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[MUSIC PLAYING]

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We love writing.

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It is a fun process.

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Yes, it is frustrating at times.

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It gets scary at times.

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You get stuck.

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It doesn't feel like you're ever
going to get unstuck sometimes.

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But what we try to do with this
class is show you our process,

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because this is the
process that we found,

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for us, made the writing
process as smooth as possible.

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And as fun as possible.

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And as fun as possible.

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And of course, there
are bumps along the way.

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We've written outlines
that don't work.

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We've written scripts
that don't work.

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But that's okay.

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We at least now know
when stuff isn't working.

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We know how to go about
solving those issues.

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That makes it a lot less
stressful and a lot more--

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less pressure on us.

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And that allows us to
enjoy it a lot more.

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In fact, I would say there
was a point in our life--

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there was, like, a two to four
years part of our lives where

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writing was really
painful and not fun.

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It felt like torture.

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Pulling teeth.

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Yeah, it felt
like pulling teeth.

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If it's feeling
like torture to you,

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you may be doing
something wrong.

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And so that's what we realized.

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It was like, it's not that
we didn't enjoy writing.

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It was that we were approaching
it in the wrong way.

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So if it is feeling
like that to you,

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that doesn't mean
you're not meant to be

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a writer or anything like that.

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It just means that your
process should probably change.

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Hopefully, our process doesn't
make it feel like torture.

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But if it's not
working for you, you

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will find, hopefully, your
own process that works.

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[MUSIC PLAYING]

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Before we get into you doing
anything writing related,

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I think we have
to talk about one

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of the least fun parts
of the process, which

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is writing habits.

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But I cannot tell you
how many people we know,

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how many people, aspiring
writers or whatever,

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this is the downfall in that.

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It's so easy to just
not write anything.

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It's so easy to--

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Procrastinate.

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--procrastinate, to delay,
to stare at a blank page,

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to surf the internet.

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And before you know it,
you've lost two years,

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and you have 10 pages.

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So it is important
to develop something

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of a routine for yourself.

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It's very, very
difficult to focus.

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I'll tell you a little
bit how Ross and I do it

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and how we focus.

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We certainly don't stay focused
throughout the entire day.

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But we do our very best.

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We keep each other in check.

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That helps.

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But if you don't have a writing
partner, that's fine, too.

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We like to start really
early in the morning.

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Like, we think--
if I'm not going

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right away, if my brain isn't
locked into writing mode,

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whatever that is, early morning,
then I'm going to fall apart.

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I'm not going to be able
to start mid-afternoon.

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I mean, sometimes
we'll have stuff

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now with "Stranger
Things" where we're

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trying to start writing
at, like, 2:00 PM.

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And it's always a disaster.

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So we've got to get
started right away

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with that cup of coffee.

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And then we give ourselves
a long time to write.

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Like, we write from
roughly, like, 9:00,

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and then we stop
around 6:00 or 7:00,

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which is a really,
really long writing day.

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To me, it makes the
day less stressful

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because I feel like
I have a lot of time.

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I have a lot of room
to make mistakes.

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And then if my mind wanders,
it's not the end of the world.

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And there are other writers--

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I always think about
Stephen King, right?

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I know we all look up to him.

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He's one of the most prolific
writers in the world.

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I think he has a 2,000
words a day goal.

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And as soon as he accomplishes
that, he's done for the day.

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He writes 2,000
words, he's done.

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Sometimes he's done by, like,
11:30 AM, sometimes he's

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done by 2:00 PM, whenever
he hits that goal.

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And that really
works for him, right?

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And then he goes and
watches, like, baseball games

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or whatever it is.

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So everybody has
something very different.

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Some people like the
morning to themselves

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without having to
think about writing.

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So I think the important
thing is figuring out

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what works for you, but setting
goals for yourself, setting up

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a routine for yourself.

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Try to stay off the internet.

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We like working
out of our houses.

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Some people prefer being in
a public space like a coffee

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shop, right, because that
forces them to focus.

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They find it's less distracting.

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I find it more distracting.

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Whatever it is for you works.

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Maybe you have a day
job, and you can't do it.

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Well, maybe two hours every
night when you come home,

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and you just sit
down and you do it.

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And you just find whatever
time you have and go,

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this is when I'm going to write.

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And you spend that
time actually writing.

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And you try to focus.

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You could have the best
big idea in the world,

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but if you don't
have the discipline

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to sit down and actually
spend the time to write it,

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it's just going to sit there.

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[MUSIC PLAYING]

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Another downfall we
see is that people just

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get frustrated.

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I mean, they are working, and
they are putting in the hours,

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but then they just get lost.

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A script just seems broken.

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The script isn't working.

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And you just kind
of throw it away.

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It's so easy to get,
like, lost in the woods

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is kind of what we call it.

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It just feels--
like, 60 pages, 100,

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if you're doing a show,
120 pages, roughly,

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if you're doing a movie.

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It doesn't seem like a lot.

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But it's very easy
to get lost in there,

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lose sight of the
bigger picture.

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And I think that happens
more often than not

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to writers, every writer.

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It certainly happened to us
when we were starting out.

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I mean, we toiled around
with a script forever.

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I mean, we got really lost.

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And nothing ever happened.

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It just ended up
wasting a lot of time.

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What we're going to try to do
with this class is kind of walk

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you through kind of a
step-by-step process

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that will hopefully
allow you to avoid that,

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avoid that sense of
being completely lost.

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When we wrote "Stranger
Things," or "Montauk,"

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as it was known back
then, we wrote it on spec.

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And what spec means,
if you don't know,

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is that we developed
it on our own.

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There was no one attached.

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There was no guarantee of
it selling or much less

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getting made.

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We were just doing it
completely on our own, which

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is very freeing because we're
the only opinions at this stage

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that really matter.

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It's scary, because
you don't know

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if you're putting in all this
time and it won't go anywhere.

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So that's the trade-off.

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But we enjoy just
developing stuff on our own.

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And so that's what we
were doing with this.

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The other danger, though,
of working on spec

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is if you're getting
paid to write something,

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generally you're going
to be given deadlines

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by that company.

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They're going to expect
things at a certain date.

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If you're writing it
on spec, well, there

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are no real deadlines unless you
create deadlines for yourself.

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And I think that
that can occasionally

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be something that helps people.

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Now, I'd be lying to you if
I said that Matt and I were

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great at hitting deadlines.

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We create deadlines for
ourselves all the time.

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We rarely make them.

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But I do think it is
important to set goalposts

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for yourself and
go, okay, well, I'm

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going to work on this outline
for the next two weeks.

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And then I'm hoping that
by Saturday, July 13,

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I'm going to be moving
on into the script stage.

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Now, what this does is it
gives you some structure.

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And I think that
that can be helpful

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if you're writing it on spec.

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The danger of it being, you
may be moving onto a stage

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before you're ready.

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And that's why when I say Matt
and I blow past our deadlines

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all the time, we do
not want to do that.

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We have done that in the past,
where we jump in the script

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or we jump into fleshing
out an outline too early.

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And then what
happens is you end up

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wasting additional
weeks continuing

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to work on something where
you've just gone too far ahead.

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And like Matt's saying,
you get lost in the woods,

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and you have to go
backwards in time,

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throw all that out,
and start from scratch.

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And that is a much
bigger time waster.

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Just make sure not to
move on to the next stage

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until you're feeling
very confident,

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because, as Matt's saying,
it's not like we just

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wasted a few weeks on projects.

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We wasted at least
a year on projects

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where the issue was actually all
the way back to this big idea.

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It was missing some key element.

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And maybe we knew it in our
gut, but we needed to move on.

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We felt we needed to move
on to those next stages.

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And we just went too early.

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So we'd advise you
not to do that.

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No, it's good to create
sort of artificial deadlines

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for yourself.

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And sometimes, the
real world will hit you

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with a deadline of its own.

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So in the case of
"Hidden," I mean,

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that happened because we
were extremely low on money

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at that point.

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We were about to run out.

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We had about a month?

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A month and a half.

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A month and a half in order
to get this script written.

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And it felt like we kind
of had a gun to our heads,

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that we had to get
this script written.

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We had to write a script.

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We had to sell it.

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It felt kind of like
an impossible task.

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But it gave us this
sort of urgency

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and adrenaline that we didn't
have in some of the earlier

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scripts that we had written.

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And that really helped us.

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The same if you end up working
for a studio or whatever,

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you're going to have these
scary deadlines that you're

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going to have to hit.

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A little bit of urgency and
a little bit of a deadline

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is good.

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Don't-- I think something we
did early on is we just indulged

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too much.

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We spent too long on stuff.

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It's good-- a little
bit of speed is good.

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A little bit of speed.

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A little bit of speed is good.

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[MUSIC PLAYING]

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One thing that helps us
as we're working on ideas

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is that we work with each other,
so we have a writing partner.

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So we're able to bounce
ideas off of one another.

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We're very honest
with each other.

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We also grew up,
obviously, together,

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so we've watched all the
same movies and the TV shows.

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We have the same references.

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We have mostly the same
things that we love.

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So that helps.

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We have, obviously,
quite the shorthand.

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But I think it can
be helpful if you

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have a sounding board, someone
else that you can bounce ideas

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off of.

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You go to someone
that you trust,

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whether it's a friend or
family or someone you've

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met in school.

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And you can go, hey,
I have some ideas,

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and I want to see how
you respond to them.

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I think that that's
also something that can

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work as part of your process.

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One thing that helps Ross and
I in terms of staying focused

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is that we have the
other one to check.

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So if suddenly I'm on the
internet, Ross will go, Matt,

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what are you doing?

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I don't see you on my
Google document with me.

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Like, where are you?

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Focus back in.

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So it does help to
have a writing partner.

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We know most people
don't have a twin,

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so we're fortunate in the
sense that we have twins.

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Oftentimes, we know
people who find--

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who do have a
writing partner who

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find someone who shares
their sensibilities who

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they enjoy working with.

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But we also have a lot of
friends who write on their own,

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and they don't
have that partner.

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So to sort of refocus them, I
think if you're working alone,

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then that means it's
more important than ever

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that you have a routine and
structure and deadlines, all

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of the stuff that
we talked about,

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because you don't have someone
else checking in with you.

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Maybe you're going to
say, hey, in two weeks,

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I'm going to send this outline
to my friend for feedback.

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And maybe they'll check
in with you in two weeks

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and go, hey, how's
that outline coming?

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That helps.

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So there are ways around it.

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But whatever you do, and
this is very personal,

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but come up with a
way to give yourself

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a little bit of structure.

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If you are working
with a writing partner,

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you may both have
your own strengths.

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For Matt and I,
for instance, I'm

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generally trying to
keep pushing us forward.

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We got to get this done.

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We got to write this outline.

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We got to get to this script.

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Right.

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Matt is very good at
going, well, wait a minute,

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this isn't figured out now.

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It's a little bit like
checks and balances.

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So I think we sort of
push and pull each other,

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and we find a good balance there
where we are making progress.

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We're not getting too
lost in the woods.

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But at the same time,
we're making sure

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that everything is up to par.

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00:11:23,860 --> 00:11:25,870
MATT (VOICEOVER): So in
this next assignment,

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find someone you
trust who can serve

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as your sounding
board for your ideas

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00:11:29,980 --> 00:11:33,450
or to help keep you
accountable to your deadlines.


