Speaking of which, where is the divine Lord James?
All-England Polo Banquet. Does that sound right?
Ah, there's the life.
Audrey Hepburn, screen test, take one.
Could you tell us a little bit about what it was like after the war?
Well, my mother and I moved to Amsterdam...
so I could study dance again.
We tried to get back our lives.
Everybody was so grateful to the United Nations after the war...
for giving us food, medicine...
and other things we hadn't seen for years.
Thank you, Audrey. Now, let's try a little bit of the scene.
It's most unusual.
I've never been alone with a man with all my clothes on.
With my clothes off, it's even more unusual.
I don't seem to mind..
Do you?
An Azusa rose from a couch of snows...
in the Aquisaronian Mountains.
She's certainly beautiful, Willie, but--
Wait. The good part's coming up.
My instructions were to keep the cameras rolling.
All right. That's it. Cut.
Only the director has the right to say "cut" and he hasn't.
That was fun.
It's such a wonderful story...
particularly the tantrums the princess gets to throw.
Riding on a motor scooter, bashing the man over the head with a guitar...
and feeling so sleepy, you could just fall on the park bench.
Cut.
I'm sorry.
How did I do? Was that all right?
Does Greg Peck know she's going to steal the picture from him?
Not yet.
That is such wonderful news.
Yes.
Thank you so much.
You've got them both-- the play and the movie.
James, what are these people thinking about?
I haven't done either of those things.
They're not thinking.
They've fallen for you, just as I have. We love you.
But why?
It's not something you're doing. It's something you are.
Tall and skinny, with a long neck and big feet.
Precisely.
My first trip to America...
and I'm going to Hollywood and Broadway.
May I help you?
I hope that I'm in the right place. I'm supposed--
What's your name, dear? - Audrey Hepburn.
Oh, good morning, Miss Hepburn, and welcome to New York.
I'm Joe.
If any of those bums inside give you a rough time, you just come see me.
Thank you,Joe.
" But, Grandma, I'm wearing my drawers."
It's not that funny.
No, we're laughing at your enthusiasm, my dear, I'm afraid.
It's bad form to start acting on day one.
We're just reading today.
As if we can't imagine what we're all doing here.
Okay, everybody, break's over. We'll continue where we left off.
Audrey, you cross up to your aunt...
and throw yourself into the chair in despair.
Mr. Rouleau, I keep forgetting. Which way is up?
Up is up. Upstage.
Where I am, dear.
Up is behind you. Down is in front.
Left is stage left...
your right if you are facing up.
To your aunt.
Did I say leap like a gazelle?
Did I say run? What did I say?
Cross.
Cross. Like a despondent schoolgirl.
No. She's not despondent. She's angry. She doesn't want to be a courtesan.
When you can act, you can give me direction.
Until that time...
you will do as I say.
I want to go dancing.
Somewhere very glamorous where we get in for free...
because rich old men want to dance with us.
Oh, and I want to smoke a cigar. I've never smoked a cigar.
How can you stay out like this and have anything left for tomorrow?
I can't bear for there to be a Fifth Avenue...
that I haven't walked on every night.
Then, too, if they end up firing me...
at least I have this beautiful city to remember.
Good night, Audrey. - Good night.
Good night.
Look at her. He's working her too hard.
Anita, it isn't what she does in the daytime that's the problem.
Okay, everyone. Break's over.
We'll continue where we left off. Act 2, scene 2.
Places, please.
I'm trying to do what he wants, but he gets so angry with me.
He says you're perfectly confident in French.
Yes. If only we could do the entire play in French...
I'm sure I wouldn't have any trouble at all.
Miss Hepburn, if you can't do the role in English...
we'll have to find someone who can.
It would be better if we work on voice and diction...
every day after rehearsal.
You look like you're about to faint all the time.
When was the last time you ate? - Are you getting enough sleep?
Her picture is in the papers every day.
Every night a new club. How can she be sleeping?
The publicity is good for the show. That much I'll give her.
Can you give her another week, Raymond?
On two conditions.
One: That she gives up all her amusements...
except this show, until we open.
And two:
That you continue looking for someone to replace her...
in case she doesn't.
I'm terribly sorry to have caused so much trouble...
and I promise that you will not have to speak to me in this way again.
Hello, darling.
Hello, sweetheart. - Are they treating you any better?
They're not the problem,James. It's me.
It can't be you. You're perfect.
I know it doesn't make any sense...
but I wish my father could be here with me.
When you have a show opening on Broadway...
a father's supposed to be there to share it with you.
I'm sorry, darling. I know it hurts you that--
The last time I saw my father was when he put me on a plane before the war.
Maybe he doesn't think he should be there.
When I have a child, I'm going to be there for everything.
Everything.
He probably understands how much trouble he could cause you.
I'd better get to sleep.
Good night. - Goodnight, darling.
Whenever you're ready.
I have two new hats and another pair of high-heeled shoes.
What do you think of me?
Louder.
I have two new hats and another pair of high-heeled shoes!
No, no. Not every word louder, as if you're in a playground.
The important words louder.
The audience doesn't just listen. They watch you.
It is your face that tells them which words are important.
Like this.
I have two new hats.
Let your eyes sparkle on the word "two."
Two hats make this girl a queen.
And when the audience knows what "two" mean to Gigi...
they understand who she is.
With two hats...
Gigi can conquer the world.
Oh, and she does.
That's it! That is exactly the Gigi look!
With that look, you don't even need two hats.
Now, say the line again.
I have two new hats...
and another pair of high-heeled shoes.
That's right. Now the hats are beautiful.
But the shoes are pure sex.
Well, I'm afraid I don't know anything about pure sex.
Gigi doesn't either.
But when you...
tell him about the shoes...
you let him know that you're willing to learn about sex...
if he's interested in teaching.
Which, of course, he is.
But does every line have a secret meaning like this?
How will I ever get it?
You have good instincts.
You have a real desire to please the audience...
and just the right degree of unpredictable.
The audience likes a dangerous performer...
and your particular kind of danger is that it seems like...
you might be able to fly.
Maman, I have wonderful news. Tonton and I are going to be married.
Oh, Maman, please don't cry. Tonton, can't you do something?
Perhaps she could use a drink.
Andree, pull yourself together!
Yes, Maman. Would you like to sing something?
Andree, we're going to be happy together. Help us celebrate.
Yes. Would you please sing?
Thank you.
Well, see you at the party.
Raymond would fire her right away if he could.
Of course, if the reviews are bad for her, he just might.
Everything will be fine. - I hope so.
Anita, the verdict's in.
Can I have your attention, please?
"The delightful Miss Hepburn...
obviously is not an experienced actress...
but her quality is so winning, so true...
that she is the success of the evening."
"A young actress of great charm...
who pulls the whole thing into focus."
"The acting find of the year!"
"Audrey Hepburn is nearly perfect as Gigi."
They hate the play, and they love her. Can you believe it?
Smile. That's it. Big smile now.
Just look at them, darling.
Do you know what a gift that is...
just to make people smile like that?
I'm trying to arrange it so I can be in Rome the whole time...
while you're shooting Roman Holiday.
Then we can be married before you start the Gigi tour...
if you do a Gigi tour.
Maybe you'll just want to rest.
I can't marry you,James.
Why don't you just enjoy your opening, and once everything calms down--
No, I don't want things to calm down.
I love what's happened to me...
but I can't have everything.
I was nearly fired from Gigi for spending too many nights out.
I have to be serious about this.
All I want to do is help.
Wouldn't it help if I was there all the time?
No.
If you were there, I'd want to be with you...
to make sure you were having a good time.
Pretty soon, I wouldn't be thinking about acting at all.
Then I'd be fired or not hired again, and I don't want that.
I want to see how good I can be.
I don't want to be the cute young girl forever.
I want my life to mean something...
and I can't do that and be married too.
I just know I can't.
Please forgive me.
If that's what you decide, I'll understand, of course.
I didn't know what I wanted, and now I do.
I have loved you as much as I can.
But I love this work so much, and that isn't fair.
Can't you just let me go?
If I have to.
Thank you, darling.
Audrey. Have you ever seen Capote talk to anyone?
He's always just sitting around rubbing his face, looking all depressed.
I don't think he approves of us, George...
but I'm working on it.
Can I ask you a question? - About what?
About the character you've written, of course.
She's a call girl. - I know that.
But she doesn't actually seem to have sex with all of these men.
So is it only some of them, or only the ones she wants to marry?
What do you think?
Well, I think she's a lot like I was in the beginning.
Which was?
Afraid to let somebody know how little I knew.
Roman Holiday, scene 52, take 3. Marker.
Cut!
That wasn't so bad, was it? - Oh, I'm having such a good time.
Really I am.
See, it's easy to look like you're having fun in the movies.
Just open your eyes as wide as you can...
stare straight ahead and hang on for dear life.
I love making movies even more than I love watching them...
and I love watching them.
And I love seeing it all through your eyes.
I haven't had so much fun on a movie in years.
The first night our town in Holland was liberated...
they set up a big screen in the middle of the street and showed us a movie.
And do you know what it was about?
War. And you know what?
We liked it. We loved it.
The papers said what?
They said you and Gregory Peck...
were having an affair during the filming.
But it isn't true.
Can't someone tell them that it isn't true?
You're going to have to be very careful now, Audrey.
Don't tell anyone anything you don't want to read on the front page.
Just keep smiling until we get to the front.
Miss Hepburn, how does it feel to be playing the lead in your first movie?
Before I introduce Audrey to you...
I want to introduce all of you to Audrey.
My dear, these people standing up front are reporters.
The ones standing at the back are bankers and lawyers.
And those people over in the corner kicking themselves...
are the studio executives...
who did not hire you to a 100-year contract.
Ladies and gentlemen, Miss Audrey Hepburn.
How's it going, princess?
You have my permission to withdraw.
Is it true your next picture is Sabrina?
Yes, it is.
I asked the studio to buy it for me, and they did.
Isn't that amazing?
But the best part is that I get to fly to Paris to pick out the clothes.
What do you think of all these girls cutting their hair to look like you?
Well, I can only hope that the haircut...
works as well for them as it has for me.
Miss Hepburn, your parents must be very proud. Are they here?
My mother is right over there.
Where? Where?
And your father?
Is he proud?
My father is a man that likes to keep his feelings to himself.
Next question.
Bye-bye. - Bye.
Audrey, I'd like you to meet a great friend of mine.
This is Mel Ferrer, a wonderful actor and director.
Oh, what a pleasure. - The pleasure is all mine.
You were wonderful in Lili. I haven't seen the new movies.
Well, you'd better start watching.
You're going to be very big in pictures.
That's what I keep telling her.
Sabrina is perfect for you. Who's playing the smart brother?
Bogie.
He doesn't really like beautiful women.
Maybe next time I'll get the chance to be the lucky leading man.
Well, now I'm the one dreaming.
Ready, darling? - Yes.
Good night, gentlemen.
Talk to you soon, Greg? It really was a pleasure.
Katharine, darling.
I'm sorry to disappoint you, Monsieur Givenchy.
I'm Audrey Hepburn.
Please forgive me.
They told me Miss Hepburn the film star was coming to see me.
Whowould have known there were two such lovely women?
Let's get to work, shall we?
I like the pink. - It's my favorite as well.
The rest of them don't understand the pink, but we are right.
It is sublime.
You don't think it will make my neck look too long?
There is no such thing as "too long."
Not in legs, not in necks-- - Not in life?
My dear Audrey, I think you are more beautiful inside than out.
Maybe a very small hat.
Maybe a large hat...
and large sunglasses.
I love it.
But I'll be riding in a convertible. I can't be holding onto my hat.
Then we will save it for another film.
Here is your small American convertible hat.
I think I have to have a small dog to go with this hat.
We shall make you the princess of the ball.
It's magnificent.
Oh, dear, look at him.
Don't be afraid of Bogart. - Not him. The other one.
Holden, yeah. He's the one to be afraid of, all right.
What's he doing? - He's coming to open your door.
-I can beat him to it if you want me to. -No, you stay right where you are.
Good afternoon.
My God, look at you.
Hello there.
Come on. I'll introduce you to the gang. We're having a little party.
Let's get a drink. What will it be?
Whiskey. - Two whiskeys.
They're watching us.
Let them watch.
You've never been kissed?
Not by a married man in the middle of a party.
Well, then, let's get out of here.
No. You stay, and I'll leave while I still can.
So, Audrey, did you make it all right up the tree?
I did.
When we make the shot tonight, can you get up there faster?
I can.
Gretchen, I need to talk to you.
Tell me how the hell I can romance that ridiculous girl...
when you're watching from a tree?
I won't look if you don't want me to.
Aw, stay there. I can't get you out of my mind, anyway.
Say, what are you doing tonight?
I'll have to ask Mother.
Ask her if you could spend the night with me.
Actually, I know the answer to that, thank you.
How could you say such a thing?
I'm crazy for you, baby. I'm not giving up no matter what you say.
Bill, I need you over here, please.
He's quite handsome...
in an American sort of way.
And I'm falling in love with him.
I'm trying not to.
He's married. - I know he's married.
And I know what they say, that he has a girl in every movie...
but he's not that way with me.
What about your career?
When I'm with him, I don't even think about my career.
I just feel happy and light.
I want to feel like this forever.
Isn't this the way you felt about James?
James was dear and very good to me, but Bill...
he makes my heart stop.
Okay, five-minute warning, everyone. Stand by.
Stand by. Five-minute warning. Thank you.
Okay, everybody, clear the frame, please.
If I didn't have to finish this movie, I would drop dead right now.
Well, that isn't necessary.
For as long as I live, I will never see anyone more beautiful...
than you are at this moment.
I am hopelessly in love with you, head over heels.
Every cliché in the book.
What do I have to do to have a chance with you?
Audrey, Bogie, stand by.
How could I kiss Bogie now after what you've just said?
Bill, I need you out of there.
Ready to roll. - Getting ready to shoot now.
All right, people. Let's go. - Everyone in place, please.
All right, quiet down.
Come on, now. Be ready.
Okay, everybody. Here we go.
Sabrina, scene 44, take 3.
Action.
If David were here, he'd kiss you right now.
Yes, he would.
It's all in the family.
What's the matter with Bogie?
The most beautiful girl in the world...
and it looks like he has to force himself to kiss her.
Cut.
What? - I love this movie.
I catch myself pretending sometimes that it's not a movie...
that it's real life.
I've just returned from Paris with my cute little dog...
my father lives in the garage over there...
and you, you're in love with me.
How would you like the movie to end?
I'd marry you. We'd have a house full of children, live happily ever after.
It's not that your brother isn't nice.
I could never love him the way I love you.
You could marry me if you wanted to.
Do you think they'd rewrite the movie?
No. Not in the movie. In Reno or Las Vegas.
Wherever I get my divorce.
A divorce?
You would get a divorce?
I wasn't kidding, Audrey.
I want you.
I want you to marry me.
I love you, Audrey.
Say that you'll marry me.
Say that I'm not dreaming. Are you playing with me?
Is that a yes? - It's a yes.
And a yes and a yes.
It will be so beautiful...
our days and our nights.
Our work and our holidays. Our friends and our children!
Who needs friends or children? I don't want to share you with anybody.
You're right about the friends...
but a couple of children wouldn't be too much.
They're so noisy...
and they're always around when you don't want them to be.
Think about what our children would look like.
Me holding a little boy in my arms that looks just like you.
I can't do it, Audrey.
I can't have any more children.
What do you mean?
I had a vasectomy a couple of years ago.
Can't you do something?
No, it's irreversible.
What?
Talk to me. - I had better go home.
You're not going anywhere.
I need to.
We can still have children...
just not my children.
My children would probably be drunks, anyway.
I have to go before I say something that I will probably be sorry for.
"Sorry for"? Say it. Whatever it is, we'll work it out.
It wouldn't be a real marriage without children.
I want to be a mother.
You can't walk away from me because of something like this.
I'm in love with you.
I got you off that shelf you've been sitting on.
Don't use this children thing as an excuse to get back there!
Look at me!
I have to go.
Audrey, no.
Audrey!
It's very hard, telling someone good-bye...
even when you know you're doing the right thing.
If I didn't have children...
I wouldn't know I was alive.
I didn't particularly want children till I had you.
You've given me the greatest joy I've ever known.
You are the love of my life, and I want that for you.
I want you to have a child.
I know.
You have no idea how you'll get through this.
But in the morning, you'll see.
You will.
Now, why don't you go to bed. Try to rest.
I'll bring you some tea.
Thank you.
Bonjour, mademoiselle.
I think just the sight of you will do.
As a matter of fact, I'm feeling better already.
Mel Ferrer. - I know who you are.
Please, come in.
Your French is beautiful. - Ah, yeah.
My mother thought it was important...
and I'm beginning to think she was right.
Forgive me just showing up at your door like this.
I tried to convince the studio to throw another party...
so I could meet you again, but that seemed a little extreme...
so I brought you a play.
A play.
It's a wonderful play. You should do another play.
Keep the Hollywood girls on their toes.
Congratulations on Sabrina, by the way.
Everyone who's seen it says you're the best thing in it.
Thank you.
Well, I'll make us some tea...
and then you must tell me everything that you've done...
since I saw you last.
It's Cuban and Chinese.
Growing up in New york, I think I ate it every day.
Of course, now that I'm an adult, every other day.
The wine is wonderful.
I suppose I should get going. - No.
Do you have to?
Yes, I do.
I want to give you time to read that play...
so you can phone me in the morning and tell me what you think.
Is it a romantic play?
It's about a water sprite...
that falls in love with a human man.
Please stay.
Sounds like such a wonderful story.
All right, if you insist.
We'll read it through once...
see what you think, and then if you like it, we can...
do it on Broadway with Alfred Lunt directing?
Alfred Lunt. What a wonderful idea.
It's more than an idea.
He'll do it, if you will. I have that in writing.
It's by Giraudoux.
"And in the end, I shall do it, but first...
first we shall wait a long time.
An hour.
Then, in years to come, we shall have this hour always to remember.
The hour before you kissed me."
It's wonderful. - You're wonderful.
God. It's like it was written for you.
I'll take care of everything.
I'll fight all your battles, I'll slay all your dragons...
and all you have to do is be your own lovely self on stage.
Say you'll do it.
I'll do it.
Thank you.
All right, ladies and gentlemen, please.
Let's work on this armor business.
Alfred, I'm thinking...
I could release the armor when she comes to embrace me.
No, the play says that the armor falls off...
immediately after she says the line.
What is the line? - Right, but hear me out.
I think it would be much funnier if she said the line...
from where she was standing--
Say the line.
I have a way of removing armor.
Came around behind me...
and mysteriously the armor...
falls off.
I don't think we can rewrite the play, Mel.
Let's try to get it to work as written.
My name is Ondine.
The King of the Sea said ifl ever kissed you, I would be lost.
Are you thinking of it?
Very much.
Well, there's no harm in thinking.
It's going very well tonight.
I can't watch.
I could never watch the opening of any of my plays.
Mr. Lunt, Audrey looks exhausted.
How long do you think the play will run?
I think the critics will determine that.
I'm afraid Mel will try to keep her in it until she drops dead.
Yes, well, putting up with Mel...
is the price you have to pay for having Audrey.
Bravo! Bravo!
They love it.
They love her!
Well done, Alfred. Got a real hit on your hands.
I love you too.
I'm sorry I fell asleep so fast last night.
I wanted to thank you for making this experience perfect for me.
I got another bouquet for you, Miss Hepburn...
and this telegram just arrived.
Thanks, Frankie.
You're gonna need a special room just to keep all these flowers, Miss Hepburn.
Smells great, though.
Better make that two rooms, Frankie.
Miss Hepburn has just been nominated for an Oscar.
An Oscar!
And the nominations for Best Actress...
in a feature motion picture are:
Audrey Hepburn for Roman Holiday.
She looks tired.
I know. - Leslie Caron for Lili.
I'd take her away for a rest...
but the press is accusing me of being a Svengali...
controlling her every move.
So now they have the idea that she is very weak.
Deborah Kerr for From Here To Eternity.
It would be easier to take her away if you'd let me marry her.
You don't need my consent to marry her.
Have you asked her?
Ava Gardner for Mogambo.
I'm going to.
Tonight, at the party.
She wants children, you know.
Are you prepared to have more children?
As many as she wants.
And Maggie McNamara for The Moon Is Blue.
Here we go.
And the winner is...
Audrey Hepburn for Roman Holiday!
I'd Iike to thank my mother...
who taught me to stand up straight...
sit erect, use discipline with wine and sweets...
and only smoke six cigarettes a day.
I hope the two of you will be very happy.
I promise you, Ella...
I will take care of her for the rest of her life.
Those reporters have followed us all the way from the chapel.
I'm sorry, darling. I don't know how they found us.
Don't they understand that this is a very private day?
Let me do the talking.
Miss Hepburn!
Yes, we were married this morning in Burgenstock.
We intend to make our home here in Switzerland.
It was just a private ceremony for family and friends.
Thank you so much for your best wishes.
Now, please, the roads are narrow. Drive carefully.
That's all, gentlemen.
I love it here so much.
Another week, and I'll turn into a country housewife.
The most radiant country housewife in history.
Why don't we both stop doing movies for a while and just enjoy each other?
Are you kidding? Nothing would make me happier.
But your fans would kill me if I kept you all to myself. You know that.
I want to have a baby.
I want to see what our babies look like. I want to hold them.
Right away? - Right away.
All right. I guess I'll have to tell Fred Astaire no.
Fred Astaire?
It's called Funny Face.
Shooting all over Paris, even inside the Louvre.
Oh, but I haven't danced in such a long time.
I know.
Still, it would be wonderful to film in Paris.
Do you think I could do it? - I know you could.
Well, then tell them I would be honored to do it.
Unless I get pregnant, and then some other lucky actress...
will get to dance with Fred Astaire.
What are those?
The contracts for the other two films you've been thinking about.
Nun's Story and Love In The Afternoon.
Well, I have to do Love In The Afternoon.
I promised Mr. Cooper I would.
Sweetheart, I think you can call him Gary.
And I want to do The Nun's Story to be in Africa...
when you're scouting locations for your movie.
I don't think that's the only reason to do it.
Well, no, of course not.
I want to do a serious role. I'm ready.
Of course you are.
But how can I get pregnant if I'm working all the time?
Let's just assume from here on in...
that any time you're shooting a film, I'm there.
That is, you know, unless you say no.
Why would I do that?
The only man that I want to say yes to is you.
The Nun's Story, scene 42-apple, take 5. Marker.
Audrey, I have a lovely surprise for you.
Audrey Hepburn, meet Marie Louise Habets...
the former Sister Luc.
How do you do? It's such an honor to finally meet you.
Miss Hepburn, I share the honor.
I am very nervous about playing you.
I hope that I will be able to help people understand you and your work.
Thank you very much.
I was just on my way to the clinic--
the real one.
Would you like to walk over with me?
Go ahead. We won't be ready here for an hour.
I'd love to. Please, lead the way.
How many children are treated here?
Very few, actually, compared to the thousands who need help.
There are whole continents of sick children.
Their parents are no better off, struggling to care for them.
Yet, not enough people seem to notice.
I honestly didn't know how desperate the situation was.
It's so unfair that the children have to start their lives like this.
Do you plan to have any children of your own?
We want them very much, but so far, no luck.
I think the children will come when it's time.
Rest is all that you need.
I have another film to do after this in Mexico.
Maybe then I'll take some time off.
I see that you have a very full life.
Throughout so much of my life...
people have come along to take care of me as if I were a little girl.
But you seem so comfortable with yourself...
and so comforting to others.
Maybe I'm finally learning how to look after myself.
But the children...
the ones who live here.
They're the ones who really need the help.
Hello.
I missed you. Zinnemann.
I'm so happy you came to see me.
Look at you. I hear the rushes look terrific.
I feel so peaceful here.
Sister Luc tells me you're wonderful with the children.
I never wonder what I'm doing here.
I'm sure it must make the world of movies seem less important.
Yes.
Sometimes I feel like I'm nothing more than a show horse...
all tricked out in fancy ribbons, being led around a ring.
Audrey, the audience doesn't feel that way.
They think you're up there just to make them happy...
and the miracle is, you actually do.
Sweetheart, you've given a whole generation of girls...
a sense that something else was possible in life.
Thin girls.
Maybe you don't know what a difference you've made.
But no, no, it's not just "thin girls."
It's all of them--
young women who want more...
who want to be able to speak their minds...
who've always known there was something they were supposed to do.
They all look up to you.
You took what you had, and look what you made of it.
And that...
that is your real gift.
I have missed you so much.
Nobody talks to me the way you do.
As we reported earlier, Audrey Hepburn, beloved star of stage and film...
was thrown by a horse today while shooting a John Huston film...
in Durango, Mexico.
Miss Hepburn is reported in critical but stable condition...
with neck and back injuries, and will be flown home for treatment later today.
Sources close to Miss Hepburn report that she 's several months pregnant...
with her first child.
Audrey Hepburn 's husband, actor and director Mel Ferrer...
flew to Mexico to accompany her back for treatment.
The doctor says the baby is in no danger.
The heartbeat is normal, movement is normal.
Now all we have to do is convince Audrey to relax.
Oh, darling!
I've been so worried!
I'm so glad you're here.
Where else would I be when you need me?
Sweetheart, you shouldn't be doing this now.
Let's send the mail home so you can get rest.
Yes. You should be taking it easy now.
When do I ever get to lie around and read my mail?
I'm going to answer every piece.
Besides, Caroline's doing most of the work.
What?
What is it?
It's from my father.
"I fear that you haven't...
received my other letters...
because you've never answered.
Still, I don't know what to do except continue to write them."
What other letters?
Mother?
Did Father send me other letters?
Yes.
You kept his letters from me?
You kept his letters from me.
I didn't want him to hurt you.
How could he hurt me? - He's hurt everyone he ever knew.
Why would he try to get in touch with me only to hurt me?
You're just jealous.
I'm not jealous. I was trying to protect you.
You had no right to do this.
Don't get in touch with him. - Don't tell me what to do.
He hasn't given up his politics. He never will.
He's an old man now, Mother. What could he do?
He could hurt your career. - You're wrong.
He could blame you for the fact that he left us.
He could twist it all up and make it all your fault. You don't understand.
What's the matter, darling?
I don't know.
The baby. No, please, don't let it be the baby.
I'll get a doctor.
Doctor!
Mother?
Nurse? Is somebody there?
Doctor! Can someone help us, please? - Mother!
Doctor!
Hello, Father.
Well, you best come in.
I wanted to say thank you...
for writing to me.
I only wish I had received your letters.
Your mother never-- She didn't want me to talk to you.
I don't have any sugar.
I don't take sugar.
Thank you.
Well-- - I'm so happy to see you.
I'm not proud of what I did, Audrey.
Leaving you, I mean. - I don't hold it against you.
I've just missed you so much.
You couldn't have missed me that much. You hardly knew me.
Well, you didn't know me very well either.
Didn't you miss me?
Your husband told me you lost the baby.
I did. Yes.
I told him you shouldn't have ridden that horse.
The script required it.
Arabians don't like women. They only trust men.
Your fancy cowboys should have known that.
You never should have ridden it. - I'm all right now.
The doctor says that we can have another baby.
If there's something that you need to be doing...
go ahead.
I'm fine just sitting here.
All right, then.
Come on, boy.
Come on.
What's his name?
Otto.
I have a dog.
They say the intelligence level of dogs is that of a two-year-old child.
I think they know much more than that.
They certainly know how to get your attention.
Cats too.
I had a cat in London...
when I was first trying to work there.
I called him Tomorrow.
And whenever I had a day full of humiliating rejections...
I would pick up that cat and I would say...
" Everything is going to be all right, Tomorrow."
Thank you for seeing me.
You're my daughter.
Would you please come and visit us in Switzerland?
You can bring Otto if you like. I could send you a ticket.
No, no. It's too far for me now.
I best just stay here.
I don't like to leave the place with nobody to watch it.
Well, then I'll just have to come back and visit you.
You don't have to do that.
But I want to.
I'm not cut out to be a father, Audrey.
I wasn't then, and I'm not now.
Why don't you want to see me?
The whole world loves you, Audrey.
You don't need me.
Good-bye, Father.
Good-bye, Audrey.
I'm sorry I thought such terrible things--
that I said such terrible things.
I'm sorry he hurt you.
I should have listened to you. - It's all right.
Perhaps I was wrong to try to protect you from him.
I just thought if I could see him--
What happened to him?
I don't know.
It's as if he stepped onto a moving sidewalk and it took him away.
I'm going to keep trying to have a baby.
Good. I'm glad.
I think Mel wants me to wait a little while.
The studio wants me to do another movie right away.
What are you going to do?
I'm going to have a baby.
Name this child.
Sean.
Sean, I baptize thee in the name of the Father...
and of the Son...
and of the Holy Ghost.
Amen.
My child.
I just got off the phone with the studio.
We need to give them an answer about Breakfast at Tiffany's.
Call them back and say no, of course.
I can't play a call girl.
You know, she isn't really a call girl.
We never actually see her calling on anyone.
Oh, all right, then.
She's a kookwho carries messages for a mob boss...
while still trying to find a rich boyfriend.
It's not me.
I gotta tell you, I like the story.
Here's what I think.
It's about a beautiful young woman who's having a wonderful time...
but still feels a little lost.
You know? She doesn't really know where she belongs.
Where does she belong?
Oh, with the struggling artist that loves her, of course.
You really do like it?
I just think Holly's different than any character you've ever played.
It's a complex script, but it's still very emotional.
You wanted your next picture to be a bit more modern.
I don't want to leave you and the baby.
Sweetheart, if that's all it is, Sean would love to go.
He told me this morning. He said, " Dad...
Switzerland's nice, but I'd really like to see New York."
Hang on. Be right back.
Here you are. One nameless cat.
Hello, cat.
Listen, Audrey...
apparently we only have enough rain for one take.
Can you do it? - Is he threatening me?
I read the script, but I don't get why she puts the cat out of the taxi.
Holly Golightly puts the cat out because Holly is the cat.
That's right.
She doesn't have a real name. Neither does the cat.
She feels homeless and unloved and unlovable...
just like the cat.
So, when she goes back to find the cat, it means--
Excuse me. Audrey? The taxi's ready. - Right.
Can we stand by with the rain, please?
Stand by for the rain!
So, when she goes back to find the cat...
it means that she's finally accepted herself--
that she can love herself even though she's a scrawny...
soaking wet no-name cat.
It's not a bad thing to be.
Okay, cue the rain.
Cue the rain, please!
Roll camera!
Mark it! - Scene 1 88, shot 1, take 1, marker.
And action!
Cat!
Where is he? - I don't know.
Cat?
Cat!
Oh, cat.
It's nice.
And cut it!
That's a cut!
Thank you, everybody! That's a wrap!
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