1 00:00:02,000 --> 00:00:04,320 Antonio Vivaldi's Summer. 2 00:00:04,320 --> 00:00:07,360 MUSIC: Summer by Antonio Vivaldi 3 00:00:13,040 --> 00:00:17,920 You probably know it, and you might be one of the millions who love it. 4 00:00:17,920 --> 00:00:20,200 Astor Piazzolla's Summer. 5 00:00:20,200 --> 00:00:23,160 MUSIC: Summer by Astor Piazzolla 6 00:00:33,960 --> 00:00:37,440 You might not know it but, by the end of this evening, 7 00:00:37,440 --> 00:00:39,960 you will almost certainly love it. 8 00:00:39,960 --> 00:00:44,920 Tonight, Joshua Bell presents The Four Seasons - served two ways. 9 00:00:44,920 --> 00:00:47,800 Welcome to the BBC Proms! 10 00:01:09,360 --> 00:01:12,200 A very warm welcome from the Royal Albert Hall 11 00:01:12,200 --> 00:01:14,680 on this summer's evening. 12 00:01:14,680 --> 00:01:18,560 Tonight, two men who lived centuries and continents apart 13 00:01:18,560 --> 00:01:22,320 are brought together by one very famous piece of music - 14 00:01:22,320 --> 00:01:24,040 The Four Seasons. 15 00:01:24,040 --> 00:01:28,000 Its composer - and perhaps the finest violinist of his age - 16 00:01:28,000 --> 00:01:32,720 Vivaldi wrote intricate concertos which challenged the soloist 17 00:01:32,720 --> 00:01:36,240 to show off just what the violin could do. 18 00:01:36,240 --> 00:01:38,720 First heard in the 1720s, 19 00:01:38,720 --> 00:01:42,240 The Four Seasons will be directed and performed tonight 20 00:01:42,240 --> 00:01:45,040 by a virtuoso of our own age - 21 00:01:45,040 --> 00:01:47,560 the American violinist Joshua Bell - 22 00:01:47,560 --> 00:01:49,800 together with the chamber orchestra, 23 00:01:49,800 --> 00:01:52,840 The Academy of St Martin in the Fields. 24 00:01:52,840 --> 00:01:56,640 Vivaldi's simple but brilliant premise has inspired 25 00:01:56,640 --> 00:02:01,560 countless other musicians, including the 20th-century Argentinian 26 00:02:01,560 --> 00:02:05,280 composer and performer Astor Piazzolla. 27 00:02:05,280 --> 00:02:09,400 Infused with his trademark tango sound, Piazzolla started 28 00:02:09,400 --> 00:02:15,320 composing his Seasons in 1965 for performance with his tango band. 29 00:02:15,320 --> 00:02:19,320 We mark what would have been Piazzolla's centenary year 30 00:02:19,320 --> 00:02:23,480 with a performance of his Four Seasons Of Buenos Aires 31 00:02:23,480 --> 00:02:26,800 arranged for solo violin and strings. 32 00:02:26,800 --> 00:02:30,400 Joshua Bell will interweave the two different takes 33 00:02:30,400 --> 00:02:33,720 on the Four Seasons in what promises to be 34 00:02:33,720 --> 00:02:37,040 one extraordinary evening of music. 35 00:02:37,040 --> 00:02:39,960 Joining me this evening is Guillermo Willis, 36 00:02:39,960 --> 00:02:42,400 the Argentinian music specialist 37 00:02:42,400 --> 00:02:45,560 who regularly performs in the tango clubs of London. 38 00:02:45,560 --> 00:02:47,320 Guillermo, welcome to The Proms. 39 00:02:47,320 --> 00:02:49,760 Good evening, it's my pleasure to be here tonight. 40 00:02:49,760 --> 00:02:51,400 Well, you're the man to ask - 41 00:02:51,400 --> 00:02:55,120 why is Piazzolla such an important composer? 42 00:02:55,120 --> 00:02:57,160 Well, Piazzolla was so rooted 43 00:02:57,160 --> 00:03:00,560 into the tango from the '30s and the '40s 44 00:03:00,560 --> 00:03:02,320 and the tango orchestra's music. 45 00:03:02,320 --> 00:03:05,000 But he actually brought together some influences from jazz, 46 00:03:05,000 --> 00:03:07,120 from classical music, as well. 47 00:03:07,120 --> 00:03:11,040 And he created new compositions, something different, 48 00:03:11,040 --> 00:03:15,760 that was not only able to be danced in a tango hall, 49 00:03:15,760 --> 00:03:18,720 but also listened to in a concert. 50 00:03:18,720 --> 00:03:22,840 What does tango mean to Argentinians? Personally... 51 00:03:22,840 --> 00:03:27,640 I like saying it's...somehow like the soundtrack of the city 52 00:03:27,640 --> 00:03:32,160 of Buenos Aires. People - as me - that come from there, 53 00:03:32,160 --> 00:03:35,520 we are usually able to quote tango lyrics 54 00:03:35,520 --> 00:03:38,920 in any occasion that merits it. JOSIE CHUCKLES 55 00:03:38,920 --> 00:03:41,840 But usually what tango means... 56 00:03:41,840 --> 00:03:46,000 Tango unfolded with the city, as well, during the 20th century, 57 00:03:46,000 --> 00:03:48,400 with the immigration currents, as well, 58 00:03:48,400 --> 00:03:52,920 so it took its shape at the same time as the city. 59 00:03:52,920 --> 00:03:55,760 There's a saying, isn't there, in Argentina - 60 00:03:55,760 --> 00:03:59,160 that "everything may change, except the tango". 61 00:03:59,160 --> 00:04:02,520 Piazzolla flew in the face of this rule 62 00:04:02,520 --> 00:04:05,680 by creating what he called New Tango. 63 00:04:05,680 --> 00:04:08,120 As he told the BBC in 1990, 64 00:04:08,120 --> 00:04:12,880 his defiance came with some dangerous consequences. 65 00:04:16,200 --> 00:04:19,120 My music has all the primitive tango, 66 00:04:19,120 --> 00:04:21,760 from the bordellos until today. 67 00:04:24,200 --> 00:04:27,120 I try to do good music but, underneath that, I think 68 00:04:27,120 --> 00:04:30,920 it's in my blood that I am a man of tango. 69 00:04:32,120 --> 00:04:34,680 The old, traditional tango was very boring. 70 00:04:35,720 --> 00:04:39,560 There have been no changes in that music for at least 40 or 50 years - 71 00:04:39,560 --> 00:04:42,400 until I come in. 72 00:04:42,400 --> 00:04:45,480 And when I come in, I'm taking away the tango, that people... 73 00:04:47,560 --> 00:04:50,520 In 1954, it was like a war. 74 00:04:52,320 --> 00:04:54,440 They were all against me in that moment. 75 00:04:56,440 --> 00:04:58,440 They gave me a beating once in the street 76 00:04:58,440 --> 00:05:00,040 because I was changing the music. 77 00:05:01,040 --> 00:05:04,120 And if you decided to change music, 78 00:05:04,120 --> 00:05:07,040 you better know something about boxing or a little karate 79 00:05:07,040 --> 00:05:09,160 and all that - it's very important, too. 80 00:05:13,320 --> 00:05:14,640 Dangerous stuff. 81 00:05:14,640 --> 00:05:18,800 Well, Piazzolla might have changed the music, but he kept centre stage 82 00:05:18,800 --> 00:05:23,000 the instrument that is considered to be the soul of tango. 83 00:05:23,000 --> 00:05:26,080 We saw Piazzolla playing the bandoneon - 84 00:05:26,080 --> 00:05:28,000 which is apparently so difficult 85 00:05:28,000 --> 00:05:30,840 that he once described it as "diabolical". 86 00:05:30,840 --> 00:05:33,040 Guillermo didn't let that put him off - 87 00:05:33,040 --> 00:05:35,560 you learnt the bandoneon and you have it there. 88 00:05:35,560 --> 00:05:38,280 Can we hear you play a little bit? Sure - why not? 89 00:05:58,800 --> 00:06:01,800 Bravo. You can see its organ origins, can't you? 90 00:06:01,800 --> 00:06:03,880 It does look a little bit like an accordion. 91 00:06:03,880 --> 00:06:05,280 Is it related to the accordion? 92 00:06:05,280 --> 00:06:07,200 Well, it's closely related. 93 00:06:07,200 --> 00:06:10,760 It works the same way, but the quality of sound is different. 94 00:06:10,760 --> 00:06:13,680 As you were saying, the organ quality of sound. 95 00:06:13,680 --> 00:06:16,800 But there are also different timbres between the left hand 96 00:06:16,800 --> 00:06:18,400 and the right hand. 97 00:06:18,400 --> 00:06:20,200 This one sounds mellower. 98 00:06:20,200 --> 00:06:22,920 The right hand sounds brilliant, really. 99 00:06:22,920 --> 00:06:27,080 And there is also a different arrangement of the batons, 100 00:06:27,080 --> 00:06:30,000 which makes it very complicated to get into the first scales 101 00:06:30,000 --> 00:06:31,800 when you're learning the instrument. 102 00:06:31,800 --> 00:06:34,760 How did you come to play the bandoneon? 103 00:06:34,760 --> 00:06:38,600 Well, I remember being a teenager and hearing this 104 00:06:38,600 --> 00:06:43,520 magnificent musician playing a solo arrangement for bandoneon, 105 00:06:43,520 --> 00:06:47,160 of Astor Piazzolla, and I was captivated about it. 106 00:06:47,160 --> 00:06:51,320 And then I knew I needed to get an instrument myself 107 00:06:51,320 --> 00:06:53,680 and then started learning it. 108 00:06:53,680 --> 00:06:57,160 But I guess most musicians of my generation were inspired 109 00:06:57,160 --> 00:07:01,520 in the same way by Astor Piazzolla's music and compositions. 110 00:07:01,520 --> 00:07:04,000 Well, of course, he arranged his Four Seasons 111 00:07:04,000 --> 00:07:07,280 to play on the bandoneon with his tango band. 112 00:07:07,280 --> 00:07:10,360 So can we hear a little bit now of the original composition? 113 00:07:10,360 --> 00:07:14,520 Sure, I'm going to be playing the theme of the Summer of Buenos Aires. 114 00:07:14,520 --> 00:07:16,680 OK, yeah. 115 00:07:40,840 --> 00:07:43,120 What a powerful sound. 116 00:07:43,120 --> 00:07:46,440 Well, tonight, we will hear The Four Seasons of Buenos Aires 117 00:07:46,440 --> 00:07:51,200 in an arrangement for solo violin and strings made in the 1990s 118 00:07:51,200 --> 00:07:56,640 after Piazzolla's death by the Russian composer Leonid Desyatnikov. 119 00:07:56,640 --> 00:08:01,600 Tango grew out of the multicultural melting pot that was Buenos Aires, 120 00:08:01,600 --> 00:08:05,680 and the violin has been a part of tango since its earliest days. 121 00:08:05,680 --> 00:08:10,080 We spoke to tonight's musical director and soloist, Joshua Bell, 122 00:08:10,080 --> 00:08:15,160 about the violin's ability to conjure vastly different worlds. 123 00:08:17,640 --> 00:08:20,920 You do see the violin in so many cultures in their music, 124 00:08:20,920 --> 00:08:25,120 and I think it's because the violin is so close to the human voice, 125 00:08:25,120 --> 00:08:28,880 and not only can it do what a voice does, it has a much wider range. 126 00:08:30,480 --> 00:08:32,440 A musician is an explorer in a way, 127 00:08:32,440 --> 00:08:37,520 and we explore different kinds of music and that's what I enjoy. 128 00:08:37,520 --> 00:08:40,520 And getting outside of your comfort zone is also very important 129 00:08:40,520 --> 00:08:43,080 as an artist, and not just to do what you're comfortable with. 130 00:08:43,080 --> 00:08:48,440 Both the Piazzolla the and Vivaldi allow for embellishments 131 00:08:48,440 --> 00:08:51,320 and ornamentation and improvisation. 132 00:08:51,320 --> 00:08:54,480 There will be things in the moment that I might do on stage 133 00:08:54,480 --> 00:08:57,440 that the orchestra might not have heard before. 134 00:08:57,440 --> 00:09:01,200 The Vivaldi and the Piazzolla make the violin and the other instruments 135 00:09:01,200 --> 00:09:04,040 in the orchestra do things that you might not normally hear. 136 00:09:04,040 --> 00:09:07,800 The Vivaldi is full of these effects that evoke the seasons. 137 00:09:09,040 --> 00:09:12,400 And then there's icy sounds that we do by playing closer to the bridge 138 00:09:12,400 --> 00:09:16,080 or windy sounds that we play by playing more over the fingerboard. 139 00:09:16,080 --> 00:09:18,920 There's a dog barking that the viola plays. 140 00:09:20,320 --> 00:09:25,600 In the Piazzolla, we do very a crunchy sound and we slap the bass. 141 00:09:25,600 --> 00:09:28,720 Piazzolla really does all kinds of fun things 142 00:09:28,720 --> 00:09:31,080 and I think Vivaldi would have enjoyed it. 143 00:09:31,080 --> 00:09:33,360 And I think the audience will get a kick out of it. 144 00:09:33,360 --> 00:09:35,480 I hope to bring even a laugh. 145 00:09:35,480 --> 00:09:38,800 So this programme tonight really shows a lot, 146 00:09:38,800 --> 00:09:40,680 I think, that the violin can do. 147 00:09:42,160 --> 00:09:43,760 In tonight's concert, 148 00:09:43,760 --> 00:09:47,760 Joshua and the orchestra will interweave Vivaldi's Four Seasons 149 00:09:47,760 --> 00:09:52,200 with Piazzolla's Argentinian take on the classic work. 150 00:09:52,200 --> 00:09:56,400 We start in Vivaldi's Spring, move onto Piazzolla's Summer, 151 00:09:56,400 --> 00:10:00,080 followed by Vivaldi's Summer, and continue alternating 152 00:10:00,080 --> 00:10:05,120 through the year before we complete the cycle in Piazzolla's Spring. 153 00:10:05,120 --> 00:10:07,680 Now, remarkable as it sounds to us today, 154 00:10:07,680 --> 00:10:11,040 Vivaldi's work fell into obscurity after his death, 155 00:10:11,040 --> 00:10:14,920 before a chance rediscovery in the 20th century. 156 00:10:14,920 --> 00:10:17,640 Baroque music - and Vivaldi especially - 157 00:10:17,640 --> 00:10:20,480 exploded in popularity in the '60s - 158 00:10:20,480 --> 00:10:24,720 the decade when Piazzolla started composing his own Seasons. 159 00:10:24,720 --> 00:10:28,600 So if you listen very carefully, there are subtle Vivaldi-esque 160 00:10:28,600 --> 00:10:32,480 traces in Piazzolla's original compositions - 161 00:10:32,480 --> 00:10:37,000 most obviously at the end of Winter, when Pachelbel's Canon 162 00:10:37,000 --> 00:10:39,120 even makes a cameo appearance! 163 00:10:39,120 --> 00:10:41,400 Then, when Leonid Desyatnikov 164 00:10:41,400 --> 00:10:45,160 arranged The Four Seasons of Buenos Aires in the '90s, 165 00:10:45,160 --> 00:10:47,880 he applied a bit of artistic license 166 00:10:47,880 --> 00:10:52,360 and explicitly "Vivaldified" Piazzolla's piece 167 00:10:52,360 --> 00:10:57,840 by weaving in about 15 musical quotes from Vivaldi's Seasons - 168 00:10:57,840 --> 00:11:00,520 so there's plenty of these to listen out for this evening. 169 00:11:00,520 --> 00:11:02,760 We're looking forward to it, aren't we, Guillermo? 170 00:11:02,760 --> 00:11:04,640 I'm looking forward to it - yes, absolutely. 171 00:11:04,640 --> 00:11:05,760 APPLAUSE 172 00:11:05,760 --> 00:11:07,800 Joshua Bell, tonight's soloist 173 00:11:07,800 --> 00:11:12,600 and Music Director of the Academy of St Martin in the Fields. 174 00:11:12,600 --> 00:11:16,600 He'll be directing its string orchestra from the violin. 175 00:11:16,600 --> 00:11:20,120 They'll perform Antonio Vivaldi's Four Seasons 176 00:11:20,120 --> 00:11:24,600 and Astor Piazzolla's Cuatro Estaciones Portenas - 177 00:11:24,600 --> 00:11:29,120 which translates to the Four Seasons of Buenos Aires. 178 00:11:29,120 --> 00:11:32,960 It was arranged for violin and strings by Leonid Desyatnikov. 179 00:11:32,960 --> 00:11:36,920 They begin tonight in Italy with Vivaldi's Spring. 180 00:15:10,280 --> 00:15:13,760 SCATTERED APPLAUSE 181 00:28:31,200 --> 00:28:33,880 APPLAUSE 182 00:38:49,080 --> 00:38:52,040 APPLAUSE 183 00:46:47,840 --> 00:46:51,160 APPLAUSE CONTINUES 184 00:57:44,120 --> 00:57:46,960 APPLAUSE 185 01:04:47,160 --> 01:04:50,560 APPLAUSE 186 01:13:29,680 --> 01:13:31,640 APPLAUSE 187 01:19:30,480 --> 01:19:33,560 HARPSICHORD PLAYS VIVALDI 188 01:19:33,560 --> 01:19:35,680 GENTLE LAUGHTER 189 01:19:59,920 --> 01:20:02,200 APPLAUSE 190 01:20:06,840 --> 01:20:10,880 Joshua Bell and the Academy of St Martin in the Fields 191 01:20:10,880 --> 01:20:13,480 complete their marathon 192 01:20:13,480 --> 01:20:18,120 with Spring from The Four Seasons of Buenos Aires by Astor Piazzolla, 193 01:20:18,120 --> 01:20:21,400 arranged by Leonid Desyatnikov. 194 01:20:21,400 --> 01:20:23,720 It rounds off tonight's commemoration 195 01:20:23,720 --> 01:20:26,720 of Piazzolla's centenary year. 196 01:20:28,480 --> 01:20:32,560 Of course, they also performed Vivaldi's timeless classic, 197 01:20:32,560 --> 01:20:36,680 The Four Seasons - a piece he continues to return to, 198 01:20:36,680 --> 01:20:41,400 saying that the scope for ornamentation and improvisation 199 01:20:41,400 --> 01:20:44,880 ensures no two performances are the same. 200 01:20:48,120 --> 01:20:51,360 What an astonishing performer he is. 201 01:20:51,360 --> 01:20:54,600 This is a piece written to show off the violin - 202 01:20:54,600 --> 01:20:58,600 well, Joshua Bell is your man to do that, isn't he, Guillermo? 203 01:20:58,600 --> 01:21:01,240 It was wonderful, it was absolutely amazing, 204 01:21:01,240 --> 01:21:03,920 what he managed to do with the violin tonight. 205 01:21:03,920 --> 01:21:07,520 And the whole orchestra. The whole orchestra - I couldn't agree more. 206 01:21:07,520 --> 01:21:10,240 He said he wanted to make the audience laugh - 207 01:21:10,240 --> 01:21:14,320 well, that cheeky harpsichord at the end certainly did the trick. 208 01:21:16,280 --> 01:21:19,280 A standing ovation for Joshua this evening - 209 01:21:19,280 --> 01:21:21,320 and well deserved. 210 01:21:21,320 --> 01:21:27,680 What an energetic, engaging and elegant performance that was. 211 01:21:37,480 --> 01:21:41,480 Beautiful cello solos in that piece 212 01:21:41,480 --> 01:21:44,920 from the guest principal cellist Caroline Dale. 213 01:21:45,960 --> 01:21:47,440 The orchestra were, in fact, 214 01:21:47,440 --> 01:21:51,480 the first to perform Vivaldi's Four Seasons as a complete cycle 215 01:21:51,480 --> 01:21:54,880 at The Proms back in 1984. 216 01:21:54,880 --> 01:21:59,680 So it's only fitting that they do it again for us today. 217 01:22:02,120 --> 01:22:05,960 Come on, Joshua, take another bow - you deserve it! 218 01:22:15,760 --> 01:22:19,360 I can't thank you all enough for coming out tonight. 219 01:22:19,360 --> 01:22:22,720 This is the first time I'm playing with this orchestra 220 01:22:22,720 --> 01:22:24,680 in about a year and a half 221 01:22:24,680 --> 01:22:27,000 and I'm so happy to be back. 222 01:22:27,000 --> 01:22:29,560 CHEERING AND APPLAUSE 223 01:22:40,440 --> 01:22:43,760 For us to play for all of you - and thank you for coming out - 224 01:22:43,760 --> 01:22:47,320 it's just a... It's very moving and a wonderful experience for us 225 01:22:47,320 --> 01:22:50,000 in this incredible venue, 226 01:22:50,000 --> 01:22:51,680 so thank you so much. 227 01:22:51,680 --> 01:22:55,680 And we have a tiny little extra piece to play for you tonight. 228 01:22:55,680 --> 01:22:59,040 LAUGHTER, APPLAUSE, CHEERING 229 01:23:04,840 --> 01:23:08,640 Tonight you've heard two Summers so far, 230 01:23:08,640 --> 01:23:11,640 and we have another one that's, I think, appropriate - 231 01:23:11,640 --> 01:23:13,960 at least in title. 232 01:23:13,960 --> 01:23:17,120 It's another beloved piece of - this time - 233 01:23:17,120 --> 01:23:20,640 the great American composer George Gershwin. 234 01:23:20,640 --> 01:23:22,200 MURMURS OF RECOGNITION 235 01:23:22,200 --> 01:23:23,280 This is... 236 01:23:24,320 --> 01:23:25,480 ..Summertime. 237 01:23:25,480 --> 01:23:27,560 APPLAUSE 238 01:23:35,040 --> 01:23:38,200 MUSIC: Summertime by George Gershwin 239 01:26:26,760 --> 01:26:32,720 A perfect encore - Summertime by the American composer George Gershwin. 240 01:26:32,720 --> 01:26:40,000 Written for Porgy and Bess - his 1935 opera set in South Carolina. 241 01:26:40,000 --> 01:26:42,160 Tonight's performance by Joshua Bell, 242 01:26:42,160 --> 01:26:48,080 who also directed the strings of the Academy of St Martin in the Fields. 243 01:26:48,080 --> 01:26:52,120 Joshua Bell is a Proms regular, and 20 years ago at The Proms 244 01:26:52,120 --> 01:26:55,320 he performed for the first time on his beloved 245 01:26:55,320 --> 01:26:59,440 1713 Huberman Stradivarius violin. 246 01:26:59,440 --> 01:27:03,360 It was a brave move, as he'd only just come across it by chance 247 01:27:03,360 --> 01:27:07,520 earlier that very same day at a violin shop in London! 248 01:27:08,920 --> 01:27:12,080 He loved it immediately and vowed to buy it - 249 01:27:12,080 --> 01:27:15,400 which he did, soon after the Prom. 250 01:27:15,400 --> 01:27:18,520 How he can make that instrument sing! 251 01:27:21,480 --> 01:27:25,120 Tonight's Prom has celebrated virtuoso performers 252 01:27:25,120 --> 01:27:30,240 of the past and present - Vivaldi and Joshua on violin 253 01:27:30,240 --> 01:27:33,240 and Piazzolla on the bandoneon. 254 01:27:36,840 --> 01:27:39,160 Well, that was simply wonderful. 255 01:27:39,160 --> 01:27:42,400 Thank you to my guest, Guillermo Willis, who's joined me 256 01:27:42,400 --> 01:27:45,200 on that astounding musical journey 257 01:27:45,200 --> 01:27:50,840 through the seasons of Italy, Buenos Aires, and finally Summer in the US. 258 01:27:50,840 --> 01:27:54,160 Guillermo, was that a fitting celebration of Piazzolla 259 01:27:54,160 --> 01:27:56,160 in his centenary year? 260 01:27:56,160 --> 01:27:58,360 It was more than fitting. 261 01:27:58,360 --> 01:28:01,280 And it's not simply just putting Piazzolla along with Vivaldi - 262 01:28:01,280 --> 01:28:05,960 it makes people more interested each time in Piazzolla's music. 263 01:28:05,960 --> 01:28:08,640 I absolutely agree. Well, thank you so much. 264 01:28:08,640 --> 01:28:12,000 Well, we're back on BBC Four on Sunday next, 265 01:28:12,000 --> 01:28:16,000 when Katie Derham presents the ever-popular Family Prom - 266 01:28:16,000 --> 01:28:20,400 this year featuring the seven talented Kanneh-Mason siblings 267 01:28:20,400 --> 01:28:23,880 in The Carnival of the Animals by Saint-Saens. 268 01:28:23,880 --> 01:28:27,400 Children's author Sir Michael Morpurgo joins them on stage, 269 01:28:27,400 --> 01:28:30,000 alongside poet Lemn Sissay. 270 01:28:30,000 --> 01:28:33,600 And don't forget, there's a Prom every evening 271 01:28:33,600 --> 01:28:37,160 between now and the Last Night - on 11 September - 272 01:28:37,160 --> 01:28:40,760 and you can listen live to every concert on BBC Radio 3 273 01:28:40,760 --> 01:28:46,000 or BBC Sounds, and watch every televised Prom on the BBC iPlayer. 274 01:28:46,000 --> 01:28:50,160 But, for now - from what's been a memorable summer's night 275 01:28:50,160 --> 01:28:53,600 in the Royal Albert Hall - goodnight! 276 01:28:53,600 --> 01:28:56,760 MUSIC: Winter by Astor Piazzolla