hello my name is Kristen Henson and 你好， 我的名字是Kristen Henson和
aside from my work with spit for audio I 除了我的工作与唾液音频我
also moonlight as a film TV and games 还有月光作为电影电视和游戏
composer 作曲家
I've done a bunch of orchestral schools 我做过一堆管弦乐学校
but there's just one catch I can't 但我只能抓到一个
really read music 真的读过音乐
I don't know much theory and I didn't 我不太了解理论，也没有
study this at college so here's the 在大学学习这个， 所以这里是
second part of my tutorial on how to 我教程的第二部分是 关于如何的
program realistic sounding strings last 程序逼真的声音串
time we looked at chamber strings which 那时候我们看了一下室内琴弦
we established is not in fact a form of 我们建立的实际上并不是一种形式
music for sex pests but merely refers to 性害虫的音乐，但仅指
an orchestral band that is smaller than 管弦乐频带小于
a symphony orchestra where strings are 一个弦乐的交响乐团
concerned I'd say anything between a 关注我之间的任何事情
couple of players to around 25 string 几个球员到 25左右
players would qualify as chamber we 球员将有资格作为我们的房间
discussed that any string band is 讨论的任何弦乐队是
essentially five voices and that 基本上5周的声音和
violence can play high or low but must 暴力可以发挥高或低，但必须
always play above the violas cellos and 总是在中提琴上面打球
basses we suggest these rules not 我们建议不要使用这些规则
because they can't be broken it's just 因为它们不能被破坏它只是
that when you're trying to create 当你想要创造时
realistic mock-ups of real instruments 真实工具的现实模型
the first and easiest rule is to 第一个也是最简单的规则是
empathize of what they can do this will 同情他们能做到的事情
restrict your options in a way that 以某种方式限制您的选择
channels you towards reality the other 引导你走向另一个现实
thing I'd recommend if you want to 如果你愿意，我会推荐的东西
program realistic string parts is listen 程序现实的字符串部分是听
to good string music immersion in great 好的弦乐音乐沉浸在伟大的
music will help us the non trained 音乐将帮助我们未经训练的人
individuals how to instinctual eyes good 个人如何本能的眼睛好
writing and arranging as opposed to 写作和安排而不是
studying it that is before you hype the 在你炒作之前研究它
bejesus out of it so in this tutorial bejesus 在本教程中也是如此
we're going to look at symphonic strings 我们要看看交响曲
in many ways these are easier to program 在许多方面，这些都更容易编程
in chambers so I'm going to hold our 在室内，所以我要抓住我们的
concentration by complicating matters in 浓度在复杂的问题
this episode with some technical tips 这一集有一些技术提示
which we'll get into in a minute a 我们将在一分钟内进入
symphonic string band typically is 16 14 交响乐队通常是16 14
12 10 8 a total of 60 players but for me 12 10 8共有60名球员，但对我而言
I would say anything above 8 first 我首先会说8以上
violins down and you're kind of getting 小提琴下来，你有点得到
there for me there's three different 对我来说有三种不同
types of string arrangement I call them 我称之为字符串排列的类型
the 3 C's coral which is when you play 3C的珊瑚就是你玩的时候
strings like a choir big massive chords 像唱诗班的大弦和弦
moving together pretty much all at the 几乎全部在一起移动
same time conversational it's when two 同时谈话时它是两个
different sections or voices talk to 不同的部分或声音交谈
each other whether it be in polite 彼此是否有礼貌
question or answer or a rude argument 问题或答案或粗鲁的论点
where both voices are pushing in 两个声音都在推进
different directions and sometimes at 不同的方向，有时在
different times this is often referred 不同时期经常提到这一点
to as counterpoint imagine two people 作为对位想象两个人
speaking over each other at the same 彼此说话
time using different pitches so they can 时间使用不同的球场所以他们可以
get their voice heard and then there's 听到他们的声音，然后就是
accompaniment this is when a string band 伴奏这是一个弦乐队
is a bed or bubbling rhythmic underscore 是一张床或冒泡的节奏下划线
for another voice or set of instruments 另一个声音或一套乐器
different string sizes tend to focus on 不同的字符串大小往往集中在
these different classes of orchestration 这些不同类型的编排
so a quartet rarely underscores and 所以一个四重奏很少强调和
accompanies as it is the only band in 陪伴，因为它是唯一的乐队
the room it is very often conversational 房间是很经常的对话
and occasionally choral a chamber band 并偶尔合唱一个室内乐队
is probably your most versatile and will 可能是你最多才多艺的意志
perform all functions but doesn't sound 执行所有功能但不发声
anywhere as awesome as a symphony band 在任何地方都像交响乐队一样棒极了
when it comes to choral a symphony band 当谈到合唱交响乐团
could be cumbersome in conversation but 谈话可能很麻烦但是
awesome as an accompanist all these are 所有这些都是伴奏者
vast generalizations but may help you in 广泛的概括， 但可能会帮助你
picking which size sample I but you're 选择哪种尺寸的样品我但是你
going to work with returning back to my 回去工作回到我的
chamber strings tutorial it is always 室内琴弦教程总是如此
good to remember that you have five 很高兴记住，你有五个
voices to play with this is especially 与此相关的声音尤其如此
true of symphonic samples go beyond five 交响乐样本的真实情况超过了五个
voices and the whole thing can really 声音和整个事情真的可以
start to sound like an awful string 开始听起来像一个可怕的字符串
patch on a synth you can split these 合成器上的补丁你可以拆分它们
sections up in a symphony orchestra so 在交响乐团中演出如此
each section plays more than one note 每个部分都会播放多个音符
this is often referred to as divisie or 这通常被称为divisie或
divided but what I would do with 分开但我会做什么
programming is a dwelle and wait to each 编程是一个居住，等待每一个
voice you get that enormous sound but 声音，你得到了巨大的声音但是
try and keep it to five voices so you 试着把它保持在五个声音中，这样你就可以了
don't create a thick condensed flowery 不要创造浓密的浓缩花
gravy the other thing to remember with 芡其他东西一起记
symphonic is that each section doesn't 交响乐是每个部分都没有
rely on the next to produce harmonic 依靠下一个产生谐波
support and sonic richness the numbers 支持和声音丰富的数字
are so big with a symphony band that 与交响乐队如此之大，
each section has a silky richness to 每个部分都有丝滑的丰富感
itself this means you can really spread 本身这意味着你可以真正普及
the strings across the range from deep 跨越范围的字符串
down in the bases to the gods with the 在与神的基地下来
violins so as a vast generalization 小提琴如此广泛的概括
these kind of thing shapes work 这些东西塑造了工作
excellently for big bands not so good 非常棒的大乐队不太好
for small and I wouldn't do this with 对于小，我不会这样做
symphonic s' unless you're going for a 交响S'，除非你去一个
synth e type sound 合成型声音
I threatened some technical stuff but I 我威胁一些技术性的东西，但我
think it wise to crack on for a bit so 认为这样做有点明智
here goes a new piece sequence as 这里去一个新的作品序列
explained in my last film using a 在我上一部电影中解释过使用了
keyboard controller logic is my door 键盘控制器逻辑是我的门
some faded controllers with dynamics on 一些褪色的控制器动态打开
the first expression on the second and 第二个和第二个表达式
vibrato on the third and remember keep 颤抖在第三，并记住保持
these moving no matter what otherwise it 这些无论什么运动，否则
will sound like you're conducting an 听起来就像是在表演
orchestra of cadavers I'm using Spitfire 尸体管弦乐队我正在使用Spitfire
symphonic strings which was formerly 以前的交响乐弦乐
known as mural and like on my chamber 在我的房间里被称为壁画
tutorial the majority of what I use our 教程大多数是我用我们的
ensembles patches which are baked 合奏被烘焙的补丁
presets using all instruments in a patch 使用补丁中的所有工具进行预设
that you can play with both hands with 你可以用双手玩
single sections to add detail focus and 单个部分添加细节焦点和
definition we can select articulations 定义我们可以选择清晰度
which are kind of like vowels and 这有点像元音和
playing styles with these switches on 打开这些开关的风格
the interface or indeed via key switches 接口或实际上通过钥匙开关
on your keyboard controller but I 在你的键盘控制器上，但我
personally like the old-fashioned way of 个人比较喜欢的老式的方法
having one articulation per track as I 每个轨道都有一个关节，就像我一样
mentioned before programming is like an 在编程之前提到就像一个
oil canvas it's the first step in 油画布是第一步
creating a new arrangement or 创建一个新的安排或
composition is a very rough charcoal 成分是一种非常粗糙的木炭
sketch which I'll usually do at the end 我通常会在最后做的草图
of a working day when I'm all kind of 在我工作的那一天
lubed up and the imposter syndrome being 进行润滑并冒名顶替综合征是
parked for a while this means that I 停了一会这意味着我
never have to come to work to a blank 永远不必来做空白
screen okay let's go just a basic 屏幕好吧让我们去一个基本的
ensembles travel and au symphonic 合奏旅行和交响乐团
strings I'm not a patient man so I'm 我不是一个耐心的人，所以我
just going to drag this out last su 只是要拖了这一点最后的 SU
force legato duplicate into a harmonic 强制连奏复制成谐波
track and then freeze so that when I 跟踪，然后冻结，以便我
drop in it latches next up what I always 它接下来就会锁定我的总是
write with the flat handles 用扁平手柄书写
[Music] [音乐]
I just going to check this some weird 我只是去检查这个有些怪异
quantization that I just want to take 量化，我只想采取
off quickly 快点
yeah just whacked itself onto the wrong 是的， 只是把自己弄错了
sixteenth fur 十六毛
now we need to speed the tempo up to 1/3 现在我们需要将节奏加速到1/3
- just to make it a little bit fast for -这只是为了一点点 快
this next bit which is going to be a 这下一个将是一个
staccato section so let's take that up staccato部分让我们接受它
to 1/3 - and I'm going to make it nice 到1/3 - 我会做得很好
and smooth so the temper is going to 如此平稳， 以至于脾气暴躁
change every eighth and I continue with 每八分钟改变一次，我继续
the new tempo there we go apply lots of 我们去的新节奏适用于很多
lovely tempo events to the right and 可爱的节奏活动到右边
onto a brushed spiccato kind of sound 在一个拉丝的spiccato声音
actually let's start with the colon nose 实际上让我们从冒号鼻子开始吧
first and this is what these when I 首先，当我这时，这就是这些
freeze them it becomes a pain so I can 冻结它们变得很痛苦所以我可以
let's just get rid of those so we've got 让我们摆脱那些我们所拥有的
that sustain that ends there delete that 那种延续到那里的东西会删除它
down and then refreeze again so it plays 然后再重新冷冻，以便播放
wherever you drop it in okay that's I've 无论你在好砸那是我
got on those colonies equivalent of 得到了相当于的殖民地
drone with a rhythmic one 有节奏的一个侃侃而谈
okay we'll loop that and we want to 好的，我们将循环，我们想要
speak our toes 说出我们的脚趾
[Music] [音乐]
not easy on a way to keyboard that more 在通往键盘的路上不容易
the flattened bows just another drone 扁平的弓只是另一架无人机
I'm going to stretch out force legato 我要伸出力量连裤袜
before I play the other parts of the 在我演奏其他部分之前
chord sequence on another flat and a 和弦序列在另一个公寓和一个
patch 补丁
[Music] [音乐]
it's the maintance I'm going to build 这是我要建立的维护
that up and with lots of different 那个和很多不同的
harmonies later okay so this actually is 和声后来还好，所以这实际上是
wrongly titled that supersoul Tasso 错误地称为超级Toulo
which we'll use later but I need another 我们稍后会用，但我需要另一个
flout and Oh patch just to end the piece flout和哦补丁只是为了结束这件作品
with super soft ask Britt variants out 用超软问布里特变种出来
now come out I need to put in the 现在出来我需要投入
colonies to an end there nice natural 殖民地结束那里很好的自然
end there and the last bit 结束那里和最后一点
[Music] [音乐]
okay with the charcoal sketch done now 好吧，现在做的木炭素描
let's take a brief technical interlude 我们来一个简短的技术插曲
other than what controller do you use 除了你使用什么控制器
the most asked question we get here is 最问的问题，我们在这里得到的是
which reverb we use or what is the best 我们使用哪种混响或什么是最好的
reverb well I'll get into that in a 混响嗯，我会进入，在一
minute but first let's talk about these 分钟，但首先让我们谈谈这些
spitfire string samples we record these spitfire字符串样本我们记录这些
just as you would any string band in air 就像你在空中任何弦乐队一样
studios so you're ostensibly working 工作室，所以你表面上工作
with the carefully created board mix 精心设计的电路板组合
where each set of mics is given a stem 每组麦克风都有一个词干
which stands for a stereo master so you 它代表立体声大师所以你
can mix them between them like this so 可以像这样将它们混合在一起
here's for example the closed mics which 这里例如关闭话筒，其
a whole bunch of spot mics a few feet 一大堆现货话筒几英尺
away from each desk of the band a desk 远离乐队的每个桌子一张桌子
by the way represents two players who 顺便说一句代表两个球员
share the same music on the same music 在相同的音乐上分享相同的音乐
stand I think these spot mics have a 我认为这些现场话筒有一个
very modern sound and correct me if I'm 非常现代的声音，如果我是的话，纠正我
wrong but I imagine they started to be 错了，但我想他们开始了
introduced when mixing desks or bigger 在混合办公桌或更大的时候介绍
they're great for intense and tight 他们非常适合紧张和紧张
action sequences for focus and crispness 焦点和清脆的动作序列
the next is what I tend to use pretty 接下来就是我倾向于使用漂亮的东西
much all the time is the tree mic which 很多时候都是树的麦克风
are three of the most expensive mics in 是三个最昂贵的麦克风
the room in Decca formation placed above 在Decca形成的房间放在上面
the conductor's head it's kind of what 指挥的头是什么的
he or she hears although you hear a bit 虽然你听到了一点，但他或她听到了
more of the room and the players the 更多的房间和球员
back because they tend to be about eight 因为他们往往大约八岁
feet off the ground finally we have the 我们终于站起来了
ambient mics which sit way up high 环境麦克风高高地坐着
around twelve to fourteen feet up and 大约十二到十四英尺高
really capture the room reverberates 真的抓住了房间的回响
these are great for surround feeds but 这些非常适合环绕声输入但是
I'm not going to go there today some 我不打算今天去那里 一些
sample libraries really need reverb to 样本库真的需要混响
bring them to life because they're being 把它们带到生活中因为它们存在
recorded dry or close or not in sits you 记录干燥或关闭或不在你身边
spitfyre libraries don't theoretically spitfyre图书馆理论上没有
need reverb because they have plenty of 需要混响，因为他们有很多
room options but the truth of the matter 房间选择， 但事情的真相
is most engineers hand in the desk mix 是大多数工程师交到桌面组合
like the one offered up by spit fuzz 就像吐痰模糊提供的一样
libraries which still add a bit of 这还是加一点库
splash to flatten and merge the whole 飞溅以展平并融合整体
thing together to make it sound super 让它听起来超级的东西
widescreen and cinematic there is also 宽屏和电影也有
one very important consideration when 一个非常重要的考虑因素
using these samples and that is if 使用这些样本，即如果
they're well produced there'll be 他们受过良好的生产就会有
performances and if their performances 表演和他们的表演
it means there will be some inherent 这意味着会有一些固有的
issues that you'll need to fix with 您需要修复的问题
reverb namely Long's vs. shorts listen 混响即Long'svs.短片听
here to some of just the tree mics for 这里只是一些树上的麦克风
our short articulations 我们简短的表达
and now our long you'll notice the 现在我们很久你会注意到的
release triggers which are the samples 释放触发器作为样本
that are triggered when you let go the 当你放手的那个被触发
note on the lungs don't sound as 注意对肺不健全的
reverberant as the shorts let's listen 作为短裤的混响让我们听
again 再次
[Music] [音乐]
now this isn't because the shorts are 现在这不是因为短裤
loud or create more reverberation it's 大声或创造更多的混响
not because Spitfire audio programmed it 不是因为Spitfire音频编程了它
wrong it's simply because when you ask a 错了， 这只是因为当你问一个
string player to stop playing she or he 弦乐手停止演奏她或他
doesn't stop dead they gently bevel the 并没有停止他们轻轻地斜切
end of the note off by doing something 通过做某事来结束音符
called a diminuendo this is just a 称为渐弱这只是一个
natural performance style for them 他们的自然表现风格
imagine sitting in the back of a black 想象坐在黑色的背后
cab and you ask the driver to stop 驾驶室， 你让司机停下来
imagine then if he were to hit the 想象一下，如果他打的话
brakes with everything he'd got you'd 用你得到的所有东西刹车
not appreciate that experience so the 不明白，经历这样
same is with the orchestral players they 同样是与管弦乐的球员，他们
let you off gently the net result is 让你轻轻地离开净结果
released triggers are always 释放触发器总是如此
considerably quieter for Long's but this 对于Long来说相当安静但是这个
is the natural sound the way to fix this 是解决这个问题的自然声音
is by stemming your strings in two 通过将你的字符串分成两部分
different signal paths which can then be 然后可以是不同的信号路径
effected differently with different 不同的影响
reverb levels there's three reasons this 混响水平有三个原因
is a really good idea one by putting 通过推杆 是一个非常好的主意
your strings through FX busing it means 你的字符串通过FX总线意味着
they're using the same reverb across the 他们在整个过程中使用相同的混响
band this will make sure it'll sound 乐队这将确保它听起来
like they're all playing in the same 就像他们都在玩耍一样
space at the same time tweak this one 在同一时间空间调整这一个
reverb and you tweak it for the whole 混响，你整体调整它
band - by stemming your different string 乐队- 通过阻止你的不同字符串
articulation styles into different 清晰的风格分为不同的
busses you can tweak the amount of 你可以调整公交车的数量
reverb they have 3 it's great if you're 混响他们有3，如果你是伟大的
using samples in combination with real 使用样本结合真实
players it'll mean that you've track 球员， 这意味着你跟踪
laid your samples or I prefer to them as 放下你的样品，或者我更喜欢它们
fakes in a way that means you can really 伪造的方式意味着你可以真的
tweak them around the performances and 调整他们周围的演出
strengths of the live players providing 现场球员提供的优势
support where they need it even if 即使支持他们需要的地方
you're planning to use 99.9% real 你计划使用99.9％真实
recordings you'll find there's always a 你会发现录音总有一个
point where your samples may come to the 您的样品可能来到的地方
rescue so it's always great to have them 救援所以 拥有它们 总是很棒
stemmed in this way so this I'll come 以这种方式阻止所以我会来
back to later but first of all back to 回到以后， 但首先回到
the splosh okay so what is the best splosh 没关系，那么什么是最好的
reverb I can't answer that other than 混响我不能回答除此之外的其他问题
what's the most expensive but there are 什么是最昂贵但有
two very important considerations one 两个非常重要的考虑因素
what do the pros use on big blockbuster 专业人士在重磅炸弹上使用了什么？
recordings I'm not saying what they use 录音我不是说他们用的是什么
is the best but if they what they use is 是最好的，但如果他们使用的是
universally all over blockbusters and 普遍存在于大片和大片中
you 您
want your stuff to sound like the stuff 希望你的东西听起来像东西
you hear on the radio see on the telly 你在收音机上听到电视上看到了
or watching movie theatres why not use 或看电影院为什么不使用
what they use to what suits working with 他们用什么来适合合作
samples now this is a bit of a tricky 样品现在这有点棘手
sore subject here but for me this 疼痛的主题在这里， 但对我来说这个
triangulates my choice of reverb into 将我选择的混响三角化为
two or three choices point one is a 两个或三个选择点一个是
fairly straightforward one pros use TC 相当直接的一个专业人士使用TC
six thousands above everything else it's 其他一切都高出六千
a massively expensive piece of outboard 一块非常昂贵的舷外机
kit that costs about at least ten 套件，成本约至少十
thousand US dollars but TC electronic 千美元但TC电子
I've also put out some different 我也推出了一些不同的东西
iterations of the TC 6000 s vs s three TC 6000 s与s3的迭代次数
algorithm as part of the discontinued 算法作为已停止的一部分
power core range for example these are 功率芯范围例如这些都是
well worth looking into and seeing if 非常值得研究和查看是否
you can grab from eBay and I've also 你可以从eBay上抢，我也是
heard rumors that you may hear the words 听说有传言说你可能会听到这些话
of ES s3 and natives soon if you do and ES的S3和当地人很快，如果你做的，
you can afford by the second is the hot 你能承受的第二个是热点
topic of impulse response versus 脉冲响应主题与
algorithmic by the nature of working 算法的工作性质
with samples you're often using the same 对于样品，您经常使用相同的样品
moment in time over and over and over 时刻一遍又一遍又一遍
again and when you're writing you're 再一次，当你写作的时候
playing back correcting and mixing the 回放纠正和混合
same moment in time over and over and 同一时刻一遍又一遍
over again ad nauseam so if you combine 如果你结合了，那就再次令人作呕
this with yet another sample technology 这还有另一种样本技术
impulse responses or convolution based 脉冲响应或基于卷积
reverbs you'll be trigging one moment in 混响你会在一个瞬间触发
time by another over and over and over 一遍又一遍的时间
again now I'm not saying the combo or IR 再现在我不是说组合或IR
reverbs aren't good 混响不好
they're all over final mixes of my music 他们都是我音乐的最终混音
they sound great but when I'm writing I 它们听起来很棒， 但是当我写作时
just don't feel happy using them because 只是不喜欢使用它们，因为
every time I hit that sample I'm hitting 每次我打那个样品我都会打
that moment in time which is also 那个时刻也是如此
hitting that other moment in time and 及时击中其他时刻
every time I hit these notes and they're 每当我点击这些音符时它们都是
hitting the reverb it's the same exact 击中混响它是完全一样的
thing is happening there's no chaos in 事情也发生有中没有乱
there for me so for me it's algorithmic 那对我来说对我来说这是算法
all the way which the TC 6000 is but TC 6000的所有方式都是如此
also the lexical reverbs particularly 特别是词汇混响
the lexical native bundle are fantastic 词汇本机包很棒
solutions so if you're rich and you want 解决方案，如果你有钱，你想要
to be stationary the TC 6000 is awesome 为了保持静止，TC 6000非常棒
too if you're stationary and inventive 如果你是固定的和有创造力的话
with your shopping skills some kind of 与您的购物技巧某种
power core solution 3 if you're on the 电源核心解决方案3，如果你在
move and on a budget the lexicon native 移动和预算词典本地
bundle hands down absolutely awesome and 束手下来绝对真棒和
if you're really trying to kind of save 如果你真的想要保存
your pennies do check out Valhalla DSP 你的便士可以查看Valhalla DSP
who in my opinion have the best budget 在我看来谁拥有最好的预算
verbs handout 动词讲义
I'm using the native lexicon random haul 我正在使用本地词典随机运输
here and I've matched the decay time to 在这里，我把腐烂时间与之相匹配
my favorite patch on the TC 6000 the 我最喜欢的补丁在TC 6000上
wormhole and the default decay for that 虫洞和默认的腐烂
is 2.6 seconds so I've matched that with 为2.6秒钟，我已经匹配，与
the lexicon so here's the best string 词典所以这里是最好的字符串
stemming configuration I've evolved into 阻止配置我已经演变成了
using over the years for now I'll just 多年来一直使用我只是
dwell on why it works from a unified 详细说明为什么它是统一的
wetness point of view so I stem into 4 潮湿的观点让我干成4
string groups Long's and lagartos shorts 字符串组Long's和lagartos短裤
pizza cartels in colony Oh and then 在殖民地的披萨卡特尔哦，然后
finally trams harmonics and effects the 最后电车谐波和效果
reverb return is a hundred percent wet 混响回归百分百湿润
we don't want any live signal going 我们不想要任何现场信号
through that bus as it would just phase 通过那辆公共汽车，因为它只是阶段
with the live signals that you're 你的实时信号
hearing on the other tracks then I'll 听听其他曲目然后我会
add a bunch of splosh to one Lester to 给一个Lester添加一堆splosh
very little or just a tickle to three 很少或只是三个痒
and the most of all once you're happy 一旦你开心，最重要的是
with how these are set you can then 如何设置你可以
adjust the total reverb level to how wet 将总混响水平调整到多湿
you want to mix this out which will be 你想把它混合出去
useful later because it's likely that as 以后有用，因为它可能就像
you work on your queues you'll probably 你可能会在你的队列上工作
just add more and more reverb and a 只需添加越来越多的混响和a
dialing back phase in your mixing may 在混音中拨回相位可能
reap some rather wonderful rewards 获得一些相当精彩的奖励
further down the line ok let's finish 更进一步， 让我们完成
this cute 这很可爱
[Music] [音乐]
some performance lagarto some sonic 一些表演lagarto一些声音
grout 灌浆
[Music] [音乐]
let's add a little bit more interest 让我们添加一点点兴趣
into the drone super sort a stir 进入无人机超级轰轰烈烈
[Music] [音乐]
I'm just going to work on the harmonics 我只是想研究谐波
a bit so they change a bit 有点让他们改变一点
[Music] [音乐]
we need a bit of low stuff now 我们现在需要一些低级的东西
that's a low-flow to flounder let's have 这是一个低流量的比目鱼让我们拥有
a go with the kind of just a normal long 一个与实物只是一个普通的长走
little trick here transpose down twelve 这里的小技巧转移到了十二点
samples so you get a natural octave 样品让你得到一个自然的八度音阶
cellos and basses as written oh yeah 大提琴和贝司写的哦是的
[Music] [音乐]
so I'm popping that to a brighter 所以我突然变得更加光明
harsher short I'm just going to automate 更严厉我只是要自动化
that up so it grows as the section 这就是它随着节的增长而增长
develops 发展
[Music] [音乐]
great down to some pizzas 很棒的比萨饼
[Music] [音乐]
in our last notes a bit she's a teller 在我们的最后一个笔记中， 她是一个出纳员
on 上
[Music] [音乐]
very nicely let's work on the dynamics 非常漂亮，让我们的工作动态
of the flattened days we recorded 我们记录的平日
previously 先前
[Music] [音乐]
that's about what we need of that drone 这就是我们对无人机的需求
there the e we've got to be careful not 有电子我们必须要小心，不要
to lose that sonic because it is an 失去那种声音，因为它是一种
important part of the harmonic sequence 谐波序列的重要部分
that would have figure out a way of 这本来可以找到一种方法
making sure that cuts through as we add 确保通过削减为我们添加
lots of lines to it some can think so 有很多行可以这么认为
maybe we should just look at the 也许我们应该只看看
modulation which is the the dynamic 调制是动态的
layer controller for this part just lift 这部分的层控制器只是提升
it up towards the end and put it in this 它到最后并把它放在这里
little task so which has lots of 这个小任务有很多
artifacts is lovely I'm just going to 文物是可爱的，我只是要
copy that 收到
[Music] [音乐]
it's lovely that sound really like it 它的可爱声音真的很喜欢它
okay let's sir look at the the chaps at 好吧，先生，看看这些人
the bottom cheated octave 底部被骗的八度音阶
[Music] [音乐]
let's take these flowers handles shred 让我们把这些花柄切碎
with them 跟他们
[Music] [音乐]
just won't the alphabet there 那里不会有字母表
lagarto there lagarto那里
[Music] [音乐]
now we're gonna start building up the 现在我们要开始建立了
harmonies so I'm just gonna get rid of 和声， 所以我要摆脱
that emotional bits first 那个情感位先
[Music] [音乐]
it's a bit of a unison they would change 他们会改变一点点
that see okay and another go at the end 看得很清楚，另一个走到最后
[Music] [音乐]
great so that I've recorded with them 太棒了，所以我和他们一起录制了
this divisi console normal and the 这个divisi控制台正常和
legato gives a lovely Holly woody sound legato 带来可爱的Holly木质声音
[Music] [音乐]
you 您
that's the kind of idea and let's just 这就是那种想法，让我们做到
get rid of that and 摆脱那个和
[Music] [音乐]
that's the divisi consort Lamar and 这就是divisiconsortLamar和
legato the first 连奏第一
[Music] [音乐]
very passionate at the end there Sippi 非常热情的Sippi
take it up one more gear for the end 最后再拿一个装备
[Music] [音乐]
it's the kind of thing the ligase 这是连接酶的那种东西
[Music] [音乐]
great little motion at the top of the 在顶部的伟大的小动作
end is intrumental under 到底是在器乐
[Music] [音乐]
now we're completely losing the rhythmic 现在我们完全失去了节奏感
part of this so have a look at that 部分内容请看一下
asset 财富
[Music] [音乐]
bad bottle bitey Bartok 坏瓶bitey巴托克
[Music] [音乐]
right sound when you get 60 players to 当你有60名玩家参加时，这是正确的声音
do that 去做
[Music] [音乐]
correct okay so just the middle bit here 还好纠正所以只是中间位在这里
just needs a bit of melodic interest so 只需要一点旋律的兴趣所以
I'll add that in with some Lagasse 我会在一些Lagasse中添加它
sounds here 听到这里
[Music] [音乐]
okay so I'm happy with this if you're 好的，所以如果你真的我很高兴
preparing for a session with a live 准备与现场会议
player or group you'll find that you 玩家或小组你会发现你
have an excellent set of stems to track 有一套优秀的茎跟踪
there and work with for me live strings 那里与我住的字符串工作
are all about the lyrical articulations 都是关于抒情的表达
so if you're going to blend live and 所以，如果你要融合现场和
fake 假
you'll really want control over the 你真的要在控制
Long's and live you know you want to mix 很长的生活，你知道你想要混合
the the actual melodic notes of the live 现场的实际旋律音符
really out there and possibly push the 真的在那里，可能会推动
samples back conversely you may be 反过来你可能会回来
disappointed with say the tightness of 对...的紧张感到失望
real players in a stressful recording 真正的球员在紧张的录音
situation so you may want to blend the 情况所以你可能想混合
live shorts to canter patches so they're 现场短裤到慢跑补丁所以他们是
just a little shimmering crust above the 只是在上面有点闪闪发光的外壳
surface of your samples but most 你的样品表面，但大多数
importantly if you're working with 重要的是，如果你正在与之合作
restricted numbers really consider how 限制数字真的考虑如何
you use your forces for textural 你用你的力量作为纹理
elements so where I've added these 元素所以我添加了这些元素
harmonics two octaves up or held a 谐波两个八度音或一个
little shimmering Tremmel Andy do you 小闪闪发光的Tremmel Andy你呢
want to divide your sections to play 想把你的部分分开玩
those things where samples are perfectly 那些样品完美的东西
believable and finally pizza cart oh 可信，最后披萨车哦
these can be a world of pain for the 这些都可以在痛苦的世界
player and mess with your expectations 玩家和你的期望混乱
entirely there will be looser than you 完全会比你宽松
imagined on the day if you're using live 如果你正在使用现场想象的那一天
so don't be afraid to do a backup take 所以不要害怕做备份
where you ask the band to tacit all 在那里你要求乐队默许一切
pizza cart Oh believe me if you're using 披萨车相信我，如果你正在使用
good samples those will just work fine 好的样品那些才会正常工作
and don't be proud about about it you 并且不要为此感到骄傲
know you can just literally dial the 知道你可以直接拨打电话
pizza cart Oh samples in and off you go 披萨车哦样品进出你去
but obviously we've stemmed them so it's 但显然我们已经阻止了它们
not an extra kind of massive hassle for 不是一种额外的麻烦
you at the mixed stage and finding if 你在混合阶段，并发现是否
you're planning to use a hundred percent 你打算使用百分百
the real band these stems may give you 这些茎可能给你的真正乐队
the backup and security you need in case 您需要的备份和安全性 以防万一
something was missed you don't need to 你不需要的东西是错过的
dial in the whole sample band but in a 拨入整个样本乐队，但在一个
Rye bass pits or a slightly fruity 黑麦鲈鱼坑或略带果味
harmonic can always be fixed at a later 谐波总是可以在以后固定
date so thanks so much for listening 约会非常感谢您的聆听
next time so low strings vibrato and 下一次如此低弦颤音和
quantization see you then 量化然后见
[Music] [音乐]
you 您
[Music] [音乐]
you 您
[Music] [音乐]
thanks for listening and as a very quick 感谢您的倾听和快速
PostScript I just want to point out that PostScript我只想指出这一点
this has very much been done as a 这已经做了很多
YouTube presentation so I've worked very YouTube演示文稿，所以我的工作非常好
quickly probably about the speed that if 很快可能是关于如果的速度
I was really up against it with a 我是真的反对它用
deadline but a piece like that I'd 截止日期， 但像我一样
usually like to spend at least a day 通常喜欢花费至少一天
working on and finessing and some of you 你和你们中的一些人在努力工作
have pointed out there's a discrepancy 已经指出存在差异
between these live tutorials and say 在这些现场教程之间说
some of the work say for example that 一些工作例如说
Andy Blaney presents and that is because Andy Blaney介绍，那是因为
if we were to present a live tutorial of 如果我们要提供一个现场教程
composing a piece like that the 像这样的作品
fantastic and very talented Andy Blaney 非常有才华的Andy Blaney
you'd be looking at sitting and watching 你会看着坐着看
YouTube for a couple of days at least YouTube上至少几天
obviously we can't do that so I hope 显然我们不能这样做，所以我希望
this gives you the principles of 这给你的原则
programming which is really not that 编程这是真的没有那么
much programming at all it's really an 很多编程都是真的
intuitive performance-based craft 基于性能的直观工艺
thanks again 再次感谢