1 00:00:01,060 --> 00:00:05,060 [UNLOCKING AND OPENING OF CELL DOOR] 2 00:00:13,210 --> 00:00:16,340 THE FORMER DUKE AND DUCHESS DE GRENOBLE. 3 00:00:16,370 --> 00:00:19,480 THERE THEY ARE! 4 00:00:19,510 --> 00:00:22,590 [MOANS AND CRIES] 5 00:00:25,690 --> 00:00:28,090 THE FORMER BISHOP OF ARLES. 6 00:01:34,720 --> 00:01:38,720 [THE TUMBREL BRINGS A LOAD OF ARISTOCRATS TO THE GUILLOTINE] 7 00:01:50,070 --> 00:01:54,070 [DRUM ROLLS] 8 00:01:54,590 --> 00:01:58,590 [SOUND OF GUILLOTINE DROPPING AND CROWD CHEERING] 9 00:02:06,790 --> 00:02:09,290 [DRUM ROLLS] 10 00:02:31,790 --> 00:02:35,790 OUR FATHER WHO ART IN HEAVEN. [DRUMS ROLL...BLADE DROPS...CROWD CHEERS] 11 00:02:41,880 --> 00:02:43,620 DEATH TO THE ARISTOCRATS! 12 00:02:43,650 --> 00:02:45,690 [CROWD YELLS] DEATH TO THE ARISTOS! 13 00:02:45,720 --> 00:02:48,240 LONG LIVE THE REPUBLIC! 14 00:02:48,270 --> 00:02:50,750 LONG LIVE THE REPUBLIC. 15 00:02:50,790 --> 00:02:53,280 [DRUM ROLLS] 16 00:03:20,400 --> 00:03:23,420 'ERE, WHAT'S THIS? YOU GOT YOURS ALREADY. 17 00:03:23,570 --> 00:03:25,540 THESE IS EMPTY, CITIZEN. 18 00:03:26,130 --> 00:03:29,120 YOU WOULDN'T BEGRUDGE A MAN HIS FAIR SHARE, NOW, WOULD YOU? 19 00:03:29,150 --> 00:03:30,270 ALL RIGHT. 20 00:03:36,340 --> 00:03:37,130 GIDDAP. 21 00:03:41,450 --> 00:03:44,550 THE FORMER COUNT DE BEAULIER, AND FAMILY. 22 00:03:44,590 --> 00:03:45,370 HERE THEY ARE! 23 00:03:48,780 --> 00:03:50,030 I BEG OF YOU, MONSIEUR. 24 00:03:50,160 --> 00:03:51,410 FEAR NOT, MY SON. 25 00:03:52,120 --> 00:03:54,430 IF YOU WILL LOOK AT THE PASSAGES THAT I HAVE MARKED, 26 00:03:54,470 --> 00:03:56,030 YOUR SPIRITS WILL BE UPLIFTED. 27 00:03:56,060 --> 00:03:57,720 IT'S NOT FOR MYSELF, I FEAR, FATHER, 28 00:03:57,750 --> 00:04:00,380 BUT MY WIFE, AND THE BOY. 29 00:04:01,450 --> 00:04:03,150 THEY HAVE DONE NOTHING! 30 00:04:03,190 --> 00:04:03,900 THEY ARE INNOCENT! 31 00:04:03,930 --> 00:04:05,630 INNOCENT? HA! 32 00:04:06,340 --> 00:04:08,790 SHOW ME ONE ARISTO THAT IS INNOCENT 33 00:04:08,820 --> 00:04:10,610 AND YOU CAN SPIT IN MY FACE. 34 00:04:11,100 --> 00:04:13,420 SURELY THE CHILD IS TOO YOUNG TO DIE. 35 00:04:13,450 --> 00:04:17,140 EVEN SO, HE WILL LIVE ON... THROUGH THE MERCY OF OUR LORD. 36 00:04:18,550 --> 00:04:19,980 LOOK HERE, MY SON. 37 00:04:20,100 --> 00:04:22,280 [MARK OF THE SCARLET PIMPERNEL.] 38 00:04:22,320 --> 00:04:23,330 TAKE THEM AWAY! 39 00:04:25,170 --> 00:04:27,530 FORMER MARQUIS CETTERAIS. 40 00:04:27,570 --> 00:04:28,820 THERE HE IS! 41 00:04:29,470 --> 00:04:30,670 WE'VE COME TO HELP YOU. 42 00:04:31,790 --> 00:04:32,660 QUICKLY. 43 00:04:46,940 --> 00:04:48,270 BE BRAVE MY DARLING. 44 00:04:48,310 --> 00:04:50,010 HUH! 45 00:05:46,650 --> 00:05:46,970 HO THERE! 46 00:05:46,980 --> 00:05:48,000 SERGEANT BEAVO. 47 00:05:48,220 --> 00:05:49,290 YES SIR. 48 00:05:49,320 --> 00:05:52,030 COUNT DE BEAULIER AND HIS FAMILY HAVE ESCAPED FROM THE TEMPLE PRISON. 49 00:05:52,060 --> 00:05:54,350 WE'VE JUST RECEIVED WORD THAT THE SCARLET PIMPERNEL 50 00:05:54,380 --> 00:05:55,390 WAS AT LARGE IN THE CITY. 51 00:05:55,430 --> 00:05:57,800 COULD BE HE'LL TRY TO SMUGGLE THEM OUT OF THE COUNTRY 52 00:05:57,830 --> 00:05:59,780 BY WAY OF THIS, OR ONE OF THE OTHER GATES. 53 00:06:00,330 --> 00:06:02,350 BE ON THE ALERT, AND KEEP YOUR EYES OPEN. 54 00:06:03,400 --> 00:06:04,480 ALL RIGHT, LADS. 55 00:06:04,730 --> 00:06:06,550 SEARCH EVERY CART THAT COMES THROUGH. 56 00:06:13,850 --> 00:06:15,480 ALL RIGHT, LET'S SEE YOUR PAPERS. 57 00:06:15,510 --> 00:06:17,100 OH, EVERYTHING IN ORDER, SERGEANT. 58 00:06:18,890 --> 00:06:20,810 LET ME SEE INSIDE THOSE COFFINS. 59 00:06:20,840 --> 00:06:22,290 WHAT, OPEN THE COFFINS? 60 00:06:22,320 --> 00:06:23,550 YOU HEARD ME. 61 00:06:24,150 --> 00:06:25,060 ALL RIGHT. 62 00:06:25,250 --> 00:06:27,880 YEAH! DO AS HE SAYS. 63 00:06:32,200 --> 00:06:33,710 BEST BE WARNED, SERGEANT, AYE. 64 00:06:34,410 --> 00:06:37,690 MADAME LE GUILLOTINE'S HANDIWORK IS NOT A PRETTY SIGHT. 65 00:06:37,720 --> 00:06:39,380 UH..SEE FOR YOURSELF. 66 00:06:39,410 --> 00:06:41,060 IF YOU GOT THE STOMACH. 67 00:06:43,210 --> 00:06:44,740 [LAUGHTER] 68 00:06:44,750 --> 00:06:45,530 TAKE IT BACK. 69 00:06:45,560 --> 00:06:47,930 WHAT'S THE MATTER, SERGEANT. IT MUST HAVE BEEN PRETTY BAD. 70 00:06:47,960 --> 00:06:49,580 GET OUT OF HERE. GO ON. CLEAR OUT! 71 00:06:49,610 --> 00:06:51,190 THE OTHER TWO ARE EVEN PRETTIER! 72 00:06:51,220 --> 00:06:52,550 GET OUT OF HERE. GO ON. 73 00:06:52,590 --> 00:06:53,370 AW RIGHT, AW RIGHT. 74 00:06:53,400 --> 00:06:54,780 YOU DON'T KNOW WHAT YOU'RE MISSING. 75 00:06:54,810 --> 00:06:55,440 GET OUT! 76 00:06:55,480 --> 00:06:56,060 NOW, NOW. 77 00:06:56,070 --> 00:06:57,680 OPEN THE GATES. GO ON. 78 00:06:59,700 --> 00:07:01,020 WHAT ARE YOU LAUGHING AT? 79 00:07:21,020 --> 00:07:22,140 [WHISTLES] 80 00:08:08,180 --> 00:08:09,280 MY DARLING. 81 00:08:15,080 --> 00:08:17,300 WHO IS THIS MAN THAT RISKS SO MUCH FOR US? 82 00:08:17,330 --> 00:08:19,640 THAT, SIR, IS THE SCARLET PIMPERNEL. 83 00:08:28,740 --> 00:08:29,580 WITHIN THE HOUR, 84 00:08:29,610 --> 00:08:31,660 THIS COUNTRYSIDE WILL BE SWARMING WITH SOLDIERS. 85 00:08:32,850 --> 00:08:34,040 GOD WILLING, YOU'LL REACH THE COAST 86 00:08:34,080 --> 00:08:35,240 BEFORE THEY CAN CATCH UP WITH YOU. 87 00:08:35,630 --> 00:08:36,750 DO YOU KNOW THE RENDEZVOUS? 88 00:08:36,800 --> 00:08:37,800 UNCHANGED? 89 00:08:37,960 --> 00:08:39,120 UNCHANGED. 90 00:08:40,000 --> 00:08:41,800 MY SHIP WILL BE WAITING TO TAKE YOU TO ENGLAND. 91 00:08:41,910 --> 00:08:42,960 NOW, GO QUICKLY. 92 00:08:43,350 --> 00:08:44,470 GOD'S SPEED. 93 00:08:45,010 --> 00:08:46,150 AND WHAT ABOUT YOU, PERCY? 94 00:08:46,190 --> 00:08:47,510 I'M BACK TO PARIS. 95 00:08:47,960 --> 00:08:49,450 BUT I SHALL SEE YOU SHORTLY. 96 00:08:49,480 --> 00:08:51,090 RIGHT. 97 00:08:58,880 --> 00:09:02,880 'THE SCARLET PIMPERNEL, BY SIR PERCIVAL BLAKENEY, BARONET. 98 00:09:05,740 --> 00:09:07,150 'THEY SEEK HIM HERE. 99 00:09:07,960 --> 00:09:09,270 'THEY SEEK HIM THERE. 100 00:09:09,740 --> 00:09:13,280 'THOSE FRENCHIES SEEK HIM EVERYWHERE. 101 00:09:14,410 --> 00:09:15,440 'IS HE IN HEAVEN? 102 00:09:16,060 --> 00:09:17,660 'OR IS HE IN HELL? 103 00:09:18,510 --> 00:09:19,360 'THAT DAMNED, 104 00:09:19,390 --> 00:09:20,870 'ELUSIVE 105 00:09:20,910 --> 00:09:22,350 'PIMPERNEL.' 106 00:09:22,390 --> 00:09:23,780 [LAUGHTER AND CLAPPING] 107 00:09:23,820 --> 00:09:27,200 OH, DO TELL US MORE ABOUT THE SCARLET PIMPERNEL, SIR PERCY. 108 00:09:27,230 --> 00:09:29,190 ALL PARIS IS TALKING ABOUT HIM. 109 00:09:29,230 --> 00:09:31,560 NOTHING MORE TO TELL, MY DEAR SUSAN. 110 00:09:31,600 --> 00:09:34,220 EXCEPT, THAT HE AND HIS BAND OF FRIENDS 111 00:09:34,260 --> 00:09:36,870 HAVE SWORN TO SAVE AS MANY AS THEY CAN 112 00:09:37,500 --> 00:09:39,870 FROM MADAME LE GUILLOTINE. 113 00:09:40,200 --> 00:09:42,170 AT LEAST TELL US WHO HE IS. 114 00:09:42,210 --> 00:09:45,480 SINK ME, MADEMOISELLE, IF I KNEW THAT I'D BE THE TOAST OF LONDON, WHAT! 115 00:09:46,440 --> 00:09:47,420 THAT 116 00:09:47,540 --> 00:09:49,100 WOULD SEEM TO BE 117 00:09:49,210 --> 00:09:50,270 THE MYSTERY. 118 00:09:50,310 --> 00:09:53,320 WHAT EXACTLY IS A SCARLET PIMPERNEL, SIR PERCY. 119 00:09:53,350 --> 00:09:55,800 NOTHING MORE THAN A HUMBLE WAYSIDE FLOWER. 120 00:09:56,140 --> 00:09:58,150 RATHER COMMON IN POINT OF FACT. 121 00:09:58,180 --> 00:09:59,500 STILL, WHAT'S IN NAME? 122 00:09:59,530 --> 00:10:02,150 SURELY THE DEEDS OF A MAN SPEAK FOR THEMSELVES. 123 00:10:02,790 --> 00:10:04,890 I ONLY WISH THERE WERE MORE LIKE HIM. 124 00:10:04,920 --> 00:10:06,990 ODDS FISH, MY DEAR, ONE IS QUITE ENOUGH. 125 00:10:07,660 --> 00:10:09,750 THE FELLOW'S ALREADY MADE LIFE DAMNED INCONVENIENT, 126 00:10:09,780 --> 00:10:10,840 FOR THE REST OF US. 127 00:10:10,870 --> 00:10:11,640 INCONVENIENT? 128 00:10:11,680 --> 00:10:13,130 WHY, YES INDEED MA'AM. 129 00:10:13,250 --> 00:10:15,410 BECAUSE OF THIS PIMPENEL CHAP EH... 130 00:10:15,430 --> 00:10:17,900 YOUR REVOLUTIONARY GUARDS SUSPECT ANYONE 131 00:10:17,930 --> 00:10:20,360 WHO LOOKS, OR EVEN SOUNDS, REMOTELY ENGLISH. 132 00:10:20,570 --> 00:10:21,430 SINK ME... 133 00:10:21,850 --> 00:10:24,760 THIS WHOLE REVOLUTION OF YOURS IS MONSTROUS INTOLERABLE. 134 00:10:24,800 --> 00:10:26,770 PLEASE, DON'T CREDIT US WITH THIS MADNESS. 135 00:10:26,800 --> 00:10:30,470 THE REVOLUTION, ITSELF, MAY HAVE STARTED AS A NOBLE ENTERPRISE. 136 00:10:30,870 --> 00:10:31,740 THIS... 137 00:10:31,770 --> 00:10:33,990 YET, WE DID BRING IT ON OURSELVES, PAPA. 138 00:10:34,030 --> 00:10:36,180 WE, THE FRENCH ARISTOCRACY, 139 00:10:36,220 --> 00:10:38,230 WITH ALL OUR ARROGANCE AND EXCESSES 140 00:10:38,560 --> 00:10:40,860 I FEEL MY DAUGHTER DOES OUR CLASS AN INJUSTICE. 141 00:10:41,360 --> 00:10:44,140 MOST OF US ARE DECENT MEN,... QUITE INNOCENT. 142 00:10:44,720 --> 00:10:47,200 IT IS ONLY A FEW, WHO ARE GUILTY OF ANY SERIOUS OFFENSE. 143 00:10:47,230 --> 00:10:49,680 YET, THE INNOCENT ARE BEING DRAGGED DOWN WITH THE GUILTY. 144 00:10:49,760 --> 00:10:52,040 THERE'S NO REASON GIVEN OR NEEDED. 145 00:10:52,070 --> 00:10:54,270 OUR WORLD IS TOPSY-TURVY, SIR PERCY. 146 00:10:54,300 --> 00:10:56,130 THEN WHY DO WE LOOK THE OTHER WAY, 147 00:10:56,160 --> 00:10:57,920 AND PRETEND NOTHING IS HAPPENING? 148 00:10:57,950 --> 00:11:00,630 WHILE BRAVE MEN, LIKE THIS SCARLET PIMPERNEL, 149 00:11:00,660 --> 00:11:02,130 DO OUR WORK FOR US. 150 00:11:02,380 --> 00:11:03,810 ONLY TODAY, FOR EXAMPLE, 151 00:11:03,840 --> 00:11:06,830 OUR FRIENDS, THE COUNT AND COUNTESS DE BEAULIEU 152 00:11:06,860 --> 00:11:08,700 AS WELL AS THEIR ONLY SON... 153 00:11:08,730 --> 00:11:10,320 NO,...NOT THE BEAULIEUS... 154 00:11:10,350 --> 00:11:11,870 CALM YOURSELF, MY DEAR, 155 00:11:11,910 --> 00:11:14,260 ALL THREE WERE SPARED AT THE LAST MINUTE, 156 00:11:14,340 --> 00:11:15,680 THANKS TO THE SCARLET PIMPERNEL. 157 00:11:15,720 --> 00:11:16,950 OH, THANK HEAVENS. 158 00:11:17,530 --> 00:11:20,380 GOD BLESS THIS SCARLET PIMPERNEL, WHOEVER HE MAY BE. 159 00:11:20,420 --> 00:11:23,060 SURELY, HE MUST BE AN ANGEL IN DISGUISE. 160 00:11:24,860 --> 00:11:25,980 AMEN. 161 00:11:38,070 --> 00:11:39,260 PULL-UP, OVER THERE. 162 00:11:42,460 --> 00:11:45,260 [SOUND OF FIGHTING] 163 00:11:45,290 --> 00:11:47,820 MY DEAR, MARQUIS, CONSIDER THE OFFENCE, 164 00:11:47,850 --> 00:11:50,750 DON'T YOU THINK YOUR METHODS ARE SLIGHTLY HARSH? 165 00:11:51,120 --> 00:11:54,640 THAT REVOLUTIONARY SEDUCED MY DAUGHTER, BARON DE BATZ. 166 00:11:55,340 --> 00:11:56,130 DRIVE ON. 167 00:11:58,150 --> 00:12:01,120 [FIGHTING CONTINUES] 168 00:12:01,310 --> 00:12:02,130 I SAY. 169 00:12:03,900 --> 00:12:05,200 AHHHH. 170 00:12:06,000 --> 00:12:06,990 UH. 171 00:12:13,360 --> 00:12:14,200 HA, HA. 172 00:12:18,910 --> 00:12:21,800 IT WOULD SEEM YOUR FRIEND IS IN DISTRESS. 173 00:12:22,360 --> 00:12:24,000 TO THE RESCUE. 174 00:12:29,220 --> 00:12:30,310 YOURS, I BELIEVE. 175 00:12:33,540 --> 00:12:34,510 MY DEAR CHAP. 176 00:12:34,540 --> 00:12:36,190 UGH. 177 00:12:36,940 --> 00:12:38,500 A LITTLE COGNAC, I THINK 178 00:12:38,650 --> 00:12:40,230 'I CALL UPON YOU NOW 179 00:12:40,240 --> 00:12:42,010 'REVENGE MY WRONG. 180 00:12:42,860 --> 00:12:46,090 'YOUR FAVORS WILL BE MEASURED 181 00:12:46,120 --> 00:12:47,990 'BY YOUR RAGE.' 182 00:12:48,590 --> 00:12:52,590 [CHEERING AND APPLAUSE] 183 00:13:00,280 --> 00:13:04,050 MARGUERITE, MARGUERITE, IT'S ARMAND, HE'S BEEN HURT. 184 00:13:04,090 --> 00:13:04,690 HURT? 185 00:13:04,710 --> 00:13:05,820 THERE'S A MAN OUTSIDE WITH A CARRIAGE. 186 00:13:05,850 --> 00:13:06,620 HE WANTS US TO GO WITH HIM. 187 00:13:06,660 --> 00:13:07,470 WHAT CAN WE DO? 188 00:13:07,500 --> 00:13:08,620 WE MUST GO TO HIM, AT ONCE. 189 00:13:09,650 --> 00:13:10,720 WHAT ABOUT THE REST OF THE PLAY? 190 00:13:11,270 --> 00:13:12,270 MY DEAR, LOUISE, 191 00:13:12,300 --> 00:13:14,700 THIS IS THE CHANCE EVERY UNDERSTUDY DREAMS OF. 192 00:13:15,470 --> 00:13:17,980 NO, I CAN'T. I'M NOT READY! 193 00:13:18,130 --> 00:13:19,630 YOU'LL BE SUPERB. [KISSING HER] 194 00:13:19,660 --> 00:13:20,980 BUT NOT TOO SUPERB, I TRUST. 195 00:13:21,010 --> 00:13:22,500 WHY CAN'T YOU-? 196 00:13:23,020 --> 00:13:24,270 NOW, TO ARMAND. 197 00:13:24,410 --> 00:13:25,470 MARGUERITE! 198 00:13:40,150 --> 00:13:41,300 MY POOR, ARMAND! 199 00:13:42,110 --> 00:13:43,270 WHAT HAPPENED TO YOU? 200 00:13:44,260 --> 00:13:46,160 TWO MEN, OUT OF THE DARKNESS. 201 00:13:46,960 --> 00:13:49,510 IF IT HADN'T BEEN FOR THIS GENTLEMAN... 202 00:13:50,400 --> 00:13:52,960 MY BROTHER AND I ARE INDEBTED TO YOU, MONSIEUR. 203 00:13:54,520 --> 00:13:55,490 MONSIEUR? 204 00:13:58,330 --> 00:14:02,080 SIR PERCY BLAKENEY, MADEMOISELLE. 205 00:14:08,040 --> 00:14:11,680 ALTHOUGH, ANYONE WOULD HAVE DONE AS MUCH. 206 00:14:14,110 --> 00:14:15,320 IF YOU THINK THAT, MONSIEUR, 207 00:14:16,070 --> 00:14:18,190 YOU DO NOT KNOW PARIS, WELL. 208 00:14:21,730 --> 00:14:24,120 WHO WERE THESE MEN THAT ATTACKED YOU, MY DARLING. 209 00:14:24,550 --> 00:14:26,880 THEY WERE SENT BY THE MARQUIS DE ST. CYR. 210 00:14:27,080 --> 00:14:28,770 I RECOGNIZED HIS CARRIAGE. 211 00:14:29,330 --> 00:14:32,810 NO DOUBT, TO TEACH ME A LESSON 212 00:14:33,330 --> 00:14:34,740 I THOUGHT IT MIGHT BE THIS. 213 00:14:34,940 --> 00:14:37,140 ONE DAY, I WILL REPAY THE MARQUIS FOR THIS. 214 00:14:40,110 --> 00:14:41,480 COME, MY DARLING, WE'LL GET YOU INTO BED. 215 00:14:41,520 --> 00:14:42,800 DO YOU THINK YOU CAN? 216 00:14:42,840 --> 00:14:43,620 THANK YOU. 217 00:14:43,710 --> 00:14:45,090 I'M QUITE ALL RIGHT, NOW. 218 00:14:50,880 --> 00:14:52,180 RATHER A HARSH LESSON. 219 00:14:53,810 --> 00:14:56,810 I TRUST THE OFFENCE WARRANTED THE PUNISHMENT. 220 00:14:58,560 --> 00:14:59,830 MY BROTHER IS YOUNG 221 00:15:00,550 --> 00:15:01,760 AND HOT-BLOODED, MONSIEUR. 222 00:15:03,470 --> 00:15:06,660 HIS HEART TOO OFTEN LEADS HIS HEAD. 223 00:15:07,740 --> 00:15:09,120 I FEAR HE HAD THE IMPUDENCE 224 00:15:09,150 --> 00:15:10,710 TO FALL IN LOVE WITH ST. CYR'S DAUGHTER. 225 00:15:11,390 --> 00:15:15,070 IS LOVE, TOO, A CRIME IN FRANCE THESE DAYS? 226 00:15:15,270 --> 00:15:18,160 ONLY, IF THE LADY IS AN ARISTOCRAT, 227 00:15:19,190 --> 00:15:22,390 WHOSE FATHER INSOLENTLY THINKS THAT WE'RE BOURGEOIS NOT FIT TO BREATHE 228 00:15:22,420 --> 00:15:23,840 THE SAME AIR THAT THEY DO. 229 00:15:24,580 --> 00:15:26,640 IF YOU WILL EXCUSE ME, I MUST TEND TO MY BROTHER. 230 00:15:27,640 --> 00:15:28,390 WAIT! 231 00:15:30,210 --> 00:15:31,640 WHEN WILL I SEE YOU AGAIN? 232 00:15:33,190 --> 00:15:34,700 MY BROTHER AND I 233 00:15:35,170 --> 00:15:36,980 ARE HAVING A SMALL SOIRÉE AT OUR HOME 234 00:15:37,010 --> 00:15:37,610 IN THE RUE DO VICHELIEU 235 00:15:38,850 --> 00:15:42,500 SUNDAY NEXT- IF YOU ARE FREE. 236 00:15:43,000 --> 00:15:44,750 FOR SUCH AND INITIATION, MADEMOISELLE, 237 00:15:46,290 --> 00:15:48,220 I SHALL MAKE...MYSELF FREE. 238 00:15:49,250 --> 00:15:50,500 SUNDAY, NEXT, THEN. 239 00:15:52,660 --> 00:15:54,040 NUMBER 27. 240 00:16:03,650 --> 00:16:04,900 CONGRATULATIONS. 241 00:16:07,010 --> 00:16:08,370 CONGRATULATIONS, MY DEAR. 242 00:16:08,410 --> 00:16:10,130 YOU PLAYED A GREAT SUCCESS, WE HEAR. 243 00:16:10,160 --> 00:16:11,140 SOLD OUT EVERY NIGHT. 244 00:16:11,180 --> 00:16:12,910 ISN'T IT AMAZING. I WAS SURE NO ONE WOULD COME. 245 00:16:12,950 --> 00:16:13,870 OH, NONSENSE. 246 00:16:13,900 --> 00:16:15,170 ALL KINDS ADORE YOU. 247 00:16:15,480 --> 00:16:17,320 MY DEAR, HAVEN'T YOU HEARD THE NEWS? 248 00:16:17,350 --> 00:16:18,130 NEWS? 249 00:16:18,160 --> 00:16:19,850 EVERYBODY'S TALKING ABOUT IT. 250 00:16:19,880 --> 00:16:23,340 THERE WERE OVER 20 EXECUTIONS IN THE PLACE DE LA CREIAS, TODAY. 251 00:16:23,380 --> 00:16:25,210 TWENTY-THREE, TO BE PRECISE. 252 00:16:26,850 --> 00:16:27,670 PAUL! 253 00:16:27,870 --> 00:16:31,170 MY DEAR, I'VE ONLY JUST BEEN ABLE TO TEAR MYSELF AWAY. 254 00:16:31,200 --> 00:16:32,010 OH. 255 00:16:32,260 --> 00:16:33,540 YOU LOOK SO TIRED. 256 00:16:34,140 --> 00:16:35,980 COME, LET'S HAVE SOME CHAMPAGNE. 257 00:16:36,110 --> 00:16:37,380 [LAUGHTER] 258 00:16:38,010 --> 00:16:40,690 YOU SAY THERE WERE 23 EXECUTIONS TODAY, CHAUVELIN? 259 00:16:40,720 --> 00:16:41,580 TO BE PRECISE, 260 00:16:41,620 --> 00:16:43,550 AND THERE WILL BE MORE, EVERYDAY, 261 00:16:43,590 --> 00:16:45,800 UNTIL THE COMMITTEE HAS PURGED THE REPUBLIC 262 00:16:45,830 --> 00:16:46,800 OF THE LAST CORRUPT ARISTOCRAT. 263 00:16:47,620 --> 00:16:50,050 NOT ANOTHER SPEECH, CHAUVELIN! 264 00:16:50,080 --> 00:16:52,800 THIS IS WHAT I HAVE TO LISTEN TO ALL DAY NOW, MY DEAR. 265 00:16:53,740 --> 00:16:54,570 ALL DAY? 266 00:16:54,610 --> 00:16:55,810 I'M AFRAID SO. 267 00:16:55,840 --> 00:16:58,260 THIS YOUNG IDEALIST HAS JUST BECOME MY ASSISTANT. 268 00:16:58,890 --> 00:17:00,220 SO HE HAS NO CHOICE. 269 00:17:00,360 --> 00:17:02,030 YOU MUST BE CALLED CHAUVELIN. 270 00:17:02,070 --> 00:17:03,940 CHIEF AGENT FOR THE COMMITTEE OF NATIONAL SECURITY, 271 00:17:03,970 --> 00:17:05,140 AT YOUR SERVICE. 272 00:17:05,180 --> 00:17:06,290 MADEMOISELLE...? 273 00:17:06,320 --> 00:17:08,810 YOU HAVE THE HONOR OF ADDRESSING LOUISE LONGET, 274 00:17:08,840 --> 00:17:10,040 LA CHANTESS. 275 00:17:10,080 --> 00:17:11,210 BUT, OF COURSE. 276 00:17:11,240 --> 00:17:13,340 YOU'RE MARGUERITE'S NEW UNDERSTUDY. 277 00:17:13,760 --> 00:17:16,130 I GATHER YOU'RE RESPONSIBLE FOR THE ARREST AND EXECUTION 278 00:17:16,170 --> 00:17:18,860 OF ALL THESE... UNDESIRABLE ARISTOCRATS. 279 00:17:19,230 --> 00:17:21,840 THAT IS A SMALL PART OF MY DUTIES, MADEMOISELLE. 280 00:17:21,870 --> 00:17:23,830 THE OTHER IS MAKING LONG, BORING SPEECHES 281 00:17:23,860 --> 00:17:25,200 AT SOCIAL FUNCTIONS LIKE THIS. 282 00:17:25,690 --> 00:17:27,770 WELL, NOW YOU WILL HAVE THE OPPORTUNITY TO LEARN 283 00:17:27,800 --> 00:17:29,990 HOW TO MAKE BORING SPEECHES, TOO. 284 00:17:30,050 --> 00:17:33,300 VERY WELL, JUST FOR THIS ONCE, I WILL OVERCOME MY USUAL 285 00:17:33,340 --> 00:17:37,340 PATRIOTIC ZEAL, AND CONFINE MYSELF TO A SIMPLE TOAST TO THE REPUBLIC. 286 00:17:38,080 --> 00:17:39,180 THE REPUBLIC! 287 00:17:39,220 --> 00:17:40,540 [ALL] THE REPUBLIC. 288 00:17:45,140 --> 00:17:49,140 SEEMS THE BARON DE BATZ DOES NOT SHARE OUR ENTHUSIASM FOR THE TOAST. 289 00:17:51,790 --> 00:17:54,280 PERHAPS HE IS NOT A FRIEND OF... THE REPUBLIC. 290 00:17:54,320 --> 00:17:56,170 OH, ON THE CONTRARY, MY DEAR CHAUVELIN, 291 00:17:56,280 --> 00:17:58,670 I MAY BE AN AUSTRIAN, BY NATIONALITY, 292 00:17:58,700 --> 00:18:00,450 AND ARISTOCRAT BY BIRTH, 293 00:18:00,480 --> 00:18:02,650 BUT I CAN ASSURE YOU THAT I AM 294 00:18:02,680 --> 00:18:04,080 A VERY GOOD FRIEND OF THE REPUBLIC. 295 00:18:04,120 --> 00:18:07,310 I BELIEVE, RATHER, THAT THE BARON IS A FRIEND OF PROFIT, 296 00:18:08,210 --> 00:18:10,720 WILLING TO SELL HIS ALLEGIANCE TO THE HIGHEST BIDDER. 297 00:18:10,950 --> 00:18:12,700 IT WOULD APPEAR, MADEMOISELLE, THAT MY PRESENCE HERE 298 00:18:12,730 --> 00:18:16,730 THIS EVENING IS GIVING YOU DISTRESS. I SHALL CAUSE YOU NO 299 00:18:16,840 --> 00:18:20,840 FURTHER EMBARRASSMENT, AND I SHALL BID YOU GOOD EVENING. 300 00:18:24,190 --> 00:18:26,870 THIS JUST SHOWS HOW VIGILANT WE MUST BE. 301 00:18:27,210 --> 00:18:29,280 WE HAVE TO ROOT OUT THE ENEMIES IN OUR MIDST. 302 00:18:29,320 --> 00:18:31,360 WE NEVER KNOW WHERE THEY MIGHT STRIKE NEXT. 303 00:18:31,990 --> 00:18:35,900 BUT, IF BLOOD HAS TO BE SHED, NO ONE, I PROMISE YOU 304 00:18:35,930 --> 00:18:37,890 REGRETS IT MORE THAN I DO. 305 00:18:39,280 --> 00:18:43,280 "THE DAUPHIN IS TO BE HELD PRISONER IN THE TEMPLE. ST. CYR." 306 00:18:44,780 --> 00:18:46,270 AH, THERE YOU ARE. 307 00:18:46,310 --> 00:18:47,820 HOW COULD YOU BE SO RUDE? 308 00:18:47,850 --> 00:18:48,540 TO DE BATZ? 309 00:18:48,570 --> 00:18:50,070 HE WAS A GUEST IN MY HOME. 310 00:18:50,110 --> 00:18:51,060 AN UNWORTHY GUEST. 311 00:18:51,090 --> 00:18:53,370 THE MAN IS SUSPECTED OF SELLING SECRET INFORMATION 312 00:18:53,400 --> 00:18:54,400 TO THE AUSTRIAN GOVERNMENT. 313 00:18:54,460 --> 00:18:56,500 AND WHY HAVEN'T YOU ARRESTED HIM? 314 00:18:56,540 --> 00:18:59,430 BECAUSE, MY DEAR, HE ALSO SELLS SECRET INFORMATION, 315 00:18:59,470 --> 00:19:01,070 ABOUT THE AUSTRIANS, TO US. 316 00:19:01,110 --> 00:19:02,790 YOU'VE EXECUTED MEN FOR LESS. 317 00:19:02,820 --> 00:19:04,440 REVOLUTIONS ARE NEVER BLOODLESS. 318 00:19:04,470 --> 00:19:08,470 THIS BRIEF REIGN OF TERROR, WILL PURGE THE LAND OF ALL CORRUPTION. 319 00:19:10,470 --> 00:19:12,130 AND TAKE US TO NEW HEIGHTS. 320 00:19:13,400 --> 00:19:16,080 BE CAREFUL WHERE IT TAKES YOU, PAUL. 321 00:19:16,110 --> 00:19:18,750 TO A NEW ORDER. TO THE DAY OF GLORY. 322 00:19:19,460 --> 00:19:21,300 AND WE WILL BE PROUD OF IT, MARGARITE, 323 00:19:21,330 --> 00:19:23,130 YOU AND I. JUST AS WE'VE ALWAYS DREAMED. 324 00:19:24,010 --> 00:19:26,490 AND THEN I WILL MAKE YOU MY WIFE. 325 00:19:26,980 --> 00:19:29,470 AND THE FUTURE WILL BE OURS. 326 00:19:32,130 --> 00:19:33,570 SIR PERCY! 327 00:19:34,690 --> 00:19:37,270 LORD, MADEMOISELLE, YOU ARE EVEN 328 00:19:37,310 --> 00:19:40,090 MORE BEAUTIFUL, THAN I RECALL. 329 00:19:42,150 --> 00:19:44,750 IF THAT IS POSSIBLE. 330 00:19:46,110 --> 00:19:48,420 PAUL, THIS IS THE GENTLEMAN WHO RESCUED ARMAND. 331 00:19:48,610 --> 00:19:52,500 PAUL CHAUVELIN, CHIEF AGENT OF THE COMMITTEE OF NATIONAL SECURITY. 332 00:19:52,890 --> 00:19:54,260 SIR PERCY BLAKENEY. 333 00:19:56,610 --> 00:19:58,510 IT IS A PLEASURE... MONSIEUR. 334 00:19:58,550 --> 00:20:02,550 THE PLEASURE, I CAN ASSURE YOU, IS ALL MINE. 335 00:20:04,910 --> 00:20:06,210 MONSEWER. 336 00:20:06,250 --> 00:20:07,510 HA, HA, HA. 337 00:20:07,590 --> 00:20:09,960 I MUST APOLOGIZE FOR ME TARDINESS. 338 00:20:10,000 --> 00:20:12,660 'TWAS NEXT TO IMPOSSIBLE, FINDING A CARRIAGE. 339 00:20:12,850 --> 00:20:16,690 SINK ME, IF EVERYONE ISN'T SO EQUAL IN YOUR NEW SOCIETY 340 00:20:16,720 --> 00:20:19,140 THAT NO ONE WANTS TO DO THE DRIVING ANYMORE. 341 00:20:21,120 --> 00:20:24,680 I TAKE IT, SIR, THAT YOU DO NOT APPROVE OF OUR NEW SOCIETY? 342 00:20:24,710 --> 00:20:28,710 APPROVAL, SIR, IN MY OPINION, DEMANDS THE ATTAINMENT OF PERFECTION. 343 00:20:31,150 --> 00:20:33,170 AND IN THAT SENSE, YOU RATHER OVERRATE 344 00:20:33,210 --> 00:20:35,230 THE CHARM OF YOUR SOCIETY. 345 00:20:35,650 --> 00:20:38,310 FAITH, FOR ONE THING, IT DOES SEEM MONSTROUS 346 00:20:38,350 --> 00:20:40,490 ILL-DRESSED FOR ANY SOCIETY, 347 00:20:40,530 --> 00:20:42,680 EVEN A NEW ONE. 348 00:20:42,980 --> 00:20:44,940 SINK ME, YOUR TAILORS HAVE BETRAYED YOU. 349 00:20:44,980 --> 00:20:48,000 BETRAYED US? WE PRIDE OURSELVES ON OUR FRENCH TAILORS. 350 00:20:48,030 --> 00:20:51,020 ODDS FISH, MY DEAR FELLOW, SUCH SHODDY WORKMANSHIP 351 00:20:51,060 --> 00:20:53,800 WOULD NOT BE TOLERATED IN LONDON FOR ONE TINY INSTANT. 352 00:20:54,360 --> 00:20:57,610 LOOK YOU HERE, SIR, AT THIS LIMP CRAVAT. 353 00:20:57,780 --> 00:20:59,300 I ASK YOU! 354 00:20:59,700 --> 00:21:01,640 OR THE SORRY CUT OF THIS SLEEVE. 355 00:21:02,170 --> 00:21:03,080 NO, NO, NO. 356 00:21:05,060 --> 00:21:07,290 OF THE SAD STATE OF THOSE CUFFS. 357 00:21:07,310 --> 00:21:09,460 SINK ME, I CAN HARDLY BRING MESELF TO LOOK UPON THEM. 358 00:21:10,050 --> 00:21:11,010 NO, NO, NO, SIR. 359 00:21:11,490 --> 00:21:13,320 IF THIS IS THE BEST YOUR TAILORS CAN DO. 360 00:21:13,800 --> 00:21:17,320 'TWOULD SERVE YOU BETTER TO SEND THEM TO THE GUILLOTINE. 361 00:21:17,360 --> 00:21:19,120 WE WILL SEND OUR KING, INSTEAD, SIR, 362 00:21:19,320 --> 00:21:21,190 AND EXALT OUR TAILORS. 363 00:21:21,260 --> 00:21:22,750 MORE'S THE PITY. 364 00:21:23,310 --> 00:21:25,640 THEN YOUR TAILORS WILL RULE THE LAND, 365 00:21:25,680 --> 00:21:27,970 AND NO ONE WILL MAKE THE CLOTHES. 366 00:21:28,500 --> 00:21:31,180 SO MUCH FOR FRENCH FASHION, 367 00:21:31,770 --> 00:21:34,050 AND FRENCH POLITICS. 368 00:21:34,530 --> 00:21:36,590 WHAT IS IT YOU FRENCHIES SAY? 369 00:21:37,220 --> 00:21:38,930 TWO-SHAY..., 370 00:21:38,960 --> 00:21:42,880 YOU SEE, I'M A BIT OF A POET, AND YOU DID NOT KNOW IT. 371 00:21:42,920 --> 00:21:44,590 WHAT? 372 00:21:45,210 --> 00:21:47,520 WELL, IT HAS BEEN MOST AMUSING, SIR PERCY. 373 00:21:47,550 --> 00:21:50,650 BUT, IF YOU WILL EXCUSE ME, I HAVE SOMEONE I MUST SEE INSIDE. 374 00:21:51,620 --> 00:21:53,230 MARGUERITE, MY DEAR. 375 00:21:55,910 --> 00:21:58,510 YOU REALLY MUSTN’T TEASE CHAUVELIN SO RECKLESSLY. 376 00:21:58,840 --> 00:22:00,560 HE'S VERY POWERFUL IN THE GOVERNMENT. 377 00:22:00,840 --> 00:22:03,120 ALREADY, HE'S ROBESPIERRE'S MOST TRUSTED AGENT. 378 00:22:03,960 --> 00:22:06,550 THE ONLY POWER THAT I CAN SEE AT PRESENT, MADEMOISELLE, 379 00:22:07,790 --> 00:22:10,910 IS THE POWER... OF YOUR BEAUTY. 380 00:22:12,200 --> 00:22:14,660 BEAUTY IS IN THE EYE OF THE BEHOLDER, SIR PERCY. 381 00:22:19,850 --> 00:22:23,580 THIS BEHOLDER... IS ENCHANTED. 382 00:22:24,120 --> 00:22:25,980 IF I WERE TO TELL YOU THAT I ADORE YOU, 383 00:22:26,690 --> 00:22:30,060 WOULD YOU HAVE ME DO SO, STINTINGLY? 384 00:22:30,100 --> 00:22:30,970 ADORE ME? 385 00:22:35,180 --> 00:22:36,920 OR WOULD YOU HAVE ME DECLARE IT AS I FEEL IT? 386 00:22:37,660 --> 00:22:38,830 WITH ALL MY HEART. 387 00:22:39,990 --> 00:22:41,940 BUT YOU CAN'T BE SERIOUS. YOU KNOW NOTHING ABOUT ME. 388 00:22:41,980 --> 00:22:43,040 EXACTLY SO. 389 00:22:43,610 --> 00:22:45,380 WHICH IS WHY I YEARN TO KNOW EVERYTHING. 390 00:22:45,990 --> 00:22:47,410 YOU MUST TELL ME ALL ABOUT YOURSELF. 391 00:22:47,790 --> 00:22:49,050 IN EVERY DETAIL. 392 00:22:49,280 --> 00:22:50,690 BUT EVER SO SLOWLY. 393 00:22:50,940 --> 00:22:52,420 SO VERY SLOWLY. 394 00:22:53,350 --> 00:22:56,660 SO THAT IT TAKES A VERY... VERY LONG TIME. 395 00:22:57,520 --> 00:22:59,660 I DON'T KNOW WHETHER ARE MAD, OR... 396 00:22:59,700 --> 00:23:00,680 DESPERATELY IN LOVE. 397 00:23:00,970 --> 00:23:02,110 'TIS ALL THE SAME. 398 00:23:02,960 --> 00:23:06,100 TELL ME IF YOU CAN... THAT YOU DO NOT FEEL IT? 399 00:23:07,400 --> 00:23:10,420 PLEASE... YOU MOVE TOO FAST. 400 00:23:11,240 --> 00:23:14,460 MY HEART... DICTATES THE PACE. 401 00:23:38,070 --> 00:23:40,000 GOOD MORNING, CITIZEN ROBESPIERRE. 402 00:23:40,030 --> 00:23:41,330 THANK YOU, ST. CYR. 403 00:23:43,830 --> 00:23:44,690 CHAUVELIN. 404 00:23:45,590 --> 00:23:47,720 THE REPORT INFORMS ME, THERE MAY BE AN ATTEMPT 405 00:23:47,750 --> 00:23:50,790 TO RESCUE THE ROYAL FAMILY, PARTICULARLY, THE YOUNG 406 00:23:50,820 --> 00:23:52,000 DAUPHIN, HEIR TO THE THRONE. 407 00:23:52,040 --> 00:23:54,930 I SHALL SEE TO IT THAT SECURITY IS TIGHTENED AT ONCE. 408 00:23:54,960 --> 00:23:57,790 AND ANOTHER THING, THERE IS ONE ENEMY OF THE REPUBLIC 409 00:23:57,820 --> 00:24:00,520 IN PARTICULAR WHO CONTINUES TO ELUDE US, A MAN WE CONSIDER 410 00:24:00,560 --> 00:24:04,020 MORE DANGEROUS THAN ALL THE OTHERS COMBINED, THE SCARLET PIMPERNEL. 411 00:24:04,050 --> 00:24:07,880 WITH ALL DUE RESPECT, CITIZEN, THE MAN HAS SPARED BARELY 412 00:24:07,920 --> 00:24:10,200 A HANDFUL FROM THE GUILLOTINE, OUT OF HUNDREDS. 413 00:24:10,240 --> 00:24:12,140 SURELY, WE OVERESTIMATE HIS IMPORTANCE. 414 00:24:12,170 --> 00:24:15,270 ON THE CONTRARY, UNCHECKED HIS CONTINUED SUCCESS COULD 415 00:24:15,300 --> 00:24:16,610 UNDERMINE THE REVOLUTION ITSELF. 416 00:24:16,650 --> 00:24:17,900 UNDERMINE THE REVOLUTION? 417 00:24:17,940 --> 00:24:20,170 BY RAISING THE HOPES OF THOSE WHO ARE CONSPIRING 418 00:24:20,210 --> 00:24:22,410 TO OVERTHROW THE REPUBLIC AND RESTORE THE MONARCHY. 419 00:24:22,950 --> 00:24:25,170 SO YOU SEE, CHAUVELIN, WHILE THIS MEDDLESOME 420 00:24:25,200 --> 00:24:27,700 ENGLISHMAN REMAINS AT LARGE HE CONTINUES TO BE A MENACE. 421 00:24:27,740 --> 00:24:29,690 NEEDLESS TO SAY, THE MAN WHO BRINGS HIM TO JUSTICE 422 00:24:29,730 --> 00:24:31,890 WILL EARN THE GRATITUDE OF THE NATION. 423 00:24:31,930 --> 00:24:34,060 NOT TO MENTION, A SEAT ON THE COMMITTEE. 424 00:24:35,400 --> 00:24:37,060 HE MUST BE STOPPED, CHAUVELIN. 425 00:24:37,100 --> 00:24:38,390 I SHALL SEE TO IT AT ONCE, CITIZEN. 426 00:24:45,780 --> 00:24:50,540 HOW IS OUT YOUNG FRIEND, ARMAND ST. JUST, SETTLING IN? 427 00:24:50,570 --> 00:24:55,300 A BIT HEADSTRONG, PERHAPS, BUT I SUSPECT HE'LL GO FAR. 428 00:24:55,330 --> 00:24:57,380 HUH, HUH, HUH. 429 00:24:58,700 --> 00:25:03,620 [CLOCK CHIMES] 430 00:25:08,620 --> 00:25:10,990 "YOU CAN INFORM YOUR PEOPLE, THAT THE DAUPHIN IS TO BE 431 00:25:11,030 --> 00:25:13,470 HELD PRISONER IN THE TEMPLE. ST. CYR." 432 00:25:13,500 --> 00:25:14,990 SIR PERCY BLAKENEY, MADEMOISELLE. 433 00:25:15,020 --> 00:25:16,460 PLEASE, SHOW HIM IN, ANNETTE. 434 00:25:26,220 --> 00:25:28,990 UH, FORGIVE ME... IF I KEPT YOU WAITING. 435 00:25:29,900 --> 00:25:31,530 YOUR NOTE DID SAY ELEVEN. 436 00:25:32,330 --> 00:25:33,640 I HAD A DEVIL OF A TIME 437 00:25:34,010 --> 00:25:36,240 FINDING A SUITABLE BASKET. 438 00:25:40,080 --> 00:25:42,470 A SUITABLE...BASKET? 439 00:25:42,500 --> 00:25:44,170 HMM. 440 00:25:45,840 --> 00:25:49,090 I THOUGHT...A PICNIC. 441 00:25:51,160 --> 00:25:52,880 PERCY! 442 00:26:09,790 --> 00:26:10,480 PAPERS. 443 00:26:12,350 --> 00:26:13,800 PAPERS..IF YOU PLEASE. 444 00:26:14,860 --> 00:26:15,700 SINK ME. 445 00:26:16,020 --> 00:26:20,900 SURELY YOU RECOGNIZE THE MOST BEAUTIFUL ACTRESS IN FRANCE. 446 00:26:22,810 --> 00:26:24,430 A MAN WOULD HAVE TO BE BLIND NOT TO RECOGNIZE 447 00:26:24,460 --> 00:26:26,150 MADEMOISELLE MARGUERITE ST. JUST. 448 00:26:27,160 --> 00:26:31,290 YOU THERE! MAKE WAY! LET THIS CARRIAGE PASS! 449 00:27:52,680 --> 00:27:53,570 CAREFUL NOW. 450 00:27:54,380 --> 00:27:55,020 UGH! 451 00:27:55,550 --> 00:27:57,020 ARE YOU ALL RIGHT, NOW? 452 00:27:57,060 --> 00:27:58,500 YES, INDEED, MANY THANKS. 453 00:28:36,140 --> 00:28:38,050 DAMN THE SCARLET PIMPERNEL! 454 00:28:38,170 --> 00:28:40,300 NOW HE'S MADE OFF WITH THE DUC DE LEON. 455 00:28:40,350 --> 00:28:43,700 HE HAS PROVED MOST ELUSIVE, CITIZEN. 456 00:28:44,990 --> 00:28:47,460 A MAN OF MANY DISGUISES, BUT, I NOW BELIEVE 457 00:28:47,500 --> 00:28:49,900 THAT THERE IS ONLY ONE WAY TO CATCH HIM. 458 00:28:49,940 --> 00:28:54,000 HOW TO YOU PROPOSE TO FIND ONE ENGLISHMAN AMONG MILLIONS. 459 00:28:54,560 --> 00:28:59,750 BY SIMPLE DEDUCTION, PONCEAU. THIS PARTICULAR ENGLISHMAN CITIZEN 460 00:28:59,790 --> 00:29:02,340 MANAGES TO PASS HIMSELF OFF AS A FRENCH. 461 00:29:02,370 --> 00:29:05,850 IT FOLLOWS, THEREFORE, THAT HE COMES FROM THAT PRIVILEGED CLASS 462 00:29:05,880 --> 00:29:08,410 BROUGHT UP BY FRENCH GOVERNESSES, TUTORED BY FRENCH INSTRUCTORS, 463 00:29:08,440 --> 00:29:11,910 AND PERHAPS EVEN EDUCATED AT A FRENCH UNIVERSITY. 464 00:29:12,900 --> 00:29:15,810 IN A WORD, THE MAN IS UNDOUBTEDLY AN ARISTOCRAT. 465 00:29:15,970 --> 00:29:17,860 AND THAT WOULD EXPLAIN HIS SYMPATHIES, AND 466 00:29:17,890 --> 00:29:20,030 NARROW THE FIELD CONSIDERABLY. 467 00:29:20,610 --> 00:29:24,980 I BELIEVE THAT WE WILL SHALL FIND HIM AT THE CENTER OF SOCIAL LIFE IN LONDON, 468 00:29:25,020 --> 00:29:27,690 AND THAT IS WHERE I PROPOSE WE TRACK HIM DOWN. 469 00:29:29,850 --> 00:29:31,470 HE DOES HAVE A POINT, PONCEAU. 470 00:29:32,330 --> 00:29:35,520 WHILE HE'S IN FRANCE, THE CUNNING FOX IS ALWAYS ON HIS GUARD, 471 00:29:35,560 --> 00:29:37,610 BUT IN HIS OWN BACKYARD, UM? 472 00:29:40,720 --> 00:29:44,340 WE SHALL HAVE YOU APPOINTED SPECIAL ENVOY TO THE COURT OF ST. JAMES 473 00:29:44,370 --> 00:29:46,860 AS SOON AS POSSIBLE. PONCEAU WILL SEE TO THE DETAILS. 474 00:29:46,890 --> 00:29:49,130 I AM DEEPLY HONORED, CITIZEN. 475 00:29:50,310 --> 00:29:53,520 WOULD IT NOT BE ADVISABLE IF I WERE TO HAVE THE ASSISTANCE 476 00:29:53,560 --> 00:29:56,240 OF SOMEONE WHO IS ALREADY KNOWN TO THE ENGLISH? 477 00:29:56,850 --> 00:29:58,910 SOMEONE, WHOM THEY TRUST. 478 00:30:00,090 --> 00:30:02,350 I SUSPECT YOU ALREADY HAVE SOMEONE IN MIND. 479 00:30:02,380 --> 00:30:05,010 MIGHT I SUGGEST THE MAN WHO SERVED OUR RECENTLY 480 00:30:05,050 --> 00:30:07,860 DEPOSED KING AS AMBASSADOR IN LONDON FOR SO LONG? 481 00:30:07,900 --> 00:30:10,030 I LIKE YOUR SENSE OF IRONY, CHAUVELIN. 482 00:30:10,400 --> 00:30:13,920 BY ALL MEANS. THE COUNT DE TOURNEY WOULD BE AN IDEAL CHOICE. 483 00:30:14,690 --> 00:30:17,440 SEND YOUNG ARMAND ST. JUSTE TO BRING HIM IN. 484 00:30:18,110 --> 00:30:19,340 YOU MUST NOT GO, HENRI. 485 00:30:19,370 --> 00:30:22,380 I ASSURE YOU, MADAME, CITIZEN ROBESPIERRE MERELY WISHES TO 486 00:30:22,420 --> 00:30:24,250 CONSULT WITH YOU HUSBAND ON A MATTER OF STATE. 487 00:30:24,290 --> 00:30:28,040 ROBESPIERRE? I'D SOONER TRUST A SNAKE. 488 00:30:28,620 --> 00:30:30,560 YOU HAVE KNOWN ME ALL MY LIFE. 489 00:30:30,600 --> 00:30:33,770 I GIVE YOU MY WORD, NO HARM WILL COME TO HIM. 490 00:30:33,970 --> 00:30:38,360 WELL, THERE. YOU SEE, MAMA? YOU HAVE ARMAND'S WORD OF HONOR. 491 00:30:40,800 --> 00:30:42,550 I SHALL BE BACK IN TIME FOR SUPPER. 492 00:30:48,500 --> 00:30:52,440 DEATH, ROBBING MY EYES OF LIGHT, 493 00:30:54,840 --> 00:31:02,610 WILL GIVE BACK TO THE SUN ITS TARNISHED BEAUTY. 494 00:31:05,080 --> 00:31:09,300 [APPLAUSE, CHEERING] 495 00:31:12,070 --> 00:31:12,780 PERCY? 496 00:31:18,700 --> 00:31:19,490 PERCY. 497 00:31:32,530 --> 00:31:36,050 'MY BELOVED, I'VE HAD TO RETURN TO ENGLAND URGENTLY. 498 00:31:36,300 --> 00:31:39,530 'FORGIVE ME, I DID NOT HAVE TIME TO KISS YOU FAREWELL. 499 00:31:39,800 --> 00:31:42,010 'YOUR OWN, PERCY.' 500 00:31:54,090 --> 00:31:55,420 SPY? 501 00:31:56,280 --> 00:31:58,200 ON MY FORMER ASSOCIATES, FRIENDS? 502 00:31:58,500 --> 00:31:59,760 YOU STILL REFUSE? 503 00:32:00,280 --> 00:32:01,650 MOST EMPHATICALLY. 504 00:32:02,510 --> 00:32:03,610 YOU MUST BE MAD. 505 00:32:03,780 --> 00:32:04,940 TAKE HIM TO THE TEMPLE. 506 00:32:05,690 --> 00:32:08,150 PERHAPS SOME TIME IN PRISON WILL BRING HIM TO HIS SENSES. 507 00:32:16,710 --> 00:32:18,360 ANDREW, DO YOU WANT TO DOUBLE YOUR WAGER? 508 00:32:19,650 --> 00:32:20,440 ANDREW! 509 00:32:20,680 --> 00:32:21,450 RIGHT! 510 00:32:21,810 --> 00:32:23,290 A HUNDRED GUINEAS! 511 00:32:23,330 --> 00:32:24,680 YOU'LL NEVER BEAT HIM! 512 00:32:24,720 --> 00:32:26,040 WELL, HANG ON TO ME TAIL! 513 00:32:26,810 --> 00:32:27,730 SEE IF YOU CAN CATCH HIM! 514 00:32:27,760 --> 00:32:29,420 JUST YOU WAIT! 515 00:32:29,580 --> 00:32:30,960 MY GOODNESS, THOUGH, YOU CAN DO IT. 516 00:32:30,990 --> 00:32:32,970 YOU'VE BEEN A GOOD JUDGE OF HORSE FLESH. 517 00:32:33,000 --> 00:32:34,820 YOU'RE DAMNED RIGHT. THAT'S A HUNDRED GUINEAS, 518 00:32:34,860 --> 00:32:35,900 YOU OWE ME, OLD CHAP. 519 00:32:35,930 --> 00:32:37,050 HEY, PERCY. 520 00:32:39,170 --> 00:32:41,410 THERE ISN'T AN ENGLISHMAN ALIVE, WHO WOULDN'T BE PROUD 521 00:32:41,450 --> 00:32:43,540 TO JOIN THE LEAGUE OF THE SCARLET PIMPERNEL. 522 00:32:43,570 --> 00:32:46,900 THAT MAY BE, MY FRIEND, BUT THE GREATER THE NUMBER, 523 00:32:46,940 --> 00:32:48,870 THE GREATER THE RISK OF BETRAYAL. 524 00:32:48,910 --> 00:32:51,470 NO, NO, MY FRIENDS, IF WE ARE TO SUCCEED 525 00:32:51,510 --> 00:32:54,520 WE MUST MAINTAIN OUR ANONYMITY. 526 00:32:55,510 --> 00:32:57,010 MASK OUR IDENTITIES. 527 00:32:58,200 --> 00:33:00,680 EVEN IF IT MEANS SUFFERING THE MOCKERY OF OTHERS, 528 00:33:01,570 --> 00:33:03,090 BEING TAKEN FOR FOOLS, 529 00:33:03,600 --> 00:33:04,460 FOPS, 530 00:33:05,450 --> 00:33:06,250 NITWITS, 531 00:33:07,330 --> 00:33:08,300 EVEN COWARDS. 532 00:33:08,340 --> 00:33:10,910 UMM. THAT'S THE EASY PART. THE HARD PART IS NOT BEING ABLE 533 00:33:10,950 --> 00:33:13,220 TO BOAST ABOUT OUR EXPLOITS TO THE LADIES. 534 00:33:13,250 --> 00:33:16,870 [LAUGHTER] 535 00:33:20,770 --> 00:33:21,780 TIMMY. 536 00:33:23,850 --> 00:33:25,070 WHAT IS IT, MY DEAR FELLOW? 537 00:33:29,590 --> 00:33:30,880 WELL, COME ON, OUT WITH IT. 538 00:33:33,650 --> 00:33:35,680 LOUIS THE SIXTEENTH HAS BEEN EXECUTED. 539 00:33:39,570 --> 00:33:40,350 THE QUEEN? 540 00:33:42,050 --> 00:33:43,740 DOOMED TO FOLLOW HIM TO THE GUILLOTINE. 541 00:33:44,080 --> 00:33:45,390 WHAT NEWS OF THE YOUNG DAUPHIN? 542 00:33:45,870 --> 00:33:47,860 THE HEIR TO THE THRONE HAS BEEN IMPRISONED IN THE TEMPLE. 543 00:33:51,910 --> 00:33:53,090 AND THERE'S MORE. 544 00:33:54,430 --> 00:33:57,460 YOUR FRIEND THE COUNT DE TOURNEY HAS ALSO BEEN ARRESTED AND TAKEN TO THE TEMPLE. 545 00:33:58,200 --> 00:33:59,200 HIS FAMILY? 546 00:34:01,210 --> 00:34:02,960 THEY'RE STILL SAFE BY THE LAST REPORT. 547 00:34:07,940 --> 00:34:09,080 THEN THERE'S NO TIME TO LOSE. 548 00:34:09,360 --> 00:34:11,250 ANDREW, I WANT YOU TO SET UP A NETWORK OF COURIERS. 549 00:34:12,880 --> 00:34:14,050 WE LEAVE FOR PARIS AT ONCE. 550 00:34:24,580 --> 00:34:26,930 DELIVER THIS TO THE CAPTAIN OF THE REVOLUTIONARY GUARD 551 00:34:26,970 --> 00:34:28,350 IN THE PLACE DE LA GREVE. 552 00:34:28,390 --> 00:34:29,040 YES, SIR. 553 00:34:29,080 --> 00:34:30,110 CAN'T YOU SEE THAT I'M BUSY? 554 00:34:30,650 --> 00:34:32,490 YOU HAVE ARRESTED THE COUNT DE TOURNEY. 555 00:34:32,530 --> 00:34:33,460 I HAVE. 556 00:34:34,430 --> 00:34:36,090 ON THE ORDERS OF CITIZEN ROBESPIERRE. 557 00:34:36,890 --> 00:34:39,320 I GAVE MY WORD OF HONOR. 558 00:34:39,620 --> 00:34:42,430 MAY I REMIND YOU, THAT YOUR FIRST DUTY IS TO THE REPUBLIC 559 00:34:42,460 --> 00:34:43,760 AND NOT TO THE COUNT DE TOURNEY IN THIS HOUR. 560 00:34:45,370 --> 00:34:46,130 YOU MAY GO. 561 00:34:51,180 --> 00:34:52,250 [DOOR CLOSES] 562 00:34:52,290 --> 00:34:53,320 MY DEAR ARMAND. 563 00:34:54,080 --> 00:34:56,900 SUCH SENTIMENTS, ESPECIALLY ON BEHALF OF AN ARISTOCRAT, 564 00:34:56,930 --> 00:34:58,840 COULD BE EASILY MISINTERPRETED. 565 00:34:58,870 --> 00:35:00,080 YOU USED ME. 566 00:35:00,940 --> 00:35:03,150 YES, AND AS LONG AS YOU ARE HERE TO SERVE THE COMMITTEE 567 00:35:03,190 --> 00:35:04,370 I SHALL CONTINUE TO USE YOU. 568 00:35:04,460 --> 00:35:07,470 NOW, BOY, DELIVER THIS, TO THE CAPTAIN OF THE REVOLUTIONARY GUARD 569 00:35:07,500 --> 00:35:09,320 IN CHARGE OF EXECUTIONS IN THE PLACE DE LA GREVE. 570 00:35:15,940 --> 00:35:17,750 [DOOR CLOSES] 571 00:35:17,780 --> 00:35:19,560 [DRUMS ROLL] 572 00:35:21,990 --> 00:35:24,740 [DRUMS CONTINUE TO ROLL] 573 00:35:28,290 --> 00:35:29,720 [GUILLOTINE FALLS] 574 00:35:29,760 --> 00:35:31,160 [CROWD CHEERS] 575 00:35:45,520 --> 00:35:47,350 [DEATH TO THE ARISTOS] 576 00:35:47,380 --> 00:35:49,180 [LONG LIVE THE REPUBLIC] 577 00:35:54,320 --> 00:35:55,140 SIR! 578 00:36:00,870 --> 00:36:01,650 CAPTAIN. 579 00:36:09,390 --> 00:36:13,370 'MUST HAVE MORE EXECUTIONS, AND PROCEED WITH GREATER DISPATCH!' 580 00:36:13,640 --> 00:36:17,380 YOU CAN TELL CITIZEN CHAUVELIN, IF HE THINKS HE CAN DO BETTER, 581 00:36:17,410 --> 00:36:19,910 HE'S QUITE WELCOME TO COME AND TRY FOR HIMSELF. 582 00:36:20,470 --> 00:36:22,090 MIGHT DO HIM GOOD. TO GET SOME BLOOD 583 00:36:22,130 --> 00:36:23,720 ON THOSE LILY WHITE HANDS OF HIS. 584 00:36:23,760 --> 00:36:24,780 AH! 585 00:36:25,580 --> 00:36:27,820 IN THE NAME OF GOD, MONSIEUR, SAVE ME. 586 00:36:27,850 --> 00:36:30,020 I SWEAR I'VE DONE NOTHING, NOTHING! 587 00:36:30,060 --> 00:36:33,010 SAVE YOUR BREATH, MADEMOISELLE, HE'S ONE OF THEM WHO SENT YOU HERE. 588 00:36:34,840 --> 00:36:36,290 [SPIT!] 589 00:36:36,900 --> 00:36:42,090 MAY GOD HAVE MERCY ON YOUR SOUL, MONSIEUR. YOU'RE SURELY DAMNED FOR WHAT YOU DO! 590 00:36:51,110 --> 00:36:52,510 [SCREAM] AHHH, AH! 591 00:36:52,540 --> 00:36:57,450 WHAT IS IT? [SIGH, GASP] A DREAM. 592 00:36:57,490 --> 00:36:58,540 A HIDEOUS DREAM. 593 00:36:58,580 --> 00:37:01,000 [GASP] SOMEONE YOU WORK WITH? 594 00:37:01,030 --> 00:37:02,110 NO, IT'S MARGUERITE. 595 00:37:02,770 --> 00:37:04,600 IT WAS SHE THEY HAD TO THE GUILLOTINE. 596 00:37:05,420 --> 00:37:06,810 IT WAS HER WHEN I HEARD IT FELL. 597 00:37:07,590 --> 00:37:11,720 OH, GOD. OH MY GOD. OH MY GOD. 598 00:37:13,420 --> 00:37:16,210 'YOU CAN INFORM YOUR PEOPLE THAT 'THE DAUPHIN IS TO BE HELD 599 00:37:16,240 --> 00:37:19,280 'PRISONER IN THE TEMPLE. 'ST. CYR.' 600 00:37:19,310 --> 00:37:22,390 [APPLAUSE FOR MARGUERITE] 601 00:37:24,870 --> 00:37:25,590 MY DARLING! 602 00:37:25,630 --> 00:37:27,060 MARGUERITE, MY DEAREST. 603 00:37:28,040 --> 00:37:29,010 PAUL! 604 00:37:30,370 --> 00:37:32,030 WHAT IS IT, MY DEAR. YOU LOOK AS IF YOU'D 605 00:37:32,070 --> 00:37:32,850 SEEN A GHOST? 606 00:37:33,020 --> 00:37:34,600 IT'S JUST YOU TOOK ME BY SURPRISE. 607 00:37:37,880 --> 00:37:39,780 WHAT IS THAT YOU'RE HIDING BEHIND YOUR BACK? 608 00:37:40,550 --> 00:37:42,130 I MIGHT ASK YOU THE SAME. 609 00:37:43,290 --> 00:37:45,740 YOU HAVE NOT RIGHT TO PRY INTO MY PERSONAL AFFAIRS. 610 00:37:45,780 --> 00:37:48,200 EVEN WHEN THOSE PERSONAL AFFAIRS SMACK OF TREASON? 611 00:37:48,240 --> 00:37:48,880 TREASON? 612 00:37:50,230 --> 00:37:52,860 SURELY, YOU DON'T THINK I HAVE ANYTHING TO DO WITH...? 613 00:37:54,370 --> 00:37:55,350 PAUL... 614 00:37:55,420 --> 00:37:57,930 I SWEAR I HAPPENED UPON THIS NOTE ONLY BY CHANCE. 615 00:37:58,610 --> 00:38:00,420 WHY DIDN'T YOU COME TO ME WITH IT? 616 00:38:01,540 --> 00:38:02,820 I DIDN'T KNOW WHAT TO DO. 617 00:38:04,190 --> 00:38:06,640 I THINK I WANTED TO BE SURE THAT IT WAS IMPORTANT ENOUGH 618 00:38:06,670 --> 00:38:08,940 BEFORE I DID ANYTHING SO DRASTIC. 619 00:38:08,980 --> 00:38:09,770 DRASTIC? 620 00:38:10,030 --> 00:38:11,620 AS REPORT IT TO THE COMMITTEE. 621 00:38:11,660 --> 00:38:15,310 [LAUGHING] MY DARLING MARGUERITE, I'M NOT THE COMMITTEE. 622 00:38:15,790 --> 00:38:18,590 I'M THE MAN WHO HOPE ONE DAY TO MARRY YOU. 623 00:38:19,160 --> 00:38:20,820 BUT YOU ARE AN AGENT OF THE COMMITTEE. 624 00:38:21,520 --> 00:38:23,320 WOULDN'T IT BE YOUR DUTY TO REPORT IT... 625 00:38:23,350 --> 00:38:24,860 MY FIRST DUTY, MY DEAREST, 626 00:38:25,780 --> 00:38:26,640 IS TO YOU. 627 00:38:28,810 --> 00:38:31,240 I MAY NOT ALWAYS FIND A WAY TO SHOW IT. 628 00:38:32,740 --> 00:38:33,890 BUT I LOVE YOU. 629 00:38:33,920 --> 00:38:35,040 WITH ALL MY HEART. 630 00:38:36,270 --> 00:38:39,160 I GIVE YOU MY WORD, I WILL NEVER BETRAY YOUR CONFIDENCE. 631 00:38:45,950 --> 00:38:46,950 FORGIVE ME, PAUL. 632 00:38:48,470 --> 00:38:49,550 ON THE OTHER HAND 633 00:38:50,210 --> 00:38:52,830 IT IS YOUR DUTY TO REPORT THIS TO ME OFFICIALLY. 634 00:38:52,990 --> 00:38:55,570 AND THEN, AND ONLY THEN, I'LL TAKE THE APPROPRIATE ACTION. 635 00:38:56,460 --> 00:38:58,680 BUT THAT COULD MEAN ST. CYR'S EXECUTION, 636 00:38:58,720 --> 00:39:00,230 AND POSSIBLY HIS FAMILY'S AS WELL. 637 00:39:00,260 --> 00:39:00,980 HE'S A TRAITOR. 638 00:39:01,360 --> 00:39:03,310 AND CAN YOU THINK OF A BETTER WAY TO REPAY HIM 639 00:39:03,350 --> 00:39:05,020 FOR HAVING YOUR BROTHER BEATEN? 640 00:39:05,210 --> 00:39:07,710 YOU CAN'T HONESTLY BELIEVE THAT I WOULD SEND A MAN 641 00:39:07,740 --> 00:39:10,210 AND HIS ENTIRE FAMILY TO THEIR DEATH OUT OF SPITE? 642 00:39:10,240 --> 00:39:12,190 THEY'RE ARISTOCRATS, MY DEAR! 643 00:39:12,330 --> 00:39:13,890 [WHISPERING] I COULD NEVER LIVE WITH MYSELF! 644 00:39:14,230 --> 00:39:17,420 IN THAT CASE, YOU MAY HAVE ONE DAY TO ANSWER TO THE REPUBLIC. 645 00:39:17,450 --> 00:39:19,580 RATHER THE REPUBLIC THAN MY CONSCIENCE. 646 00:39:19,660 --> 00:39:21,230 YOU DISAPPOINT ME. 647 00:39:21,270 --> 00:39:22,810 YOU'VE GONE SOFT! 648 00:39:22,980 --> 00:39:24,920 IF BY THAT YOU MEAN I'M NOT BLOODTHIRSTY ENOUGH FOR THIS 649 00:39:24,960 --> 00:39:26,470 REVOLUTION OF YOURS, YOU'RE RIGHT. 650 00:39:26,500 --> 00:39:27,980 IT USED TO BE YOUR REVOLUTION AS WELL. 651 00:39:28,010 --> 00:39:28,570 YES... 652 00:39:29,320 --> 00:39:31,760 BUT IT'S TAKEN US IN DIFFERENT DIRECTIONS. 653 00:39:32,550 --> 00:39:34,580 PERHAPS MY VISION WAS NEVER THE SAME AS YOURS. 654 00:39:35,720 --> 00:39:39,130 I SEE NOW, WHAT BEGINS AS A DREAM CAN END AS A NIGHTMARE. 655 00:39:39,720 --> 00:39:43,300 SOME CAUSES CAN BECOME WARPED, TWISTED LIKE SOME MEN. 656 00:39:49,340 --> 00:39:53,400 IT'S NOT DIFFICULT TO GUESS THE REASON FOR THIS SUDDEN 657 00:39:53,440 --> 00:39:54,350 CHANGE OF HEART. 658 00:39:55,920 --> 00:39:57,930 I SUSPECT IT'S THE ARISTOCRATIC COMPANY 659 00:39:57,970 --> 00:39:58,930 YOU'VE BEEN KEEPING OF LATE. 660 00:40:00,940 --> 00:40:02,750 WHY, PAUL, I DO BELIEVE YOUR JEALOUS. 661 00:40:02,960 --> 00:40:04,100 WHY SHOULD I NOT BE? 662 00:40:04,370 --> 00:40:07,380 WELL, IF IT'S ANY CONSOLATION, SIR. PERCY LEFT FOR ENGLAND 663 00:40:07,420 --> 00:40:08,500 A FORTNIGHT AGO. 664 00:40:08,530 --> 00:40:09,600 AND THEN YOU DON'T KNOW. 665 00:40:10,270 --> 00:40:10,860 KNOW WHAT? 666 00:40:11,120 --> 00:40:11,940 THAT HE'S BACK. 667 00:40:13,160 --> 00:40:14,090 IN PARIS? 668 00:40:15,460 --> 00:40:18,730 [WITH FEELING] YOU KNOW, IT AMAZES ME 669 00:40:18,770 --> 00:40:21,990 HOW A WOMAN OF YOUR TASTE AND INTELLIGENCE COULD TOLERATE 670 00:40:22,020 --> 00:40:22,880 SUCH A FOOL. 671 00:40:23,310 --> 00:40:24,990 AND NOW IF YOU'LL EXCUSE ME. 672 00:40:29,310 --> 00:40:30,960 I HAVE SOME DUTIES TO ATTEND TO. 673 00:40:31,000 --> 00:40:32,230 [OPENS DOOR] 674 00:40:33,240 --> 00:40:35,180 BON-JEWER, MON-SEWER. 675 00:40:36,870 --> 00:40:38,480 I SWEAR YOU BEEN TAKIN' LESSONS. 676 00:40:38,900 --> 00:40:40,070 THE CRAVAT'S A PICTURE. 677 00:40:41,990 --> 00:40:43,100 OH, UGH. 678 00:40:45,190 --> 00:40:46,360 OH, OUTTA' MY WAY! 679 00:40:47,160 --> 00:40:48,170 YOU IDIOT! 680 00:40:50,490 --> 00:40:51,940 [DOOR CLOSES] 681 00:40:52,070 --> 00:40:53,130 PERCY! 682 00:40:53,170 --> 00:40:54,820 PERCY, PERCY! 683 00:40:54,860 --> 00:40:56,170 HA, HA, HA, HA, HA. 684 00:40:56,200 --> 00:40:57,560 I KNEW YOU WOULD COME BACK! 685 00:40:57,600 --> 00:40:58,730 MY DARLING! 686 00:40:58,870 --> 00:41:00,540 WELL, I'M GLAD YOU'RE PLEASED TO SEE ME. 687 00:41:00,720 --> 00:41:02,610 IT'S MORE THAN YOU CAN SAY FOR YOUR FRIEND, CHAUVELIN. 688 00:41:02,890 --> 00:41:05,670 POSITIVELY NO SENSE OF HUMOR. MUST BE HIS DIET. 689 00:41:06,040 --> 00:41:07,960 OH, PLEASE, DON'T BE SO FLIPPANT, PERCY. 690 00:41:08,360 --> 00:41:09,980 CHAUVELIN IS TERRIBLY JEALOUS. 691 00:41:11,190 --> 00:41:12,780 HE ACTUALLY FRIGHTENS ME. 692 00:41:13,520 --> 00:41:15,910 FRIGHTENS YOU, MY DEAR. NONSENSE. 693 00:41:17,500 --> 00:41:18,740 I WANT YOU TO FORGET, CHAUVELIN. 694 00:41:19,540 --> 00:41:21,030 FORGET EVERY MEN YOU'VE EVER KNOWN. 695 00:41:22,160 --> 00:41:23,600 EXCEPT ME. 696 00:41:23,810 --> 00:41:25,130 HOW EASY THAT WOULD BE. 697 00:41:26,550 --> 00:41:30,660 SOMETIMES... YOU'RE SO... ELUSIVE. 698 00:41:31,820 --> 00:41:33,310 ARE YOU AN ACTOR, TOO? 699 00:41:33,330 --> 00:41:35,940 PLAYING OUT SOME PART IN A STRANGE CHARADE? 700 00:41:36,440 --> 00:41:39,910 I'VE TOLD YOU BEFORE, MY DEAR, THE ONE THING YOU MUST NEVER DOUBT 701 00:41:40,450 --> 00:41:41,690 IS MY SINCERITY. 702 00:41:42,180 --> 00:41:45,080 I KNOW BEHIND THAT MASK HIDES THE TRUE PERCY BLAKENEY. 703 00:41:46,360 --> 00:41:48,330 THAT'S THE MAN I YEARN TO KNOW. 704 00:41:48,740 --> 00:41:50,030 AND SO YOU SHALL, MY DEAR. 705 00:41:51,410 --> 00:41:52,530 ALL IN GOOD TIME. 706 00:41:53,190 --> 00:41:54,130 HOW LONG IS THAT? 707 00:41:55,490 --> 00:42:01,770 MARRY ME,...AND YOU HAVE THE REST OF YOUR LIFE,...TO FIND OUT. 708 00:42:07,880 --> 00:42:08,870 NEVER, 709 00:42:09,030 --> 00:42:09,900 NEVER, 710 00:42:10,530 --> 00:42:11,250 NEVER, 711 00:42:12,080 --> 00:42:13,650 AND THERE IS NOTHING YOU CAN DO TO ME 712 00:42:13,690 --> 00:42:14,830 THAT WILL MAKE ME CHANGE MY MIND. 713 00:42:14,890 --> 00:42:19,590 THAT NOT TO YOU, PERHAPS, BUT I WONDER WHAT WOULD 714 00:42:19,620 --> 00:42:22,360 BECOME OF ALL YOUR ARISTOCRATIC PRINCIPLES, IF YOU FAMILY WERE 715 00:42:22,400 --> 00:42:24,320 LANGUISHING IN HERE, AS WELL? 716 00:42:25,420 --> 00:42:26,840 YOU WOULDN'T DARE. 717 00:42:26,880 --> 00:42:29,030 YOU WILL HAVE UNTIL TOMORROW TO RECONSIDER. 718 00:42:34,680 --> 00:42:36,800 I INTEND TO WARN THE DE TOURNEY FAMILY AND 719 00:42:36,830 --> 00:42:38,270 HELP THEM FLEE, IF NECESSARY. 720 00:42:39,610 --> 00:42:40,810 NOW, LOOK HERE, MY DEAR FELLOW. 721 00:42:41,600 --> 00:42:45,320 I DID NOT SAVE YOUR NECK FROM THOSE THUGS OF ST. CYR'S 722 00:42:45,360 --> 00:42:49,050 MERELY TO SEE YOU LOSE YOUR HEAD AT THE GUILLOTINE. 723 00:42:49,080 --> 00:42:51,120 [SIGH] WHAT? 724 00:42:51,140 --> 00:42:53,050 MY MIND IS QUITE MADE UP, PERCY. 725 00:42:53,810 --> 00:42:56,860 I WILL WARN THE DE TOURNEYS. THERE'S NO USE TRYING TO STOP ME. 726 00:42:56,970 --> 00:43:00,130 I HAVE NO INTENTION... OF STOPPING YOU. 727 00:43:01,290 --> 00:43:05,600 DO YOU SUPPOSE...THAT YOU COULD GET INTO THE TEMPLE PRISON... 728 00:43:06,450 --> 00:43:10,020 AND SEE THE COUNT... TONIGHT? 729 00:43:10,330 --> 00:43:13,680 UGH, WELL, I...I THINK SO. BUT TO WHAT PURPOSE? 730 00:43:14,020 --> 00:43:19,500 -I...HAVE A PLAN. -OH...YOU HAVE A PLAN. 731 00:43:19,810 --> 00:43:21,800 YOU, WHO ARE PRACTICALLY INCAPABLE OF ANY 732 00:43:21,840 --> 00:43:24,670 THOUGHT ENTERING INTO YOU HEAD THAT IS NOT TRIVIAL. 733 00:43:24,710 --> 00:43:26,990 [SIGH] OH, REALLY, PERCY. 734 00:43:27,020 --> 00:43:29,270 -THIS IS SERIOUS. -SO AM I. 735 00:43:29,850 --> 00:43:31,220 DEADLY SERIOUS. 736 00:43:32,540 --> 00:43:35,920 WE MUST RESCUE THE DE TOURNEY FAMILY, WITHOUT RISKING YOU. 737 00:43:36,780 --> 00:43:39,440 YOU CAN BE FAR MORE VALUABLE TO US IF YOU KEEP IN WITH CHAUVELIN 738 00:43:39,460 --> 00:43:41,070 AND CONTINUE TO WORK WITH THE COMMITTEE. 739 00:43:41,610 --> 00:43:43,620 USEFUL TO US. WHAT ON EARTH ARE YOU TALKING ABOUT? 740 00:43:43,650 --> 00:43:46,370 YOU MUST SWEAR, BY ALL YOU HOLD SACRED 741 00:43:46,890 --> 00:43:49,290 THAT WHAT YOU ARE ABOUT TO HEAR, YOU WILL NOT REPEAT TO ANYONE. 742 00:43:49,330 --> 00:43:50,930 -REALLY, PERCY,... -NOT EVEN MARGUERITE! 743 00:43:51,970 --> 00:43:53,500 YOU MUST BE QUITE MAD. 744 00:43:53,530 --> 00:43:54,680 DO YOU SWEAR? 745 00:43:56,470 --> 00:43:59,490 [SIGH] VERY WELL. 746 00:44:07,660 --> 00:44:09,140 DO YOU RECOGNIZE THAT INSIGNIA? 747 00:44:10,000 --> 00:44:12,020 LOOKS LIKE A FLOWER OF SOME SORT. 748 00:44:12,050 --> 00:44:12,790 CORRECT. 749 00:44:13,460 --> 00:44:15,400 IT IS A SCARLET PIMPERNEL. 750 00:44:32,520 --> 00:44:34,570 [GUILLOTINE DROPS] 751 00:44:34,600 --> 00:44:37,530 [CROWD CHEERS] 752 00:44:39,040 --> 00:44:41,310 DEATH TO THE ARISTOS. 753 00:44:41,340 --> 00:44:43,710 LONG LIVE THE REPUBLIC. 754 00:44:43,740 --> 00:44:45,030 OH, I AM PLEASED 755 00:44:46,810 --> 00:44:48,170 TO SEE THAT YOU HAVE COME TO YOUR SENSES. 756 00:44:50,080 --> 00:44:53,920 -YOU LEFT ME LITTLE CHOICE. -WELL, THAT WAS THE GENERAL IDEA. 757 00:44:55,020 --> 00:44:57,870 YOU WILL LEAVE FOR LONDON AT ONCE. UNDER GUARD, OF COURSE. 758 00:44:58,230 --> 00:45:00,520 ONCE THERE, YOU WILL RESIDE AT OUR FRENCH EMBASSY 759 00:45:00,550 --> 00:45:03,230 SO YOU CAN INTRODUCE ME INTO ENGLISH SOCIETY. 760 00:45:03,520 --> 00:45:07,100 -AND MY FAMILY? -THEY ARE TO REMAIN IN PARIS. 761 00:45:07,140 --> 00:45:10,690 AH. AND SO MY FAMILY ARE NOT TO BE IN PRISON, 762 00:45:10,720 --> 00:45:12,090 THEY ARE TO BE HELD HOSTAGE. 763 00:45:13,030 --> 00:45:15,210 THAT IS THE GENERAL IDEA. 764 00:45:15,780 --> 00:45:17,100 TAKE GOOD CARE OF OUR FRIEND. 765 00:45:18,890 --> 00:45:23,880 [DRUMS AND CROWDS ARE HEARD] 766 00:45:25,640 --> 00:45:27,320 -IT'S HER OWN MOTHER. -WHO’S IS IT? 767 00:45:27,360 --> 00:45:29,780 -ALWAYS HE'S IN IT, THE MOTHER, RIGHT? -YEAH 768 00:45:29,810 --> 00:45:31,950 ALL RIGHT. FETCH ME YOUR PAPERS. 769 00:45:33,750 --> 00:45:36,780 HERE'YA. HE THINKS I'M AN ARISTOCRAT. 770 00:45:36,820 --> 00:45:39,150 [LAUGHTER] 771 00:45:39,890 --> 00:45:44,280 CASKS OF WINE, HERE, HAVE WE? RIGHT, I'LL HAVE A LOOK AT THOSE. 772 00:45:44,320 --> 00:45:45,760 I WOULDN'T DO THAT IF I WERE YOU. 773 00:45:55,490 --> 00:45:57,300 OH, MAKE MY SPOILT OUT. 774 00:46:00,950 --> 00:46:04,310 NA, NA, ...SERGEANT, ...ME GRANDSON. 775 00:46:04,350 --> 00:46:05,490 HERE'YA, HERE'YA. 776 00:46:06,360 --> 00:46:07,430 COME HERE, SERGEANT. 777 00:46:07,980 --> 00:46:09,740 HERE. A WORD IN YOUR EAR, SERGEANT. 778 00:46:13,770 --> 00:46:16,030 ALL RIGHT, HE'S GOT THE PLAGUE. 779 00:46:18,490 --> 00:46:19,640 PLAGUE. 780 00:46:19,650 --> 00:46:21,050 I TOLD YOU, I TRIED TO WARN YOU. 781 00:46:21,070 --> 00:46:23,270 GET HIM AWAY FROM HERE! TAKE HIM AWAY FROM HERE! 782 00:46:23,300 --> 00:46:24,010 ALL RIGHT. 783 00:46:24,790 --> 00:46:26,050 HERE, TAKE YOUR PAPERS. 784 00:46:26,090 --> 00:46:26,860 ALL RIGHT YOU ARE, SERGEANT, RIGHT. 785 00:46:26,990 --> 00:46:28,710 OPEN THE GATES! 786 00:46:43,610 --> 00:46:45,310 PAPERS. SHOW ME YOUR PAPERS. 787 00:46:45,450 --> 00:46:46,160 SERGEANT. 788 00:46:47,210 --> 00:46:49,410 AN OLD WOMAN WILL PASS THIS WAY WITH A CART. 789 00:46:49,450 --> 00:46:50,960 YOU ARE TO ARREST HER AT ONCE. 790 00:46:50,990 --> 00:46:53,320 AN OLD WOMAN JUST PASSED THIS WAY FIVE MINUTES AGO. 791 00:46:53,360 --> 00:46:54,710 YOU LET HER GO! 792 00:46:54,750 --> 00:46:56,700 THAT WAS THE SCARLET PIMPERNEL! 793 00:46:56,820 --> 00:46:57,970 OPEN THE GATES! 794 00:47:30,200 --> 00:47:31,130 HEH, HEH, HEH, HEH. 795 00:47:31,160 --> 00:47:31,910 HEH, HEH. 796 00:47:33,650 --> 00:47:34,790 EVERYTHING GO AS PLANNED? 797 00:47:35,270 --> 00:47:36,790 LIKE CLOCKWORK, PERCY. 798 00:47:36,830 --> 00:47:40,100 GOOD. WELL, BEST BE ON YOUR WAY. IT'LL BE DARK, SOON. 799 00:47:40,140 --> 00:47:41,850 MORE THAN A NIGHT'S RIDE TO THE COAST. 800 00:47:50,310 --> 00:47:51,210 MADEMOISELLE. 801 00:47:52,130 --> 00:47:52,980 THIS WAY, COUNTESS. 802 00:47:59,520 --> 00:48:01,700 WORDS CANNOT EXPRESS OUR GRATITUDE, MONSIEUR. 803 00:48:01,730 --> 00:48:05,050 IT IS THE SCARLET PIMPERNEL, NOT I, WHO DESERVES YOUR THANKS, COUNTESS. 804 00:48:16,900 --> 00:48:19,380 I WAS CERTAIN THAT YOU WERE THE SCARLET PIMPERNEL. 805 00:48:19,620 --> 00:48:21,790 I WOULD NEVER PRESUME TO FILL THOSE SHOES. 806 00:48:21,820 --> 00:48:23,870 I LACK SUFFICIENT COURAGE. 807 00:48:23,900 --> 00:48:26,560 I HAVE YET TO MEET A MORE COURAGEOUS CAVALIER, 808 00:48:27,610 --> 00:48:29,160 OR A MORE HANDSOME ONE. 809 00:48:29,200 --> 00:48:30,120 SUSAN. 810 00:48:30,620 --> 00:48:32,150 IT'S DANGEROUS. WE MUST HURRY. 811 00:48:37,270 --> 00:48:38,340 THANK YOU, MONSIEUR. 812 00:48:55,800 --> 00:48:57,700 YOU MUST BE VERY MUCH LIKE YOUR MOTHER. 813 00:48:57,730 --> 00:48:59,600 I'M AN UGLY DUCKLING BY COMPARISON. 814 00:49:00,070 --> 00:49:02,730 THEY SAY SHE WAS THE MOST BEAUTIFUL BRIDE IN FRANCE. 815 00:49:05,920 --> 00:49:09,450 PERHAPS IT IS UNDERSTANDABLE AFTER ALL THAT THE BRIGHTEST, 816 00:49:09,480 --> 00:49:12,720 THE MOST RADIANT OF WOMEN SHOULD MARRY AN UTTER FOOL, 817 00:49:13,540 --> 00:49:17,530 WHEN ONE RECALLS, THAT HE'S ALSO SAID TO BE THE RICHEST MAN IN ENGLAND. 818 00:49:20,260 --> 00:49:21,630 I THINK YOU'D BETTER LEAVE. 819 00:49:22,890 --> 00:49:25,940 AS YOU CAN SEE, I AM QUITE BUSY. 820 00:49:34,200 --> 00:49:37,780 I CAME TO FIND OUT WHAT YOU HAVE DECIDED TO DO 821 00:49:37,820 --> 00:49:39,720 ABOUT THE MARQUIS DE ST. CYR. 822 00:49:40,570 --> 00:49:42,300 THAT'S MY AFFAIR, NOT YOURS. 823 00:49:42,340 --> 00:49:43,540 NO, IT IS MY AFFAIR. 824 00:49:43,870 --> 00:49:46,180 AS CHIEF AGENT OF THE COMMITTEE OF NATIONAL SECURITY 825 00:49:47,000 --> 00:49:49,490 I WANT TO KNOW IF YOU INTEND TO DO YOUR DUTY 826 00:49:49,520 --> 00:49:51,630 AS A CITIZEN AND REPORT HIM. 827 00:49:52,350 --> 00:49:54,090 AND IF I SAY NO? 828 00:49:54,730 --> 00:49:57,330 THEN, I AM PREPARED TO DO IT FOR YOU. 829 00:49:57,360 --> 00:49:58,740 YOU GAVE ME YOUR WORD. 830 00:49:59,040 --> 00:50:04,040 MARGUERITE. YOU FORCE MY HAND. 831 00:50:04,330 --> 00:50:07,940 YOU HAVE BETRAYED MY CONFIDENCE. 832 00:50:12,730 --> 00:50:17,100 IT APPEARS THAT WE HAVE BOTH MISJUDGED ONE ANOTHER. 833 00:50:41,820 --> 00:50:44,990 [UNLOCKING AND OPENING A PRISON CELL DOOR] 834 00:50:45,020 --> 00:50:48,020 MR. BLAND. YOU'VE GOT VISITORS. 835 00:50:54,760 --> 00:50:59,070 LET HIM REST FOR A LITTLE MORE TIME. LEAVE HIM BE. 836 00:50:59,110 --> 00:51:00,030 SHUT UP, WOMAN. 837 00:51:01,850 --> 00:51:03,160 THERE HE IS, BARON. 838 00:51:04,090 --> 00:51:07,540 KING LOUIS' LITTLE BRAT IN THE FLESH. 839 00:51:07,880 --> 00:51:09,810 HEH, HEH. WHAT'S THE MATTER? 840 00:51:09,840 --> 00:51:13,030 YOUR ARISTOCRATIC SENSIBILITIES OFFENDED? 841 00:51:16,590 --> 00:51:18,680 ARE THEY TREATING YOU WELL, YOUR ROYAL HIGHNESS? 842 00:51:22,410 --> 00:51:23,540 WELL, ENOUGH. 843 00:51:23,570 --> 00:51:25,020 GET HIM UP, DUVAL. WALK HIM AROUND. 844 00:51:25,050 --> 00:51:26,720 NO, THAT WON'T BE NECESSARY. 845 00:51:29,540 --> 00:51:31,520 I'VE SEEN ALL I WISH TO SEE, THANK YOU. 846 00:51:42,590 --> 00:51:43,860 [CELL DOOR CLOSES] 847 00:51:43,890 --> 00:51:47,470 MY DEAR MARQUIS, THERE ARE GUARDS ALL OVER THE PLACE. 848 00:51:48,010 --> 00:51:53,730 POSITIONED HERE, HERE, HERE, HERE, HERE, AND THIS APARTMENT HERE 849 00:51:53,760 --> 00:51:57,020 HOUSES THE COUPLE WHO ARE LOOKING AFTER THE DAUPHIN. 850 00:51:57,050 --> 00:51:59,470 SO YOU SEE, IT WOULD BE HUMANLY IMPOSSIBLE 851 00:51:59,510 --> 00:52:01,890 TO GET THE YOUNG BOY OUT OF THE PLACE. 852 00:52:02,420 --> 00:52:03,620 [LOUD KNOCKING] 853 00:52:03,650 --> 00:52:05,580 IN THE NAME OF THE REPUBLIC, OPEN UP. 854 00:52:05,610 --> 00:52:08,720 OPEN IN THE NAME OF THE REPUBLIC 855 00:52:09,930 --> 00:52:11,330 [DOOR OPENS SUDDENLY] 856 00:52:11,360 --> 00:52:12,660 ARREST THEM BOTH. 857 00:52:12,700 --> 00:52:13,890 WHAT'S THE MEANING OF THIS? 858 00:52:13,930 --> 00:52:16,680 I HAVE AN ORDER FOR THE ARREST OF THE MARQUIS DE ST. CYR. 859 00:52:16,720 --> 00:52:17,910 ONE MOMENT CAPTAIN. 860 00:52:18,780 --> 00:52:20,070 ONE MOMENT. 861 00:52:20,750 --> 00:52:22,540 I THINK YOU'D BETTER HAVE A LOOK AT THIS. 862 00:52:30,770 --> 00:52:32,300 A CERTIFICATE OF IMMUNITY. 863 00:52:32,840 --> 00:52:34,360 YOU ARE THE BARON DE BATZ? 864 00:52:34,390 --> 00:52:35,380 PRECISELY. 865 00:52:35,700 --> 00:52:38,540 SIGNED, AS YOU CAN SEE, BY CITIZEN FOUQUET, HIMSELF. 866 00:52:38,570 --> 00:52:39,510 RELEASE THE MAN. 867 00:52:41,370 --> 00:52:43,120 I DEMAND TO KNOW THE CHARGE. 868 00:52:43,950 --> 00:52:44,940 TREASON. 869 00:52:45,810 --> 00:52:47,080 TREASON, WHO ACCUSES ME OF TREASON? 870 00:52:47,110 --> 00:52:48,410 I WILL HAVE HIS NAME! 871 00:52:50,860 --> 00:52:51,890 SEE FOR YOURSELF. 872 00:52:51,950 --> 00:52:53,260 IT'S WRITTEN ON THE WARRANT. 873 00:52:54,980 --> 00:52:56,830 MARGUERITE ST. JUST? 874 00:52:59,290 --> 00:53:01,680 BUT I...I HARDLY KNOW THE WOMAN. 875 00:53:38,320 --> 00:53:39,150 I WILL. 876 00:53:40,690 --> 00:53:41,650 I WILL. 877 00:53:52,940 --> 00:53:57,790 I PERCY, TAKE THEE, MARGUERITE, TO MY WEDDED WIFE. 878 00:53:58,120 --> 00:54:04,170 I, MARGUERITE, TAKE THEE, PERCY, TO MY WEDDED HUSBAND. 879 00:54:13,570 --> 00:54:15,770 WITH THIS RING, I THEE WED. 880 00:54:16,360 --> 00:54:19,200 THIS GOLD AND SILVER, I THEE GIVE. 881 00:54:19,240 --> 00:54:21,830 WITH MY BODY, I THEE WORSHIP. 882 00:54:21,860 --> 00:54:25,940 WITH ALL MY WORLDLY GOODS, I THEE ENDOW. 883 00:54:28,630 --> 00:54:32,640 IN THE NAME OF THE FATHER, AND OF THE SON, 884 00:54:32,680 --> 00:54:36,700 AND OF THE HOLY GHOST, AMEN. 885 00:55:03,760 --> 00:55:05,190 WE'RE OFF TO LONDON IN THE MORNING. 886 00:55:05,230 --> 00:55:06,910 ISN'T IT WONDERFUL? 887 00:55:06,940 --> 00:55:08,270 ARMAND FOLLOWS IN A FEW DAYS 888 00:55:08,300 --> 00:55:09,470 FEW DAYS? 889 00:55:09,510 --> 00:55:12,290 NATURALLY, CHAUVELIN IS ANXIOUS TO ASSUME HIS NEW 890 00:55:12,320 --> 00:55:13,680 POST AS SPECIAL ENVOY. 891 00:55:14,510 --> 00:55:15,490 LOOK AT HER, TONY. 892 00:55:17,010 --> 00:55:19,130 TELL ME IF YOU CAN, THAT I'M NOT THE MOST 893 00:55:19,170 --> 00:55:20,130 FORTUNATE MAN ALIVE. 894 00:55:22,600 --> 00:55:26,690 HOW THEY BUZZ ROUND HER, LIKE BEES TO HONEY. 895 00:55:27,460 --> 00:55:30,400 POOR LOUISE, THINGS WERE ALL OF THAT THEN TO ENGLAND. 896 00:55:30,440 --> 00:55:32,270 HUH? WELL, I HAVE ASKED HER TO COME ALONG 897 00:55:32,310 --> 00:55:33,000 AND BE MY WIFE. 898 00:55:33,030 --> 00:55:35,050 AND GIVE UP A PERFECTLY MARVELOUS CAREER? 899 00:55:35,250 --> 00:55:37,180 DON'T YOU DARE, MY DEAR. HE'S NOT WORTH IT. 900 00:55:37,620 --> 00:55:39,720 WHAT ARE YOU GOING TO DO ABOUT CITIZEN ROBESPIERRE'S 901 00:55:39,760 --> 00:55:40,710 DEMAND FOR ACTION? 902 00:55:40,740 --> 00:55:43,450 THE DE TOURNEYS ARE LOST TO US. 903 00:55:43,970 --> 00:55:45,460 I THINK I MAY HAVE FOUND AN EXCELLENT 904 00:55:45,490 --> 00:55:46,950 REPLACEMENT FOR THE COUNT DE TOURNEY. 905 00:55:48,130 --> 00:55:49,560 PERHAPS, EVEN, AN IMPROVEMENT. 906 00:55:49,820 --> 00:55:52,070 IN MARGUERITE ST. JUST? 907 00:55:52,480 --> 00:55:55,120 IN THE WIFE OF SIR PERCY BLAKENEY, BARONET. 908 00:55:55,220 --> 00:55:57,510 EVERY DOOR IN LONDON WILL BE OPEN TO HER. 909 00:55:57,610 --> 00:56:00,070 EVERY CONFIDENCE SHARED. EVERY SECRET KNOWN. 910 00:56:00,780 --> 00:56:03,460 SHE ISN'T AWARE OF IT YET, PONCEAU, BUT LADY BLAKENEY IS GOING 911 00:56:03,490 --> 00:56:07,080 TO LEAD ME TO OUR ELUSIVE FRIEND THE SCARLET PIMPERNEL. 912 00:56:08,980 --> 00:56:10,440 I'VE NEVER SEEN HER LOOKING HAPPIER. 913 00:56:10,670 --> 00:56:12,130 AS WELL SHE MIGHT. 914 00:56:12,520 --> 00:56:14,990 ON THE SAME DAY SHE MARRIES THE MAN SHE LOVES, 915 00:56:15,360 --> 00:56:17,660 HAVE HER REVENGE ON THE MAN SHE HATES. 916 00:56:18,160 --> 00:56:21,700 - THE MAN SHE HATES, BARON? - THE MARQUIS ST. CYR. 917 00:56:22,170 --> 00:56:24,280 FOR WHAT HE DID TO HER BROTHER. 918 00:56:27,050 --> 00:56:30,630 AND WHAT MANNER OF REVENGE MIGHT SHE HAVE HAD ON THE MARQUIS? 919 00:56:30,670 --> 00:56:33,910 WELL, HAVING HIM ARRESTED FOR TREASON, OF COURSE. 920 00:56:35,150 --> 00:56:36,610 WHAT LEADS YOU TO BELIEVE THAT MY WIFE WAS 921 00:56:36,640 --> 00:56:37,460 INVOLVED IN THAT? 922 00:56:37,500 --> 00:56:40,840 OH, COME, SIR PERCY, YOU NEED HAVE NO PRETENSES WITH ME. 923 00:56:41,640 --> 00:56:46,280 I SAW THE WARRANT FOR HIS ARREST WITH MY OWN EYES. 924 00:56:46,310 --> 00:56:48,350 PHEW! I CAN'T BELIEVE IT! 925 00:56:48,380 --> 00:56:50,390 YOU WIFE'S NAME WAS ON IT. 926 00:56:51,950 --> 00:56:53,820 FOR WHICH WE HAVE NO DOUBT ABOUT IT. 927 00:56:54,490 --> 00:56:58,330 AFTER ALL, I AM A MAN OF EXTREME DISCRETION. 928 00:56:58,770 --> 00:57:01,420 PERCY, DON'T... 929 00:57:05,290 --> 00:57:07,430 THE MAN WILL BE GUILLOTINED FOR THIS. 930 00:57:08,380 --> 00:57:11,360 MY DEAR, SIR PERCY, HAVE YOU NOT HEARD? 931 00:57:12,440 --> 00:57:16,380 THE MARQUIS DE ST. CYR AND HIS ENTIRE FAMILY 932 00:57:16,420 --> 00:57:18,330 WERE BEHEADED THIS VERY MORNING. 933 00:57:22,320 --> 00:57:23,250 ALL OF THEM? 934 00:57:25,830 --> 00:57:27,070 THE CHILDREN AS WELL? 935 00:57:27,790 --> 00:57:29,990 WELL...WELL, YES. 936 00:57:30,810 --> 00:57:34,540 SIR PERCY, I...I'D ACTUALLY ASSUMED THAT YOU KNEW ABOUT THIS. 937 00:57:34,960 --> 00:57:36,860 WELL, I THOUGHT THAT... 938 00:57:36,890 --> 00:57:37,680 EXCUSE ME. 939 00:57:47,250 --> 00:57:48,530 I'M TRULY SORRY. 940 00:57:54,360 --> 00:57:55,310 SHE MUST NEVER KNOW 941 00:57:57,090 --> 00:57:58,520 THAT I SUSPECT ANY OF THIS. 942 00:58:02,360 --> 00:58:04,330 WE ARE ABOUT TO EMBARK UPON THE MOST DANGEROUS 943 00:58:04,370 --> 00:58:05,170 MISSION YET. 944 00:58:07,960 --> 00:58:09,720 TO SAVE THE HEIR OF THE THRONE OF FRANCE. 945 00:58:15,200 --> 00:58:16,270 FROM THIS MOMENT ON 946 00:58:19,180 --> 00:58:20,620 SHE MUST NEVER BE TRUSTED. 947 00:58:24,000 --> 00:58:25,680 WE CANNOT RISK BETRAYAL. 948 00:58:32,730 --> 00:58:38,130 I ONLY PRAY TO GOD THAT I CAN CONCEAL FROM HER 949 00:58:40,570 --> 00:58:42,850 THE HORROR I FEEL AT WHAT SHE HAS DONE. 950 01:00:26,650 --> 01:00:28,450 HOPE THESE GUARDS CATCH 'EM. 951 01:00:36,840 --> 01:00:38,110 THERE'S A GOOD BOY. 952 01:00:39,220 --> 01:00:41,580 NOW YOU TAKE YOUR MEDICINE. SAY YOUR PRAYERS 953 01:00:41,620 --> 01:00:43,890 FOR THE NICE GENTLEMEN. THEN YOU CAN GO BACK TO BED. 954 01:00:46,870 --> 01:00:48,740 WHAT MANNER OF MEDICINE ARE YOU GIVING HIM? 955 01:00:49,130 --> 01:00:51,980 NEVER FEAR, CITIZEN, IT'S GOOD, STRONG COGNAC. 956 01:00:52,220 --> 01:00:53,340 NOW TAKE IT BOY. 957 01:00:53,650 --> 01:00:55,940 YOU KNOW, IT MAKES PAPA DUVAL VERY ANGRY 958 01:00:55,970 --> 01:00:57,630 IF YOU DON'T FINISH EVERY DROP. 959 01:00:59,880 --> 01:01:02,340 THERE, THAT IS MORE LIKE IT! 960 01:01:02,740 --> 01:01:04,860 NOW THESE GENTLEMEN WOULD LIKE TO HEAR 961 01:01:04,900 --> 01:01:06,220 YOU SAY YOUR CATECHISM. 962 01:01:07,890 --> 01:01:10,370 - YOUR NAME: - LOUIS CHARLES CAPET. 963 01:01:10,410 --> 01:01:12,850 LET'S HEAR IT: LOUIS CHARLES CAPET. 964 01:01:12,880 --> 01:01:14,360 YOUR AGE: EIGHT. 965 01:01:14,400 --> 01:01:17,860 YOUR NATIONALITY: CITIZEN OF THE REPUBLIC OF FRANCE. 966 01:01:17,890 --> 01:01:21,500 YOUR FATHER'S NAME: LOUIS CAPET. 967 01:01:21,530 --> 01:01:25,500 HIS PROFESSION: FORMER KING, TYRANT AND DEBAUCHER. 968 01:01:25,540 --> 01:01:29,230 HOW DID HE PERISH: BY THE WILL OF THE PEOPLE. 969 01:01:29,260 --> 01:01:32,920 WHO WAS YOUR MOTHER: MARIE ANTOINETTE OF AUSTRIA. 970 01:01:32,960 --> 01:01:37,700 HER PROFESSION: FORMER QUEEN AND WHORE. 971 01:01:37,730 --> 01:01:40,920 HOW DID SHE PERISH: BY THE WILL OF THE PEOPLE. 972 01:01:40,960 --> 01:01:43,540 AND WHAT DO YOU SAY TO THEIR MEMORIES: 973 01:01:43,570 --> 01:01:45,880 - I SPIT UPON THEIR GRAVES. - AGAIN, 974 01:01:45,920 --> 01:01:48,190 - I SPIT UPON THEIR GRAVES. - AGAIN! 975 01:01:48,220 --> 01:01:49,300 THAT WILL DO. 976 01:01:52,280 --> 01:01:55,650 HOWEVER, I STILL DETECT A TRACE OF DEFIANCE 977 01:01:55,690 --> 01:01:56,980 IN THOSE ROYAL EYES. 978 01:01:59,160 --> 01:02:02,780 KEEP AT IT, FOUQUET. HE MUST BE ALL OURS. 979 01:02:17,420 --> 01:02:20,000 SINK ME, WHAT IS THE TIME? 980 01:02:20,990 --> 01:02:22,850 WE SHALL BE MONSTROUS LATE AT HIS HIGHNESS' 981 01:02:22,880 --> 01:02:23,940 GARDEN PARTY. 982 01:02:23,980 --> 01:02:26,070 I'M AFRAID I CAN'T JOIN YOU PERCY, I MUST GET BACK 983 01:02:26,110 --> 01:02:27,950 TO THE EMBASSY. CHAUVELIN IS EXPECTING ME. 984 01:02:29,130 --> 01:02:31,150 - WHAT NEWS OF THE COURIER? - NONE 985 01:02:31,370 --> 01:02:33,380 ODD. YOU MADE INQUIRIES? 986 01:02:33,490 --> 01:02:35,810 IT'S TOO DIFFICULT. CHAUVELIN IS BECOMING 987 01:02:35,850 --> 01:02:38,170 SUSPICIOUS OF EVERYONE AT THE EMBASSY, INCLUDING ME. 988 01:02:38,870 --> 01:02:40,560 YOU HAVE PERFORMED AN INVALUABLE SERVICE 989 01:02:40,590 --> 01:02:42,240 TO US THESE PAST FEW MONTHS, ARMAND. 990 01:02:42,790 --> 01:02:45,920 WITHOUT YOU, WE WOULD NOT HAVE HAD ANY IDEA AS TO BOY'S FATE. 991 01:02:46,020 --> 01:02:48,050 WHEN I THINK WHAT THEY'RE DOING TO THAT CHILD! 992 01:02:48,270 --> 01:02:50,770 WHY? WHAT DO THEY HAVE TO GAIN BY IT? 993 01:02:51,580 --> 01:02:54,180 TO RENDER HIM USELESS TO ANYONE WHO MIGHT TRY AND RESCUE HIM. 994 01:02:55,110 --> 01:02:59,700 BUT TIME IS RUNNING OUT. WE MUST ACT SOON, OR THEY WILL SUCCEED. 995 01:02:59,980 --> 01:03:01,050 HAVE YOU A PLAN? 996 01:03:01,120 --> 01:03:04,300 WE WAIT ONLY FOR FIRST THE NEWS OF ANY CHANGE IN THE BOY'S ROUTINE. 997 01:03:04,930 --> 01:03:06,370 THAT WILL BE OUR SIGNAL TO MOVE. 998 01:03:06,700 --> 01:03:07,910 AND MOVE WE MUST. 999 01:03:08,390 --> 01:03:09,800 SWIFTLY AND SURELY. 1000 01:03:10,310 --> 01:03:12,730 THAT IS WHY THESE COMMUNIQUÉS FROM PARIS ARE SO CRUCIAL. 1001 01:03:12,890 --> 01:03:14,580 THE NEXT MAY BE OUR SIGNAL. 1002 01:03:14,620 --> 01:03:16,760 [DOOR OPENS] 1003 01:03:19,170 --> 01:03:22,060 AHHHHH, MY DEAR. 1004 01:03:22,820 --> 01:03:24,130 SHALL WE AWAY? 1005 01:03:28,850 --> 01:03:32,250 THE DUKE AND DUCHESS OF RADNOR. 1006 01:03:32,280 --> 01:03:35,370 [PEACOCK CRIES ARE HEARD] 1007 01:03:37,420 --> 01:03:40,790 THE DUKE OF ALBANY AND HIS DAUGHTERS. 1008 01:03:40,920 --> 01:03:43,760 LADY BRECKNY AND LADY DARLINGTON. 1009 01:03:44,030 --> 01:03:45,810 [PEACOCK CALL] 1010 01:03:46,060 --> 01:03:48,660 SIR PERCIVAL AND LADY BLAKENEY. 1011 01:03:50,660 --> 01:03:53,810 THEY SAY, SHE ONLY MARRIED HIM FOR HIS MONEY. 1012 01:03:53,840 --> 01:03:56,950 NO WOMAN OF TITLE WOULD HAVE THE IDIOTIC FOP. 1013 01:03:58,830 --> 01:04:00,950 STILL THEY SEEM... QUITE A HAPPY COUPLE. 1014 01:04:01,250 --> 01:04:03,440 LOOKS CAN BE DECEIVING, MY DEAR. 1015 01:04:06,230 --> 01:04:09,570 PERCY, FASHIONABLY LATE AS USUAL. 1016 01:04:09,610 --> 01:04:12,420 SINK ME, YOUR HIGHNESS. 'TWAS THIS DAMNABLE CRAVAT. 1017 01:04:12,460 --> 01:04:14,070 SIMPLY REFUSED TO TIE. 1018 01:04:14,700 --> 01:04:18,640 I ASK YOU. LOOK AT THE THING. STICKIN' OUT LIKE A PIN CUSHION. 1019 01:04:18,670 --> 01:04:20,660 I MIGHT HAVE KNOWN, IT WOULD BE SOMETHING SERIOUS. 1020 01:04:20,690 --> 01:04:22,530 MY HUSBAND IS BEING NOBLE, YOUR HIGHNESS, 1021 01:04:22,560 --> 01:04:23,950 I FEAR I'M THE ONE TO BLAME. 1022 01:04:24,640 --> 01:04:28,470 WELL, IN THAT CASE, ALL IS FORGIVEN. 1023 01:04:28,500 --> 01:04:30,930 [CHUCKLING] NOW THEN, 1024 01:04:31,240 --> 01:04:33,720 HOW FARES OUR LOVELY FUGITIVE FROM FRANCE? 1025 01:04:33,780 --> 01:04:36,440 FUGITIVE, YOUR HIGHNESS? SAY, RATHER CAPTIVE. 1026 01:04:36,480 --> 01:04:39,070 SURELY YOU'RE NOT KEPT HERE BY FORCE, MADAME. 1027 01:04:39,110 --> 01:04:42,770 WHY, YES INDEED. BY THE FORCE OF MY ABIDING LOVE FOR MY HUSBAND, 1028 01:04:42,800 --> 01:04:46,030 AND BY YOUR HIGHNESS' GOOD FAVORS AND GENEROSITY. 1029 01:04:46,060 --> 01:04:48,590 GAD, PERCY, BUT I ENVY YOU. 1030 01:04:48,940 --> 01:04:52,590 YOU'D BETTER KEEP AN EYE ON HER, OTHERWISE I MIGHT 1031 01:04:52,620 --> 01:04:56,240 EXERCISE MY DROIT DE SEIGNEUR, AND STEAL HER AWAY. 1032 01:04:56,270 --> 01:04:57,910 [LAUGHING] 1033 01:04:57,940 --> 01:05:00,150 [INAUDIBLE WHISPERING] 1034 01:05:00,410 --> 01:05:02,930 MARGUERITE, PERCY! YOU'LL NEVER GUESS! 1035 01:05:02,960 --> 01:05:05,150 ANDREW HAS ASKED ME TO MARRY HIM 1036 01:05:05,190 --> 01:05:07,310 AND PAPA HAS GIVEN HIS CONSENT. 1037 01:05:07,340 --> 01:05:09,700 SINK ME, IF YOU DIDN'T GO AND DO IT. 1038 01:05:09,730 --> 01:05:11,510 - CONGRATULATIONS, OLD CHAP. - THANKS 1039 01:05:11,550 --> 01:05:13,260 OH, SUZANNE, I'M SO HAPPY FOR YOU. 1040 01:05:13,290 --> 01:05:15,210 SUZANNE! I FORBID YOU TO HAVE ANYTHING 1041 01:05:15,240 --> 01:05:16,090 TO DO WITH THAT WOMAN. 1042 01:05:16,120 --> 01:05:17,670 MAMA! WHAT ARE YOU SAYING? 1043 01:05:17,710 --> 01:05:19,190 SHE HAS BLOOD ON HER HANDS. 1044 01:05:19,220 --> 01:05:21,250 WE HAVE JUST LEARNED THAT SHE DENOUNCED 1045 01:05:21,290 --> 01:05:23,400 THE MARQUIS DE ST. CYR, AND SENT HIM AND HIS 1046 01:05:23,430 --> 01:05:26,320 - ENTIRE FAMILY TO THE GUILLOTINE! - MY DEAR COUNTESS, YOU REALLY MUSTN'T... 1047 01:05:26,350 --> 01:05:27,500 CAN YOU DENY IT, LADY BLAKENEY? 1048 01:05:28,130 --> 01:05:30,960 I REFUSE TO CONFIRM OR DENY SUCH ACCUSATIONS. 1049 01:05:32,230 --> 01:05:34,770 THIS IS NO TRAIL, AND YOU ARE NOT JUDGE. 1050 01:05:34,810 --> 01:05:37,310 TRUE, MADAME. GOD WILL BE YOUR JUDGE. 1051 01:05:41,640 --> 01:05:48,110 - WILL YOU SAY NOTHING, SIR? - FAITH, MADAME WHAT IS THERE TO SAY? 1052 01:05:49,330 --> 01:05:51,560 WILL YOU NOT EVEN DEFEND YOUR WIFE'S HONOR? 1053 01:05:53,130 --> 01:05:56,310 ODDS FISH, MY DEAR, WOULD YOU HAVE ME CHALLENGE THE POOR 1054 01:05:56,340 --> 01:05:57,560 COUNTESS TO A DUEL? 1055 01:05:57,700 --> 01:06:00,400 - COME COUNTESS. - THE MUSIC IS ABOUT TO START. - PLEASE 1056 01:06:10,540 --> 01:06:13,750 SO, MY DEAR, 'TWOULD SEEM YOU FINALLY FOUND A WAY 1057 01:06:13,790 --> 01:06:17,120 TO REPAY ST. CYR... AFTER ALL. 1058 01:06:19,790 --> 01:06:21,350 CAN YOU REALLY BELIEVE THAT? 1059 01:06:23,780 --> 01:06:27,110 CAN I...BELIEVE OTHERWISE? 1060 01:06:32,220 --> 01:06:40,070 OH, BETH,...WHAT CAN I DO? I'VE LOST MY HUSBAND'S LOVE 1061 01:06:40,110 --> 01:06:41,160 AND I DON'T KNOW WHY. 1062 01:06:41,850 --> 01:06:44,630 BUT PERCY WORSHIPS THE GROUND YOU WALK ON. 1063 01:06:46,580 --> 01:06:47,640 ONCE, PERHAPS. 1064 01:06:51,220 --> 01:06:54,570 BUT NOW HE PLAYS THE FOOL IN PRIVATE AS WELL AS IN PUBLIC. 1065 01:06:56,260 --> 01:06:57,990 OH, IT SEEMS TO TORMENT ME. 1066 01:06:59,550 --> 01:07:04,590 THERE ARE TIMES...WHEN I THINK THAT HE STILL LOVES ME. 1067 01:07:04,620 --> 01:07:09,630 MOMENTS WHEN I CATCH IT IN HIS EYES, A LOOK, A GLANCE. 1068 01:07:16,050 --> 01:07:18,890 WHAT HAVE I DONE TO DESERVE HIS DISDAIN? 1069 01:08:17,440 --> 01:08:18,430 GOODNIGHT, MY DEAR. 1070 01:08:19,300 --> 01:08:20,250 PLEASANT DREAMS. 1071 01:08:21,950 --> 01:08:23,100 STAY WITH ME TONIGHT. 1072 01:08:24,380 --> 01:08:29,050 ODD, MADAME, FAR TOO FATIGUED. 1073 01:08:29,640 --> 01:08:32,250 BESIDES, I HAVE A VERY EARLY APPOINTMENT IN LONDON, TOMORROW. 1074 01:08:32,620 --> 01:08:33,980 I DON'T WANT TO DISTURB YOU. 1075 01:08:34,120 --> 01:08:35,880 YOUR TAILORS, NO DOUBT. 1076 01:08:35,910 --> 01:08:37,640 BOOT MAKERS, TO BE PRECISE. 1077 01:08:38,570 --> 01:08:41,090 THESE PINCH SOMETHING MONSTROUS. 1078 01:08:41,240 --> 01:08:42,620 AND I DON’T' MUCH CARE FOR THE BUCKLE. 1079 01:08:43,290 --> 01:08:46,970 OH, PERCY, WHAT'S BECOME OF YOU? 1080 01:08:47,820 --> 01:08:49,670 WHERE IS THE MAN I MARRIED. 1081 01:08:51,520 --> 01:08:55,320 ODDS FISH, MY DEAR, YOU'RE LOOKIN' AT HIM. 1082 01:08:55,630 --> 01:08:59,340 NO. WHAT I SEE BEFORE ME IS A FACADE. 1083 01:09:00,170 --> 01:09:01,990 THE SHELL OF A MAN I ONCE KNEW. 1084 01:09:03,950 --> 01:09:07,780 THERE'S SOME ABSURD ROLE YOU'RE PLAYING. I DON'T KNOW WHY. 1085 01:09:07,810 --> 01:09:11,600 BUT I'M SURE IT IS. PERHAPS TO KEEP THE WORLD AT A DISTANCE 1086 01:09:12,690 --> 01:09:14,970 EVEN THOUGH YOU'RE SHUTTING ME OUT AS WELL. 1087 01:09:16,700 --> 01:09:19,930 YOU ONCE PROMISED ME, THAT I SHOULD COME TO KNOW 1088 01:09:19,960 --> 01:09:23,210 THE MAN BEHIND THE MASK, IN TIME. 1089 01:09:25,500 --> 01:09:27,160 I KNOW HIM LESS NOW THAN I DID THEN. 1090 01:09:28,490 --> 01:09:32,410 WELL. PERHAPS THERE'S NO MORE TO KNOW. 1091 01:09:32,980 --> 01:09:34,300 I CAN'T BELIEVE THAT. 1092 01:09:35,530 --> 01:09:36,930 I REFUSE TO BELIEVE IT. 1093 01:09:39,320 --> 01:09:42,520 THE MAN I FELL IN LOVE WITH STILL EXISTS SOMEWHERE. 1094 01:09:44,820 --> 01:09:50,030 I SHALL NEVER STOP LOVING HIM...NEVER. 1095 01:09:58,120 --> 01:09:59,440 GOODNIGHT, MY DEAR. 1096 01:10:14,150 --> 01:10:15,850 FOR SIR ANDREW, TIVERS. 1097 01:10:16,850 --> 01:10:17,860 VERY GOOD, SIR. 1098 01:10:21,340 --> 01:10:23,050 AND FOR THE COURIER, WHEN HE ARRIVES. 1099 01:10:23,090 --> 01:10:24,020 YES SIR. 1100 01:10:35,510 --> 01:10:38,770 [GUNSHOTS] 1101 01:10:38,810 --> 01:10:39,710 [CRY] 1102 01:10:47,190 --> 01:10:49,800 THESE WERE ALL THE PAPERS IN THE COURIERS POUCH? 1103 01:10:49,840 --> 01:10:50,630 YES, CITIZEN. 1104 01:10:50,670 --> 01:10:57,760 SO. 1105 01:10:59,950 --> 01:11:04,580 MY YOUNG ASSISTANT IS IN LEAGUE WITH THE SCARLET PIMPERNEL. 1106 01:11:10,000 --> 01:11:11,950 YOU DID WELL TO INTERCEPT THE COURIER. 1107 01:11:17,740 --> 01:11:19,220 SEND FOR ARMAND ST. JUST. 1108 01:11:22,840 --> 01:11:24,400 I FEAR FOR YOU IN PARIS. 1109 01:11:24,780 --> 01:11:27,670 OH, PERCY, DO PERSUADE HIM TO GIVE UP HIS POST AND STAY HERE. 1110 01:11:27,950 --> 01:11:30,050 HE COULD SEND FOR LOUISE, THEY COULD GET MARRIED 1111 01:11:30,090 --> 01:11:31,200 AND LIVE HERE IN ENGLAND. 1112 01:11:31,600 --> 01:11:32,840 WHAT A DREADFUL PROSPECT. 1113 01:11:33,750 --> 01:11:38,020 WHAT HAS POOR ARMAND DONE TO BE CONDEMNED TO MATRIMONY? 1114 01:11:50,650 --> 01:11:53,740 REALLY, PERCY. MUST YOU GO ON TORMENTING HER LIKE THIS? 1115 01:11:54,110 --> 01:11:56,450 ARE YOU NEVER GOING TO GIVE HER A CHANCE TO EXPLAIN HERSELF? 1116 01:12:02,040 --> 01:12:07,800 CONSIDER, ARMAND, IF IT IS TRUE THAT SHE BETRAYED ST. CYR, 1117 01:12:08,550 --> 01:12:10,490 SHE'S CAPABLE OF ALMOST ANY TREACHERY. 1118 01:12:10,670 --> 01:12:12,290 EVEN SPYING FOR CHAUVELIN. 1119 01:12:12,840 --> 01:12:18,090 YOU MUST ASK HER. WHAT PROOF HAVE YOU IN ANY OF THIS? 1120 01:12:18,410 --> 01:12:20,410 NOT ONCE IN ALL THE TIME SHE'S BEEN IN ENGLAND 1121 01:12:20,440 --> 01:12:22,530 HAS EVEN ATTEMPTED TO CONTACT CHAUVELIN. 1122 01:12:23,450 --> 01:12:24,540 I DARE NOT RISK IT. 1123 01:12:26,950 --> 01:12:30,130 NOTHING, NO ONE, IS MORE IMPORTANT THEN THE RESCUE 1124 01:12:30,170 --> 01:12:31,780 OF THE DAUPHIN AT THIS MOMENT. 1125 01:12:32,910 --> 01:12:34,240 NOT EVEN MARGUERITE. 1126 01:12:34,490 --> 01:12:36,700 IT GRIEVES ME TO SEE HER SO UNHAPPY. 1127 01:12:37,390 --> 01:12:39,290 TO KNOW THAT YOU HAVE CEASED TO LOVE HER. 1128 01:12:39,660 --> 01:12:41,020 CEASED? 1129 01:12:45,060 --> 01:12:46,710 I SHALL LOVE HER TILL THE DAY I DIE. 1130 01:12:48,940 --> 01:12:50,320 THAT IS THE TRAGEDY. 1131 01:12:52,270 --> 01:12:54,970 COME, I SHALL RIDE WITH YOU TO DOVER 1132 01:12:55,370 --> 01:12:56,610 THERE IS MUCH TO TALK ABOUT. 1133 01:12:56,620 --> 01:12:59,080 WHY IS CHAUVELIN SENDING YOU TO PARIS NOW? 1134 01:12:59,790 --> 01:13:00,750 I DON'T LIKE IT. 1135 01:13:02,160 --> 01:13:05,160 HOWEVER, PERHAPS WITH YOU IN PARIS WE CAN CREATE THE 1136 01:13:05,200 --> 01:13:07,040 INCIDENT WE NEED TO MAKE OUR MOVE. 1137 01:13:24,570 --> 01:13:26,160 [DOOR CLOSES] 1138 01:13:27,690 --> 01:13:29,260 MY, THIS IS INDEED A SURPRISE. 1139 01:13:29,810 --> 01:13:32,140 NOT TOO UNPLEASANT, I TRUST? 1140 01:13:32,180 --> 01:13:34,350 I HAVEN'T SEEN YOU SINCE YOU CAME TO LONDON. 1141 01:13:35,390 --> 01:13:36,840 WHAT BRINGS YOU HERE NOW? 1142 01:13:36,870 --> 01:13:38,380 IT'S A GOOD LIKENESS. 1143 01:13:38,420 --> 01:13:39,890 ESPECIALLY THE EYES. 1144 01:13:40,800 --> 01:13:43,010 HE'S CAUGHT THE FLASH AND FIRE OF THE EYES. 1145 01:13:43,400 --> 01:13:47,060 ALTHOUGH, HE'S MISSED THE SADNESS. 1146 01:13:47,090 --> 01:13:47,820 SADNESS? 1147 01:13:48,240 --> 01:13:50,280 APPARENTLY THE ARTIST HAS NOT PERCEIVED 1148 01:13:50,310 --> 01:13:52,320 WHAT ALL OF LONDON HAS ALREADY GUESSED. 1149 01:13:52,450 --> 01:13:53,970 AND WHAT MIGHT THAT BE? 1150 01:13:54,070 --> 01:13:57,400 THAT THE LADY IS UNHAPPY IN HER MARRIAGE. 1151 01:13:58,860 --> 01:14:01,170 A MAN IN YOUR POSITION SHOULD NOT LISTEN TO GOSSIP. 1152 01:14:02,630 --> 01:14:05,110 LOOK AT ME AND TELL ME, THAT YOU HUSBAND IS 1153 01:14:05,140 --> 01:14:06,530 MAN ENOUGH TO MAKE YOU HAPPY? 1154 01:14:06,560 --> 01:14:08,260 HAVE YOU COME HERE TO BE IMPERTINENT? 1155 01:14:09,320 --> 01:14:11,110 IF THE TRUTH IS IMPERTINENT. 1156 01:14:12,250 --> 01:14:15,330 YOU'RE A WOMAN OF GREAT PASSION. YOU DESERVE A MAN WHO CAN SATISFY 1157 01:14:15,360 --> 01:14:15,990 YOUR DESIRES. 1158 01:14:16,030 --> 01:14:18,400 HUH, AND YOU ARE SUGGESTING THAT YOU ARE SUCH A MAN? 1159 01:14:18,430 --> 01:14:19,830 I WAS GOOD ENOUGH FOR YOU ONCE. 1160 01:14:19,860 --> 01:14:21,130 NEVER QUITE GOOD ENOUGH. 1161 01:14:23,020 --> 01:14:24,460 NOW, KINDLY STATE YOUR BUSINESS. 1162 01:14:25,030 --> 01:14:27,580 OR WAS IT YOUR BUSINESS TO SEDUCE THE WIFE OF 1163 01:14:27,610 --> 01:14:28,770 SIR PERCY BLAKENEY? 1164 01:14:28,810 --> 01:14:33,140 IN TRUTH, I CAME TO ENLIST YOUR AID. 1165 01:14:34,570 --> 01:14:36,370 TO HELP ME LEARN THE TRUE IDENTITY OF 1166 01:14:36,410 --> 01:14:37,900 THE SCARLET PIMPERNEL. 1167 01:14:37,930 --> 01:14:39,390 THE SCARLET PIMPERNEL? 1168 01:14:40,190 --> 01:14:41,720 WELL, YOU ASTONISH ME. WHERE IN THE WORLD 1169 01:14:41,750 --> 01:14:43,020 WOULD I LEARN SUCH A THING? 1170 01:14:43,060 --> 01:14:45,240 YOU ARE THE PIVOT OF SOCIAL LONDON. 1171 01:14:45,270 --> 01:14:47,420 YOU GO EVERYWHERE. YOU SEE EVERYTHING. 1172 01:14:47,460 --> 01:14:49,420 AND HEAR EVERYTHING. 1173 01:14:49,450 --> 01:14:51,740 EASY, MY FRIEND, ARE YOU ASKING ME TO SPY FOR YOU? 1174 01:14:51,780 --> 01:14:54,540 NO...FOR FRANCE. 1175 01:14:54,580 --> 01:14:57,460 OH! WHAT YOU PROPOSE IS DEPLORABLE! 1176 01:14:58,160 --> 01:15:01,330 WHOEVER THE MAN MAY BE, HE'S BRAVE, NOBLE AND COMPASSIONATE. 1177 01:15:01,970 --> 01:15:04,200 YOU REFUSE, THEN? 1178 01:15:05,920 --> 01:15:09,330 DID YOU REALLY BELIEVE, THAT I WOULD HELP YOU, 1179 01:15:10,580 --> 01:15:12,800 AFTER YOU MALICIOUSLY IMPLICATED ME IN THE DEATH 1180 01:15:12,840 --> 01:15:14,760 OF THE MARQUIS AND HIS FAMILY? 1181 01:15:15,710 --> 01:15:17,730 I WOULD RATHER GO TO YOUR BELOVED GUILLOTINE. 1182 01:15:18,490 --> 01:15:20,250 WOULD YOU HAVE YOUR BROTHER GO IN YOUR PLACE? 1183 01:15:20,840 --> 01:15:23,140 ARMAND, WHAT A JOKE. 1184 01:15:24,190 --> 01:15:26,360 HE IS IN LEAGUE WITH THE SCARLET PIMPERNEL. 1185 01:15:26,400 --> 01:15:27,770 WHY THAT'S PREPOSTEROUS. 1186 01:15:27,780 --> 01:15:30,270 I HAVE HERE IRREFUTABLE PROOF, AND I WILL USE IT, 1187 01:15:30,770 --> 01:15:33,080 UNLESS YOU DO YOUR DUTY AND COOPERATE. 1188 01:15:33,800 --> 01:15:35,460 THIS IS BLACKMAIL. 1189 01:15:35,500 --> 01:15:36,970 CALL IT WHAT YOU WILL. I WILL HAVE THE SCARLET 1190 01:15:37,010 --> 01:15:38,250 PIMPERNEL'S HEAD OR YOUR BROTHER'S! 1191 01:15:39,690 --> 01:15:41,730 [BREATHING HEAVILY] CONSIDER CAREFULLY. 1192 01:15:41,760 --> 01:15:43,770 I EXPECT YOUR DECISION THIS EVENING, 1193 01:15:43,800 --> 01:15:45,930 AT THE LORD GRENVILLE'S BALL. 1194 01:15:46,990 --> 01:15:49,230 IN THE MEANTIME, I ADVISE YOU TO KEEP SILENT. 1195 01:15:49,260 --> 01:15:50,840 SAY NOTHING OF THIS TO ANYONE. 1196 01:15:51,840 --> 01:15:54,030 NOT EVEN TO THAT FOOL YOU CALL YOUR HUSBAND! 1197 01:15:54,060 --> 01:15:57,090 [DOOR SLAMS SHUT] 1198 01:17:23,280 --> 01:17:25,400 FORGIVE ME, IF I STARTLED YOU, MADAME. 1199 01:17:26,540 --> 01:17:27,900 I MUST HAVE BEEN DAYDREAMING. 1200 01:17:31,070 --> 01:17:32,080 HOW LOVELY YOU LOOK. 1201 01:17:35,170 --> 01:17:37,860 HOW LONG HAS IT BEEN SINCE YOU'VE NOTICED ME AT ALL. 1202 01:17:39,050 --> 01:17:44,000 LOT, MADAME, I'D HAVE TO BE BLIND NOT TO NOTICE. 1203 01:17:46,040 --> 01:17:47,980 IN THAT GOWN, YOU'LL BE THE BELL OF THE BALL. 1204 01:17:49,400 --> 01:17:53,490 NOW, TELL ME, WHAT WAS IT YOU WERE DREAMING ABOUT, 1205 01:17:53,530 --> 01:17:55,510 WHEN I CAME IN JUST NOW? 1206 01:17:56,720 --> 01:18:01,110 PERCY, YOU'VE KNOWN SIR ANDREW FOR A LONG TIME, HAVEN'T YOU? 1207 01:18:01,790 --> 01:18:03,360 WE WENT TO SCHOOL TOGETHER, MADAME. 1208 01:18:04,200 --> 01:18:05,340 WHY DO YOU ASK? 1209 01:18:05,370 --> 01:18:10,560 I WAS JUST WONDERING IF HE MIGHT NOT BE THE SCARLET PIMPERNEL. 1210 01:18:12,820 --> 01:18:16,620 ANDREW? THE SCARLET PIMPERNEL? 1211 01:18:18,300 --> 01:18:19,900 MOST UNLIKELY, MY DEAR. 1212 01:18:20,970 --> 01:18:23,280 BUT, TELL ME, WHY THE SUDDEN INTEREST IN THE IDENTITY OF 1213 01:18:23,320 --> 01:18:24,480 THE SCARLET PIMPERNEL? 1214 01:18:24,510 --> 01:18:27,990 OH, I HAVE NO MORE INTEREST THAN ANY OTHER WOMAN IN LONDON. 1215 01:18:28,030 --> 01:18:32,820 I WAGER YOUR FRIEND, CHAUVELIN, WOULD GIVE A GREAT DEAL TO KNOW. 1216 01:18:33,760 --> 01:18:36,630 IF FAITH, I SUSPECT THAT'S THE REASON HE CAME TO ENGLAND. 1217 01:18:37,340 --> 01:18:40,110 I'M SURPRISED HE HASN'T CONFIDED AS MUCH. 1218 01:18:40,150 --> 01:18:42,610 TO YOU, MY DEAR. 1219 01:18:42,650 --> 01:18:44,220 TO ME? 1220 01:18:44,250 --> 01:18:47,940 WHY, I HAVEN'T LAID EYES ON THE MAN SINCE HE ARRIVED. 1221 01:18:49,280 --> 01:18:51,060 ALTHOUGH, I'M SURE YOU ARE RIGHT. 1222 01:18:53,900 --> 01:18:58,160 WELL, IF ANYONE'S GOING TO CATCH THE SCARLET PIMPERNEL 1223 01:18:58,190 --> 01:19:01,650 IT WILL NOT BE CHAUVELIN. 1224 01:19:04,550 --> 01:19:05,520 AND WHY IS THAT? 1225 01:19:07,020 --> 01:19:12,320 WHY? ODDS FISH, MY DEAR, THE MAN CAN'T EVEN TIE HIS OWN CRAVAT. 1226 01:19:12,350 --> 01:19:14,680 REALLY, PERCY, IS THAT ALL YOU THINK ABOUT? 1227 01:19:15,600 --> 01:19:18,570 WHY AREN'T YOU THE KIND OF MAN A WOMAN CAN LOOK UP TO? 1228 01:19:19,160 --> 01:19:21,310 TURN TO IN TROUBLE. 1229 01:19:22,720 --> 01:19:23,840 TROUBLE, MY DEAR? 1230 01:19:25,940 --> 01:19:27,700 ARE YOU IN TROUBLE? 1231 01:19:28,780 --> 01:19:30,670 AND IF I WERE? 1232 01:19:31,240 --> 01:19:35,060 WHY YOU MIGHT TRY CONFIDING IN ME, 1233 01:19:37,030 --> 01:19:38,300 AS ONCE YOU USED TO. 1234 01:19:40,260 --> 01:19:41,490 WHAT'S THE USE. 1235 01:19:42,330 --> 01:19:45,010 WE DON'T EVEN SPEAK THE SAME LANGUAGE ANYMORE. 1236 01:19:45,050 --> 01:19:47,110 [BELL RINGS] 1237 01:19:47,540 --> 01:19:49,610 [DOOR OPENS] 1238 01:19:52,330 --> 01:19:53,130 PARDON, MADAME. 1239 01:20:07,480 --> 01:20:09,290 - THE COURIER? - MURDERED. 1240 01:20:12,820 --> 01:20:14,480 - COME WITH ME, CHIVERS. - YES, SIR. 1241 01:20:19,920 --> 01:20:23,820 THERE CAN BE NO DOUBT CHAUVELIN KNOWS ABOUT ARMAND. 1242 01:20:23,850 --> 01:20:24,860 HE MUST BE WARNED. 1243 01:20:25,460 --> 01:20:30,340 I WANT YOU TO TAKE THIS NOTE TO LORD DEWHURST, AT ONCE. 1244 01:20:30,740 --> 01:20:32,670 TELL HIM TO GIVE IT TO SIR ANDREW AT THE BALL, 1245 01:20:32,710 --> 01:20:34,060 AND THEN DESTROY IT. 1246 01:20:54,340 --> 01:21:01,840 [TRUMPETS SOUND ARRIVAL OF THE PRINCE OF WALES] 1247 01:21:46,790 --> 01:21:49,870 HIS ROYAL HIGHNESS, THE PRINCE OF WALES. 1248 01:21:50,570 --> 01:21:53,450 SIR PERCIVAL BLAKENEY AND LADY BLAKENEY. 1249 01:21:56,180 --> 01:21:58,230 - YOUR ROYAL HIGHNESS. - LADY GRANVILLE. 1250 01:21:58,260 --> 01:21:59,970 OF COURSE YOU KNOW SIR PERCY AND LADY BLAKENEY, 1251 01:22:00,000 --> 01:22:01,070 LORD AND LADY GRANVILLE. 1252 01:22:01,100 --> 01:22:03,440 MY DAUGHTERS, ELIZABETH AND ALICE ELLEN. 1253 01:22:03,470 --> 01:22:07,070 CHARMING. REALLY, QUITE CHARMING. 1254 01:22:07,100 --> 01:22:08,790 [CHUCKLING] 1255 01:22:08,820 --> 01:22:11,380 OH, CONTINUE, PLEASE CONTINUE. 1256 01:22:21,280 --> 01:22:23,420 AH, THE TWO LOVEBIRDS, AT LAST. 1257 01:22:23,450 --> 01:22:25,870 - COUNTESS. - YES, YOU MUST HAVE SOME CHAMPAGNE. 1258 01:22:26,380 --> 01:22:27,830 ISN'T IT EXCITING! 1259 01:22:27,870 --> 01:22:29,430 ANDREW, HERE. 1260 01:22:30,850 --> 01:22:32,970 I SHALL EXPECT YOU TO DANCE EVERY DANCE WITH ME. 1261 01:22:33,000 --> 01:22:35,280 I MUST PRESERVE AT LEAST ONE DANCE FOR HIM. 1262 01:22:35,310 --> 01:22:35,840 THANK YOU. 1263 01:22:45,750 --> 01:22:47,520 SINK ME, I'M FAR TOO EMBARRASSED. 1264 01:22:48,810 --> 01:22:49,580 IF YOU INSIST. 1265 01:22:52,330 --> 01:22:57,480 THE SCARLET PIMPERNEL. BY SIR PERCIVAL BLAKENEY, BARONET. 1266 01:22:57,510 --> 01:22:58,940 [SHOUTS OF BRAVO] 1267 01:22:58,980 --> 01:23:00,440 NO, NO, THAT'S JUST THE TITLE. 1268 01:23:00,470 --> 01:23:01,960 [LAUGHTER] 1269 01:23:03,410 --> 01:23:04,750 THEY SEEK HIM H'YERE. 1270 01:23:05,310 --> 01:23:06,620 THEY SEEK HIM THERE. 1271 01:23:07,220 --> 01:23:10,900 THOSE FRENCHIES SEEK HIM EVERYWHERE. 1272 01:23:11,630 --> 01:23:12,860 IS HE IN HEAVEN? 1273 01:23:13,420 --> 01:23:16,520 OR IS HE IN...HELL? 1274 01:23:17,180 --> 01:23:21,950 THAT DAMNED, ELUSIVE, PIMPERNEL. 1275 01:23:21,990 --> 01:23:24,070 [LAUGHTER AND APPLAUSE] 1276 01:23:24,100 --> 01:23:26,530 OH, THIS IS COMMENDABLE, PERCY. IT REALLY IS MOST COMMENDABLE. 1277 01:23:26,560 --> 01:23:27,490 I DON'T KNOW HOW YOU DID IT. 1278 01:23:27,960 --> 01:23:31,490 THE PRETTY THING RHYMES IN FOUR PLACES, DON'T YOU SEE? 1279 01:23:32,230 --> 01:23:35,080 AND IF A RHYME RHYMES, IT MAKES A POEM. 1280 01:23:35,120 --> 01:23:37,000 IF YOU FOLLOW ME. 1281 01:23:37,030 --> 01:23:38,590 AS IT WERE CRYSTAL CLEAR, 1282 01:23:39,270 --> 01:23:40,790 MY DEAR! 1283 01:23:40,830 --> 01:23:42,270 [LAUGHTER] 1284 01:23:42,300 --> 01:23:44,120 MAY IT PLEASE YOUR ROYAL HIGHNESS, 1285 01:23:44,160 --> 01:23:47,590 YOUR GRACES, MY LORDS, LADIES AND GENTLEMEN, 1286 01:23:47,620 --> 01:23:50,110 PRAY TAKE YOUR PLACES FOR THE MINUET. 1287 01:23:51,610 --> 01:23:52,440 LADY BLAKENEY, 1288 01:23:52,480 --> 01:23:54,140 WOULD YOU DO ME THE HONOR. 1289 01:23:59,940 --> 01:24:01,080 WITH YOUR PERMISSION. 1290 01:24:01,620 --> 01:24:04,370 DON'T FORGET MONSIEUR CHAUVELIN, THE JIG IS MINE. 1291 01:24:06,200 --> 01:24:11,200 [GASPING] THE FRENCH ARE SUCH SUPERB DANCERS. HEH, HEH. 1292 01:24:18,200 --> 01:24:19,610 HAVE YOU MADE YOUR DECISION? 1293 01:24:20,640 --> 01:24:21,900 YOU LEAVE ME LITTLE CHOICE. 1294 01:24:27,820 --> 01:24:28,970 WHAT DO YOU WANT ME TO DO? 1295 01:24:31,820 --> 01:24:35,120 YOUR FRIEND SIR ANDREW FFOULKES HAS A NOTE TUCKED IN HIS SLEEVE. 1296 01:24:37,630 --> 01:24:39,230 FIND OUT WHAT IT SAYS. 1297 01:24:46,400 --> 01:24:47,590 BUT, HOW? 1298 01:24:51,840 --> 01:24:55,040 I LEAVE THAT TO YOUR INGENUITY AS A CONSUMMATE ACTRESS. 1299 01:25:03,240 --> 01:25:05,400 YOU KNOW, YOU REALLY SHOULD BE DANCING WITH HER 1300 01:25:05,430 --> 01:25:06,800 YOURSELF, MY DEAR FELLOW. 1301 01:25:13,150 --> 01:25:16,100 YOU'LL FORGIVE ME, SIR, BUT I DO FIND THE MINUET 1302 01:25:17,530 --> 01:25:18,470 RATHER TEDIOUS. 1303 01:25:23,370 --> 01:25:25,260 IN THAT CASE, WHAT ABOUT THAT GAME OF HAZARD 1304 01:25:25,290 --> 01:25:26,230 YOU PROMISED ME? 1305 01:25:27,040 --> 01:25:29,320 SPLENDID, BUT I MUST WARN YOU, SIR. 1306 01:25:29,360 --> 01:25:31,610 I DO FEEL DEVILISH LUCKY TONIGHT. 1307 01:25:33,640 --> 01:25:35,010 DAMNATION, UH, HUH. 1308 01:25:58,050 --> 01:26:00,770 PRAY, TAKE YOUR PLACES FOR THE ALLEMANDE. 1309 01:26:00,800 --> 01:26:03,690 YOU MUSTN’T MONOPOLIZE HIM, SUZANNE, OTHERWISE EVERYONE 1310 01:26:03,730 --> 01:26:05,120 WILL THINK YOU'RE AFRAID HE'LL STRAY. 1311 01:26:05,160 --> 01:26:06,710 COME ALONG, ANDREW. 1312 01:26:51,120 --> 01:26:53,000 WHEW! OH! AH. 1313 01:26:53,030 --> 01:26:54,840 ARE YOU ALL RIGHT? 1314 01:26:54,870 --> 01:26:56,420 - [GASP] - MARGUERITE! 1315 01:26:56,450 --> 01:26:57,470 I THINK IT'S JUST THE HEAT. 1316 01:27:01,590 --> 01:27:02,300 OH! 1317 01:27:03,350 --> 01:27:04,250 THANK YOU, ANDREW. 1318 01:27:05,330 --> 01:27:07,410 [SIGH] I DON'T KNOW WHAT CAME OVER ME. 1319 01:27:07,500 --> 01:27:08,920 PERHAPS I'LL FETCH PERCY. 1320 01:27:08,950 --> 01:27:10,240 NO, DON'T LEAVE ME. 1321 01:27:10,280 --> 01:27:13,050 I ONLY NEED TO CLOSE MY EYES FOR A MOMENT OR TWO. 1322 01:27:35,580 --> 01:27:36,420 [WHOOH] 1323 01:27:37,090 --> 01:27:38,400 [SIGH] 1324 01:27:38,550 --> 01:27:39,690 AHHHH. 1325 01:27:40,570 --> 01:27:41,670 HOW CLEVER OF YOU. 1326 01:27:42,530 --> 01:27:45,200 UM, ALMOST AS GOOD AS A BURNT FEATHER FOR GIDDINESS. 1327 01:27:46,230 --> 01:27:47,130 [SIGH] 1328 01:27:47,170 --> 01:27:48,040 THERE! 1329 01:27:48,680 --> 01:27:50,070 I ALMOST FEEL BETTER ALREADY. 1330 01:27:50,870 --> 01:27:52,170 - OH, DEAR. - OH! 1331 01:27:52,210 --> 01:27:52,700 LET ME DO IT. 1332 01:27:54,550 --> 01:27:55,590 THERE'S NO HARM DONE. 1333 01:28:07,880 --> 01:28:11,970 ONE MOMENT MORE, AND I MIGHT HAVE KNOWN THE LADY'S NAME. 1334 01:28:12,000 --> 01:28:12,970 LADY? 1335 01:28:13,010 --> 01:28:14,950 OR A DUCHESS, PERHAPS? 1336 01:28:14,980 --> 01:28:16,850 FOR SHAME, ANDREW. 1337 01:28:16,880 --> 01:28:20,000 ENTERTAINING LOVE NOTES FROM SECRET ADMIRERS 1338 01:28:20,030 --> 01:28:23,040 BEHIND SUZANNE'S BACK. 1339 01:28:26,890 --> 01:28:28,260 WHAT WILL SHE SAY? 1340 01:28:36,880 --> 01:28:39,000 THERE WAS ONLY A FRAGMENT LEFT BY TIME I GOT AT IT. 1341 01:28:39,040 --> 01:28:40,090 COULD YOU MAKE ANYTHING OUT? 1342 01:28:40,120 --> 01:28:43,360 IT SAID, 'WE LEAVE FOR FRANCE TONIGHT. 1343 01:28:43,400 --> 01:28:45,900 MEET ME IN THE LIBRARY AT MIDNIGHT FOR YOU INSTRUCTIONS.' 1344 01:28:45,940 --> 01:28:47,910 AND THE SIGNATURE? HOW WAS IT SIGNED? 1345 01:28:47,950 --> 01:28:48,670 NOT SIGNED. 1346 01:28:49,600 --> 01:28:51,330 IT WAS ONLY THE SYMBOL OF A SMALL FLOWER. 1347 01:28:52,200 --> 01:28:54,330 THE SCARLET PIMPERNEL. 1348 01:28:54,360 --> 01:28:57,660 IN THE LIBRARY, AT MIDNIGHT. 1349 01:28:59,100 --> 01:29:00,900 YOU'VE DONE WELL, MY DEAR, 1350 01:29:02,500 --> 01:29:03,510 VERY WELL, INDEED. 1351 01:29:05,550 --> 01:29:07,890 REMARKABLE, HOW WE COMPLEMENT EACH OTHER. 1352 01:29:09,220 --> 01:29:10,590 BUT THEN WE ALWAYS DID. 1353 01:29:10,740 --> 01:29:12,320 SO THIS IS WHERE YOU'RE HIDING. 1354 01:29:12,350 --> 01:29:13,710 YOU PROMISED ME THE NEXT JIG, 1355 01:29:13,750 --> 01:29:15,090 YOU NAUGHTY BOY. 1356 01:29:15,130 --> 01:29:18,250 FORGIVE ME, MY DEAR. I SHALL RETURN HIM SHORTLY. 1357 01:29:20,080 --> 01:29:23,330 [CLOCK CHIMES] 1358 01:30:00,750 --> 01:30:01,600 [CREAKING SOUND] 1359 01:30:01,630 --> 01:30:02,450 WHO'S THERE? 1360 01:30:04,030 --> 01:30:05,810 DO NOT TURN AROUND. 1361 01:30:07,230 --> 01:30:09,430 YOU MUST NOT TURN AROUND. 1362 01:30:10,800 --> 01:30:12,220 THE SCARLET PIMPERNEL. 1363 01:30:17,730 --> 01:30:19,330 HOW DID YOU KNOW I WAS HERE? 1364 01:30:19,550 --> 01:30:21,830 I TRICKED SIR ANDREW AND READ YOUR NOTE. 1365 01:30:23,330 --> 01:30:24,570 WHY DID YOU COME? 1366 01:30:24,740 --> 01:30:25,600 TO WARN YOU. 1367 01:30:26,470 --> 01:30:28,660 CHAUVELIN KNOWS THAT YOU'LL BE IN THIS ROOM AT MIDNIGHT. 1368 01:30:30,150 --> 01:30:31,100 YOU TOLD HIM? 1369 01:30:31,960 --> 01:30:32,990 I HAD TO. 1370 01:30:33,460 --> 01:30:35,700 TO SAVE MY BROTHER. 1371 01:30:37,300 --> 01:30:39,180 HE THREATENED TO HAVE ARMAND ARRESTED UNLESS 1372 01:30:39,220 --> 01:30:41,070 I HELPED HIM TO DISCOVER YOUR IDENTITY. 1373 01:30:41,490 --> 01:30:43,210 WHY ARE YOU DOING THIS NOW? 1374 01:30:43,250 --> 01:30:45,130 BECAUSE I COULD NEVER LIVE WITH MYSELF KNOWING 1375 01:30:45,170 --> 01:30:47,100 THAT I WAS RESPONSIBLE FOR YOUR DEATH. 1376 01:30:47,130 --> 01:30:48,600 WHAT IS ONE MORE LIFE TO YOU? 1377 01:30:48,630 --> 01:30:52,370 YOU ALREADY HAVE THE MARQUIS DE ST. CYR AND HIS FAMILY TO YOUR CREDIT. 1378 01:30:52,410 --> 01:30:53,680 THAT'S NOT TRUE! 1379 01:30:55,000 --> 01:30:56,620 CHAUVELIN DECEIVED ME, 1380 01:30:57,210 --> 01:30:59,240 BECAUSE I SPURNED HIM FOR ANOTHER. 1381 01:31:00,710 --> 01:31:03,900 HE MALICIOUSLY PUT MY NAME ON THE ARREST WARRANT AS INFORMER. 1382 01:31:06,280 --> 01:31:10,400 I COULD NEVER HAVE SENT THE MARQUIS AND HIS FAMILY 1383 01:31:10,440 --> 01:31:14,530 TO THEIR DEATHS, ANYMORE THAN I CAN NOW LET YOU DIE 1384 01:31:14,560 --> 01:31:16,730 BECAUSE OF ME. 1385 01:31:22,010 --> 01:31:27,150 IF THIS IS TRUE, YOU ARE A VERY BRAVE WOMAN 1386 01:31:27,180 --> 01:31:28,170 FOR COMING HERE. 1387 01:31:28,210 --> 01:31:29,860 I'M A FOOL. 1388 01:31:30,610 --> 01:31:34,430 IF CHAUVELIN FOUNDS OUT, IT COULD COST MY BROTHER'S LIFE. 1389 01:31:35,070 --> 01:31:37,080 NO HARM WILL EVER COME TO YOUR BROTHER, 1390 01:31:37,670 --> 01:31:39,490 AS LONG AS I LIVE. 1391 01:31:39,800 --> 01:31:41,370 CAN I BELIEVE THAT? 1392 01:31:47,900 --> 01:31:53,000 I GIVE YOU...MY WORD. 1393 01:31:55,920 --> 01:31:57,580 I DON'T EVEN KNOW WHO YOU ARE. 1394 01:31:57,980 --> 01:31:59,120 WON'T YOU TELL ME? 1395 01:32:01,020 --> 01:32:06,430 A PHANTOM, MY LADY, NOTHING MORE THAN A PHANTOM. 1396 01:32:07,070 --> 01:32:10,930 NO. YOU'RE VERY REAL TO ME. 1397 01:32:11,640 --> 01:32:14,250 AS REAL AS LIFE ITSELF. 1398 01:32:16,420 --> 01:32:18,530 HOW STRONGLY CLOSE YOU FEEL TO ME. 1399 01:32:21,610 --> 01:32:26,420 WE ARE SO NEAR, I CAN FEEL YOUR WARMTH. 1400 01:32:27,730 --> 01:32:28,640 TOUCH ME, 1401 01:32:30,070 --> 01:32:31,880 SO THAT I MAY KNOW THAT YOU ARE REAL. 1402 01:32:46,680 --> 01:32:47,900 [CLOCK STRIKES] 1403 01:32:47,930 --> 01:32:49,250 CHAUVELIN! 1404 01:32:56,780 --> 01:33:04,370 [CLOCK CHIMES 12] 1405 01:33:13,950 --> 01:33:15,270 HE MUST NOT FIND YOU HERE. 1406 01:33:15,300 --> 01:33:17,740 QUICKLY. THE WINDOW. 1407 01:33:25,360 --> 01:33:26,480 BUT, WHAT'S TO KEEP... 1408 01:34:07,030 --> 01:34:08,280 DAMN! 1409 01:34:09,400 --> 01:34:13,100 [SNORING] 1410 01:35:01,690 --> 01:35:02,340 PERCY! 1411 01:35:03,290 --> 01:35:03,910 WHAT HAPPENED? 1412 01:35:03,950 --> 01:35:05,030 WHAT WAS CHAUVELIN AFTER? 1413 01:35:05,750 --> 01:35:07,480 HE WAS LOOKING FOR THE SCARLET PIMPENEL. 1414 01:35:10,350 --> 01:35:12,380 I PRAY HE FOUND A FOOL. 1415 01:35:14,010 --> 01:35:15,690 BUT NOW WE MUST TAKE GREATER CARE THAN EVER. 1416 01:35:16,380 --> 01:35:17,650 TONY, WE SAIL FOR FRANCE TONIGHT. 1417 01:35:17,680 --> 01:35:19,270 ARMAND'S LIFE IS IN DANGER. 1418 01:35:19,310 --> 01:35:20,820 BUT WHAT OF THE REST OF US? 1419 01:35:20,860 --> 01:35:23,270 I SHALL SEND WORD THE MOMENT IT IS SAFE FOR YOU TO JOIN US. 1420 01:35:23,730 --> 01:35:25,030 MY YACHT IS ANCHORED AT DOVER, 1421 01:35:25,780 --> 01:35:26,870 AND WE MUST SAIL WITH THE TIDE. 1422 01:35:27,080 --> 01:35:28,700 UH, WHAT SHALL I TELL MARGUERITE? 1423 01:35:30,540 --> 01:35:34,910 TELL HER I LOVE HER, MORE THAN EVER. 1424 01:35:39,300 --> 01:35:40,620 PAUL, YOU'RE LEAVING. 1425 01:35:41,550 --> 01:35:42,410 DOES THAT MEN YOU'RE SUCCESSFUL? 1426 01:35:42,440 --> 01:35:44,540 I COULD NOT BE MORE DELIGHTED, MY DEAR. 1427 01:35:44,930 --> 01:35:47,330 I SAIL TOMORROW FOR FRANCE, WHERE I SHALL FINISH THE 1428 01:35:47,370 --> 01:35:50,320 SCARLET PIMPERNEL ONCE AND FOR ALL. 1429 01:35:52,040 --> 01:35:53,720 DIDN'T YOU FIND OUT WHAT YOU WANTED TO KNOW? 1430 01:35:53,750 --> 01:35:55,180 EVERYTHING. 1431 01:35:55,510 --> 01:35:58,470 OH, BY THE WAY, MY DEAR, I FOUND THIS IN THE LIBRARY. 1432 01:35:59,150 --> 01:36:01,350 OH, CARELESS OF YOU TO HAVE DROPPED IT. 1433 01:36:04,030 --> 01:36:05,630 PAUL, WHAT ABOUT OUR BARGAIN? 1434 01:36:06,460 --> 01:36:08,120 OH, YOU'LL HAVE YOUR BROTHER BACK ALIVE 1435 01:36:08,680 --> 01:36:10,760 ONLY WHEN I HAVE CAUGHT THE SCARLET PIMPERNEL, 1436 01:36:11,270 --> 01:36:12,690 HERE OR IN FRANCE. 1437 01:36:12,960 --> 01:36:15,160 THINK TWICE BEFORE YOU INTERFERE AGAIN. 1438 01:36:34,050 --> 01:36:35,750 CHIVERS! WHERE'S SIR PERCY? 1439 01:36:35,780 --> 01:36:37,450 I MUST SPEAK TO HIM AT ONCE. 1440 01:36:37,480 --> 01:36:38,460 HE'S GONE, MY LADY. 1441 01:36:39,480 --> 01:36:41,310 GONE? WHERE TO? 1442 01:36:41,340 --> 01:36:43,530 THERE'S A NOTE FOR YOU IN THE LIBRARY. 1443 01:37:03,010 --> 01:37:04,890 IN THE NORTH COUNTRY? IN THE MIDDLE OF THE NIGHT? 1444 01:37:04,930 --> 01:37:06,700 HOW BIZARRE. 1445 01:37:27,410 --> 01:37:28,560 THE SCARLET PIMPERNEL. 1446 01:37:30,150 --> 01:37:31,300 PERCY. 1447 01:37:32,730 --> 01:37:34,290 OH, GOD, WHAT HAVE I DONE? 1448 01:37:37,770 --> 01:37:39,250 SHE MOLLYCODDLES THE BOY. 1449 01:37:39,280 --> 01:37:42,210 A PILLOW FOR HIS ROYAL HEAD. SHOES FOR HIS ROYAL FEET! 1450 01:37:42,250 --> 01:37:45,140 NEXT SHE'LL BE TURNING OVER THE CROWN TO THE LITTLE BRAT! 1451 01:37:45,170 --> 01:37:47,950 WHAT CAN YOU EXPECT FROM A WOMAN, CITIZEN ST. JUST? 1452 01:37:47,980 --> 01:37:49,930 HA, HA, SHE'S SOFT IN THE HEAD. 1453 01:37:50,090 --> 01:37:52,430 BUT I CAN ASSURE YOU MADAME DUVAL IS AS TRUSTWORTHY 1454 01:37:52,470 --> 01:37:53,320 AS HER HUSBAND. 1455 01:37:53,360 --> 01:37:54,140 TRUSTWORTHY? HA. 1456 01:37:54,180 --> 01:37:56,410 I'M NOT SO SURE EITHER IS TRUSTWORTHY. 1457 01:37:56,450 --> 01:38:00,000 I HEAR THE MAN IS IN DEBT, AND THAT MAKES HIM 1458 01:38:00,030 --> 01:38:01,570 RIPE FOR BRIBERY. 1459 01:38:01,600 --> 01:38:03,230 BRIBERY? 1460 01:38:03,270 --> 01:38:05,620 WELL, THOSE BENT ON RESCUING THE BOY, 1461 01:38:05,650 --> 01:38:07,970 WOULD BE WILLING TO PAY HANDSOMELY. 1462 01:38:08,280 --> 01:38:09,900 DUVAL AND HIS WIFE WILL BE REPLACED 1463 01:38:09,930 --> 01:38:11,510 - AS SOON AS POSSIBLE. - COME ON. 1464 01:38:11,650 --> 01:38:12,480 VERY WISE. 1465 01:38:14,360 --> 01:38:20,360 DEATH, ROBBING MY EYES OF LIGHT, WILL GIVE BACK TO THE SUN 1466 01:38:20,400 --> 01:38:23,280 IT'S UNTARNISHED PURITY! 1467 01:38:25,670 --> 01:38:29,540 [APPLAUSE AND CHEERS] 1468 01:38:30,830 --> 01:38:32,060 A WORD, MY FRIEND. 1469 01:38:32,090 --> 01:38:33,250 AH, WILL IT WAIT? 1470 01:38:33,290 --> 01:38:36,100 - MADEMOISELLE LONGET... - I HAVE RECEIVED INFORMATION, 1471 01:38:36,130 --> 01:38:39,330 THAT CHAUVELIN HAS SENT A SECRET COMMUNIQUÉ 1472 01:38:39,360 --> 01:38:40,890 FROM LONDON CONCERNING YOU. 1473 01:38:40,920 --> 01:38:42,300 CONCERNING ME? 1474 01:38:42,330 --> 01:38:45,080 CHAUVELIN KNOWS THAT YOU ARE IN LEAGUE WITH 1475 01:38:45,110 --> 01:38:46,090 THE SCARLET PIMPERNEL. 1476 01:38:46,120 --> 01:38:49,660 I? IN LEAGUE WITH THE SCARLET PIMPERNEL? 1477 01:38:49,690 --> 01:38:53,060 OH, REALLY, BARON, SOMEONE HAS BEEN TEASING YOU. 1478 01:38:53,100 --> 01:38:55,290 AH, YOU'RE PLAYING A VERY DANGEROUS GAME, 1479 01:38:55,320 --> 01:38:56,690 MONSIEUR ARMAND ST. JUST. 1480 01:38:57,300 --> 01:39:00,000 NOW, WHY NOT TELL YOUR SCARLET PIMPERNEL TO LEAVE 1481 01:39:00,030 --> 01:39:02,690 THE RESCUE OF THE DAUPHIN TO THE FRENCH LOYALISTS? 1482 01:39:03,060 --> 01:39:05,590 AFTER ALL, THEY HAVE A FAR MORE LEGITIMATE CLAIM 1483 01:39:05,630 --> 01:39:06,960 TO HIM THAN THE ENGLISH HAVE. 1484 01:39:07,000 --> 01:39:10,290 IF I KNEW THE IDENTITY OF THE SCARLET PIMPERNEL, 1485 01:39:10,330 --> 01:39:14,210 AND I DO NOT, HE WOULD LAUGH IN MY FACE. 1486 01:39:14,410 --> 01:39:16,710 HE MUST KNOW YOU WANT THE BOY FOR YOURSELF. 1487 01:39:16,750 --> 01:39:17,400 I? 1488 01:39:17,430 --> 01:39:19,790 SO THAT YOU CAN COLLECT THE GOLD THAT AWAITS 1489 01:39:19,820 --> 01:39:22,140 YOU IN VIENNA, WHEN YOU DELIVER THE HEIR TO THE 1490 01:39:22,180 --> 01:39:24,920 FRENCH THRONE TO YOUR AUSTRIAN FRIENDS. 1491 01:39:24,960 --> 01:39:26,680 HM? 1492 01:39:27,610 --> 01:39:29,500 AND DID THE SCARLET PIMPERNEL TELL YOU THAT? 1493 01:39:29,530 --> 01:39:30,920 OF COURSE NOT. HE'S NOT EVEN IN PARIS. 1494 01:39:34,230 --> 01:39:36,220 THANK YOU FOR YOUR WORD OF WARNING, BARON. 1495 01:39:36,860 --> 01:39:39,610 AND NOW, IF YOU WILL EXCUSE ME, 1496 01:39:39,650 --> 01:39:42,220 I DON'T LIKE TO KEEP MADEMOISELLE LONGET WAITING. 1497 01:39:55,460 --> 01:39:56,920 [POUNDING ON DOOR] 1498 01:39:58,620 --> 01:40:00,450 OPEN, IN THE NAME OF THE REPUBLIC. 1499 01:40:02,290 --> 01:40:04,620 THE VERY IDEA. DISTURBING DECENT CITIZENS 1500 01:40:04,650 --> 01:40:05,650 WITH ALL THAT NOISE. 1501 01:40:06,320 --> 01:40:08,420 WHERE IS MADEMOISELLE LONGET? 1502 01:40:08,540 --> 01:40:10,300 WHERE ELSE WOULD SHE BE AT HIS UNGODLY HOUR? 1503 01:40:10,330 --> 01:40:11,120 IN HER BOUDOIR. 1504 01:40:22,280 --> 01:40:24,380 WHY, IT'S ALFONSE PONCEAU! 1505 01:40:24,670 --> 01:40:26,370 FORGIVE ME MY DEAR, BUT HE INSISTED. 1506 01:40:26,400 --> 01:40:28,030 THAT'S QUITE ALL RIGHT, AUNT LULU. 1507 01:40:28,070 --> 01:40:29,990 MONSIEUR PONCEAU AND I ARE OLD FRIENDS. 1508 01:40:30,440 --> 01:40:32,840 IT'S A TRIFLE EARLY FOR A SOCIAL CALL, MONSIEUR. 1509 01:40:32,880 --> 01:40:35,430 THIS IS NOT A SOCIAL CALL, MADEMOISELLE. 1510 01:40:35,760 --> 01:40:39,660 I AM HERE TO ARREST THE MAN IN YOUR BOUDOIR. 1511 01:40:40,610 --> 01:40:43,100 OH, THERE MUST BE SOME MISTAKE. 1512 01:40:43,140 --> 01:40:45,590 HA, HA, ARREST! CITIZEN ST. JUST! 1513 01:40:46,330 --> 01:40:49,470 THE WARRANT WAS SIGNED BY CITIZEN CHAUVELIN, HIMSELF, 1514 01:40:49,500 --> 01:40:53,060 WHEN HE RETURNED FROM LONDON THIS VERY MORNING. 1515 01:40:53,100 --> 01:40:56,280 HE MEANS TO ARREST HIS OWN SUPERIOR? A MAN AS IMPORTANT AS 1516 01:40:56,310 --> 01:40:57,690 CITIZEN ROBESPIERRE? 1517 01:40:57,730 --> 01:40:59,800 SUPERIOR? 1518 01:41:00,570 --> 01:41:03,750 DID YOU SAY YOU WERE HERE TO ARREST LOUIS ST. JUST? 1519 01:41:03,780 --> 01:41:06,920 LOUIS ST. JUST? I AM HERE TO ARREST ARMAND ST. JUST. 1520 01:41:06,960 --> 01:41:08,600 SEE HERE. 1521 01:41:08,670 --> 01:41:14,270 OH, THAT EXPLAINS IT. THE GENTLEMAN IN MY BOUDOIR 1522 01:41:14,300 --> 01:41:19,060 IS NOT ARMAND ST. JUST, BUT LOUIS, HIS DISTINGUISHED COUSIN. 1523 01:41:19,090 --> 01:41:22,060 DID YOU SAY, THAT IN THAT ROOM AT THIS MOMENT, SLEEPS ONE OF THE MOST 1524 01:41:22,100 --> 01:41:23,490 POWERFUL MEN IN FRANCE? 1525 01:41:24,060 --> 01:41:26,460 WELL, IF THAT IS THE PERSON YOU WISH, SHALL I GO... 1526 01:41:26,500 --> 01:41:28,620 NO. NO. NO. NO. NO. WHY DISTURB THE CITIZEN 1527 01:41:28,660 --> 01:41:30,960 IF HE'S ASLEEP. I'LL JUST LEAVE, QUIETLY. 1528 01:41:31,000 --> 01:41:33,270 NO NEED EVEN TO MENTION THIS LITTLE INCIDENT. 1529 01:41:33,620 --> 01:41:37,940 SUCH A BUSY MAN. SO MANY IMPORTANT THINGS ON HIS MIND. 1530 01:41:37,970 --> 01:41:41,860 PLEASE, [GASP], JUST PRETEND I WAS HERE ON A MISUNDERSTANDING, 1531 01:41:41,900 --> 01:41:42,520 THAT IS ALL. 1532 01:41:42,890 --> 01:41:44,220 COME ALONG, YOU IDIOTS. 1533 01:41:50,800 --> 01:41:51,950 YOU WERE WONDERFUL. 1534 01:41:51,990 --> 01:41:54,020 WHEN HE REALIZES HIS MISTAKE THEY'LL BE BACK. 1535 01:41:54,460 --> 01:41:55,900 YOU MUST LEAVE PARIS IMMEDIATELY. 1536 01:41:55,940 --> 01:41:59,360 NOT WITH A FEAR. YOU'RE COMING WITH ME TO ENGLAND. 1537 01:41:59,750 --> 01:42:03,210 BE READY AT MIDDAY TOMORROW, AND I'LL RETURN TO FETCH YOU THEN. 1538 01:42:03,240 --> 01:42:05,310 IT'S TOO DANGEROUS. THEY'LL BE WATCHING THE HOUSE. 1539 01:42:07,020 --> 01:42:07,680 NOW GO! 1540 01:42:11,280 --> 01:42:13,050 NO. NOT THAT WAY. THEY'LL BE WATCHING THE HOUSE. 1541 01:42:13,090 --> 01:42:14,240 USE THE ROOF. 1542 01:42:17,090 --> 01:42:18,300 TILL MIDDAY. 1543 01:42:29,880 --> 01:42:33,360 IMBECILE! LOUIS ST. JUST IS AS CELIBATE AS A MONK. 1544 01:42:33,570 --> 01:42:36,240 I DOUBT IF HE'S SLEPT WITH HIS OWN WIFE IN TEN YEARS. 1545 01:42:36,380 --> 01:42:38,490 SHE'S TAKEN YOU FOR THE FOOL YOU ARE. 1546 01:42:38,520 --> 01:42:40,640 I SHALL RETURN AT ONCE AND MAKE THE ARREST. 1547 01:42:40,670 --> 01:42:41,940 OH, HE'S LONG GONE BY NOW. 1548 01:42:41,970 --> 01:42:46,490 - BUT THE... - I'LL HANDLE THIS MYSELF. - BUT HE... - PONCEAU - BUT I REALLY... - GET OUT! 1549 01:42:49,510 --> 01:42:50,330 [SIGH] 1550 01:42:55,750 --> 01:42:57,760 GO TO THE RESIDENCE OF MADEMOISELLE LONGET, 1551 01:42:57,790 --> 01:43:00,750 INFORM ME THE MINUTE ARMAND ST. JUST SHOWS HIS FACE. 1552 01:43:01,370 --> 01:43:03,080 ARMAND ST. JUST. 1553 01:43:06,150 --> 01:43:09,380 DUVAL, THE DAUPHIN'S JAILOR AND HIS WIFE WILL BE REPLACED TOMORROW. 1554 01:43:10,260 --> 01:43:13,960 SO...AT LONG LAST, WE CAN MAKE OUR MOVE. 1555 01:43:14,540 --> 01:43:16,010 THANKS TO YOU, MY DEAR ARMAND. 1556 01:43:16,450 --> 01:43:17,610 NOW LISTEN CAREFULLY. 1557 01:43:19,110 --> 01:43:21,150 THE BOY WILL BE BROUGHT TO THE RENDEZVOUS POINT 1558 01:43:21,190 --> 01:43:24,240 OUTSIDE PARIS...HERE, 1559 01:43:24,270 --> 01:43:26,910 WHERE ARMAND WILL BE WAITING, PRECISELY AT MIDDAY. 1560 01:43:27,370 --> 01:43:28,630 THE TIMING IS CRUCIAL. 1561 01:43:29,170 --> 01:43:31,710 ONE SLIP...AND WE CAN HAVE HALF THE REVOLUTIONARY 1562 01:43:31,740 --> 01:43:33,150 FORCE OF FRANCE ON OUR HEELS. 1563 01:43:34,560 --> 01:43:36,880 FROM THERE, HE WILL BE TAKEN TO THE TRANSFER POINT, 1564 01:43:37,070 --> 01:43:38,690 WHERE TONY WILL BE WAITING WITH THE HORSES. 1565 01:43:39,460 --> 01:43:41,120 TONY TAKES HIM ON TO MONT ST. PIERRE, 1566 01:43:41,150 --> 01:43:42,670 WHILST YOU RIDE ON TO CALAIS. 1567 01:43:42,870 --> 01:43:49,230 YOU BRING THE YACHT... TO THE RENDEZVOUS POINT...HERE. 1568 01:43:50,240 --> 01:43:50,840 WHERE YOU WAIT, 1569 01:43:51,280 --> 01:43:53,430 ONLY UNTIL THE BOY IS SAFELY ON BOARD, 1570 01:43:54,230 --> 01:43:55,650 AND THEN ON THE FIRST AVAILABLE TIDE 1571 01:43:55,690 --> 01:43:57,140 SAIL FOR ENGLAND. 1572 01:43:58,160 --> 01:44:02,100 WHERE YOU, MY DEAR ARMAND, MUST STAY. IT IS NO LONGER SAFE FOR YOU IN PARIS. 1573 01:44:02,130 --> 01:44:04,110 UGH! IS IT SAFE FOR ANY OF US? 1574 01:44:04,140 --> 01:44:06,040 YOU TOOK AN OATH OF UNQUESTIONING OBEDIENCE 1575 01:44:06,080 --> 01:44:06,760 WHEN YOU JOINED US. 1576 01:44:06,790 --> 01:44:08,070 BUT I GAVE MY WORD TO LOUISE! 1577 01:44:08,110 --> 01:44:10,510 IT IS YOUR WORD TO THE LEAGUE THAT CONCERNS ME NOW. 1578 01:44:11,500 --> 01:44:14,360 PERCY, LET ME GO BACK AND BRING HER TO ENGLAND. 1579 01:44:16,010 --> 01:44:16,850 OUT OF THE QUESTION. 1580 01:44:16,880 --> 01:44:18,970 HOW CAN YOU BE SO UNFEELING? 1581 01:44:19,010 --> 01:44:21,380 YOU DON'T EVEN KNOW THE MEANING OF LOVE. 1582 01:44:25,560 --> 01:44:27,440 YOU MUST LEARN TO TRUST ME, MY FRIEND. 1583 01:44:32,100 --> 01:44:34,960 DO NOT TROUBLE YOU HEAD WITH THOUGHTS OF LOUISE. 1584 01:44:38,030 --> 01:44:39,510 I WILL SEE THAT SHE IS SAFE. 1585 01:44:41,080 --> 01:44:43,410 WILL YOU BRING HER BACK TO ENGLAND? 1586 01:44:44,280 --> 01:44:45,990 I GIVE YOU MY WORD. 1587 01:44:46,980 --> 01:44:48,100 [SIGH] 1588 01:44:48,360 --> 01:44:50,480 NOW. GET SOME REST. 1589 01:44:52,380 --> 01:44:56,690 BY THE WAY. YOU'RE WRONG ABOUT MY NOT KNOWING 1590 01:44:56,720 --> 01:45:00,340 THE MEANING OF LOVE... QUITE WRONG. 1591 01:45:08,660 --> 01:45:10,230 I SHOULD NEVER HAVE ALLOWED YOU TO COME ALONG. 1592 01:45:10,260 --> 01:45:11,350 IT'S FAR TOO DANGEROUS. 1593 01:45:11,390 --> 01:45:13,940 I WOULD GLADLY FACE ANY DANGER TO SAVE PERCY. 1594 01:45:14,730 --> 01:45:17,040 I LOVE HIM MORE THAN LIFE ITSELF. I KNOW THAT NOW. 1595 01:45:17,180 --> 01:45:19,110 I CAN ONLY PRAY THAT I'M DOING THE RIGHT THING. 1596 01:45:19,320 --> 01:45:21,840 HAD YOU HESITATED, HE WOULD SURELY HAVE GONE TO THE GUILLOTINE. 1597 01:45:24,460 --> 01:45:26,410 LOOK, CALAIS. 1598 01:45:27,960 --> 01:45:29,210 WE'LL LAND MY NIGHTFALL. 1599 01:46:00,590 --> 01:46:01,610 AREN'T YOU GOING TO STOP HIM? 1600 01:46:05,740 --> 01:46:06,550 NO. 1601 01:46:10,250 --> 01:46:11,570 [KNOCKING ON DOOR] 1602 01:46:30,050 --> 01:46:30,850 RIDE. 1603 01:46:32,520 --> 01:46:33,290 GIDDY-UP 1604 01:46:38,400 --> 01:46:41,400 TYRONE. TYRONE! 1605 01:46:41,930 --> 01:46:43,480 TYRONE, TAKE CARE OF THAT TRAY. 1606 01:46:44,610 --> 01:46:46,300 THAT BELONGED TO MY GRANDMOTHER. 1607 01:46:48,390 --> 01:46:51,580 CITIZEN, CERONE, TO YOU, MATE. 1608 01:46:52,920 --> 01:46:53,830 THIS WAY. 1609 01:46:58,550 --> 01:47:01,020 WELL, THEY'RE NOW WELCOME TO THE BRAT. 1610 01:47:01,050 --> 01:47:03,260 HUH, LET'S SEE HOW LONG THE NEXT MAN LASTS. 1611 01:47:03,300 --> 01:47:04,400 COME ON, LET'S GET OUTTA HERE. 1612 01:47:04,420 --> 01:47:05,900 WHAT ABOUT THE REST OF OUR FURNITURE? 1613 01:47:05,930 --> 01:47:09,030 AH, THE LACKEY'L MANAGE. YOU'VE GIVEN 'EM THE GATE PASS 1614 01:47:09,060 --> 01:47:09,890 AND THE ADDRESS? 1615 01:47:09,920 --> 01:47:11,850 UH, YEAH, I KNOW, I KNOW. 1616 01:47:11,890 --> 01:47:13,750 RUE DE BECK ST. CLAIR... 1617 01:47:13,780 --> 01:47:16,100 NOW, YOU MAKE SURE YOU GET THERE 'FORE DARK. 1618 01:47:16,140 --> 01:47:17,440 AW RIGHT, AW RIGHT. 1619 01:47:23,720 --> 01:47:24,850 HI! UP! 1620 01:47:24,890 --> 01:47:27,870 [HORSE WHINNY] 1621 01:47:32,880 --> 01:47:34,760 AS SOON AS THE LACKEY HAS THE APARTMENT CLEAR, 1622 01:47:34,790 --> 01:47:37,170 YOU AND YOUR WIFE CAN MOVE YOU THINGS IN, CITIZEN JOURNO. 1623 01:47:43,230 --> 01:47:45,570 WELL, MAKE WAY, THEN, MAKE WAY. 1624 01:47:46,230 --> 01:47:49,190 MADAME DUVAL'S PRECIOUS CHINA, THIS IS, YEAH. 1625 01:48:28,110 --> 01:48:28,970 GIDDAP, THEN. 1626 01:48:34,290 --> 01:48:35,700 THESE WILL BE YOUR QUARTERS, 1627 01:48:37,180 --> 01:48:39,410 AND IN HERE YOU'LL FIND THE BRAT. 1628 01:48:41,890 --> 01:48:43,970 I WARN YOU. HE'S A HANDFUL. 1629 01:48:45,660 --> 01:48:47,630 YOU LEAVE HIM TO ME AND MY MRS. 1630 01:48:47,670 --> 01:48:49,610 HE'LL TOE THE LINE, HE WILL. 1631 01:48:50,000 --> 01:48:51,300 PAPERS. 1632 01:48:56,420 --> 01:48:58,910 THIS PASS IS SIGNED BY CITIZEN FOUQUET. 1633 01:49:00,800 --> 01:49:02,220 THE GOVERNOR OF THE TEMPLE PRISON! 1634 01:49:02,260 --> 01:49:05,050 THE VERY SAME, SERGEANT. THE VERY SAME. 1635 01:49:05,990 --> 01:49:07,880 RIGHT. PASS! 1636 01:49:07,920 --> 01:49:09,500 GATES! 1637 01:49:20,720 --> 01:49:23,080 ...SPECIFIC INSTRUCTIONS TO INFORM ME IF THERE'S 1638 01:49:23,120 --> 01:49:24,360 ANY CHANGE IN THE JAILORS. 1639 01:49:24,400 --> 01:49:26,690 ON MY WORD, CITIZEN. HE WAS SLEEPING LIKE A BABE 1640 01:49:26,730 --> 01:49:27,770 THE LAST TIME I LOOKED IN. 1641 01:49:27,810 --> 01:49:29,610 JUST AS HE IS NOW. LOOK FOR YOURSELF. 1642 01:49:33,310 --> 01:49:35,260 WHAT PROMPTED YOU TO MAKE THIS SUDDEN CHANGE? 1643 01:49:35,300 --> 01:49:37,220 WELL, WHEN I RECEIVED YOUR WARNING ABOUT DUVAL. 1644 01:49:37,260 --> 01:49:38,520 I GAVE NO WARNING. 1645 01:49:40,100 --> 01:49:42,230 ST. JUST. OPEN THAT DOOR. 1646 01:49:42,260 --> 01:49:43,240 I SAID OPEN IT! 1647 01:49:43,280 --> 01:49:47,110 [KEYS JANGLE; DOOR OPENS] 1648 01:50:23,860 --> 01:50:24,560 UGH. 1649 01:50:32,430 --> 01:50:34,370 WOULD YOU LIKE TO SEE SOME MAGIC? 1650 01:50:35,450 --> 01:50:36,260 HUH? 1651 01:50:39,530 --> 01:50:40,260 ALL RIGHT, THEN. 1652 01:50:42,130 --> 01:50:42,870 WATCH THIS. 1653 01:50:45,790 --> 01:50:48,050 HAH. HAH. 1654 01:51:09,890 --> 01:51:10,590 UH HUH. 1655 01:51:11,570 --> 01:51:12,910 LET THAT BE A LESSON TO YOU, SIR. 1656 01:51:13,580 --> 01:51:15,150 NEVER TAKE ANYONE FOR GRANTED. 1657 01:51:17,650 --> 01:51:18,690 GATES! 1658 01:51:20,910 --> 01:51:22,200 CLEAR THE WAY! 1659 01:51:33,550 --> 01:51:34,480 DOWN ON THE FLOOR, SIR. 1660 01:51:35,500 --> 01:51:36,520 WE ARE IN FOR A RUN. 1661 01:51:37,340 --> 01:51:38,220 GIDDAP! 1662 01:51:44,780 --> 01:51:45,910 [GUNSHOT] 1663 01:52:01,190 --> 01:52:01,900 [GUNSHOT] 1664 01:52:01,930 --> 01:52:03,060 OH! 1665 01:52:24,190 --> 01:52:26,350 RIGHT. SPREAD OUT AND SEARCH THE WOODS, 1666 01:52:26,390 --> 01:52:27,440 THEY CAN'T HAVE GONE FAR. 1667 01:52:40,230 --> 01:52:41,440 THEY MUST HAVE CROSSED THE RIVER 1668 01:52:42,060 --> 01:52:43,580 SEARCH THE OTHER SIDE. 1669 01:53:10,370 --> 01:53:11,740 GOOD GOD, MAN, HOLD YOU'RE FIRE! 1670 01:53:11,780 --> 01:53:12,480 PERCY. 1671 01:53:12,510 --> 01:53:13,860 I'VE HAD MY FAIR SHARE FOR ONE DAY. 1672 01:53:18,760 --> 01:53:20,670 YOU MUST TAKE THE BOY ON TO MONT ST. PIERRE. 1673 01:53:20,700 --> 01:53:22,580 FIND SOME WAY TO NOTIFY THE CAPTAIN OF MY SHIP 1674 01:53:22,610 --> 01:53:23,790 THAT THE PLANS HAVE CHANGED. 1675 01:53:24,480 --> 01:53:25,790 MEANWHILE I'LL RETURN TO PARIS. 1676 01:53:25,830 --> 01:53:27,100 MY DEAR CHAP, YOU CAN'T POSSIBLY... 1677 01:53:27,130 --> 01:53:28,570 ARMAND DIDN'T ARRIVE. 1678 01:53:28,610 --> 01:53:30,210 HE MUST BE IN TROUBLE. 1679 01:53:30,250 --> 01:53:31,820 I CANNOT DESERT HIM NOW. 1680 01:53:32,540 --> 01:53:33,880 RIGHT, PERCY. 1681 01:53:44,080 --> 01:53:45,370 AND UP. 1682 01:53:47,090 --> 01:53:48,250 GOD SPEED, YOUR HIGHNESS. 1683 01:53:58,910 --> 01:53:59,960 [HORSE WHINNY] 1684 01:54:09,010 --> 01:54:10,060 [KNOCK ON DOOR] 1685 01:54:14,290 --> 01:54:15,090 WHAT DO YOU WANT? 1686 01:54:15,130 --> 01:54:16,750 A GENTLEMAN ASKED ME TO GIVE YOU THIS. 1687 01:54:20,070 --> 01:54:21,620 TELL HIM IT'S SAFE TO COME IN. 1688 01:54:25,720 --> 01:54:27,220 SHE SAYS IT'S SAFE. 1689 01:54:34,250 --> 01:54:35,160 THANK YOU. 1690 01:54:43,740 --> 01:54:45,040 QUICKLY, MONSIEUR, COME WITH ME. 1691 01:55:00,690 --> 01:55:01,650 IN THERE. 1692 01:55:22,320 --> 01:55:23,600 MADEMOISELLE LONGET. 1693 01:55:26,540 --> 01:55:28,440 PLEASE FORGIVE HIM, SIR PERCY. 1694 01:55:28,480 --> 01:55:29,340 NO MATTER. 1695 01:55:30,140 --> 01:55:36,370 I TOO UNDERSTAND THE STRENGTH OF LOVE. 1696 01:55:36,400 --> 01:55:38,720 [CLEARING THROAT] 1697 01:55:42,560 --> 01:55:43,860 GOOD DAY, SIR PERCY. 1698 01:55:45,460 --> 01:55:47,790 I REALIZED THAT YOUR NOBLESSE OBLIGE WOULD NOT 1699 01:55:47,830 --> 01:55:50,230 PERMIT YOU TO ABANDON ONE OF YOUR MEN. 1700 01:55:56,300 --> 01:55:57,720 I'M SORRY, PERCY. 1701 01:56:04,750 --> 01:56:07,580 SINK ME, IF YOU AREN'T RIGHT, 1702 01:56:08,310 --> 01:56:09,160 FOR A CHANGE. 1703 01:56:10,380 --> 01:56:12,610 BUT THEN, TWO NO ACCOUNT FELLOWS LIKE US 1704 01:56:12,640 --> 01:56:15,690 IN EXCHANGE FOR ONE ROYAL PRINCE 1705 01:56:16,090 --> 01:56:18,690 WOULD SEEM TO BE A FAIR EXCHANGE, 1706 01:56:18,730 --> 01:56:19,970 DON'T YOU THINK? 1707 01:56:20,510 --> 01:56:24,640 AMAZING, HOW A MERE LAD CAN SLIP THROUGH YOUR 1708 01:56:24,670 --> 01:56:26,780 FINGERS SO EASILY. HUH? 1709 01:56:26,920 --> 01:56:28,540 - I'LL WAGER, THERE'LL BE THE DEVIL TO PAY, 1710 01:56:29,360 --> 01:56:30,800 WHEN YOUR COMMITTEE OF NATIONAL SECURITY 1711 01:56:31,460 --> 01:56:34,590 DISCOVERS THAT HE LEFT THE COUNTRY. 1712 01:56:34,630 --> 01:56:38,280 OH, HAS HE LEFT THE COUNTRY? MY UNDERSTANDING WAS 1713 01:56:38,320 --> 01:56:40,980 THERE WAS SOME PROBLEM IN GETTING AWAY. 1714 01:56:41,130 --> 01:56:46,130 NO. NO. NO. IT'S DONE LIKE THIS. NOW'S YOUR CHANCE! 1715 01:57:04,960 --> 01:57:06,790 VERY FOOLISH, SIR PERCY. 1716 01:57:07,210 --> 01:57:11,830 GAD, SIR, NOBLESS OBLIGE. 1717 01:57:12,090 --> 01:57:13,740 [DOOR OPENS] 1718 01:57:14,980 --> 01:57:17,870 LADY BLAKENEY. WHAT A DELIGHTFUL SURPRISE. 1719 01:57:18,000 --> 01:57:19,750 I SERIOUSLY DOUBT THAT. 1720 01:57:22,670 --> 01:57:27,330 I HAD HEARD, UNOFFICIALLY OF COURSE, THAT YOU WERE IN PARIS. 1721 01:57:27,440 --> 01:57:28,670 PLEASE, WON'T YOU TAKE A SEAT? 1722 01:57:29,310 --> 01:57:30,540 I SHALL MAKE THIS BRIEF. 1723 01:57:30,850 --> 01:57:34,160 I'M HERE ON BEHALF OF MY HUSBAND. THIS IS A PETITION OF CLEMENCY, 1724 01:57:34,190 --> 01:57:36,060 SIGNED BY THE PRINCE OF WALES. 1725 01:57:37,000 --> 01:57:40,100 NO, UNLESS YOU WISH ME TO TAKE IT TO ROBESPIERRE, HIMSELF. 1726 01:57:40,910 --> 01:57:43,190 I DEMAND THAT YOU LET ME SEE MY HUSBAND AT ONCE. 1727 01:57:43,230 --> 01:57:45,220 [SIGH] 1728 01:57:45,250 --> 01:57:46,860 THERE'S NO NEED FOR ALL THAT. 1729 01:57:49,040 --> 01:57:50,890 YOU HAD BUT TO ASK. 1730 01:58:00,960 --> 01:58:01,920 YOU HAVE A VISITOR. 1731 01:58:14,270 --> 01:58:15,310 MARGUERITE. 1732 01:58:16,880 --> 01:58:18,070 HELLO, SIR PERCY. 1733 01:58:18,980 --> 01:58:19,960 TWO MINUTES. 1734 01:58:22,690 --> 01:58:23,870 REMEMBER MY CONDITIONS. 1735 01:58:26,570 --> 01:58:29,400 [DOOR CLOSES AND LOCKS] 1736 01:58:51,290 --> 01:58:53,190 OH, MY DARLING! 1737 01:59:03,320 --> 01:59:04,710 HOW I PRAYED YOU WOULD COME. 1738 01:59:06,890 --> 01:59:09,090 MY DARLING, CAN YOU EVER FORGIVE ME FOR DOUBTING YOU? 1739 01:59:09,130 --> 01:59:11,320 OH, IT IS I WHO MUST BEG YOUR FORGIVENESS. 1740 01:59:12,680 --> 01:59:15,660 CHAUVELIN SAYS HE WILL RELEASE YOU IF YOU 1741 01:59:15,700 --> 01:59:17,240 TELL HIM THE DAUPHIN'S WHEREABOUTS. 1742 01:59:18,410 --> 01:59:22,890 IF NOT... OH, PERCY, I COULDN'T BEAR 1743 01:59:22,920 --> 01:59:23,770 TO LOSE YOU NOW. 1744 01:59:28,860 --> 01:59:30,120 YOU KNEW THE NEXT FEW DAYS WILL BE THE WORST 1745 01:59:30,150 --> 01:59:31,500 POSSIBLE, DON'T YOU? 1746 01:59:33,280 --> 01:59:34,500 TELL THEM. 1747 01:59:36,180 --> 01:59:37,750 TELL THEM WHAT THEY WANT TO KNOW. 1748 01:59:38,130 --> 01:59:39,590 MY DARLING, I CANNOT. 1749 01:59:40,280 --> 01:59:41,820 YOU MUST NOT ASK ME. 1750 01:59:42,990 --> 01:59:44,660 THEN WE MUST FIND A WAY TO GET YOU OUT OF 1751 01:59:44,700 --> 01:59:46,080 THIS DREADFUL PLACE. 1752 01:59:48,450 --> 01:59:49,650 THERE MAY BE A WAY. 1753 01:59:51,940 --> 01:59:52,730 NOW LISTEN CAREFULLY. 1754 01:59:53,370 --> 01:59:54,830 THERE'S NOT ENOUGH TIME TO REPEAT ANYTHING. 1755 01:59:55,670 --> 01:59:58,650 THE LIFE OF THE DAUPHIN AND ALL MY MEN MAY DEPEND 1756 01:59:58,680 --> 02:00:00,380 ON YOUR ABILITY TO EXECUTE MY ORDERS 1757 02:00:00,410 --> 02:00:01,120 TO THE LETTER. 1758 02:00:02,740 --> 02:00:04,490 QUICKLY, PUT THIS ON. 1759 02:00:05,560 --> 02:00:07,530 YOU WILL NEED IT IN ORDER TO CARRY OUT MY INSTRUCTIONS. 1760 02:00:10,890 --> 02:00:13,390 WHO WOULD HAVE IMAGINED THAT ONE DAY I WOULD BE 1761 02:00:13,430 --> 02:00:15,180 IN LEAGUE WITH THE SCARLET PIMPERNEL. 1762 02:00:16,240 --> 02:00:19,010 I WAS SO SURE HE WANTED THE BOY FOR ENGLAND. 1763 02:00:19,050 --> 02:00:20,340 HE WANTS THE BOY TO LIVE. 1764 02:00:20,990 --> 02:00:22,900 AND YOU ARE NOW THE ONLY GUARANTEE OF THAT. 1765 02:00:24,440 --> 02:00:26,680 THESE ORDERS WILL RELEASE THE DAUPHIN TO YOUR CUSTODY. 1766 02:00:27,420 --> 02:00:29,310 DELIVER THEM TO LORD ANTHONY DEWHURST, 1767 02:00:30,760 --> 02:00:32,960 AT THE ISLAND FORTRESS OF MONT ST. PIERRE. 1768 02:00:33,680 --> 02:00:35,380 AFTER THAT, YOU HAVE UNTIL TOMORROW NIGHTFALL 1769 02:00:35,410 --> 02:00:36,770 TO GET THE BOY ACROSS THE BORDER. 1770 02:00:36,800 --> 02:00:38,770 HUH, BUT, I NEED MORE TIME THAN THAT. 1771 02:00:38,800 --> 02:00:41,200 THERE ARE ARRANGEMENTS TO BE MADE. THE DRIVE'S LONG AND HOT. 1772 02:00:41,240 --> 02:00:43,450 TOMORROW AT NIGHTFALL. I CAN OFFER YOU NO MORE. 1773 02:00:44,660 --> 02:00:45,490 [DOOR CLOSES] 1774 02:00:45,960 --> 02:00:47,780 AT LAST YOU'RE TALKING SENSE. 1775 02:00:47,820 --> 02:00:50,300 ONE CONDITION, MY DEAR CHAUVELIN. 1776 02:00:50,830 --> 02:00:53,720 MY WIFE, HER BROTHER AND ALL MY MEN MUST BE 1777 02:00:53,750 --> 02:00:56,610 GUARANTEED SAFE CONDUCT BACK TO ENGLAND. 1778 02:00:56,650 --> 02:00:58,030 AS SOON AS I HAVE THE BOY. 1779 02:00:58,580 --> 02:00:59,890 WHERE IS HE? 1780 02:00:59,920 --> 02:01:01,770 I'M AFRAID I CANNOT TELL YOU THAT. 1781 02:01:01,800 --> 02:01:03,610 I MUST LEAD YOU TO HIM PERSONALLY. 1782 02:01:04,250 --> 02:01:06,450 MY MEN WILL ONLY RELEASE HIM IN EXCHANGE FOR ME. 1783 02:01:07,150 --> 02:01:08,030 AGREED. 1784 02:01:08,060 --> 02:01:10,150 A LITTLE MATTER OF LOYALTY, YOU UNDERSTAND. 1785 02:01:10,180 --> 02:01:11,600 OF COURSE. 1786 02:01:11,670 --> 02:01:12,980 ONE OTHER MATTER. 1787 02:01:13,600 --> 02:01:16,170 A CHANGE OF LINEN, PERHAPS. 1788 02:01:16,210 --> 02:01:18,170 HE TAKES YOU FOR A FOOL, CHAUVELIN. 1789 02:01:18,590 --> 02:01:20,620 MY DEAR FOUQUET, IF IT BECOMES INEVITABLE 1790 02:01:20,660 --> 02:01:22,620 THAT I SHOULD TAKE A RIDE ON THE TUMBREL 1791 02:01:22,660 --> 02:01:26,830 I CAN ASSURE YOU THAT I INTEND TO GO PROPERLY DRESSED. 1792 02:01:26,870 --> 02:01:28,400 HE CAN SCHEME ALL HE LIKES. 1793 02:01:28,620 --> 02:01:29,090 GUARD! 1794 02:01:29,120 --> 02:01:31,840 [DOOR OPENS] 1795 02:01:42,110 --> 02:01:44,530 HOSTAGES? HOW NOBLE YOU ARE. 1796 02:01:44,570 --> 02:01:47,230 YOU ARE NOT THE ONLY ONE TO SCHEME, SIR PERCY. 1797 02:01:47,890 --> 02:01:51,390 YOU AND I WILL TRAVEL TOGETHER. THEY WILL FOLLOW IN THE COACH BEHIND. 1798 02:01:51,430 --> 02:01:54,720 ANY TRICKERY, MY FRIEND, AND THEY DIE. 1799 02:01:56,080 --> 02:01:58,890 ALL I ASK IS, THAT YOU LEAD ME TO THE BOY. 1800 02:02:23,500 --> 02:02:24,870 BARON DE BATZ, MY LORD. 1801 02:02:25,030 --> 02:02:25,930 LOUIS! 1802 02:02:34,040 --> 02:02:35,080 YOUR HIGHNESS, 1803 02:02:35,620 --> 02:02:37,260 THIS GENTLEMAN IS THE BARON DE BATZ. 1804 02:02:38,020 --> 02:02:39,880 HE'S GOING TO TAKE ACROSS THE NORTHERN FRONTIER 1805 02:02:39,910 --> 02:02:41,130 AND FROM THERE INTO AUSTRIA. 1806 02:02:41,950 --> 02:02:43,100 YOUR ROYAL HIGHNESS. 1807 02:02:43,810 --> 02:02:45,420 YOU HAVE MANY FRIENDS IN MY COUNTRY, 1808 02:02:46,100 --> 02:02:48,090 WHO WILL HELP YOU TO RECLAIM THE THRONE 1809 02:02:48,120 --> 02:02:50,080 WHICH HAS BEEN SO CRUELLY DENIED YOU. 1810 02:02:52,640 --> 02:02:53,390 COME. 1811 02:02:54,840 --> 02:02:56,180 I WISH YOU BOTH A SAFE JOURNEY. 1812 02:02:58,780 --> 02:03:00,110 GODSPEED! 1813 02:03:36,850 --> 02:03:37,740 CITIZEN! 1814 02:03:37,770 --> 02:03:40,720 TAKE HALF YOU MEN AND GO ON AHEAD. SIGNAL IF ALL IS WELL 1815 02:03:40,750 --> 02:03:41,520 YES, CITIZEN. 1816 02:03:42,810 --> 02:03:44,540 YOU MEN, FOLLOW ME. 1817 02:03:57,560 --> 02:03:59,060 TWO BIRDS WITH ONE STONE. 1818 02:03:59,880 --> 02:04:02,780 THE DAUPHIN AND THE SCARLET PIMPERNEL. 1819 02:04:03,310 --> 02:04:05,830 MY SEAT ON THE COMMITTEE OF NATIONAL SECURITY IS ASSURED. 1820 02:04:06,590 --> 02:04:10,250 THANKS TO YOUR PRIMITIVE SENSE OF NOBLESS OBLIGE. 1821 02:04:10,340 --> 02:04:15,110 PRIMITIVE? MY DEAR CHAUVELIN. I SHALL TAKE IT ANY DAY 1822 02:04:15,140 --> 02:04:16,830 OVER YOUR NEW ORDER. 1823 02:04:23,720 --> 02:04:26,490 A SIGNAL FROM THE FORTRESS, CITIZEN. ALL'S CLEAR. 1824 02:04:26,520 --> 02:04:27,870 THANK YOU, CORPORAL. 1825 02:04:27,910 --> 02:04:30,380 YOU AND YOUR MEN REMAIN HERE. MAKE SURE THAT NOBODY LEAVES 1826 02:04:30,410 --> 02:04:31,450 THE ISLAND WITHOUT ME. 1827 02:04:31,480 --> 02:04:34,730 IF I'M NOT BACK WITHIN THE HOUR. COME IN AND FETCH ME. 1828 02:04:34,770 --> 02:04:35,610 YES, CITIZEN. 1829 02:04:35,640 --> 02:04:36,450 ONWARD, DRIVER! 1830 02:05:06,210 --> 02:05:08,870 GONE? WHAT DO YOU MEAN, THEY'VE GONE? 1831 02:05:08,900 --> 02:05:12,740 THAT'S JUST IT, SIR, THE BOY, THE SCARLET PIMPERNEL'S MEN, ALL FLOWN. 1832 02:05:13,130 --> 02:05:15,330 THIS MAN SAYS HE MAY HAVE OVERHEARD WHAT WAS HAPPENING. 1833 02:05:15,370 --> 02:05:17,790 THEN WHERE HAVE THEY GONE. SPEAK UP. 1834 02:05:17,830 --> 02:05:21,400 TO TAKE THE BOY ACROSS THE SOUTHERN FRONTIER INTO SPAIN, 1835 02:05:21,430 --> 02:05:23,080 AND THENCE TO ENGLAND. 1836 02:05:23,260 --> 02:05:24,320 ENGLAND. 1837 02:05:25,210 --> 02:05:26,270 JUST AS I THOUGHT. 1838 02:05:27,500 --> 02:05:28,740 THIS IS YOUR DOING. 1839 02:05:29,430 --> 02:05:31,330 TAKE THIS SPY INTO THE COURTYARD AND EXECUTE 1840 02:05:31,360 --> 02:05:32,100 HIM AT ONCE. 1841 02:05:32,130 --> 02:05:32,920 NO! 1842 02:05:34,400 --> 02:05:36,440 I HAVE ONLY ONE LAST REQUEST, CHAUVELIN. 1843 02:05:36,480 --> 02:05:37,720 YES. 1844 02:05:37,750 --> 02:05:39,020 SPARE MY WIFE. 1845 02:05:39,780 --> 02:05:41,930 ALLOW HER TO GO FREE. 1846 02:05:43,170 --> 02:05:46,520 OH, SHE WILL BE FREE, BUT ONLY AFTER YOU ARE DEAD. 1847 02:05:48,620 --> 02:05:49,530 TAKE HIM AWAY. 1848 02:05:49,560 --> 02:05:50,430 NO PLEASE! 1849 02:05:51,210 --> 02:05:53,140 LET ME DIE WITH YOU. 1850 02:05:53,950 --> 02:05:58,060 MY DARLING. WHAT I AM ABOUT TO DO IS FOR THE BEST. 1851 02:05:58,810 --> 02:05:59,780 TRUST ME. 1852 02:06:00,410 --> 02:06:01,480 THIS ONE LAST TIME. 1853 02:06:02,370 --> 02:06:03,610 WITHOUT QUESTION. 1854 02:06:09,480 --> 02:06:12,810 I SHALL BE BACK, MY DEAR CHAUVELIN. I SHALL RETURN 1855 02:06:12,850 --> 02:06:14,660 TO HAUNT YOU. 1856 02:06:14,700 --> 02:06:17,900 DETAIL, LEFT TURN. FORWARD! 1857 02:06:38,170 --> 02:06:42,700 [THE SOUND OF WIND BLOWING] 1858 02:06:53,080 --> 02:06:54,870 DETAIL...HALT! 1859 02:06:54,910 --> 02:06:56,660 FACE FRONT. 1860 02:07:12,570 --> 02:07:13,560 READY. 1861 02:07:25,470 --> 02:07:26,460 AIM! 1862 02:07:34,160 --> 02:07:35,910 FIRE, DAMN YOU, FIRE. 1863 02:07:37,040 --> 02:07:39,710 FIRE! [GUNSHOT VOLLEY] PERCY! 1864 02:07:49,270 --> 02:07:50,010 CAPTAIN. 1865 02:07:50,040 --> 02:07:50,750 SIR. 1866 02:07:51,750 --> 02:07:54,090 TAKE THESE TWO PRISONERS BACK TO THEIR COACH. 1867 02:07:54,120 --> 02:07:54,850 YES, SIR. 1868 02:07:54,890 --> 02:07:58,300 THEY WILL BE RETURNED TO PARIS. THERE TO BE TRIED AND EXECUTED 1869 02:07:58,340 --> 02:07:59,170 FOR TREASON. 1870 02:08:00,080 --> 02:08:02,580 I'M...NOT AFRAID TO DIE, CHAUVELIN. 1871 02:08:02,830 --> 02:08:05,940 BUT YOU GAVE YOUR WORD THAT MARGUERITE WOULD GO FREE. 1872 02:08:07,820 --> 02:08:10,350 BUT AN OATH TO A SCOUNDREL IS MEANINGLESS. 1873 02:08:13,190 --> 02:08:16,140 SINK ME, I COULDN'T AGREE MORE. 1874 02:08:19,970 --> 02:08:23,480 NO, NO, NO, MY DEAR CHAUVELIN. NEVER FEAR. YOU ARE NOT LOOKING 1875 02:08:23,510 --> 02:08:25,050 UPON A GHOST. 1876 02:08:25,090 --> 02:08:28,610 BUT ALLOW ME TO INTRODUCE YOUR SOLDIERS: 1877 02:08:31,230 --> 02:08:32,760 LORD ANTHONY DEWHURST, 1878 02:08:33,830 --> 02:08:36,090 SIR ANDREW FFOULKES, 1879 02:08:36,360 --> 02:08:38,260 LORD TIMOTHY HASTINGS, 1880 02:08:39,060 --> 02:08:45,190 AND THE LEAGUE OF THE SCARLET PIMPERNEL. 1881 02:08:47,650 --> 02:08:51,060 SOMETHING TELLS ME, THAT YOU'RE WONDERING WHAT HAPPENED 1882 02:08:51,090 --> 02:08:53,090 TO THE MEN YOU SENT ON AHEAD. 1883 02:08:53,130 --> 02:08:54,320 HMM? 1884 02:08:56,860 --> 02:08:59,970 [DOOR OPENS] 1885 02:09:02,020 --> 02:09:05,560 VOILA. [MUFFLED SOUNDS] 1886 02:09:05,980 --> 02:09:07,230 [DOOR CLOSES] 1887 02:09:07,270 --> 02:09:09,540 I'M SURPRISED, MY DEAR CHAUVELIN, THAT YOU DIDN'T 1888 02:09:09,570 --> 02:09:11,300 NOTICE THEIR ILL-FITTING UNIFORMS. 1889 02:09:11,920 --> 02:09:17,200 BUT THEN FASHION NEVER WAS YOUR FORTE...WAS IT? 1890 02:09:18,240 --> 02:09:20,990 BUT WHY THIS CHARADE, THIS MOCK EXECUTION? 1891 02:09:21,020 --> 02:09:24,060 MY DEAR CHAP, I NEVER WOULD OF DREAMT OF DEPRIVING YOU 1892 02:09:24,090 --> 02:09:25,370 OF YOUR MOMENT OF TRIUMPH. 1893 02:09:25,580 --> 02:09:28,440 ALAS, A MOMENT WAS ALL I COULD SPARE. 1894 02:09:29,020 --> 02:09:31,260 - MY CONGRATULATIONS TO YOU, SIR PERCY. 1895 02:09:31,260 --> 02:09:34,820 AS ALWAYS EVERYTHING PLANNED DOWN TO THE LAST DETAIL. 1896 02:09:37,650 --> 02:09:41,860 ONLY THIS TIME, YOU HAVE OVERLOOKED ONE LITTLE THING. 1897 02:09:42,760 --> 02:09:47,360 THERE IS NO WAY OFF THIS ISLAND EXCEPT BACK OVER THE CAUSEWAY. 1898 02:09:47,770 --> 02:09:49,960 AND IF YOU CARE TO LOOK OUT OF THAT WINDOW, 1899 02:09:50,580 --> 02:09:53,990 YOU WILL SEE MY MEN, MY OWN MEN, STANDING GUARD. 1900 02:09:54,020 --> 02:09:54,970 SINK ME. 1901 02:09:55,540 --> 02:09:57,290 SO THEY ARE. 1902 02:09:59,130 --> 02:10:01,870 BUT THEN, IF YOU WOULD CARE TO LOOK OUT OF THAT WINDOW, 1903 02:10:01,910 --> 02:10:05,020 YOU WOULD SEE ME YACHT, THE DAYDREAM, WAITING JUST 1904 02:10:05,060 --> 02:10:08,370 OFFSHORE TO TAKE LADY BLAKENEY, ARMAND AND 1905 02:10:08,410 --> 02:10:11,640 MY MEN SAFELY BACK TO ENGLAND. 1906 02:10:18,660 --> 02:10:20,480 MY HAT IS OFF TO YOU, SIR PERCY. 1907 02:10:23,040 --> 02:10:24,170 YOU'VE DONE IT AGAIN. 1908 02:10:27,890 --> 02:10:28,830 PERCY! 1909 02:10:35,470 --> 02:10:39,090 A GENTLEMAN...ALWAYS... REMOVES HIS COAT! 1910 02:10:41,840 --> 02:10:42,870 STAND AWAY! 1911 02:10:45,840 --> 02:10:50,440 THIS PLEASURE... IS ALL MINE. 1912 02:11:27,800 --> 02:11:28,850 [CLINK] 1913 02:11:29,590 --> 02:11:30,980 [CRASH] 1914 02:11:43,500 --> 02:11:44,230 HUH. 1915 02:11:49,320 --> 02:11:49,930 HUH. 1916 02:11:50,590 --> 02:11:51,110 HUH. 1917 02:11:57,110 --> 02:11:57,710 UGH. 1918 02:12:12,130 --> 02:12:12,820 OH!. 1919 02:12:19,340 --> 02:12:21,940 [BREATHING HEAVILY] 1920 02:12:30,300 --> 02:12:31,130 UHH. 1921 02:12:31,540 --> 02:12:32,220 UGH! 1922 02:12:33,740 --> 02:12:37,840 WELL, FINISH IT OFF, MAN, OR DO YOU LACK THE COURAGE? 1923 02:12:37,880 --> 02:12:39,190 [BREATHING HEAVILY] I ALWAYS LIKE TO GIVE A MAN 1924 02:12:39,220 --> 02:12:41,440 A SPORTING CHANCE. 1925 02:12:41,480 --> 02:12:46,500 OH, THE ENGLISH, AND THEIR STUPID SENSE OF FAIR PLAY. 1926 02:12:46,540 --> 02:12:48,890 EXACTLY SO! MY DEAR CHAUVELIN. 1927 02:12:48,920 --> 02:12:51,200 [GASP] WHICH IS WHY I THINK, 1928 02:12:51,240 --> 02:12:54,630 IN YOUR CASE, FAIR PLAY... TO LEAVE YOUR FATE... 1929 02:12:54,670 --> 02:12:58,030 IN THE HANDS OF ROBESPIERRE AND HIS COMMITTEE. 1930 02:12:58,830 --> 02:13:00,420 TAKE HIM AWAY, 1931 02:13:00,460 --> 02:13:02,010 AND STRIP HIM. 1932 02:13:02,910 --> 02:13:05,590 I SHALL NEED TO STYLE HIS GARMENTS TO PERSUADE THE 1933 02:13:05,630 --> 02:13:09,720 GUARD AT THE CAUSEWAY THAT I AM CITIZEN CHAUVELIN, LUI MEME. 1934 02:13:09,750 --> 02:13:11,570 YOU'RE NOT GOING AWAY. I WON'T LET YOU. 1935 02:13:11,610 --> 02:13:13,570 MY DARLING, I MUST. I PROMISED ARMAND THAT 1936 02:13:13,610 --> 02:13:16,010 I WOULD BRING LOUISE SAFELY BACK TO ENGLAND. 1937 02:13:16,050 --> 02:13:18,410 NOT THIS TIME. I WILL POSE AS CHAUVELIN, 1938 02:13:18,450 --> 02:13:20,290 AND GO TO PARIS IN YOUR PLACE. 1939 02:13:20,820 --> 02:13:22,400 PERHAPS IN THIS SMALL WAY 1940 02:13:22,440 --> 02:13:23,950 I MAY ATONE FOR MY MISTAKES. 1941 02:13:23,980 --> 02:13:26,280 NO, NEITHER OF YOU ARE GOING. IT'S TOO DANGEROUS. 1942 02:13:26,480 --> 02:13:27,930 PERCY, YOU MUSTN'T LET HIM DO IT. 1943 02:13:27,970 --> 02:13:28,740 - SIR. 1944 02:13:29,810 --> 02:13:30,980 YOUR WARDROBE. 1945 02:13:31,020 --> 02:13:32,000 AHA. 1946 02:13:34,460 --> 02:13:38,430 I WILL CONFESS. THIS IS ONE ROLE THAT I WAS LOATHE TO PLAY. 1947 02:13:39,120 --> 02:13:41,520 THE HONOR, MY DEAR ARMAND, IS ALL YOURS. 1948 02:13:42,150 --> 02:13:43,320 GODSPEED, MY FRIEND. 1949 02:14:03,220 --> 02:14:04,590 [MUFFLED] TO PARIS, CORPORAL, 1950 02:14:04,630 --> 02:14:05,570 AS QUICKLY AS POSSIBLE. 1951 02:14:05,610 --> 02:14:06,980 VERY GOOD, CITIZEN CHAUVELIN. 1952 02:14:10,060 --> 02:14:11,310 - HE'S SAFELY AWAY, PERCY. 1953 02:14:11,370 --> 02:14:12,880 THEN PREPARE TO BOARD THE DAYDREAM. 1954 02:14:14,020 --> 02:14:16,350 WE SAIL...FOR ENGLAND. 1955 02:14:21,420 --> 02:14:23,650 THEY SEEK HIM HERE, THEY SEEK HIM THERE, 1956 02:14:24,490 --> 02:14:26,550 THOSE FRENCHIES SEEK HIM EVERYWHERE, 1957 02:14:27,260 --> 02:14:28,820 IS HE IN HEAVEN? 1958 02:14:28,860 --> 02:14:30,380 OR IS HE IN HELL? 1959 02:14:31,850 --> 02:14:35,430 MY OWN, ELUSIVE, PIMPERNEL. 1960 02:14:36,620 --> 02:14:41,010 SINK ME, THE LADY'S A POET.