(SPIVEY) Every day of our lives,
we are bombarded by thousands of different images,
images which affect us in countless different ways,
But of all these there's one particular kind of image whose power is uniquely mesmerising,
because while it terrifies us somehow it also comforts,
But although it can manipulate us, it also reassures,
It's the image of death.
Even though these young people have probably never seen a dead body in their lives,,,
they are captivated by these pictures,
And they're not alone,,,
because, whether we realise it or not, we are all drawn to images of death,
whether we're on our own,,,
or with others,
We build graveyards and monuments to the dead
and their photographs fill our homes,,,
,,but why?
What makes us surround ourselves with constant reminders of death?
The answer lies not in the modern world but thousands of years ago,
when human beings first created images of death,
This is the story of how death captured the human mind...
..and how that drove us to create some of the most powerful images in the world.
Like most people, I've got images of my ancestors scattered around the family home.
I've always loved this one of my Grandpa Fred.
He was a self-made man from the East End of London,
lived through two world wars and died about fifteen years ago.
Naturally, we want to surround ourselves with pictures of people who've died
because we loved them, we want to preserve their memory,
but I wonder if there's something else going on with these pictures,
What if they triggered a range of emotions that I wasn't aware of,
subconscious emotions, more to do with my death than Grandpa's?
Could my desire to surround myself with images like these
be somehow helping to overcome my fear of death?
Well, to try and find an answer, what if we went back in time?
What if we tried to discover
what compelled people to surround themselves with images of death for the very first time?
0ur journey starts at a place
where people have been living continuously for longer than anywhere else on earth,
This is the Jordan Valley in the Middle East,
Here there's a town called Jericho,
Jericho is famous for the biblical story
of how Joshua and his trumpets brought the walls tumbling down,
The collapse of these walls is believed to have happened about 3,000 years ago,
But Jericho the city is much older than that.
It's something like 9,000 years old,
and it was in order to investigate what was happening behind these walls
that a team of archaeologists arrived here from Cambridge in the mid 1950s.
(LIVELYMUSIC)
The archaeologists wanted to reach right back into Jericho's past,
They dug deep trenches into where the ancient town had stood
to try to find evidence of how these earliest inhabitants had lived,
As a young woman, Cecil Western was one of the Cambridge archaeologists,
(WESTERN) It was a jolly good dig,
There was an enormous lot to do so we were working all the hours there were,
because they were finding so much stuff,
(SPIVEY) By the end of the expedition the team had uncovered pots and tools,
They'd even found the remains of some of Jericho's ancient walls,
But what they were about to uncover
would make everything, including the legendary walls, pale into insignificance.
It happened on the very last day of the dig,
(WESTERN) Everything had been packed up, We were all preparing to go the next day,
That's when it often happens,
at the most inconvenient moment,
that you find something that you've got to pay attention to.
(SPIVEY) The team had noticed something sticking out from the side of the trench,
This was in one of the oldest parts of the site, an area that was 9,000 years old,
(WESTERN) We didn't want to leave it there because we thought the children would get it out,
And they would make a nasty hole in the section anyhow
so we might as well make it ourselves and see what we'd got.
(SPIVEY) With great care, one of the team began to dig the object out,
but they were completely unprepared for what they would find,
(WESTERN) Everybody got very excited,
When it's something unusual that you think nobody's ever seen the like before
it's very exciting.
And the cause of all this excitement was this, a human skull,
but a skull quite unlike any other they'd so far found on the expedition,
in fact a skull quite unlike any other known to archaeology
because its nose had been reconstructed in plaster
and where two vacant sockets should have met our gaze, a pair of eyes made out of shells.
This wasn't an ordinary skull taken from a skeleton,
An ancient artist had separated it from its body and then decorated it,
Using plaster, the artist had rebuilt the front of the skull to create a delicate face,
Where the eyes had once been he'd placed two highly precious objects,
shells from the Red Sea, many days' walk away,
So, 9,000 years ago, the people living in Jericho had made artistic representations of the dead,
the earliest ever created,
But there wasn't just one,
As they dug further, the archaeologists at Jericho found another and then another,
In all, the team discovered nine decorated skulls at the site
and they immediately began to ask the question,,,
what were they for?
(WESTERN) They were obviously portraits,
We speculated as to whether they were enemies
or whether they were ancestors or what they were, or family portraits.
But they were strange because, so far as we knew at that point,
nobody had ever discovered this sort of portraiture on the actual skull,
so they were quite unusual,
None of us had ever seen such a thing before,
(SPIVEY) But there was far more to it than that,
By looking at the layers of earth ancient objects are buried in,
archaeologists can tell what they were used for,
In the past when archaeologists had found buried bodies,
the layers had always shown that they were in special burial grounds,
But when they came to look at the layer where the skulls had been found,
they discovered something that astounded them.
The layer clearly showed that the skulls hadn't been tucked away in some sort of cemetery
but lodged above the floor of someone's home, someone's living space.
Nine thousand years ago, decorated skulls would have been kept in people's houses,
and just as the experts began to wonder what this meant, they noticed something else,
Take a look at the underside of this skull. It's smooth and flat.
''So what?'' you might think.
Well, that's the crucial key to unlocking the mystery of these skulls,
because they weren't intended Just to lie flat.
They were specially designed to stand upright,
perhaps on the floor of someone's house
or, more likely, in some special alcove or niche.
It was an astonishing revelation
because it meant that these skulls, the earliest images ever of dead people,
had been made to be seen by the living.
But archaeologists were to discover
that Jericho wasn't the only place where there were skulls like these,
0ver the decades that followed, as archaeologists excavated elsewhere in the Middle East,
they discovered more decorated skulls at other sites,
and it wasn't just the Middle East,
Thousands of years ago, ancient artists had also created decorated skulls
in what's now the Ukraine,
And it wasn't all in the past, either,
because indigenous people in modern-day Southeast Asia
were also decorating the skulls of their dead,
Archaeologists realised that this seemed to be a sort of biological instinct,
a human predisposition to decorate the skulls of those who'd already died.
What had driven people so far apart in time and place to do this?
What had compelled them, just like us,
to decorate their homes with images of their dead ancestors?
Compared to all other creatures on earth,
there is something unique about human beings that may provide an answer,
It's to do with the way that our mind works,
All animals take action to avoid their own deaths.
It's something that we humans share with even the smallest creatures.
But this is just the basic evolutionary instinct to survive, to try to avoid being killed,
Human beings have got something else.
We humans are the only creatures who understand the inevitability of our own death,
the fact that we Just can't escape it,
and unlike other animals
we've got a brain that's powerful enough to imagine a world in which we're no longer alive.
And there is a group of experts
who believe that this helps explain why humans surround themselves with images of death,
They aren't archaeologists but psychologists, based in Arizona,
I remember being eight or nine years old and my grandmother dying
and my mom saying ''0h, come say goodbye to Grandma, because you'll never see her again.''
When I thought about why that was so difficult to bear
it was because I realised by inference that that would be me at some point,
0nly human beings are explicitly aware of the fact that they some day die.
It's a powerful problem that humans have to face,
their knowledge of their own inevitable death
and how that violates so much of what we're doing day to day.
We're trying to stay alive, we're trying to thrive and yet we know, inevitably, it'll be thwarted.
(SPIVEY) It's a terrifying thought,
that the one certainty in life is that we're all going to die
and there's nothing we can do about it,
But these psychologists believe there is a way of easing this fear,
a way of trying to come to terms with our own death,
The first uniquely human way of accomplishing this is art.
What art does is to take the natural world and to give us some control over it.
(SPIVEY) So, by creating images of our ancestors,
we're reassuring ourselves that death isn't so bad after all,
(S0L0M0N) That is the psychological impetus for its creation,
your father and your grandfather and your mom and your grandmother are still very much with you
even though they aren't moving around as much as they did in the past,
(SPIVEY) It's an interesting theory, but could it be true?
Professors Solomon and Greenberg decided to run an experiment
to try to discover what's happening in our minds when we see images of death,
They began by taking two groups of American students,
The psychologists made one of these groups think about death, but without them knowing it,
and they did it by showing them these words,
See anything else?
Well, you wouldn't, because it was too quick for television to pick up,
Let's slow it down,
Between the words, the psychologists flashed the word ''dead'',
Each subliminal image lasted just a fraction of a second
but long enough to put the idea of death into the subconscious minds of the subjects,
The psychologists then showed both groups of people a series of pictures,
They were images of famous dead Americans,
icons who would have emotional value for the subjects,
Like past presidents, George Washington and JFK,
0r screen stars,
The subjects then chose how long they wanted to look at the pictures,,,
,,time which was measured,
What the psychologists found was remarkable,
The group who'd been made to think about death
wanted to look at the pictures for significantly longer than the group who hadn't,
It seems to show that if we're thinking about our own death, we gain reassurance
by looking at images of those who've already died,
So, how does this help to explain the decorated skulls?
Well, 9,000 years ago, Jericho was a death-ridden place,
Average life expectancy was just 24,
Thoughts of death would have dominated the minds of the inhabitants
and would have terrified them,
So, to try to reassure themselves,
the Jerichoans created artistic representations of their dead,
(GREENBERG) The skulls from Jericho are a striking example
of the people of that time trying to keep their dead alive and to keep them present,
and if they're still present then they still exist and thus they exist after death.
That's what we're all looking for.
That would be the most, you know, comforting thing
that would really assuage this potential terror.
(SPIVEY) What motivated the Jerichoans was a universal human instinct,
The fear of our own death is so great
we surround ourselves with pictures of people who've already died
in order to reassure ourselves,
But reassurance is only part of the story,,,
because there are other images of death that are very different,
These seem to have the very opposite effect,
Far from reassuring us,
they exploit our fear of death and seem to make it worse.
Take a look at this.
This unsettling painting from the 18th century
depicts a leader of the French Revolution who's been murdered,
while this 19th-century picture shows a massacre of Spanish civilians,
This etching shows a hanging,,,
,,and in the 20th century
Himmler's SS chose to use as its regimental symbol a skull and crossbones,
Images of death like these aren't reassuring,
They're upsetting, Terrifying, even,
Why do human beings create images that are so deeply disturbing?
What we need to find is a civilisation that's taken images like these
and pushed them to the limit.
If we can understand what motivated them, then we might understand what motivates us.
This is the coast of northern Peru
in South America,
Between 100 and 700 AD, a powerful civilisation dominated this area,
It was called the Moche,
Ten years ago, an archaeologist came here to study the Moche,
His name is Steve Bourget,
Borge began his excavations at the foot of this building,
the Temple of the Moon, or Huaca de la Luna,
It was built almost 2,000 years ago,
Today, the images on its mud walls have faded and seem to have little significance,
But this is what they would once have looked like,
0n these walls are some of the most grotesque images of death one can imagine,
These, for instance, are spiders,,,
,,but they are no ordinary spiders,
Each one is carrying a knife,,,
,,and on their backs they have a human face with fangs,
Here's a row of lizard beasts,,,
,,all carrying a decapitated human head,
And scattered around the site was Moche pottery showing other disturbing acts,
(MAN) These images look terrifying, for example people being literally eaten alive by birds,
Having their face taken off. This crude facelift.
Things like that,
(SPIVEY) What kind of dark mythology produced these images?
Were they simply the product of a lurid violent fantasy?
(B0URGET) We see what appears to be supernatural beings, people with fangs,
so it looks unreal.
(SPIVEY) But there were no clues as to why the Moche had created such art,
What had compelled them, Bourget wondered, to create such disturbing images of death?
Then, one day, walking near the temple, he noticed something strange,
It was a large rock formation,
But what was so unusual was that it had an almost identical shape to the mountain behind it,
Bourget began to wonder if that had given it a special significance,
I believe that there was a connection
between this rock and the mountain behind it
but that this rock was in fact a sacred rock, a sacred outcrop,
in fact a copy, a small copy of the mountain behind it.
(SPIVEY) Bourget and his team began to excavate the area, and what they found astonished them,
(B0URGET) At the beginning, all we had there was sand, clay, rubbles, bricks, nothing else,
So we start digging there
and a metre, a metre and a half
inside this rubble we located...human remains.
(SPIVEY) Not just one skeleton but seventy, and these bodies hadn't died naturally,
(B0URGET) As soon as we encounter the human remains,
we found for example a cranium with a large opening in the back of the head.
We found another man resting on his back with a gash,
a wound Just alongside the head, Just right there, probably made with a copper knife.
(SPIVEY) There was something else about these skeletons, Many of them weren't intact,
What we have there is a human cranium
and you can see that this head is literally standing alone.
The body has been removed from the corpse itself.
So it indicates that not only they killed people there, but also dismantled the corpses.
Took them apart, so to speak.
(SPIVEY) Next to a prominent rock, people had been killed
and their bodies had been dismembered,
For Bourget, it could mean only one thing,
(B0URGET) This rocky outcrop was a sacred altar,
In fact a sacred mountain, a small microcosm of the big mountain behind it,
and in front of this altar, this would have been the best place for performing human sacrifice.
(SPIVEY) Bourget had discovered that this was a site of ritual sacrifice,
but that was just the start, because then he noticed something else,
Dismembering, skeletons, severed heads,
these sacrificial remains
bore a remarkable resemblance to many of the artistic images created by the Moche,
(B0URGET) What we are looking at,
these are illustrations of sacrifice at the same time that they are the real thing,
They are the real McCoy, so to speak,
Time and again, the Moche had performed horrific acts of sacrifice and then created images of it,
This wasn't art as fantasy,
it was art as documentary,
And the Moche weren't alone,
For thousands of years, Latin America had been dominated by a series of ancient civilisations,
including the Inca, the 0lmecs and the Maya,
and they had all created terrifying images of death,
skulls,
flayed bodies
and bound captives,
Archaeologists had long wondered why this was,
The Moche discovery finally confirmed their suspicions,
In all these civilisations sacrifice had been a way of life
and artists had celebrated these grotesque acts by creating images of them,
But there was one civilisation that was doing all of this on a simply colossal scale,
They were the people who ruled here in Mexico City 500 years ago,
the Aztecs,
And these are their descendants,
Today they're here to see a modern-day blood ritual,
a bullfight,
Here in the stadium, the deaths of some half a dozen bulls will be watched by a huge crowd,
0ver the next few hours, 40,000 people will witness and enjoy this killing,
(CHEERING AND APPLAUSE)
What if the situation were reversed?
What if all of us here were lined up to be sacrificial victims over four days, one by one?
Well, that's what happened here about 500 years ago.
(CHEERING)
It's almost impossible for us to comprehend the scale of such bloodletting,
but Aztec historians record that in 1487 at the great pyramid of Tenochtitlán
executioners sacrificed four lines of prisoners,,,
,,each two miles long,
Victims were forced to climb to their deaths
up the pyramid's 114 steep steps,
And at the top, two killing rooms.
(EERIE WHISPERING)
Here they were met by priests wearing masks made of human skulls,,,
,,and wielding sacrificial knives,
While still alive, the victims had their hearts hacked from their chests,
Their heads were then removed,,,
,,and placed on this stone rack,
It was killing on a truly industrial scale,
at least forty thousand deaths over four days,
But that's not all, because the Aztecs then meticulously documented this slaughter
with their art,
Images like the giant statue of Chalchiuhtlicue,,,
,,with her necklace of hands, hearts and skulls,
And Michtlantecuhtle,
the god of sacrifice, with his flayed body,
And the wall of skulls itself,
Here's an entire society that wanted to record the horrific slaughter it was perpetrating,
The question you keep coming back to with the Aztecs is ''Why?''
Why the killing on such a horrific scale?
And, more importantly for our story,
why would you want to fill your world with images of this wholesale human butchery,
as if you were proud of what you were doing?
A clue to the answer lies on one of the Aztecs' most sacred objects,
Three and a half metres across, it's the Stone of the Sun,
To the Aztecs, the sun god was the giver of life, but this was a gift that didn't come cheap,,,
,,and the Sun Stone reveals why,
At its centre is the sun god
and in his outstretched hands he's got two obJects.
They're human hearts
and in his mouth he has a knife,
This is one vast sacrificial altar,
The sun god created the earth by sacrificing his own blood,
This meant the people were forever in his debt
and now they must repay him with the most precious commodity that they had,
their own lives,
If the debt wasn't repaid,
then the sun would go out, the crops would fail and all life would perish.
By constantly reminding people of the debt they owed,
images like these instilled loyalty and obedience to the state,
The Aztec leaders were using art to bolster the whole structure of their civilisation,
Aztec society was based on a rigid hierarchical structure
and sacrifice was carefully integrated into each tier,
At the bottom were half a million law-abiding citizens,
This was the audience for the ritual,
Above them was the elite warrior class,
These were the people who fought neighbouring states to capture victims for ritual sacrifice,
Then came the priesthood, who turned killing into a form of gruesome theatre,
And at the very top the Aztec court and its king reigned supreme,,,
,,safe in the knowledge that no one dared challenge them,
So, the winners in this orgy of death imagery
were the powerful elite who stood at the top of Aztec society,,,
,,perhaps the most successful regime of terror the world had ever seen,
Through this art, they gained a powerful grip over the hearts and minds of their people,,,
,,and that wasn't just because these images made people fearful of being killed,
The psychologists believe
they were having another even more powerful effect on the minds of the Aztec population,
driving them towards the values of the state,
If you were an Aztec you could say, ''This is brutal. What the hell's going on?'' Maybe some did that.
But most would be better psychologically served
by identifying with the powers that are dispensing death
and feeling that, ''Hey, we're on the side that has control over death.''
(SPIVEY) Professors Solomon and Greenberg wondered
if thinking about death would manipulate the minds of people in a similar way today,
So they conducted an unusual experiment to find out,
They started by dividing a group of American students according to their political allegiance,
Half were strong Democrat Party supporters,
The other half supported the Republicans,
The students were asked to dole out a portion of foul-tasting hot spicy sauce for someone to eat,
First they were told to do it for a supporter of their favoured political party
and then for a supporter of the party they opposed,
The students served on average the same amount of spicy sauce
regardless of whether it was for political friends or adversaries,
The psychologists then took another group of students,
but they asked them to read
a series of questions designed to make them think about their own death,
(W0MAN) Please briefly describe the emotions that the thought of your death arouses in you,
Jot down as specifically as you can what you think will happen to you as you physically die,
(SPIVEY) When these students measured out the sauce for their political allies, nothing changed,
0nce again, the portion averaged 12 grams,
But when they doled out the sauce for their political opponents, something happened,
This time they measured out an average of 27 grams of sauce,
more than twice the previous amount,
So, reminding people of their own deaths
seems to drive them towards supporting those who share their values
and opposing those who don't,
And the experiment suggested this was a universal human instinct,
as relevant to modern-day students as to 15th-century Aztecs,
(GREENBERG) These results suggest
when people are reminded of their own mortality
they are going to lash out at those who have a different belief system than their own,
the idea being that
when we think about our own death we become more invested in our own belief system
and someone with a different belief system becomes psychologically threatening,
so we're gonna lash out at them, oft-times with violence.
(SPIVEY) This psychological explanation would also account for unsettling images like these,
This was painted to inspire loyalty to French revolutionary values,
Here a painting celebrates the sacrifices that were made for Spanish independence,
This etching was created to provoke revulsion towards slavery,
And in Nazi Germany the skull and crossbones was used by the SS to instil obedience,
In each case, disturbing images of death were being used to bind people to a cause,
So, we seem to surround ourselves with two very different types of images of death,
Some reassure us,,,
whereas others terrify,
Each has a powerful hold over the human mind,
but just imagine the power of an image that could do both,
Because there seems to be another kind of image of death,
strangely, one that terrifies and reassures us both at the same time.
In the Western world, this is one of the most familiar images that we ever see.
It's used to reassure people,
and even if you're not a Christian there are plenty of people who take great comfort from it,
But, just for a moment,
look at the cross simply as an image.
It's the figure of a man oozing blood, dying an agonising death,
It should terrify us,
Is this really so far from the images of sacrifice created by the Aztecs?
So, why create an image that both terrifies and reassures at the same time?
What's going on psychologically
that makes this image such a comfort to countless millions of people?
Well, now we may be able to find the answer
because we now know the moment
at which human beings first brought together images of death which both reassure and terrify,
It happened here in Italy,
Two and a half thousand years ago, a great civilisation ruled this land,
It had cities, wealth and beautiful art,
No, not the Romans,
These people were the Etruscans,
Who laid the foundations of Rome?
Not the Romans. The Etruscans.
You thought gladiators were Roman?
You're wrong, because they were Etruscan, too,
Think straight roads were a Roman idea? No, they were Etruscan.
Bridge building, irrigation systems,
the Etruscans were superb engineers.
They gave Rome the tools to build an empire.
Despite this,
for a long time it was believed that little remained of this once-great civilisation,
Then, in the 19th century, archaeologists began to prove otherwise
with a series of discoveries that would give us the final chapter of our story,
They lay buried underground,,,
,,because down here are thousands upon thousands of Etruscan tombs,
This is where the Etruscans buried their dead
and they're some of the most reassuring visions of the afterlife ever created,
I'm in the tomb of the Matuna family,
who lived in Cerveteri about two and a half thousand years ago,
and although this was designed for them in their death, it's got a very cosy feel about it.
The Matunas were given tools for farming, livestock,
cooking utensils, a flagon of wine, beds
and even little luxuries such as a pair of slippers for those cold winter mornings,
With all this food, the only problem the Matunas may have faced in the afterlife is mice
but, thoughtfully, the artist has created a cat,
Etruscan tombs were designed
as houses for the dead,
so they've got all the features that you'd expect from a house.
We've got doorways leading into bedrooms, en suite of course,
windows,
really sturdy roof beams.
They made them to last,
Thousands of years after the wooden houses of the living have disappeared,
the stone cities of the dead still stand,
For the Etruscans, death seemed to be simply a joyful continuation of life,
(WHISPERS) If I were an Etruscan, I'd be looking forward to my death,
But it wasn't the whole story. There was a dark side to the Etruscan view of the afterlife.
And it was dramatically revealed to the world 20 years ago,
In 1985 Italian workers were digging a trench for a new pipeline
to supply the town of Tarquinia with water,
They came across yet another buried Etruscan tomb and called in the archaeologists,
The archaeologists pushed a tiny camera through the earth to investigate,
What they first saw was what they expected to see,
Covering one wall of the tomb
were the kind of enchanting images for which the Etruscans were famous,
Anyone buried here would be surrounded by paintings of a reassuring afterlife,
Then the archaeologists turned their camera around,
and what they saw on the opposite wall shocked them,
Here were paintings of disturbing and unsettling creatures,
images intended not to reassure but to terrify,
This is the blue demon,
the hook-nosed creature from the Etruscan underworld.
The demon's skin is the colour of rotting human flesh,
He has a snake coiled around his arms,
Beside him is a winged devil, ready to drag the dead off to an underworld of pain and suffering,
An Etruscan artist devised this vision of a terrifying afterlife
around 420 BC,
making it perhaps our oldest surviving image of hell.
It's not intended to reassure, quite the opposite,
When they dated this tomb, archaeologists realised it marked a watershed,
For the previous 200 years,
Etruscans had created tombs full of images promising only a happy afterlife,
but then something had changed,
By 400 BC,
the Etruscans were combining, in a single work of art,
images of death that were both reassuring...
..and terrifying,
rather as we do today.
So, what had happened?
At this time,
the Etruscans were being threatened by the rise of another Italian civilisation,
a greedy and aggressive people
who would steal their land and destroy their culture,
Who else but the Romans?
The Etruscans knew the Romans were coming
and they knew they needed to resist them at all costs,
Their tombs became a resonant call to arms because they offered a stark choice,
Would you be damned or saved?
These images of hell reminded the Etruscans
of the gruesome fate that awaited them if they failed in their duty and surrendered,
But these images of a reassuring afterlife
promised the Etruscans their reward if they stood up to the imminent threat,
For the first time in history, these conflicting images had been brought together,
The Etruscans gave us the earliest images of hell
and in doing so they created the first ever images of what we today would call redemption,
This is the place where the Etruscans built their capital,
Today it's the Italian city of 0rvieto,
Around 1500 AD, almost 2,000 years after the Etruscans had disappeared,
Christians built a cathedral here,
0n its walls are two huge frescos,,,
one showing the damned suffering in hell,,,
and here those who have been saved rising up to heaven,
(CH0RAL SINGING)
Notice anything?
Well, again, we've got a vision of the happy afterlife
contrasted with an intense depiction of suffering and pain in the other world
meted out by blue-green demons,
These frescos offer the same mix of terror and reassurance
as the Etruscans' tombs 2,000 years earlier,
This, if you like, was their legacy.
The artist who painted these images
knew only too well the powerful effect that combining them had over the human mind,
(GREENBERG) The cleverness of the idea of redemption is that
it can lead people to actually look forward to death, rather than dreading it,
The idea of sacrifice for the greater good is widespread,
the idea of falling on a grenade for one's buddies,
Then what we do is we memorialise such people, They're remembered more than the rest of us,
So the idea of giving up one's life for the greater good
and then getting something from that, getting redemption, and being in a better place
by dying in a heroic manner,
And that's why the cross is unique.
It's the one single image that's working on the human mind in two opposing ways.
It's a terrifying image, representing pain, loss and suffering,
and yet at the same time it's an image that reassures, one that holds out hope.
This combination has made the cross one of the most powerful symbols ever
and it explains why so often it's been used to try to give meaning
in the face of the incomprehensible loss of life.
(CH0RAL SINGING)