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- [Instructor] Color Balance is a useful tool as well.

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And I use it more for stylizing images,

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rather than just trying to correct something.

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However, it is good for correction as well.

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Let me show you how it works.

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So you have these different views in Color Balance.

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You have the Master view, 3-Way where you can look

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at Shadow, Midtone, and Highlights all in one view,

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and then the way that I like to work

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with Shadow, Midtone, and Highlights separately.

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Let's go to Master, this affects all

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of these at the same time.

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I'm going to up my saturation, that happens right over here.

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This is the saturation adjustment over here.

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And let me just see what I can do here.

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I'm going to see if I can get that, there we go.

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So there's our saturation adjustment.

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So I'm going to move it up about halfway

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so you can see the changes that I make

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when I play with hue, right here.

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So I just rotate this around, and you can see

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that this affects all three shadows, midtones,

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and highlights, at the same time.

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So that is, okay, that's pretty nice.

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I like to work on the individual channels myself.

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Now I can do that in 3-Way,

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but I prefer to do them individually, where I just work

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with Shadows first, and then I go over to Highlights second,

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and then I'll go to Midtone third.

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And by just having this one color wheel,

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again with saturation adjustment right here,

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hue adjustment right here, and then light

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and dark right here, I can really focus on what I'm doing.

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In one of the uses that I do with this

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is to create a stylized color look.

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For instance, a look that's been popular in the movies

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is the teel and orange look, where you have teel

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in the shadow areas and orange more in the highlight areas.

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Let me show you.

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I created a layer here, right here.

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And that look right there.

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(laughs)

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I mean there're different variations on this,

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but you can see how the blacks have this teel tint to them.

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I'll turn on and off that layer

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and you can see that change right there.

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And then the skin tones, the highlights

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and the midtones are more orangey.

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This is very easy to do in color balance.

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So, shadow, you notice that I moved it all the way over here

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And I can increase the saturation on that if I want.

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So I can go real crazy with that.

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I don't (laughs), I don't.

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I want to see just a little bit of teel in the backdrop

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and maybe in the hair, but not too much.

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And then again, of course, I can play

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with the lightness and darkness of this as well.

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We're going to make it a little bit lighter right there.

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Okay, now next I usually do highlights.

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And here you'll see that I'm very much

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in the orange zone right here.

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And I've moved this saturation up quite a bit.

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Something like that.

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And I've also moved the lightness up,

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right there in the Highlights.

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And then Midtones, very similar.

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Not quite as orange here, I'm going to move

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it a little bit more over to the orange.

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Well, no I kind of like it right there, actually.

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So I'm going to leave it right about there.

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And then again Saturation, right there.

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And then make sure things are nice and bright.

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Okay, so that is using the Color Balance tool

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to create a stylized look.

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There's what we started with,

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and there is my orange and teel look.

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And you can do that with layers and just have

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all these different looks and then just turn them on and off

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and decide, hey I ended up liking layer number three,

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and then go with that one.

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Now if you want to do that, if you want to create these layers,

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make sure that when you create the layer that you go

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with the Filled layer when you work with this tool.

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All righty, and I'll hit the M key

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so you can see what I'm talkin' about.

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See it's affecting everything in the shot.

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Because I'm not doing any localized editing,

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I'm just working on highlights, shadows, and midtones.


