So now this is all the same type face, so we need to work on our type hierarchy so we can break this
information down for the viewer.
So this is going to be a subheading below the subheading.
So this is going to need to be bold or brought to our attention as a headline a little bit more.
So let's just make this open sans extra bold.
Leave it at that.
So it's already starting to break down.
Going to take this one.
And of course, we can make character styles, too, for all these.
We could call this the second subheading or whatever we want to do so for the crust.
And so let's change this a little bit.
A lot of wide gaps between these lines.
So let's go ahead and reduce our letting just a little bit here.
And we could probably make this a little bit smaller than the type over in preparation, so let's go
ahead and make it 10 points.
We could even probably even get away with nine and then collapse it a little further.
And I almost wonder if an italicize would look good, just kind of experimenting, maybe a semi bold
italic.
Perfect.
So let's make all this semi bold italic.
If you ever want to do bullet points, you go down to bullets and numbering and we could just go ahead
and put on some bullet points there.
And there's you can click over to options and there's lots of options where you can change how much
indentation is happening.
So I'm just going to do the first line indentation.
I'm going to get to spring that in perfect.
So if I find this to be good, I can highlight it and add that as a paragraph style, since that's technically
paragraph with bullets and indentations.
So I'm going to say this as ingredients.
So now I can highlight this and go to paragraph styles and do my ingredients.
I need to do a manual break there or left paragraph.
So what we want to do now and let's go and change our line here, bring our line down.
So now we want to have do something with the bottom.
Let's do a little quick tip badge and then have kind of another solid colored section to put our quick
tip.
So let's just copy and paste this little box of information and put in our quick tip.
Let's go ahead and save this as a character style right here.
They call this body copy for Tip.
And go ahead, loaded it and let's do our different bar here.
Let's go ahead and bring this down.
And bring this backwards into the learing system and go ahead and make all of this type of light, so
we're going to go to our color panel.
Let's make it white and we can adjust this.
There's a little bit too much white space.
Let's bring this a little bit more to the top.
So now we're ready to do our quick tip badge.
I'm going to go into Adobe Illustrator right now and go to that logo file we prepared and I am going
to go ahead and delete everything in the center.
So I'm going to select all deselect those back two layers I want and get rid of all the type.
So this is what we can drag in.
Of course, you might have to, since this had an issue being dragged right into Adobe InDesign.
Let's just go ahead and save this as an EPS.
And there's another way to bring in files is the police option, and we can go up to file.
Go down to place and then we can select our badge ops and go ahead and open, and then we can place
it anywhere in here so you could drag it in or you can go up to file in place.
It would be very similar in the way they come in.
We'll scale this down, what I want to do here now that I'm bringing this little badge in, is we need
to have a little bit of contrast.
So contrast is King.
I talk about it all throughout the class right now.
When you zoom out, you have a lot of blue going on.
What we want to do is we want to shake that up a little bit and have some contrast to all the blue.
So what my thought was this bottom area, why not make that the gold color?
So I'm in my Swatch panel and I'm just going to make that gold.
And let's go ahead and put our quick tip language in here.
And I thought of maybe a little bit a drop shadow might work here, too, to make it lift up over that
orange, but not too strong.
So I'm going to select our object right click effects and go to drop shadow.
Just a very, very small one.
Let's reduce the capacity to twenty two percent.
And let's tighten the distance just a little bit.
That's all we need, just a little bit of drop shadow to lift it up above the background.
Let's select or type tool and type in quick dips.
And let's go ahead and put that on top and let's go to our character styles and see if we don't have
something already say that would look really good.
There we go.
We already have that save.
Let's break this into two lines and do a center alignment.
Or we could do some manual spacing here.
There's a quick badge, so zoom out, what I want to do is I want to group this badge together.
So I'm just selecting my badge layers, I'm going to right click and group it, so now I can go ahead,
turn this whole thing, make it look like a stamp on the side.
So there's a little badge and we have our type here.
We can make this four lines.
So here's the thing with typography.
I'm not sure if I went over this before, but when you have a big block of copy, if you have it stretched
too far across, it gives the viewer some eye fatigue because they're reading so far across this line
and then they have to come back all the way over here and read again.
So it has reader fatigue.
So it's really nice to kind of keep.
So right now we have this fairly long.
It's acceptable length that the reader can go across.
But if we just beat it maybe four lines, it'll just make it even easier for the viewer to read.
So I'm just going to get rid of those lines that they were just competing a little bit too much.
So I'm going to keep it just like that, keep it nice and clean, because we can always toggle on our
margins so we can make sure everything is lining up really well, just getting a little too close to
the bottom.
And that's why I wanted to shift all of this up just a little bit.
It's always nice to have a good margin around your edges, just like we discussed with the last project.
So now I'm just going to continue to finesse some of the spacing.
I'm going to bring this up a little bit.
So this is not so close to the the orange bar gold bar.
So I'm going to see if I can bring this up.
And this is going to set the mood and tone for the whole rest of the book because it's all going to
be copied and reversed.
So on the other page, it's going to be the same layout, just replacing all of the ingredients and
replacing the photo.
So we really want to make sure it's perfect before we replicate this over and over again.