hello handsome a I'm a try to cut Raja impossible to do things into the camera
sometimes they make me to interview some I'm really bad about
although I'm hands over and sometimes I write a little folk music
I'm
US stock cop stories stack
you're in line
what do I do 2002 I'm what is the composer do
you know i i how God that could be a lengthy I'm sorry that you
first of all you look I it to this day I'm enough to 100 movies or something
I still go you know so why are we having music because amounts walking down the
street that doesn't quite make sense
you know but at the same time it's sort of
you know i i spose movies have dreams that I think in a dream you can have
music
you know I certainly do you know ice call my dreams
you tried to set the tone you try to find
Carlos but that complement what you see on the screen
check back same wish but at Bobst big boy someone
get
it's like that sub Texas other thing you can tell and
pictures or words properly are elegantly you know I can do that I can you know I
I can perhaps and I can put in undercurrent in that I can make you
scared that can make you love something or whatever
the Oromo
with coming up with something fresh I mean us the deal you know some like a
normal job at a normal job
the you know you can get better you know through repetition in a way you turn up
for you know for you if if you're trying to assemble a car
you're probably going to be better than your first day what happens with me is
you know it every job a has to start with a blank slate
you know because they want something fresh they want something original
and you know so do I it you know and I'm the
you know that the dial emma is the ghetto the the white pages screaming at
you
you know and I'm a so what do i do i mean i
you not talking to the director helps Laura I know I R
vol
I like hanging out with gone reset dollar which option to come up with
things and
alike writing actually with him around December process
for everything around waiting prime and he's wearing a cast
this for Jack no I mothers parallel conversation is going on
I am thinking of you know what sort of children
what's what's the texts of this thing we are so high Golden Gophers Jerry
Bruckheimer
and that turns out he's really actually very good interesting and really nice
and incredibly supportive changed a bit harder
yeah
and very respectful to I mean to a extraordinary respect for want them
10 I I don't think we all get together with some talking about the movie X
maybe some
slightly with an emphasis on music as a person emphasis on dialogue on emphasis
on
um images I anything like this sources for everybody to think
about them movie in a musical way I think you're making an offer to mom
okay so maybe they'll that's what I'm saying if this is where all the ideas
gets SAV nailed start and then
you know because we do it but really I mean we we say you know oh well you know
we should have a lot of them here
um everybody agrees we should have a lot of the
there it it then depends on you know what the slough the mess that i right
derided new plates to to you know this
trace go on your own you Joe doesn't move your does that not more
you know but a year and then rode the you know
then we're off to the races than with then we can get somewhere forces
as always terrifying because I can hide behind works
you know look I'm doing it right now
music either touches your heart doesn't
and I do get really knows
because
it's the only time I can be judged fall
what's inside me as a poster you know anything else
the funny enough it's not pirate music you know i mean and and in fact
I got criticized quite heavily by the purists
because it's not call on gold sands
you know that'll Flynn movies
you know it's not that at all um it's all of our own language
um but its I mean that's when things work I suppose that's why they got to do
a sequel because it worked
that you know the the marriage of music and images
et cetera now tundra up to the idea of
that this is pirate whose the
I think attitude thing I mean I think there's a certain amount of Anakin
recklessness and there's a simplicity as well
you know i mean it's I'm Brazil
all the stuff I mean if you strip the orchestration away you know it's
at it could all be Irish sea shanties you know so
arm
I don't know and and that is you know I think and I think what the orchestration
does as well %um the the lot of
policies the Italian word Austin autos
these repeating figures going on that are like you know waves like the ocean
like
piano oceanic I'm you know yeah I was definitely thinking
she should old boss as opposed to hook the Sahara Desert
and and just those on a keenness recklessness and there's there's you
know
there's a way at looking at these characters you know that up so morally
ambiguous
you know which which I so love love anyway
um that you know the other I think the
the only place you find that nowadays as some
and rock n roll's
I'm not sorry
on
I
ultimately the complete be outrageous performance
needs to be in a funny way and cut in
a sense of humanity
here and I think that's popular my tendency
is for pirates I'd I don't think there's a single to in a major key
and I think they're all that all sad students actually
if you slowed them down that be really sad to use
you know if you see something really bizarre and stupid and funny
on the screen you have to have like a counterweight a
so the saddest costs against the
most slapstick e30 some Hall
the you know makes a grounder statement
a
what is this Pirates world and the heard broke itself has
this complicated because we're not really doing a pirate movie but doing
far
with the making a Western you know and you you know and then used to stop
thinking about
so those old spaghetti westerns how come it works that he had no electric guitar
on their
at a time when electricity hadn't really been invented but it never feels in
congress
you know
cold turkey Tom see the israeli actually very good
you know and each one of these musicians are actors in this movie
you know and each of these musicians have to explain but this movie is about
to end
you know what the toners and or the subjects this it was great having
love being able to work for somebody who you hope perhaps I could still play the
right notes that the right side
I think in a funny way he cried enjoyed not having to be the boss
closer you know it's its it's a tough job being a director
you know in a funny way you're the only one who doesn't have like a fixed
jobs you know everybody asking questions about lighting about the script about
how she liked this
what should the music be like you know CR your foot ever
answering questions I think it was really nice for him get up
to just be the lab led to the slaughter by me up
string of just yet yes I might go a long time ago his first movie which for some
mousehunt and I'm
I was I was I was never going to be the composer on the system somebody
asked me to go over and talk to him about musical ideas because I'm good
like
about brainstorming with the stuff from the was the end of her purse is he was
for ever going off a home to meet with Jerry Bruckheimer
on this pirates movie and I kept saying to them pirate movie right
from the rides ISO the Carribean Disneyland the AA
this this is gonna be terrible I we were you doing that