1 00:04:02.000 --> 00:04:07.416 How long have I favoured her 2 00:04:08.500 --> 00:04:13.583 through the past until today 3 00:04:21.291 --> 00:04:26.500 travelling across the mountains by myself 4 00:04:28.750 --> 00:04:32.875 with nobody to accompany me 5 00:04:36.125 --> 00:04:40.625 the stream I leapt in a single bound 6 00:04:47.500 --> 00:04:53.416 though the current was running high 7 00:04:54.250 --> 00:04:59.250 I have neglected my pure bright soul 8 00:05:02.375 --> 00:05:07.708 because of my small dark Rose. 9 00:05:17.791 --> 00:05:23.000 The stream will rise with powerful waves 10 00:05:24.666 --> 00:05:29.416 and the mountains torn asunder 11 00:05:35.625 --> 00:05:40.375 the sea will turn to red waves 12 00:05:44.250 --> 00:05:50.500 and the sky will be red with blood 13 00:05:52.500 --> 00:05:58.833 each mountain valley all over the land 14 00:06:04.125 --> 00:06:08.791 and the moors will be quaking 15 00:06:12.750 --> 00:06:17.166 some fine day before 16 00:06:18.666 --> 00:06:22.916 my small dark Rose expires. 17 00:14:34.083 --> 00:14:36.541 He lacked neither taste nor ambition 18 00:14:36.791 --> 00:14:39.458 by choosing to build his private mansion 19 00:14:39.708 --> 00:14:42.833 in front of the most beautiful palace in the city, 20 00:14:43.041 --> 00:14:46.708 on a crescent especially designed for this purpose. 21 00:14:46.958 --> 00:14:50.250 The owner's intention is not to make it disappear 22 00:14:50.500 --> 00:14:53.791 on this rather formal, political crescent 23 00:14:54.041 --> 00:14:56.666 but to be exactly where it belongs; 24 00:14:57.041 --> 00:15:02.291 by setting back the fa?ade from the alignment of the boulevard 25 00:15:02.541 --> 00:15:06.000 he makes this house all the more remarkable. 26 00:15:06.541 --> 00:15:10.250 With this house the owner shows his power. 27 00:15:11.416 --> 00:15:14.416 The phenomenon of collecting is something very bourgeois. 28 00:15:14.708 --> 00:15:17.791 The art of collecting developed gradually 29 00:15:18.041 --> 00:15:22.541 which in the beginning was something rather risky 30 00:15:22.833 --> 00:15:27.541 but ultimately constituted a bourgeoisie that was 31 00:15:27.750 --> 00:15:30.291 elitist and aesthetically informed. 32 00:15:30.916 --> 00:15:35.708 Here, the family has built up a rare collection of impressive tapestries. 33 00:15:36.166 --> 00:15:40.875 You have one here from the 17th century which represents 34 00:15:41.083 --> 00:15:44.458 what one could call a greenery; 35 00:15:44.916 --> 00:15:47.333 a palace, with a pond 36 00:15:47.583 --> 00:15:51.916 that can powerfully evoke the idea of Paradise. 37 00:15:52.291 --> 00:15:56.583 A 17th century tapestry, with an 18th century tapestry 38 00:15:56.875 --> 00:15:59.541 gives us a feeling for this collection. 39 00:16:00.291 --> 00:16:02.958 The collection, of course, also has many paintings. 40 00:16:03.208 --> 00:16:06.541 If you look at the portrait directly behind me 41 00:16:06.833 --> 00:16:09.000 you see a child 42 00:16:09.416 --> 00:16:13.166 who gives the illusion of being a member of the family 43 00:16:13.416 --> 00:16:15.250 but this is not at all true 44 00:16:15.416 --> 00:16:21.458 because these paintings were purchased solely for the purpose of display. 45 00:16:22.041 --> 00:16:27.166 You can find yourself in front of portraits of men and women 46 00:16:27.541 --> 00:16:29.833 that seem to be family members 47 00:16:30.166 --> 00:16:32.958 but in reality are simply the most valuable 48 00:16:33.208 --> 00:16:35.791 and important pieces in the collection. 49 00:16:39.291 --> 00:16:43.625 Obviously, the family - like any bourgeois family - 50 00:16:43.833 --> 00:16:46.416 also feature within the collection 51 00:16:47.666 --> 00:16:52.708 such as this full-length portrait depicting father and daughter. 52 00:16:52.833 --> 00:16:56.791 Strangely though, the mother does not appear in this portrait; 53 00:16:57.125 --> 00:16:59.916 we are in front of two people 54 00:17:00.375 --> 00:17:02.291 who could be married... 55 00:20:37.958 --> 00:20:40.041 Farewell 56 00:20:40.833 --> 00:20:43.166 your brilliant youth 57 00:20:43.666 --> 00:20:46.958 come on, you??e had your fun 58 00:20:49.541 --> 00:20:53.666 you??e squandered all your riches 59 00:20:54.750 --> 00:20:59.083 now you must repent. 60 00:21:00.333 --> 00:21:07.125 If it's true that you feasted and danced in the palaces 61 00:21:11.541 --> 00:21:15.208 then go, lay bare on the straw 62 00:21:16.791 --> 00:21:20.958 like a donkey full of hay. 63 00:21:22.208 --> 00:21:28.000 Farewell, you who lazed around and saw yourself adored 64 00:21:32.458 --> 00:21:36.583 Farewell to the money you wasted 65 00:21:38.916 --> 00:21:42.250 now the wheel has turned. 66 00:21:43.541 --> 00:21:47.708 You have to change your ways 67 00:21:48.083 --> 00:21:57.000 if you don?? want to suffer punishment for your crimes 68 00:21:58.791 --> 00:22:02.333 Bastard! We??l finish you off. 69 00:22:04.291 --> 00:22:11.583 Farewell, father of all vice Lent has now arrived 70 00:22:15.083 --> 00:22:18.916 Judgement day is here 71 00:22:20.250 --> 00:22:24.083 Farewell, you who are going to die. 72 00:22:26.333 --> 00:22:29.541 All the people bid farewell 73 00:22:32.291 --> 00:22:35.041 they rejoice while off you go. 74 00:22:37.708 --> 00:22:41.333 Your last hour has come 75 00:22:43.333 --> 00:22:47.958 Farewell, poor Carnav?s. 76 00:22:48.958 --> 00:22:52.250 Farewell, poor - 77 00:22:55.083 --> 00:22:59.041 farewell, poor Carnav?s. 78 00:23:00.958 --> 00:23:05.125 Off you go and I rejoice 79 00:23:06.416 --> 00:23:09.708 farewell, poor Carnav?s. 80 00:25:00.916 --> 00:25:06.166 Come and have a drink with me 81 00:25:06.833 --> 00:25:10.041 oh my beautiful Ramikiya 82 00:25:14.291 --> 00:25:19.541 let?? share a moment of happiness 83 00:25:21.291 --> 00:25:25.666 in this fleeting life. 84 00:25:39.541 --> 00:25:43.916 With your sweet breath like perfume 85 00:25:47.083 --> 00:25:51.166 pour me a drink. 86 00:25:54.166 --> 00:25:57.583 Fill my glass with wine 87 00:26:01.583 --> 00:26:05.833 and let my mind wander. 88 00:26:09.041 --> 00:26:12.791 Don?t they say to be in love 89 00:26:16.958 --> 00:26:20.666 is to endure it all? 90 00:26:23.416 --> 00:26:27.541 Let our drinks gently mingle 91 00:26:28.291 --> 00:26:31.458 in our decorated glasses, 92 00:26:35.916 --> 00:26:40.791 no price is too high 93 00:26:42.333 --> 00:26:46.791 for such a moment of happiness. 94 00:26:49.541 --> 00:26:53.416 Come and have a drink with me 95 00:26:54.583 --> 00:26:58.041 oh my beautiful Ramikiya 96 00:27:01.708 --> 00:27:05.291 let?? share a moment of happiness 97 00:27:08.416 --> 00:27:13.541 in this fleeting life. 98 00:28:48.916 --> 00:28:51.791 Ever since he left 99 00:28:53.416 --> 00:28:56.041 Ever since he left 100 00:28:56.333 --> 00:28:58.916 the house that morning. 101 00:28:59.541 --> 00:29:02.541 Ever since he left 102 00:29:02.791 --> 00:29:05.666 he never did return 103 00:29:05.833 --> 00:29:08.916 I searched for him among his fellow sailors 104 00:29:09.291 --> 00:29:11.708 but no news 105 00:29:12.416 --> 00:29:15.291 oh abyssal sea. 106 00:29:16.291 --> 00:29:18.041 Oh abyssal sea 107 00:29:18.166 --> 00:29:20.166 how many men, women, 108 00:29:20.416 --> 00:29:22.083 boys, girls, 109 00:29:22.416 --> 00:29:24.416 and children have you taken. 110 00:29:24.958 --> 00:29:27.833 Ever since I accompanied 111 00:29:28.791 --> 00:29:31.916 my dear friend to his boat 112 00:29:32.958 --> 00:29:37.041 he has not been seen again 113 00:29:37.708 --> 00:29:39.958 Oh abyssal sea.