People.
What is up guys money,
Miss Emerald.
Now over the weekend,
I have not heard this.
I'm not open up this project fall.
You know me like I'm going to do this next episode or whatnot.
Now I've been hiking and doing stuff that I like to do.
Bring a little bit away from the studio,
which is always a good thing,
but again,
guys always move forward.
So what we're going to do first,
just hear the song through and write some notes for ourselves,
so I'm going to put like a notepad and just put down things that I feel we need to work on the song from there.
Let's see what we have.
It's always good to come in with fresh ears and do this by the way,
and if you have the notebook in here and you can do it like that,
it's also fine.
So let's hear what we got real fast.
I wasn't going to play it really a lot on my arm.
Please.
Get on.
Laughter.
Yeah.
Laughter.
Ah.
Base level.
The base level.
Base level.
Oh,
that sounds nasty out there in a good way.
Ah.
It's nothing.
Okay,
cool,
can we get the archer there,
but that altruism fine with the drums like that and went not.
I'm a very kind of like old school guy.
I know some altruists tend to go,
they go a little balls out in terms of like atmosphere and shots and shed,
but I like to keep my.
It's very simple,
you know you've got to think about it like when people are mixing or mixing out of your track,
you don't want there to be too much because it's going to make it a pain in the butt for some people just like so.
so far,
I haven't heard this all week weekend,
you can say starting from Wednesday,
and it's Monday right now.
So honestly,
I'm digging digging,
I feel a little like.
Whoa,
That sounds pretty good,
and it's very easy to just fall out of love with the music you make guys,
and it happens to everyone.
I've had enough sessions with some semi big artist recently and same same thing.
you know it was like you know,
this is good man that done them fill.
I get sick so again.
Always know that that's going to happen,
and you should always feel like the vibe always follow your ideas through.
because a lot of times,
it's easy to compare to other people.
They could finish product.
You're comparing it to something you just start it.
It doesn't make any sense sometimes,
but of course you know,
also develop an ear for what's good,
and what's not.
so I definitely like the idea I like the fact that the second drop to sounds even more apt than the first drop.
That's something I always try and tell people you don't always make the track feel like it's going up and up.
so I like that about it.
I did do some notes.
The first one is intro.
Is the drummer Phil needed?
So,
as you guys know,
here we have this whole transition.
Right is that dreadful needed?
you know,
we don't want to over kill the dreadful either,
so I'm going to assume we don't need.
Now that transition there am,
I like it,
you know what I don't like about it is when the web comes in this one right here,
something about it.
I just really turning me off.
That's why the elephant tool is not on,
so that's maybe why,
so we have to turn it back on here.
Yeah,
that's a newbie stereos.
Buckingham.
Face.
So much better now,
the high level woop woop woop that we've created.
It creates a lot of good atmosphere and like fuck,
you know we're about to get down baby,
yea,
and feel it's me.
I like this,
but it needs to bleed more,
so that's the other thing and also feel needs reverb.
That's like yours per everyone shaman,
but I feel it needs to bleed and less at the inmates of young worker to get smaller.
Ah.
Fucking river from the Web and peck right.
So if it's not needed,
we can ease up on the volume a bit.
There.
Now the river in this part,
it's a bit me.
I need to figure out why that is so usually you know,
we have pads here.
Do you like doesn't have to look kind of elephant pad you can see as its own weaver,
so we're going to get rid of it,
and then we're going to have that top little.
Do kind of vibe going through it.
I feel like that's cool,
you know,
but we've got to be careful.
The rivers are fighting too.
So we got to go and maybe try and find something.
So this is a plug which is call it what it is.
So let's see if we can kind of get a reverb that way we can use on it.
And then let's go with the pad.
If they both have the same review of its better because it just makes them.
Fit together more rather than having like three different reverse going off on that part,
I mean,
why,
like two or three good rivers is what you need for a song any more than that.
with different rooms going off.
It always causes issues,
so you want to be careful with that.
So I think it's a good step to give it to the river from the pad and pay more attention to the.
The?
Now.
On this guy,
what I want to do is you see me like an and beer,
something to control the midlands on it.
Yes,
I don't know.
I paid him B to be multi band compression or dynamics,
and we're going to target that middle portion of it now we have here the high and the low that's going to be around.
Seven seventy four.
So I'm going to set my height around.
Let's do eight hundred and my low to around four hundred.
and then we're just going to pull down on the mid.
so we get downwards compression on it.
Now we're going to increase the ratio of it.
Which is right here.
If it is pulled down on a tomb.
I will retain that.
As you can see,
there were using the multiple and compression was any queue.
in all honesty.
Oh,
yeah,
that sounds.
What's your sunscreen?
Apply filter that a bit.
Pi to where we can kind of cute.
Face.
Get on.
My better now we're getting a little bit more back.
So that we can do more with the trippy sign,
though,
sees two has revealed.
We're going to use a delay on it.
Let's maybe go with like a pingpong.
It's filtered,
so we only get the highest because I don't like those myths.
Ah.
And on this pad,
move lets me we turn this down a bit so that it's not so high up.
Like so.
If he had liked eat,
eat,
eat.
Just sound the signing on it.
The?
That seize up on the sea with return,
witches or sensory,
which is that Bill.
Now the other thing,
too,
I like the drums.
it's just,
I don't know how I feel about them being so mano,
you know,
it's a good thing because in Mono Club played you know it's going to be going to hear it all.
But if we do have stereo.
And Mccain thermometers stands a little dog like just closed,
like kind of one cited in a way.
So I'm trying to think what I could do with the hat to kind of give him a bit more life mean one thing would be given that pink.
Yeah.
Literally sound good,
so maybe we can do out a pen or a Hamas or something which is not common in this genre,
but I do have a housemaid.
We put that up.
I actually like it,
I think,
sounds pretty good.
I know I took it off before,
but it's opening up the mix a little more,
and that's what I want.
Face.
Yeah.
Now what I like about it is that even though we're wiping out those clothes hats,
it still feels like it belongs in the song because a lot of people like to do so wide in those clothes,
hats like wide and in the issue that happens with them is that kind of loses coat coherency in the sense that it doesn't feel like the jumble of belongings together,
like everything's in a different environment.
So I like that I think it works really well.
And everything is kind of meshed together is because we are playing the same reverb to the drums,
and it's bringing it all together.
So what should we hear?
This song?
The sounds gray,
like everything,
has space everything's,
that's what we want.
so I think that's a good move on our partner.
We are making the clothes hats very quiet.
That's just insecurity on Mayan in the sense,
I don't want them to pop out too much.
OK,
now I do like it.
It's just to feel like it might be too wide,
but we'll just fuck with it and see what happens.
you can always fix it in.
the master would like an ozone amateurism.
Try making a clap wider.
A little wider may be by adding another layer that will give us with.
could be another cool thing to do.
Thing is this AC Slater technical,
I provide a class that has a white layer to just.
it's more of the highest that we want on that is we're going to queue that?
And then just get rid of the lows that we don't.
We're going to give us this wide.
Maybe.
Senator.
Drag you down.
Face.
Ah.
I don't know why I wanna put compression on it,
but I'll just show you a cytosine,
and then I'll do it.
It makes no sense.
Get on.
Ginger juice.
So we're going to consider that introduction fixed,
let's save that.
Now our next issue snare coming in may be more filtered.
Well,
that's just like a proposed solution to fixing that.
if you could,
you know,
I feel like comes in two to Hyde Park.
So I don't think we need to hear,
like.
Check it out.
Now.
But those out of the way,
let's just,
I don't know,
control ba or some shit like delete them.
For now,
drop layers could be mixed better in terms of volume site signal too loud.
Not liking the vocal growl layers.
that's a couple of things we've got to fix on that trap.
Now it sounds fine in all honesty it does.
This is a little things that you know.
if you see your track a certain way,
it's good to kind of go in and fix the issue.
But I like the way it sounds so I feel like this stands out too much.
We got to lower the down in volume.
Not that topics when you hear it,
I don't like that tapping on it,
like the.
I don't see what it is called.
Ah.
He is just a wave table.
Yeah.
You see,
we can.
The?
Ah.
You can see that river going on,
that's fucking it up.
The?
Ah.
I slowed down the ratio.
Ah.
Yeah.
Ah.
The reason I want to lower than the white layer is because it shouldn't be that dominant on it,
it should be more of an additive layer to it.
so that's what.
You kind of hear it to get that with thread.
Could I get rid of it?
Mano now better with.
So let's do that.
On the Valhalla.
But I want to like citing it to itself.
But we do have this guy here.
Maybe we could do something with it.
Make a nice law.
This is just gonna get these little swabs and you will see how it sounds like you do.
Less noticeable.
Yeah.
Yes.
What if I add those little swells?
Even though it's not then noticed,
which is little things I want to feel like I'm doing,
indicating complex as well.
We'll just add him.
There is like a simple copy and paste job,
though obviously so we just do that boom.
But I know where here we do some cool stuff right,
so let's just do this.
We'll do this to an end and then just leave us.
OK.
Do you know?
We're going to work on them.
We already did the drums penmorgan wherewith maybe will add new drum hits to like little additive ones,
and then just get with.
but bridge figs vocal chops.
Yeah,
then we need to do in transition may remove Kit.
As I said.
She set up a bit.
Slip.
I'm not interesting here to do in a future episode.
Maybe make those that feel a little bit more interesting rather than copying out in terms of lectures,
Shapiro.
He's the break.
OK,
break them pluck,
We work louder,
more presents,
I think,
mixing with the river fixed at our level.
Level.
And I want to add another like these over here they kind of get different vibe,
little all long strings.
Much in a duplicate book because I do want some of that processing,
but I wanted to send a little darker and deeper.
You've got to make it more interesting.
That's the thing so.
I think you can go there.
Don't miss it this one is this one over here.
My mom.
For?
For me?
Level.
But I want to sort of like swampy vibe to it.
Then we could do a river like push it to the back.
More blows.
Level.
Something like that base level,
it's a pre delays us a fucking.
The timing up all day long.
More.
Mars.
Ah.
So I definitely want to add something else too the breakdown I just don't know what I mean,
because if I had I hear a fecund AARP,
but I feel like anybody here is an open,
any dam break down,
so I don't want to make it sound too.
Yeah,
I'm also thinking about like a reverse de woot palm,
that's also a good one,
but I think I'm going to have to listen to more music just to see what kinds of sounds I can pick.
There might not sounds fine,
but you know it needs one more thing.
that's just the wild factor.
That's what we need on that break.
But I am going to have to focus on that next time where at least experiment maybe even leave it as it is,
and under Soviet thinking,
it.
Second,
build,
Oh,
yeah!
Snare Bill,
let's fix.
I mean,
I like that snake and build man.
That's insane.
The way that rivers.
Ah.
Butt.
I think the problem is maybe the level of the base.
Let's see if we do this.
To see if that will fix that issue.
Ah.
Now someone has been seen out like white noise there.
I think I have white noise man,
I've some buck and white noise in that build,
but wait to differentiate that one from this one is the river bonded to it.
The amount.
I probably should use more of these sounds over there.
I feel like because we don't have it,
so,
yeah,
that's another one that we can do.
Like that.
They can build or yes,
now builder to fix both schools,
jobs second port to drop ultra plug and transition to just drums.
and then river.
Yeah.
I have that plot coming in like that,
I have to fix them.
They think that drop happens right,
but it said another part in terms of the dynamic.
It's getting G sharp,
so that means we're going to be hitting jewsharp there.
Snap.
Yeah.
What I'm going to do it just do this control data.
Now I'm gonna,
click on this guy control.
Click for that way,
though click,
click,
I would like that and then my things up here.
She shot to sharpen and G.
Ah.
OK.
Head shaft.
Tee.
All right,
so I'm going to end it here.
So Jackson,
along pretty good,
we got about forty seven channels,
which are usually I don't like to have that many.
but we have a bunch of layers in the dam songs,
so.
Next time,
what I want to do is to fill this cool,
but I definitely want something else because we are like I usually refer to cop out when you use this fuck and feel like that.
The Loop one sometimes they just don't fit,
so I feel like we need to use our own drums to create some cool fill,
as that will make it feel a little bit more unified.
the other thing,
too,
as the breakdown there needs to be a wow factor there.
So next time we're going to experiment by adding some more stuff and seeing where we can do with it.
And finally,
the last thing is is probably more like overkill,
but it would be just may be seen if there's anything else that we can add to it to make it,
you'll feel a little bit more wild stuff to it now,
like I said,
I did take a break.
so before the break I was actually hearing the song a lot,
and I was just like I'm already tired of this share like,
I don't want to work on it.
no more,
but after that break now more fucking excited to work on it.
So always give yourself time.
Guys,
you know.
Breaks you know it's good to want to finish this talk fast and all,
but a lot of times.
If you don't finish a song in a week or so,
you start to hate it and its lowliest takes a toll on you and those times it's good to take a break here and there a breather.
Come back to it and then see if you still feel like the vibe and love it.
and if you do,
keep going and going if you don't finish it as best as you can and then just move on to the next song.
But that being said,
guys,
I caught you guys next time you guys take care and I hope they use are enjoying the Siri scene has done from scratch,
all the way to something that sounds fuck and mint that can be played life.
We've done really a lot in terms of everything mixing and I apologize.
If it's a little messy in terms like it's all over,
The place is not like categorize like every episode we do something a lot of times.
Music production is not that way.
You'll work on the brick one day and then the next day your fuckin mix,
and then the next thing you'll work on the drop in the next day.
Go fuck and work on the break against someone.
It's all over the place.
But again with this is I'm not making a perfect like a course.
It's more just you guys seeing this come the life annoying like the things you guys are doing.
It's pretty similar,
you know,
don't feel like you're alone on that,
and you're the only one that fuels are starting to weigh about a song.
everyone gets it,
but again,
it's all about pushing forward.
But that being said,
you guys take care and you just have a great night a good day.
I'll catch you guys next time,
piece out and happy produced.