1 00:00:03,620 --> 00:00:06,000 hey everyone Josh powers here with quick 嘿大家Josh很快就在这里 2 00:00:06,200 --> 00:00:08,010 cyl and in this breakdown I'll be 我会在这个崩溃中 3 00:00:08,210 --> 00:00:08,970 walking you through some of the 带你走过一些 4 00:00:09,169 --> 00:00:10,470 techniques I use to construct this 我用来构建这个技术 5 00:00:10,669 --> 00:00:12,530 post-apocalyptic suburban street scene 后世界末日的郊区街景 6 00:00:12,730 --> 00:00:14,970 the scene is almost entirely made up of 场景几乎全部由 7 00:00:15,169 --> 00:00:16,440 mega scans assets that I not only mega扫描资产，我不仅 8 00:00:16,640 --> 00:00:19,019 exported straight from the library but 直接从图书馆出口但是 9 00:00:19,219 --> 00:00:20,970 also leveraged inside quick so mixer to 内部也快速利用混音器 10 00:00:21,170 --> 00:00:22,800 create unique environment textures for 为...创建独特的环境纹理 11 00:00:23,000 --> 00:00:24,870 the street and sidewalk and though 街道和人行道虽然 12 00:00:25,070 --> 00:00:26,609 creating such a detailed environment is 创造这样一个详细的环境是 13 00:00:26,809 --> 00:00:29,039 always a challenge the task was much 总是挑战任务的重要性 14 00:00:29,239 --> 00:00:30,839 easier to achieve thanks to the gigantic 由于巨大的变化，更容易实现 15 00:00:31,039 --> 00:00:32,549 list of assets available on the mega 巨型资产清单 16 00:00:32,750 --> 00:00:34,768 scans library which allowed me to focus 扫描图书馆，让我专注 17 00:00:34,969 --> 00:00:36,479 my efforts on the environment art itself 我对环境艺术本身的努力 18 00:00:36,679 --> 00:00:38,538 and not the monotonous technical work 而不是单调的技术工作 19 00:00:38,738 --> 00:00:41,099 also be sure to join us on the 23rd of 也一定要加入我们23日 20 00:00:41,299 --> 00:00:43,589 this month at 7 p.m. CET for a live 这个月中欧时间晚上7点开始现场直播 21 00:00:43,789 --> 00:00:45,089 stream where I'll be going over some 在我要去的地方 22 00:00:45,289 --> 00:00:46,739 additional techniques in greater depth 更深入的其他技术 23 00:00:46,939 --> 00:00:48,839 and also answering any questions you 并回答你的任何问题 24 00:00:49,039 --> 00:00:51,628 might have and on that note let's jump 可能有，并在那个说明让我们跳 25 00:00:51,829 --> 00:00:52,518 right in 就在 26 00:00:52,719 --> 00:00:54,689 ordinarily I would probably build this 通常我可能会建立这个 27 00:00:54,890 --> 00:00:56,518 scene with modular assets that I could 我可以使用模块化资产的场景 28 00:00:56,719 --> 00:00:58,439 snap together to lay out a larger level 合在一起布置更大的水平 29 00:00:58,640 --> 00:01:00,719 however since the scope of this level is 但是因为这个级别的范围是 30 00:01:00,920 --> 00:01:02,820 fairly limited I built out the street 相当有限的我建在街上 31 00:01:03,020 --> 00:01:04,588 and sidewalks as unique meshes with 和人行道作为独特的网格 32 00:01:04,789 --> 00:01:07,109 pretty basic you v's 非常基本的你v 33 00:01:07,310 --> 00:01:09,399 okay I've imported my geometry and 好吧我已经导入了我的几何体 34 00:01:09,599 --> 00:01:10,869 unreal but now I need some asphalt 不真实，但现在我需要一些沥青 35 00:01:11,069 --> 00:01:13,750 materials to apply to the street there 材料适用于那里的街道 36 00:01:13,950 --> 00:01:15,489 are numerous asphalt materials and 有很多沥青材料和 37 00:01:15,689 --> 00:01:17,109 decals to choose from in the mega scans 贴花可在大型扫描中选择 38 00:01:17,310 --> 00:01:19,359 library but I wanted to add some custom 库但我想添加一些自定义 39 00:01:19,560 --> 00:01:21,879 details to these textures so I decided 细节到这些纹理所以我决定 40 00:01:22,079 --> 00:01:23,560 to take the asphalt scans and load them 进行沥青扫描并加载它们 41 00:01:23,760 --> 00:01:24,909 up in the mixer to create my own 在混音器中创建我自己的 42 00:01:25,109 --> 00:01:27,670 surfaces the base asphalt covers most of 表面基础沥青覆盖了大部分 43 00:01:27,870 --> 00:01:29,469 the scene so I wanted something that was 现场，所以我想要的东西 44 00:01:29,670 --> 00:01:31,480 a little weathered but didn't have a lot 有点风化，但没有很多 45 00:01:31,680 --> 00:01:33,039 of unique details that would become 将成为独特的细节 46 00:01:33,239 --> 00:01:34,750 obviously repeated throughout the scene 整个场景显然都在重复 47 00:01:34,950 --> 00:01:37,060 I then duplicated the mix and made a 然后我复制混合物并制作了一个 48 00:01:37,260 --> 00:01:38,469 couple variants of the texture 几种变体的纹理 49 00:01:38,670 --> 00:01:40,509 increasing the damage and adding more 增加伤害并增加更多 50 00:01:40,709 --> 00:01:42,310 grime by blending an additional scan 通过混合额外的扫描污垢 51 00:01:42,510 --> 00:01:45,369 data and adding decals once I finished I 数据并在我完成后添加贴花 52 00:01:45,569 --> 00:01:46,840 could either export the texture Maps 可以导出纹理贴图 53 00:01:47,040 --> 00:01:49,569 through the export tab or as Viktor 通过导出选项卡或Viktor 54 00:01:49,769 --> 00:01:51,189 demonstrated in the dust to breakdown 在尘埃中证明了崩溃 55 00:01:51,390 --> 00:01:53,200 video which if you haven't seen it yet I 视频，如果你还没有看到它我 56 00:01:53,400 --> 00:01:56,140 highly recommend you watch it I can save 强烈建议你看它我可以保存 57 00:01:56,340 --> 00:01:58,299 the mix to mega scans library and export 混合到大型扫描库和导出 58 00:01:58,500 --> 00:02:01,849 straight into unreal from bridge 从桥上直接变成虚幻的 59 00:02:02,010 --> 00:02:04,480 to do this I'll go into bridge and click 要做到这一点，我将进入桥梁并单击 60 00:02:04,680 --> 00:02:06,280 on the mixer category where I'll find 在我会找到的混音器类别 61 00:02:06,480 --> 00:02:08,230 the three asphalt mixes I just saved out 我刚刚救了三个沥青混合料 62 00:02:08,430 --> 00:02:11,710 from mixer if I hold down control I can 从混音器，如果我按住控制，我可以 63 00:02:11,909 --> 00:02:13,630 select all three of them and export them 选择所有这三个并导出它们 64 00:02:13,830 --> 00:02:16,719 at once back in unreal I now have a 我现在有了一个不真实的回归 65 00:02:16,919 --> 00:02:18,640 custom surface folder with all three of 自定义表面文件夹与所有三个 66 00:02:18,840 --> 00:02:20,140 the materials I just imported from 我刚从中导入的材料 67 00:02:20,340 --> 00:02:22,390 bridge I'll copy each of the materials 桥我会复制每一种材料 68 00:02:22,590 --> 00:02:25,780 into the route custom surface folder now 现在进入路线自定义表面文件夹 69 00:02:25,979 --> 00:02:27,730 I could manually make a vertex blending 我可以手动进行顶点混合 70 00:02:27,930 --> 00:02:30,070 material myself but thanks to the mega 材料自己，但感谢巨型 71 00:02:30,270 --> 00:02:32,650 scans live link I don't have to all I 扫描实时链接我不需要所有我 72 00:02:32,849 --> 00:02:35,439 need to do is open up live link and then 需要做的是打开实时链接然后 73 00:02:35,639 --> 00:02:37,060 I'll select the three asphalt materials 我会选择三种沥青材料 74 00:02:37,259 --> 00:02:39,430 and then I'll click create material 然后我会点击创建素材 75 00:02:39,629 --> 00:02:42,010 blend on live link if I look in a folder 如果我查看文件夹，请混合实时链接 76 00:02:42,210 --> 00:02:44,500 called blend underscore materials I see 我看到称为混合下划线材料 77 00:02:44,699 --> 00:02:45,310 that I have a blend material 我有一个混合材料 78 00:02:45,509 --> 00:02:48,850 automatically generated for me all I 我自动为我生成 79 00:02:49,050 --> 00:02:50,620 have to do now is drag and drop it onto 现在要做的就是拖放它 80 00:02:50,819 --> 00:02:53,680 the road and I'm ready to paint with the 这条路，我准备好了 81 00:02:53,879 --> 00:02:55,960 vertex painting tool selected I switch 选择顶点绘画工具我切换 82 00:02:56,159 --> 00:02:57,730 between the r and g channels to paint 在r和g通道之间绘画 83 00:02:57,930 --> 00:02:59,380 down the different asphalt materials i 不同的沥青材料我 84 00:02:59,580 --> 00:03:02,170 just imported each color channel reveals 刚导入的每个颜色通道都显示出 85 00:03:02,370 --> 00:03:03,700 a texture set based on how they're 基于它们如何设置的纹理 86 00:03:03,900 --> 00:03:05,770 assigned in the material and you can 在材料中分配，你可以 87 00:03:05,969 --> 00:03:07,509 even paint down puddles using the blue 甚至用蓝色涂抹水坑 88 00:03:07,709 --> 00:03:10,450 channel however in this case i chose to 然而在这种情况下，我选择了 89 00:03:10,650 --> 00:03:12,040 implement the puddles through mixers so 通过搅拌机实现水坑 90 00:03:12,240 --> 00:03:15,280 i don't use the blue channel as i said 我没有像我说的那样使用蓝色通道 91 00:03:15,479 --> 00:03:17,320 before i'm primarily relying on the base 在我主要依靠基地之前 92 00:03:17,520 --> 00:03:19,630 texture and then using the secondary and 纹理，然后使用辅助和 93 00:03:19,830 --> 00:03:21,550 tertiary texture sets sporadically to 三级纹理偶尔设置 94 00:03:21,750 --> 00:03:23,289 add some visual interest and textural 添加一些视觉兴趣和纹理 95 00:03:23,489 --> 00:03:26,710 breakup to the street this is looking 分手到街上看 96 00:03:26,909 --> 00:03:28,060 pretty good but it could definitely use 相当不错，但绝对可以使用 97 00:03:28,259 --> 00:03:29,950 a lot more details so now i'm ready to 更多细节所以我现在准备好了 98 00:03:30,150 --> 00:03:32,860 start adding some decals decals are a 开始添加一些贴花贴花是一个 99 00:03:33,060 --> 00:03:34,420 simple but powerful way to add a 添加一个简单但功能强大的方法 100 00:03:34,620 --> 00:03:36,189 tremendous amount of depth and detail to 巨大的深度和细节 101 00:03:36,389 --> 00:03:38,740 any environment it's also perfect for 任何环境，它也是完美的 102 00:03:38,939 --> 00:03:40,240 hiding repetitive features in your 隐藏重复的功能 103 00:03:40,439 --> 00:03:42,370 textures and it will help make every 纹理，它将有助于使每一个 104 00:03:42,569 --> 00:03:44,200 pixel in the environment feel unique I 像素在环境中感觉独特我 105 00:03:44,400 --> 00:03:46,390 like to layer decals which I can do by 喜欢贴花贴花，我可以做 106 00:03:46,590 --> 00:03:48,370 adjusting the sort order so I can 我可以调整排序顺序 107 00:03:48,569 --> 00:03:50,770 quickly construct new unique details for 快速构建新的独特细节 108 00:03:50,969 --> 00:03:52,480 a higher level of visual fidelity as 更高水平的视觉保真度 109 00:03:52,680 --> 00:03:54,730 well as help me get the most mileage out 以及帮助我​​获得最大的里程数 110 00:03:54,930 --> 00:03:57,550 of each decal for example by placing 例如，通过放置每个贴花 111 00:03:57,750 --> 00:03:59,590 some grass Tufts just over this crack 一些草丛就在这个裂缝上 112 00:03:59,789 --> 00:04:01,689 I'm not only adding a subtle depth of 我不仅添加了一个微妙的深度 113 00:04:01,889 --> 00:04:03,550 realism to the shot but I'm also 射击的现实主义，但我也是 114 00:04:03,750 --> 00:04:05,469 disguising how often I use this same 伪装我经常使用同样的东西 115 00:04:05,669 --> 00:04:07,270 crack decal and other parts of the scene 裂缝贴花和场景的其他部分 116 00:04:07,469 --> 00:04:10,330 and of course decals can also be used in 当然贴花也可用于 117 00:04:10,530 --> 00:04:12,129 much more subtle ways such as asphalt 更多微妙的方式，如沥青 118 00:04:12,329 --> 00:04:13,480 debris dirt 碎屑污垢 119 00:04:13,680 --> 00:04:15,848 grime and leaves which will allow you to 污垢和叶子，这将允许你 120 00:04:16,048 --> 00:04:17,288 really transform the look and feel of 真正改变了外观和感觉 121 00:04:17,488 --> 00:04:19,778 your scene after following the same 你的场景跟着一样 122 00:04:19,978 --> 00:04:21,968 process for the sidewalks the scene is 现场人行道的过程 123 00:04:22,168 --> 00:04:23,170 really starting to come together 真的开始走到一起了 124 00:04:23,370 --> 00:04:26,069 so now it's time to drop in some props I 所以现在是时候放下一些道具了 125 00:04:26,269 --> 00:04:28,270 jump back into Bridge and select 跳回Bridge并选择 126 00:04:28,470 --> 00:04:30,790 multiple props by holding ctrl and then 通过按住ctrl然后再多个道具 127 00:04:30,990 --> 00:04:32,588 export them into unreal with a single 用单一的方式将它们导出为虚幻 128 00:04:32,788 --> 00:04:34,170 click 点击 129 00:04:34,370 --> 00:04:36,360 I start off by placing down some of the 我首先放下一些 130 00:04:36,560 --> 00:04:38,579 larger prop assets like jersey barriers 更大的支柱资产，如球衣障碍 131 00:04:38,779 --> 00:04:42,750 trees road signs barrels etc 树木路标桶等 132 00:04:42,949 --> 00:04:45,060 I then move down to some smaller props 然后我转向一些较小的道具 133 00:04:45,259 --> 00:04:47,250 such as trash food containers and broken 如垃圾食品容器和破碎 134 00:04:47,449 --> 00:04:49,150 masonry 石工 135 00:04:49,350 --> 00:04:51,670 here I'm layering decals with props to 在这里，我用道具分层贴花 136 00:04:51,870 --> 00:04:53,379 really help blend this asphalt rubble 真的有助于混合这种沥青瓦砾 137 00:04:53,579 --> 00:04:55,900 pile into the scene because the place 因为这个地方堆成了场景 138 00:04:56,100 --> 00:04:57,430 decal will bleed onto the rubble 贴花会流到废墟上 139 00:04:57,629 --> 00:04:58,240 geometry 几何 140 00:04:58,439 --> 00:05:00,520 it really helps soften the transition 它确实有助于缓和转型 141 00:05:00,720 --> 00:05:02,889 from the prop to the ground as I 从我的支柱到地面 142 00:05:03,089 --> 00:05:04,870 mentioned with the decals when you layer 分层时用贴花提到 143 00:05:05,069 --> 00:05:06,490 assets you can get some really 您可以获得一些资产 144 00:05:06,689 --> 00:05:09,819 great-looking results okay so the scene 看起来很棒的结果还好现场 145 00:05:10,019 --> 00:05:11,530 is really coming along but it's still 真的来了，但它仍然存在 146 00:05:11,730 --> 00:05:13,780 feeling a little stale and one of the 感觉有点陈旧和其中一个 147 00:05:13,980 --> 00:05:15,340 reasons for that is because there's a 原因是因为有一个 148 00:05:15,540 --> 00:05:18,220 lack of vegetation in the scene in any 任何场景都缺乏植被 149 00:05:18,420 --> 00:05:19,810 post civilized environment we would 我们会发布文明环境 150 00:05:20,009 --> 00:05:21,879 expect to see nature reclaiming anything 期待看到大自然回收任何东西 151 00:05:22,079 --> 00:05:24,670 constructed by humans to help me achieve 由人类构建来帮助我实现 152 00:05:24,870 --> 00:05:26,949 this look I heavily rely on unreal 这看起来我非常依赖虚幻 153 00:05:27,149 --> 00:05:29,259 scatter tool also known as the foliage 散射工具也称为叶子 154 00:05:29,459 --> 00:05:32,379 tool back in bridge I have quite a large 工具回到桥我有相当大的 155 00:05:32,579 --> 00:05:34,000 list of 3d plants that I can choose from 我可以选择的3d植物列表 156 00:05:34,199 --> 00:05:36,460 that will fit this scene nicely I'll 我会很好地适应这个场景 157 00:05:36,660 --> 00:05:38,590 again select multiple assets by holding 再次选择多个资产 158 00:05:38,790 --> 00:05:40,930 down ctrl and then batch export them 按下ctrl然后批量导出它们 159 00:05:41,129 --> 00:05:43,270 into unreal I can actually have live 变得不真实我真的可以活着 160 00:05:43,470 --> 00:05:45,129 link automatically propagate these plant 链接自动传播这些植物 161 00:05:45,329 --> 00:05:47,829 assets into the foliage tool for me just 资产进入树叶工具对我而言 162 00:05:48,029 --> 00:05:49,750 by checking these settings here but I 通过检查这些设置，但我 163 00:05:49,949 --> 00:05:51,009 want to start out with just a few 想要从一些开始 164 00:05:51,209 --> 00:05:53,199 specific assets so I left that off this 具体的资产，所以我离开了这个 165 00:05:53,399 --> 00:05:55,810 time I manually dragged those assets 我手动拖动那些资产的时间 166 00:05:56,009 --> 00:05:58,000 into the foliage tool window and then 进入树叶工具窗口然后 167 00:05:58,199 --> 00:05:59,590 adjust some of the settings so that it 调整一些设置以便它 168 00:05:59,790 --> 00:06:00,819 can start painting them down in the 可以开始画它们了 169 00:06:01,019 --> 00:06:03,250 grassy areas next to the sidewalk I then 我在人行道旁边的草地区 170 00:06:03,449 --> 00:06:05,050 take a few more plants such as some dead 多带一些植物，比如死了一些 171 00:06:05,250 --> 00:06:07,840 grass clovers and some weeds and more 草三叶草和一些杂草等 172 00:06:08,040 --> 00:06:10,210 sparsely populated the area to mimic 这个地区人口稀少，模仿 173 00:06:10,410 --> 00:06:12,340 seasonal die off and overgrowth of other 季节性死亡和其他的过度生长 174 00:06:12,540 --> 00:06:15,790 non Graf's vegetation this not only adds 非Graf的植被不仅增加了 175 00:06:15,990 --> 00:06:17,410 more interest to the lawn from an 对草坪的兴趣更大 176 00:06:17,610 --> 00:06:19,569 aesthetic standpoint but also adds 审美立场但也增加了 177 00:06:19,769 --> 00:06:22,300 another layer of realism I like to place 我喜欢放置另一层现实主义 178 00:06:22,500 --> 00:06:24,189 some of the plants by hand particularly 特别是一些手工植物 179 00:06:24,389 --> 00:06:26,050 in areas where I need to be mindful of 在我需要注意的领域 180 00:06:26,250 --> 00:06:28,569 the composition of the camera shot or in 镜头的组成或拍摄 181 00:06:28,769 --> 00:06:30,340 places where I need specific scale and 我需要特定规模的地方 182 00:06:30,540 --> 00:06:31,629 rotation to match up with the 旋转以匹配 183 00:06:31,829 --> 00:06:34,600 environment such as grassy decals cracks 环境如草地贴花裂缝 184 00:06:34,800 --> 00:06:37,689 and the curb so the scene is really 和路边所以现场真的 185 00:06:37,889 --> 00:06:39,370 shaping up but I need to make sure that 塑造但我需要确保 186 00:06:39,569 --> 00:06:40,900 I have sufficient detail on the ground 我有足够的细节 187 00:06:41,100 --> 00:06:42,790 especially for some of the closer camera 特别是对于一些更近的​​相机 188 00:06:42,990 --> 00:06:45,670 angles I have I'll pop back into the 我有的角度我会回到原点 189 00:06:45,870 --> 00:06:47,620 library and grab some small rocks and 图书馆，并抓住一些小石头和 190 00:06:47,819 --> 00:06:48,970 pebbles to spread around the scene 鹅卵石在场景中传播 191 00:06:49,170 --> 00:06:50,949 because these will be no larger than a 因为这些不会比a大 192 00:06:51,149 --> 00:06:53,259 couple of inches in world space and in 几英寸的世界空间和在 193 00:06:53,459 --> 00:06:55,840 some cases even smaller than that I can 有些情况比我还要小 194 00:06:56,040 --> 00:06:57,639 utilize a really handy feature in bridge 利用桥中非常方便的功能 195 00:06:57,839 --> 00:06:59,770 to set the LOD of the asset to four or 将资产的LOD设置为4或 196 00:06:59,970 --> 00:07:01,750 five since they won't need to be too 五，因为他们不需要太过 197 00:07:01,949 --> 00:07:02,710 detailed 详细 198 00:07:02,910 --> 00:07:04,300 this will save me a lot of time and 这将节省我很多时间 199 00:07:04,500 --> 00:07:05,800 headache when it comes to performance 在性能方面令人头疼 200 00:07:06,000 --> 00:07:07,509 and it's all done automatically with 这一切都是自动完成的 201 00:07:07,709 --> 00:07:10,120 live link okay with the rocks loaded up 直播链接好了，岩石装满了 202 00:07:10,319 --> 00:07:12,040 I'll do a quick pass with my scale set a 我会用我的比例设定快速通过 203 00:07:12,240 --> 00:07:15,090 bit larger and the density a bit lower 比特大，密度稍低 204 00:07:15,290 --> 00:07:17,620 once I'm good with that I scale it down 一旦我很好，我就把它缩小 205 00:07:17,819 --> 00:07:21,349 a little as well as increase the density 一点点，以及增加密度 206 00:07:21,959 --> 00:07:24,160 and finally I scale it down even further 最后我将它进一步缩小 207 00:07:24,360 --> 00:07:26,319 and make the density quite high and 并使密度相当高 208 00:07:26,519 --> 00:07:28,360 begin painting and erasing the pebbles 开始绘画和擦除鹅卵石 209 00:07:28,560 --> 00:07:30,100 to try and replicate a lot of the subtle 尝试复制很多微妙的东西 210 00:07:30,300 --> 00:07:31,718 detail we see on the ground in the real 我们在真实中看到的细节 211 00:07:31,918 --> 00:07:35,319 world though I'm painting all around the 世界虽然我在周围画画 212 00:07:35,519 --> 00:07:37,088 shot I try to keep the bulk of the 拍摄我试图保持大部分 213 00:07:37,288 --> 00:07:38,829 brushstrokes close to the camera or 笔触靠近相机或 214 00:07:39,029 --> 00:07:41,290 around contrasting surfaces like garbage 围绕对比的表面，如垃圾 215 00:07:41,490 --> 00:07:43,749 props so that I'm not wasting Polly's on 道具，这样我就不会浪费波莉了 216 00:07:43,949 --> 00:07:45,009 pebbles that will blend in with the 鹅卵石将融入其中 217 00:07:45,209 --> 00:07:48,189 surface right behind it I then do a 表面就在它后面然后我做了一个 218 00:07:48,389 --> 00:07:49,990 quick pass with additional detail props 快速通过额外的细节道具 219 00:07:50,189 --> 00:07:51,879 such as small branches and cigarette 比如小枝和香烟 220 00:07:52,079 --> 00:07:55,180 butts though quality textures and decals 虽然质量纹理和贴花，但对接 221 00:07:55,379 --> 00:07:57,338 can really take your scene far there's 真的可以把你的场景带到那里 222 00:07:57,538 --> 00:08:00,040 no substitute for 3d geometry especially 尤其不能替代3d几何 223 00:08:00,240 --> 00:08:02,050 on a low angle up close shot like this 在这样一个低角度近距离拍摄 224 00:08:02,250 --> 00:08:04,270 where the effects of a normal map really 真正的地图的影响真的 225 00:08:04,470 --> 00:08:06,460 start to break down the reflected 开始打破反映 226 00:08:06,660 --> 00:08:08,110 lighting in addition to the screen space 照明除了屏幕空间 227 00:08:08,310 --> 00:08:10,088 ambient occlusion and contact shadows 环境遮挡和接触阴影 228 00:08:10,288 --> 00:08:12,579 that geometry provides adds a boost of 几何提供增加了 229 00:08:12,779 --> 00:08:14,559 realism that simply is impossible to 现实主义根本不可能 230 00:08:14,759 --> 00:08:18,069 achieve with textures alone though we 虽然我们只用纹理来实现 231 00:08:18,269 --> 00:08:19,540 only covered a few techniques in this 只介绍了一些技巧 232 00:08:19,740 --> 00:08:21,730 video the rest of the scene was built 视频其余部分已构建完成 233 00:08:21,930 --> 00:08:23,319 using the same methods we just went over 使用相同的方法，我们刚刚过去 234 00:08:23,519 --> 00:08:25,899 and as you can see in the time-lapse 正如你在延时中看到的那样 235 00:08:26,098 --> 00:08:27,520 footage I was able to take a very 我能够拍摄的镜头 236 00:08:27,720 --> 00:08:29,680 simplistic block out consisting of just 简单的阻止由刚刚组成 237 00:08:29,879 --> 00:08:32,109 a street and sidewalk and transform it 街道和人行道并改造它 238 00:08:32,309 --> 00:08:33,729 into a highly detailed believable 变得非常详细可信 239 00:08:33,929 --> 00:08:35,349 environment that's running at a smooth 运行平稳的环境 240 00:08:35,549 --> 00:08:37,799 frame rate even on an older PC and 帧率甚至在较旧的PC和 241 00:08:38,000 --> 00:08:40,689 thanks to the mega scans library along 感谢大型扫描库 242 00:08:40,889 --> 00:08:42,609 with bridge mixer and the live link 使用桥式混音器和实时链接 243 00:08:42,809 --> 00:08:44,919 plug-in getting the content I needed to 插件获取我需要的内容 244 00:08:45,120 --> 00:08:46,689 assemble this level inside Unreal was 在Unreal里面组装这个级别 245 00:08:46,889 --> 00:08:47,859 quick and painless 快速无痛 246 00:08:48,059 --> 00:08:50,349 being able to import ready-to-use assets 能够导入现成资产 247 00:08:50,549 --> 00:08:52,059 with just a few clicks lets me focus 只需点击几下，我就可以专注 248 00:08:52,259 --> 00:08:53,769 more on the artistic side of the scene 更多的是在艺术方面 249 00:08:53,970 --> 00:08:56,169 and less on the tedious technical tasks 而不是繁琐的技术任务 250 00:08:56,370 --> 00:08:59,169 I really hope you enjoyed this video and 我真的希望你喜欢这个视频和 251 00:08:59,370 --> 00:09:00,758 that it was helpful for you in some way 它在某种程度上对你有帮助 252 00:09:00,958 --> 00:09:03,758 don't forget to tune in on the 23rd at 7 不要忘记在23日7点收听 253 00:09:03,958 --> 00:09:06,609 p.m. CET for the live stream and if you 下午CET直播，如果你 254 00:09:06,809 --> 00:09:08,078 have any questions be sure to leave them 有任何问题一定要留下他们 255 00:09:08,278 --> 00:09:09,849 in the comments below and I'll try to 在下面的评论中，我会尝试 256 00:09:10,049 --> 00:09:12,189 answer them in the live stream thanks so 在实况流中回答他们，谢谢 257 00:09:12,389 --> 00:09:13,870 much for tuning in and we'll see you 很多调整，我们会看到你 258 00:09:14,070 --> 00:09:19,070 next time 下次