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- In our previous movie, we enabled YRGB Color Managed.

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And you'll notice that there are

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a couple interesting options here once we enable that.

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There's Automatic Color Management,

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we've got a Color Processing Mode,

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we've got an Output Color Space.

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So the first thing I like to do when I enable Color Space

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and the RCM or the DaVinci YRGB Color Managed Workflow is

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make sure my output Color Space is set correctly.

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In my grading suite, with my display

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on this Flanders Scientific DM 250, which is an OLED,

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it's a reference display OLED.

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And most of my work is designed for Rec.709 delivery.

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And so what I want to do is set my output Color Space

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to match my viewing environment.

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That's what you want to do when you're starting

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to Color Grade.

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What kind of environment are you in?

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That's going to determine your Gamma, Gamma 2.2 or 2.4.

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If you're in office and you're delivering to YouTube,

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your viewing environment

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will match your delivery environment.

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Most people are watching YouTube on their phones

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or on an iPad or on their computer,

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in a relatively bright environment, you want Gamma 2.2.

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If you're in a space like this, where I've got dim lights,

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I've got carefully controlled colors.

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And so I'm set for a reference level environment,

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which is Gamma 2.4.

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So let's take a look at my output setting again

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to see what I need to do to match my space.

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So the first thing I like to set is my Output Color Space

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and the, what are the choices we have here?

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Let's click on that.

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And we've got SDR Rec.709, SDR Rec.2020,

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HDR, HLG and HDR PQ.

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Now, honestly, this is probably one

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of the simplest of these choices you're going to have to make.

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Why is that?

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Because, if you don't know what these awful ones are

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you're not working in them.

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If you don't know what the HDR HLG or HDR PQ settings are,

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then you are not working in HDR

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and you don't have to work it.

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What is HDR?

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High Dynamic Range, SDR, Standard Dynamic Range.

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Almost all of us 80%, 90% of the time

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are going to be working in Rec.709 SDR.

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So let's go ahead and make sure we've set SDR Rec.709,

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which is the default for good reason.

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The other thing we have to set here

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is our Color Processing Mode.

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Now, if I open up this pull down,

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there are two choices, SDR or HDR.

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I'm just going to select SDR.

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And if we stop here, then we're done.

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We are now in a Color Managed Workflow.

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In truth, there's a little bit more work to it,

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but to set up Davinci Resolve

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for a very easy Color Managed Workflow,

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we've just done what we need to do in project settings

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in order to enable Resolve Color Management.

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So we're going to go ahead,

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we're going to press Save.

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We are now in a Color Managed Workflow.

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You'll notice the colors have changed here slightly.

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And we're going to talk about the next step in the next movie.