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好了，伙计们，欢迎来到最后一堂为管弦乐队写作的课。 Alright guys, welcome to the final lecture on writing for orchestral forces.
这一次，我们将以不同的方式来看待这堂课。 We're going to take this lecture a little bit differently this time.
我们将作为一个整体分别收听每一首曲目， We'll be listening through each track separately as a whole,
而不是一次浏览每个部分。 rather than going through each section at a time.
然后我们将分别检查每一位，详细查看它， And then we'll go through each bit separately, looking at it in detail,
主要是通过重要的部分。 mainly through the important parts.
因为这是预告片音乐，我会加上一些音效设计的热门歌曲， And because this is trailer music, I'll be throwing in some sound design hits,
轰鸣声和撞击声也是如此，因为我们想要尽可能大的声音。 booms and rams too, because we want as big a sound as possible.
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因此，与令人振奋的情况类似，我从繁荣开始。 So similarly to the uplifting, I'm starting with a boom.
但我也有一些公羊在里面。 But I've also got some rams in there as well.
我认为公羊是任何赛道的重要组成部分， I consider rams as an important part of any track,
尤其是深色的混血儿，所以我在这里用它们来展示它们 especially the darker hybrid ones, so I'm using them here just to showcase them
以一种支持性的方式多一点，而不是像编辑点那样。 a little bit more in a supportive way, rather than as like a, for an edit point.
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在介绍的后半部分，我们将建立更多。 The second half of the intro, we're building up more.
与令人振奋的一次相比，命中率更高， The hits are bigger sooner than they were in the uplifting one,
但它们仍然相当稀少，所以有足够的时间来建立它们。 but they're still quite sparse, so there's plenty of time to build them up.
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在中间部分，我们更多地将点击率分层， In the mid section, we layer the hits up a little bit more,
但我让它们保持稀疏不变。 but I keep them sparse still.
因此，我们仍然希望为音效设计或其他有趣的合成线索留出空间， So we still want to leave room for sound design or other interesting synth leads,
这些都不在本例中，但将在后面的课程中讨论。 which aren't in this example, but they'll be covered in later lectures.
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我们还在继续为中间部分增加更多的层。 We're still adding more layers to the mid section further on.
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这将我们带入从中间部分到后端的过渡。 This takes us into the transition between the mid section into the back end.
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重要的是不要添加太多的高端声音，因为它会让耳朵疲惫， It's important not to add too many high-end sounds because it does tire the ears out,
但与正确的使用量相同， but equally with the correct amount of usage,
它真的让赛道变得栩栩如生，并给它增加了真正的刺激。 it really brings the track to life and adds a real good amount of excitement to it.
如你所见，我每四小节才演奏一次锣， As you can see, I've only got cymbals playing once every four bars,
除了最后他们在两个小节的空间内演奏了几次之外， apart from the end where they're playing a few times within the space of two bars,
这很好，因为记住，就像我们在振奋人心的时候一样， which is fine because remember, like we did with the uplifting,
我们已经到了最后，我们真的想把它放大一点。 we're at the end and we want to really amp it up a bit.
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因此，在后端的第二部分，在太古乐团中有了一个新的打击乐床。 So with the second part of the back end, there's a new percussive bed in the Taiko ensemble.
我还添加了一个噪音脉冲，以使节奏更加突出。 I've also added a noise pulse to accentuate the rhythm a bit more.
同样，噪声脉冲确实将高频推高了， Again, the noise pulse is really pushing the high frequencies up,
所以我只在赛道的这一段使用它。 so I'm only using it for this section of the track.
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在此之前，在第一个后端部分，我还添加了一个噪波。 Just before that though, in the first back end section, I've also added a noise wave.
让我向你展示一下这听起来像什么。 Let me just show you what that sounds like.
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就其本身而言，这并不是很棒，但就像我说的， On its own, it's not great, but within the mix, like I said,
它增加了令人兴奋的高端紧张和通风。 it adds that exciting high-end tension and airiness.
但对我来说，它的主要目的是让我们为赛道的终点做好准备， But its main purpose for me here is that it's preparing us for the end of the track,
我们将更多地把所有的频率带出来。 which we're bringing out all the frequencies a lot more.
因此，就像所有的事情一样，为了完善事情，从小处开始，逐渐变大。 So to round things off, as with all things trailery, start small, get bigger and gradually.
在组合中对力量有很大帮助的东西包括锣、锣和呼呼的热门歌曲， Things that are great for power in the mix include cymbals, gongs and whoosh hits,
但请记住，不要过度使用它们。 but remember not to overuse them.
压缩机和其他刺耳的声音是你的朋友。 Compressors and other punchy sounds are your friends.
鼓在轰鸣和击打中效果很好，但同样，不要过度使用它们。 Drums work really well with booms and hits, but again, don't overuse them.
为真正特别的重要时刻保留巨大而高端的声音， Keep massive and high-end sounds for really special big moments,
例如新区段的开始或轨道的结束。 such as the beginning of a new section or the end of the track.
不过，在写所有东西的时候，总体上要考虑的主要事情是分层和加倍。 The main thing to think about overall though, when writing everything, is layering and doubling.
贝斯、弦乐、合唱团，他们都在做类似的事情。 Bass, strings, choir, they're all doing similar things.
他们在处理旋律和和弦， They're taking care of the melody and the chords,
但我正在利用每一种乐器各自的长处。 but I'm using each instrument to its personal strengths.
例如，低音乐器演奏的是低音线。 For example, the low instruments are playing the bass line.
实力雄厚的乐团正在演奏后期、中段到后段的旋律。 The powerful ones are playing the melodies in the late, mid to back sections.
以上就是本期课程的全部内容。 So that's all for this set of lectures.
我希望你喜欢它，我希望你能从他们身上拿走一些东西。 I hope you've enjoyed it and I hope you can take something away from them.
下一节课见。 See you in the next lecture.
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