, OH, OH, OH, OH, OH ♪ STICK THAT IN A COUNTRY SONG 2398 01:40:59,261 --> 01:41:03,140 OH, OH, OH, OH, OH, OH ♪ STICK THAT IN A COUNTRY SONG 2399 01:41:03,223 --> 01:41:18,113 OH, OH, OH, OH, OH, OH ♪ >> Claudine: NEXT, TIM McGRAW 2400 01:41:03,223 --> 01:41:18,113 OH, OH, OH, OH, OH, OH ♪ >> Claudine: NEXT, TIM McGRAW 2401 01:41:03,223 --> 01:41:18,113 OH, OH, OH, OH, OH, OH ♪ >> Claudine: NEXT, TIM McGRAW 2402 01:41:03,223 --> 01:41:18,113 OH, OH, OH, OH, OH, OH ♪ >> Claudine: NEXT, TIM McGRAW 2403 01:41:18,197 --> 01:41:23,827 OH, OH, OH, OH, OH, OH ♪ >> Claudine: NEXT, TIM McGRAW 2404 01:41:23,911 --> 01:41:27,206 PERFORMS AT THE BLUEBIRD CAFÉ. 2405 01:41:23,911 --> 01:41:27,206 PERFORMS AT THE BLUEBIRD CAFÉ. 2406 01:41:27,289 --> 01:41:31,460 PLUS, KEITH URBAN JOINS COUNTRY MUSIC BREAKOUT MICKEY GUYTON. 2407 01:41:27,289 --> 01:41:31,460 PLUS, KEITH URBAN JOINS COUNTRY MUSIC BREAKOUT MICKEY GUYTON. 2408 01:41:31,543 --> 01:41:36,840 AND COMING UP, KEITH AND P!NK DEBUT THEIR NEW SINGLE, AND 2409 01:41:31,543 --> 01:41:36,840 AND COMING UP, KEITH AND P!NK DEBUT THEIR NEW SINGLE, AND 2410 01:41:36,924 --> 01:41:39,009 FLORIDA GEORGIA LINE, AND TRISHA YEARWOOD PERFORMS AN 2411 01:41:39,092 --> 01:41:39,551 UNFORGETTABLE TRIBUTE. 2412 01:41:39,635 --> 01:41:42,930 THE 55th A.C.M. AWARDS. 2413 01:41:39,635 --> 01:41:42,930 THE 55th A.C.M. AWARDS. 2414 01:41:43,013 --> 01:41:44,723 THIS IS CBS. 2415 01:41:45,933 --> 01:41:49,561 FOR ME THIS IS ALL ABOUT BREAKING EXPECTATIONS 2416 01:41:45,933 --> 01:41:49,561 FOR ME THIS IS ALL ABOUT BREAKING EXPECTATIONS 2417 01:41:49,645 --> 01:41:52,523 AND THAT IS WHY I AM ALL IN FOR THOSE CHANGING THE PERSPECTIVE 2418 01:41:52,606 --> 01:41:56,568 TO CREATE A LITTLE HOPE, LIKE WELLS FARGO TEAMING UP WITH 2419 01:41:52,606 --> 01:41:56,568 TO CREATE A LITTLE HOPE, LIKE WELLS FARGO TEAMING UP WITH 2420 01:41:56,652 --> 01:41:59,613 FEEDING AMERICA TO TURN SOME OF THEIR LOCATIONS INTO DRIVEUP 2421 01:41:59,696 --> 01:42:00,697 FOOD BANKS. 2422 01:41:59,696 --> 01:42:00,697 FOOD BANKS. 2423 01:42:00,781 --> 01:42:03,367 HELPING PROVIDE 50 MILLION MEALS TO FAMILIES IN NEED. 2424 01:42:03,450 --> 01:42:08,664 WITH A NEW PERSPECTIVE WE MIGHT FIND A LITTLE HOPE. 2425 01:42:03,450 --> 01:42:08,664 WITH A NEW PERSPECTIVE WE MIGHT FIND A LITTLE HOPE. 2426 01:42:08,747 --> 01:42:10,541 >> Claudine: THE 55th ACADEMY OF COUNTRY MUSIC AWARDS. 2427 01:42:10,624 --> 01:42:12,209 SPONSORED BY WELLS FARGO. 2428 01:42:10,624 --> 01:42:12,209 SPONSORED BY WELLS FARGO. 2429 01:42:12,292 --> 01:42:13,377 HELPING FAMILIES IN NEED BY TURNING KEY LOCATIONS INTO 2430 01:42:13,460 --> 01:42:15,462 DRIVE-UP FOOD BANKS. 2431 01:42:22,761 --> 01:42:25,389 >> Claudine: WELCOME BACK TO THE BLUEBIRD CAFE. 2432 01:42:22,761 --> 01:42:25,389 >> Claudine: WELCOME BACK TO THE BLUEBIRD CAFE. 2433 01:42:25,472 --> 01:42:28,100 WITH “I CALLED MAMA” FROM HIS NUMBER ONE ALBUM “HERE ON EART”" 2434 01:42:28,183 --> 01:42:38,610 IS 18-TIME A.C.M. AWARD WINNER, TIM McGRAW. 2435 01:42:28,183 --> 01:42:38,610 IS 18-TIME A.C.M. AWARD WINNER, TIM McGRAW. 2436 01:42:28,183 --> 01:42:38,610 IS 18-TIME A.C.M. AWARD WINNER, TIM McGRAW. 2437 01:42:38,694 --> 01:42:45,409 ♪ ♪ ♪ ♪ ♪ ♪ 2438 01:42:38,694 --> 01:42:45,409 ♪ ♪ ♪ ♪ ♪ ♪ 2439 01:42:45,492 --> 01:42:50,205 ♪ GOT A CALL FROM A FRIEND ABOUT A FRIEND 2440 01:42:45,492 --> 01:42:50,205 ♪ GOT A CALL FROM A FRIEND ABOUT A FRIEND 2441 01:42:50,289 --> 01:42:56,253 ♪ IT'S NEWS NO ONE EVER WANTS TO HEAR 2442 01:42:50,289 --> 01:42:56,253 ♪ IT'S NEWS NO ONE EVER WANTS TO HEAR 2443 01:42:56,336 --> 01:43:01,425 ♪ IT HIT ME LIKE A PUNCH IT TOOK MY BREATH 2444 01:42:56,336 --> 01:43:01,425 ♪ IT HIT ME LIKE A PUNCH IT TOOK MY BREATH 2445 01:43:01,508 --> 01:43:08,265 ♪ HE WAS JUST GETTING INTO HIS BEST YEARS 2446 01:43:01,508 --> 01:43:08,265 ♪ HE WAS JUST GETTING INTO HIS BEST YEARS 2447 01:43:08,348 --> 01:43:13,437 ♪ YEAH, SOMETHING LIKE THAT'LL SHAKE YOU UP 2448 01:43:08,348 --> 01:43:13,437 ♪ YEAH, SOMETHING LIKE THAT'LL SHAKE YOU UP 2449 01:43:13,520 --> 01:43:20,819 ♪ WAKE YOU UP SO I STOPPED OFF AT A TEXACO 2450 01:43:13,520 --> 01:43:20,819 ♪ WAKE YOU UP SO I STOPPED OFF AT A TEXACO 2451 01:43:20,903 --> 01:43:25,449 ♪ BOUGHT A SLIM JIM AND A COKE PARKED OUT BY THE WATER 2452 01:43:20,903 --> 01:43:25,449 ♪ BOUGHT A SLIM JIM AND A COKE PARKED OUT BY THE WATER 2453 01:43:25,532 --> 01:43:28,785 ♪ JUST TO WATCH THAT RIVER FLOW GRABBED MY GUITAR FROM 2454 01:43:28,869 --> 01:43:32,122 ♪ THE BACK SEAT WROTE A SONG JUST FOR ME 2455 01:43:28,869 --> 01:43:32,122 ♪ THE BACK SEAT WROTE A SONG JUST FOR ME 2456 01:43:32,205 --> 01:43:37,461 ♪ AND I SUNG IT FOR THE BLUE SKY AND A COUPLE LIVE OAK TREES 2457 01:43:32,205 --> 01:43:37,461 ♪ AND I SUNG IT FOR THE BLUE SKY AND A COUPLE LIVE OAK TREES 2458 01:43:37,544 --> 01:43:40,172 ♪ I THOUGHT OF HOME I GRABBED MY PHONE 2459 01:43:40,255 --> 01:43:49,473 ♪ FROM MY POCKET AND I CALLED MAMA 2460 01:43:40,255 --> 01:43:49,473 ♪ FROM MY POCKET AND I CALLED MAMA 2461 01:43:40,255 --> 01:43:49,473 ♪ FROM MY POCKET AND I CALLED MAMA 2462 01:43:49,556 --> 01:43:56,188 ♪ AND IT RANG A COUPLE TIMES AND SHE PICKED UP 2463 01:43:49,556 --> 01:43:56,188 ♪ AND IT RANG A COUPLE TIMES AND SHE PICKED UP 2464 01:43:56,271 --> 01:44:00,317 ♪ I CAN ALWAYS HEAR HER SMILE WHEN I CALL 2465 01:43:56,271 --> 01:44:00,317 ♪ I CAN ALWAYS HEAR HER SMILE WHEN I CALL 2466 01:44:00,400 --> 01:44:05,489 ♪ I JUST CALLED TO TELL YOU THAT I LOVED YOU 2467 01:44:05,572 --> 01:44:12,829 ♪ I WAS MISSIN' YOU AND DAD AND HOME, THAT'S ALL 2468 01:44:05,572 --> 01:44:12,829 ♪ I WAS MISSIN' YOU AND DAD AND HOME, THAT'S ALL 2469 01:44:05,572 --> 01:44:12,829 ♪ I WAS MISSIN' YOU AND DAD AND HOME, THAT'S ALL 2470 01:44:12,913 --> 01:44:17,167 ♪ I GOT TO REALLY THINKIN' THIS MORNIN' 2471 01:44:17,250 --> 01:44:22,297 ♪ 'BOUT WHAT'S IMPORTANT SO I STOPPED OFF AT A TEXACO 2472 01:44:17,250 --> 01:44:22,297 ♪ 'BOUT WHAT'S IMPORTANT SO I STOPPED OFF AT A TEXACO 2473 01:44:22,381 --> 01:44:28,261 ♪ BOUGHT A SLIM JIM AND A COKE PARKED OUT BY THE WATER 2474 01:44:22,381 --> 01:44:28,261 ♪ BOUGHT A SLIM JIM AND A COKE PARKED OUT BY THE WATER 2475 01:44:28,345 --> 01:44:33,433 ♪ JUST TO WATCH THAT RIVER FLOW GRABBED MY GUITAR 2476 01:44:28,345 --> 01:44:33,433 ♪ JUST TO WATCH THAT RIVER FLOW GRABBED MY GUITAR 2477 01:44:33,517 --> 01:44:37,521 ♪ FROM THE BACK SEAT WROTE A SONG JUST FOR ME 2478 01:44:33,517 --> 01:44:37,521 ♪ FROM THE BACK SEAT WROTE A SONG JUST FOR ME 2479 01:44:37,604 --> 01:44:43,151 ♪ AND I SUNG IT FOR THE BLUE SKY AND A COUPLE LIVE OAK TREES 2480 01:44:37,604 --> 01:44:43,151 ♪ AND I SUNG IT FOR THE BLUE SKY AND A COUPLE LIVE OAK TREES 2481 01:44:43,235 --> 01:44:45,529 ♪ I THOUGHT OF HOME GRABBED MY PHONE 2482 01:44:45,612 --> 01:44:57,332 ♪ FROM MY POCKET AND I CALLED MAMA 2483 01:44:45,612 --> 01:44:57,332 ♪ FROM MY POCKET AND I CALLED MAMA 2484 01:44:45,612 --> 01:44:57,332 ♪ FROM MY POCKET AND I CALLED MAMA 2485 01:44:57,416 --> 01:45:01,545 ♪ ♪ ♪ ♪ ♪ ♪ 2486 01:44:57,416 --> 01:45:01,545 ♪ ♪ ♪ ♪ ♪ ♪ 2487 01:45:01,628 --> 01:45:11,221 ♪ AND FROM NOW ON I AIN'T GONNA WAIT SO LONG 2488 01:45:01,628 --> 01:45:11,221 ♪ AND FROM NOW ON I AIN'T GONNA WAIT SO LONG 2489 01:45:11,304 --> 01:45:17,227 ♪ TO STOP OFF AT A TEXACO BUY A SLIM JIM AND A COKE 2490 01:45:11,304 --> 01:45:17,227 ♪ TO STOP OFF AT A TEXACO BUY A SLIM JIM AND A COKE 2491 01:45:17,310 --> 01:45:21,565 ♪ PARK OUT BY THE WATER JUST TO WATCH THAT RIVER FLOW 2492 01:45:17,310 --> 01:45:21,565 ♪ PARK OUT BY THE WATER JUST TO WATCH THAT RIVER FLOW 2493 01:45:21,648 --> 01:45:25,569 ♪ GRAB MY GUITAR FROM THE BACK SEAT 2494 01:45:21,648 --> 01:45:25,569 ♪ GRAB MY GUITAR FROM THE BACK SEAT 2495 01:45:25,652 --> 01:45:31,324 ♪ WRITE A SONG JUST FOR ME I'LL SING IT FOR THE BLUE SKY 2496 01:45:25,652 --> 01:45:31,324 ♪ WRITE A SONG JUST FOR ME I'LL SING IT FOR THE BLUE SKY 2497 01:45:31,408 --> 01:45:34,077 ♪ AND A COUPLE LIVE OAK TREES AND THINK OF HOME 2498 01:45:34,161 --> 01:45:41,251 ♪ GRAB MY PHONE FROM MY POCKET INSTEAD OF SAYING 2499 01:45:34,161 --> 01:45:41,251 ♪ GRAB MY PHONE FROM MY POCKET INSTEAD OF SAYING 2500 01:45:41,334 --> 01:45:49,551 ♪ TOMORROW I'M GONNA AND I CALL MAMA 2501 01:45:41,334 --> 01:45:49,551 ♪ TOMORROW I'M GONNA AND I CALL MAMA 2502 01:45:41,334 --> 01:45:49,551 ♪ TOMORROW I'M GONNA AND I CALL MAMA 2503 01:45:49,634 --> 01:46:04,441 ♪ AND I CALL MAMA ♪ >> AS A SON, A HUSBAND, A 2504 01:45:49,634 --> 01:46:04,441 ♪ AND I CALL MAMA ♪ >> AS A SON, A HUSBAND, A 2505 01:45:49,634 --> 01:46:04,441 ♪ AND I CALL MAMA ♪ >> AS A SON, A HUSBAND, A 2506 01:46:04,524 --> 01:46:09,154 ♪ AND I CALL MAMA ♪ >> AS A SON, A HUSBAND, A 2507 01:46:04,524 --> 01:46:09,154 ♪ AND I CALL MAMA ♪ >> AS A SON, A HUSBAND, A 2508 01:46:09,237 --> 01:46:13,575 PROUD FATHER OF THREE DAUGHTERS, AND AS A HUMAN BEING, I AM 2509 01:46:09,237 --> 01:46:13,575 PROUD FATHER OF THREE DAUGHTERS, AND AS A HUMAN BEING, I AM 2510 01:46:13,658 --> 01:46:16,953 ENLIGHTENED AND INSPIRED BY WOMEN EVERY SINGLE DAY. 2511 01:46:17,037 --> 01:46:18,747 THEIR STRENGTH CHANGES ME FOR THE BETTER. 2512 01:46:17,037 --> 01:46:18,747 THEIR STRENGTH CHANGES ME FOR THE BETTER. 2513 01:46:18,830 --> 01:46:23,293 EVERY OPPORTUNITY IN LIFE SHOULD BE AVAILABLE TO WOMEN. 2514 01:46:23,376 --> 01:46:27,422 THIS NEXT SONG SPEAKS TO THE QUESTIONS WE FACE WHILE TRYING 2515 01:46:23,376 --> 01:46:27,422 THIS NEXT SONG SPEAKS TO THE QUESTIONS WE FACE WHILE TRYING 2516 01:46:27,506 --> 01:46:29,758 TO CREATE THE CHANGES THAT ALLOW OUR DAUGHTERS TO BE 2517 01:46:29,841 --> 01:46:33,637 WHOMEVER THEY WANT TO BE. 2518 01:46:29,841 --> 01:46:33,637 WHOMEVER THEY WANT TO BE. 2519 01:46:33,720 --> 01:46:37,641 PERFORMING “WHAT ARE YOU GONNA TELL HER?” HERE'S MICKEY GUYTON 2520 01:46:33,720 --> 01:46:37,641 PERFORMING “WHAT ARE YOU GONNA TELL HER?” HERE'S MICKEY GUYTON 2521 01:46:37,724 --> 01:46:43,939 JOINED BY KEITH URBAN. 2522 01:46:37,724 --> 01:46:43,939 JOINED BY KEITH URBAN. 2523 01:46:44,022 --> 01:46:53,323 ♪ ♪ ♪ ♪ ♪ ♪ 2524 01:46:44,022 --> 01:46:53,323 ♪ ♪ ♪ ♪ ♪ ♪ 2525 01:46:53,406 --> 01:46:57,619 ♪ SHE THINKS LIFE IS FAIR GOD HEARS EVERY PRAYER 2526 01:46:53,406 --> 01:46:57,619 ♪ SHE THINKS LIFE IS FAIR GOD HEARS EVERY PRAYER 2527 01:46:57,702 --> 01:47:05,335 ♪ AND EVERYONE GETS THEIR EVER AFTER 2528 01:46:57,702 --> 01:47:05,335 ♪ AND EVERYONE GETS THEIR EVER AFTER 2529 01:47:05,418 --> 01:47:08,839 ♪ SHE THINKS LOVE IS LOVE AND IF YOU WORK HARD 2530 01:47:05,418 --> 01:47:08,839 ♪ SHE THINKS LOVE IS LOVE AND IF YOU WORK HARD 2531 01:47:08,922 --> 01:47:11,341 THAT'S ENOUGH ♪ SKIN'S JUST SKIN AND IT 2532 01:47:11,424 --> 01:47:16,221 DOESN'T MATTER ♪ AND THAT HER FRIEND'S OLDER 2533 01:47:11,424 --> 01:47:16,221 DOESN'T MATTER ♪ AND THAT HER FRIEND'S OLDER 2534 01:47:16,304 --> 01:47:17,013 BROTHER'S ♪ GONNA KEEP HIS HANDS TO 2535 01:47:17,097 --> 01:47:23,353 HIMSELF ♪ AND THAT SOMEBODY'S GONNA 2536 01:47:17,097 --> 01:47:23,353 HIMSELF ♪ AND THAT SOMEBODY'S GONNA 2537 01:47:23,436 --> 01:47:29,359 BELIEVE HER WHEN SHE TELLS ♪ BUT WHAT ARE YOU GONNA TELL 2538 01:47:23,436 --> 01:47:29,359 BELIEVE HER WHEN SHE TELLS ♪ BUT WHAT ARE YOU GONNA TELL 2539 01:47:29,442 --> 01:47:33,697 HER WHEN SHE'S WRONG 2540 01:47:29,442 --> 01:47:33,697 HER WHEN SHE'S WRONG 2541 01:47:33,780 --> 01:47:41,371 ♪ WILL YOU JUST SHRUG AND SAY IT'S BEEN THAT WAY ALL ALONG 2542 01:47:33,780 --> 01:47:41,371 ♪ WILL YOU JUST SHRUG AND SAY IT'S BEEN THAT WAY ALL ALONG 2543 01:47:41,454 --> 01:47:45,709 ♪ WHAT ARE YOU GONNA TELL HER WHEN SHE FIGURES OUT 2544 01:47:41,454 --> 01:47:45,709 ♪ WHAT ARE YOU GONNA TELL HER WHEN SHE FIGURES OUT 2545 01:47:45,792 --> 01:47:48,420 ♪ THAT ALL THIS TIME YOU BUILT HER UP 2546 01:47:45,792 --> 01:47:48,420 ♪ THAT ALL THIS TIME YOU BUILT HER UP 2547 01:47:48,503 --> 01:47:51,548 ♪ JUST SO THE WORLD COULD LET HER DOWN 2548 01:47:51,631 --> 01:48:05,395 ♪ YEAH, WHAT DO YOU TELL HER WHAT ARE YOU GONNA TELL HER 2549 01:47:51,631 --> 01:48:05,395 ♪ YEAH, WHAT DO YOU TELL HER WHAT ARE YOU GONNA TELL HER 2550 01:47:51,631 --> 01:48:05,395 ♪ YEAH, WHAT DO YOU TELL HER WHAT ARE YOU GONNA TELL HER 2551 01:48:05,478 --> 01:48:12,569 ♪ DO YOU JUST LET HER PRETEND THAT SHE COULD BE THE PRESIDENT 2552 01:48:05,478 --> 01:48:12,569 ♪ DO YOU JUST LET HER PRETEND THAT SHE COULD BE THE PRESIDENT 2553 01:48:05,478 --> 01:48:12,569 ♪ DO YOU JUST LET HER PRETEND THAT SHE COULD BE THE PRESIDENT 2554 01:48:12,652 --> 01:48:17,407 ♪ WOULD IT HELP US GET THERE ANY FASTER 2555 01:48:17,490 --> 01:48:21,745 ♪ DO YOU LET HER THINK THE DECK'S NOT STACKED 2556 01:48:17,490 --> 01:48:21,745 ♪ DO YOU LET HER THINK THE DECK'S NOT STACKED 2557 01:48:21,828 --> 01:48:25,749 ♪ IF YOU'RE GAY OR STRAIGHT OR WHITE OR BLACK 2558 01:48:21,828 --> 01:48:25,749 ♪ IF YOU'RE GAY OR STRAIGHT OR WHITE OR BLACK 2559 01:48:25,832 --> 01:48:29,085 ♪ YOU JUST DREAM AND ANYTHING CAN HAPPEN 2560 01:48:29,169 --> 01:48:33,757 ♪ BUT WHAT ARE YOU GONNA TELL HER 2561 01:48:29,169 --> 01:48:33,757 ♪ BUT WHAT ARE YOU GONNA TELL HER 2562 01:48:33,840 --> 01:48:37,761 WHEN SHE'S WRONG ♪ WILL YOU JUST SHRUG AND SAY 2563 01:48:33,840 --> 01:48:37,761 WHEN SHE'S WRONG ♪ WILL YOU JUST SHRUG AND SAY 2564 01:48:37,844 --> 01:48:45,769 IT'S BEEN THAT WAY ALL ALONG ♪ WHAT ARE YOU GONNA TELL HER 2565 01:48:37,844 --> 01:48:45,769 IT'S BEEN THAT WAY ALL ALONG ♪ WHAT ARE YOU GONNA TELL HER 2566 01:48:45,852 --> 01:48:49,773 WHEN SHE FIGURES OUT ♪ THAT ALL THIS TIME YOU 2567 01:48:45,852 --> 01:48:49,773 WHEN SHE FIGURES OUT ♪ THAT ALL THIS TIME YOU 2568 01:48:49,856 --> 01:48:53,443 BUILT HER UP ♪ JUST SO THE WORLD COULD 2569 01:48:53,526 --> 01:48:59,449 LET HER DOWN ♪ YEAH, WHAT DO YOU TELL HER 2570 01:48:53,526 --> 01:48:59,449 LET HER DOWN ♪ YEAH, WHAT DO YOU TELL HER 2571 01:48:59,532 --> 01:49:11,461 MMM, WHAT ARE YOU GONNA TELL HER ♪ DO YOU TELL HER NOT TO FIGHT 2572 01:48:59,532 --> 01:49:11,461 MMM, WHAT ARE YOU GONNA TELL HER ♪ DO YOU TELL HER NOT TO FIGHT 2573 01:48:59,532 --> 01:49:11,461 MMM, WHAT ARE YOU GONNA TELL HER ♪ DO YOU TELL HER NOT TO FIGHT 2574 01:49:11,544 --> 01:49:25,809 IS IT WORTH THE SACRIFICE ♪ CAN YOU LOOK HER IN THE FACE 2575 01:49:11,544 --> 01:49:25,809 IS IT WORTH THE SACRIFICE ♪ CAN YOU LOOK HER IN THE FACE 2576 01:49:11,544 --> 01:49:25,809 IS IT WORTH THE SACRIFICE ♪ CAN YOU LOOK HER IN THE FACE 2577 01:49:11,544 --> 01:49:25,809 IS IT WORTH THE SACRIFICE ♪ CAN YOU LOOK HER IN THE FACE 2578 01:49:25,892 --> 01:49:33,817 AND PROMISE HER THAT THINGS'LL CHANGE 2579 01:49:25,892 --> 01:49:33,817 AND PROMISE HER THAT THINGS'LL CHANGE 2580 01:49:33,900 --> 01:49:40,323 ♪ WHAT ARE YOU GONNA TELL HER MAYBE YOU CAN'T 2581 01:49:33,900 --> 01:49:40,323 ♪ WHAT ARE YOU GONNA TELL HER MAYBE YOU CAN'T 2582 01:49:40,407 --> 01:49:44,160 ♪ CAUSE THERE AIN'T NO WAY YOU CAN EXPLAIN 2583 01:49:40,407 --> 01:49:44,160 ♪ CAUSE THERE AIN'T NO WAY YOU CAN EXPLAIN 2584 01:49:44,244 --> 01:49:53,503 ♪ WHAT YOU DON'T UNDERSTAND WHAT THE HELL DO YOU TELL HER 2585 01:49:44,244 --> 01:49:53,503 ♪ WHAT YOU DON'T UNDERSTAND WHAT THE HELL DO YOU TELL HER 2586 01:49:53,586 --> 01:49:56,631 ♪ WHAT THE HELL DO YOU TELL HER OH, OHH 2587 01:49:53,586 --> 01:49:56,631 ♪ WHAT THE HELL DO YOU TELL HER OH, OHH 2588 01:49:56,715 --> 01:50:06,725 ♪ WHAT ARE YOU GONNA TELL HER WHAT ARE YOU GONNA TELL HER? ♪ 2589 01:49:56,715 --> 01:50:06,725 ♪ WHAT ARE YOU GONNA TELL HER WHAT ARE YOU GONNA TELL HER? ♪ 2590 01:49:56,715 --> 01:50:06,725 ♪ WHAT ARE YOU GONNA TELL HER WHAT ARE YOU GONNA TELL HER? ♪ 2591 01:50:17,777 --> 01:50:21,197 >> Claudine: THE ACADEMY SALUTES OUR PARTNERS AT COUNTRY RADIO, 2592 01:50:17,777 --> 01:50:21,197 >> Claudine: THE ACADEMY SALUTES OUR PARTNERS AT COUNTRY RADIO, 2593 01:50:21,281 --> 01:50:26,578 AND WE CONGRATULATE CLAY AND COMPANY, WYRK BUFFALO NEW YORK, 2594 01:50:21,281 --> 01:50:26,578 AND WE CONGRATULATE CLAY AND COMPANY, WYRK BUFFALO NEW YORK, 2595 01:50:26,661 --> 01:50:27,037 AS ONE OF THIS YEAR'S A.C.M. 2596 01:50:27,120 --> 01:50:30,206 COUNTRY WINNERS. 2597 01:50:27,120 --> 01:50:30,206 COUNTRY WINNERS. 2598 01:50:30,290 --> 01:50:31,624 P!NK JOINS KEITH FOR THEIR NEW SONG, "ONE TOO MANY." 2599 01:50:31,708 --> 01:50:36,004 PLUS, THE AWARD FOR MALE ARTIST OF THE YEAR. 2600 01:50:31,708 --> 01:50:36,004 PLUS, THE AWARD FOR MALE ARTIST OF THE YEAR. 2601 01:50:36,087 --> 01:50:40,925 AND STILL TO COME, FLORIDA GEORGIA LINE, AND A SPECIAL 2602 01:50:41,009 --> 01:50:44,220 "IN MEMORIAM" PERFORMANCE BY TRISHA YEARWOOD. 2603 01:50:41,009 --> 01:50:44,220 "IN MEMORIAM" PERFORMANCE BY TRISHA YEARWOOD. 2604 01:50:44,304 --> 01:50:44,846 THE 55th A.C.M. AWARDS. 2605 01:50:44,929 --> 01:50:46,514 THIS IS CBS. 2606 01:50:52,145 --> 01:50:53,396 >> Claudine: NEXT, LAUREN ALAINA PRESENTS MALE ARTIST OF THE 2607 01:50:53,480 --> 01:50:53,772 YEAR. 2608 01:50:53,855 --> 01:50:55,690 THIS IS CBS. 2609 01:50:53,855 --> 01:50:55,690 THIS IS CBS. 2610 01:51:01,821 --> 01:51:03,740 >> Claudine: WE'RE BACK LIVE IN NASHVILLE WITH THE 55th ACM 2611 01:51:03,823 --> 01:51:07,077 AWARDS. 2612 01:51:03,823 --> 01:51:07,077 AWARDS. 2613 01:51:07,160 --> 01:51:11,414 ONCE AGAIN, FROM THE BLUEBIRD CAFE, HERE IS 35-TIME ACM WINNER 2614 01:51:11,498 --> 01:51:14,459 MIRANDA LAMBERT. 2615 01:51:11,498 --> 01:51:14,459 MIRANDA LAMBERT. 2616 01:51:14,542 --> 01:51:17,420 >> I ONCE HAD THE PLEASURE OF DOING A DUET WITH KEITH URBAN. 2617 01:51:17,504 --> 01:51:19,089 THE SONG IS CALLED “WE WERE US,” AND WE HAD A BLAST DOING 2618 01:51:17,504 --> 01:51:19,089 THE SONG IS CALLED “WE WERE US,” AND WE HAD A BLAST DOING 2619 01:51:19,172 --> 01:51:20,298 IT. 2620 01:51:20,382 --> 01:51:24,302 NOW, KEITH HAS A BRAND NEW DUET WITH SUPERSTAR P!NK, AND IT'S 2621 01:51:20,382 --> 01:51:24,302 NOW, KEITH HAS A BRAND NEW DUET WITH SUPERSTAR P!NK, AND IT'S 2622 01:51:24,386 --> 01:51:25,804 FEATURED ON HIS NEW ALBUM, "THE SPEED OF NOW: PART 1," COMING 2623 01:51:25,887 --> 01:51:27,097 OUT THIS FRIDAY. 2624 01:51:27,180 --> 01:51:31,017 THEY FOUND A WAY TO PERFORM THIS SONG TOGETHER, BRIDGING THE GAP 2625 01:51:27,180 --> 01:51:31,017 THEY FOUND A WAY TO PERFORM THIS SONG TOGETHER, BRIDGING THE GAP 2626 01:51:31,101 --> 01:51:32,018 BETWEEN TWO DIFFERENT WORLDS AND TIME ZONES. 2627 01:51:32,102 --> 01:51:35,063 AND, I'M SURE THEY HAD A BLAST COMING UP WITH IT. 2628 01:51:35,146 --> 01:51:42,070 HERE'S KEITH URBAN AND P!NK WI“" ONE TOO MANY.” 2629 01:51:35,146 --> 01:51:42,070 HERE'S KEITH URBAN AND P!NK WI“" ONE TOO MANY.” 2630 01:51:35,146 --> 01:51:42,070 HERE'S KEITH URBAN AND P!NK WI“" ONE TOO MANY.” 2631 01:51:42,153 --> 01:51:47,075 ♪ ♪ ♪ ♪ ♪ ♪ 2632 01:51:47,158 --> 01:51:51,079 ♪ DON'T REMEMBER MUCH ABOUT LAST NIGHT 2633 01:51:47,158 --> 01:51:51,079 ♪ DON'T REMEMBER MUCH ABOUT LAST NIGHT 2634 01:51:51,162 --> 01:51:55,250 ♪ WOKE UPON A COUCH SUNRISE SAW THE LIVING ROOM THROUGH 2635 01:51:51,162 --> 01:51:55,250 ♪ WOKE UPON A COUCH SUNRISE SAW THE LIVING ROOM THROUGH 2636 01:51:55,333 --> 01:51:59,087 ♪ THESE BLOODSHOT EYES OF MY MIND 2637 01:51:59,170 --> 01:52:02,090 ♪ COLD SOBER YOU DIDN'T LIKE THAT 2638 01:51:59,170 --> 01:52:02,090 ♪ COLD SOBER YOU DIDN'T LIKE THAT 2639 01:52:02,173 --> 01:52:03,842 ♪ I CAME HOME LATE 4:00 A.M. BUT IT'S 2640 01:52:03,925 --> 01:52:07,137 ♪ A FRIDAY, BABE AND I'VE BEEN WORKIN' HARD 2641 01:52:03,925 --> 01:52:07,137 ♪ A FRIDAY, BABE AND I'VE BEEN WORKIN' HARD 2642 01:52:07,220 --> 01:52:07,929 ♪ CAN'T YOU GIVE ME SOME SPACE 'STEAD SHOUTIN' OUT 2643 01:52:08,012 --> 01:52:13,893 ♪ "OH MY GOD" OH, OH YEAH 2644 01:52:08,012 --> 01:52:13,893 ♪ "OH MY GOD" OH, OH YEAH 2645 01:52:13,977 --> 01:52:15,937 ♪ OH, OH YEAH I GO OUT WITH 2646 01:52:16,020 --> 01:52:19,149 ♪ SOME NEW FRIENDS BUT IT JUST MAKES ME 2647 01:52:16,020 --> 01:52:19,149 ♪ SOME NEW FRIENDS BUT IT JUST MAKES ME 2648 01:52:19,232 --> 01:52:23,987 ♪ MISS YOU MORE, MORE I SPENT ALL MY MONEY 2649 01:52:24,070 --> 01:52:31,161 ♪ DRINKIN' ON MY OWN, YEAH IN THIS BAR JUST SAT HERE 2650 01:52:24,070 --> 01:52:31,161 ♪ DRINKIN' ON MY OWN, YEAH IN THIS BAR JUST SAT HERE 2651 01:52:31,244 --> 01:52:35,331 ♪ STARIN' AT MY PHONE AND I KEEP SECOND GUESSIN' 2652 01:52:35,415 --> 01:52:39,127 ♪ WHERE DID I GO WRONG I KNOW I'M PROUD 2653 01:52:35,415 --> 01:52:39,127 ♪ WHERE DID I GO WRONG I KNOW I'M PROUD 2654 01:52:39,210 --> 01:52:47,135 ♪ BUT I'VE HAD ONE TOO MANY COME TAKE ME HOME 2655 01:52:39,210 --> 01:52:47,135 ♪ BUT I'VE HAD ONE TOO MANY COME TAKE ME HOME 2656 01:52:47,218 --> 01:52:50,680 ♪ NOW I'M THE ONE THAT'S CRYIN' I DIDN'T WANNA CALL 2657 01:52:47,218 --> 01:52:50,680 ♪ NOW I'M THE ONE THAT'S CRYIN' I DIDN'T WANNA CALL 2658 01:52:50,763 --> 01:52:54,851 ♪ I DIDN'T WANNA FIGHT I SWEAR THAT I WAS TRYIN' 2659 01:52:50,763 --> 01:52:54,851 ♪ I DIDN'T WANNA FIGHT I SWEAR THAT I WAS TRYIN' 2660 01:52:54,934 --> 01:52:55,852 ♪ YEAH, BUT EVERYBODY FALLS WHEN THEIR HEAD'S A LITTLE HIGH 2661 01:52:55,935 --> 01:52:59,856 ♪ AND I NEVER MEANT TO GET SO OUT MY MIND 2662 01:52:59,939 --> 01:53:01,858 ♪ WITH YOU PLAYIN' COOL JUST PRETENDIN' IT'S FINE 2663 01:52:59,939 --> 01:53:01,858 ♪ WITH YOU PLAYIN' COOL JUST PRETENDIN' IT'S FINE 2664 01:53:01,941 --> 01:53:07,197 ♪ OH, WE'VE BEEN 'ROUND 'ROUND, 'ROUND THIS 2665 01:53:01,941 --> 01:53:07,197 ♪ OH, WE'VE BEEN 'ROUND 'ROUND, 'ROUND THIS 2666 01:53:07,280 --> 01:53:11,201 ♪ TOO MANY TIMES BEFORE OH, OH YEAH 2667 01:53:11,284 --> 01:53:14,370 ♪ OH, OH YEAH I GO OUT WITH 2668 01:53:11,284 --> 01:53:14,370 ♪ OH, OH YEAH I GO OUT WITH 2669 01:53:14,454 --> 01:53:19,209 ♪ SOME NEW FRIENDS BUT IT JUST MAKES ME 2670 01:53:14,454 --> 01:53:19,209 ♪ SOME NEW FRIENDS BUT IT JUST MAKES ME 2671 01:53:19,292 --> 01:53:23,213 ♪ MISS YOU MORE, MORE I SPENT ALL MY MONEY 2672 01:53:23,296 --> 01:53:30,887 ♪ DRINKIN' ON MY OWN, YEAH IN THIS BAR JUST SAT HERE 2673 01:53:23,296 --> 01:53:30,887 ♪ DRINKIN' ON MY OWN, YEAH IN THIS BAR JUST SAT HERE 2674 01:53:23,296 --> 01:53:30,887 ♪ DRINKIN' ON MY OWN, YEAH IN THIS BAR JUST SAT HERE 2675 01:53:30,970 --> 01:53:31,930 ♪ STARIN' AT MY PHONE AND I KEEP SECOND GUESSIN' 2676 01:53:32,013 --> 01:53:37,810 ♪ WHERE DID I GO WRONG I KNOW I'M PROUD 2677 01:53:32,013 --> 01:53:37,810 ♪ WHERE DID I GO WRONG I KNOW I'M PROUD 2678 01:53:37,894 --> 01:53:43,233 ♪ BUT I'VE HAD ONE TOO MANY COME TAKE ME HOME 2679 01:53:37,894 --> 01:53:43,233 ♪ BUT I'VE HAD ONE TOO MANY COME TAKE ME HOME 2680 01:53:43,316 --> 01:53:49,447 ♪ I DON'T KNOW HOW LUCKY HOW LUCKY I AM, I AM, I AM 2681 01:53:43,316 --> 01:53:49,447 ♪ I DON'T KNOW HOW LUCKY HOW LUCKY I AM, I AM, I AM 2682 01:53:49,531 --> 01:53:50,907 ♪ NO, I GUESS SOMETIMES I SHOULD GIVE MORE OF 2683 01:53:50,990 --> 01:53:55,078 ♪ A DAMN, A DAMN, A DAMN ABOUT YOU 2684 01:53:50,990 --> 01:53:55,078 ♪ A DAMN, A DAMN, A DAMN ABOUT YOU 2685 01:53:55,161 --> 01:53:56,120 ♪ I DON'T KNOW HOW LUCKY HOW LUCKY 2686 01:53:56,204 --> 01:54:01,918 ♪ I AM, I AM, I AM, NO I KNOW WE'RE BOTH STUBBORN 2687 01:53:56,204 --> 01:54:01,918 ♪ I AM, I AM, I AM, NO I KNOW WE'RE BOTH STUBBORN 2688 01:54:02,001 --> 01:54:07,257 ♪ PUSH EACH OTHERS' BUTTONS I'D RATHER DO IT WITH YOU, BUT 2689 01:54:02,001 --> 01:54:07,257 ♪ PUSH EACH OTHERS' BUTTONS I'D RATHER DO IT WITH YOU, BUT 2690 01:54:07,340 --> 01:54:13,721 ♪ I SPENT ALL MY MONEY DRINKIN' ON MY OWN, YEAH 2691 01:54:07,340 --> 01:54:13,721 ♪ I SPENT ALL MY MONEY DRINKIN' ON MY OWN, YEAH 2692 01:54:13,805 --> 01:54:19,269 ♪ IN THIS BAR JUST SAT HERE STARIN' AT MY PHONE 2693 01:54:13,805 --> 01:54:19,269 ♪ IN THIS BAR JUST SAT HERE STARIN' AT MY PHONE 2694 01:54:19,352 --> 01:54:24,941 ♪ I SPENT ALL MY MONEY DRINKIN' ON MY OWN, YEAH 2695 01:54:19,352 --> 01:54:24,941 ♪ I SPENT ALL MY MONEY DRINKIN' ON MY OWN, YEAH 2696 01:54:25,024 --> 01:54:30,905 ♪ IN THIS BAR JUST SAT HERE STARIN' AT MY PHONE, YEAH 2697 01:54:25,024 --> 01:54:30,905 ♪ IN THIS BAR JUST SAT HERE STARIN' AT MY PHONE, YEAH 2698 01:54:30,989 --> 01:54:34,784 ♪ AND I KEEP SECOND GUESSIN' WHERE DID I GO WRONG 2699 01:54:34,867 --> 01:54:38,037 ♪ I KNOW I'M PROUD BUT I'VE HAD ONE TOO MANY 2700 01:54:34,867 --> 01:54:38,037 ♪ I KNOW I'M PROUD BUT I'VE HAD ONE TOO MANY 2701 01:54:38,121 --> 01:54:44,002 ♪ COME TAKE ME HOME ♪ ♪ ♪ 2702 01:54:38,121 --> 01:54:44,002 ♪ COME TAKE ME HOME ♪ ♪ ♪ 2703 01:54:44,085 --> 01:54:49,966 ♪ ♪ ♪ ♪ ♪ ♪ 2704 01:54:44,085 --> 01:54:49,966 ♪ ♪ ♪ ♪ ♪ ♪ 2705 01:54:50,049 --> 01:54:52,927 ♪ ♪ ♪ COME TAKE ME HOME 2706 01:54:53,011 --> 01:54:59,267 ♪ YEAH, I'VE HAD ONE TOO MANY ♪ 2707 01:54:53,011 --> 01:54:59,267 ♪ YEAH, I'VE HAD ONE TOO MANY ♪ 2708 01:54:59,350 --> 01:55:02,020 >> Claudine: NOW, AT THE GRAND OLE OPRY HOUSE, ACM WINNER 2709 01:54:59,350 --> 01:55:02,020 >> Claudine: NOW, AT THE GRAND OLE OPRY HOUSE, ACM WINNER 2710 01:55:02,103 --> 01:55:07,317 LAUREN ALAINA HAS OUR NEXT AWARD. 2711 01:55:02,103 --> 01:55:07,317 LAUREN ALAINA HAS OUR NEXT AWARD. 2712 01:55:07,400 --> 01:55:10,987 >> IF YOU'RE LOOKING FOR FIVE OF THE MOST AMAZING MEN IN COUNTRY 2713 01:55:11,070 --> 01:55:14,115 MUSIC, YOU'LL FIND THEM IN THIS NEXT CATEGORY. 2714 01:55:11,070 --> 01:55:14,115 MUSIC, YOU'LL FIND THEM IN THIS NEXT CATEGORY. 2715 01:55:14,198 --> 01:55:19,454 NOT ONLY DO THEY HAVE SOME OF THE MOST INCREDIBLE VOICES IN 2716 01:55:14,198 --> 01:55:19,454 NOT ONLY DO THEY HAVE SOME OF THE MOST INCREDIBLE VOICES IN 2717 01:55:19,537 --> 01:55:22,040 THE BUSINESS, THEY'VE EACH GOT THE CHARM AND CHARISMA TO 2718 01:55:22,123 --> 01:55:26,127 CAPTURE THE HEARTS OF THEIR FANS. 2719 01:55:22,123 --> 01:55:26,127 CAPTURE THE HEARTS OF THEIR FANS. 2720 01:55:26,210 --> 01:55:31,299 >> Claudine: FOR MALE ARTIST OF THE YEAR, THE NOMINEES ARE... 2721 01:55:26,210 --> 01:55:31,299 >> Claudine: FOR MALE ARTIST OF THE YEAR, THE NOMINEES ARE... 2722 01:55:31,382 --> 01:55:31,674 DIERKS BENTLEY. 2723 01:55:31,758 --> 01:55:35,345 LUKE COMBS. 2724 01:55:35,428 --> 01:55:37,639 THOMAS RHETT. 2725 01:55:35,428 --> 01:55:37,639 THOMAS RHETT. 2726 01:55:37,722 --> 01:55:38,056 CHRIS STAPLETON. 2727 01:55:38,139 --> 01:55:43,353 KEITH URBAN. 2728 01:55:38,139 --> 01:55:43,353 KEITH URBAN. 2729 01:55:43,436 --> 01:55:55,365 >> AND THE A.C.M. MALE ARTIST OF THE YEAR GOES TO... 2730 01:55:43,436 --> 01:55:55,365 >> AND THE A.C.M. MALE ARTIST OF THE YEAR GOES TO... 2731 01:55:43,436 --> 01:55:55,365 >> AND THE A.C.M. MALE ARTIST OF THE YEAR GOES TO... 2732 01:55:55,448 --> 01:55:56,532 LUKE COMBS. 2733 01:55:56,616 --> 01:56:04,540 ♪ ♪ ♪ ♪ ♪ ♪ 2734 01:55:56,616 --> 01:56:04,540 ♪ ♪ ♪ ♪ ♪ ♪ 2735 01:56:04,624 --> 01:56:06,709 >> THIS IS A LOT TO PROCESS RIGHT NOW. 2736 01:56:04,624 --> 01:56:06,709 >> THIS IS A LOT TO PROCESS RIGHT NOW. 2737 01:56:06,793 --> 01:56:09,837 I JUST CAN'T BELIEVE THIS. 2738 01:56:09,921 --> 01:56:15,968 I JUST WANT TO THANK EVERYBODY IN MY LIFE, MY BEAUTIFUL WIFE, 2739 01:56:09,921 --> 01:56:15,968 I JUST WANT TO THANK EVERYBODY IN MY LIFE, MY BEAUTIFUL WIFE, 2740 01:56:16,052 --> 01:56:20,056 AND THE FANS, MAN, I MEAN YOU GUYS ARE-- HAVE DONE 2741 01:56:16,052 --> 01:56:20,056 AND THE FANS, MAN, I MEAN YOU GUYS ARE-- HAVE DONE 2742 01:56:20,139 --> 01:56:23,768 EVERYTHING FOR ME AND I LOVE YOU SO MUCH AND I CAN'T WAIT TO KEEP 2743 01:56:23,851 --> 01:56:25,520 WORKING AND KEEP MAKING YOU PROUD. 2744 01:56:23,851 --> 01:56:25,520 WORKING AND KEEP MAKING YOU PROUD. 2745 01:56:25,603 --> 01:56:26,062 THANK YOU SO MUCH. 2746 01:56:26,145 --> 01:56:28,731 THANK YOU COUNTRY MUSIC. 2747 01:56:28,815 --> 01:56:31,401 I LOVE YOU GUYS AND THANK YOU. 2748 01:56:28,815 --> 01:56:31,401 I LOVE YOU GUYS AND THANK YOU. 2749 01:56:31,484 --> 01:56:34,862 >> Claudine: COMING UP, TRISHA YEARWOOD TAKES THE STAGE AT THE 2750 01:56:34,946 --> 01:56:38,157 GRAND OLE OPRY HOUSE WITH A SPECIAL TRIBUTE TO THE COUNTRY 2751 01:56:34,946 --> 01:56:38,157 GRAND OLE OPRY HOUSE WITH A SPECIAL TRIBUTE TO THE COUNTRY 2752 01:56:38,241 --> 01:56:39,283 MUSIC STARS WE'LL NEVER FORGET. 2753 01:56:39,367 --> 01:56:43,705 THE AWARDS FOR FEMALE ARTIST AND ENTERTAINER OF THE YEAR. 2754 01:56:39,367 --> 01:56:43,705 THE AWARDS FOR FEMALE ARTIST AND ENTERTAINER OF THE YEAR. 2755 01:56:43,788 --> 01:56:44,247 PLUS, FLORIDA GEORGIA LINE. 2756 01:56:44,330 --> 01:56:47,417 THE 55th A.C.M. AWARDS. 2757 01:56:47,500 --> 01:56:49,377 THIS IS CBS. 2758 01:56:47,500 --> 01:56:49,377 THIS IS CBS. 2759 01:56:54,632 --> 01:56:55,591 >> Claudine: TRISHA YEARWOOD WHEN WE CONTINUE. 2760 01:56:55,675 --> 01:56:58,136 THIS IS CBS. 2761 01:57:03,641 --> 01:57:06,144 >> Claudine: WELCOME BACK TO THE 55th A.C.M. AWARDS, LIVE, 2762 01:57:03,641 --> 01:57:06,144 >> Claudine: WELCOME BACK TO THE 55th A.C.M. AWARDS, LIVE, 2763 01:57:06,227 --> 01:57:11,816 AT THE GRAND OLE OPRY HOUSE IN NASHVILLE. 2764 01:57:11,899 --> 01:57:17,280 NOW, WITH OUR NEXT AWARD, HERE'S GOSPEL GREAT CECE WINANS. 2765 01:57:11,899 --> 01:57:17,280 NOW, WITH OUR NEXT AWARD, HERE'S GOSPEL GREAT CECE WINANS. 2766 01:57:17,363 --> 01:57:21,409 >> THEY ARE FIERY, YET MEASURED. 2767 01:57:17,363 --> 01:57:21,409 >> THEY ARE FIERY, YET MEASURED. 2768 01:57:23,619 --> 01:57:24,746 THEY ARE FIERCE, YET VULNERABLE. 2769 01:57:23,619 --> 01:57:24,746 THEY ARE FIERCE, YET VULNERABLE. 2770 01:57:24,829 --> 01:57:32,128 THEY HAVE POWERFUL VOICES, NOT ONLY WHEN THEY'RE SINGING, BUT 2771 01:57:24,829 --> 01:57:32,128 THEY HAVE POWERFUL VOICES, NOT ONLY WHEN THEY'RE SINGING, BUT 2772 01:57:32,211 --> 01:57:33,629 WHEN SPEAKING OUT FOR EQUALITY. 2773 01:57:33,713 --> 01:57:40,011 AND, THIS YEAR, THEY HAVE TAKEN OVER THE COUNTRY CHARTS. 2774 01:57:33,713 --> 01:57:40,011 AND, THIS YEAR, THEY HAVE TAKEN OVER THE COUNTRY CHARTS. 2775 01:57:40,094 --> 01:57:43,931 >> Claudine: FOR FEMALE ARTIST OF THE YEAR, THE NOMINEES ARE... 2776 01:57:40,094 --> 01:57:43,931 >> Claudine: FOR FEMALE ARTIST OF THE YEAR, THE NOMINEES ARE... 2777 01:57:44,015 --> 01:57:44,348 KELSEA BALLERINI. 2778 01:57:44,432 --> 01:57:47,935 MIRANDA LAMBERT. 2779 01:57:48,019 --> 01:57:50,521 MAREN MORRIS. 2780 01:57:50,605 --> 01:57:52,148 KACEY MUSGRAVES. 2781 01:57:52,231 --> 01:57:57,737 CARRIE UNDERWOOD. 2782 01:57:52,231 --> 01:57:57,737 CARRIE UNDERWOOD. 2783 01:57:57,820 --> 01:58:08,122 >> AND THE A.C.M. FEMALE ARTIST OF THE YEAR GOES TO... 2784 01:57:57,820 --> 01:58:08,122 >> AND THE A.C.M. FEMALE ARTIST OF THE YEAR GOES TO... 2785 01:57:57,820 --> 01:58:08,122 >> AND THE A.C.M. FEMALE ARTIST OF THE YEAR GOES TO... 2786 01:58:08,206 --> 01:58:10,666 MAREN MORRIS. 2787 01:58:10,750 --> 01:58:23,387 ♪ ♪ ♪ ♪ ♪ ♪ 2788 01:58:10,750 --> 01:58:23,387 ♪ ♪ ♪ ♪ ♪ ♪ 2789 01:58:10,750 --> 01:58:23,387 ♪ ♪ ♪ ♪ ♪ ♪ 2790 01:58:23,471 --> 01:58:26,140 ♪ THIS IS SO WEIRD TALKING TO TO ONE BUT I HAVE SO MANY PEOPLE 2791 01:58:23,471 --> 01:58:26,140 ♪ THIS IS SO WEIRD TALKING TO TO ONE BUT I HAVE SO MANY PEOPLE 2792 01:58:26,224 --> 01:58:27,058 THO THANK I. 2793 01:58:27,141 --> 01:58:29,185 I WILL TRY TO MAKE IT SHORLT. 2794 01:58:29,268 --> 01:58:33,898 THIS IS AN AWARD I WOULD I NEVER THOUGHT I WOULD GET TO WIN SO 2795 01:58:29,268 --> 01:58:33,898 THIS IS AN AWARD I WOULD I NEVER THOUGHT I WOULD GET TO WIN SO 2796 01:58:33,981 --> 01:58:35,024 THANK YOU TO THE VOTERS. 2797 01:58:35,107 --> 01:58:39,111 THANK YOU TO MY BEAUTIFUL HUSBAND AND MY NEW BABY BOY. 2798 01:58:35,107 --> 01:58:39,111 THANK YOU TO MY BEAUTIFUL HUSBAND AND MY NEW BABY BOY. 2799 01:58:39,195 --> 01:58:41,989 HAZE, WHO IS DEFINITELY ASLEEP RIGHT NOW I HOPE. 2800 01:58:42,073 --> 01:58:44,200 OH MY GOD, I HAVE TO PEE. 2801 01:58:44,283 --> 01:58:46,494 THANK YOU SO MUCH, I'M NEVER GOING TO FORGET THIS. 2802 01:58:46,577 --> 01:58:51,707 THANK YOU TO SONNY, THANK YOU TO MY TEAM, JANET AT RED DS LIGHT, 2803 01:58:46,577 --> 01:58:51,707 THANK YOU TO SONNY, THANK YOU TO MY TEAM, JANET AT RED DS LIGHT, 2804 01:58:51,791 --> 01:59:00,007 THANK YOU CAA, THANK YOU COUNTRY MUSIC AND VOTE! 2805 01:58:51,791 --> 01:59:00,007 THANK YOU CAA, THANK YOU COUNTRY MUSIC AND VOTE! 2806 01:58:51,791 --> 01:59:00,007 THANK YOU CAA, THANK YOU COUNTRY MUSIC AND VOTE! 2807 01:59:00,091 --> 01:59:02,677 >> Claudine: OUR NEXT ARTIST HAS A VERY SPECIAL PERFORMANCE FOR 2808 01:59:02,760 --> 01:59:04,220 US TONIGHT. 2809 01:59:04,303 --> 01:59:05,930 HERE'S TRISHA YEARWOOD. 2810 01:59:06,013 --> 01:59:09,308 >> THIS YEAR, THE COUNTRY MUSIC WORLD LOST SOME CHERISHED 2811 01:59:09,392 --> 01:59:12,436 MEMBERS, FROM A FIDDLER AND A GAMBLER, TO A CRICKET AND A“ 2812 01:59:09,392 --> 01:59:12,436 MEMBERS, FROM A FIDDLER AND A GAMBLER, TO A CRICKET AND A“ 2813 01:59:12,520 --> 01:59:15,565 PICKUP MAN;” FROM A STATLER BROTHER, TO “THE ONE YOU SLIP 2814 01:59:15,648 --> 01:59:17,984 AROUND WITH.” WE ALSO SAID GOODBYE TO THE 2815 01:59:18,067 --> 01:59:22,113 TALENTS WHO WROTE THE SONGS, THE MUSICIANS WHO PLAYED THEM, THE 2816 01:59:22,196 --> 01:59:23,948 EXECUTIVES WHO FOSTERED THEM, AND THE RADIO D.J.S WHO PROMOTED 2817 01:59:24,031 --> 01:59:26,742 THEM. 2818 01:59:26,826 --> 01:59:29,912 THIS SONG IS FOR THOSE FRIENDS AND EVERYONE WHOSE EARTHLY 2819 01:59:29,996 --> 01:59:32,248 PRESENCE IS MISSED, BUT WHOSE MEMORY WILL BE WITH US FOR ALL 2820 01:59:29,996 --> 01:59:32,248 PRESENCE IS MISSED, BUT WHOSE MEMORY WILL BE WITH US FOR ALL 2821 01:59:32,331 --> 01:59:40,256 TIME. 2822 01:59:32,331 --> 01:59:40,256 TIME. 2823 01:59:40,339 --> 01:59:41,382 ♪ WHEN YOU CAN'T WALK AND THERE'S CHAINS 2824 01:59:41,465 --> 01:59:52,268 ♪ 'ROUND YOUR SOUL THE BURDEN'S TOO HEAVY 2825 01:59:41,465 --> 01:59:52,268 ♪ 'ROUND YOUR SOUL THE BURDEN'S TOO HEAVY 2826 01:59:41,465 --> 01:59:52,268 ♪ 'ROUND YOUR SOUL THE BURDEN'S TOO HEAVY 2827 01:59:52,351 --> 02:00:02,403 ♪ AND YOU'VE RUN OUT OF ROAD AND YOU'RE PRAYING OUT LOUD 2828 01:59:52,351 --> 02:00:02,403 ♪ AND YOU'VE RUN OUT OF ROAD AND YOU'RE PRAYING OUT LOUD 2829 01:59:52,351 --> 02:00:02,403 ♪ AND YOU'VE RUN OUT OF ROAD AND YOU'RE PRAYING OUT LOUD 2830 02:00:02,486 --> 02:00:08,284 ♪ AS YOU STUMBLE THROUGH THE RAIN AND SNOW 2831 02:00:02,486 --> 02:00:08,284 ♪ AS YOU STUMBLE THROUGH THE RAIN AND SNOW 2832 02:00:08,367 --> 02:00:18,002 ♪ I'LL WALK OUT AND FIND YOU I'LL CARRY YOU HOME 2833 02:00:08,367 --> 02:00:18,002 ♪ I'LL WALK OUT AND FIND YOU I'LL CARRY YOU HOME 2834 02:00:08,367 --> 02:00:18,002 ♪ I'LL WALK OUT AND FIND YOU I'LL CARRY YOU HOME 2835 02:00:18,085 --> 02:00:32,308 ♪ WHEN YOU CAN'T SPEAK 'CAUSE THE WORDS ARE TOO STRONG 2836 02:00:18,085 --> 02:00:32,308 ♪ WHEN YOU CAN'T SPEAK 'CAUSE THE WORDS ARE TOO STRONG 2837 02:00:18,085 --> 02:00:32,308 ♪ WHEN YOU CAN'T SPEAK 'CAUSE THE WORDS ARE TOO STRONG 2838 02:00:32,391 --> 02:00:38,481 ♪ AND EVERY TIME THAT YOU TRY IT JUST COMES OUT ALL WRONG 2839 02:00:32,391 --> 02:00:38,481 ♪ AND EVERY TIME THAT YOU TRY IT JUST COMES OUT ALL WRONG 2840 02:00:38,564 --> 02:00:48,115 ♪ WHEN YOUR HEART'S SCREAMING OUT, BUT 2841 02:00:38,564 --> 02:00:48,115 ♪ WHEN YOUR HEART'S SCREAMING OUT, BUT 2842 02:00:38,564 --> 02:00:48,115 ♪ WHEN YOUR HEART'S SCREAMING OUT, BUT 2843 02:00:48,199 --> 02:00:56,332 ♪ NO ONE CAN HEAR YOUR SONG OH, I'LL SING IT FOR YOU 2844 02:00:48,199 --> 02:00:56,332 ♪ NO ONE CAN HEAR YOUR SONG OH, I'LL SING IT FOR YOU 2845 02:00:56,415 --> 02:01:04,382 ♪ I'LL CARRY YOU HOME I'LL CARRY YOU HOME 2846 02:00:56,415 --> 02:01:04,382 ♪ I'LL CARRY YOU HOME I'LL CARRY YOU HOME 2847 02:01:04,465 --> 02:01:16,352 ♪ I'LL CARRY YOU HOME SO REST YOUR HEART EASY 2848 02:01:04,465 --> 02:01:16,352 ♪ I'LL CARRY YOU HOME SO REST YOUR HEART EASY 2849 02:01:04,465 --> 02:01:16,352 ♪ I'LL CARRY YOU HOME SO REST YOUR HEART EASY 2850 02:01:16,435 --> 02:01:31,325 ♪ I'LL CARRY YOU HOME SO WANDER THIS WORLD NOW 2851 02:01:16,435 --> 02:01:31,325 ♪ I'LL CARRY YOU HOME SO WANDER THIS WORLD NOW 2852 02:01:16,435 --> 02:01:31,325 ♪ I'LL CARRY YOU HOME SO WANDER THIS WORLD NOW 2853 02:01:16,435 --> 02:01:31,325 ♪ I'LL CARRY YOU HOME SO WANDER THIS WORLD NOW 2854 02:01:31,409 --> 02:01:32,368 ♪ I'LL CARRY YOU HOME SO WANDER THIS WORLD NOW 2855 02:01:32,451 --> 02:01:44,380 ♪ FEARLESS AND FREE CLIMB EVERY MOUNTAIN 2856 02:01:32,451 --> 02:01:44,380 ♪ FEARLESS AND FREE CLIMB EVERY MOUNTAIN 2857 02:01:32,451 --> 02:01:44,380 ♪ FEARLESS AND FREE CLIMB EVERY MOUNTAIN 2858 02:01:44,463 --> 02:01:54,181 ♪ AND SAIL EVERY SEA BUT IF YOU WANDER TOO FAR 2859 02:01:44,463 --> 02:01:54,181 ♪ AND SAIL EVERY SEA BUT IF YOU WANDER TOO FAR 2860 02:01:44,463 --> 02:01:54,181 ♪ AND SAIL EVERY SEA BUT IF YOU WANDER TOO FAR 2861 02:01:54,265 --> 02:02:04,400 ♪ INTO THE GREAT UNKNOWN YOU KNOW I WILL FIND YOU 2862 02:01:54,265 --> 02:02:04,400 ♪ INTO THE GREAT UNKNOWN YOU KNOW I WILL FIND YOU 2863 02:02:04,483 --> 02:02:16,412 ♪ I'LL CARRY YOU HOME I'LL CARRY YOU HOME 2864 02:02:04,483 --> 02:02:16,412 ♪ I'LL CARRY YOU HOME I'LL CARRY YOU HOME 2865 02:02:04,483 --> 02:02:16,412 ♪ I'LL CARRY YOU HOME I'LL CARRY YOU HOME 2866 02:02:16,495 --> 02:02:24,420 ♪ I'LL CARRY YOU HOME SO REST YOUR HEART EASY 2867 02:02:16,495 --> 02:02:24,420 ♪ I'LL CARRY YOU HOME SO REST YOUR HEART EASY 2868 02:02:16,495 --> 02:02:24,420 ♪ I'LL CARRY YOU HOME SO REST YOUR HEART EASY 2869 02:02:24,503 --> 02:02:36,265 ♪ I'LL CARRY YOU HOME I'LL CARRY YOU HOME 2870 02:02:24,503 --> 02:02:36,265 ♪ I'LL CARRY YOU HOME I'LL CARRY YOU HOME 2871 02:02:24,503 --> 02:02:36,265 ♪ I'LL CARRY YOU HOME I'LL CARRY YOU HOME 2872 02:02:36,348 --> 02:02:42,271 ♪ I'LL CARRY YOU HOME I'LL CARRY YOU HOME 2873 02:02:36,348 --> 02:02:42,271 ♪ I'LL CARRY YOU HOME I'LL CARRY YOU HOME 2874 02:02:42,354 --> 02:02:52,448 ♪ SO REST YOUR HEART EASY I'LL CARRY YOU HOME 2875 02:02:42,354 --> 02:02:52,448 ♪ SO REST YOUR HEART EASY I'LL CARRY YOU HOME 2876 02:02:52,531 --> 02:03:02,583 ♪ REST YOUR HEART EASY I'LL CARRY YOU HOME ♪ 2877 02:02:52,531 --> 02:03:02,583 ♪ REST YOUR HEART EASY I'LL CARRY YOU HOME ♪ 2878 02:02:52,531 --> 02:03:02,583 ♪ REST YOUR HEART EASY I'LL CARRY YOU HOME ♪ 2879 02:03:22,686 --> 02:03:24,647 >> Claudine: THE 55th ACADEMY OF COUNTRY MUSIC AWARDS. 2880 02:03:22,686 --> 02:03:24,647 >> Claudine: THE 55th ACADEMY OF COUNTRY MUSIC AWARDS. 2881 02:03:24,730 --> 02:03:27,024 SPONSORED BY FORD. 2882 02:03:27,108 --> 02:03:27,900 BUILT FORD PROUD. 2883 02:03:34,365 --> 02:03:35,533 >> Claudine: WELCOME BACK. 2884 02:03:35,616 --> 02:03:37,493 AND NOW, WITH THEIR 17th NUMBER ONE SINGLE "I LOVE MY COUNTRY," 2885 02:03:35,616 --> 02:03:37,493 AND NOW, WITH THEIR 17th NUMBER ONE SINGLE "I LOVE MY COUNTRY," 2886 02:03:37,576 --> 02:03:42,623 HERE IS FLORIDA GEORGIA LINE. 2887 02:03:37,576 --> 02:03:42,623 HERE IS FLORIDA GEORGIA LINE. 2888 02:03:42,706 --> 02:03:48,379 ♪ ♪ ♪ WHAT'S UP, Y'ALL KNOW THE BOYS 2889 02:03:42,706 --> 02:03:48,379 ♪ ♪ ♪ WHAT'S UP, Y'ALL KNOW THE BOYS 2890 02:03:48,462 --> 02:03:54,635 CAME TO ROCK, BROKEN FOOT AND ALL. 2891 02:03:48,462 --> 02:03:54,635 CAME TO ROCK, BROKEN FOOT AND ALL. 2892 02:03:54,718 --> 02:03:56,595 ♪ ♪ ♪ OUT HERE, AIN'T NOTHIN' 2893 02:03:56,679 --> 02:04:00,641 ♪ BUT WOODS AND WATER DROP A DEER FROM A STAND 2894 02:03:56,679 --> 02:04:00,641 ♪ BUT WOODS AND WATER DROP A DEER FROM A STAND 2895 02:04:00,724 --> 02:04:03,018 ♪ CATCH A FISH WITH A BOBBER DRINK A BEER OUT THE CAN 2896 02:04:03,102 --> 02:04:06,689 ♪ LIQUOR OUT THE BOTTLE HOW THE GOOD LORD INTENDED IT 2897 02:04:03,102 --> 02:04:06,689 ♪ LIQUOR OUT THE BOTTLE HOW THE GOOD LORD INTENDED IT 2898 02:04:06,772 --> 02:04:10,985 ♪ YES HE DID I LOVE MY COUNTRY 2899 02:04:11,068 --> 02:04:12,695 ♪ I LOVE MY COUNTRY SIX STRINGS AND FIDDLES 2900 02:04:11,068 --> 02:04:12,695 ♪ I LOVE MY COUNTRY SIX STRINGS AND FIDDLES 2901 02:04:12,778 --> 02:04:17,825 ♪ WHISKEY FROM KENTUCKY WE KEEP IT FUNKY 2902 02:04:17,908 --> 02:04:21,078 ♪ WE LIKE HOW IT SOUNDS MONDAY TO SUNDAY 2903 02:04:17,908 --> 02:04:21,078 ♪ WE LIKE HOW IT SOUNDS MONDAY TO SUNDAY 2904 02:04:21,162 --> 02:04:23,372 ♪ YEAH, I LOVE MY COUNTRY UP LOUD AND PROUD 2905 02:04:23,455 --> 02:04:27,084 ♪ ROLLIN' INTO TOWN HANGIN' OUT THE WINDOW 2906 02:04:23,455 --> 02:04:27,084 ♪ ROLLIN' INTO TOWN HANGIN' OUT THE WINDOW 2907 02:04:27,168 --> 02:04:30,713 ♪ LIKE A BLUETICK HOUND AIN'T SORRY, AIN'T NOTHIN' 2908 02:04:27,168 --> 02:04:30,713 ♪ LIKE A BLUETICK HOUND AIN'T SORRY, AIN'T NOTHIN' 2909 02:04:30,796 --> 02:04:35,134 ♪ TO BE SORRY ABOUT I LOVE MY COUNTRY AND 2910 02:04:35,217 --> 02:04:44,476 ♪ I LOVE MY COUNTRY UP LOUD BARBECUE, STEAK FRIES 2911 02:04:35,217 --> 02:04:44,476 ♪ I LOVE MY COUNTRY UP LOUD BARBECUE, STEAK FRIES 2912 02:04:35,217 --> 02:04:44,476 ♪ I LOVE MY COUNTRY UP LOUD BARBECUE, STEAK FRIES 2913 02:04:44,560 --> 02:04:47,104 ♪ STYROFOAM PLATE DATE NIGHT GEORGE STRAIT SINGING 2914 02:04:47,188 --> 02:04:48,981 ♪ GREATS WHILE WE TURNING UP SITTING LAKESIDE 2915 02:04:47,188 --> 02:04:48,981 ♪ GREATS WHILE WE TURNING UP SITTING LAKESIDE 2916 02:04:49,064 --> 02:04:51,066 ♪ THAT PEDAL STEEL SHE STRAIGHT SLIDING 2917 02:04:51,150 --> 02:04:54,695 ♪ OVER HERE TO ME SHE DO THAT ALABAMA SHAKE 2918 02:04:51,150 --> 02:04:54,695 ♪ OVER HERE TO ME SHE DO THAT ALABAMA SHAKE 2919 02:04:54,778 --> 02:04:58,532 ♪ LIKE YOU AIN'T EVER SEEN I LOVE MY COUNTRY 2920 02:04:58,616 --> 02:05:00,701 ♪ I LOVE MY COUNTRY SIX STRINGS AND FIDDLES 2921 02:04:58,616 --> 02:05:00,701 ♪ I LOVE MY COUNTRY SIX STRINGS AND FIDDLES 2922 02:05:00,784 --> 02:05:04,580 ♪ WHISKEY FROM KENTUCKY WE KEEP IT FUNKY 2923 02:05:04,663 --> 02:05:07,166 ♪ WE LIKE HOW IT SOUNDS MONDAY TO SUNDAY 2924 02:05:04,663 --> 02:05:07,166 ♪ WE LIKE HOW IT SOUNDS MONDAY TO SUNDAY 2925 02:05:07,249 --> 02:05:11,212 ♪ YEAH, I LOVE MY COUNTRY UP LOUD AND PROUD 2926 02:05:11,295 --> 02:05:15,216 ♪ ROLLIN' INTO TOWN HANGIN' OUT THE WINDOW 2927 02:05:11,295 --> 02:05:15,216 ♪ ROLLIN' INTO TOWN HANGIN' OUT THE WINDOW 2928 02:05:15,299 --> 02:05:18,761 ♪ LIKE A BLUETICK HOUND AIN'T SORRY, AIN'T NOTHIN' 2929 02:05:15,299 --> 02:05:18,761 ♪ LIKE A BLUETICK HOUND AIN'T SORRY, AIN'T NOTHIN' 2930 02:05:18,844 --> 02:05:23,224 ♪ TO BE SORRY ABOUT I LOVE MY COUNTRY AND 2931 02:05:23,307 --> 02:05:35,152 ♪ I LOVE MY COUNTRY UP LOUD I LOVE MY COUNTRY UP LOUD 2932 02:05:23,307 --> 02:05:35,152 ♪ I LOVE MY COUNTRY UP LOUD I LOVE MY COUNTRY UP LOUD 2933 02:05:23,307 --> 02:05:35,152 ♪ I LOVE MY COUNTRY UP LOUD I LOVE MY COUNTRY UP LOUD 2934 02:05:35,236 --> 02:05:39,156 ♪ I'M TALKING WAY UP LOUD I LIKE POP, AND ROCK, AND RAP 2935 02:05:35,236 --> 02:05:39,156 ♪ I'M TALKING WAY UP LOUD I LIKE POP, AND ROCK, AND RAP 2936 02:05:39,240 --> 02:05:42,785 ♪ I LIKE SKYNYRD AND GOIN' OUT DOWNTOWN 2937 02:05:39,240 --> 02:05:42,785 ♪ I LIKE SKYNYRD AND GOIN' OUT DOWNTOWN 2938 02:05:42,868 --> 02:05:46,830 ♪ WHEN I'M WITH HER LIKE DRIVIN' TOO FAST 2939 02:05:46,914 --> 02:05:50,459 ♪ DOWN A FOUR LANE ROAD BUT DAMN SURE NOWHERE CLOSE 2940 02:05:46,914 --> 02:05:50,459 ♪ DOWN A FOUR LANE ROAD BUT DAMN SURE NOWHERE CLOSE 2941 02:05:50,542 --> 02:05:53,963 ♪ TO THE WAY THAT I LOVE MY COUNTRY 2942 02:05:54,046 --> 02:05:57,341 ♪ I LOVE MY COUNTRY SIX STRINGS AND FIDDLES 2943 02:05:57,424 --> 02:05:59,218 ♪ WHISKEY FROM KENTUCKY WE KEEP IT FUNKY 2944 02:05:59,301 --> 02:06:03,138 ♪ WE LIKE HOW IT SOUNDS MONDAY TO SUNDAY 2945 02:05:59,301 --> 02:06:03,138 ♪ WE LIKE HOW IT SOUNDS MONDAY TO SUNDAY 2946 02:06:03,222 --> 02:06:06,809 ♪ YEAH, I LOVE MY COUNTRY UP LOUD AND PROUD 2947 02:06:03,222 --> 02:06:06,809 ♪ YEAH, I LOVE MY COUNTRY UP LOUD AND PROUD 2948 02:06:06,892 --> 02:06:11,272 ♪ ROLLIN' INTO TOWN HANGIN' OUT THE WINDOW 2949 02:06:11,355 --> 02:06:12,856 ♪ LIKE A BLUETICK HOUND AIN'T SORRY, AIN'T NOTHIN' 2950 02:06:11,355 --> 02:06:12,856 ♪ LIKE A BLUETICK HOUND AIN'T SORRY, AIN'T NOTHIN' 2951 02:06:12,940 --> 02:06:18,821 ♪ TO BE SORRY ABOUT I LOVE MY COUNTRY AND 2952 02:06:12,940 --> 02:06:18,821 ♪ TO BE SORRY ABOUT I LOVE MY COUNTRY AND 2953 02:06:18,904 --> 02:06:23,284 ♪ I LOVE MY COUNTRY UP LOUD YEAH, BABY 2954 02:06:23,367 --> 02:06:30,833 ♪ WOO I LOVE MY COUNTRY UP LOUD 2955 02:06:23,367 --> 02:06:30,833 ♪ WOO I LOVE MY COUNTRY UP LOUD 2956 02:06:23,367 --> 02:06:30,833 ♪ WOO I LOVE MY COUNTRY UP LOUD 2957 02:06:30,916 --> 02:06:35,129 ♪ YEAH, WAY UP LOUD AIN'T THAT RIGHT, A.C.M.S, THANK 2958 02:06:35,212 --> 02:06:44,555 YOU GUYS SO MUCH, WE LOVE Y'ALL. 2959 02:06:35,212 --> 02:06:44,555 YOU GUYS SO MUCH, WE LOVE Y'ALL. 2960 02:06:35,212 --> 02:06:44,555 YOU GUYS SO MUCH, WE LOVE Y'ALL. 2961 02:06:44,638 --> 02:06:47,182 YEAH! 2962 02:06:47,266 --> 02:06:51,520 >> Keith: WHOOO! 2963 02:06:47,266 --> 02:06:51,520 >> Keith: WHOOO! 2964 02:06:51,603 --> 02:06:53,564 KILLING IT, ROCK 'N' ROLL STYLE. 2965 02:06:53,647 --> 02:06:57,484 OKAY, WELCOME BACK, EVERYBODY. 2966 02:06:53,647 --> 02:06:57,484 OKAY, WELCOME BACK, EVERYBODY. 2967 02:06:57,568 --> 02:07:02,197 I WANT TO SEND A SHOUT OUT TO MY GIRLS, WATCHING AT HOME TONIGHT, 2968 02:06:57,568 --> 02:07:02,197 I WANT TO SEND A SHOUT OUT TO MY GIRLS, WATCHING AT HOME TONIGHT, 2969 02:07:02,281 --> 02:07:03,824 I LOVE YOU GUYS AND I MISS YOU. 2970 02:07:03,907 --> 02:07:09,747 BUT RIGHT NOW IT IS TIME TO PRESENT THE ACM AWARD, TALKING 2971 02:07:03,907 --> 02:07:09,747 BUT RIGHT NOW IT IS TIME TO PRESENT THE ACM AWARD, TALKING 2972 02:07:09,830 --> 02:07:10,706 ABOUT ENTERTAINER OF THE YEAR. 2973 02:07:10,789 --> 02:07:11,957 TOP HONOR. 2974 02:07:12,041 --> 02:07:15,627 THISSIER'S NOMINEES HAVE HAD TO WAIT AN EXTRA FIVE MONTHS, WHICH 2975 02:07:15,711 --> 02:07:20,674 TECHNICALLY MEANS I AM THE LONGEST REIGNING ENTERTAINER OF 2976 02:07:15,711 --> 02:07:20,674 TECHNICALLY MEANS I AM THE LONGEST REIGNING ENTERTAINER OF 2977 02:07:20,758 --> 02:07:23,260 A GIVEN YEAR. 2978 02:07:23,344 --> 02:07:24,887 I WILL TAKE IT. 2979 02:07:23,344 --> 02:07:24,887 I WILL TAKE IT. 2980 02:07:24,970 --> 02:07:32,686 BUT I WILL NOW HAPPILY TURN IT OVER TO ONE OF THESE INCREDIBLE 2981 02:07:24,970 --> 02:07:32,686 BUT I WILL NOW HAPPILY TURN IT OVER TO ONE OF THESE INCREDIBLE 2982 02:07:32,770 --> 02:07:34,855 ARTISTS. 2983 02:07:34,938 --> 02:07:36,565 >> Claudine: FOR ENTERTAINER OF THE YEAR, THE NOMINEES ARE... 2984 02:07:34,938 --> 02:07:36,565 >> Claudine: FOR ENTERTAINER OF THE YEAR, THE NOMINEES ARE... 2985 02:07:36,648 --> 02:07:37,358 LUKE BRYAN. 2986 02:07:37,441 --> 02:07:37,733 ERIC CHURCH. 2987 02:07:37,816 --> 02:07:39,735 LUKE COMBS. 2988 02:07:39,818 --> 02:07:41,236 THOMAS RHETT. 2989 02:07:41,320 --> 02:07:49,912 CARRIE UNDERWOOD. 2990 02:07:41,320 --> 02:07:49,912 CARRIE UNDERWOOD. 2991 02:07:41,320 --> 02:07:49,912 CARRIE UNDERWOOD. 2992 02:07:49,995 --> 02:07:53,248 >> Keith: AND THE WINNER OF THE A.C.M. ENTERTAINER OF THE YEAR 2993 02:07:53,332 --> 02:08:08,222 IS... 2994 02:07:53,332 --> 02:08:08,222 IS... 2995 02:07:53,332 --> 02:08:08,222 IS... 2996 02:07:53,332 --> 02:08:08,222 IS... 2997 02:08:08,305 --> 02:08:08,639 IS... 2998 02:08:08,722 --> 02:08:09,848 WE HAVE A TIE. 2999 02:08:09,932 --> 02:08:16,814 THIS HAS GOT TOO GOT TO BE A FIRST I DON'T KNOW IF I AM GOING 3000 02:08:09,932 --> 02:08:16,814 THIS HAS GOT TOO GOT TO BE A FIRST I DON'T KNOW IF I AM GOING 3001 02:08:16,897 --> 02:08:18,941 TO GET-- I HAVE NEVER HEARD OF IT. 3002 02:08:16,897 --> 02:08:18,941 TO GET-- I HAVE NEVER HEARD OF IT. 3003 02:08:19,024 --> 02:08:23,237 A TIE FOR THE ENTERTAINER OF THE YEAR, TWO ARTISTS HAVE WON IN. 3004 02:08:23,320 --> 02:08:26,990 THE FIRST ARTIST TONIGHT TO RECEIVE THE ENTERTAINER OF THE 3005 02:08:23,320 --> 02:08:26,990 THE FIRST ARTIST TONIGHT TO RECEIVE THE ENTERTAINER OF THE 3006 02:08:27,074 --> 02:08:30,828 YEAR AWARD, THOMAS RHETT. 3007 02:08:27,074 --> 02:08:30,828 YEAR AWARD, THOMAS RHETT. 3008 02:08:30,911 --> 02:08:31,787 ♪ LOOK WHAT GOD GAVE. 3009 02:08:31,870 --> 02:08:34,081 ♪ SHE WALKED IN THE ROOM. 3010 02:08:34,164 --> 02:08:36,750 ♪ LIKE HE ANSWERED MY PRAYER. 3011 02:08:34,164 --> 02:08:36,750 ♪ LIKE HE ANSWERED MY PRAYER. 3012 02:08:36,834 --> 02:08:38,502 ♪. 3013 02:08:38,585 --> 02:08:39,086 >> WHOOO! 3014 02:08:39,169 --> 02:08:41,338 OH MY GOODNESS GRACIOUS. 3015 02:08:41,422 --> 02:08:45,300 KEITH, WHAT IS HAPPENING RIGHT NOW? 3016 02:08:41,422 --> 02:08:45,300 KEITH, WHAT IS HAPPENING RIGHT NOW? 3017 02:08:45,384 --> 02:08:46,844 >> OKAY, HAVE I 27 SECONDS, THANK YOU SO THE LORD, JESUS 3018 02:08:46,927 --> 02:08:50,806 CHRIST, MY LORD AND SAFFIER, THANK YOU SO MUCH TO MY WIFE, MY 3019 02:08:46,927 --> 02:08:50,806 CHRIST, MY LORD AND SAFFIER, THANK YOU SO MUCH TO MY WIFE, MY 3020 02:08:50,889 --> 02:08:54,101 BABY GIRL, WATCHING THIS RIGHT NOW, WILL AND GRAY, I LOVE YOU, 3021 02:08:50,889 --> 02:08:54,101 BABY GIRL, WATCHING THIS RIGHT NOW, WILL AND GRAY, I LOVE YOU, 3022 02:08:54,184 --> 02:08:56,770 EDDIE JAMES I LOVE YOU, LENNON I LOVE YOU. 3023 02:08:56,854 --> 02:09:01,150 TO MY MANAGEMENT, MY RECORD LABEL, TO MY PUBLISHERS, TO LIVE 3024 02:08:56,854 --> 02:09:01,150 TO MY MANAGEMENT, MY RECORD LABEL, TO MY PUBLISHERS, TO LIVE 3025 02:09:01,233 --> 02:09:03,819 NATION, EVERYONE THAT MADE IT POSSIBLE, TO MY BAND AND CREW 3026 02:09:03,902 --> 02:09:08,449 WHO PUT IN COUNTLESS HOURS JUST MAKING OUR SHOW WHAT ST. 3027 02:09:03,902 --> 02:09:08,449 WHO PUT IN COUNTLESS HOURS JUST MAKING OUR SHOW WHAT ST. 3028 02:09:08,532 --> 02:09:11,452 THANK YOU TO THE FANS, THANK YOU TO THE A.C.M.S, I LOVE YOU, I 3029 02:09:11,535 --> 02:09:12,369 LOVE YOU. 3030 02:09:11,535 --> 02:09:12,369 LOVE YOU. 3031 02:09:12,453 --> 02:09:17,458 THANK YOU. 3032 02:09:17,541 --> 02:09:18,834 >> Keith: CONGRATS, TR. 3033 02:09:17,541 --> 02:09:18,834 >> Keith: CONGRATS, TR. 3034 02:09:18,917 --> 02:09:22,546 MAN, THIS IS CRAZY. 3035 02:09:22,629 --> 02:09:30,846 TIED WITH TR TONIGHT AS ENTERTAINER OF THE YEAR, CARRIE 3036 02:09:22,629 --> 02:09:30,846 TIED WITH TR TONIGHT AS ENTERTAINER OF THE YEAR, CARRIE 3037 02:09:22,629 --> 02:09:30,846 TIED WITH TR TONIGHT AS ENTERTAINER OF THE YEAR, CARRIE 3038 02:09:30,929 --> 02:09:32,473 UNDERWOOD. 3039 02:09:32,556 --> 02:09:39,229 ♪ I BELIEVE YOU AND ME AS SISTERS AND BROTHERS. 3040 02:09:32,556 --> 02:09:39,229 ♪ I BELIEVE YOU AND ME AS SISTERS AND BROTHERS. 3041 02:09:39,313 --> 02:09:40,189 ♪ AND I. 3042 02:09:40,272 --> 02:09:40,522 ♪. 3043 02:09:40,606 --> 02:09:42,941 >> 2020 MAN. 3044 02:09:40,606 --> 02:09:42,941 >> 2020 MAN. 3045 02:09:43,025 --> 02:09:45,861 THANK YOU GOD, SO MUCH. 3046 02:09:45,944 --> 02:09:47,988 ALL GLORY, GLORY TO GOD. 3047 02:09:48,071 --> 02:09:52,034 TANK YOU TO THE ACM, NOT JUST FOR THIS, BUT FOR PUTTING ME IN 3048 02:09:52,117 --> 02:09:53,285 SUCH INCREDIBLE COMPANY. 3049 02:09:53,368 --> 02:09:56,580 I AM MORE THAN HAPPY TO SHARE THIS WITH THOMAS RHETT AND JUST 3050 02:09:53,368 --> 02:09:56,580 I AM MORE THAN HAPPY TO SHARE THIS WITH THOMAS RHETT AND JUST 3051 02:09:56,663 --> 02:10:01,376 TO HAVE MY NAME MENTIONED WITH HIS AND LUKE AND LUKE AND ERIC 3052 02:09:56,663 --> 02:10:01,376 TO HAVE MY NAME MENTIONED WITH HIS AND LUKE AND LUKE AND ERIC 3053 02:10:01,460 --> 02:10:03,921 CHURCH, I AM BEYOND HONORED. 3054 02:10:04,004 --> 02:10:07,549 THANK YOU UMG, THANK YOU AUSTRALIAN AND MY TEAM. 3055 02:10:04,004 --> 02:10:07,549 THANK YOU UMG, THANK YOU AUSTRALIAN AND MY TEAM. 3056 02:10:07,633 --> 02:10:10,427 THANK YOU FANS FOR COMING OUT TO SEE US, SPENDING YOUR 3057 02:10:10,511 --> 02:10:13,555 HARD-EARNED MONEY, BAND, CREW, EVERYBODY THAT MAKES THIS SHOW 3058 02:10:10,511 --> 02:10:13,555 HARD-EARNED MONEY, BAND, CREW, EVERYBODY THAT MAKES THIS SHOW 3059 02:10:13,639 --> 02:10:14,389 HAPPEN. 3060 02:10:14,473 --> 02:10:19,144 YOU GUYS, HOLD ON, IT WILL HAPPEN AGAIN. 3061 02:10:14,473 --> 02:10:19,144 YOU GUYS, HOLD ON, IT WILL HAPPEN AGAIN. 3062 02:10:19,228 --> 02:10:20,354 JUST HOLD ON. 3063 02:10:20,437 --> 02:10:24,191 THANK YOU TO EVERYBODY HERE PUTTING ON THE A.C.M.S TONIGHT. 3064 02:10:20,437 --> 02:10:24,191 THANK YOU TO EVERYBODY HERE PUTTING ON THE A.C.M.S TONIGHT. 3065 02:10:24,274 --> 02:10:26,860 YOU GUYS MADE US ALL FEEL SAFE AND YOU WORKED SO HARD AND I'M 3066 02:10:26,944 --> 02:10:31,448 JUST REALLY GLAD THAT WE GOT TO CELEBRATE. 3067 02:10:26,944 --> 02:10:31,448 JUST REALLY GLAD THAT WE GOT TO CELEBRATE. 3068 02:10:31,532 --> 02:10:31,949 THNK YOU SO MUCH. 3069 02:10:32,032 --> 02:10:32,741 THANK YOU FOR THIS. 3070 02:10:32,824 --> 02:10:39,915 GOD BLESS. 3071 02:10:32,824 --> 02:10:39,915 GOD BLESS. 3072 02:10:39,998 --> 02:10:41,792 >> Keith: CONGRATS, CARRIE, AND TR. 3073 02:10:41,875 --> 02:10:42,960 SO GOOD. 3074 02:10:41,875 --> 02:10:42,960 SO GOOD. 3075 02:10:43,043 --> 02:10:44,878 GUY, DID YOU HAVE A GOOD TIME TONIGHT, AT HOME? 3076 02:10:44,962 --> 02:10:46,046 I HOPE SO. 3077 02:10:46,129 --> 02:10:48,298 WE HAD SUCH A GREAT NIGHT TONIGHT. 3078 02:10:46,129 --> 02:10:48,298 WE HAD SUCH A GREAT NIGHT TONIGHT. 3079 02:10:48,382 --> 02:10:50,926 I GOT A NEW ALBUM COMING OUT THIS FRIDAY CALLED THE SPEED OF 3080 02:10:51,009 --> 02:10:52,094 NOW PART 1. 3081 02:10:52,177 --> 02:10:55,931 AND I HOPE TO SEE YOU GUYS OUT ON THE ROAD, WHEREVER YOU ARE 3082 02:10:52,177 --> 02:10:55,931 AND I HOPE TO SEE YOU GUYS OUT ON THE ROAD, WHEREVER YOU ARE 3083 02:10:56,014 --> 02:10:57,057 LIVING VERY, VERY SOON. 3084 02:10:57,140 --> 02:11:00,936 WE'RE GOING TO GET OUT ON THE ROAD AGAIN, GOOD NIGHT, 3085 02:10:57,140 --> 02:11:00,936 WE'RE GOING TO GET OUT ON THE ROAD AGAIN, GOOD NIGHT, 3086 02:11:01,019 --> 02:11:01,937 EVERYBODY. 3087 02:11:02,020 --> 02:11:11,488 GOD BLISS FROM THE A-- GOD BLESS FROM THE A.C.M.S. 3088 02:11:02,020 --> 02:11:11,488 GOD BLISS FROM THE A-- GOD BLESS FROM THE A.C.M.S. 3089 02:11:11,572 --> 02:11:14,533 ♪ ♪ ♪ ♪ ♪ ♪ 3090 02:11:11,572 --> 02:11:14,533 ♪ ♪ ♪ ♪ ♪ ♪ 3091 02:11:14,616 --> 02:11:15,492 ♪ ON THE ROAD AGAIN. 3092 02:11:15,576 --> 02:11:16,535 ♪ I JUST CAN'T WAIT TO GET ON THE ROAD AGAIN. 3093 02:11:16,618 --> 02:11:17,494 ♪ THE LIFE I LOVE IS MAKING MUSIC WITH MY FRIENDS. 3094 02:11:17,578 --> 02:11:20,831 ♪ I CAN'T WAIT TO GET ON THE ROAD AGAIN. 3095 02:11:17,578 --> 02:11:20,831 ♪ I CAN'T WAIT TO GET ON THE ROAD AGAIN. 3096 02:11:20,914 --> 02:11:22,958 Captioning sponsored by CBS Captioned by 3097 02:11:27,045 --> 02:11:29,047 Media Access Group at WGBH access.wgbh.org 3098 02:11:33,093 --> 02:11:33,635 ♪ ON THE ROAD AGAIN. 3099 02:11:33,719 --> 02:11:34,261 ♪ LIKE A DOWN THE HIGHWAY. 3100 02:11:34,344 --> 02:11:35,178 ♪ WE'RE BEST OF FRIENDS. 3101 02:11:35,262 --> 02:11:41,018 ♪ INSISTING THAT THE WORLD IS GOING OUR WAY. 3102 02:11:35,262 --> 02:11:41,018 ♪ INSISTING THAT THE WORLD IS GOING OUR WAY. 3103 02:11:41,101 --> 02:11:41,977 ♪ ON THE ROAD AGAIN. 3104 02:11:42,060 --> 02:11:47,316 ♪ I JUST CAN'T WAIT TO GET ON THE ROAD AGAIN. 3105 02:11:47,399 --> 02:11:50,819 ♪ THE LIFE I LOVE IS MAKING MUSIC WITH MY FRIENDS. 3106 02:11:47,399 --> 02:11:50,819 ♪ THE LIFE I LOVE IS MAKING MUSIC WITH MY FRIENDS. 3107 02:11:50,902 --> 02:11:54,323 ♪ I CAN'T WAIT TO GET ON THE ROAD AGAIN. 3108 02:11:50,902 --> 02:11:54,323 ♪ I CAN'T WAIT TO GET ON THE ROAD AGAIN. 3109 02:11:54,406 --> 02:11:57,993 ♪ I CAN'T WAIT TO GET ON THE ROAD AGAIN. 3110 02:11:58,076 --> 02:12:05,500 ♪ I CAN'T WAIT TO GET ON THE ROAD AGAIN. 3111 02:11:58,076 --> 02:12:05,500 ♪ I CAN'T WAIT TO GET ON THE ROAD AGAIN. 3112 02:12:05,584 --> 02:12:06,501 ♪ 3113 02:12:05,584 --> 02:12:06,501 ♪